Tag Archives: sound

Twinkle, Twinkle Little Star (song) could lead to better data storage

A March 16, 2015 news item on Nanowerk features research from the University of Illinois and the song ‘Twinkle, Twinkle Little Star’,

Researchers from the University of Illinois at Urbana-Champaign have demonstrated the first-ever recording of optically encoded audio onto a non-magnetic plasmonic nanostructure, opening the door to multiple uses in informational processing and archival storage.

“The chip’s dimensions are roughly equivalent to the thickness of human hair,” explained Kimani Toussaint, an associate professor of mechanical science and engineering, who led the research.

Specifically, the photographic film property exhibited by an array of novel gold, pillar-supported bowtie nanoantennas (pBNAs)–previously discovered by Toussaint’s group–was exploited to store sound and audio files. Compared with the conventional magnetic film for analog data storage, the storage capacity of pBNAs is around 5,600 times larger, indicating a vast array of potential storage uses.

The researchers have provide a visual image illustrating their work,

Nano piano concept: Arrays of gold, pillar-supported bowtie nanoantennas (bottom left) can be used to record distinct musical notes, as shown in the experimentally obtained dark-field microscopy images (bottom right). These particular notes were used to compose 'Twinkle, Twinkle, Little Star.'  Courtesy of University of Illinois at Urbana-Champaign

Nano piano concept: Arrays of gold, pillar-supported bowtie nanoantennas (bottom left) can be used to record distinct musical notes, as shown in the experimentally obtained dark-field microscopy images (bottom right). These particular notes were used to compose ‘Twinkle, Twinkle, Little Star.’ Courtesy of University of Illinois at Urbana-Champaign

A March 16, 2015 University of Illinois at Urbana-Champaign news release (also on EurekAlert), which originated the news item, describes the research in more detail (Note: Links have been removed),

To demonstrate its abilities to store sound and audio files, the researchers created a musical keyboard or “nano piano,” using the available notes to play the short song, “Twinkle, Twinkle, Little Star.”

“Data storage is one interesting area to think about,” Toussaint said. “For example, one can consider applying this type of nanotechnology to enhancing the niche, but still important, analog technology used in the area of archival storage such as using microfiche. In addition, our work holds potential for on-chip, plasmonic-based information processing.”

The researchers demonstrated that the pBNAs could be used to store sound information either as a temporally varying intensity waveform or a frequency varying intensity waveform. Eight basic musical notes, including middle C, D, and E, were stored on a pBNA chip and then retrieved and played back in a desired order to make a tune.

“A characteristic property of plasmonics is the spectrum,” said Hao Chen, a former postdoctoral researcher in Toussaint’s PROBE laboratory and the first author of the paper, “Plasmon-Assisted Audio Recording,” appearing in the Nature Publishing Group’s Scientific Reports. “Originating from a plasmon-induced thermal effect, well-controlled nanoscale morphological changes allow as much as a 100-nm spectral shift from the nanoantennas. By employing this spectral degree-of-freedom as an amplitude coordinate, the storage capacity can be improved. Moreover, although our audio recording focused on analog data storage, in principle it is still possible to transform to digital data storage by having each bowtie serve as a unit bit 1 or 0. By modifying the size of the bowtie, it’s feasible to further improve the storage capacity.”

The team previously demonstrated that pBNAs experience reduced thermal conduction in comparison to standard bowtie nanoantennas and can easily get hot when irradiated by low-powered laser light. Each bowtie antenna is approximately 250 nm across in dimensions, with each supported on 500-nm tall silicon dioxide posts. A consequence of this is that optical illumination results in subtle melting of the gold, and thus a change in the overall optical response. This shows up as a difference in contrast under white-light illumination.

“Our approach is analogous to the method of ‘optical sound,’ which was developed circa 1920s as part of the effort to make ‘talking’ motion pictures,” the team said in its paper. “Although there were variations of this process, they all shared the same basic principle. An audio pickup, e.g., a microphone, electrically modulates a lamp source. Variations in the intensity of the light source is encoded on semi-transparent photographic film (e.g., as variation in area) as the film is spatially translated. Decoding this information is achieved by illuminating the film with the same light source and picking up the changes in the light transmission on an optical detector, which in turn may be connected to speakers. In the work that we present here, the pBNAs serve the role of the photographic film which we can encode with audio information via direct laser writing in an optical microscope.”

In their approach, the researchers record audio signals by using a microscope to scan a sound-modulated laser beam directly on their nanostructures. Retrieval and subsequent playback is achieved by using the same microscope to image the recorded waveform onto a digital camera, whereby simple signal processing can be performed.

Here’s a link to and a citation for the paper,

Plasmon-Assisted Audio Recording by Hao Chen, Abdul M. Bhuiya, Qing Ding, & Kimani C. Toussaint, Jr. Scientific Reports 5, Article number: 9125 doi:10.1038/srep09125 Published 16 March 2015

This is an open access paper and here is a sample recording courtesy of the researchers and the University of Illinois at Urbana-Champaign,

Acoustics and carbon nanotubes

Mikhail Koslov from the University of Texas at Dallas has written a Dec. 18, 2014 Nanowerk Spotlight article about his research into carbon nanotubes and their acoustic properties,

Carbon nanotube assemblies enabled design of a hybrid thermo-electromagnetic sound transducer with unique sound generation features that are not available from conventional diaphragm and thermo-acoustic speakers.

EM image of multi-walled carbon nanotube sheet used for thermo-electromagnetic sound transducer. (Image: Mikhail Kozlov, University of Texas at Dallas)

EM image of multi-walled carbon nanotube sheet used for thermo-electromagnetic sound transducer. (Image: Mikhail Kozlov, University of Texas at Dallas)

Kozlov goes on to explain his work in more detail,

… a hybrid thermo-electromagnetic sound transducer (TEMST) [was] fabricated using highly porous multi-walled carbon nanotube sheet that was placed in the proximity of a permanent magnet. Upon electrical AC excitation, thermal response of the material is combined with diaphragm-like sheet oscillations induced by the electromagnetic action of the Lorentz force.

Unlike conventional diaphragm loudspeaker, acoustic spectrum of the TEMST device consists of a superposition of TA and EM responses that can be altered by applied bias voltage. Variation of bias voltage changes spectral intensity and spatial distribution of generated sound.

In particular, propagation direction of the sound can be reversed by switching bias polarity that somewhat resembles voltage-controlled acoustic reflection. Such uncommon behavior was explained by interference of the two contributions being beneficial for diverse sound management applications.

It was found also that amplitude of first TEMST harmonic changes a lot with applied magnetic field, while the second one remains almost field independent. This unusual feature is convenient for magnetic sensing similar to that enabled by Lorentz force magnetometers. The magnetic field detection in the TEMST device is facilitated by the audio sensing system.

Here’s a link to and a citation for the paper,

Thermo-electromagnetic sound transducer based on carbon nanotube sheet by Mikhail Kozlov and Jiyoung Oh. J. Appl. Phys. 116, 094301 (2014); http://dx.doi.org/10.1063/1.4894143 Published online Sept. 2, 2014

This paper is behind a paywall.

Shouting, booming, humming sands

There are sand dunes that make sounds that have been variously described as shouting, humming, singing, moaning, roaring, drumming, thunder, and more. The most poetic description of the phenomenon comes from Marco Polo (from a 2008 article by Bradley Hope in the New York Moon [http://www.nymoon.com/pubs/desert/singingsand/]),

Marco Polo wrote during his journey through the Desert of Lop that “it is asserted as well-known fact that this desert is the abode of many evil spirits, which amuse travellers to their destruction with most extraordinary illusions.” These spirits, or djinn, “at times fill the air with the sounds of all kinds of musical instruments, and also of drums and the clash of arms.”

There are 30 such spots in the world that feature the ‘singing sands’ and scientists are trying to figure out why. From the article by Hope,

Singing sand tends to be found in amphitheatre-shaped dunes on the steeper side that faces away from the wind. In Arabic, it is called za’eeq al raml, or “the shouting sand.” It starts as you walk over the edge of the crest, a swelling hum that picks up with each step. Before long the face of the dune is a single, vast musical instrument made up of millions of tumbling granules. The sand even quakes near your footsteps like the rapids on a river.

“It’s this wonderful symphony of sands,” said Farouk El-Baz, a scientist who helped design the Apollo missions in the 1960s. “It’s one layer of sand slipping over another. The grains touch each other in motion.”

There’s a little more detail and a 6 minute video at the March 30, 2011 posting by GrrlScientist on the Punctuated Equilibrium blog (http://www.guardian.co.uk/science/punctuated-equilibrium/2011/mar/31/1),

To “boom”, a sand dune must be at least 150 feet high, it must have loose, dry sand with a uniform particle size on its surface with a harder, moist layer of sand underneath that acts as a resonating chamber, and of course, it must produce a note that is within the range of human hearing — which makes me suspect that if humans had better hearing, we’d hear even more singing sand dunes. If this is the case, I’d guess that animals can hear more singing sand dunes than humans can.

Here’s a 30 second video snippet that features the sound the sands make,

The video at Punctuated Equilibrium features the scientist doing the research by the seat of their pants. Yes, they slide down the dunes so they can hear the singing and take measurements.

Happy Canada Day!

This will be a short one. My recent paper, ‘Nanotechnology, storytelling, sensing, and materiality‘, gave me a chance to explore the impact that various sensing technologies used for the nanoscale might have on storytelling. In one of those happy coincidences that can occur, I came across a new sensing technique (although strictly speaking it’s not applied at the nanoscale) that incorporates light and sound on Nanowerk News here. The new technique has allowed researchers to create three-dimensional whole body visualizations of zebra fish. From Nanowerk News,

The real power of the technique, however, lies in specially developed mathematical formulas used to analyze the resulting acoustic patterns. An attached computer uses these formulas to evaluate and interpret the specific distortions caused by scales, muscles, bones and internal organs to generate a three-dimensional image. The result of this “multi-spectral opto-acoustic tomography”, or MSOT, is an image with a striking spatial resolution better than 40 micrometers (four hundredths of a millimeter). And best of all, the sedated fish wakes up and recovers without harm following the procedure.

This new technique, MSOT, has applications for medical research.

In tangentially related news, Rob Annan’s posting on the ‘Don’t leave Canada behind‘ blog (June 30, 2009) features a few comments about a recent article in the New York Times that suggests current funding structures inhibit innovative cancer research. The report was written about US funding but Annan offers some thoughts on the matter and points the way to more Canadian commentary as well as the New York Times article.

That’s it. Happy Canada Day.

Nano motors in your ears, artificial tendons and public consultation in Europe

Researchers in Utah and Texas have learned that tiny tubes located on the hair cells inside our ears flex and change size to amplify sound. The researchers have coined a phrase for this, ‘flexoelectric motor’. They also compare the process to dancing and using a steering wheel in a car. The metaphors are a little mixed but I think I get the general idea. (From a writing perspective, there’s a tendency to throw a bunch of metaphors together to describe something either because no single metaphor is adequate or the writer got carried away.) For more about the ear discovery, go here.

If your tendons have ever been injured, you know that recovery is difficult and not assured so this news will be welcome. A student at the University of Manchester (UK) has developed an artificial tendon made of nanofibres, which can be grafted into the injured area. As the tendons repair themselves the artificial tendon degrades. Apparently it degrades safely as it’s made of a bio-polymer. I gather this type of polymer is used for other medical devices inserted in the body.  There’s more information here.

The European Commission has scheduled a one-day public nanotechnology consultation for Sept. 10, 2009, focusing on risk issues. The last day to submit comments prior to the meeting is June 19, 2009. They have have gathered information about nanotechnology and its risks in the past and this meeting builds on previous work. For more information, go here.