Tag Archives: art/sci

Quantum Rhapsodies

“Quantum Rhapsodies” combines a narrative script, video images and live music by the Jupiter String Quartet to explore the world of quantum physics. The performance will premiere April 10 [2019] at the Beckman Institute for Advanced Science and Technology. Courtesy Beckman Institute for Advanced Science and Technology

Here’s more about Quantum Rhapsodies, a free public art/science music performance at the University of Illinois on April 10, 2019, from an April 5, 2019 University of Illinois news release (also here) by Jodi Heckel,

A new performance that explores the world of quantum physics will feature the music of the Jupiter String Quartet, a fire juggler and a fantastical “Alice in Quantumland” scene.

“Quantum Rhapsodies,” the vision of physics professor Smitha Vishveshwara, looks at the foundational developments in quantum physics, the role it plays in our world and in technology such as the MRI, and the quantum mysteries that remain unanswered.

“The quantum world is a world that inspires awe, but it’s also who we are and what we are made of,” said Vishveshwara, who wrote the piece and guided the visuals.

The performance will premiere April 10 [2019] as part of the 30th anniversary celebration of the Beckman Institute for Advanced Science and Technology. The event begins with a 5 p.m. reception, followed by the performance at 6 p.m. and a meet-and-greet with the show’s creators at 7 p.m. The performance will be in the atrium of the Beckman Institute, 405 N. Mathews Ave., Urbana, [emphases mine] and it is free and open to the public. While the available seating is filling up, the atrium space will allow for an immersive experience in spite of potentially restricted viewing.

The production is a sister piece to “Quantum Voyages,” a performance created in 2018 by Vishveshwara and theatre professor Latrelle Bright to illustrate the basic concepts of quantum physics. It was performed at a quantum physics conference celebrating Nobel Prize-winning physicist Anthony Leggett’s 80th birthday in 2018.

While “Quantum Voyages” was a live theater piece, “Quantum Rhapsodies” combines narration by Bright, video images and live music from the Jupiter String Quartet. It ponders the wonder of the cosmos, the nature of light and matter, and the revolutionary ideas of quantum physics. A central part of the narrative involves the theory of Nobel Prize-winning French physicist Louis de Broglie that matter, like light, can behave as a wave.

The visuals – a blend of still images, video and animation – were created by a team consisting of the Beckman Visualization Laboratory; Steven Drake, a video producer at Beckman; filmmaker Nic Morse of Protagonist Pizza Productions; and members of a class Vishveshwara teaches, Where the Arts Meet Physics.

The biggest challenge in illustrating the ideas in the script was conveying the scope of the piece, from the galactic scale of the cosmos to the subatomic scale of the quantum world, Drake said. The concepts of quantum physics “are not something you can see. It’s theoretical or so small you can’t put it under a microscope or go out into the real world and film it,” he said.

Much of the work involved finding images, both scientific and artistic, that would help illustrate the concepts of the piece and complement the poetic language that Vishveshwara used, as well as the music.

Students and teaching assistant Danielle Markovich from Vishveshwara’s class contributed scientific images and original paintings. Drake used satellite images from the Hubble Space Telescope and other satellites, as well as animation created by the National Center for Supercomputing Applications in its work with NASA, for portions of the script talking about the cosmos. The Visualization Laboratory provided novel scientific visualizations.

“What we’re good at doing and have done for years is taking research content and theories and visualizing that information. We do that for a very wide variety of research and data. We’re good at coming up with images that represent these invisible worlds, like quantum physics,” said Travis Ross, the director of the lab.

Some ideas required conceptual images, such as footage by Morse of a fire juggler at Allerton Park to represent light and of hands moving to depict the rotational behavior of water-based hydrogen within a person in an MRI machine.

Motion was incorporated into a painting of a lake to show water rippling and light flickering across it to illustrate light waves. In the “Alice in Quantumland” sequence, a Mad Hatter’s tea party filmed at the Illini Union was blended with cartoonlike animated elements into the fantasy sequence by Jose Vazquez, an illustrator and concept artist who works in the Visualization Lab.

“Our main objective is making sure we’re representing it in a believable way that’s also fun and engaging,” Ross said. “We’ve never done anything quite like this. It’s pretty unique.”

In addition to performing the score, members of the Jupiter String Quartet were the musical directors, creating the musical narrative to mesh with the script. The music includes contemplative compositions by Beethoven to evoke the cosmos and playful modern compositions that summon images of the movements of particles and waves.

“I was working with such talented people and creative minds, and we had fun and came up with these seemingly absurd ideas. But then again, it’s like that with the quantum world as well,” Vishveshwara said.

“My hope is not necessarily for people to understand everything, but to infuse curiosity and to feel the grandness and the beauty that is part of who we are and the cosmos that we live in,” she said..

Here’s a preview of this free public performance,

How to look at SciArt (also known as, art/science depending on your religion)

There’s an intriguing April 8, 2019 post on the Science Borealis blog by Katrina Vera Wong and Raymond Nakamura titled: How to look at (and appreciate) SciArt,

….

The recent #SciArt #TwitterStorm, in which participants tweeted their own sciart and retweeted that of others, illustrated the diversity of approaches to melding art and science. With all this work out there, what can we do, as advocates of art and science, to better appreciate sciart? We’d like to foster interest in, and engagement with, sciart so that its value goes beyond how much it costs or how many likes it gets.

An article by Kit Messham-Muir based on the work of art historian Erwin Panofsky outlines a three-step strategy for looking at art: Look. See. Think. Looking is observing what the elements are. Seeing draws meaning from it. Thinking links personal experience and accessible information to the piece at hand.

Looking and seeing is also part of the Visual Thinking Strategies (VTS) method originally developed for looking at art and subsequently applied to science and other subjects as a social, object-oriented learning process. It begins by asking, “What is going on here?”, followed by “What do you see that makes you think that?” This allows learners of different backgrounds to participate and encourages the pursuit of evidence to back up opinions.

Let’s see how these approaches might work on your own or in conversation. Take, for example, the following work by natural history illustrator Julius Csotonyi:

I hope some of our Vancouver-based (Canada) art critics get a look at some of this material. I read a review a few years ago and the critic seemed intimidated by the idea of looking at work that explicitly integrated and reflected on science. Since that time (Note: there aren’t that many art reviewers here), I have not seen another attempt by an art critic.

A sprinkling of science and art/science events in Vancouver (Canada) during February and March 2019)

One February event previously mentioned in my February 4, 2019 posting, ‘Heart & Art—the first Anatomy Night in Canada—February 14, 2019 in Vancouver’, is sold out! If you’re feeling lucky, you could join the waitlist (click on Tickets). I think the University of British Columbia’s Heartfelt images created by medical students will be featured at the event. The image below is from Heartfelt Images 2013,

Turbulent Flow; 1st Place Credit: April Lu (VFMP)

I love how the artist has integrated a salmon and Hokusai’s Great Wave, while conveying information about blood flow into and out of the heart. BTW, you might want to look at the image on its ‘homesite’ as I don’t think the aspect ratio here is quite right. Note: Heartfelt Images were copied and moved to a new website and organized with newer images into the teachingmedicine.com site’s ‘Art Gallery‘.

Onwards, I have two events and an opportunity.

Traumatic Brain Injury: a Brain Talks event

Courtesy: Brain Talks

The Brain Talks folks at the University of British Columbia (UBC) emailed a February 8, 2019 announcement (Note: I have made a few minor formatting changes to the following),

Traumatic Brain Injury; Molecular Mechanisms to Chronic Care

Wednesday, February 20th, 2019 from 6:00 pm – 8:30 pm

Join us on February 20th for talks on Traumatic Brain Injury spanning from molecular mechanisms to chronic clinical care. We are excited to announce presenters who both practice in the community and perform high level research. Our presenters include Dr. Cheryl Wellington, director of ABI Wellness Mark Watson, and clinical rehabilitation director Heather Branscombe.

Dr. Cheryl Wellington is a professor and researcher internationally recognized for her work on lipid and lipoprotein metabolism in the brain. Her group has made key contributions to the understanding of the role of apolipoprotein E (apoE) in Alzheimer’s Disease as well as the critical role played in repair of damaged neurons after TBI.

Mark Watson is the Chief Executive Officer of ABI Wellness, a clinic specializing in providing services for patients with chronic brain injury to improve higher order cognitive functioning. Mark has worked in education and cognitive rehabilitation since 2002, having served as a teacher, administrator, Executive Director and CEO. A frequent speaker on the topic of brain injury rehabilitation Mark has presented this work to: Public health agencies, BC Cancer Agency, The NHL Alumni Assoc., NFLPA Washington State.

Heather Branscombe serves as the Clinic Director and owner of Abilities Neurological Rehabilitation. A physiotherapist by training, Heather has consulted as a clinical specialist to a rehabilitation technology company and has taught therapists, orthotists and physicians across Canada. She is involved in research projects with the University of British Columbia (FEATHER’s project) and has been asked to be the exclusive BC provider of emerging therapy practice such as the telemedicine driven ReJoyce through rehabtronics. Professionally, Heather volunteers her time as a member of the Board of Directors for the Stroke Recovery Association of B.C. and is the past-chair of the Neurosciences Division of the Canadian Physiotherapy Association.

After the talk, at 7:30 pm, we host a social gathering with healthy food and non-alcoholic drinks. For physicians, the event is CME accredited for a MOC credit of 1.5.

We look forward to seeing you there!

Should you be interested in attending, tickets are $10 + tax. Here are the logistics (from the Traumatic Brain Injury event webpage),

Date and Time
Wed, 20 February 2019
6:00 PM – 8:00 PM PST
Add to Calendar
Location
Paetzhold Theater
Vancouver General Hospital
Vancouver, BC
View Map
Refund Policy
Refunds up to 1 day before event

You can purchase a ticket by going to the Traumatic Brain Injury event webpage.

Linguistics is a social science

I don’t offer much coverage of the social sciences, so there’s this to partially make up for it. From a February 7, 2019 Society of Italian Researchers and Professionals in Western Canada (ARPICO) announcement (received via email),

We are pleased to be writing to you to announce the first event of 2019. After having learned how hard-core dark matter physicists are finding out what our universe is made of, we’ll next have the pleasure to hear from a scholar in a humanistic discipline. Mark Turin will be talking on the topic of language diversity and its importance in our time. In a city with some of the highest levels of cultural variety in the nation, we believe this topic is very relevant and timely. Please, read on for details on the lecture by Dr. Turin in a few weeks.

The first event of ARPICO’s winter 2019 activity will take place on Wednesday, March 6th, 2019 at the Italian Cultural Centre (see the attached map for parking and location). Our speaker will be Dr. Mark Turin, an Associate Professor of Anthropology and First Nations Languages at the University of British Columbia in Vancouver. Trained in anthropology and linguistics, he has worked in collaborative partnership with Indigenous peoples in the Himalayas for over 20 years and more recently with First Nations communities in the Pacific Northwest. He is a committed advocate for the enduring role of Indigenous and minority languages, online, in print and on air through his BBC radio series.

We look forward to seeing everyone there.
The evening agenda is as follows:
6:30 pm – Doors Open for Registration
7:00 pm – Introduction by Nicola Fameli and Lucio Sacchetti
7:15 pm – Start of the evening event with introductions & lecture by Dr. Mark Turin
~8:00 pm – Q & A Period
to follow – Mingling & Refreshments until about 9:30 pm
If you have not already done so, please register for the event by visiting the EventBrite link or RSVPing to info@arpico.ca.
..

Also included in the announcement is more detail about the March 6, 2019 talk along with some logistical information,

Rising Voices: Linguistic diversity in a Globalized World

The linguistic diversity of our species is under extreme stress, as are the communities who speak increasingly endangered speech forms. Of the world’s living languages, currently numbering around 7,000, around half will cease to be spoken as everyday vernaculars by the end of this century.

For communities around the world, local languages function as vehicles for the transmission of unique traditional knowledge and cultural heritage that become threatened when elders die and livelihoods are disrupted. As globalisation and rapid socio-economic change exert complex pressures on smaller communities, cultural and linguistic diversity is being transformed through assimilation to more dominant ways of life.

In 2016, the United Nations General Assembly adopted a resolution proclaiming 2019 as the International Year of Indigenous Languages to help promote and protect Indigenous languages. This celebration of linguistic vitality and resilience is welcome, but is it enough? And in an increasingly and often uncomfortably interconnected world, what is the role for the ‘heritage’ languages that migrants bring with them when they move and settle in new places?

In this richly illustrated lecture, I will draw on contemporary examples from North America, Asia and Europe to explore the enduring importance and compelling value of linguistic diversity in the 21st century.
 
WHEN: Wednesday, March 6th, 2019 at 7:00pm (doors open at 6:30pm)
WHERE:Italian Cultural Centre – Museum & Art Gallery – 3075 Slocan St, Vancouver, BC, V5M 3E4
RSVP: Please RSVP at EventBrite (https://linguisticdiversity.eventbrite.ca/) or email info@arpico.ca

Tickets are Needed
Tickets are FREE, but all individuals are requested to obtain “free-admission” tickets on EventBrite site due to limited seating at the venue. Organizers need accurate registration numbers to manage wait lists and prepare name tags.

All ARPICO events are 100% staffed by volunteer organizers and helpers, however, room rental, stationery, and guest refreshments are costs incurred and underwritten by members of ARPICO. Therefore to be fair, all audience participants are asked to donate to the best of their ability at the door or via EventBrite to “help” defray costs of the event.

Should you attend, read the parking signs carefully. Not all the areas adjacent (that includes parts of the parking lot) to the Italian Cultural Centre are open to public parking.

Her Story: an art/sci opportunity for filmmakers and scientists in Metro Vancouver

I found this on the Curiosity Collider website (Note: I have made a few minor formatting changes),

Her Story: Canadian Women Scientists will be a series of artist-created narrative videos in which local women scientists tell us stories of Canadian women who came before them in their field of study.  Through these stories, we will also learn about the narrating scientists themselves. We are looking for several filmmakers to each create one 5 – 6 minute short film that features a mixture of live action, animation, and narration.  Download this call in pdf

Each film is a collaboration between a film artist and a scientist.  The final product will be a storytelling artwork rather than a documentary style presentation.  We encourage teams to incorporate unique complementary visuals that will enhance the scientist’s story and bring it to life.

Filmmakers are submitting an application to work with a scientist, and after being paired with one by Curiosity Collider, the scientist and filmmaker will choose a historical figure and create the content for the film in collaboration.  Filmmakers may indicate a scientific field of interest, or propose their own Canadian woman scientist who would be interested in participating, however overall scientists will be selected with consideration for diversity of subject matter.  Deadline for submission is 25 March 2019.

Your film will premiere as part of this project at an in-person viewing event in a Vancouver theatre in September 2019.  The event will include an interactive component such as a panel discussion on art, science, and gender.  After the premiere event, the videos will be available through Curiosity Colllider’s social media channels including YouTube and our website(s).  We will also pursue subsequent opportunities as they arise, such as film festivals, University screenings, and Women in Science conferences. We envision this first series as the beginning of a collection that we will promote and grow over several years. This is an opportunity to get involved early, to join our growing community, and to be paid for your work.  

We are expecting concept-driven independent freelancers with experience in directing, cinematography, shooting, editing, and animating of short films.  $1300 is allocated to each film, which must feature live action, animation, and narration. Filmmakers are welcome to propose independent work or collaborative work (as a filmmaking team).   If submitting a proposal as a team, the proposal must clarify team member responsibility and breakdown of fee; a team leader who will be responsible for contract and distribution of funds must be specified.  The fee will be paid out only upon completion of the film. There is no additional funding for equipment rental.

Any animation style will be considered.  The following National Film Board examples show a combination of live action, animation, and narration:  
1.  https://bit.ly/2xJTAwz,  2. https://bit.ly/2DDqvbw.  
And this YouTube example shows another animation style (although it is lacking the narration and should be considered a visual example only):  
3.  https://youtu.be/I62CwxUKuGA?t=54
Animation styles not shown in the examples are welcome.  If you have any questions please contact submissions@curiositycollider.org.
All complete submissions will be reviewed and considered.  We will add you to our database of creators and contact you if we feel you are a great fit for any of our other events

Eligibility:
Your submitted materials must fit within our mandate.
You may submit applications for other Collider projects in addition to this one.  
Applications will be accepted from everywhere, however filming will take place in Metro Vancouver, BC.  At this time we are unable to cover travel expenses

In your submission package (scroll down to access submission form), include:
A statement (500 word max) about how you will approach collaboration with the scientist. Tell us about your scientific fields of interest, inspirations, and observations. Include information about your team if applicable.
A bio (200 word max)
A CV (3 page max)
Submit a link to a single video or reel of up to 7 minutes total to represent your work
A list of works included in your video submission, and any brief pertinent details (1 page max)
A link to your website
Your name, address, email, and any other contact information.
If you have any questions about this call for submissions, contact us at submissions@curiositycollider.org.
 
This project is funded by:
Westcoast Women in Engineering and Science (WWEST) and eng•cite The Goldcrop Professorship for Women in Engineering at the University of British Columbia

Enjoy and good luck!

Heart & Art—the first Anatomy Night in Canada—February 14, 2019 in Vancouver

First the local side of this news and then the international.

Vancouver

From a February 4, 2019 Curiosity Collider email,

Join Curiosity Collider and UBC [University of British Columbia] anatomists and medical illustrators on a tour of our remarkable heart on Valentine’s day [sic]

Pre-registration on Eventbrite is required. Only 15 spots are available. Purchase your tickets now!

During this special event we will explore the heart, a spectacular organ, through art, dissection, illustration, and discussion with UBC professor Claudia Krebs, MD/graduate student Najah Adreak, associate professor Carol-Ann Courneya, and medical illustrator Paige Blumer.

What to expect? This event is organized with members of UBC Department of Cellular & Physiological Sciences and UBC Continuing Professional Development.

An anatomy of the heart presentation and bovine heart dissection by UBC professor Claudia Krebs and MD/graduate student Najah Adreak.

A discussion on the heart in art with Heartfelt Images founder and UBC associate professor Carol-Ann Courneya.

Illustrating the heart (draw your own!) – hands-on introduction with medical illustrators Paige Blumer and Kate Campbell

Q&A and casual mingling

What are Anatomy Nights?

Anatomy Nights started out in Hull, UK as a public outreach event to bring anatomy knowledge to the general public. During an anatomy night, an anatomist talks about a specific organ and then performs a live dissection of that organ – not human: in this case it will be a bovine heart. This year the event is expanding to a new frontier with a global anatomy night – this will be the beginning of the Canadian series of events.

About the event
This event is open to all ages but minors must be accompanied by adults. Event venue is wheelchair accessible. Refreshments are available by donation. Proceeds will be used to cover the cost of running the event; profits will be donated to the Heart and Stroke Foundation.

Logistics for the event (from the Curiosity Collider Heart & Art event page);

Anatomy Night: Heart and Art

Date/Time
Date(s) – 14/02/2019
7:00 pm – 9:00 pm

Location
Artworks – Gallery
237 E 4th Ave, Vancouver, BC

Anatomy Nights International

I checked out the anatomynights.com website and found this Valentine’s Day listing of events (from their events webpage):

Valentine’s Day 2019

In 2019 we have gone international. Follow the links below to book places at an event near you.

You can learn all about the heart and see inside as part of the dissection of an animal heart.

UK

Newcastle – The Bridge Hotel

Brighton – The Walrus

Edinburgh – Summerhall

Belfast – The Black Box SOLD OUT

Bristol – The Greenbank, Easton

EUROPE

Riga, Latvia – Cafe Spiikiizi SOLD OUT

USA

Indianapolis – CentrePoint Brewery (Friday 15th February)

CANADA

canada

     Vancouver – 237 E 4th Ave, Vancouver, BC V5T 0B4

Happy Valentine’s Day! One final note, Curiosity Collider is a not-for-profit volunteer art/science organization based in Vancouver, Canada.

Art. Science. Optics. A Collider Café event in Vancouver (Canada) on January 23, 2019

The Curiosity Collider folks have decided to ring in the new year with an event focused on optics. Here’s more from their January 15, 2019 announcement (received via email),

FROM CONTEMPORARY ART TO SCIENCE ILLUSTRATION, IS “SEEING” REALLY
“BELIEVING”? OR IS THERE MORE TO IT THAN THERE SEEMS? HOW CAN WE EXPLORE
THE POSSIBILITIES THROUGH ART AND SCIENCE?

OUR #COLLIDERCAFE IS A SPACE FOR ARTISTS, SCIENTISTS, MAKERS, AND
ANYONE INTERESTED IN ART+SCIENCE. MEET, DISCOVER, CONNECT, CREATE. Are
you curious? Join us at “Collider Cafe: Art. Science. Optics.” to
explore how art and science intersect in the exploration of curiosity.

When: 8:00pm on Wednesday, January 23, 2019 Doors open at 7:30pm.
Where: Café Deux Soleils. 2096 Commercial Drive, Vancouver, BC (Google Map).
Cost: $5-10 (sliding scale) cover at the door. Proceeds will be used to cover the cost of running this event, and to fund future Curiosity Collider events.

With speakers:

Annie Briard, Contemporary Artist : What our eyes perceive but we do not see
Catherine Stewart, Visual Artist: The Museum as Muse: natural history collections as a resource for artistic exploration
Vicky Earle, Medical and Scientific Illustrator: The Art of Science & Medical Illustration
Ramey Newell, Photographer/Film Maker/Artist: Manifest Obscura: Reimagining/reimaging landscape through microbial collaboration
Julius T. Csotonyi, Paleoart, Natural History and Science Illustrator: A Mutualism of Endeavors

Head to the Facebook event page – let us know you are coming and share this event with others! Follow updates on instagram via @curiositycollider or #ColliderCafe. 

The announcement also includes other art/science events currently happening in Vancouver,

Looking for more Art+Science in Vancouver?

The work by one of our Collider Cafe speaker Catherine Stewart is on exhibition at the UBC Beaty Biodiversity Museum! “Skin & Bones” until August 13, 2019.

Another exhibition at the Beaty Biodiversity Museum: The Wild Creative by Asher Jay until April 28, 2019. “Examine biodiversity loss during the Anthropocene – the Age of Man – through compelling artworks and thought-provoking narratives.”

Our friends at the Story Collider will host their next Vancouver event “Kinship” on January 22. Learn more about the eventget tickets on Eventbrite.

Museum of Vancouver and Nature Vancouver are hosting Wild Things: The Power of Nature in Our Lives, an exhibition that delves into the life stories of local animals and plants. Interactive sessions every weekend. Until March 1, 2020.

For more Vancouver art+science events, visit the Curiosity Collider events calendar.

That last event (Wild Things at the Museum of Vancouver) is going to be available for viewing with a $5 Winter Wander ticket on February 2, 2019. A January 14, 2019 posting on the Miss604 blog has more,

Experience unique waterfront attractions showcasing art, history, crafts, science and performances during Winter Wander at Vanier Park on February 2, 2019. Enjoy local food vendors, enter to win great prizes, and get to know your local museum, space centre, archives, and more during this affordable, family-friendly event

Winter Wander at Vanier Park

When: Saturday, February 2, 2019 10:00am to 5:00pm
Venues include

Museum of Vancouver
The Museum of Vancouver inspires deeper understanding of the city through stories, objects and shared experiences. Check out their latest exhibits and their permanent collections and exhibition halls.

H.R. MacMillan Space Centre
The Space Centre is BC’s top space science attraction, inspiring visitors with shows, exhibits and some of Vancouver’s most unique special events

Vancouver Maritime Museum
Make some maritime-themed origami 10:00am to 4:30pm, visit with Parks Canada interpreters 10:00am to 4:30pm, climb on-board the St. Roch and celebrate 90 years of adventure, enjoy music from a string quartet onboard the St. Roch, and more

City of Vancouver Archives
The City Archives houses over 4 km of documents about the history of Vancouver, containing both government and public collections

Vancouver Academy of Music
Vancouver Academy of Music (“VAM”) is the city’s premiere centre of music education, serving aspiring musicians from early childhood to collegiate levels

Bonus: Bard on the Beach performances!

An undated posting at Vancouver’s Best Places gives you a sense of what to expect along with some handy tips,

At Winter Wander, expect lots of people, fair-sized lineups, and an event schedule with a list of entertainment and special activities throughout the day.

Live entertainment doesn’t happen all over the place. There is a set schedule and different things happen at specific times. The museums are open constantly all day. If you want to be entertained by the Bard on the Beach crew, however, you’ll need to check the schedule and be at a certain place at a certain time.

Although crowded, Winter Wander isn’t insanely busy. The venues are indeed crowded, but, surprisingly, not as bad as one might expect, or at least they weren’t when we’ve been. There is a pretty big lineup to get in before the doors even open in the morning, true, and you do need to wait your turn to get photos of your child in the model astronaut suit at the Planetarium, or to board the St. Roch police boat at the Maritime Museum.

Tips and Advic

Below are some tips and advice to help you make the most out of your experience at the Vanier Park museums on Winter Wander day

TIP #1: Go expecting the museums to be insanely crowded, and then hope to be pleasantly surprised. Go expecting small lineups and not too many people, however, and you’ll likely be disappointed

TIP #2: If you haven’t been to the museums at Vanier Park for a long time, you don’t mind crowds and you have children or guests from out of town, then definitely check out Winter Wander. For just $5, it’s a fabulous deal

TIP #3: Some venues and museum exhibit areas will be more popular and consequently more crowded than others. If a lineup for something is too long, simply move along to something else. There’s lots to see, so don’t fret if you don’t get to see everything

TIP #4: The best thing about the HR MacMillan Space Centre is the Planetarium and its shows about the stars and space. Chances are they’ll be busy, so don’t be disappointed if it’s not worth the wait. If you can get in to see a show though, do

TIP #5: Entertainment at Winter Wander happens at specific times and at certain places over the course of the day. When you arrive, check the schedule and decide what you want to see (including possible shows at the Planetarium). Then, plan your visit accordingly

TIP #6: Expect to spend between about an hour and all day at the event, but likely all morning or all afternoon. The length of your stay will depend on your level of interest in museums, model ships, history and space, but also on the crowds and the interest level and tolerance of crowds of the people you’re with

TIP #7: While at Vanier Park, go for a walk and explore. There is a beautiful walking trail all along the waterfront with views of the city. Especially if the museums are crowded, a break for some fresh air can be nice.

There you have it.

Tech Art Fair (Ontario, Canada) call for submissions

I received an email (Dec. 19, 2018) from the ArtSci Salon folks in Toronto (Canada) about this call for submissions. It’s a bit late but there’s still time (Jan. 14, 2019) to make the deadline, From a December 19, 2018 ArtSci Salon announcement,

OPEN CALL

Tech Art Fair

February 16 – 18, 2019 at the Ontario Science Centre

Juried Competition: Call for Applications to Participate in the Tech Art Fair

Are you a tech-focused artist who wants to showcase your work in a diverse and dynamic public venue? Do you enjoy face-to-face conversations about what you do? Would you like to expand your network and generate new synergies within a global like-minded community? The Tech Art Fair at the Ontario Science Centre in Toronto will highlight creative processes and provide an opportunity for participants to launch and test-drive creative ideas during a three-day winter holiday event, anticipated to attract up to 10,000 visitors. The Tech Art Fair will be complemented by an online exhibition hosted by the New York-based SciArt Center.

The Opportunity

This is a call for applications to participate in the Tech Art Fair to be held in the Great Hall of the Ontario Science Centre from February 16 through to February 18, 2019. Up to 20 applicants will be selected through a juried competition to demonstrate and exhibit work and sell affordable items at the Tech Art Fair. In addition to participation in the Tech Art Fair, participants will be considered for the art studio residences at MOCA Toronto [Museum of Contemporary Art Toronto], leading to an exhibition at the Ontario Science Centre.

Eligible Art and Selection Criteria

This call is open to artists, artist collectives, innovative entrepreneurs and interdisciplinary makers. Original art projects made in classic or digital media will be considered. This could include installations, immersive 3D works, innovative craft projects, electronics, Internet of Things projects and wearables, decorative arts, furniture, functional glass, ceramics and textiles.

We’re seeking provocative and unconventional art with a connection to science and technology that reveals your creative process, inspires awe and excitement and sparks dialogue. We’ll also be looking for work which facilitates interaction, collaboration and creation with our visitors.

Participants will be provided with a designated space containing one 6-foot table, two chairs and electrical power. Additional vertical supports (up to 6 feet in height) will be available for a limited number of works. Opportunities for displaying large-scale art pieces, hanging installations or video projections will be limited. Applicants selected by the jury will be required to sign a participation agreement with the Ontario Science Centre to participate in the Tech Art Fair. Please review the agreement: your agreement to execute and fulfill the terms of this agreement is a pre-condition to consideration by the jury. As set out in the agreement, you must be in attendance at the Ontario Science Centre during the Centre’s working hours for the duration of the Tech Art Fair.

Jury Members

  • Rachel Birnberg and Cecilia Garcia, North York Arts
  • Julia Buntaine Hoel, SciArt Center
  • Andy Forest, STEAMLabs
  • Ana Klasnja, Ontario Science Centre
  • Megan MacLaurin, InterAccess
  • Vessna Perunovich, Fashion Art Toronto
  • Renn Scott, Daily Goods Design Lab

Apply by January 14, 2019!
NOTE: To submit materials, you’ll need a Google Account.

Key Dates

October 31, 2018, 9 a.m. – Call for Applications opens
January 14, 2019, 11:59 p.m. – Call for applications closes
January 14 – 17, 2019 – Juried competition underway
January 18, 2019 – The Centre begins notifying successful applicants
January 26, 2019 – Due date for signed participant agreements
February 15, 2019, 7 a.m. to 10 a.m. – Participant set-up complete
February 16, 2019, 10 a.m. – Tech Art Fair opens to the public
February 18, 2019, 5 p.m. – Tech Art Fair closes to the public

For further details, please contact us.

I have looked at the ‘agreement’ and given the constraints and apparent lack of any funding for travel, this call is probably more suitable for artists based in Ontario and/or in close proximity to Toronto.  You can find the original call for submissions here on the Ontario Science Centre’s site.

Paint to Programming: exploring the role of algorithms in SciArt; a Dec. 4, 2018 ArtSci Salon event in Toronto, Canada

Here’s the latest from a November 20, 2018 ArtSci Salon announcement received via email,

Paint to Programming: exploring the role of algorithms in SciArt

Description

What is the role of programming in artwork creation? is programming preliminary a Medium to be hidden to an audience more interested in the interface rather than in its algorithmic content ? or is it both medium and content, revealing the inner working, the politics, and the tactical/strategic uses of code and algorithmic complexity in a culture increasingly withdrawn from its crucial implications?

Thanks to a collaboration between Art the Science and ArtSci Salon, this event is meant to initiate a conversation to understand the many uses of algorithms in artistic and scientific research, from ways to solve problems in fluid mechanics by drawing inspiration from the dripping technique of Jackson Pollock, to exploring and making visible the complex dynamics of the blockchain, to using algorithms to process and display data for science communication.

Join ArtSci Salon and Art the Science at Fields for an evening of presentation and discussion with:

Julia Krolik : Exploring algorithms in SciArt
Owen Fernley: Creative coding
Sarah Friend: Software as a medium
Bernardo Palacios Muñiz: Modern painting: A fluid mechanics perspective

Moderator: Roberta Buiani

December 4th | 6pm-8pm

The Fields Institute for Research in Mathematical Sciences
222 College Street | Room 230
Toronto ON | M5T 3J1
Please, RSVP here 

Bios

Julia Krolik is the founder and Chief Executive Officer of Art the Science, an organization dedicated to uniting and empowering artists and scientists to collectively advance scientific knowledge. As an exhibiting artist, focusing on science, art and new media, Julia has created works for CBC, the Ontario Science Centre, the Toronto Urban Film Festival and the Scotia Bank Photography Festival. 

Owen Fernley is an engineer and experimentalist. He has experience programming computational engines in Fortran and C and is currently building front-end web tools in javascript to aid in exploration geology.He co-created Decomposing Pianos, an experimental music collective focusing on projects related to art, science, experimental music and new media. 

Sarah Friend is an artist and software engineer working at a large blockchain development studio. When not doing that, she creates games and other interactive experiences. Her practice investigates murky dichotomies – like those between privacy and transparency, centralization and decentralization, and the environment and technology – with playfulness and absurdist humour.

Bernardo Palacios Muñiz is a mechanical engineer and a researcher from Mexico City. His thesis at UNAM “Descifrando a Pollock: Arte y Mecánica de Fluidos” explored the technique inplemented by Jackson POllock through the perspective of fluid mechanics

Like so many of the events from the ArtSci salon, this is very timely. On a somewhat related note, there’s an art/AI emergence mentioned in my August 31, 2018 posting (scroll down about 70% of the way to this subhead ‘Artworks generated by an AI system are to be sold at Christie’s auction house’).

I’ve also mentioned ArtSci Salon’s presentation partner, Art the Science, in an October 23, 2017 posting. Amongst other programmes, they advertise and promote artist  residencies. I notice that their events are held exclusively in Ontario and the descriptions for participants in their 2018 online gallery exhibit feature a preponderance of Ontario-based artists. I’m sure they’d like to get more participation from across the country but that takes extra time and effort and volunteer organizations such as this one don’t have much of either to spare. Their three year life (they were founded in 2015) is quite an accomplishment.

As for a more national art/sci or sciart network, maybe it’s time to organize something, eh?

ArtSci Salon visits the Society for Literature, Science & the Arts 2018 Meeting in Toronto (Canada) while Vancouver’s Curiosity Collider provides a November 2018 update

I have two art/sci (or sciart) announcements, one concerns an event and the other is a news update.

Toronto’s ArtSci Salon and the Society of Literature, Science & the Arts (SLSA) 2018 Meeting

How could I not have stumbled across SLSA until now? Better late than never but the 2018 meeting/conference in Toronto, Canada is the 32nd of this annual event. (sigh)

Getting on to the important points, the ArtSci Salon is hosting a special roundtable as part of the conference (from a November 14, 2018 announcement received via email),

ArtSci Salon has organized a special roundtable at the annual SLSA
(Society for Science Literature and the Arts) which will take place in
Toronto this week.

The roundtable is public and will be held at OCADU [Ontario College of Art and Design University] in the gallery on 49 McCaul Street.

Re-locating the rational: on the re-making of categories through art and science (or: the artist is out of mind!)

A roundtable and a mobile/pop-up exhibition organized by ArtSci Salon

The world always exceeds our conception of it (Shotwell, 2016)

Coinciding with this year’s SLSA “Out of Mind” conference in Toronto, ArtSci Salon is proposing a panel/roundtable on “out-of-mindedness” as a way to re-think categories, and to disrupt the disciplinary and methodological status quo through which we normally see science and the humanities unfolding in academic contexts. We plan to do it through a pop-up exhibition featuring the works of local artists and members of SLSA.

What to do when the sciences and the humanities loose [sic] their ability to fully grasp, and sometimes even speak of, phenomena that have inevitably become too complex, too diffuse to be simplified through a model or a formula, or to be seized and summarized by one discipline?

This initiative is not designed to propose a set of new categories, but to pose a series of open questions, highlighting the necessity to conduct collaborative research between artistic practices and scientific research. We interpret the idea of “out of mind” as a strategy. In fact, using the arts as our preferred mode of expression, we believe that we ought to step out of the traditional mind configurations and fixed wiring in order to seize new ways to come to term with the multiplicities characterizing current environmental transformations. These occurrences have proved to be connected with nature, culture, and society in too many intricate ways, to the extent that neither science, nor technological methods are able to fully comprehend them.

Roundtable Participants:

Roberta Buiani (Chair)

Erika Biddles

Jenifer Wightman

Stephanie Rothenberg

Adam Zaretsky

Kathy High

Dolores Steinman

Here’s the poster:

One more logistical detail,

[T]he roundtable will be at 10:30-12:00 noon [Friday, November 16, 2018] followed by a small tour of the mobile pop-up exhibition[.]

For the curious, here’s the SLSA website and the SLSA 2018 [Meeting]—Out of Your Mind website. Unexpectedly, the University of Toronto is not one of the conference hosts, instead we have the University of Waterloo [Waterloo, Ontario] and York University [Toronto, Ontario] as joint hosts with OCAD University—Canada’s oldest art and design institution—partnering with the Rochester Institute of Technology (New York state, US).

Vancouver’s Curiosity Collider

Coincidentally on the same day I received the ArtSci Salon event information, I received a November 14, 2018 update for Vancouver’s art/sci (or sciart) organization, Curiosity Collider. From the update received via email,

Collider Update

Next events (save-the-date), call for submissions, and other art+science in town

Collisions Festival:
Meet Up & Hang Out

Are you an artist working in the sci/art genre? A scientist interested in collaborating with artists? Or one who wears both hats?

In the fall of 2019, the Curiosity Collider will be hosting our inaugural Sci-Art festival The Collisions Festival; the first theme will be Invasive Systems. The call for submission will be open in spring, 2019. The theme is meant to be broad in scope and not limited to any specific scientific subject/discipline; participants are encouraged to suggest various interpretation of the theme.

We would like to invite all artists and scientists who are interested in participating or potentially submitting a proposal to join us at this meet up event, chat about possible collaborations, and learn more about projects and details on “collaborative work” proposals we are looking for.

RSVP now so we know how many to expect.. This is a casual drop in event; feel free to stay, or just stop by and say hi!

Notice that RSVP? Taken with the next announcement, something becomes evident,

Join the Collider Team!

Are you passionate about art and science? Want to be part of the awesome Curiosity Collider team to help create new ways to experience science? 

We are now inviting applications for the following positions:

Read more on our volunteer page. Feel free to contact us if you have any questions!

In the old days a ‘development director’ was a ‘fundraiser’. That RSVP? Likely, they’re trying to establish the size of their potential audience so they can get government grants. Audience size is important to corporate or ‘other’ funders but if you want a government grant you need numbers.

Getting back to the update, this is a grouping of Curiosity Collider’s latest hits,

#ColliderCafe: Art. Science. Cadence.

Did you miss our most recent Collider Cafe event? You can now chek out the talks by Singer-songwriter Devon More, Biologists Wayne Maddison and David Maddison, as well as Integrated Media Artist Victoria Gibson on our YouTube Channel.

Check out the talks now.

Et al 3: Collaboration Process for Quantum Futures

Nerd Nite, Science Slam, and Curiosity Collider joined forces for the 3rd edition of Et al: the ultimate bar science night event. During the event, Quantum Physicist James Day and our Creative Managing Director Char Hoyt gave attendees an overview of the collaboration process that made Night shift: Quantum Futures, an event curated by CC and hosted at the Museum of Anthropology, possible.

Missed the show? Watch the presentation on our YouTube channel now.

While they don’t seem to have any details, there is a date for the next Collider Cafe,

Save the Date:
Next Collider Cafe

Our next Collider Cafe will be on Wednesday, January 23 at Cafe Deux Soleils. #ColliderCafe is a space for artists, scientists, makers, and anyone interested in art+science. Meet. Discover. Connect. Create.

Are you curious? Join us to explore how art and science intersect in the exploration of curiosity.

Finally, a miscellaneous listing of related events being held in Vancouver, mostly, this November,

Looking for more art+science in town?

  • November 17 (Victoria) Science Writers and Communicators of Canada is hosting a workshop on science writing in an age of reconciliation: What science writers can learn from indigenous community members about better representation and relationships. Only a few spots left! Register now.
  • November 15-18 CC friend Dzee Louise will open her studio during the East Side Cultural Crawl! Drop by at studio #5 just at the top of the stairs of the William Clark Building at 1310 William Street (on the corner of Clark).
  • November 21 Natural History (Paleoart) Illustrator Julius Csotonyi will present a public lecture at the Vancouver Public Library (Kits branch) on the mutually beneficial affair between science and art.
  • November 21 Our friends at Nerd Nite Vancouver is hosting another awesome event next week, including a presentation by artist Michael Markowsky who will talk about how he ends up “Painting on the Moon”. Get your tickets now!
  • Until December 15 Vancouver Biennale’s CURIOUS IMAGININGS continues…check out the exhibition that will “challenge us to explore the social impacts of emerging biotechnology and our ethical limits in an age where genetic engineering and digital technologies are already pushing the boundaries of humanity.”

For more Vancouver art+science events, visit the Curiosity Collider events calendar. Let us know about your art+science events by emailing info@curiositycollider.org.

I did write a preview (June 18, 2018) for the last event on the list, Curious Imaginings, which included some of the latest science on xenotransplantation and chimeras (i.e., examples of  emerging biotechnology). That’s all folks!

All about gene editing, sexual reproduction, and the arts (an October 27, 2018 ArtSci Salon event in Toronto, Canada)

This ArtSci Salon event is part of the third world congress, GeNeDis (Genetics, Geriatrics, and Neurodegenerative Diseases Research). GeNeDis 2018 was organized by The Laboratory of Bioinformatics and Human Electrophysiology, Department of Informatics of the Ionian University (Corfu Greece) in cooperation with the Fields Institute (for Research in Mathematical Sciences) at the University of Toronto (Ontario, Canada) and Wilfrid Laurier University (Waterloo Ontario).

The ArtSci Salon will be presenting (from the ArtSci Salon GeNeDis event page) Note: Read carefully as this is a multi-pronged event,

GeNeDis Panel and Exhibition – Gene Editing, sexual reproduction and the arts: Oct 27, 2018

ArtSci salon is proud to present an event to explore the entangled issues of sex and sexual fantasy, sexual reproduction and sexual regulation, fertility and sexual technologies. We invited artists and scholars to address these themes using their preferred approach: the result is a thought provoking series which interrogates and imagines these issues through human/non-human sexual fantasies, interrogates them by means of modified gynaecological instruments, rewrites potential scenarios as enhanced and/or elderly humans, or offers unexpected ways to hack sex right here, right now.

Our goal is not just to imagine how media, technological enhancement, gene editing and medical treatments will transform our idea of sex and our sexuality as human beings and as part of the wide non-human world that surrounds us. It is also to think of how creative/critical initiatives may facilitate a sustained dialogue to help us cope with unresolved issues in the present. Interdisciplinary so!

The event will be accompanied by an exhibition on display Oct 18-Nov.8 in the Koffler Students Centre Cabinets, University of Toronto

Panel discussion

Gene editing, sexual reproduction and the arts: the present, the future and the imagined

ArtSci Salon will participate in the scientific conference GeNeDis (Genetics, Geriatrics, and Neurodegenerative Diseases Research) with a special panel addressing the topic of gene editing and sexual reproduction from a sciart perspective. The discussion will be preceded by the official opening of an exhibition illustrating how present issues in gynaecology and sexual regulation, hormonal management, human enhancement and sexual and cultural identity may be addressed, redressed, hacked and reimagined through the arts.

The Panel will be followed by a reception

Chair: Roberta Buiani, ArtSci Salon, Fields Institute
Speakers: Byron Rich, Samira Daneshvar, Adam Zaretsky & Dolores Steinman.

Saturday, Oct 27,
18:00-19:30

Lennox Hall
77 Adelaide Street W.

please, RSVP here 

For a little more detail about the event, you can check an Oct. 19, 2018 news item in Clot magazine,

On October 27th [2018], interdisciplinary group ArtSci Salon will present a panel discussion addressing the topic of gene editing and sexual reproduction from a sciart perspective. Preceding the discussion will be the official opening of an exhibition featuring the work of four of the speakers; a show that reimagines issues relating to gynaecology, sexual regulation, hormonal management and cultural identity through the arts.

During the conversation itself, the panel will focus on the current status of genome editing, presenting a nuanced alternative to sensationalist media narratives that often frame genome editing as a set of dichotomized future predictions, either utopian or dystopian. Stepping back into the present, the speakers will rethink the implications of genome editing through a creative lens, exploring the intersection of scientific and artistic interventions as they relate to human enhancement. Both panel and exhibition will approach these topics with an emphasis on their social implications, exploring in particular issues relating to sexual reproduction, fertility and sexual technologies – simultaneously raising awareness of sexual politics and the medicalization of the body.

The news item goes on to briefly describe the panelists.

Revising history with science and art

Caption: The 2000-year-old pipe sculpture’s bulging neck is evidence of thyroid disease as a result of iodine deficient water and soil in the ancient Ohio Valley. Credit: Kenneth Tankersley

An October 4, 2018 news item on ScienceDaily describes the analytic breakthrough,

Art often imitates life, but when University of Cincinnati anthropologist and geologist Kenneth Tankersley investigated a 2000-year-old carved statue on a tobacco pipe, he exposed a truth he says will rewrite art history.

Since its discovery in 1901, at the Adena Burial Mound in Ross County, Ohio, archaeologists have theorized that the the 8-inch pipe statue—carved into the likeness of an Ohio Valley Native American—represented an achondroplastic dwarf (AD). People with achondroplasia typically have short arms and legs, an enlarged head, and an average-sized trunk, the same condition as Emmy Award-winning actor Peter Dinklage from HBO’s “Game of Thrones.”

“During the early turn of the century, this theory was consistent with actual human remains of a Native American excavated in Kentucky, also interpreted by archaeologists as being an achondroplastic dwarf,” says Tankersley.

This theory flourished in the scientific literature until the turn of the 21st century when Tankersley looked closer.

“Here we have a carved statue and human remains, both of achondroplasia from the same time period,” says Tankersley. “But what caught my eye on this pipe statue was an obvious tumor on the neck that looked remarkably like a goiter [or goitre] or thyroid tumor.”

An October 2, 2018 University of Cincinnati (UC) news release (also on EurekAlert but published Oct. 3, 2018), reveals more details,

Tankersley collaborated with Frederic Bauduer, a visiting biological anthropologist and paleopathologist from the University of Bordeaux, UC’s sister university in France, to ultimately dispel previous academic literature claiming the sculpture as portraying achondroplasia.

“In archaeological science, flesh does not survive, so many ancient maladies go unnoticed and are almost always impossible to get at from an archaeological standpoint,” says Tankersley. “So what struck me was how remarkably Bauduer was using ancient art from various periods of antiquity to argue for the paleopathology he presented.”

Using radiocarbon dating on textile and bark samples surrounding the pipe at the site, the Adena pipe dates to approximately 2000 years ago, to the earliest evidence of tobacco.

Traditionally, tobacco is considered a sacred plant to Native Americans in this region, and smoking tobacco played an important role in their ceremonies, but he points to tobacco smoking as being long associated with an increased prevalence of goiter in low iodine intake zones worldwide.

From a medical perspective, Bauduer found the physical characteristics, such as the short forehead and long bones of the upper and lower limbs, simply not adding up as an achondroplastic dwarf.

“We found the tumor in the neck, as well as the figure’s squatted stance — not foreshortened legs as was formerly documented in the literature — were both signs and symptoms of thyroid disease,” says Tankersley.

“We already know that iodine deficiencies can lead to thyroid tumors, and the Ohio Valley area, where this artifact was found, has historically had iodine depleted soils and water relative to the advance of an Ice Age glacier about 300,000 years ago.”

Students in a university lab look through microscopes.

Tankersley (top center) teaches archaeology students to date soil, bones and textiles using radiocarbon science.

Profile of ancient tobacco pipe sculpture portraying a Native American wearing ceremonial regalia.

The figure’s bulging neck (goiter) and appearance of short stature are actually results of iodine deficient thyroid disease. The legs are bent in a tilted squat likely during a Native American ceremonial dance.

Tankersley says the Ohio Valley region, before the introduction of iodized salt in the 1920s,
was part of the so-called U.S. “goiter belt” where goiter frequency was relatively high —  five to 15 incidences per thousand.

The lower limbs on the statue, previously documented in the literature as short in stature, are actually normal size in bone length, according to Bauduer. Upon closer inspection, both Bauduer and Tankersley agree that the figure is also portrayed in a tilted squat, a common gait anomaly found in people with hypothyroidism.

The figure has what appears to be an abdominal six-pack, but both researchers say the detailed physical features indeed portray a normal physique except for the telltale signs of thyroid disease.

“The fact that the bones of the figure are all normal size leads us to believe the squat portrays more of an abnormal gait while likely in the stance of a typical Native American ritual dance,” says Tankersley, who is one-quarter Native American himself and regularly attends ceremonial events throughout Ohio and Kentucky.

“The regalia the figure is wearing is also strongly indicative of ancient Native Ohio Valley Shawnee, Delaware and Ojibwa to the north and Miami Nation tribes in Indiana.

“The traditional headdress, pierced ears with expanded spool earrings and loincloth with serpentine motif on the front and feathered bustle on back are also still worn by local Native tribes during ceremonial events today.”

Artistic clues

Portrait of Dr. Frederic Bauduer, biological pathologist from University of Bordeaux in France, on an ancient architectural balcony.

Frederic Bauduer, biological anthropologist, paleopathologist and critical collaborator on this research from the University of Bordeaux, UC’s sister university in France. photo/Frederic Bauduer

In addition to figures found in South America and Mesoamerica, Tankersley says the Adena pipe is the first known example of a goiter depicted in ancient Native North American art and one of the oldest from the Western Hemisphere.

“The other real take here is that a lot of people ask, ‘What is the value of ancient art?’” asserts Tankersley. “Well, here’s an example of ancient art that tells a deeper story. And similar indigenous art representations found in South America and Mesoamerica strengthen our hypothesis.”

Tankersley is interested in looking deeper for pathologies and maladies portrayed on other ancient artifacts from Native Americans thousands of years ago here in the Ohio Valley and elsewhere.

“Art history is beginning to help substantiate many scientific hypotheses,” says Tankersley. “Because artists are such keen students of anatomy, artisans such as this ancient Adena pipe sculptor could portray physical maladies with great accuracy, even before they were aware of what the particular disease was.”

Here’s a link to and a citation for the paper,

Medical Hypotheses Evidence of an ancient (2000 years ago) goiter attributed to iodine deficiency in North America by F. Bauduer, K. Barnett Tankersley. Medical Hypotheses Volume 118, September 2018, Pages 6-8 DOI: https://doi.org/10.1016/j.mehy.2018.06.011

This paper looks like it’s behind a paywall.

Curiosity Collider Cafe event: Art. Science. Cadence in Vancouver, Canada on September 26, 2018

Curiosity Collider seems to have started the fall 2018 season with a lot of oomph. They just hosted (along with Nerd Nite Vancouver and Science Slam Canada) a science bar night on September 18, 2018 (as per my September 13, 2018 posting).

Barely a week after the bar night, there’s a Collider Cafe event on September 26, 2018 (from a September 21, 2018 announcement received via email),

When science collides with music and performance,
the beat never stops!

OUR #COLLIDERCAFE IS A SPACE FOR ARTISTS, SCIENTISTS, MAKERS, AND
ANYONE INTERESTED IN ART+SCIENCE. MEET, DISCOVER, CONNECT, CREATE. Are
you curious? Join us at “Collider Cafe: Art. Science. Cadence.” to
explore how art and science intersect in the exploration of curiosity.

When: 8:00pm on Wednesday, September 26, 2018. Doors open at 7:30pm.

Where: Café Deux Soleils 2096 Commercial Drive, Vancouver, BC (Google Map).

COST: $5-10 (sliding scale) cover at the door. Proceeds will be used to
cover the cost of running this event, and to fund future Curiosity
Collider events.

With speakers:

  • Devon More, Singer-songwriter & playwright: A Musician Philosophizes Science (talk + performance)
  • Kurtis Baute, YouTuber and self-proclaimed Whimsical Scientist: Science Communication needs Imagination
  • Douglas Bevans, Artist/musician and business owner: Hot Dog Water: The Musical
  • Victoria Gibson, Integrated Media Artist: Art About Science

PLUS, interact with Victoria Gibson’s multimedia installation “Share a tweet” after the event.

Follow updates on twitter via @ccollider or #ColliderCafe.

Head to the Facebook event page – let us know you are coming and share this event with others!

Looking for more Art+Science in Vancouver?
For more Vancouver art+science events, visit the Curiosity Collider events calendar.

There you have it!