Tag Archives: Brighter Sound

See Nobel prize winner’s (Kostya Novoselov) collaborative art/science video project on August 17, 2018 (Manchester, UK)

Dr. Konstantin (Kostya) Novoselov, one of the two scientists at the University of Manchester (UK) who were awarded Nobel prizes for their work with graphene, has embarked on an artistic career of sorts. From an August 8, 2018 news item on Nanowwerk,

Nobel prize-winning physicist Sir Kostya Novoselov worked with artist Mary Griffiths to create Prospect Planes – a video artwork resulting from months of scientific and artistic research and experimentation using graphene.

Prospect Planes will be unveiled as part of The Hexagon Experiment series of events at the Great Exhibition of the North 2018, Newcastle, on August 17 [2018].

An August 9, 2018 University of Manchester press release, which originated the news item (differences in the dates are likely due to timezones), describes the art/science project in some detail,

The fascinating video art project aims to shed light on graphene’s unique qualities and potential.

Providing a fascinating insight into scientific research into graphene, Prospect Planes began with a graphite drawing by Griffiths, symbolising the chemical element carbon.

This was replicated in graphene by Sir Kostya Novoselov, creating a microscopic 2D graphene version of Griffiths’ drawing just one atom thick and invisible to the naked eye.

They then used Raman spectroscopy to record a molecular fingerprint of the graphene image, using that fingerprint to map a digital visual representation of graphene’s unique qualities.

The six-part Hexagon Experiment series was inspired by the creativity of the Friday evening sessions that led to the isolation of graphene at The University of Manchester by Novoselov and Sir Andre Geim.

Mary Griffiths, has previously worked on other graphene artworks including From Seathwaite an installation in the National Graphene Institute, which depicts the story of graphite and graphene – its geography, geology and development in the North West of England.

Mary Griffiths, who is also Senior Curator at The Whitworth said: “Having previously worked alongside Kostya on other projects, I was aware of his passion for art. This has been a tremendously exciting and rewarding project, which will help people to better understand the unique qualities of graphene, while bringing Manchester’s passion for collaboration and creativity across the arts, industry and science to life.

“In many ways, the story of the scientific research which led to the creation of Prospect Planes is as exciting as the artwork itself. By taking my pencil drawing and patterning it in 2D with a single layer of graphene atoms, then creating an animated digital work of art from the graphene data, we hope to provoke further conversations about the nature of the first 2D material and the potential benefits and purposes of graphene.”

Sir Kostya Novoselov said: “In this particular collaboration with Mary, we merged two existing concepts to develop a new platform, which can result in multiple art projects. I really hope that we will continue working together to develop this platform even further.”

The Hexagon Experiment is taking place just a few months before the official launch of the £60m Graphene Engineering Innovation Centre, part of a major investment in 2D materials infrastructure across Manchester, cementing its reputation as Graphene City.

Prospect Planes was commissioned by Manchester-based creative music charity Brighter Sound.

The Hexagon Experiment is part of Both Sides Now – a three-year initiative to support, inspire and showcase women in music across the North of England, supported through Arts Council England’s Ambition for Excellence fund.

It took some searching but I’ve found the specific Hexagon event featuring Sir Novoselov’s and Mary Griffin’s work. From ‘The Hexagon Experiment #3: Adventures in Flatland’ webpage,

Lauren Laverne is joined by composer Sara Lowes and visual artist Mary Griffiths to discuss their experiments with music, art and science. Followed by a performance of Sara Lowes’ graphene-inspired composition Graphene Suite, and the unveiling of new graphene art by Mary Griffiths and Professor Kostya Novoselov. Alongside Andre Geim, Novoselov was awarded the Nobel Prize in Physics in 2010 for his groundbreaking experiments with graphene.


About The Hexagon Experiment

Music, art and science collide in an explosive celebration of women’s creativity

A six-part series of ‘Friday night experiments’ featuring live music, conversations and original commissions from pioneering women at the forefront of music, art and science.

Inspired by the creativity that led to the discovery of the Nobel-Prize winning ‘wonder material’ graphene, The Hexagon Experiment brings together the North’s most exciting musicians and scientists for six free events – from music made by robots to a spectacular tribute to an unsung heroine.

Presented by Brighter Sound and the National Graphene Institute at The University of Manchester, as part of the Great Exhibition of the North.

Buy tickets here.

One final comment, the title for the evening appears to have been inspired by a novella, from the Flatland Wikipedia entry (Note: Links have been removed),

Flatland: A Romance of Many Dimensions is a satirical novella by the English schoolmaster Edwin Abbott Abbott, first published in 1884 by Seeley & Co. of London.

Written pseudonymously by “A Square”,[1] the book used the fictional two-dimensional world of Flatland to comment on the hierarchy of Victorian culture, but the novella’s more enduring contribution is its examination of dimensions.[2]

That’s all folks.

ETA August 14, 2018: Not quite all. Hopefully this attempt to add a few details for people not familiar with graphene won’t lead increased confusion. The Hexagon event ‘Advetures in Flatland’ which includes Novoselov’s and Griffiths’ video project features some wordplay based on graphene’s two dimensional nature.

Musical suite at Graphene Week 2015

Graphene Week 2015 was held in Manchester, UK from June 22 – 26, 2015. (Some might call Manchester the home of graphene as it was first isolated at the University of Manchester by Andre Geim and Konstantin [Kostya] Novoselov  in 2004). As part of the Graphene week festivities and activities, a musical composition, Graphene Suite was premiered according to a July 3, 2015 news item on Azonano,

At Graphene Week 2015 in Manchester, delegates and others were treated to the premiere of a musical suite by Sara Lowes, composer-in-residence at the National Graphene Institute. Sara’s Graphene Suite was commissioned by Brighter Sound, a Manchester-based producer of creative music projects and other cultural events.

A June 26, 2015 Graphene Flagship press release by Frances Sedgemore, which originated the news item, reveals more about the music,

Graphene Suite is scored for a somewhat unusual combination of musical forces, with a string quartet joined by oboe, trumpet, percussion, electric bass guitar, electric guitar and electronic keyboards. Strong visual effects accompanied the musical performance, with electronically manipulated video images of the musicians projected onto a screen behind the stage. For the Graphene Week participants present, the music was a welcome cultural complement to an intense programme of science-centred events.

The Graphene Suite has six movements, and the number six features strongly in the structure of the piece. Here it is sufficient to say that the performance was for this scientist-writer and sometime musician utterly fascinating. In technical terms the music is electro-acoustic, but at the same time Sara’s compositional style is traditional. It is also strongly melodic.

Immediately following the concert I conducted a video interview with the composer, focussing on her music, her experience of the graphene science community, and the nature of and similarities between art and science as creative processes.

The interview which includes some of the music is courtesy of the Graphene Flagship ,

According to the Bright Lights undated [2015] news release, there were two full performances on June 25 and June 26, 2015 while excerpts were performed at Manchester’s Museum of Science and Industry on June 27 and June 28, 2015.