Tag Archives: Joe Banks

PoetryFilm Paradox + Disinformation Listening Party in Iceland on March 10, 2016

Should you be so lucky as to be in Reykjavik, Iceland on March 10, 2016, there’s an opportunity to attend a special poetry event at Mengi. Here’s more from a Feb. 25, 2016 announcement (received via email),

Kvikmyndaljóð Þverstæða + Upplýsingafölsun Hlustunarpartý
[PoetryFilm Paradox + Disinformation Listening Party] [emphasis mine]

Mengi, Reykjavik, 10 March 2016
2,000 ISK, 9pm sharp
Mengi, Óðinsgata 2
Reykjavik 101
Iceland

The Disinformation Listening Party features an extremely rare presentation of electromagnetic sound works by the pioneering sonic arts project Disinformation. Disinformation was founded in London, England, in 1995, and produced a series of highly-influential LPs and CDs, before crossing-over into the fields of sound installation, kinetic and video art, and pure research (early Disinformation works were published by the record company Ash International, aka Touch Records, later works were published by Iris Light and Adaadat Records). Disinformation installations have been described as “actively thrilling” by The Financial Times, The Sound Projector (music magazine) spoke of Disinformation producing “potent drug-like trances of utter black mysteriousness”, The Metro newspaper described Disinformation as “the black-ops unit of the avant-garde”, and The Guardian stated that “Disinformation combine scientific nous with poetic lyricism to create some of the most beautiful installations around”.

The Disinformation Listening Party focusses on shortwave radio recordings of so-called “Type II” (slow-drift) noise storms produced by coronal mass ejections on the surface of the sun.

Disinformation producer Joe Banks is a former UK government funded Research Fellow at City University (London), at Goldsmiths College and The University of Westminster, and is the author of a monograph on psychoacoustics published as “Rorschach Audio – Art & Illusion for Sound”.

PoetryFilm is an iconic and highly influential research art project and screening series, founded by curator and artist Zata Banks [now Zitowski] in 2002. PoetryFilm Paradox is an hour-long presentation, featuring 13 short film artworks exploring the complexities of erotic, romantic and familial love, including animator Kate Jessop’s moving screen adaptation of a letter from Dolce & Gabbana designer Stefano Gabbana to his partner Domenico Dolce; Bruno Teixidor’s powerful film fantasia based on a poem by the Mexican author and translator Tomas Segovia; Brooke Griffin’s sign language film, based on poetry by Raymond Luczak; Stuart Pound’s hypnotic computer visualisation of “Die Nebensonnen” by Franz Schubert; Martin Pickles and Mikey Georgeson’s contemporary rendition of the classic “Love Song of J. Alfred Prufrock” by T.S. Eliot; “Fucking Him” by artists C.O. Moed & Adrian Garcia Gomez; and “447: Intellect – N” – an extraordinary montage of Scrabble letters and electronic noise, by artist Jane Glennie. PoetryFilm Paradox was part of the British Film Institute’s 2015 “LOVE” season (supported by Film Hub London, and managed by Film London, in partnership with the BFI Audience Network), and all 3 London screenings sold out.

There is a Facebook posting for this event which also features other events at Mengi.

You can find more about Disinformation at rorschachaudio.com and about PoetryFilm at poetryfilm.org.

EVP (electronic voice phenomena), recording the dead, visual art, and the Rorschach Audio research project (2007 – 2012): two talks

The British Library Sound Archive (London, England) is featuring a June 28, 2013 lunchtime talk (Note: It is free and sold out as of June 24, 2013 2:30 pm PDT) according to a June 23, 2013 Disinformation PR (public relations) announcement (from the June 4, 2013 Rorschach Audio blog posting, which originated the announcement),

Writing in “Playback: The Bulletin of the British Library Sound Archive”, Toby Oakes observed that the archive “deals with the voices of the dead every day, but our subjects tend to have been alive at the time of recording”. “Mortality was no impediment” however, in the case of tapes recorded by parapsychologist Konstantin Raudive, who claimed that Galileo, Goethe and Hitler communicated with him through the medium of radio. Raudive was the most famous exponent of Electronic Voice Phenomena (EVP), as it is known, and the British Library holds a collection of 60 of his unedited tapes. Rather than dismissing the claims of EVP researchers out-of-hand, author Joe Banks demonstrates a number of highly entertaining audio-visual illusions, which show how the mind can misinterpret recordings of sound and of stray communications chatter, in a similar way to how viewers project imaginary images onto the random visual forms of the psychiatrist Hermann Rorschach’s famous ink-blot tests. The talk stresses the important role that intelligent guesswork plays in normal perception, and discusses descriptions of sound phenomena by Leonardo da Vinci, and the work of the BBC Monitoring Service, emphasizing the influence that wartime intelligence work with sound had on one of the most important works of visual arts theory every published. [sic]

[from the British Library Rorschach Audio event page: The talk stresses the important role that intelligent guesswork plays in normal perception, and discusses descriptions of sound phenomena by Leonardo da Vinci, and the work of the BBC Monitoring Service, emphasizing the influence that wartime intelligence work with sound had on one of the most important works of visual arts theory – Art & Illusion by (wartime radio monitor and post-war art historian) E.H. Gombrich.]

The talk starts at 12:30 (however the library is a bit of a labyrinth so arrive 10 minutes early to make sure you find the scriptorium on time). Admission is free and refreshments are provided. To attend please e-mail your name to summer-scholars@bl.uk.

Rorschach Audio – Ghost Voices, Art, Illusions and Sonic Archives” [emphasis mine]
12:30 lunch-time, 28 June 2013
The British Library
96 Euston Road
London NW1 2DB

This talk is part of the British Library’s Summer Scholars programme –
http://www.bl.uk/whatson/events/event147624.html

There is a second chance at finding out about this project at a Café Scientifique in Leamington Spa, from the June 4, 2013 posting,

After the British Library talk, the next “Rorschach Audio” demonstration will be for Café Scientifique in Leamington Spa – upstairs at St Patrick’s Irish Club, Riverside Walk (off Adelaide Road), Leamington CV32 5AH, 7pm, Monday 15 July 2013…

http://www.cafescientifique.org/index.php?option=com_content&view=article&id=221:leamington-spa

I like the Café Scientifique in Leamington Spa description of the July 15, 2013 event,

Monday 15th July 2013

Electronic Voice Phenomena: ghost voice recordings and illusions of science

Joe Banks

Electronic Voice Phenomena (EVP) refers to a movement – not unlike the UFO scene – whose supporters contend that misheard recordings of stray communications and radio chatter constitute scientific proof of the existence of ghosts. Rather than dismissing ghost-voice recordings out of hand, Joe will show how EVP researchers misunderstand the mind’s capacity to interpret sound, similar to the way we see illusory images in the random visual forms of the famous Rorschach ink-blot tests. Joe will demonstrate the formation of such perceptions using a number of entertaining and sometimes bizarre audio-visual illusions.

Joe Banks is a former Honorary Visiting Fellow in the School of Informatics at City University, London, and former AHRC-sponsored Research Fellow in the Department of Computing at Goldsmiths College and the Department of English, Linguistics & Cultural Studies at The University of Westminster. One of his “Rorschach Audio” research papers was published in a scholarly journal by The MIT Press, his recently-published book Rorschach Audio was featured on BBC Radio 4 and he has given talks about “Rorschach Audio” at the London Science Museum’s Dana Centre and the British Library.

Joe lives in London, near the set of traffic lights that inspired physicist Leo Szilard to conceive the theory of the thermonuclear chain reaction.

For those of us who can’t get to the British Library or Leamington Spa, here’s a video featuring the Rorschach Audio project, from Joe Banks’s webpage on the Goldsmiths College website,


I think it might be necessary to attend the talk in order to make sense of this video although perhaps you’ll find this image included with the publicity helpful,

Rorschach Audio visual image [downloaded from http://rorschachaudio.wordpress.com/2013/06/04/british-library-sonic-archives/]

Rorschach Audio visual image [downloaded from http://rorschachaudio.wordpress.com/2013/06/04/british-library-sonic-archives/]