The 2012 ISEA (International Symposium on Electronic Arts) is being held in Albuquerque, New Mexico from Sept. 19 – 24, 2012. From the ISEA 2012 home page,
The Eighteenth International Symposium on Electronic Art, ISEA2012 Albuquerque: Machine Wilderness is a symposium and series of events exploring the discourse of global proportions on the subject of art, technology and nature. The ISEA symposium is held every year in a different location around the world, and has a 30-year history of significant acclaim. Albuquerque is the first host city in the U.S. in six years.
The ISEA2012 symposium will consist of a conference September 19 – 24, 2012 based in Albuquerque with outreach days along the state’s “Cultural Corridor” in Santa Fe and Taos, and an expansive, regional collaboration throughout the fall of 2012, including art exhibitions, public events, performances and educational activities. This project will bring together a wealth of leading creative minds from around the globe, and engage the local community through in-depth partnerships.
Machine Wilderness references the New Mexico region as an area of rapid growth and technology alongside wide expanses of open land, and aims to present artists’ and technologists’ ideas for a more humane interaction between technology and wilderness in which “machines” can take many forms to support life on Earth. Machine Wilderness focuses on creative solutions for how technology and the natural world can sustainably co-exist.
The program will include: a bilingual [English/Spanish] focus, an indigenous thread, and a focus on land and skyscape. Because of our vast resource of land in New Mexico, proposals from artists are being sought that will take ISEA participants out into the landscape. The Albuquerque Balloon Museum offers a unique opportunity for artworks to extend into the sky as well.
Final decisions are being made now so the lists of programs and speakers aren’t complete yet but there is a sampling of some of what you’ll find in New Mexico this coming September (excerpted from the sampling on the Artworks/Performances page),
Eve Andrée Laramée & Tom Jennings (USA)
at 516 ARTS
Invisible Landscape is a collaborative installation concerning the Cold War, “atomic” legacy; uranium mining and radioactive waste from the nuclear power industry and its “Parent machine” the nuclear weapons complex. The installation includes video projections and sculptures, digital photography, and light-box and sound sculptures. It is a mash-up of works by Laramée & Jennings, and includes components from Jennings’ installation Rocks and Code and Laramée’s installations Halfway to Invisible and Slouching Yucca Mountain.
Agnes Chavez (USA/Cuba) & Alessandro Saccoia (Italy)
at The Albuquerque Museum
(x)trees is a collaborative experiment in open source data visualization, video mapping and participatory art. Multi-disciplinary artist Agnes Chavez created the project in collaboration with open source net artist Jared Tarbell to write the open source video mapping code which captures data live from twitter, converts it into branches of trees and allows it to be projected onto walls and buildings as part of a socially interactive art piece. Chavez has collaborated with a team in Buenos Aires, Argentina; Creative Coder Jeff Milton, actionscript programmer Joe Roth, and videographer Matia Legaria, to realize a live event in BsAs. For ISEA2012, Chavez and collaborators will push the boundaries of the new medium to create a socially interactive virtual forest. New forms such as leaves and flowers will emerge around most used topics/key words, visualizing the “buzz” around the conference. (x)tree helps raise awareness to the importance of preserving linguistic, cultural and ecological diversity around the world.
Fred Paulino & Lucas Mafra (Brazil)
at 516 ARTS
Gambiocycle is a Mobile Broadcast unit. It is a tricycle containing electronic great for interactive video projection and digital graffiti in public space. The vehicle is inspired by anonymous ambulant salesmen that ride on wheels over Brazilian cities, mostly selling products or doing political advertisement. Gambiocycle, however, subverts this logic by gathering elements of performance, happening, electronic art, graffiti and “gambiarra” (makeshift, kludge): what it advertises is only a new era of straight democratic dialogue between people who participate of the interventions and their city.
Ivan Puig & Andrés Padilla Domené (Mexico)
at The Albuquerque Museum
SEFT-1, by Mexican artists Ivan Puig and Andrés Padilla Domené is one of the most important projects working in the art, technology and society field in Mexico. This “Manned Railway Exploration Probe” is a vehicle equipped with a Hi-Rail system, a metal wheel mechanism that enables it to move on rails. Mexico’s trains once formed a network of connections between big cities and tiny pueblos throughout the country. This exploratory probe travels abandoned railways using photography, video, audio and text to record contemporary people, landscape and infrastructure in largely remote areas of the country, creating a futuristic exploration of Mexico’s past. The information recorded is continuously uploaded to the project’s website where the public can follow the SEFT’s progress. For ISEA2012, the SEFT will make a historic journey from the U.S./Mexico border to Albuquerque. The vehicle will be displayed as part of the ISEA2012 exhibition, and the artists will speak at the Latin American Forum. The journey of the SEFT-1 to El Paso for pre-conference activities is sponsored by The Stanlee and Gerald Rubin Center for the Visual Arts, University of Texas, El Paso.
Sampling of Performances
Idris Goodwin (USA)
performed during ISEA2012 Intel Education Day
Hip Hop playwright Idris Goodwin will create an original, collaborative, multi-media performance work built entirely from public conversations and debates sampled from various social networking sites. Youth participants rom the National Hispanic Cultural Center’s Voces program will cross-reference more than 500 Facebook statuses, comments and Twitter feeds based on specific generic dramatic tropes. The project will interweave hundreds of digital dialogues to dramatize the human interactions of a virtual society. Youth, being the key pioneers of the virtual landscape, are integral to the process of creation.
Miguel Palma (Portugal)
remote Desert Exploration Vehicle
performed at the Downtown Block Party
In collaboration with engineers, robotics experts, geographers, car enthusiasts, military historians and other, Portuguese artist Miguel Palma will convert a former military vehicle into a remote exploration vehicle that will explore desert surroundings during the day and return to urban areas in the evening to project the desert imagery on buildings and other spaces at night. This project is sponsored by ASU Art Museum and the Desert Initiative.
Here’s a sampling from the Speakers & Panels page,
Public Dialogue: A Conversation with Prominent Brazilian artists and curators
For the ISEA2012 Latin American Forum, artist Giselle Beiguelman and curator Priscila Arantes, mediated by Simone Osthoff, will speak on the international art scene, offering the public a chance to see dynamic dialogues about contemporary media art from first-hand perspectives and experiences. Giselle Beiguelman guest juror of ISEA2012, is an international new media artist and multimedia essayist born and based in São Paulo, Brazil. She received a PhD in History from the University of São Paulo and is a former fellow of the VITAE Foundation. Priscila Arantes, Adjunct Director of MIS [Museum of Image and Sound] São Paulo, since 2010, the director of the Paço das Artes also in São Paulo, is a researcher and curator in the field of media art. Simone Osthoff is a Brazilian born artist and writer based in the U.S. since 1988. She is Associate Professor of Critical Studies in the School of Visual Arts at the Pennsylvania State University and the author of Performing the Archive: The Transformation of the Archive in Contemporary Art From Repository of Documents to Art Medium (Atropos Press, 2009).
Lea Rekow & Marc Schmitz
Mapping Contested Territory
For The Cosmos: Radical Cosmologies theme, theme leader Lea Rekow and artist Marc Schmitz will present a dialogue that brings together critical arts practice and action geography, describing an aerial and walking survey conducted with the Navajo community of Churchrock, New Mexico. Their journey maps radioactive accidents, abandoned uranium mines, dams and mills, that lie un-reclaimed and continue to ravage Navajo land, families and culture in the region. For the ISEA2012 conference, Rekow and Schmitz will offer a co-presention/skype panel with/at the Land Art Mongolia Biennial, that simultaneously looks at the impact from mining on indigenous culture of Mongolia and elsewhere.
For the Creative Economies: Ecotopias theme, OurGoods.org co-founder Caroline Woolard will give a talk about the problems and possibilities of non-monetary exchange. If resource sharing is a paradigm of the 21st century, how do we build trust and communicate effectively at intimate-distance? This talk will explore the subjectivities made (im)possible by alternative economies, both analog and digital. Culled from three years of research and development as a co-founder of OurGoods.org and Trade School, two barter networks for cultural producers, Woolard’s talk reflects upon a contemporary fumbling for sharing relationships. Caroline Woolard is a Brooklyn based, post-media artist exploring civic engagement and communitarianism. Her work is collaborative and often takes the form of sculptures, websites and workshops.
There are a number of residencies and special projects,
ISEA2012 includes an array of residencies and special projects hosted by partnering organizations around the New Mexico and the region. They include artist-scientist residencies, site projects, artworks, performances and presentations, with schools, arts organizations, environmental organizations and the scientific and technological community. Some of the residencies and off-site projects feature a gallery component as part of the main ISEA2012 exhibition and/or a presentation at the conference.
Amongst other residencies, I noticed one for e-poetry, which I believe is still open for submissions. Here’s more about the residency (from the e-poetry residency [Local Poets’ Guild] page,
Local Poets’ Guild (LPG) is offering a poet re-envisioning art, technology and nature a two-week residency from September 4 – 18, 2012. LPG is specifically looking for poetry using electronic art forms with at least one component that will be accessible on the web. The writer selected will stay in a house on 3.6 acres in the high desert, located down three miles of dirt roads near the town of Moriarty, New Mexico, about 35 miles from Albuquerque. The residency may be extended for up to two weeks at no additional expense.
The poet who receives the residency will be offered a $400 honorarium from the Local Poets Guild and invited to share their work as an Internet present e-poem and in a reading at 516 ARTS as part of the ISEA 2012 conference.
The modest cabin is furnished and has full kitchen, bath, laundry, bedroom and workspace. The structure is nestled amid piñon and juniper trees, abuts an old windmill, and is backed up to 11,000 acres of forested ranchland, which is accessible to hiking. Expect coyotes, owls, nighthawks, deer, the occasional javelina or porcupine, plus great sunlight and better stars. Writers will be expected to provide their own transportation. Couples and/or collaborators are also eligible.
Please submit a 300-word bio with a 500-word project statement and a link to a prior e-poetry project. Poets who don’t have a prior e-poetry project or prefer to show new work, should submit a “.doc” file in Microsoft Word of a PDF including all information plus five pages of poetry.
Description of sponsoring organization:
The Local Poets’ Guild’s mission is to advocate for poetry, develop audience, engage poets and foster the creative process, from conception and craft to publication and performance. The Local Poets’ Guild offers programs including a rural writers residency, craft talks and workshops, featured readings, showcases, publication of books and cd’s, writing to heal and writing nonviolence workshops, plus an online information hub, all completely community driven and requiring the best efforts of the poets involved. For more information, visit http://localpoetsguild.wordpress.com/
Good luck !
Registration for the conference opened March 2, 2012. Early bird fees apply until July 25, 2012.