This is a representation of the work they are doing on brain-computer interfaces (BCI) at the Technical University of Graz (TU Graz; Austria),
A Sept. 11, 2017 news item on phys.org announces the research into thinking melodies turning them into a musical score,
TU Graz researchers develop new brain-computer interface application that allows music to be composed by the power of thought. They have published their results in the current issue of the journal PLOS ONE.
Brain-computer interfaces (BCI) can replace bodily functions to a certain degree. Thanks to BCI, physically impaired persons can control special prostheses via their minds, surf the internet and write emails.
A group led by BCI expert Gernot Müller-Putz from TU Graz’s Institute of Neural Engineering shows that experiences of quite a different tone can be sounded from the keys of brain-computer interfaces. Derived from an established BCI method for writing, the team has developed a new application by which music can be composed and transferred onto a musical score through the power of thought. It employs a special cap that measures brain waves, the adapted BCI, music composition software, and a bit of musical knowledge.
A Sept. 6, 2017 TU Graz press release by Suzanne Eigner, which originated the news item, explains the research in more detail,
The basic principle of the BCI method used, which is called P300, can be briefly described: various options, such as letters or notes, pauses, chords, etc. flash by one after the other in a table. If you’re trained and can focus on the desired option while it lights up, you cause a minute change in your brain waves. The BCI recognises this change and draws conclusions about the chosen option.
Musical test persons
18 test persons chosen for the study by Gernot Müller-Putz, Andreas Pinegger and Selina C. Wriessnegger from TU Graz’s Institute of Neural Engineering as well as Hannah Hiebel, meanwhile at the Institute of Cognitive Psychology & Neuroscience at the University of Graz, had to “think” melodies onto a musical score. All test subjects were of sound bodily health during the study and had a certain degree of basic musical and compositional knowledge since they all played musical instruments to some degree. Among the test persons was the late Graz composer and clarinettist, Franz Cibulka. “The results of the BCI compositions can really be heard. And what is more important: the test persons enjoyed it. After a short training session, all of them could start composing and seeing their melodies on the score and then play them. The very positive results of the study with bodily healthy test persons are the first step in a possible expansion of the BCI composition to patients,” stresses Müller-Putz.
Sideshow of BCI research
This little-noticed sideshow of the lively BCI research at TU Graz, with its distinct focus on disabled persons, shows us which other avenues may yet be worth exploring. Meanwhile there are some initial attempts at BCI systems on smart phones. This makes it easier for people to use BCI applications, since the smart phone as powerful computer is becoming part of the BCI system. It is thus conceivable, for instance, to have BCI apps which can analyse brain signals for various applications. “20 years ago, the idea of composing a piece of music using the power of the mind was unimaginable. Now we can do it, and at the same time have tens of new, different ideas which are in part, once again, a long way from becoming reality. We still need a bit more time before it is mature enough for daily applications. The BCI community is working in many directions at high pressure.
Here’s a link to and a citation for the paper,
Composing only by thought: Novel application of the P300 brain-computer interface by Andreas Pinegger, Hannah Hiebel, Selina C. Wriessnegger, Gernot R. Müller-Putz. PLOS https://doi.org/10.1371/journal.pone.0181584 Published: September 6, 2017
This paper is open access.
This BCI ‘sideshow’ reminded me of The Music Man, a musical by Meredith Wilson. It was both a play and a film and I’ve only ever seen the 1962 film. It features a con man, Harold Hill, who sells musical instruments and uniforms in small towns in Iowa. He has no musical training but while he’s conning the townspeople he convinces them that he can provide musical training with his ‘think method’. After falling in love with one of the townsfolk, he is hunted down and made to prove his method works. This is a clip from a Broadway revival of the play where Harold Hill is hoping that his ‘think method’ while yield results,
Of course, the people in this study had musicaltraining so they could think a melody into a musical score but I find the echo from the past amusing nonetheless.