Tag Archives: Curiosity Collider

ArtSci Salon visits the Society for Literature, Science & the Arts 2018 Meeting in Toronto (Canada) while Vancouver’s Curiosity Collider provides a November 2018 update

I have two art/sci (or sciart) announcements, one concerns an event and the other is a news update.

Toronto’s ArtSci Salon and the Society of Literature, Science & the Arts (SLSA) 2018 Meeting

How could I not have stumbled across SLSA until now? Better late than never but the 2018 meeting/conference in Toronto, Canada is the 32nd of this annual event. (sigh)

Getting on to the important points, the ArtSci Salon is hosting a special roundtable as part of the conference (from a November 14, 2018 announcement received via email),

ArtSci Salon has organized a special roundtable at the annual SLSA
(Society for Science Literature and the Arts) which will take place in
Toronto this week.

The roundtable is public and will be held at OCADU [Ontario College of Art and Design University] in the gallery on 49 McCaul Street.

Re-locating the rational: on the re-making of categories through art and science (or: the artist is out of mind!)

A roundtable and a mobile/pop-up exhibition organized by ArtSci Salon

The world always exceeds our conception of it (Shotwell, 2016)

Coinciding with this year’s SLSA “Out of Mind” conference in Toronto, ArtSci Salon is proposing a panel/roundtable on “out-of-mindedness” as a way to re-think categories, and to disrupt the disciplinary and methodological status quo through which we normally see science and the humanities unfolding in academic contexts. We plan to do it through a pop-up exhibition featuring the works of local artists and members of SLSA.

What to do when the sciences and the humanities loose [sic] their ability to fully grasp, and sometimes even speak of, phenomena that have inevitably become too complex, too diffuse to be simplified through a model or a formula, or to be seized and summarized by one discipline?

This initiative is not designed to propose a set of new categories, but to pose a series of open questions, highlighting the necessity to conduct collaborative research between artistic practices and scientific research. We interpret the idea of “out of mind” as a strategy. In fact, using the arts as our preferred mode of expression, we believe that we ought to step out of the traditional mind configurations and fixed wiring in order to seize new ways to come to term with the multiplicities characterizing current environmental transformations. These occurrences have proved to be connected with nature, culture, and society in too many intricate ways, to the extent that neither science, nor technological methods are able to fully comprehend them.

Roundtable Participants:

Roberta Buiani (Chair)

Erika Biddles

Jenifer Wightman

Stephanie Rothenberg

Adam Zaretsky

Kathy High

Dolores Steinman

Here’s the poster:

One more logistical detail,

[T]he roundtable will be at 10:30-12:00 noon [Friday, November 16, 2018] followed by a small tour of the mobile pop-up exhibition[.]

For the curious, here’s the SLSA website and the SLSA 2018 [Meeting]—Out of Your Mind website. Unexpectedly, the University of Toronto is not one of the conference hosts, instead we have the University of Waterloo [Waterloo, Ontario] and York University [Toronto, Ontario] as joint hosts with OCAD University—Canada’s oldest art and design institution—partnering with the Rochester Institute of Technology (New York state, US).

Vancouver’s Curiosity Collider

Coincidentally on the same day I received the ArtSci Salon event information, I received a November 14, 2018 update for Vancouver’s art/sci (or sciart) organization, Curiosity Collider. From the update received via email,

Collider Update

Next events (save-the-date), call for submissions, and other art+science in town

Collisions Festival:
Meet Up & Hang Out

Are you an artist working in the sci/art genre? A scientist interested in collaborating with artists? Or one who wears both hats?

In the fall of 2019, the Curiosity Collider will be hosting our inaugural Sci-Art festival The Collisions Festival; the first theme will be Invasive Systems. The call for submission will be open in spring, 2019. The theme is meant to be broad in scope and not limited to any specific scientific subject/discipline; participants are encouraged to suggest various interpretation of the theme.

We would like to invite all artists and scientists who are interested in participating or potentially submitting a proposal to join us at this meet up event, chat about possible collaborations, and learn more about projects and details on “collaborative work” proposals we are looking for.

RSVP now so we know how many to expect.. This is a casual drop in event; feel free to stay, or just stop by and say hi!

Notice that RSVP? Taken with the next announcement, something becomes evident,

Join the Collider Team!

Are you passionate about art and science? Want to be part of the awesome Curiosity Collider team to help create new ways to experience science? 

We are now inviting applications for the following positions:

Read more on our volunteer page. Feel free to contact us if you have any questions!

In the old days a ‘development director’ was a ‘fundraiser’. That RSVP? Likely, they’re trying to establish the size of their potential audience so they can get government grants. Audience size is important to corporate or ‘other’ funders but if you want a government grant you need numbers.

Getting back to the update, this is a grouping of Curiosity Collider’s latest hits,

#ColliderCafe: Art. Science. Cadence.

Did you miss our most recent Collider Cafe event? You can now chek out the talks by Singer-songwriter Devon More, Biologists Wayne Maddison and David Maddison, as well as Integrated Media Artist Victoria Gibson on our YouTube Channel.

Check out the talks now.

Et al 3: Collaboration Process for Quantum Futures

Nerd Nite, Science Slam, and Curiosity Collider joined forces for the 3rd edition of Et al: the ultimate bar science night event. During the event, Quantum Physicist James Day and our Creative Managing Director Char Hoyt gave attendees an overview of the collaboration process that made Night shift: Quantum Futures, an event curated by CC and hosted at the Museum of Anthropology, possible.

Missed the show? Watch the presentation on our YouTube channel now.

While they don’t seem to have any details, there is a date for the next Collider Cafe,

Save the Date:
Next Collider Cafe

Our next Collider Cafe will be on Wednesday, January 23 at Cafe Deux Soleils. #ColliderCafe is a space for artists, scientists, makers, and anyone interested in art+science. Meet. Discover. Connect. Create.

Are you curious? Join us to explore how art and science intersect in the exploration of curiosity.

Finally, a miscellaneous listing of related events being held in Vancouver, mostly, this November,

Looking for more art+science in town?

  • November 17 (Victoria) Science Writers and Communicators of Canada is hosting a workshop on science writing in an age of reconciliation: What science writers can learn from indigenous community members about better representation and relationships. Only a few spots left! Register now.
  • November 15-18 CC friend Dzee Louise will open her studio during the East Side Cultural Crawl! Drop by at studio #5 just at the top of the stairs of the William Clark Building at 1310 William Street (on the corner of Clark).
  • November 21 Natural History (Paleoart) Illustrator Julius Csotonyi will present a public lecture at the Vancouver Public Library (Kits branch) on the mutually beneficial affair between science and art.
  • November 21 Our friends at Nerd Nite Vancouver is hosting another awesome event next week, including a presentation by artist Michael Markowsky who will talk about how he ends up “Painting on the Moon”. Get your tickets now!
  • Until December 15 Vancouver Biennale’s CURIOUS IMAGININGS continues…check out the exhibition that will “challenge us to explore the social impacts of emerging biotechnology and our ethical limits in an age where genetic engineering and digital technologies are already pushing the boundaries of humanity.”

For more Vancouver art+science events, visit the Curiosity Collider events calendar. Let us know about your art+science events by emailing info@curiositycollider.org.

I did write a preview (June 18, 2018) for the last event on the list, Curious Imaginings, which included some of the latest science on xenotransplantation and chimeras (i.e., examples of  emerging biotechnology). That’s all folks!

The sense of beauty: an art/science film about CERN, the European Particle Physics Laboratory, in Vancouver, Canada; art/sci September in Toronto (Canada), a science at the bar night in Vancouver (Canada), and a festival in Calgary (Canada)

Compared to five or more years ago, there’s a lollapalooza of art/sci (or sciart) events coming up in September 2018. Of course, it’s helpful if you live in or are visiting Toronto or Vancouver or Calgary at the right time.  All of these events occur from mid September (roughly) to the end of September. In no particular date order:

Sense of beauty in Vancouver

The September 10, 2018 Dante Alighieri Society of British Columbia invitation (received via email) offered more tease than information. Happily, the evite webpage for “The Sense of Beauty: Art and Science at CERN” (2017) by Valerio Jalongo filled in the details,

The Dante Alighieri Society of British Columbia

Invites you to the screening of the documentary

“The Sense of Beauty: Art and Science at CERN” (2017) by Valerio Jalongo

TUESDAY, SEPTEMBER 25, 2018 at 6:30 pm

The CINEMATHEQUE – 1131 Howe Street, Vancouver

Duration of film: 75’. Director in attendance; Q&A with the film director to follow the screening

Free Admission

RSVP: info@dantesocietybc.ca

Director Jalongo will discuss the making of his documentary in a seminar open to the public on September 24 (1:00-2:30 pm) at UBC  [University of British Columbia] (Buchanan Penthouse, *1866 Main Maill, Block C, 5th floor*, Vancouver).

The Sense of Beauty is the story of an unprecedented experiment that involves scientists from throughout the world collaborating around the largest machine ever constructed by human beings: the LHC (Large Hadron Collider). As the new experiment at CERN proceeds in its exploration of the mysterious energy that animates the universe, scientists and artists guide us towards the shadow line where science and art, in different ways, pursue truth and beauty.

Some of these men and women believe in God, while others believe only in experiment and doubt. But in their search for truth they are all alert to an elusive sixth – or seventh – sense: the sense of beauty. An unmissable opportunity for lovers of science, of beauty, or of both.

Rome-born Valerio Jalongo is a teacher, screenwriter and director who works in cinema and TV, for which he created works of fiction and award-winning documentaries. Among them: Sulla mia pelle (On My Skin, 2003) and La scuola è finita (2010), starring Valeria Golino, on the difficulties facing public schools in Italy.

This event is presented by the Dante Alighieri Society of BC in collaboration with the Consulate General of Italy in Vancouver and in association with ARPICO (www.arpico.ca), the Society of Italian Researchers and Professionals in Western Canada.

RSVP: info@dantesocietybc.ca

I searched for more information both about the film and about the seminar at UBC. I had no luck with the UBC seminar but I did find more about the film. There’s an April (?) 2017 synopsis by Luciano Barisone on the Vision du Réel website,

From one cave to another. In prehistoric times, human beings would leave paintings in caves to show their amazement and admiration for the complexity of the world. These reproductions of natural forms were the results of an act of creation and also of mystical gestures which appropriated the soul of things. In another gigantic and modern den, the immense CERN laboratory, the same thing is happening today, a combination of enthralled exploration of the cosmos and an attempt to control it. Valerio Jalongo’s film tackles the big questions that have fascinated poets, artists and philosophers since the dawn of time. Who are we? Where do we come from? Where are we going? The scientists at CERN attempt to answer them through machines that explore matter and search for the origins of life. In their conversations or their words to camera, the meaning of existence thus seems to become a pure question of the laws of physics and mathematical formulae. If only for solving the mystery of the universe a sixth sense is necessary. That of beauty…

There’s also a February 5, 2018 essay by Stefano Caggiano for Interni, which uses a description of the film to launch into a paean to Italian design,

The success of the documentary The Sense of Beauty by Valerio Jalongo, which narrates the ‘aesthetic’ side of the physicists at CERN when faced with the fundamental laws of nature, proves that the yearning for beauty is not just an aspect of art, but something shared by all human efforts to interpret reality.

It is no coincidence that the scientists themselves define the LHC particle accelerator (27 km) as a grand machine for beauty, conceived to investigate the meaning of things, not to perform some practical function. In fact, just as matter can be perceived only through form, and form only if supported by matter (Aristotle already understood this), so the laws of physics can be glimpsed only when they are applied to reality.

This is why in the Large Hadron Collider particles are accelerated to speeds close to that of light, reconstructing the matter-energy conditions just a few instants after the Big Bang. Only in this way is it possible to glimpse the hidden fundamental laws of the universe. It is precisely this evanescence that constitutes ‘beauty.’

The quivering of the form that reveals itself in the matter that conceals it, and which – given the fact that everything originates in the Big Bang – is found everywhere, in the most faraway stars and the closest objects: you just have to know how to prove it, grasp it, how to wait. Because this is the only way to establish relations with beauty: not perceiving it but awaiting it. Respecting its way of offering itself, which consists in denying itself.

Charging the form of an object with this sensation of awaiting, then, means catalyzing the ultimate and primary sense of beauty. And it is what is held in common by the work of the five Italian designers nominated for the Rising Talent Awards of Maison & Object 2018 (with Kensaku Oshiro as the only non-Italian designer, though he does live and work in Milan).

There’s a trailer (published by CERN on November 7, 2017,

It’s in both Italian and English with subtitles throughout, should you need them.

*The address for the Buchanan Penthouse was corrected from: 2329 West Mall to 1866 Main Maill, Block C, 5th floor on Sept. 17, 2018.

Toronto’s ArtSci Salon at Nuit Blanche, Mycology, Wild Bees and Art+Tech!

From a Tuesday, September 11, 2018 Art/Sci Salon announcement (received via email),

Baba Yaga Collective and ArtSci Salon Present:
Chaos Fungorum

In 1747, Carl Linnaeus, known as the “father of taxonomy”, observed
that the seeds of fungus moved in water like fish until “..by a law of
nature thus far unheard of and surpassing all human understanding..,”
they changed back to plant in their adult life.

He proceeded to include fungi in the new genus of “Chaos”. But why
delimiting fungi within categories and boundaries when it is exactly
their fluidity that make them so interesting?

Chaos Fungorum draws on the particular position occupied by fungi and
other hybrid organisms: neither plant nor animal, fungi extend across,
and can entertain, communications and collaborations between animal,
human and industrial realms.

Mixing different artistic practices and media, the artists featured in
this exhibition seek to move beyond rigid comprehensions of the living
by working with, rather than merely shaping, sculpting and manipulating
plants, microorganisms and fungi. Letting the non-human speak is to move
away from an anthropocentric approach to the world: it not only opens to
new rewarding artistic practices, but it also fosters new ideas of
sustainable coexistence, new unusual life collaborations and
adaptations, and new forms of communications and languages.

THE EXHIBITION
September 26 – October 7, 2018

Baba Yaga Collective 906 Queen Street West @Crawford, Toronto

info@babayagacollective.ca

FEATURING

BIO.CHROME COLLECTIVE
Robyn Crouch • Mellissa Fisher • Shavon Madden
Tracy Maurice • Tosca Teran • Alexis Williams

SPECIAL GUEST
Whitefeather Hunter

SPECIAL NUIT BLANCHE OPENING RECEPTION
September 29
6:00 – 9:00 pm

6:30pm: Artsci Salon introduction with Roberta Buiani and Stephen Morris
rethinking categories and the “non-human” in art and science

Followed by artist remarks.
Scientists from the University of Toronto will act as respondent.

9:30pm onward: Tosca Teran & Andrei Gravelle of Nanotopia [emphasis mine]

BIO-SONIFICATIONS: NON-HUMAN COLLABORATIONS Mycelium to MIDI •

Midnight Mushroom music live performance

This Special program is co-presented by The Baba Yaga Collective and
ArtSci Salon. For more information contact artscisalon@gmail.com
https://www.facebook.com/events/1763778620414561/

 All the Buzz on Wild Bee Club!
Summer Speaker Series

Wed Sept 19 at 7pm
High Park Nature Centre,
All the Buzz on Wild Bee Club! – Summer Speaker Series

The speaker series will feature the club’s biologist/leader SUSAN FRYE.
A major component of this club will use the SONIC SOLITARIES AUDIO BEE
CABINET  – an observable nest site for bees in OURSpace – to encompass a
sensory experience with stem nesting bees and wasps, and to record
weekly activity at the cabinet. Pairing magnified views in tandem with
amplified sound via headphones, the cabinet facilitates an enhanced
perception of its tiny inhabitants: solitary bees and wasps and other
nest biota in action, up close. As citizen scientists, we can gather and
record observations to compile them into a database that will contribute
to our growing understanding of native bees, the native (and non-native)
plants they use for food and nest material sources, their co-evolution,
and how pollination in a park and restored habitat setting is
facilitated by native bees.

Fri, Sept 21, 8pm
Music Gallery, 918 Bathurst (their new location) –
Trio Wow & Flutter
with Bea Labikova, fujara, saxophones,
Kayla Milmine-Abbott, soprano saxophone,
Sarah Peebles, shō, cracklebox, amplifiers.

Call for Participants: Art+Tech Jam

ChangeUp’s Art+Tech Jam
September 21-23

This three days event will unite a diverse group of artists and
technologists in an intensive, collaborative three-day creation period
and culminating showcase (public exhibition and interdisciplinary rave).

ChangeUo is currently accepting applicants from tech and arts/culture
spaces of all ages, backgrounds, and experience levels.
Limited spots available.
For more information and to apply
https://tinyurl.com/changeup-artsorg

I looked up Nanotopia and found it on SoundCloud. Happy listening!

Et Al III (the ultimate science bar night in Vancouver) and more

A September 12, 2018 Curiosity Collider announcement (received via email) reveals details about the latest cooperative event/bar night put on by three sciencish groups,

Curiosity Collider is bringing art + science to Vancouver’s Ultimate Bar Science Night with Nerd Nite & Science Slam

Do you enjoy learning about science in a casual environment? This is the third year that Curiosity Collider is part of Et al, the Ultimate Bar Science Night where we bring together awesome speakers and activities. Come and enjoy Curiosity Collider’s segment on quantum physics with Spoken Word Poet Angelica Poversky, Physicist James Day, and CC’s own Creative Director Char Hoyt.

When: Drinks and mingling start at 6:30pm. Presentations start at 7:30pm.
Where: Rio Theatre, 1660 E Broadway, Vancouver, BC V5N 1W1
Cost: $15-20 via Eventbrite and at the door. Proceeds will be used to cover the cost of running this event, and to fund future science bar events.

Special Guest talk by Dr. Carin Bondar – Biologist with a Twist!

Dr. Carin Bondar is a biologist, author and philosopher. Bondar is author of the books Wild Sex and Wild Moms (Pegasus). She is the writer and host of an online series based on her books which have garnered over 100,000,000 views. Her TED talk on the subject has nearly 3 million views. She is host of several TV series including Worlds Oddest Animal Couples (Animal Planet, Netflix), Stephen Hawking’s Brave New World (Discovery World HD, National Geographic) and Outrageous Acts of Science (The Science Channel). Bondar is an adventurer and explorer, having discovered 11 new species of beetles and snails in the remote jungles of Borneo. Bondar is also a mom of 4 kids, two boys and two girls.

Follow updates on twitter via @ccollider or #ColliderCafe. This event is part of the Science Literacy Week celebration across Canada.

Head to the Facebook event page – let us know you are coming and share this event with others!

Looking for more Art+Science in Vancouver?
For more Vancouver art+science events, visit the Curiosity Collider events calendar.

Devoted readers 🙂 will note that the Vancouver Biennale’s Curious Imaginings show was featured here in a June 18, 2018 post and mentioned more recently in the context of a September 11, 2018 post on xenotransplantation.

Finally for this section, special mention to whomever wrote up the ‘bar night’ description on Eventbrite,

Et Al III: The Ultimate Bar Science Night Curiosity Collider + Nerd Nite Vancouver + Science Slam Canada

POSTER BY: Armin Mortazavi IG:@Armin.Scientoonist

Et Al III: The Ultimate Bar Science Night

Curiosity Collider + Nerd Nite Vancouver + Science Slam Canada

Special Guest talk by Dr. Carin Bondar – Biologist with a Twist!

6:30pm – Doors open
6:30-7:30 Drinks, Socializing, Nerding
7:30pm-945pm Stage Show with two intermissions

You like science? You like drinking while sciencing? In Vancouver there are many options to get educated and inspired through science, art, and culture in a casual bar setting outside of universities. There’s Nerd Nite which focuses on nerdy lectures in the Fox Cabaret, Curiosity Collider which creates events that bring together artists and scientists, and Science Slam, a poetry-slam inspired science communication competition!

In this third installment of Et Al, we’re making the show bigger than ever. We want people to know all about the bar science nights in Vancouver, but we also want to connect all you nerds together as we build this community. We encourage you to COME DRESSED AS YOUR FAVOURITE SCIENTIST. We will give away prizes to the best costumes, plus it’s a great ice breaker. We’re also encouraging science based organizations to get involved in the show by promoting your institution. Contact Kaylee or Michael at vancouver@nerdnite.com if your science organization would like to contribute to the show with some giveaways, you will get a free ticket, if you don’t have anything to give away, contact us anyway, we want this to be a celebration of science nights in Vancouver!

BIOS

CARIN BONDAR
Dr. Carin Bondar is a biologist, author and philosopher. Bondar is author of the books Wild Sex and Wild Moms (Pegasus). She is writer and host of online series based on her books (Wild Sex and Wild Moms) which have garnered over 100,000,000 views. Her TED talk on the subject has nearly 3 million views. She is host of several TV series including Worlds Oddest Animal Couples (Animal Planet, Netflix), Stephen Hawking’s Brave New World (Discovery World HD, National Geographic) and Outrageous Acts of Science (The Science Channel). Bondar is an adventurer and explorer, having discovered 11 new species of beetles and snails in the remote jungles of Borneo. Bondar is also a mom of 4 kids, two boys and two girls.

Curiosity Collider Art Science Foundation promotes interdisciplinary collaborations that capture natural human curiosity. At the intersection of art, culture, technology, and humanity are innovative ways to communicate the daily relevance of science. Though exhibitions, performance events and our quarterly speaker event, the Collider Cafe we help create new ways to experience science.

NERD NITE
In our opinion, there has never been a better time to be a Nerd! Nerd Nite is an event which is currently held in over 60 cities worldwide! The formula for each Nerd Nite is pretty standard – 20 minute presentations from three presenters each night, in a laid-back environment with lots to learn, and lots to drink!

SCIENCE SLAM
Science Slam YVR is a community outreach organization committed to supporting and promoting science communication in Vancouver. Our Science Slams are informal competitions that bring together researchers, students, educators, and communicators to share interesting science in creative ways. Every event is different, with talks, poems, songs, dances, and unexpected surprises. Our only two rules? Each slammer has 5 minutes, and no slideshows are allowed! Slammers come to share their science, and the judges and audience decide their fate. Who will take away the title of Science Slam champion?

That’s a pretty lively description. You can get tickets here.

Calgary’s Beakerhead

An art, science, and engineering festival in Calgary, Alberta, Beakerhead opens on September 19, 2018 and runs until September 23, 2018. Here’s more from the 2018 online programme announcement made in late July (?) 2018,

Giant Dung Beetle, Zorb Ball Racers, Heart Powered Art and More Set to Explode on Calgary Streets!

Quirky, fun adventures result when art, science and engineering collide at Beakerhead September 19 – 23, 2018.

In just seven weeks, enormous electric bolts will light up the sky in downtown Calgary when a crazy cacophony of exhibits and events takes over the city. The Beakerhead crew is announcing the official program lineup with tickets now available online for all ticketed events. This year’s extravaganza will include remarkable spectacles of art and science, unique activities, and more than 50 distinct events – many of which are free, but still require registration to get tickets.

The Calgary-born smash up of art, science and engineering is in its sixth year. Last year, more than 145,000 people participated in Beakerhead and organizers are planning to top that number in 2018.

“Expect conversations that start with “wow!” says Mary Anne Moser, President and Co-founder of Beakerhead. “This year’s lineup includes a lot of original concepts, special culinary events, dozens of workshops, shows and and tours.”

Beakerhead events take place indoors and out. Beakernight is science’s biggest ticketed street party and tickets are now on sale.

Highlights of Beakerhead 2018:

  • Light up the Night: Giant electric bolts will light up the night sky thanks to two 10-metre Tesla Coils built by a team of artists and engineers.
  • Lunch Without Light: This special Dark Table dining experience is led by a famous broadcaster and an esteemed neuroscientist.
  • Beakereats and Beakerbar: Dining is a whole new experience when chef and bartender become scientist! Creative Calgary chefs and mixologists experiment with a new theme in 2018: canola.
  • Four to Six on Fourth: Blocks of open-air experimentation including a human-sized hamster wheel, artists, performers, and hands-on or feet-on experiences like walking on liquid.
  • Beacons: This series of free neighbourhood installations is completely wild! There’s everything from a giant dung beetle to a 3.5 metre lotus that lights up with your heart beat.
  • Workshops: Learn the art of animation, understand cryptocurrency, meet famous scientists and broadcasters, make organic facial oil or a vegan carrot cake and much more.
  • Zorbathon: Get inside a zorb and cavort with family and friends in an oversized playground. Participate in rolling races, bump-a-thons, obstacle courses. Make a day of it.

Beakerhead takes place September 19 – 23, 2018 with the ticketed Beakernight on Saturday, September 22 at Fort Calgary.

Here’s a special shout out to Shaskatchewan`s Jean-Sébastien Gauthier and Brian F. Eames (featured here in a February 16, 2018 posting) and their free ‘Within Measure’ Sept. 19 – 23, 2018 event at Beakerhead.

That’s all folks! For now, that is.

Curiosity Collider event: May 16, 2018 and exhibit: June 8 – 22, 2018 in Vancouver (Canada)

I have two bits of news from the Curiosity Collider folks. One event is part of their regular Collider Cafe series and the other is a special event.

Collider Cafe: Art. Science. Chronicles.

From the Curiosity Collider May 16, 2018 event page,

Collider Cafe: Art. Science. Chronicles.

Map Unavailable

Date/Time
Date(s) – 16/05/2018
8:00 pm – 9:30 pm

Location
Café Deux Soleils

 

#ColliderCafe is a space for artists, scientists, makers, and anyone interested in art+science. Meet. Discover. Connect. Create.

Are you curious? Join us at “Collider Cafe: Art. Science. Chronicles.” to explore how art and science intersect in the exploration of curiosity.

  • Armin Mortazavi (science cartoonist): Scientooning Adventures
  • Cheryl Hamilton (conceptual artist): Image Analysis – inspirations from cancer research
  • Kayla Glynn (science communicator and researcher): True, Personal Stories About Science
  • Marlene Swidzinski (comedian, humorist, and technical writer/editor): Travelling at the Speed of Oy / That Joke Would Kill at a Physics Convention
  • Rachel Rozanski (artist): In Between Tides

The event starts promptly at 8pm (doors open at 7:30pm). $5.00-10.00 (sliding scale) cover at the door. Proceeds will be used to cover the cost of running this event, and to fund future Curiosity Collider events. Curiosity Collider is a registered BC non-profit organization.

Visit our Facebook page to let us know you are coming, and see event updates and speaker profiles.

Interstitial

This upcoming exhibit was first mentioned here in a March 27, 2018 posting in the context of a call for submissions. I’m glad to see they have moved onto the exhibit phase, from the Curiosity Collider ‘Interstitial’ event page,

Interstitial: Science Innovations by Canadian Women

Date/Time
Date(s) – 08/06/2018 – 22/06/2018
12:00 pm – 5:00 pm

Location
Beaumont Gallery

 

Interstitial: Science Innovations by Canadian Women is an exhibition with events in June 2018, showcasing 2D work by female artists featuring women in Science, Technology, Engineering, and Mathematics (STEM, or STEAM when Arts is included). Our approach intends to challenge the public as to how they think of women in STEM. What does it take for a woman to be “in” with the science community?

The importance of storytelling, and using art in the dissemination of scientific information, has grown in the past few years. The Sci/Art and STEAM movements have rapidly gained momentum. Creative outlets are critical to sharing science and stories of science, and to connecting with people on an personal level. We are establishing new connections in the community, and presenting women in STEM through a different experience.

This exhibition and associated events are created by women, feature women, and highlight the achievements of women in STEM. We seek to encourage girls and young women to see themselves as eligible for the opportunities available in STEAM industries, to connect with them beyond what is written in the books or taught in school. We present women as capable participants within the STEAM community. It is important that as women, we tell our own stories, support, and celebrate each other.

This event is curated by Larissa Blokhuis, Exhibitions Director, Curiosity Collider.

Opening Night: June 8, 2018 from 7pm till late

Art+Science Workshops on June 9 / 16. More information to come.

Artists

Cheryl Hamilton (oil paint on wood panel)

Cheryl Hamilton is a conceptual artist with a penchant for visual ingenuity.  A stickler for perfection, Cheryl imbues her design work with a kineticism inspired by her education as an animator at Vancouver’s Emily Carr Institute.  Her recent training in the techniques of glass blowing at Alberta’s Red Deer College and Pilchuck Glass School coupled with her metal-working expertise now enable her to animate light and colour within her monumental steel structures.  Cheryl also draws and paints and exhibits internationally. Her goal as an artist is to render an accessible beauty that withstands the test of time.

Ele Willoughby (linocut prints (water based inks) on Japanese paper)

Artist Ele Willoughby is a modern Renaissance woman.  After pursuing her doctorate in physics, she built her portfolio while working as an ocean-going marine geophysicist by day and printmaker by night.  Her hand-pulled block prints reflect her love of science and the natural world with a hint of humour and whimsy. Many of her works focus on the history of science and scientists.  She also makes interactive multimedia work, incorporating colour-changing or electrically conductive inks and electronics, which straddle the art/science divide. She lives and works in Toronto with her husband, and young son.

Paige Blumer (digital painting with photoshop printed on canvas)

Paige was born in Montreal Quebec where she had a competing passion for art and science.  She chose to pursue science and graduated with a bachelor’s degree in Kinesiology. Upon graduation, she decided to follow her yearning to pursue art, specifically cartoons, and applied to the Art Fundamentals program at Sheridan College in Ontario.  It was there that she developed a love for illustration. A professor told her that there were five specialized graduate programs in North America where she could combine her art skills with her passion for health and the human body. It took three years for her to polish her portfolio and finally get accepted into the Biomedical Visualization program at the University of Illinois at Chicago.

In Chicago, she learned how to visually represent health and scientific concepts through traditional, digital, and technical media. She get to use these skills everyday at the University of British Columbia where she is a Biomedical Visualization Specialist in the Faculty of Medicine.  She loves telling the stories of the human body at a physiological level and this affinity is inspiring me to write a graphic novel about the life of two red blood cells.

Acknowledgement

We would like to thank eng.cite and WWEST for their generous support for this exhibition and associated events.

There you have it.

Curiosity collides with the quantum and with the Science Writers and Communicators of Canada in Vancouver (Canada)

There are a couple of events coming up in April and an opportunity to submit your work for inclusion in a Curiosity Collider event or two. There’s also a Science Writers and Communicators conference being held from April 12 – 15, 2018. All of this is happening in Vancouver, Canada.

Curiosity Collider events, etc.

Colliding with the Quantum

From a March 23, 2018 announcement (received via email) from CuriosityCollider.org,

MOA [Museum of Anthropology] Night Shift: Quantum Futures

In the quantum realm, what is observable and what is not? What happens when we mix art and science? 

Join us at UBC Museum of Anthropology on the evening of April 5 [2018] and immerse yourself in quantum physics through dance, spoken word, projection sculpture, virtual reality, and hands-on activities.

This event is curated by Curiosity Collider Art-Science Foundation with collaborations from UBC Physics & Astronomy and Stewart Blusson Quantum Matter Institute.

Let us know you are coming on Facebook | See list of participating artists/scientists

For anyone who needs directions, clicking on this UBC Museum of Anthropology link for Getting Here should help.

I wanted a few more details about the event and found them on Curiosity Collider’s Night Shift webpage,

Doors/Bar/Art & Science Activities 6 pm | Live Show 7:30 pm | Entry with museum admission ($10; free for UBC students & staff, Indigenous peoples, children under 6, and MOA Members)| Family Friendly

This event is curated by Curiosity Collider Creative Managing Director Char Hoyt.

The artwork gathered together for this event is a delightful blending of some of the most famous theories in Quantum Mechanics with both traditional and new artistic practices. When science is filtered through a creative expression it can both inspire and reveal new ways of seeing and understanding the concepts within. Our performers have crafted thoughtful experiences through dance, spoken word, sound, and light, that express the weirdness of the quantum realm and how it is reflected in our daily lives. We have also worked closely with scientists to develop hands-on activities that embody the same principles to create experiences that engage your creativity in understanding the quantum world. We encourage you to interact with the artists and scientists and let their work guide you through the quantum realm.

Participating artists and scientists

Most of these folks are associated with the Quantum Matter Institute.

Call for submissions

From a March 23, 2018 announcement (received via email) from CuriosityCollider.org,

Call for Submissions:
Women in STEM Exhibition

Interstitial: Science Innovations by Canadian Women is a two-week exhibition (June 1-14) and events showcasing work by female artists featuring women in STEM. We are looking for one more 2D artist/illustrator to join the exhibition and will accept existing work. Deadline April 6. To submit, visit our website.

This exhibition is funded by the Westcoast Women in Engineering, Science and Technology (WWEST) and eng-cite.

#Sciart & #Scicomm at Science World on April 12, 2018 (a Science Writers and Communicators of Canada [SWCC] reception)

From a March 23, 2018 announcement (received via email) from CuriosityCollider.org,

#Sciart & #Scicomm at Science World

On April 12, Curiosity Collider is bringing art+science to the Science Writers and Communications of Canada Annual Conference here in Vancouver. The public evening event will include performances and activities by Curiosity Collider, Science Slam, Beaker Head (Alberta) [sic], and SFU (Simon Fraser University) Faculty of Applied Science. We will also be hosting a silent auction to showcase local #sciart and support future art+science project, including our annual exhibition SPARK!

Get your tickets now! | Let us know you are coming on Facebook

I found more information about this event at something called allevents.in/vancouver,

SciComm Social with SWCC and STAN

Science Writers and Communicators of Canada (SWCC) and Science Technology Awareness Network (STAN) are hosting their annual conferences in Vancouver in April. This joint reception event featuring #scicomm and #sciart is free for conference delegates and also open to the public … . [emphasis mine]

Friends, family, and fans of science communication & communicators welcome!

This evening event will include performances and activities from:
* Beakerhead – Power Point Karaoke, hosted by Banff SciComm/Beakerhead alumni: A deck of slides is provided. Brave participants, who have never seen the slides before, improvise the talk. Hilarity ensues, egged on by an enthusiastic audience.
* Curiosity Collider – #sciart silent auction, stage performances, and art installation
* SFU Applied Sciences – interactive technology exhibits
* Science Slam Canada – Whether it’s a talk, a poem, a song, a dance, or something completely unexpected, the possibilities are endless. Our only two rules? Five minute slams, and no slideshows allowed!

Get your tickets – available until April 10! This is a 19+ event. Performances starting at 7:30, doors at 7 pm.

Weirdly, no mention is made of the cost. Tickets are $25. for anyone who’s not attending the conference and you can register for and purchase your ticket here. As for location, this event is being held at Science World at Telus World of Science (known locally as Science World), here’s where you find directions for how to get to Science World.

Science Writers and Communicators Conference in Vancouver from April 12 – 15, 2018

Before getting to the costs here a couple of peeks at the programme. First, there’s a March 25, 2018 posting on the SWCC blog by Ashley EM Miller about one of the conference sessions,

Art can be a way to engage the public with science through the the simple fact that novelty sparks curiosity. Artists in the emerging field of sci-art utilize science concepts, methods, principles and information within their practice. Their art, along with the work of science illustrators, can facilitate a deeper emotional connection to science, particularly in those who don’t regularly pay attention or feel welcome.

However, using artwork in science communication is not as simple as inserting a picture into a body of text and referencing the artist in MLA style.

For those coming from the sciences, citing your sources, as laborious as that may be, is a given. While that is fine for incorporating  information, that isn’t always adequate for artwork. In the art world, artists know how to ask other artists to use their work. If a scientist or science communicator does not have an “in” with the art community, they may not know where to find legal information about using art.


Anyone interested in using artwork in their science communication practice, should attend the upcoming SWCC conference’s professional development session “On Copyright, Ethics and Attribution: Interdisciplinary Collaborations Between Artists and Scientists”. The panel discussion will be moderated by Theresa Liao of Curiosity Collider and Sarah Louadi of Voirelia, both of whom are intimately familiar with combining art and science in their respective organizations. Sarah and Theresa will lead a much-needed conversation about the benefits and best practices of partnerships between artists and science communicators.


The session boasts a well-rounded panel. Attendees will gain insights on aspects of the art world with panelists Kate Campbell, a science illustrator, and Steven J. Barnes, a psychologist and artist. Legal and ethical considerations will be provided by Lawrence Chan, an intellectual property lawyer, and April Britski, the National Executive Director of Canadian Artists’ Representation/Le Front des artistes canadiens (CARFAC). For those unfamiliar, CARFAC is a federal organization that acts as a voice for visual artists in Canada and outlines minimum fee guidelines among other things.

Science communicators and bloggers will certainly benefit from the session, particularly early-career freelancers. When working independently, there are no organizational policies and procedures in place for you to follow. It means that you have to check everything yourself, and this session will give you a crash course of what to look for in artist collaborations, what to ask and how to ask it. Even researchers will benefit from the discussion, by learning about the opportunities for working with science illustrators and about what to expect.


On Copyright, Ethics and Attribution: Interdisciplinary Collaborations Between Artists and Scientists”. will take place at 3:15 pm on Saturday April 14th as part of the conference’s concurrent Professional Development sessions. …

There’s a programme schedule for the 2018 conference here and it includes both an “At a glance’ version and a more fulsome description of the various sessions such as these,

THURSDAY APRIL 12

Act your Science – Interactive Improvisation Training

10:00 am – 12:00 pm Innovation Lab

Come and share a taste of a communication program developed by Jeff Dunn, in collaboration with SWCC, the Loose Moose Theatre in Calgary and the University of Calgary. The goal of this presentation is to provide a taste of how improvisation can be used to improve communication skills in science fields. This hands-on exercise will help participants build capacity to communicate science to various audiences by learning how to fail gracefully in public (to help reduce presentation anxiety), how to connect with your audience and how to recognize and use status in personal interactions.

The full program is 10hrs of training, in this shorter session, we will sample the program in a fun interactive environment. Be prepared to release your inner thespian. Space is limited to 20 people

Jeff Dunn has been a research scientist in brain and imaging for over 30 years. He has a strong interest in mentoring science trainees to broaden their career skills and has recently been developing programs to improve science communication. One class, gaining traction, is “Act your Science”, a custom designed course using improvisation to improving science communication skills for science trainees. He is an alumni of the Banff Science Communication program where he first experienced improvisation training for science. He has held a Canada Research Chair and has Directed the Experimental Imaging Centre at the University of Calgary since 2004. He has over 150 science publications in diverse journals ranging from Polar Biology to the Journal of Neurotrauma. He has supervised scores of graduate students and taught on subjects including MRI, optical imaging and brain physiology at altitude. His imaging research currently includes multiple sclerosis, brain cancer and concussion.

Video Booth: How I SciComm – go ahead and tell all, we want to know! 

 Available 10:am – 2:30pm: Exploration Lab

A camera team will be on hand to help you record and upload your 1 minute video about who you are, and how you do your science communications. Here are some questions for you to think about:

1. Who are you?

2. How do you do your science communications?

3. What’s your favourite science trivia? What’s something cool you learned when researching a storyWhat’s your favourite jargon? What’s a word you had to memorizing pronunciation or spelling for a story

A Community of Innovators: 50 Years of TRIUMF

2:30 -3:30 pm  Science Theatre

 

Ask TRIUMF’s spirited founders and emeriti about the humble beginnings of Canada’s particle accelerator centre and you will invariably hear: “This used to be just a big pile of dirt.” You could imagine TRIUMF’s founding members five decades ago standing at the edge of the empty lot nestled between the forest and the sea, contemplating possibilities. But not even TRIUMF’s founders could have imagined the twists and turns of the lab’s 50-year journey, nor the impact that the lab would have on the people of Canada and the world.

Today, on that same 12.8-acre plot of land, TRIUMF houses world-leading research and technology, and fuels Canada’s collective imagination for the future of particle and nuclear physics and accelerator science. Join TRIUMF’s Director Jonathan Bagger and colleagues for an exploration of TRIUMF’s origins, impacts, and possibilities – a story of collaboration that over five decades celebrates a multifaceted community and growing family of 20 Canadian member universities and partners from around the world. www.triumf50.com  @TRIUMFlab

FRIDAY, APRIL 13 

Frontiers in SciComm Policy & Practice

Canada 2067 – Building a national vision for STEM learning

10:30 Room 1900

Canada 2067 is an ambitious initiative to develop a national vision and goals for youth learning in science, technology, engineering and math (STEM). Significant and scalable changes in education can be achieved by aligning efforts towards shared goals that support all children and youth in Canada.  A draft framework has been developed that builds on research into global policy, broad-based public input, five youth summits, consultation with millennials and a national leadership conference. It calls for action by diverse stakeholders including students, educators, parents, community organizations, industry and all levels of governments.  In this workshop, participants will learn about the initiative and discuss the inherent challenges of catalyzing education change in Canada. Participants will also review the framework and provide feedback that will be incorporated into the final version of the Canada 2067 framework. Input into the design of phase 2 will also be encouraged.

Bonnie Schmidt, C.M., Ph.D.

Founder and President, Let’s Talk Science

Dr. Bonnie Schmidt is the founder and president of Let’s Talk Science, a national charitable organization that helps Canadian youth prepare for future careers and citizenship roles by supporting their engagement in science, technology, engineering and math (STEM). Annually, Let’s Talk Science is accessed by more than 40% of schools in over 1,700 communities, impacting nearly 1 million youth. More than 3,500 volunteers at 45 post-secondary sites form our world-class outreach network. Bonnie currently serves as Chair of the National Leadership Taskforce on Education & Skills for the Information and Communications Technology Council (ICTC) and is on the Board of Governors of the University of Ontario Institute of Technology (UOIT). She was named a Member of the Order of Canada in 2015 and has received an Honorary Doctorate (Ryerson University), the Purvis Memorial Award (Chemical Institute of Canada), Community Service Award (Life Sciences Ontario), and a Queen’s Diamond Jubilee Award. @BMSchmidt

Infographics: Worth a Thousand Words with Kate Broadly and Sonya Odsen

1:15 Room 1520

Infographics have become a popular way to present results to non-specialist audiences, and they are a very effective tool for sharing science on social platforms. Infographics are more likely to be shared online, where they increase engagement with scientific content on platforms like Twitter.

No art skills? No problem! This session will guide you through the process of creating your own infographic, from crafting your story to telling that story visually, and will include strategies to design effective visuals without having to draw (unless you want to!). Topics will include developing your key messages, making your visuals functional rather than decorative, tips for giving your visuals a professional edge, and the best software options for each artistic skill level. Our goal is to empower you to create a visually-pleasing infographic regardless of your art or drawing experience. At the end of this active session, you will have a draft of your own unique infographic ready to be made digital.

The skills you develop during this session will be readily transferable to other visual media, such as talks, posters, or even creating visuals for blog posts.

Kate Broadley

Sonya Odsen

Kate Broadley and Sonya Odsen are Science Communicators with Fuse Consulting. Located in Edmonton, Alberta, Fuse is dedicated to communicating cutting-edge research to different audiences in creative and innovative ways. Their ultimate goal is to bring knowledge to life and empower audiences to apply that knowledge in policy, conservation, research, and their day-to-day lives. Every day, Kate and Sonya tackle complex topics and transform them for specific audiences through writing and design. Infographics are one of their favourite tools for conveying information in fun and accessible ways. Their past and current design projects include interpretive signage for Nature Conservancy Canada, twitter-optimized visual abstracts for the Applied Conservation Ecology lab at the University of Alberta, and a series of science-inspired holiday cards. You can see examples of their work at http://www.fuseconsulting.ca/see-our-work/. Kate and Sonya are also ecologists by training, each holding an M.Sc. from the University of Alberta.

Should this excite your interest,  get going as registration ends March 29, 2018. Here are the rates and the registration link is at the end,

Everyone is Welcome

RATES

Early Bird Registration

SWCC Members: $300

Non-members: $400

Regular Registration 

SWCC Members: $400

  Non-members: $500

Student Rates

SWCC student members: $150

Non-member students: $200

Beakerhead Course: $500

(includes day rate + course fee)

Day Rate: $150

Victoria Half Day Rate: $75

Snorkel Safari: snorkeler $120

Snorkel Safari: ride along $90

Social Evening, April 12

  TELUS Science World, 7:00-10:00pm additional single event tickets: $25.00 (limited)

DATES

EARLY BIRD REGISTRATION OPENS: MONDAY, FEBRUARY 5, 2018

EARLY BIRD REGISTRATION CLOSES: FRIDAY MARCH 9, 2018

REGISTRATION FINAL DEADLINE: THURSDAY MARCH 29, 2018

Conference Dates

April 12, TELUS Science World with STAN

April 13 & 14, SFU Harbour Centre

April 15, Vancouver tours & Victoria day Royal BC Museum

Travel and Accommodation information is available here

Register Here

Have fun!

Art/sci projects (+ related events) in Vancouver

There are a couple of art/science (or sciart projects) available for viewing in Vancouver, Canada which I’m listing in what is roughly in date order with a few out-of-order additions at the end including a January 18, 2018 movie screening.

Art/sci exhibitions

From the Curiosity Collider calendar of art + sci events around town,

Work in Progress: The Making of A Science Illustrator

When: 24 Nov 2017 – 24 Jan 2018 [emphasis mine]

Where: Creative Coworkers, 343 Railway St, Vancouver, BC V6A 1A4, Canada (map)

Description:  Science illustrator Jen Burgess graduated from California State University Monterey Bay’s renowned science illustration program in 2015, and since then the varied body of work she created has been idle in flat files. When the opportunity arose to share this work in person and find it some new homes, she could not resist.

The work is primarily natural history subject matter, in a variety of media including graphite, pen and ink, coloured pencil, watercolour, gouache, acrylic, and digital. To reflect the location of the show, the theme of the show is “Work in Progress,” so adjacent to many of the pieces Jen will display some sketches, work in progress scans, photos, and/or write ups, so you can get a glimpse into the process of creating each piece. In addition, there will be work from Jen’s June 2016 self-imposed residency in Haida Gwaii, from the show entitled “On a Tangent Tear” which was on display at Emily Carr House in Victoria in September 2016. Most original works and some prints will be available for sale. Please join Jen Burgess and the team at Creative Coworkers on Friday November 24th to have a drink after work or after dinner and see some artwork before heading out to your late evening plans. There will be a cash bar and some light snacks provided. Admission is free but donations will be gratefully accepted if you would like to help Jen cover the costs of framing. Please RSVP! The show will be up from November 24 through January 24, so if you cannot make it, please stop by and see the work on your own time. There may be plans afoot for a closing reception as well, perhaps with a silent auction. Stay tuned!

The Curiosity Collider calendar also listed this event (from the Beaty Biodiversity Museum Exhibition page),

Life In Colour

Drawings by Angela Gooliaff, colouring by you
September 16, 2017 – February 18, 2018

Colour your way through nature on a giant mural that showcases ecosystems from BC and around the world.

Presented by Hemlock Printers, artist Angela Gooliaff explores keystone species in both the terrestrial and aquatic ecosystems, employing feminine symbology of peace and wisdom, and story through a giant interactive colouring book mural. “I have connected my investigation of keystone species with the adult colouring book movement as an interruption to the current story of the natural world,” says Gooliaff.

By presenting a web of life for visitors to interact with, it will be visually apparent just how biodiverse our ecosystems are and how drastic an impact the removal of one species from the environment could be. Gooliaff concludes that by “giving the audience control to own their story through colour, perhaps will get them thinking about their own story and placement within the natural world.”

Science get together

Vancouver’s H. R. MacMillan Space Centre is hosting a January 25, 2018 event in their Cosmic Night series in January 2018, from the Cosmic Nights: Beyond Our Universe event page,

Is there anything beyond the universe? What came before the Big Bang? These are questions that don’t have answers, but we have theories! This installment of Cosmic Nights we delve into theories of the Multiverse!

Cosmic Nights is a themed party featuring a custom planetarium show, music, drinks, science demonstrations, games, and a special guest lecturer – all surrounding an exciting theme. Experience the Space Centre after hours in a 19+ environment!

Cosmic Nights returns on Thursday, January 25 [2018] with Cosmic Nights: Beyond our Universe. Jump into multiple universes, the Big Bang and other ideas that are bending our cosmic minds. Select your preferred Planetarium Star Theatre show time and then come early or stay late to experience all this event has to offer!

6:30pm – 10:00pm – Drinks | Music | Games | Demonstrations I Lecture I Planetarium

7:30 or 9:00pm – Planetarium Star Theatre show: Cosmology Questions
How did it all begin? What is the Big Bang Theory and what does this theory suggest about an end to our universe? Are there universes in addition to the one we live in? How do scientists even attempt to answer these mind-blowing questions? We’ll talk about some of the biggest questions about the universe and leave you with even more ideas to explore.

8pm and 9pm – “The Multiverse” lecture by Dr. Douglas Scott
Can there be more than one universe?  Why is the Universe that we live in the way that it is?  Does our existence imply that the universe has to have certain properties? Can we imagine universes that are quite different? What does the word “multiverse” even mean? These and other questions will be tackled in this special talk (and others quite like it, all across the multiverse!).

Bio: Douglas Scott is a Professor of Physics & Astronomy at the University of British Columbia, who was trained in Edinburgh, Cambridge and Berkeley.  He specialises in cosmology- the study of the universe on the largest scales and has co-authored more than 500 papers on a wide range of both concrete and speculative astrophysical topics.

7pm-9pm – Groundstation Canada Theatre  – Cocktail Crash Course: String Theory and Quantum Gravity 
A fun, interactive science demo on string theory and quantum gravity – enough fun facts to impress at a cocktail party. Trivia prizes are also up for grabs!

TICKETS: $20 early bird tickets until January 11th, $25 after.
Tickets available online through Eventbrite. Or, save the service fee by purchasing in person at the Space Centre or by calling 604.738.7827 ext. 240.

Beer from Red Truck Beer Company, wine frrom Hester Creek Estate Winery. Games by Starlit Citadel.

19+ event. All attendees will be required to provide photo ID upon entry.

You can go here to buy tickets.

Curiosity Colllider Café

The Curiosity Collider folks themselves are holding a January 31, 2018 Collider Café with the theme: Art. Science. Fusion. (from a January 9, 2018 announcement received via email),

Save the date – our next Collider Cafe will be on Wednesday, January 31 [2018]. Speakers include:

  • Visualizing Medicine (Paige Blumer, medical illustration)
  • Art = Science in Love (Martin Krzywinski, data visualization)
  • Geo-synth Music Video (Mika McKinnon, science communication)
  • Sciart Zine (Raymond Nakamura & Katrina Wong, creative collaboration)

I found more details,

Date/Time
Date(s) – 31/01/2018
8:00 pm – 9:30 pm

Location
Café Deux Soleils
[2096 Commercial Drive, Vancouver]

Curiosity Collider calls

I believe this is the first time the organization has announced calls for submissions. There are two (from the January 9, 2018 announcement received via email),

Call for Submissions

Do you exist in both the worlds of art and science? Does your artistic practice rely on science? Does your scientific practice rely on art? We are launching two calls for submissions:

Want to receive future calls for submissions? Update your email subscription options so you don’t miss out!

More from Curiosity Collider

This January 9, 2018 announcement was very full,

Enjoy!

Art/science events in Vancouver, Canada (Nov. 22, 2017) and Toronto (Dec. 1, 2017)

The first event I’m highlighting is the Curiosity Collider Cafe’s Nov. 22, 2017 event in Vancouver (Canada), from a November 14, 2017 announcement received via email,

Art, science, & neuroscience. Visualizing/sonifying particle collisions. Colors from nature. Sci-art career adventure. Our #ColliderCafe is a space for artists, scientists, makers, and anyone interested in art+science.

Meet, discover, connect, create. Are you curious?

Join us at “Collider Cafe: Art. Science. Interwoven.” to explore how art and science intersect in the exploration of curiosity.

When: 8:00pm on Wednesday, November 22, 2017.

Doors open at 7:30pm.

Where: Café Deux Soleils.. 2096 Commercial Drive, Vancouver, BC (Google Map).

Cost: $5-10 (sliding scale) cover at the door.

Proceeds will be used to cover the cost of running this event, and to fund future Curiosity Collider events.

With speakers:

Caitlin Ffrench (painter, writer, and textile artist) – Colours from Nature

Claudia Krebs (neuroanatomy professor) – Does the brain really differentiate between science and art?

Derek Tan (photographer, illustrator, and multimedia designer) – Design for Science: How I Got My Job E

Eli York (neuroscience researcher) – Imaging the brain’s immune system

Leó Stefánsson (multimedia artist) – Experiencing Data: Visualizing and Sonifying Particle Collisions

Follow updates on twitter via @ccollider or #ColliderCafe.

Head to the Facebook event page – let us know you are coming and share this event with others!

Then in Toronto, there’s the ArtSci Salon with an event about what they claim is one of the hottest topics today: STEAM. For the uninitiated, the acronym is for Science, Technology, Engineering, Art, and Mathematics which some hope will supersede STEM (Science, Technology, Engineering, and Mathematics). Regardless, here’s more from a November 13, 2017 Art/Sci Salon announcement received via email,

The ArtSci Salon presents:

What does A stand for in STEAM?

Date: December 1, 2017

Time: 5:30-7:30 pm

Location: The Fields Institute for Research in Mathematical Sciences
222 College Street, Toronto, ON

Please, RSVP here
http://bit.ly/2zH8nrN

Grouping four broadly defined disciplinary clusters –– Science, Technology, Engineering and Mathematics –– STEM has come to stand for governments’ and institutions’ attempt to champion ambitious programs geared towards excellence and innovation while providing hopeful students with “useful” education leading to “real jobs”. But in recent years education advocates have reiterated the crucial role of the arts in achieving such excellence. A has been added to STEM…

But what does A stand for in STEAM? What is its role? and how is it interpreted by those involved in STEM education, by arts practitioners and educators and by science communicators? It turns out that A has different roles, meanings, applications, interpretations…

Please, join us for an intriguing discussion on STEAM education and STEAM approaches. Our guests represent different experiences, backgrounds and areas of research. Your participation will make their contributions even richer

With:

Linda Duvall (Visual and Media Artist)

Richard Lachman (Associate Professor, RTA School of Media, Ryerson University)

Jan McMillin (Teacher/Librarian, Queen Victoria P.S.)

Jenn Stroud Rossmann (Professor, Mechanical Engineering – Lafayette College)

Lauren Williams (Special Collections Librarian – Thomas Fisher Rare Book Library

Bios

Linda Duvall is a Saskatoon-based visual artist whose work exists at the intersection of collaboration, performance and conversation. Her hybrid practice addresses recurring themes of connection to place, grief and loss, and the many meanings of exclusion and absence.

Richard Lachman directs the Zone Learning network of incubators for Ryerson University, Research Development for the Faculty of Communication and Design, and the Experiential Media Institute. His research interests include transmedia storytelling, digital documentaries, augmented/locative/VR experiences, mixed realities, and collaborative design thinking.

Jan McMillin is a Teacher Librarian at the TDSB. Over the last 3 years she has led a team to organize a S.T.E.A.M. Conference for approximately 180 Intermediate students from Queen Victoria P.S. and Parkdale Public. The purpose of the conference is to inspire these young people and to show them what they can also aspire to. Queen Victoria has a history of promoting the Arts in Education and so the conference was also partly to expand the notion of STEM to incorporate the Arts and creativity

Jenn Stroud Rossmann is a professor of mechanical engineering at Lafayette College. Her research interests include cardiovascular and respiratory fluid mechanics and interdiscplinary pedagogies. She co-authored an innovative textbook, Introduction to Engineering Mechanics: A Continuum Approach (CRC Press, Second Edition, 2015), and writes the essay series “An Engineer Reads a Novel” for Public Books. She is also a fiction writer whose work (in such journals as Cheap Pop, Literary Orphans, Tahoma Literary Review) has earned several Pushcart Prize nominations and other honors; her first novel is forthcoming in Fall 2018 from 7.13 Books.

Lauren Williams is Special Collections Librarian in the Department of Rare Books and Special Collections, Thomas Fisher Rare Book Library. Lauren is a graduate of the University of Toronto iSchool, where she specialized in Library and Information Science and participated in the Book History and Print Culture Collaborative Program.

Enjoy!

May/June 2017 scienceish events in Canada (mostly in Vancouver)

I have five* events for this posting

(1) Science and You (Montréal)

The latest iteration of the Science and You conference took place May 4 – 6, 2017 at McGill University (Montréal, Québec). That’s the sad news, the good news is that they have recorded and released the sessions onto YouTube. (This is the first time the conference has been held outside of Europe, in fact, it’s usually held in France.) Here’s why you might be interested (from the 2017 conference page),

The animator of the conference will be Véronique Morin:

Véronique Morin is science journalist and communicator, first president of the World Federation of Science Journalists (WFSJ) and serves as judge for science communication awards. She worked for a science program on Quebec’s public TV network, CBCRadio-Canada, TVOntario, and as a freelancer is also a contributor to -among others-  The Canadian Medical Journal, University Affairs magazine, NewsDeeply, while pursuing documentary projects.

Let’s talk about S …

Holding the attention of an audience full of teenagers may seem impossible… particularly on topics that might be seen as boring, like sciences! Yet, it’s essential to demistify science in order to make it accessible, even appealing in the eyes of futur citizens.
How can we encourage young adults to ask themselves questions about the surrounding world, nature and science? How can we make them discover sciences with and without digital tools?

Find out tips and tricks used by our speakers Kristin Alford and Amanda Tyndall.

Kristin Alford
Dr Kristin Alford is a futurist and the inaugural Director of MOD., a futuristic museum of discovery at the University of South Australia. Her mind is presently occupied by the future of work and provoking young adults to ask questions about the role of science at the intersection of art and innovation.

Internet Website

Amanda Tyndall
Over 20 years of  science communication experience with organisations such as Café Scientifique, The Royal Institution of Great Britain (and Australia’s Science Exchange), the Science Museum in London and now with the Edinburgh International Science Festival. Particularly interested in engaging new audiences through linkages with the arts and digital/creative industries.

Internet Website

A troll in the room

Increasingly used by politicians, social media can reach thousand of people in few seconds. Relayed to infinity, the message seems truthful, but is it really? At a time of fake news and alternative facts, how can we, as a communicator or a journalist, take up the challenge of disinformation?
Discover the traps and tricks of disinformation in the age of digital technologies with our two fact-checking experts, Shawn Otto and Vanessa Schipani, who will offer concrete solutions to unravel the true from the false..

 

Shawn Otto
Shawn Otto was awarded the IEEE-USA (“I-Triple-E”) National Distinguished Public Service Award for his work elevating science in America’s national public dialogue. He is cofounder and producer of the US presidential science debates at ScienceDebate.org. He is also an award-winning screenwriter and novelist, best known for writing and co-producing the Academy Award-nominated movie House of Sand and Fog.

Vanessa Schipani
Vanessa is a science journalist at FactCheck.org, which monitors U.S. politicians’ claims for accuracy. Previously, she wrote for outlets in the U.S., Europe and Japan, covering topics from quantum mechanics to neuroscience. She has bachelor’s degrees in zoology and philosophy and a master’s in the history and philosophy of science.

At 20,000 clicks from the extreme

Sharing living from a space station, ship or submarine. The examples of social media use in extreme conditions are multiplying and the public is asking for more. How to use public tools to highlight practices and discoveries? How to manage the use of social networks of a large organisation? What pitfalls to avoid? What does this mean for citizens and researchers?
Find out with Phillipe Archambault and Leslie Elliott experts in extrem conditions.

Philippe Archambault

Professor Philippe Archambault is a marine ecologist at Laval University, the director of the Notre Golfe network and president of the 4th World Conference on Marine Biodiversity. His research on the influence of global changes on biodiversity and the functioning of ecosystems has led him to work in all four corners of our oceans from the Arctic to the Antarctic, through Papua New Guinea and the French Polynesia.

Website

Leslie Elliott

Leslie Elliott leads a team of communicators at Ocean Networks Canada in Victoria, British Columbia, home to Canada’s world-leading ocean observatories in the Pacific and Arctic Oceans. Audiences can join robots equipped with high definition cameras via #livedive to discover more about our ocean.

Website

Science is not a joke!

Science and humor are two disciplines that might seem incompatible … and yet, like the ig-Nobels, humour can prove to be an excellent way to communicate a scientific message. This, however, can prove to be quite challenging since one needs to ensure they employ the right tone and language to both captivate the audience while simultaneously communicating complex topics.

Patrick Baud and Brian Malow, both well-renowned scientific communicators, will give you with the tools you need to capture your audience and also convey a proper scientific message. You will be surprised how, even in Science, a good dose of humour can make you laugh and think.

Patrick Baud
Patrick Baud is a French author who was born on June 30, 1979, in Avignon. He has been sharing for many years his passion for tales of fantasy, and the marvels and curiosities of the world, through different media: radio, web, novels, comic strips, conferences, and videos. His YouTube channel “Axolot”, was created in 2013, and now has over 420,000 followers.

Internet Website
Youtube

Brian Malow
Brian Malow is Earth’s Premier Science Comedian (self-proclaimed).  Brian has made science videos for Time Magazine and contributed to Neil deGrasse Tyson’s radio show.  He worked in science communications at a museum, blogged for Scientific American, and trains scientists to be better communicators.

Internet Website
YouTube

I don’t think they’ve managed to get everything up on YouTube yet but the material I’ve found has been subtitled (into French or English, depending on which language the speaker used).

Here are the opening day’s talks on YouTube with English subtitles or French subtitles when appropriate. You can also find some abstracts for the panel presentations here. I was particularly in this panel (S3 – The Importance of Reaching Out to Adults in Scientific Culture), Note: I have searched out the French language descriptions for those unavailable in English,

Organized by Coeur des sciences, Université du Québec à Montréal (UQAM)
Animator: Valérie Borde, Freelance Science Journalist

Anouk Gingras, Musée de la civilisation, Québec
Text not available in English

[La science au Musée de la civilisation c’est :
• Une cinquantaine d’expositions et espaces découvertes
• Des thèmes d’actualité, liés à des enjeux sociaux, pour des exposition souvent destinées aux adultes
• Un potentiel de nouveaux publics en lien avec les autres thématiques présentes au Musée (souvent non scientifiques)
L’exposition Nanotechnologies : l’invisible révolution :
• Un thème d’actualité suscitant une réflexion
• Un sujet sensible menant à la création d’un parcours d’exposition polarisé : choix entre « oui » ou « non » au développement des nanotechnologies pour l’avenir
• L’utilisation de divers éléments pour rapprocher le sujet du visiteur

  • Les nanotechnologies dans la science-fiction
  • Les objets du quotidien contenant des nanoparticules
  • Les objets anciens qui utilisant les nanotechnologies
  • Divers microscopes retraçant l’histoire des nanotechnologies

• Une forme d’interaction suscitant la réflexion du visiteur via un objet sympatique : le canard  de plastique jaune, muni d’une puce RFID

  • Sept stations de consultation qui incitent le visiteur à se prononcer et à réfléchir sur des questions éthiques liées au développement des nanotechnologies
  • Une compilation des données en temps réel
  • Une livraison des résultats personnalisée
  • Une mesure des visiteurs dont l’opinion s’est modifiée à la suite de la visite de l’exposition

Résultats de fréquentation :
• Public de jeunes adultes rejoint (51%)
• Plus d’hommes que de femmes ont visité l’exposition
• Parcours avec canard: incite à la réflexion et augmente l’attention
• 3 visiteurs sur 4 prennent le canard; 92% font l’activité en entier]

Marie Lambert-Chan, Québec Science
Capting the attention of adult readership : challenging mission, possible mission
Since 1962, Québec Science Magazine is the only science magazine aimed at an adult readership in Québec. Our mission : covering topical subjects related to science and technology, as well as social issues from a scientific point of view. Each year, we print eight issues, with a circulation of 22,000 copies. Furthermore, the magazine has received several awards and accolades. In 2017, Québec Science Magazine was honored by the Canadian Magazine Awards/Grands Prix du Magazine and was named Best Magazine in Science, Business and Politics category.
Although we have maintained a solid reputation among scientists and the media industry, our magazine is still relatively unknown to the general public. Why is that ? How is it that, through all those years, we haven’t found the right angle to engage a broader readership ?
We are still searching for definitive answers, but here are our observations :
Speaking science to adults is much more challenging than it is with children, who can marvel endlessly at the smallest things. Unfortunately, adults lose this capacity to marvel and wonder for various reasons : they have specific interests, they failed high-school science, they don’t feel competent enough to understand scientific phenomena. How do we bring the wonder back ? This is our mission. Not impossible, and hopefully soon to be accomplished. One noticible example is the number of reknown scientists interviewed during the popular talk-show Tout le monde en parle, leading us to believe the general public may have an interest in science.
However, to accomplish our mission, we have to recount science. According to the Bulgarian writer and blogger Maria Popova, great science writing should explain, elucidate and enchant . To explain : to make the information clear and comprehensible. To elucidate : to reveal all the interconnections between the pieces of information. To enchant : to go beyond the scientific terms and information and tell a story, thus giving a kaleidoscopic vision of the subject. This is how we intend to capture our readership’s attention.
Our team aims to accomplish this challenge. Although, to be perfectly honest, it would be much easier if we had more resources, financial-wise or human-wise. However, we don’t lack ideas. We dream of major scientific investigations, conferences organized around themes from the magazine’s issues, Web documentaries, podcasts… Such initiatives would give us the visibility we desperately crave.
That said, even in the best conditions, would be have more subscribers ? Perhaps. But it isn’t assured. Even if our magazine is aimed at adult readership, we are convinced that childhood and science go hand in hand, and is even decisive for the children’s future. At the moment, school programs are not in place for continuous scientific development. It is possible to develop an interest for scientific culture as adults, but it is much easier to achieve this level of curiosity if it was previously fostered.

Robert Lamontagne, Université de Montréal
Since the beginning of my career as an astrophysicist, I have been interested in scientific communication to non-specialist audiences. I have presented hundreds of lectures describing the phenomena of the cosmos. Initially, these were mainly offered in amateur astronomers’ clubs or in high-schools and Cégeps. Over the last few years, I have migrated to more general adult audiences in the context of cultural activities such as the “Festival des Laurentides”, the Arts, Culture and Society activities in Repentigny and, the Université du troisième âge (UTA) or Senior’s University.
The Quebec branch of the UTA, sponsored by the Université de Sherbrooke (UdeS), exists since 1976. Seniors universities, created in Toulouse, France, are part of a worldwide movement. The UdeS and its senior’s university antennas are members of the International Association of the Universities of the Third Age (AIUTA). The UTA is made up of 28 antennas located in 10 regions and reaches more than 10,000 people per year. Antenna volunteers prepare educational programming by drawing on a catalog of courses, seminars and lectures, covering a diverse range of subjects ranging from history and politics to health, science, or the environment.
The UTA is aimed at people aged 50 and over who wish to continue their training and learn throughout their lives. It is an attentive, inquisitive, educated public and, given the demographics in Canada, its number is growing rapidly. This segment of the population is often well off and very involved in society.
I usually use a two-prong approach.
• While remaining rigorous, the content is articulated around a few ideas, avoiding analytical expressions in favor of a qualitative description.
• The narrative framework, the story, which allows to contextualize the scientific content and to forge links with the audience.

Sophie Malavoy, Coeur des sciences – UQAM

Many obstacles need to be overcome in order to reach out to adults, especially those who aren’t in principle interested in science.
• Competing against cultural activities such as theater, movies, etc.
• The idea that science is complex and dull
• A feeling of incompetence. « I’ve always been bad in math and physics»
• Funding shortfall for activities which target adults
How to reach out to those adults?
• To put science into perspective. To bring its relevance out by making links with current events and big issues (economic, heath, environment, politic). To promote a transdisciplinary approach which includes humanities and social sciences.
• To stake on originality by offering uncommon and ludic experiences (scientific walks in the city, street performances, etc.)
• To bridge between science and popular activities to the public (science/music; science/dance; science/theater; science/sports; science/gastronomy; science/literature)
• To reach people with emotions without sensationalism. To boost their curiosity and ability to wonder.
• To put a human face on science, by insisting not only on the results of a research but on its process. To share the adventure lived by researchers.
• To liven up people’s feeling of competence. To insist on the scientific method.
• To invite non-scientists (citizens groups, communities, consumers, etc.) to the reflections on science issues (debate, etc.).  To move from dissemination of science to dialog

Didier Pourquery, The Conversation France
Text not available in English

[Depuis son lancement en septembre 2015 la plateforme The Conversation France (2 millions de pages vues par mois) n’a cessé de faire progresser son audience. Selon une étude menée un an après le lancement, la structure de lectorat était la suivante
Pour accrocher les adultes et les ainés deux axes sont intéressants ; nous les utilisons autant sur notre site que sur notre newsletter quotidienne – 26.000 abonnés- ou notre page Facebook (11500 suiveurs):
1/ expliquer l’actualité : donner les clefs pour comprendre les débats scientifiques qui animent la société ; mettre de la science dans les discussions (la mission du site est de  « nourrir le débat citoyen avec de l’expertise universitaire et de la recherche »). L’idée est de poser des questions de compréhension simple au moment où elles apparaissent dans le débat (en période électorale par exemple : qu’est-ce que le populisme ? Expliqué par des chercheurs de Sciences Po incontestables.)
Exemples : comprendre les conférences climat -COP21, COP22 – ; comprendre les débats de société (Gestation pour autrui); comprendre l’économie (revenu universel); comprendre les maladies neurodégénératives (Alzheimer) etc.
2/ piquer la curiosité : utiliser les formules classiques (le saviez-vous ?) appliquées à des sujets surprenants (par exemple : «  Que voit un chien quand il regarde la télé ? » a eu 96.000 pages vues) ; puis jouer avec ces articles sur les réseaux sociaux. Poser des questions simples et surprenantes. Par exemple : ressemblez-vous à votre prénom ? Cet article académique très sérieux a comptabilisé 95.000 pages vues en français et 171.000 en anglais.
3/ Susciter l’engagement : faire de la science participative simple et utile. Par exemple : appeler nos lecteurs à surveiller l’invasion de moustiques tigres partout sur le territoire. Cet article a eu 112.000 pages vues et a été republié largement sur d’autres sites. Autre exemple : appeler les lecteurs à photographier les punaises de leur environnement.]

Here are my very brief and very rough translations. (1) Anouk Gingras is focused largely on a nanotechnology exhibit and whether or not visitors went through it and participated in various activities. She doesn’t seem specifically focused on science communication for adults but they are doing some very interesting and related work at Québec’s Museum of Civilization. (2) Didier Pourquery is describing an online initiative known as ‘The Conversation France’ (strange—why not La conversation France?). Moving on, there’s a website with a daily newsletter (blog?) and a Facebook page. They have two main projects, one is a discussion of current science issues in society, which is informed with and by experts but is not exclusive to experts, and more curiosity-based science questions and discussion such as What does a dog see when it watches television?

Serendipity! I hadn’t stumbled across this conference when I posted my May 12, 2017 piece on the ‘insanity’ of science outreach in Canada. It’s good to see I’m not the only one focused on science outreach for adults and that there is some action, although seems to be a Québec-only effort.

(2) Ingenious—a book launch in Vancouver

The book will be launched on Thursday, June 1, 2017 at the Vancouver Public Library’s Central Branch (from the Ingenious: An Evening of Canadian Innovation event page)

Ingenious: An Evening of Canadian Innovation
Thursday, June 1, 2017 (6:30 pm – 8:00 pm)
Central Branch
Description

Gov. Gen. David Johnston and OpenText Corp. chair Tom Jenkins discuss Canadian innovation and their book Ingenious: How Canadian Innovators Made the World Smarter, Smaller, Kinder, Safer, Healthier, Wealthier and Happier.

Books will be available for purchase and signing.

Doors open at 6 p.m.

INGENIOUS : HOW CANADIAN INNOVATORS MADE THE WORLD SMARTER, SMALLER, KINDER, SAFER, HEALTHIER, WEALTHIER, AND HAPPIER

Address:

350 West Georgia St.
VancouverV6B 6B1

Get Directions

  • Phone:

Location Details:

Alice MacKay Room, Lower Level

I do have a few more details about the authors and their book. First, there’s this from the Ottawa Writer’s Festival March 28, 2017 event page,

To celebrate Canada’s 150th birthday, Governor General David Johnston and Tom Jenkins have crafted a richly illustrated volume of brilliant Canadian innovations whose widespread adoption has made the world a better place. From Bovril to BlackBerrys, lightbulbs to liquid helium, peanut butter to Pablum, this is a surprising and incredibly varied collection to make Canadians proud, and to our unique entrepreneurial spirit.

Successful innovation is always inspired by at least one of three forces — insight, necessity, and simple luck. Ingenious moves through history to explore what circumstances, incidents, coincidences, and collaborations motivated each great Canadian idea, and what twist of fate then brought that idea into public acceptance. Above all, the book explores what goes on in the mind of an innovator, and maps the incredible spectrum of personalities that have struggled to improve the lot of their neighbours, their fellow citizens, and their species.

From the marvels of aboriginal invention such as the canoe, snowshoe, igloo, dogsled, lifejacket, and bunk bed to the latest pioneering advances in medicine, education, philanthropy, science, engineering, community development, business, the arts, and the media, Canadians have improvised and collaborated their way to international admiration. …

Then, there’s this April 5, 2017 item on Canadian Broadcasting Corporation’s (CBC) news online,

From peanut butter to the electric wheelchair, the stories behind numerous life-changing Canadian innovations are detailed in a new book.

Gov. Gen. David Johnston and Tom Jenkins, chair of the National Research Council and former CEO of OpenText, are the authors of Ingenious: How Canadian Innovators Made the World Smarter, Smaller, Kinder, Safer, Healthier, Wealthier and Happier. The authors hope their book reinforces and extends the culture of innovation in Canada.

“We started wanting to tell 50 stories of Canadian innovators, and what has amazed Tom and myself is how many there are,” Johnston told The Homestretch on Wednesday. The duo ultimately chronicled 297 innovations in the book, including the pacemaker, life jacket and chocolate bars.

“Innovations are not just technological, not just business, but they’re social innovations as well,” Johnston said.

Many of those innovations, and the stories behind them, are not well known.

“We’re sort of a humble people,” Jenkins said. “We’re pretty quiet. We don’t brag, we don’t talk about ourselves very much, and so we then lead ourselves to believe as a culture that we’re not really good inventors, the Americans are. And yet we knew that Canadians were actually great inventors and innovators.”

‘Opportunities and challenges’

For Johnston, his favourite story in the book is on the light bulb.

“It’s such a symbol of both our opportunities and challenges,” he said. “The light bulb was invented in Canada, not the United States. It was two inventors back in the 1870s that realized that if you passed an electric current through a resistant metal it would glow, and they patented that, but then they didn’t have the money to commercialize it.”

American inventor Thomas Edison went on to purchase that patent and made changes to the original design.

Johnston and Jenkins are also inviting readers to share their own innovation stories, on the book’s website.

I’m looking forward to the talk and wondering if they’ve included the botox and cellulose nanocrystal (CNC) stories to the book. BTW, Tom Jenkins was the chair of a panel examining Canadian research and development and lead author of the panel’s report (Innovation Canada: A Call to Action) for the then Conservative government (it’s also known as the Jenkins report). You can find out more about in my Oct. 21, 2011 posting.

(3) Made in Canada (Vancouver)

This is either fortuitous or there’s some very high level planning involved in the ‘Made in Canada; Inspiring Creativity and Innovation’ show which runs from April 21 – Sept. 4, 2017 at Vancouver’s Science World (also known as the Telus World of Science). From the Made in Canada; Inspiring Creativity and Innovation exhibition page,

Celebrate Canadian creativity and innovation, with Science World’s original exhibition, Made in Canada, presented by YVR [Vancouver International Airport] — where you drive the creative process! Get hands-on and build the fastest bobsled, construct a stunning piece of Vancouver architecture and create your own Canadian sound mashup, to share with friends.

Vote for your favourite Canadian inventions and test fly a plane of your design. Discover famous (and not-so-famous, but super neat) Canadian inventions. Learn about amazing, local innovations like robots that teach themselves, one-person electric cars and a computer that uses parallel universes.

Imagine what you can create here, eh!!

You can find more information here.

One quick question, why would Vancouver International Airport be presenting this show? I asked that question of Science World’s Communications Coordinator, Jason Bosher, and received this response,

 YVR is the presenting sponsor. They donated money to the exhibition and they also contributed an exhibit for the “We Move” themed zone in the Made in Canada exhibition. The YVR exhibit details the history of the YVR airport, it’s geographic advantage and some of the planes they have seen there.

I also asked if there was any connection between this show and the ‘Ingenious’ book launch,

Some folks here are aware of the book launch. It has to do with the Canada 150 initiative and nothing to do with the Made in Canada exhibition, which was developed here at Science World. It is our own original exhibition.

So there you have it.

(4) Robotics, AI, and the future of work (Ottawa)

I’m glad to finally stumble across a Canadian event focusing on the topic of artificial intelligence (AI), robotics and the future of work. Sadly (for me), this is taking place in Ottawa. Here are more details  from the May 25, 2017 notice (received via email) from the Canadian Science Policy Centre (CSPC),

CSPC is Partnering with CIFAR {Canadian Institute for Advanced Research]
The Second Annual David Dodge Lecture

Join CIFAR and Senior Fellow Daron Acemoglu for
the Second Annual David Dodge CIFAR Lecture in Ottawa on June 13.
June 13, 2017 | 12 – 2 PM [emphasis mine]
Fairmont Château Laurier, Drawing Room | 1 Rideau St, Ottawa, ON
Along with the backlash against globalization and the outsourcing of jobs, concern is also growing about the effect that robotics and artificial intelligence will have on the labour force in advanced industrial nations. World-renowned economist Acemoglu, author of the best-selling book Why Nations Fail, will discuss how technology is changing the face of work and the composition of labour markets. Drawing on decades of data, Acemoglu explores the effects of widespread automation on manufacturing jobs, the changes we can expect from artificial intelligence technologies, and what responses to these changes might look like. This timely discussion will provide valuable insights for current and future leaders across government, civil society, and the private sector.

Daron Acemoglu is a Senior Fellow in CIFAR’s Insitutions, Organizations & Growth program, and the Elizabeth and James Killian Professor of Economics at the Massachusetts Institute of Technology.

Tickets: $15 (A light lunch will be served.)

You can find a registration link here. Also, if you’re interested in the Canadian efforts in the field of artificial intelligence you can find more in my March 24, 2017 posting (scroll down about 25% of the way and then about 40% of the way) on the 2017 Canadian federal budget and science where I first noted the $93.7M allocated to CIFAR for launching a Pan-Canadian Artificial Intelligence Strategy.

(5) June 2017 edition of the Curiosity Collider Café (Vancouver)

This is an art/science (also known called art/sci and SciArt) that has taken place in Vancouver every few months since April 2015. Here’s more about the June 2017 edition (from the Curiosity Collider events page),

Collider Cafe

When
8:00pm on Wednesday, June 21st, 2017. Door opens at 7:30pm.

Where
Café Deux Soleils. 2096 Commercial Drive, Vancouver, BC (Google Map).

Cost
$5.00-10.00 cover at the door (sliding scale). Proceeds will be used to cover the cost of running this event, and to fund future Curiosity Collider events. Curiosity Collider is a registered BC non-profit organization.

***

#ColliderCafe is a space for artists, scientists, makers, and anyone interested in art+science. Meet, discover, connect, create. How do you explore curiosity in your life? Join us and discover how our speakers explore their own curiosity at the intersection of art & science.

The event will start promptly at 8pm (doors open at 7:30pm). $5.00-10.00 (sliding scale) cover at the door. Proceeds will be used to cover the cost of running this event, and to fund future Curiosity Collider events. Curiosity Collider is a registered BC non-profit organization.

Enjoy!

*I changed ‘three’ events to ‘five’ events and added a number to each event for greater reading ease on May 31, 2017.

Live. Curiously. A Feb. 22, 2017 Curiosity Collider Café event in Vancouver, Canada

There’s news about the next Curiosity Collider Café event in a Feb. 14, 2017 announcement (received via email),

Collider Cafe: Live. Curiously.

When
8:00pm on Wednesday, February 22nd, 2017. Door opens at 7:30pm.

Where
Café Deux Soleils. 2096 Commercial Drive, Vancouver, BC (Google Map).

Cost
$5.00-10.00 cover at the door (sliding scale). Proceeds will be used to cover the cost of running this event, and to fund future Curiosity Collider events. Curiosity Collider is a registered BC non-profit organization.

***

#ColliderCafe is a space for artists, scientists, makers, and anyone interested in art+science. Meet, discover, connect, create. How do you explore curiosity in your life? Join us and discover how our speakers explore their own curiosity at the intersection of art & science.

The event will start promptly at 8pm (doors open at 7:30pm). $5.00-10.00 (sliding scale) cover at the door. Proceeds will be used to cover the cost of running this event, and to fund future Curiosity Collider events. Curiosity Collider is a registered BC non-profit organization.

Let us know you are coming on our Facebook page!

You can find out more about Curiousity Collider and its events here. Also, they have produced a very pretty poster,

Creative destruction for Canada’s fundamental science

After receiving an ‘invitation’ from the Canadian Science Policy Centre, I wrote an opinion piece, drawing on my submission for the public consultation on Canada’s fundamental science research. It seems the invitation was more of a ‘call’ for submissions and my piece did not end up being selected for inclusion on the website. So rather than waste the piece, here it is,

Creative destruction for Canada’s fundamental science

At a time when we are dealing with the consequences of our sins and virtues, fundamental science, at heart, an exercise in imagination, can seem a waste of precious time. Pollution and climate change (sins: ill-considered uses of technology) and food security and water requirements (virtues: efforts to improve health and save more lives) would seem to demand solutions not the flights of fancy associated with basic science. After all, what does the ‘big bang’ have to do with potable water?

It’s not an unfair question despite the impatience some might feel when answering it by citing a number of practical applications which are the result of all that ‘fanciful’ or ‘blue sky’ science. The beauty and importance of the question is that it will always be asked and can never be definitively answered, rendering it a near constant goad or insurance against complacency.

In many ways Canada’s review of fundamental science (deadline for comments was Sept. 30, 2016) is not just an examination of the current funding schemes but an opportunity to introduce more ‘goads’ or ‘anti-complacency’ measures into Canada’s fundamental science efforts for a kind of ‘creative destruction’.

Introduced by economist Joseph Schumpeter, the concept is derived from Karl Marx’s work but these days is associated with disruptive, painful, and regenerative innovation of all kinds and Canadian fundamental science needs more ‘creative destruction’. There’s at least one movement in this direction (found both in Canada and internationally) which takes us beyond uncomfortable, confrontative questions and occasional funding reviews—the integration of arts and humanities as an attempt at ‘creative destruction’ of the science endeavour.

At one point in the early 2000s, Canada developed a programme where the National Research Council could get joint funding with the Canada Council for the Arts for artists to work with their scientists. It was abandoned a few years later, as a failure. But, since then, several informal attempts at combining arts, sciences, and humanities have sprung up.

For example, Curiosity Collider (founded in 2015) hosts artists and scientists presenting their art/science pieces at various events in Vancouver. Beakerhead has mashed up science, engineering, arts, and entertainment in a festival founded and held in Calgary since 2013. Toronto’s ArtSci Salon hosts events and installations for local, national, and international collaborations of artists and scientists. And, getting back to Vancouver, Anecdotal Evidence is a science storytelling series which has been appearing sporadically since 2015.

There is a tendency to dismiss these types of collaboration as a form of science outreach designed to amuse or entertain but they can be much more than that. Illustrators have taught botanists a thing or two about plants. Markus Buehler at the Massachusetts Institute of Technology has used his understanding of music to explore material science (spider’s webs). Domenico Vicinanza has sonified data from space vehicle, Voyager 1, to produce a symphony, which is also a highly compressed means of communicating data.

C. P. Snow’s ‘The Two Cultures’ (lecture and book) covered much of the same territory in 1959 noting the idea that the arts and sciences (and humanities) can and should be linked in some fashion was not new. For centuries the sciences were referred to as Natural Philosophy (humanities), albeit only chemistry and physics were considered sciences, and many universities have or had faculties of arts and sciences or colleges of arts and science (e.g., the University of Saskatchewan still has such a college).

The current art/sci or sci-art movement can be seen as more than an attempt to resuscitate a ‘golden’ period from the past. It could be a means of embedding a continuous state of regeneration or ‘creative destruction’ for fundamental science in Canada.