Tag Archives: Greek mythology

Chimera state: simultaneous synchrony and asynchrony

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It turns out there’s more than one kind of chimera. (I published a Sept. 7, 2016 post about chimeras that are animal/human hybrids and a US public consultation on the matter.)

The chimera being investigated by researchers at the University of New Mexico (US) is of an altogether different kind. From a Nov. 15, 2016 American Institute of Physics (AIP) news release (also on EurekAlert),

Order and disorder might seem dichotomous conditions of a functioning system, yet both states can, in fact, exist simultaneously and durably within a system of oscillators, in what’s called a chimera state. Taking its name from a composite creature in Greek mythology, this exotic state still holds a lot of mystery, but its fundamental nature offers potential in understanding governing dynamics across many scientific fields. A research team at the University of New Mexico has recently advanced this understanding with work that will be published this week in the journal Chaos, from AIP Publishing.

“A system of oscillators” may sound obscure, but it actually describes, in a very general but fundamental way, all sorts of physical systems.

“Lots of biological systems can be thought of as populations of oscillators. The heartbeat is just oscillating heart cells that a wave propagates on. And neurons in the brain are oscillators as well, and have been treated with these methods,” said Karen Blaha, a post-doctoral researcher at the University of New Mexico working on the project. “But doing experiments on those systems is really, really hard. The cells can die, and if you can manipulate them in a way that you can measure the data, they may not be behaving as they do naturally.”

For this reason, the team, led by Francesco Sorrentino, a mechanical engineering professor at the University of New Mexico, built on previous work done to understand chimera states with mechanical oscillators, in this case a collection of metronomes, resting on coupled platforms.

“The ultimate goal is that these systems are better behaved than the biological systems that we hope eventually they might be good proxies for,” Blaha said.

The team built a system of three coupled platforms, each supporting up to 15 ticking metronomes whose motions were individually tracked. A chimera state in this system consisted of in-phase, or synchronous, motion of a subset of the metronomes, and asynchronous motion of the others. By varying characteristics of the system, such as the strength of coupling between the platforms or the number of metronomes, they could deduce which factors led to more perfect chimera states.

Of particular interest in this experiment was the effect symmetries of the system had on the emergence of chimera states. Sorrentino and his team looked at, for example, the effect of having the same versus different coupling strengths of the outer platforms to the center platform.

“It puts together a new ingredient that kind of makes the whole thing more complex. Basically we are wondering how this type of mixed behavior can occur in systems that have symmetries. And our work is experimental so we see this chimera state in systems with symmetries,” Sorrentino said.

In addition to developing a method for better understanding these important, complex systems, Sorrentino views the effort to be a powerful educational tool. The tabletop scale and visual nature of the measurements and effects offer students more direct involvement with the concepts being investigated.

“It’s a full experience for the student [and] we have a broad authorship,” Sorrentino said, highlighting the collaboration between undergraduates, graduate students and senior researchers. “It’s really a team effort.”

Future work by the diverse team will investigating other symmetries, as well as varying factors such as coupling method. They also plan to add methods of controlling the system and synchrony. “We are working in several directions. Definitely the symmetries are something we will keep in mind and try to generalize to more complex situations,” Sorrentino said.

Here’s a link to and a citation for the paper,

Symmetry effects on naturally arising chimera states in mechanical oscillator networks by Karen Blaha, Ryan J. Burrus, Jorge L. Orozco-Mora, Elvia Ruiz-Beltrán, Abu B. Siddique, V. D. Hatamipour, and Francesco Sorrentino. Chaos 26, 116307 (2016); http://dx.doi.org/10.1063/1.4965993

This paper appears to be open access.

Prometheus (a tiny rain frog) emerges from Ecuadorian forest

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Caption: Adult female Prometeo Rain Frog in its natural habitat. Credit: Dan Cog?lniceanu [sic]

Caption: Adult female Prometeo Rain Frog in its natural habitat. Credit: Dan Cog?lniceanu [sic]

I’m not sure why Prometheus was considered an appropriate inspiration for the Promoteo program but more about the Greek mythological character and the program later. First, in honour of this blog’s name, here’s the announcement of a ‘new’ frog in a July 21, 2016 news item on phys.org (Note: Links have been removed),

Prometheus, the mythological Greek heroic deity, has been given a namesake in a new species of tiny rain frog, discovered in southwestern Ecuador. The name was chosen by the international team of scientists, led by Dr Paul Szekely, Ovidius University, Constanta, Romania, in acknowledgement of the Prometeo program, funded by the Ecuadorian government.

The description of this new species (Pristimantis prometeii) is the result of the cooperation between three Romanian Prometeo investigators affiliated with the Universidad Tecnica Particular de Loja and Universidad Nacional de Loja, and two Ecuadorian specialists from Pontificia Universidad Catolica del Ecuador. …

A July 21, 2016 Pensoft Publishers news release on EurekAlert, which originated the news item, provides more information about this ‘promethean’ frog,

During the day, frogs of the new species were found hiding in flowering plants, while at night — perching on leaves at low heights in well preserved cloud forests. They grow to 2-3 cm with the females being larger than the males.

The newly described species is part of a group of frogs called Terrarana (meaning ‘Land or terrestrial frogs’). This is a lineage of frogs that has evolved directly developing eggs, which are deposited in terrestrial habitats. Unlike other frogs, these ones do not have an aquatic tadpole stage and the embryos develop directly into froglets on land.

The newly described species is only known from Reserva Biologica Buenaventura, southwestern Ecuador, at elevations between 878 and 1082 m. This reserve is privately owned by the Jocotoco Conservation Foundation. The reserve has at least another four endemic species of amphibians, reptiles, and birds.

With more than 470 species, the directly developing rain frogs of the genus Pristimantis continue to surprise everyone.

“While new species are described every year, there are over a hundred discovered over the last decade only,” remind the authors.

Here’s a link to and a citation for the paper,

A new species of Pristimantis from southern Ecuador  (Anura, Craugastoridae) by Paul Székely, Dan Cogălniceanu, Diana Székely, Nadia Paez, Santiago Ron.  ZooKeys 606: 77-97 (21 Jul 2016) DOI: 10.3897/zookeys.606.9121

This article is open access.

Finally getting to Prometheus, here’s a description from the mythological figure’s Wikipedia entry (Note: Links have been removed),

Prometheus (/prəˈmiːθiːəs/ prə-MEE-thee-əs; Greek: Προμηθεύς [promɛːtʰeús], meaning “forethought”)[1] is a Titan in Greek mythology, best known as the deity in Greek mythology who was the creator of mankind and its greatest benefactor, who stole fire from Mount Olympus and gave it to mankind.

That’s a lot to hang on a tiny frog, eh? Also, you can find the Prometeo program here but you will need your Spanish language skills.

Cornwall (UK) connects with University of Southern California for performance by a quantum computer (D-Wave) and mezzo soprano Juliette Pochin

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The upcoming performance of a quantum computer built by D-Wave Systems (a Canadian company) and Welsh mezzo soprano Juliette Pochin is the première of “Superposition” by Alexis Kirke. A July 13, 2016 news item on phys.org provides more detail,

What happens when you combine the pure tones of an internationally renowned mezzo soprano and the complex technology of a $15million quantum supercomputer?

The answer will be exclusively revealed to audiences at the Port Eliot Festival [Cornwall, UK] when Superposition, created by Plymouth University composer Alexis Kirke, receives its world premiere later this summer.

A D-Wave 1000 Qubit Quantum Processor. Credit: D-Wave Systems Inc

A D-Wave 1000 Qubit Quantum Processor. Credit: D-Wave Systems Inc

A July 13, 2016 Plymouth University press release, which originated the news item, expands on the theme,

Combining the arts and sciences, as Dr Kirke has done with many of his previous works, the 15-minute piece will begin dark and mysterious with celebrated performer Juliette Pochin singing a low-pitched slow theme.

But gradually the quiet sounds of electronic ambience will emerge over or beneath her voice, as the sounds of her singing are picked up by a microphone and sent over the internet to the D-Wave quantum computer at the University of Southern California.

It then reacts with behaviours in the quantum realm that are turned into sounds back in the performance venue, the Round Room at Port Eliot, creating a unique and ground-breaking duet.

And when the singer ends, the quantum processes are left to slowly fade away naturally, making their final sounds as the lights go to black.

Dr Kirke, a member of the Interdisciplinary Centre for Computer Music Research at Plymouth University, said:

“There are only a handful of these computers accessible in the world, and this is the first time one has been used as part of a creative performance. So while it is a great privilege to be able to put this together, it is an incredibly complex area of computing and science and it has taken almost two years to get to this stage. For most people, this will be the first time they have seen a quantum computer in action and I hope it will give them a better understanding of how it works in a creative and innovative way.”

Plymouth University is the official Creative and Cultural Partner of the Port Eliot Festival, taking place in South East Cornwall from July 28 to 31, 2016 [emphasis mine].

And Superposition will be one of a number of showcases of University talent and expertise as part of the first Port Eliot Science Lab. Being staged in the Round Room at Port Eliot, it will give festival goers the chance to explore science, see performances and take part in a range of experiments.

The three-part performance will tell the story of Niobe, one of the more tragic figures in Greek mythology, but in this case a nod to the fact the heart of the quantum computer contains the metal named after her, niobium. It will also feature a monologue from Hamlet, interspersed with terms from quantum computing.

This is the latest of Dr Kirke’s pioneering performance works, with previous productions including an opera based on the financial crisis and a piece using a cutting edge wave-testing facility as an instrument of percussion.

Geordie Rose, CTO and Founder, D-Wave Systems, said:

“D-Wave’s quantum computing technology has been investigated in many areas such as image recognition, machine learning and finance. We are excited to see Dr Kirke, a pioneer in the field of quantum physics and the arts, utilising a D-Wave 2X in his next performance. Quantum computing is positioned to have a tremendous social impact, and Dr Kirke’s work serves not only as a piece of innovative computer arts research, but also as a way of educating the public about these new types of exotic computing machines.”

Professor Daniel Lidar, Director of the USC Center for Quantum Information Science and Technology, said:

“This is an exciting time to be in the field of quantum computing. This is a field that was purely theoretical until the 1990s and now is making huge leaps forward every year. We have been researching the D-Wave machines for four years now, and have recently upgraded to the D-Wave 2X – the world’s most advanced commercially available quantum optimisation processor. We were very happy to welcome Dr Kirke on a short training residence here at the University of Southern California recently; and are excited to be collaborating with him on this performance, which we see as a great opportunity for education and public awareness.”

Since I can’t be there, I’m hoping they will be able to successfully livestream the performance. According to Kirke who very kindly responded to my query, the festival’s remote location can make livecasting a challenge. He did note that a post-performance documentary is planned and there will be footage from the performance.

He has also provided more information about the singer and the technical/computer aspects of the performance (from a July 18, 2016 email),

Juliette Pochin: I’ve worked with her before a couple of years ago. She has an amazing voice and style, is musically adventurousness (she is a music producer herself), and brings great grace and charisma to a performance. She can be heard in the Harry Potter and Lord of the Rings soundtracks and has performed at venues such as the Royal Albert Hall, Proms in the Park, and Meatloaf!

Score: The score is in 3 parts of about 5 minutes each. There is a traditional score for parts 1 and 3 that Juliette will sing from. I wrote these manually in traditional music notation. However she can sing in free time and wait for the computer to respond. It is a very dramatic score, almost operatic. The computer’s responses are based on two algorithms: a superposition chord system, and a pitch-loudness entanglement system. The superposition chord system sends a harmony problem to the D-Wave in response to Juliette’s approximate pitch amongst other elements. The D-Wave uses an 8-qubit optimizer to return potential chords. Each potential chord has an energy associated with it. In theory the lowest energy chord is that preferred by the algorithm. However in the performance I will combine the chord solutions to create superposition chords. These are chords which represent, in a very loose way, the superposed solutions which existed in the D-Wave before collapse of the qubits. Technically they are the results of multiple collapses, but metaphorically I can’t think of a more beautiful representation of superposition: chords. These will accompany Juliette, sometimes clashing with her. Sometimes giving way to her.

The second subsystem generates non-pitched noises of different lengths, roughnesses and loudness. These are responses to Juliette, but also a result of a simple D-Wave entanglement. We know the D-Wave can entangle in 8-qubit groups. I send a binary representation of the Juliette’s loudness to 4 qubits and one of approximate pitch to another 4, then entangle the two. The chosen entanglement weights are selected for their variety of solutions amongst the qubits, rather than by a particular musical logic. So the non-pitched subsystem is more of a sonification of entanglement than a musical algorithm.

Thank you Dr. Kirke for a fascinating technical description and for a description of Juliette Pochin that makes one long to hear her in performance.

For anyone who’s thinking of attending the performance or curious, you can find out more about the Port Eliot festival here, Juliette Pochin here, and Alexis Kirke here.

For anyone wondering about data sonficiatiion, I also have a Feb. 7, 2014 post featuring a data sonification project by Dr. Domenico Vicinanza which includes a sound clip of his Voyager 1 & 2 spacecraft duet.