Tag Archives: Physarum polycephalum

A Café Scientifique Vancouver (Canada) March 26, 2019 talk on Shifting the plastic landscape: bio-plastics, circular economy and sustainable material management and Superorganism ciy and Evolution in Toronto

I recently received three email announcements that might be of interest to people looking for science and/or art/science events.Of course, they are taking place thousands of kilometers apart.

March 26, 2019 Café Scientifique event in Vancouver

Café Scientifique sent out a March 7, 2019 email announcement about,

Our next café will happen on TUESDAY, MARCH 26TH at 7:30PM in the back
room at YAGGER’S DOWNTOWN (433 W Pender). Our speaker for the
evening will be DR. LOVE-ESE CHILE, founder of Grey to Green Sustainable
Solutions.

SHIFTING THE PLASTIC LANDSCAPE: BIO-PLASTICS, CIRCULAR ECONOMY AND
SUSTAINABLE MATERIAL MANAGEMENT

Growing public and scientific opinion are driving businesses and
policy-makers to change the way plastics circulate through our
communities. Moving away from a linear supply chain that allows a
multitude of plastic to seep out into the environment, this talk will
discuss new ideas and technology being implemented to move plastics into
a circular supply loop.

Dr. Love-Ese Chile is a sustainable plastic researcher based in
Vancouver, BC. Arriving from New Zealand, Ese completed her doctoral
thesis on biodegradable plastics at the University of British Columbia
in 2017. During her studies, Ese became a vocal supporter of
sustainability, green chemistry and community-driven science. In 2018,
Dr. Chile started a research consulting company, Grey to Green
Sustainable Solutions, that works with local businesses, not-for-profit
groups and policy-makers to increase understanding of the sustainable
plastic supply chain and develop new technologies that will allow
plastics to transition into a circular economy.

We hope to see you there!

I love her name and I couldn’t find too much information other than her LinkedIn page and her page on Research Gate. Her first name reminds of flower names and her last name does not signify her country of origin, which is New Zealand. Enjoy!

Superorganism city on March 27 and 28, 2019 in Toronto

Toronto’s Art/Sci Salon’s email announcement was also received on March 7, 2019 ( Note: The formatting has been changed),

Superorganism city

A LECTURE, A WORKSHOP AND A COLLECTIVE EXPERIMENT EXPLORING ART, BIOLOGY AND URBANIS

We are pleased to invite you to a series of events featuring interdisciplinary artist Heather Barnett and Physarum polycephalum: during her visit, Barnett will present her recent research, will conduct a workshop, and will explore the city of Toronto, inspired by the nonhuman perspective of this organism, also known as slime mould.


The slime mould (Physarum polycephalum) is a bright yellow amoeba that possesses primitive intelligence, problem solving skills and memory. It is highly efficient at forming networks between given points and has been used to map the worlds’ transport networks, migration routes and desire paths. Most notably, in 2010 it accurately replicated the Tokyo suburban rail network. The slime mould is also quite beautiful, the branching patterns reminiscent of forms seen at varying scales within nature, from blood vessels to tree branches, from river deltas to lightning flashes. It can learn about its environment, remember where it’s been and navigate through complex territories – all without any sensory organs and not a single neuron to its name.

Join us to these events:
 
RESEARCH TALK
March 27 2:00-3:00 PM 

Sensorium (YORK U) *
 
WORKSHOP (by invitation)
March 28 1:00-4:00 PM
Wilson Hall (UofT) *

 
COLLECTIVE EXPERIMENT
March 30 1:00-5:00 PM
Wilson Hall (UofT)
 

*  Sensorium Research Loft
Level 4
Joan & Martin Goldfarb
Centre for Fine Arts
York University
4700 Keele Street
Toronto, ON M3J 1P3
https://sensorium.ampd.yorku.ca/research-loft/

**  Wilson Hall
Student Lounge
(2nd floor)
University of Toronto
40 Willcocks street
Toronto, ON
M5S 1C6

Biography:
Heather Barnett’s art practice engages with natural phenomena and complex systems. Working with live organisms, imaging technologies and playful pedagogies, her work explores how we observe, influence and understand the world around us. Recent work centres around nonhuman intelligence, collective behaviour and knowledge systems, including The Physarum Experiments, an ongoing ‘collaboration’ with an intelligent slime mould; Animal Collectives collaborative research with SHOAL Group at Swansea University; and a series of publicly sited collective interdisciplinary bio/social experiments, including Crowd Control and Nodes and Networks.

This event has been possible thanks to the support of the School of Cities and New College (UofT), and is a collaboration between ArtSci Salon, Sensorium, the Research Centre for Creative inquiry and Experimentation, the Departments of Computational Art and Visual Art & Art History at York University
 
Research for this event was supported by the Social Sciences and Humanities Research Council of Canada
 
ArtSci Salon is an interdisciplinary program hosted by the Fields Institute for Research in Mathematical Sciences. LASER – Leonardo Art Science Evening Rendezvous is a project of Leonardo® /ISAST

For anyone who’d like to see the poster in its original format, go here. I don’t believe you have to register for either of the two public events.

Evolution – Exhibition and Panel Discussion on March 29, 2019 in Toronto

On March 9, 2019 I received another Art/Sci Salon email announcement (Note: The formatting has been changed),

Evolution – Exhibition and Panel Discussion March 29, 2019
What is nature and the evolution of living beings is an inevitable issue. While searching for the answer to this and other questions around Nature and its variations, we find what we are and how we stand among all organisms and in the world. Charles Darwin offered the world a simple scientific explanation for the diversity of life on Earth: evolution by natural selection. Countless scientists have found that Darwin’s work is fundamental to their own.

Contemporary scientists can now answer questions about the natural world in ways Darwin never could. New tools and technologies, such as DNA analyses, can reveal unexpected relationships between seemingly dissimilar groups.

This event consists of an exhibition (part of FACTT-TO) and a panel discussion. Together, they interrogate the meaning, the relevance and the implications of evolution from different vantage points, including perspectives from a range of scientific disciplines, technological approaches, and artistic practices. We wish to reflect on the condition of co-habitation and co-existence of human and non-humans in this world (and beyond?) and pose questions about transformation; forced or elective mutation and survival; agency and decision making; conservation and intervention.
 
Text by Marta de Menezes and Roberta Buiani

Join us March 29 for the opening and tour of FACTT, followed by a panel discussion

5:00 pm Opening Tour

Meet us in Sidney Smith (University of Toronto), 100 St George street (enter from Huron street)

Stop#1 – Sidney Smith Commons (Huron Street side)

Stop#2 – McLennan Physics Labs (60 St. George street)

Artists: André Sier; Elaine Whittaker; Felipe Shibuya & Pedro Cruz; Gunes-Helene Isitan; Jenifer Wightman; Jennifer Willet; Jude Abu-Zaineh; Kathy High; Maria Francisca Abreu-Afonso; Maria Manuela Lopez; Nicole Clouston; Nigel Helyer; Suzanne Anker; Tarah Roda; Tosca Teràn

6:00-8:00 pm Panel Discussion

The Fields Institute for Research in Mathematical Sciences
Rm 23

Guests:

Marta DeMenezes – Artistic Director, Ectopia; Director, Cultivamos Cultura

Gary Smith – Artist and landscape architect, Visiting Artist at Santa Clara University

Boris Steipe – Associate Professor, Department of Biochemistry and Department of Molecular Genetics

Jenifer Wightman – Research Associate (Cornell) and Lecturer (New School/Parsons)

Biographies

Marta DeMenezes is a Portuguese artist (b. Lisbon, 1975) with a degree in Fine Arts by the University in Lisbon, and a MSt in History of Art and Visual Culture by the University of Oxford. She has been exploring the interaction between Art and Biology, working in research laboratories demonstrating that new biological technologies, DNA, proteins and live organisms can be used as an art medium. Her work has been presented internationally in exhibitions, articles and lectures. She is since 2005 artistic director of Ectopia – Experimental Art Laboratory and from 2009 director of Cultivamos Cultura – Association. http://martademenezes.com

Gary Smith lectures frequently at botanical gardens, art museums, and professional conferences. In his work he examines the basic patterns in nature, finding ways they form a visual vocabulary for human cultural expression. Formerly an Associate Professor of Landscape Design at the University of Delaware, Smith has also served as an adjunct faculty member at the University of Pennsylvania and the University of Texas. In 2012, Smith was the Nadine Carter Russell Chair in the School of Landscape Architecture at Louisiana State University. He is currently Visiting Artist in the Department of Art and Art History at Santa Clara University, in Santa Clara, California. www.wgarysmithdesign.com

Boris Steipe is Director of the Specialist Program in Bioinformatics and Computational Biology and Associate Professor at the Department of Biochemistry and Department of Molecular Genetics. He is interested in recurring patterns in molecular structure: the computational methods of pattern discovery, their characterization regarding features, context and distribution, their association with function in proteins, and their utility for protein engineering and design. http://biochemistry.utoronto.ca/person/boris-steipe/
Trained as a Toxicologist,

Jenifer Wightman is a research scientist specializing in greenhouse gas inventories and life cycle analysis of agriculture, forestry, waste, and bioenergy systems at Cornell University, funded by DoE, USDA, NYS DA&M, and NYSERDA. Her art practice began in 2002 and employs scientific tropes to incite curiosity of biological phenomena and inform an ecological rationality. Her art has been commissioned by NYC parks, featured at the Lincoln Center, BAM, and Imagine Science Festival, and is held in collections such as the Morgan Library, Library of Congress, Gutenberg Museum, Bodmer Museum, and the Danish Royal Library http://www.audiblewink.com/

ArtSci Salon thanks the Fields Institute for Research in Mathematical Sciences, Art and Science and the Physics Department at the University of Toronto for their support.
ArtSci Salon is an interdisciplinary program hosted by the Fields Institute for Research in Mathematical Sciences. LASER – Leonardo Art Science Evening Rendezvous is a project of Leonardo® /ISAST [International Society for the Arts, Sciences and Technology ]

You can signup for the ‘Evolution’ event here.

This ‘Evolution’ event is part of the 2019 FACTT festival; there was also a 2018 FACCT festival in Toronto. I have a bit more about FACTT and last year’s event in a January 29, 2018 posting (scroll down to Toronto) and a brief reference to it in a January 10, 2018 posting (scroll down to Do CRISPR monsters dream of synthetic futures?).

Learn to love slime; it may help you to compute in the future

Eeeewww! Slime or slime mold is not well loved and yet scientists seem to retain a certain affection for it, if their efforts at researching ways to make it useful could be termed affection. A March 27, 2014 news item on Nanowerk highlights a project where scientists have used slime and nanoparticles to create logic units (precursors to computers; Note: A link has been removed),

A future computer might be a lot slimier than the solid silicon devices we have today. In a study published in the journal Materials Today (“Slime mold microfluidic logical gates”), European researchers reveal details of logic units built using living slime molds, which might act as the building blocks for computing devices and sensors.

The March 27, 2014 Elsevier press release, which originated the news item, describes the researchers and their work in more detail,

Andrew Adamatzky (University of the West of England, Bristol, UK) and Theresa Schubert (Bauhaus-University Weimar, Germany) have constructed logical circuits that exploit networks of interconnected slime mold tubes to process information.

One is more likely to find the slime mold Physarum polycephalum living somewhere dark and damp rather than in a computer science lab. In its “plasmodium” or vegetative state, the organism spans its environment with a network of tubes that absorb nutrients. The tubes also allow the organism to respond to light and changing environmental conditions that trigger the release of reproductive spores.

In earlier work, the team demonstrated that such a tube network could absorb and transport different colored dyes. They then fed it edible nutrients – oat flakes – to attract tube growth and common salt to repel them, so that they could grow a network with a particular structure. They then demonstrated how this system could mix two dyes to make a third color as an “output”.

Using the dyes with magnetic nanoparticles and tiny fluorescent beads, allowed them to use the slime mold network as a biological “lab-on-a-chip” device. This represents a new way to build microfluidic devices for processing environmental or medical samples on the very small scale for testing and diagnostics, the work suggests. The extension to a much larger network of slime mold tubes could process nanoparticles and carry out sophisticated Boolean logic operations of the kind used by computer circuitry. The team has so far demonstrated that a slime mold network can carry out XOR or NOR Boolean operations. Chaining together arrays of such logic gates might allow a slime mold computer to carry out binary operations for computation.

“The slime mold based gates are non-electronic, simple and inexpensive, and several gates can be realized simultaneously at the sites where protoplasmic tubes merge,” conclude Adamatzky and Schubert.

Are we entering the age of the biological computer? Stewart Bland, Editor of Materials Today, believes that “although more traditional electronic materials are here to stay, research such as this is helping to push and blur the boundaries of materials science, computer science and biology, and represents an exciting prospect for the future.

I did look at the researchers’ paper and it is fascinating even to someone (me) who doesn’t understand the science very well. Here’s a link to and a citation for the paper,

Slime mold microfluidic logical gates by Andrew Adamatzky and Theresa Schubert. Materials Today, Volume 17, Issue 2, March 2014, Pages 86–91 (2014) published by Elsevier. http://dx.doi.org/10.1016/j.mattod.2014.01.018 The article is available for free at www.materialstoday.com

Yes, it’s an open access paper published by Elsevier, good on them!