Tag Archives: Paola Prestini

2020 The Universe in Verse livestream on April 25, 2020 from New York City

The Universe in Verse event (poetry, music, science, and more) has been held annually by Pioneer Works in New York City since 2017. (It’s hard to believe I haven’t covered this event in previous years but it seems that’s so.)

A ticketed event usually held in a venue, in 2020, The Universe in Verse is being held free as a livestreamed event. Here’s more from the event page on the Pioneer Works website,

A LETTER FROM THE CURATOR AND HOST:

Dear Pioneer Works community,

Since 2017, The Universe in Verse has been celebrating science and the natural world — the splendor, the wonder, the mystery of it — through poetry, that lovely backdoor to consciousness, bypassing our habitual barricades of thought and feeling to reveal reality afresh. And now here we are — “survivors of immeasurable events,” in the words of the astronomer and poet Rebecca Elson, “small, wet miracles without instruction, only the imperative of change” — suddenly scattered six feet apart across a changed world, blinking with disorientation, disbelief, and no small measure of heartache. All around us, nature stands as a selective laboratory log of only the successes in the series of experiments we call evolution — every creature alive today, from the blooming magnolias to the pathogen-carrying bat, is alive because its progenitors have survived myriad cataclysms, adapted to myriad unforeseen challenges, learned to live in unimagined worlds.

The 2020 Universe in Verse is an adaptation, an experiment, a Promethean campfire for the collective imagination, taking a virtual leap to serve what it has always aspired to serve — a broadening of perspective: cosmic, creaturely, temporal, scientific, humanistic — all the more vital as we find the aperture of our attention and anxiety so contracted by the acute suffering of this shared present. Livestreaming from Pioneer Works at 4:30PM EST on Saturday, April 25, there will be readings of Walt Whitman, Emily Dickinson, Adrienne Rich, Pablo Neruda, June Jordan, Mary Oliver, Audre Lorde, Wendell Berry, Hafiz, Rachel Carson, James Baldwin, and other titans of poetic perspective, performed by a largehearted cast of scientists and artists, astronauts and poets, Nobel laureates and Grammy winners: Physicists Janna Levin, Kip Thorne, and Brian Greene, musicians Rosanne CashPatti SmithAmanda Palmer, Zoë Keating, Morley, and Cécile McLorin Salvant, poets Jane Hirshfield, Ross GayMarie Howe, and Natalie Diaz, astronomers Natalie Batalha and Jill Tarter, authors Rebecca Solnit, Elizabeth Gilbert, Masha Gessen, Roxane GayRobert Macfarlane, and Neil Gaiman, astronaut Leland Melvin, playwright and activist Eve Ensler, actor Natascha McElhone, entrepreneur Tim Ferriss, artists Debbie Millman, Dustin Yellin, and Lia Halloran, cartoonist Alison Bechdel, radio-enchanters Krista Tippett and Jad Abumrad, and composer Paola Prestini with the Young People’s Chorus. As always, there are some thrilling surprises in wait.

Every golden human thread weaving this global lifeline is donating their time and talent, diverting from their own work and livelihood, to offer this generous gift to the world. We’ve made this just because it feels important that it exist, that it serve some measure of consolation by calibration of perspective, perhaps even some joy. The Universe in Verse is ordinarily a ticketed charitable event, with all proceeds benefiting a chosen ecological or scientific-humanistic nonprofit each year. We offer this  year’s  livestream freely,  but making the show exist and beaming it to you had significant costs. If you are so moved and able, please support this colossal labor with a donation to Pioneer Works — our doors are now physically closed to the public, but our hearts remain open to the world as we pirouette to find new ways of serving art, science, and perspective. Your donation is tax-deductible and appreciation-additive.

Yours,

Maria Popova

For anyone unfamiliar with Pioneer Works, here’s more from their About page,

History

Pioneer Works is an artist-run cultural center that opened its doors to the public, free of charge, in 2012. Imagined by its founder, artist Dustin Yellin, as a place in which artists, scientists, and thinkers from various backgrounds converge, this “museum of process” takes its primary inspiration from utopian visionaries such as Buckminster Fuller, and radical institutions such as Black Mountain College.

The three-story red brick building that houses Pioneer Works was built in 1866 for what was then Pioneer Iron Works. The factory, which manufactured railroad tracks and other large-scale machinery, was a local landmark after which Pioneer Street was named. Devastated by fire in 1881, the building was rebuilt, and remained in active use through World War II. Dustin Yellin acquired the building in 2011, and renovated it with Gabriel Florenz, Pioneer Works’ Founding Artistic Director, and a team of talented artists, supporters, and advisors. Together, they established Pioneer Works as a 501c3 nonprofit in 2012.

Since its inception, Pioneer Works has built science studios, a technology lab with 3-D printing, a virtual environment lab for VR and AR production, a recording studio, a media lab for content creation and dissemination, a darkroom, residency studios, galleries, gardens, a ceramics studio, a press, and a bookshop. Pioneer Works’ central hall is home to a rotating schedule of exhibitions, science talks, music performances, workshops, and innovative free public programming.

The Universe in Verse’s curator and host, Maria Popova is best known for her blog. Here’s more from her Wikipedia entry (Note: Links have been removed),

Maria Popova (Bulgarian: Мария Попова; born 28 July 1984)[not verified in body] is a Bulgarian-born, American-based writer of literary and arts commentary and cultural criticism that has found wide appeal (as of 2012, 3 million page views and more than 1 million monthly readers),[needs update] both for its writing and for the visual stylistics that accompany it.[citation needed][needs update] She is most widely known for her blog, Brain Pickings [emphasis mine], an online publication that she has fought to maintain advertisement-free, which features her writing on books, and ideas from the arts, philosophy, culture, and other subjects. In addition to her writing and related speaking engagements, she has served as an MIT Futures of Entertainment Fellow,[when?] as the editorial director at the higher education social network Lore,[when?] and has written for The Atlantic, Wired UK, and other publications. As of 2012, she resided in Brooklyn, New York.[needs update]

There’s one more thing you might want to know about the event,

NOTE: For various artistic, legal, and technical reasons, the livestream will not be available in its entirety for later viewing, but individual readings will be released incrementally on Brain Pickings. As we are challenged to bend limitation into possibility as never before, may this meta-limitation too be an invitation— to be fully present, together across the space that divides us, for a beautiful and unrepeatable experience that animates a shared moment in time, all the more precious for being unrepeatable. “As if what exists, exists so that it can be lost and become precious,” in the words of the poet Lisel Mueller. 

Enjoy! And, if you can, please donate.

I sing the Hubble (space telescope)

Thanks to David Bruggeman and his Nov. 30, 2013 posting on the Pasco Phronesis blog for some fascinating information about  the Hubble space telescope and its upcoming  30th anniversary in 2015 (Note: Links have been removed),

Bay Chamber Concerts commissioned a piece in advance of the 30th anniversary of the Hubble Space Telescope (H/T The Atlantic).  Called Hubble Cantata, it is currently in two forms – a 22 minute version which can be heard online at the composer’s website (and is available for download), and a multimedia version that has been performed in public by soprano Jessica Rivera and the International Contemporary Ensemble.  The goal is to develop a full cantata for two voices and instruments, which would include the same kinds of multimedia interludes focused on the Hubble Telescope and what it’s been able to see.

David has embedded a video (approximately 20 mins. running time) of the July 2013 premiere of the Hubble Cantata, a work, that is still in progress.

I have dug up a bit of information about Bay Chamber Concerts which is located in the US state of Maine and is both a school and a concert production company as per the About Us webpage on their website,

Bay Chamber has a rich history of presenting the best in performing arts in Midcoast Maine.

ALL YEAR, ALL-AROUND OUTSTANDING.
Founded in 1961 by brothers Andrew and Thomas Wolf, Bay Chamber Concerts features world-renowned artists year-round. Our Summer Concert Series and Music Festival in July and August feature over 30 events that redefine the standards for chamber music. From September to June the Performing Arts Series features classical, jazz, world music and dance events in a variety of venues throughout the region.

EXCELLENCE IN EDUCATION.
The Bay Chamber Music School, located in the village of Rockport, offers private instruction, ensemble opportunities, group classes and other music education programming to local musicians and community members of all ages and abilities.

As part of our Community Engagement program, Bay Chamber presents concerts in alternative settings to audiences who might otherwise not have the ability to attend live performances. Concerts and workshops featuring Bay Chamber Concerts professional roster of musicians are presented at no charge in prisons, hospitals, assisted living facilities and more.

The composer for this cantata is Paola Prestini and here’s more about the project and her collaborators from her (eponymous) website’s Projects page,

Hubble Cantata

in collaboration with artists

filmmaker CARMEN KORDAS & librettist ROYCE VAVREK

with soprano Jessica Rivera &

International Contemporary Ensemble

violinist and improviser, Cornelius Dufallo

texts inspired by astrophysicist Mario Livio

a Bay Chamber Concerts Commission

The Hubble is a contemporary multimedia cantata for the mezzo soprano Jessica Rivera, and the renowned International Contemporary Ensemble. Commissioned by Bay Chamber Concerts, the cantata is inspired by Hubble Telescope images. The work is a collaboration with librettist Royce Vavrek, filmmaker Carmen Kordas, and the famed astrophysicist, Mario Livio, of the Space Telescope Science Institute. The work is leading towards a full length cantata for soprano and baritone, for the Hubble’s 25th anniversary in 2015. This work is supported by the Space Telescope Science Institute.

The work exists in two versions, as a 22 minute work, and an evening length cantata that features music, electronics, filmed sequences with rare seen photographs and footage from the Hubble telescope, interlaced with sung poetic movements.

Prestini provides this compelling description of the work written Mario Livio on the website homepage,

By incorporating Mario Livio’s strong and poignant themes with music, visual art/film, and advanced technology, the Hubble Cantata promises to be one of the most exciting forays into the interdisciplinary dance of science and art, to date.

“We decided to symbolically anchor the Earth-based part of the lyrics on the agonizing experiences of a young woman struggling with a harsh reality. As Vavrek states in the introduction to the libretto: “Her footsteps tell stories.” The music and imagery for this section were partly inspired by the Japanese mythology-rich forest Aokigahara. Sadly, the historic association of this forest with demons has led to numerous suicides on the site. To connect the life (and death) experience of the young woman to the heavens, we used the ancient Peruvian geoglyphs known as the Nazca Lines. Again in Vavrek’s words: “The woman walks in patterns, pictures emerge in the soil… She creates her own private Nazca lines, tattooing the Earth with her history.” The Nazca lines in Peru are believed to have been created between the fifth and seventh centuries, and they are thought (at least by some researchers) to point to places on the horizon where certain celestial bodies rose or set. In other words, they truly marked a direct astronomical connection between the surface of the Earth and the heavens. In its conclusion, the Cantata completely intermingles the fate of the young woman with the ultimate fate of the stars. The shapes in the sand and the constellations in the sky become one, mirroring the tortuous path of human life in the dramatic Hubble images of outbursts that simultaneously mark stellar deaths and the promise for a new generation of stars, planets, and life.”

-Mario Livio

While this is somewhat off topic; it is related. Today (Dec. 2, 2013), Google is commemorating the 90th anniversary of opera singer. Maria Callas’ birth with a doodle as per this Dec. 2, 2013 news item on the Guardian website (Note: Links have been removed),

The birth of singer Maria Callas 90 years ago has been celebrated in a new Google doodle.

The animation shows the legendary soprano performing on stage. Callas, who died in 1977, was a colourful figure who was renowned as a prima donna.

Last month, the actor Faye Dunaway said she was determined to finish a film – which she is also directing and producing – telling Callas’s life story. The Independent quoted Dunaway as saying: “That woman changed an art form and not many people can say that. Callas is to opera what Fellini is to cinema.”

google doodle of maria callas

Getting back to music and outer space, I was reminded of an episode in the classic Star Trek series that featured Nichelle Nichols as Uhura, the communications officer, singing a song about space,loneliness, and love,


For anyone as ignorant as I am about the difference between a cantata and an opera, here’s a definition for a cantata from Wikipedia (Note: Links have been removed),

A cantata (literally “sung”, derived from the Italian word “cantare”) is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir.

The meaning of the term changed over time, from the simple single voice madrigal of the early 17th century, to the multi-voice “cantata da camera” and the “cantata da chiesa” of the later part of that century, from the more substantial dramatic forms of the 18th century (including the 200-odd sacred and secular cantatas of Johann Sebastian Bach) to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio.[1] Several cantatas were written for special occasions, such as Christmas cantatas.

I wish the principals good luck with their Hubble Cantata project and look forward to hearing more about it as the Hubble’s 30th anniversary in 2015 rears.