Tag Archives: structural colour

Structural colo(u)r from transparent 3D printed nanostructures

Caption: Light hits the 3-D printed nanostructures from below. After it is transmitted through, the viewer sees only green light — the remaining colors are redirected. Credit: Thomas Auzinger [downloaded from http://visualcomputing.ist.ac.at/publications/2018/StructCol/]

An August 17, 2018 news item on ScienceDaily announces the work illustrated by the image above,

Most of the objects we see are colored by pigments, but using pigments has disadvantages: such colors can fade, industrial pigments are often toxic, and certain color effects are impossible to achieve. The natural world, however, also exhibits structural coloration, where the microstructure of an object causes various colors to appear. Peacock feathers, for instance, are pigmented brown, but — because of long hollows within the feathers — reflect the gorgeous, iridescent blues and greens we see and admire. Recent advances in technology have made it practical to fabricate the kind of nanostructures that result in structural coloration, and computer scientists from the Institute of Science and Technology Austria (IST Austria) and the King Abdullah University of Science and Technology (KAUST) have now created a computational tool that automatically creates 3D-print templates for nanostructures that correspond to user-defined colors. Their work demonstrates the great potential for structural coloring in industry, and opens up possibilities for non-experts to create their own designs. This project will be presented at this year’s top computer graphics conference, SIGGRAPH 2018, by first author and IST Austria postdoc Thomas Auzinger. This is one of five IST Austria presentations at the conference this year.

SIGGRAPH 2018, now ended, was mentioned in my Aug. 9, 2018 posting.but since this presentation is accompanied by a paper, it rates its own posting. For one more excuse, there’s my fascination with structural colour.

An August 17, 2018 Institute of Science and Technology Austria press release (also on EurekAlert), which originated the news item, delves into the work,

The changing colors of a chameleon and the iridescent blues and greens of the morpho butterfly, among many others in nature, are the result of structural coloration, where nanostructures cause interference effects in light, resulting in a variety of colors when viewed macroscopically. Structural coloration has certain advantages over coloring with pigments (where particular wavelengths are absorbed), but until recently, the limits of technology meant fabricating such nanostructures required highly specialized methods. New “direct laser writing” set-ups, however, cost about as much as a high-quality industrial 3D printer, and allow for printing at the scale of hundreds of nanometers (hundred to thousand time thinner than a human hair), opening up possibilities for scientists to experiment with structural coloration.

So far, scientists have primarily experimented with nanostructures that they had observed in nature, or with simple, regular nanostructural designs (e.g. row after row of pillars). Thomas Auzinger and Bernd Bickel of IST Austria, together with Wolfgang Heidrich of KAUST, however, took an innovative new approach that differs in several key ways. First, they solve the inverse design task: the user enters the color they want to replicate, and then the computer creates a nanostructure pattern that gives that color, rather than attempting to reproduce structures found in nature. Moreover, “our design tool is completely automatic,” says Thomas Auzinger. “No extra effort is required on the part of the user.”

Second, the nanostructures in the template do not follow a particular pattern or have a regular structure; they appear to be randomly composed—a radical break from previous methods, but one with many advantages. “When looking at the template produced by the computer I cannot tell by the structure alone, if I see a pattern for blue or red or green,” explains Auzinger. “But that means the computer is finding solutions that we, as humans, could not. This free-form structure is extremely powerful: it allows for greater flexibility and opens up possibilities for additional coloring effects.” For instance, their design tool can be used to print a square that appears red from one angle, and blue from another (known as directional coloring).

Finally, previous efforts have also stumbled when it came to actual fabrication: the designs were often impossible to print. The new design tool, however, guarantees that the user will end up with a printable template, which makes it extremely useful for the future development of structural coloration in industry. “The design tool can be used to prototype new colors and other tools, as well as to find interesting structures that could be produced industrially,” adds Auzinger. Initial tests of the design tool have already yielded successful results. “It’s amazing to see something composed entirely of clear materials appear colored, simply because of structures invisible to the human eye,” says Bernd Bickel, professor at IST Austria, “we’re eager to experiment with additional materials, to expand the range of effects we can achieve.”

“It’s particularly exciting to witness the growing role of computational tools in fabrication,” concludes Auzinger, “and even more exciting to see the expansion of ‘computer graphics’ to encompass physical as well as virtual images.”

Here’s a link to and a citation for the paper,

Computational Design of Nanostructural Color for Additive Manufacturing by Thomas Auzinger, Wolfgang Heidrich, and Bernd Bickel. ACM Trans. Graph. 37, 4, Article 159 (August 2018). 16 pages. doi.org/10.1145/3197517.3201376

This appears to be open access.

There is also a project page bearing the same title as the paper, Computational Design of Nanostructural Color for Additive Manufacturing.

Moths with sound absorption stealth technology

The cabbage tree emperor moth (Thomas Neil) [downloaded from https://www.cbc.ca/radio/quirks/nov-17-2018-greenland-asteroid-impact-short-people-in-the-rain-forest-reef-islands-and-sea-level-and-more-1.4906857/how-moths-evolved-a-kind-of-stealth-jet-technology-to-sneak-past-bats-1.4906866]

I don’t think I’ve ever seen a more gorgeous moth and it seems a perfect way to enter 2019, from a November 16, 2018 news item on CBC (Canadian Broadcasting Corporation),

A species of silk moth has evolved special sound absorbing scales on its wings to absorb the sonar pulses from hunting bats. This is analogous to the special coatings on stealth aircraft that allow them to be nearly invisible to radar.

“It’s a battle out there every night, insects flying for their lives trying to avoid becoming a bat’s next dinner,” said Dr. Marc Holderied, the senior author on the paper and an associate professor in the School of Biological Sciences at the University of Bristol.

“If you manage to absorb some of these sound energies, it would make you look smaller and let you be detectable over a shorter distance because echoe isn’t strong enough outside the detection bubble.”

Many moths have ears that warn them when a bat is nearby. But not the big and juicy cabbage tree emperor moths which would ordinarily make the perfect meal for bats.

The researchers prepared a brief animated feature illustrating the research,

Prior to publication of the study, the scientists made a presentation at the Acoustical Society of America’s 176th Meeting, held in conjunction with the Canadian Acoustical Association’s 2018 Acoustics Week, Nov. 5-9 at the Victoria Conference Centre in Victoria, Canada according to a November 7, 2018 University of Bristol press release (also on EurekAlert but submitted by the Acoustical Society of America on November 6, 2018),

Moths are a mainstay food source for bats, which use echolocation (biological sonar) to hunt their prey. Scientists such as Thomas Neil, from the University of Bristol in the U.K., are studying how moths have evolved passive defenses over millions of years to resist their primary predators.

While some moths have evolved ears that detect the ultrasonic calls of bats, many types of moths remain deaf. In those moths, Neil has found that the insects developed types of “stealth coating” that serve as acoustic camouflage to evade hungry bats.

Neil will describe his work during the Acoustical Society of America’s 176th Meeting, held in conjunction with the Canadian Acoustical Association’s 2018 Acoustics Week, Nov. 5-9 at the Victoria Conference Centre in Victoria, Canada.

In his presentation, Neil will focus on how fur on a moth’s thorax and wing joints provide acoustic stealth by reducing the echoes of these body parts from bat calls.

“Thoracic fur provides substantial acoustic stealth at all ecologically relevant ultrasonic frequencies,” said Neil, a researcher at Bristol University. “The thorax fur of moths acts as a lightweight porous sound absorber, facilitating acoustic camouflage and offering a significant survival advantage against bats.” Removing the fur from the moth’s thorax increased its detection risk by as much as 38 percent.

Neil used acoustic tomography to quantify echo strength in the spatial and frequency domains of two deaf moth species that are subject to bat predation and two butterfly species that are not.

In comparing the effects of removing thorax fur from insects that serve as food for bats to those that don’t, Neil’s research team found that thoracic fur determines acoustic camouflage of moths but not butterflies.

“We found that the fur on moths was both thicker and denser than that of the butterflies, and these parameters seem to be linked with the absorptive performance of their respective furs,” Neil said. “The thorax fur of the moths was able to absorb up to 85 percent of the impinging sound energy. The maximum absorption we found in butterflies was just 20 percent.”

Neil’s research could contribute to the development of biomimetic materials for ultrathin sound absorbers and other noise-control devices.

“Moth fur is thin and lightweight,” said Neil, “and acts as a broadband and multidirectional ultrasound absorber that is on par with the performance of current porous sound-absorbing foams.”

Moth fur? This has changed my view of moths although I reserve the right to get cranky when local moths chew through my wool sweaters. Here’s a link to and a citation for the paper,

Biomechanics of a moth scale at ultrasonic frequencies by Zhiyuan Shen, Thomas R. Neil, Daniel Robert, Bruce W. Drinkwater, and Marc W. Holderied. PNAS [Proccedings of the National Academy of Sciences of the United States of America] November 27, 2018 115 (48) 12200-12205; published ahead of print November 12, 2018 https://doi.org/10.1073/pnas.1810025115

This paper is behind a paywall.

Unusually I’m going to include the paper’s abstract here,

The wings of moths and butterflies are densely covered in scales that exhibit intricate shapes and sculptured nanostructures. While certain butterfly scales create nanoscale photonic effects [emphasis mine], moth scales show different nanostructures suggesting different functionality. Here we investigate moth-scale vibrodynamics to understand their role in creating acoustic camouflage against bat echolocation, where scales on wings provide ultrasound absorber functionality. For this, individual scales can be considered as building blocks with adapted biomechanical properties at ultrasonic frequencies. The 3D nanostructure of a full Bunaea alcinoe moth forewing scale was characterized using confocal microscopy. Structurally, this scale is double layered and endowed with different perforation rates on the upper and lower laminae, which are interconnected by trabeculae pillars. From these observations a parameterized model of the scale’s nanostructure was formed and its effective elastic stiffness matrix extracted. Macroscale numerical modeling of scale vibrodynamics showed close qualitative and quantitative agreement with scanning laser Doppler vibrometry measurement of this scale’s oscillations, suggesting that the governing biomechanics have been captured accurately. Importantly, this scale of B. alcinoe exhibits its first three resonances in the typical echolocation frequency range of bats, suggesting it has evolved as a resonant absorber. Damping coefficients of the moth-scale resonator and ultrasonic absorption of a scaled wing were estimated using numerical modeling. The calculated absorption coefficient of 0.50 agrees with the published maximum acoustic effect of wing scaling. Understanding scale vibroacoustic behavior helps create macroscopic structures with the capacity for broadband acoustic camouflage.

Those nanoscale photonic effects caused by butterfly scales are something I’d usually describe as optical effects due to the nanoscale structures on some butterfly wings, notably those of the Blue Morpho butterfly. In fact there’s a whole field of study on what’s known as structural colo(u)r. Strictly speaking I’m not sure you could describe the nanostructures on Glasswing butterflies as an example of structure colour since those structures make that butterfly’s wings transparent but they are definitely an optical effect. For the curious, you can use ‘blue morpho butterfly’, ‘glasswing butterfly’ or ‘structural colo(u)r’ to search for more on this blog or pursue bigger fish with an internet search.

Colo(u)r-changing bandage for better compression

This is a structural colo(u)r story, from a May 29, 2018 news item on Nanowerk,

Compression therapy is a standard form of treatment for patients who suffer from venous ulcers and other conditions in which veins struggle to return blood from the lower extremities. Compression stockings and bandages, wrapped tightly around the affected limb, can help to stimulate blood flow. But there is currently no clear way to gauge whether a bandage is applying an optimal pressure for a given condition.

Now engineers at MIT {Massachusetts Institute of Technology] have developed pressure-sensing photonic fibers that they have woven into a typical compression bandage. As the bandage is stretched, the fibers change color. Using a color chart, a caregiver can stretch a bandage until it matches the color for a desired pressure, before, say, wrapping it around a patient’s leg.

The photonic fibers can then serve as a continuous pressure sensor — if their color changes, caregivers or patients can use the color chart to determine whether and to what degree the bandage needs loosening or tightening.

A May 29, 2018 MIT news release (also on EurekAlert), which originated the news item, provides more detail,

“Getting the pressure right is critical in treating many medical conditions including venous ulcers, which affect several hundred thousand patients in the U.S. each year,” says Mathias Kolle, assistant professor of mechanical engineering at MIT. “These fibers can provide information about the pressure that the bandage exerts. We can design them so that for a specific desired pressure, the fibers reflect an easily distinguished color.”

Kolle and his colleagues have published their results in the journal Advanced Healthcare Materials. Co-authors from MIT include first author Joseph Sandt, Marie Moudio, and Christian Argenti, along with J. Kenji Clark of the Univeristy of Tokyo, James Hardin of the United States Air Force Research Laboratory, Matthew Carty of Brigham and Women’s Hospital-Harvard Medical School, and Jennifer Lewis of Harvard University.

Natural inspiration

The color of the photonic fibers arises not from any intrinsic pigmentation, but from their carefully designed structural configuration. Each fiber is about 10 times the diameter of a human hair. The researchers fabricated the fiber from ultrathin layers of transparent rubber materials, which they rolled up to create a jelly-roll-type structure. Each layer within the roll is only a few hundred nanometers thick.

In this rolled-up configuration, light reflects off each interface between individual layers. With enough layers of consistent thickness, these reflections interact to strengthen some colors in the visible spectrum, for instance red, while diminishing the brightness of other colors. This makes the fiber appear a certain color, depending on the thickness of the layers within the fiber.

“Structural color is really neat, because you can get brighter, stronger colors than with inks or dyes just by using particular arrangements of transparent materials,” Sandt says. “These colors persist as long as the structure is maintained.”

The fibers’ design relies upon an optical phenomenon known as “interference,” in which light, reflected from a periodic stack of thin, transparent layers, can produce vibrant colors that depend on the stack’s geometric parameters and material composition. Optical interference is what produces colorful swirls in oily puddles and soap bubbles. It’s also what gives peacocks and butterflies their dazzling, shifting shades, as their feathers and wings are made from similarly periodic structures.

“My interest has always been in taking interesting structural elements that lie at the origin of nature’s most dazzling light manipulation strategies, to try recreating and employing them in useful applications,” Kolle says.

A multilayered approach

The team’s approach combines known optical design concepts with soft materials, to create dynamic photonic materials.

While a postdoc at Harvard in the group of Professor Joanna Aizenberg, Kolle was inspired by the work of Pete Vukusic, professor of biophotonics at the University of Exeter in the U.K., on Margaritaria nobilis, a tropical plant that produces extremely shiny blue berries. The fruits’ skin is made up of cells with a periodic cellulose structure, through which light can reflect to give the fruit its signature metallic blue color.

Together, Kolle and Vukusic sought ways to translate the fruit’s photonic architecture into a useful synthetic material. Ultimately, they fashioned multilayered fibers from stretchable materials, and assumed that stretching the fibers would change the individual layers’ thicknesses, enabling them to tune the fibers’ color. The results of these first efforts were published in Advanced Materials in 2013.

When Kolle joined the MIT faculty in the same year, he and his group, including Sandt, improved on the photonic fiber’s design and fabrication. In their current form, the fibers are made from layers of commonly used and widely available transparent rubbers, wrapped around highly stretchable fiber cores. Sandt fabricated each layer using spin-coating, a technique in which a rubber, dissolved into solution, is poured onto a spinning wheel. Excess material is flung off the wheel, leaving a thin, uniform coating, the thickness of which can be determined by the wheel’s speed.

For fiber fabrication, Sandt formed these two layers on top of a water-soluble film on a silicon wafer. He then submerged the wafer, with all three layers, in water to dissolve the water-soluble layer, leaving the two rubbery layers floating on the water’s surface. Finally, he carefully rolled the two transparent layers around a black rubber fiber, to produce the final colorful photonic fiber.

Reflecting pressure

The team can tune the thickness of the fibers’ layers to produce any desired color tuning, using standard optical modeling approaches customized for their fiber design.

“If you want a fiber to go from yellow to green, or blue, we can say, ‘This is how we have to lay out the fiber to give us this kind of [color] trajectory,'” Kolle says. “This is powerful because you might want to have something that reflects red to show a dangerously high strain, or green for ‘ok.’ We have that capacity.”

The team fabricated color-changing fibers with a tailored, strain-dependent color variation using the theoretical model, and then stitched them along the length of a conventional compression bandage, which they previously characterized to determine the pressure that the bandage generates when it’s stretched by a certain amount.

The team used the relationship between bandage stretch and pressure, and the correlation between fiber color and strain, to draw up a color chart, matching a fiber’s color (produced by a certain amount of stretching) to the pressure that is generated by the bandage.

To test the bandage’s effectiveness, Sandt and Moudio enlisted over a dozen student volunteers, who worked in pairs to apply three different compression bandages to each other’s legs: a plain bandage, a bandage threaded with photonic fibers, and a commercially-available bandage printed with rectangular patterns. This bandage is designed so that when it is applying an optimal pressure, users should see that the rectangles become squares.

Overall, the bandage woven with photonic fibers gave the clearest pressure feedback. Students were able to interpret the color of the fibers, and based on the color chart, apply a corresponding optimal pressure more accurately than either of the other bandages.

The researchers are now looking for ways to scale up the fiber fabrication process. Currently, they are able to make fibers that are several inches long. Ideally, they would like to produce meters or even kilometers of such fibers at a time.

“Currently, the fibers are costly, mostly because of the labor that goes into making them,” Kolle says. “The materials themselves are not worth much. If we could reel out kilometers of these fibers with relatively little work, then they would be dirt cheap.”

Then, such fibers could be threaded into bandages, along with textiles such as athletic apparel and shoes as color indicators for, say, muscle strain during workouts. Kolle envisions that they may also be used as remotely readable strain gauges for infrastructure and machinery.

“Of course, they could also be a scientific tool that could be used in a broader context, which we want to explore,” Kolle says.

Here’s what the bandage looks like,

Caption: Engineers at MIT have developed pressure-sensing photonic fibers that they have woven into a typical compression bandage. Credit Courtesy of the researchers

Here’s a link to and a citation for the paper,

Stretchable Optomechanical Fiber Sensors for Pressure Determination in Compressive Medical Textiles by Joseph D. Sandt, Marie Moudio, J. Kenji Clark, James Hardin, Christian Argenti, Matthew Carty, Jennifer A. Lewis, Mathias Kolle. Advanced Healthcare Materials https://doi.org/10.1002/adhm.201800293 First published: 29 May 2018

This paper is behind a paywall.

Stellar’s jay gives structural colo(u)r a new look

The structural colo(u)r stories I’ve posted previously identify nanostructures as the reason for why certain animals and plants display a particular set of optical properties, colours that can’t be obtained by pigment or dye. However, the Stellar’s jay structural colour story is a little different.

Caption: Bio-inspired bright structurally colored colloidal amorphous array enhanced by controlling thickness and black background. ©Yukikazu Takeoka

From a May 8, 2017 news item on ScienceDaily,

A Nagoya University-led [Japan] research team mimics the rich color of bird plumage and demonstrates new ways to control how light interacts with materials.

Bright colors in the natural world often result from tiny structures in feathers or wings that change the way light behaves when it’s reflected. So-called “structural color” is responsible for the vivid hues of birds and butterflies. Artificially harnessing this effect could allow us to engineer new materials for applications such as solar cells and chameleon-like adaptive camouflage.

Inspired by the deep blue coloration of a native North American bird, Stellar’s jay, a team at Nagoya University reproduced the color in their lab, giving rise to a new type of artificial pigment. This development was reported in Advanced Materials.

“The Stellar’s jay’s feathers provide an excellent example of angle-independent structural color,” says last author Yukikazu Takeoka, “This color is enhanced by dark materials, which in this case can be attributed to black melanin particles in the feathers.

A May 8, 2017 Nagoya University press release (also on EurekAlert), which originated the news item, expands on the theme of what makes the structural colour of a Stellar’s jay feather different,

In most cases, structural colors appear to change when viewed from different perspectives. For example, imagine the way that the colors on the underside of a CD appear to shift when the disc is viewed from a different angle. The difference in Stellar’s jay’s blue is that the structures, which interfere with light, sit on top of black particles that can absorb a part of this light. This means that at all angles, however you look at it, the color of the Stellar’s Jay does not change.

The team used a “layer-by-layer” approach to build up films of fine particles that recreated the microscopic sponge-like texture and black backing particles of the bird’s feathers.

To mimic the feathers, the researchers covered microscopic black core particles with layers of even smaller transparent particles, to make raspberry-like particles. The size of the core and the thickness of the layers controlled the color and saturation of the resulting pigments. Importantly, the color of these particles did not change with viewing angle.

“Our work represents a much more efficient way to design artificially produced angle-independent structural colors,” Takeoka adds. “We still have much to learn from biological systems, but if we can understand and successfully apply these phenomena, a whole range of new metamaterials will be accessible for all kinds of advanced applications where interactions with light are important.”

Here’s a link to and a citation for the paper,

Bio-Inspired Bright Structurally Colored Colloidal Amorphous Array Enhanced by Controlling Thickness and Black Background by Masanori Iwata, Midori Teshima, Takahiro Seki, Shinya Yoshioka, and Yukikazu Takeoka. Advanced Materials DOI: 10.1002/adma.201605050 Version of Record online: 26 APR 2017

© 2017 WILEY-VCH Verlag GmbH & Co. KGaA, Weinheim

This paper is behind a paywall.

Ordinarily, I’d expect to see the term ‘nano’ somewhere in the press release or in the abstract but that’s not the case here. The best I could find was a reference to ‘submicrometer-sized .. particles” in the abstract. I suppose that could refer to the nanoscale but given that a Japanese researcher (Norio Taniguchi in 1974) coined the phrase ‘nanotechnology’ to describe research at that scale it seems unlikely that Japanese researchers some forty years later wouldn’t use that term when appropriate.

More on the blue tarantula noniridescent photonics

Covered in an Oct. 19, 2016 posting here, some new details have been released about noniridescent photonics and blue tarantulas, this time from the Karlsruhe Institute of Technology (KIT) in a Nov. 17, 2016 (?) press release (also on EurekAlert; h/t Nanowerk Nov. 17, 2016 news item) ,

Colors are produced in a variety of ways. The best known colors are pigments. However, the very bright colors of the blue tarantula or peacock feathers do not result from pigments, but from nanostructures that cause the reflected light waves to overlap. This produces extraordinarily dynamic color effects. Scientists from Karlsruhe Institute of Technology (KIT), in cooperation with international colleagues, have now succeeded in replicating nanostructures that generate the same color irrespective of the viewing angle. DOI: 10.1002/adom.201600599

In contrast to pigments, structural colors are non-toxic, more vibrant and durable. In industrial production, however, they have the drawback of being strongly iridescent, which means that the color perceived depends on the viewing angle. An example is the rear side of a CD. Hence, such colors cannot be used for all applications. Bright colors of animals, by contrast, are often independent of the angle of view. Feathers of the kingfisher always appear blue, no matter from which angle we look. The reason lies in the nanostructures: While regular structures are iridescent, amorphous or irregular structures always produce the same color. Yet, industry can only produce regular nanostructures in an economically efficient way.

Radwanul Hasan Siddique, researcher at KIT in collaboration with scientists from USA and Belgium has now discovered that the blue tarantula does not exhibit iridescence in spite of periodic structures on its hairs. First, their study revealed that the hairs are multi-layered, flower-like structure. Then, the researchers analyzed its reflection behavior with the help of computer simulations. In parallel, they built models of these structures using nano-3D printers and optimized the models with the help of the simulations. In the end, they produced a flower-like structure that generates the same color over a viewing angle of 160 degrees. This is the largest viewing angle of any synthetic structural color reached so far.

Flower-shaped nanostructures generate the color of the blue tarantula. (Graphics: Bill Hsiung, University of Akron)


The 3D print of the optimized flower structure is only 15 µm in dimension. A human hair is about three times as thick. (Photo: Bill Hsiung, Universtiy of Akron)

Apart from the multi-layered structure and rotational symmetry, it is the hierarchical structure from micro to nano that ensures homogeneous reflection intensity and prevents color changes.

Via the size of the “flower,” the resulting color can be adjusted, which makes this coloring method interesting for industry. “This could be a key first step towards a future where structural colorants replace the toxic pigments currently used in textile, packaging, and cosmetic industries,” says Radwanul Hasan Siddique of KIT’s Institute of Microstructure Technology, who now works at the California Institute of Technology. He considers short-term application in textile industry feasible.

The synthetically generated flower structure inspired by the blue tarantula reflects light in the same color over a viewing angle of 160 degrees. (Graphics: Derek Miller)  

Dr. Hendrik Hölscher thinks that the scalability of nano-3D printing is the biggest challenge on the way towards industrial use. Only few companies in the world are able to produce such prints. In his opinion, however, rapid development in this field will certainly solve this problem in the near future.

Once again, here’s a link to and a citation for the paper,

Tarantula-Inspired Noniridescent Photonics with Long-Range Order by Bor-Kai Hsiung, Radwanul Hasan Siddique, Lijia Jiang, Ying Liu, Yongfeng Lu, Matthew D. Shawkey, and Todd A. Blackledge. Advanced Materials DOI: 10.1002/adom.201600599 Version of Record online: 11 OCT 2016

© 2016 WILEY-VCH Verlag GmbH & Co. KGaA, Weinheim

The paper is behind a paywall. You can see the original Oct. 19, 2016 posting for my comments and some excerpts from the paper.

Squeezing out ‘polymer opals’ for smart clothing and more

Researchers at the University of Cambridge have developed a technology for producing ‘polymer opals’ on industrial scales according to a June 3, 2016 news item on Nanowerk (Note: A link has been removed),

Using a new method called Bend-Induced-Oscillatory-Shearing (BIOS), the researchers are now able to produce hundreds of metres of these materials, known as ‘polymer opals’, on a roll-to-roll process. The results are reported in the journal Nature Communications (“Large-scale ordering of nanoparticles using viscoelastic shear processing”).

A June 3, 2016 University of Cambridge press release (also on EurekAlert), which originated the news item, provides more detail (Note: Links have been removed),

Researchers have devised a new method for stacking microscopic marbles into regular layers, producing intriguing materials which scatter light into intense colours, and which change colour when twisted or stretched.

Some of the brightest colours in nature can be found in opal gemstones, butterfly wings and beetles. These materials get their colour not from dyes or pigments, but from the systematically-ordered microstructures they contain.

The team behind the current research, based at Cambridge’s Cavendish Laboratory, have been working on methods of artificially recreating this ‘structural colour’ for several years, but to date, it has been difficult to make these materials using techniques that are cheap enough to allow their widespread use.

In order to make the polymer opals, the team starts by growing vats of transparent plastic nano-spheres. Each tiny sphere is solid in the middle but sticky on the outside. The spheres are then dried out into a congealed mass. By bending sheets containing a sandwich of these spheres around successive rollers the balls are magically forced into perfectly arranged stacks, by which stage they have intense colour.

By changing the sizes of the starting nano-spheres, different colours (or wavelengths) of light are reflected. And since the material has a rubber-like consistency, when it is twisted and stretched, the spacing between the spheres changes, causing the material to change colour. When stretched, the material shifts into the blue range of the spectrum, and when compressed, the colour shifts towards red. When released, the material returns to its original colour. Such chameleon materials could find their way into colour-changing wallpapers, or building coatings that reflect away infrared thermal radiation.

I always like it when there are quotes which seem spontaneous (from the press release),

“Finding a way to coax objects a billionth of a metre across into perfect formation over kilometre scales is a miracle [emphasis mine],” said Professor Jeremy Baumberg, the paper’s senior author. “But spheres are only the first step, as it should be applicable to more complex architectures on tiny scales.”

In order to make polymer opals in large quantities, the team first needed to understand their internal structure so that it could be replicated. Using a variety of techniques, including electron microscopy, x-ray scattering, rheology and optical spectroscopy, the researchers were able to see the three-dimensional position of the spheres within the material, measure how the spheres slide past each other, and how the colours change.

“It’s wonderful [emphasis mine] to finally understand the secrets of these attractive films,” said PhD student Qibin Zhao, the paper’s lead author.

There’s also the commercialization aspect to this work (from the press release),

Cambridge Enterprise, the University’s commercialisation arm which is helping to commercialise the material, has been contacted by more than 100 companies interested in using polymer opals, and a new spin-out Phomera Technologies has been founded. Phomera will look at ways of scaling up production of polymer opals, as well as selling the material to potential buyers. Possible applications the company is considering include coatings for buildings to reflect heat, smart clothing and footwear, or for banknote security [emphasis mine] and packaging applications.

There is a Canadian company already selling its anti-counterfeiting (banknote security) bioinspired technology. It’s called Opalux and it’s not the only bioinspired anti-counterfeiting Canadian technology company, there’s also NanoTech Security which takes its inspiration from a butterfly (Blue Morpho) wing.

Getting back to Cambridge, here’s a link to and a citation for the research team’s paper,

Large-scale ordering of nanoparticles using viscoelastic shear processing by Qibin Zhao, Chris E. Finlayson, David R. E. Snoswell, Andrew Haines, Christian Schäfer, Peter Spahn, Goetz P. Hellmann, Andrei V. Petukhov, Lars Herrmann, Pierre Burdet, Paul A. Midgley, Simon Butler, Malcolm Mackley, Qixin Guo, & Jeremy J. Baumberg. Nature Communications 7, Article number: 11661  doi:10.1038/ncomms11661 Published 03 June 2016

This paper is open access.

There is a video demonstrating the stretchability of their ‘polymer opal’ film

It was posted on YouTube three years ago when the researchers were first successful. It’s nice to see they’ve been successful at getting the technology to the commercialization stage.

How tarantulas get blue

Cobalt Blue Tarantula [downloaded from http://www.tarantulaguide.com/tarantula-pictures/cobalt-blue-tarantula-4/]

Cobalt Blue Tarantula [downloaded from http://www.tarantulaguide.com/tarantula-pictures/cobalt-blue-tarantula-4/]

That’s a stunning shade of blue on the tarantula and now scientists can explain why these and other ‘spiders’ are sometimes blue, from a Nov. 30, 2015 news item on ScienceDaily,

Scientists recently discovered that tiny, multilayer nanostructures inside a tarantula’s hair are responsible for its vibrant color. The science behind how these hair-raising spiders developed their blue hue may lead to new ways to improve computer or TV screens using biomimicry.

A Nov. 30, 2015 University of California at San Diego news release by Annie Reisewitz, which originated the news item, explains more,

Researchers from Scripps Institution of Oceanography at UC San Diego and University of Akron found that many species of tarantulas have independently evolved the ability to grow blue hair using nanostructures in their exoskeletons, rather than pigments. The study, published in the Nov. 27 issue of Science Advances, is the first to show that individual species evolved separately to make the same shade of a non-iridescent color, one that doesn’t change when viewed at different angles.

Since tarantulas’ blue color is not iridescent, the researchers suggest that the same process can be applied to make pigment replacements that never fade and help reduce glare on wide-angle viewing systems in phones, televisions, and other devices.

“There is strikingly little variety in the shade of blue produced by different species of tarantulas,” said Dimitri Deheyn, a Scripps Oceanography researcher studying marine and terrestrial biomimicry and coauthor of the study. “We see that different types of nanostructures evolved to produce the same ‘blue’ across distant branches of the tarantula family tree in a way that uniquely illustrates natural selection through convergent evolution.”

Unlike butterflies and birds that use nanostructures to produce vibrant colors to attract the attention of females during display courtship, tarantulas have poor vision and likely evolved this trait for a different reason. While the researchers still don’t understand the benefits tarantulas receive from being blue, they are now investigating how to reproduce the tarantula nanostructures in the laboratory.

The tarantula study is just one example of the biomimicry research being conducted in the Deheyn lab at Scripps Oceanography. In a cover article in the Nov. 10 of Chemistry of Materials, Deheyn and colleagues published new findings on the nanostructure of ragweed pollen, which shows interesting optical properties and has possible biomimicry applications. By transforming the pollen into a magnetic material with a specialized coating to give it more or less reflectance, the particle could adhere in a similar way that pollen does in nature while being able to adjust its visibility. The researchers suggest this design could be applied to create a new type of tagging or tracking technology.

Using a high-powered microscope, known as a hyperspectral imaging system, Deheyn is able to map a species’ color field pixel by pixel, which correlates to the shape and geometry of the nanostructures and gives them their unique color.

“This unique technology allows us to associate structure with optical property,” said Deheyn. “Our inspiration is to learn about how nature evolves unique traits that we could mimic to benefit future technologies.”

Here’s a link to and a citation for the paper,

Blue reflectance in tarantulas is evolutionarily conserved despite nanostructural diversity by Bor-Kai Hsiung, Dimitri D. Deheyn, Matthew D. Shawkey, and Todd A. Blackledge. Science Advances  27 Nov 2015: Vol. 1, no. 10, e1500709 DOI: 10.1126/sciadv.1500709

This paper appears to be open access.

Structural colo(u)r with a twist

There’s a nice essay about structural colour on the Duke University website (h/t Nanowerk). Long time readers know my favourite piece of writing on the subject is by Cristina Luiggi for The Scientist magazine which I profiled here in a Feb. 7, 2013 posting.

This latest piece seems to have been written by Beverley Glover and Anika Radiya-Dixit and it is very good. From the Oct. 27, 2015 Duke University blog posting titled, Iridescent Beauty: Development, function and evolution of plant nanostructures that influence animal behavior,

Iridescent wings of a Morpho butterfly

Creatures like the Morpho butterfly on the leaf above appear to be covered in shimmering blue and green metallic colors. This phenomenon is called “iridescence,” meaning that color appears to change as the angle changes, much like soap bubbles and sea shells.

In animals, the physical mechanisms and function of structural color have been studied significantly as a signal for recognition or mate choice.

Glover, one of the post’s authors, is a scientist who believes there may be another reason for iridescence,

On the other hand, Beverley Glover believes that such shimmering in plants can actually influence animal behavior by attracting pollinators better than their non-iridescent counterparts. Glover,Director of Cambridge University Botanic Garden,  presented her study during the Biology Seminar Series in the French Family Science Center on Monday [Oct. 26, 2015] earlier this week.

Hibiscus Trionum

The metallic property of flowers like the Hibiscus Trionum above are generated by diffraction grating – similar to the way CD shines – to create color from transparent material.

In order to observe the effects of the iridescence on pollinators like bees, Glover created artificial materials with a surface structure of nanoscale ridges, similar to the microscopic view of a petal’s epidermal surface below.

Nanoscale ridges on a petal's epidermal surface.

In the first set of experiments, Glover and her team marked bees with paint to follow their behavior as they set the insects to explore iridescent flowers. Some were covered in a red grating – containing a sweet solution as a reward – and others with a blue iridescent grating – containing a sour solution as deterrent. The experiment demonstrated that the bees were able to detect the iridescent signal produced by the petal’s nanoridges, and – as a result – correctly identified the rewarding flowers.

It’s worth reading the Oct. 27, 2015 Duke University blog posting to just to see the pictures used to illustrate the ideas and to find out about the second experiment.

Self-assembly for stunning structural colour

Researchers from McGill University (Montréal, Canada) have developed a computational model which they believe explains how nature achieves structural colo(u)r as exemplified by this tulip,

 Caption: The Queen of the Night tulip displays an iridescent shimmer caused by microscopic ridges on its petals that diffract light. Credit: S. Vignolini/

Caption: The Queen of the Night tulip displays an iridescent shimmer caused by microscopic ridges on its petals that diffract light.
Credit: S. Vignolini/

A Sept. 16, 2015 news item on phys.org describes the phenomenon,

The tulip called Queen of the Night has a fitting name. Its petals are a lush, deep purple that verges on black. An iridescent shimmer dances on top of the nighttime hues, almost like moonlight glittering off regal jewels.

Certain rainforest plants in Malaysia demonstrate an even more striking color feature: Their iridescent blue leaves turn green when dunked in water.

Both the tulip’s rainbow sparkle and the Malaysian plants’ color change are examples of structural color—an optical effect that is produced by a physical structure, instead of a chemical pigment.

Now researchers have shown how plant cellulose can self-assemble [emphasis mine] into wrinkled surfaces that give rise to effects like iridescence and color change. Their findings provide a foundation to understand structural color in nature, as well as yield insights that could guide the design of devices like optical humidity sensors. …

A Sept. 15, 2015 American Institute of Physics news release on EurekAlert, which originated the news item, describes the research into cellulose and structural colour in more detail,

Cellulose is one of the most abundant organic materials on Earth. It forms a key part of the cell wall of green plants, where the cellulose fibers are found in layers. The fibers in a single layer tend to align in a single direction. However, when you move up or down a layer the axis of orientation of the fibers can shift. If you imagined an arrow pointing in the direction of the fiber alignment, it would often spin in a circle as you moved through the layers of cellulose. This twisting pattern is called a cholesteric phase, because it was first observed while studying cholesterol molecules.

Scientists think that cellulose twists mainly to provide strength. “The fibers reinforce in the direction they are oriented,” said Alejandro Rey, a chemical engineer at McGill University in Montreal, Canada. “When the orientation rotates you get multi-directional stiffness.”

Rey and his colleagues, however, weren’t primarily interested in cellulose’s mechanical properties. Instead, they wondered if the twisting structure could produce striking optical effects, as seen in plants like iridescent tulips.

The team constructed a computational model to examine the behavior of cholesteric phase cellulose. In the model, the axis of twisting runs parallel to the surface of the cellulose. The researchers found that subsurface helices naturally caused the surface to wrinkle. The tiny ridges had a height range in the nanoscale and were spaced apart on the order of microns.

The pattern of parallel ridges resembled the microscopic pattern on the petals of the Queen of the Night tulip. The ridges split white light into its many colored components and create an iridescent sheen — a process called diffraction. The effect can also be observed when light hits the microscopic grooves in a CD.

The researchers also experimented with how the amount of water in the cellulose layers affected the optical properties. More water made the layers twist less tightly, which in turn made the ridges farther apart. How tightly the cellulose helices twist is called the pitch. The team found that a surface with spatially varying pitch (in which some areas were more hydrated than others) was less iridescent and reflected a longer primary wavelength of light than surfaces with a constant pitch. The wavelength shift from around 460 nm (visible blue light) to around 520 nm (visible green light) could explain some plants’ color changing properties, Rey said.

Insights into Nature and Inspiration for New Technologies

Although proving that diffractive surfaces in nature form in the same way will require further work, the model does offer a good foundation to further explore structural color, the researchers said. They imagine the model could also guide the design of new optical devices, for example sensors that change color to indicate a change in humidity.

“The results show the optics [of cholesteric cellulose] are just as exciting as the mechanical properties,” Rey said. He said scientists tend to think of the structures as biological armor, because of their reinforcing properties. “We’ve shown this armor can also have striking colors,” he said.

Here’s a link to and a citation for the paper,

Tunable nano-wrinkling of chiral surfaces: Structure and diffraction optics by P. Rofouie, D. Pasini, and A. D. Rey. J. Chem. Phys. 143, 114701 (2015); http://dx.doi.org/10.1063/1.4929337

This is an open access paper.

Sea sapphires: now you see them, now you don’t and more about structural colour/color

The structural colour of the sea sapphire

 Scientists are studying the disappearing act of this ocean-dwelling copepod. Credit: Kaj Maney, www.liquidguru.com Courtesy: American Chemical Society

Scientists are studying the disappearing act of this ocean-dwelling copepod.
Credit: Kaj Maney, www.liquidguru.com Courtesy: American Chemical Society

Now, you’ve seen a sea sapphire. Here’s more about them and the interest they hold for experts in photonics, from a July 15, 2015 news item on ScienceDaily,

Sapphirina, or sea sapphire, has been called “the most beautiful animal you’ve never seen,” and it could be one of the most magical. Some of the tiny, little-known copepods appear to flash in and out of brilliantly colored blue, violet or red existence. Now scientists are figuring out the trick to their hues and their invisibility. The findings appear in the Journal of the American Chemical Society and could inspire the next generation of optical technologies.

A July 15, 2015 American Chemical Society (ACS) news release, which originated the news item, provides more detail,

Copepods are tiny aquatic crustaceans that live in both fresh and salt water. Some males of the ocean-dwelling Sapphirina genus display striking, iridescent colors that scientists think play a role in communication and mate recognition. The shimmering animals’ colors result when light bounces off of the thin, hexagonal crystal plates that cover their backs. These plates also help them vanish, if only fleetingly. Scientists didn’t know specifically what factors contributed to creating different shades. Scientists at the Weizmann Institute [Israel] and the Interuniversity Institute for Marine Sciences in Eilat [Israel] wanted to investigate the matter.

The researchers measured the light reflectance — which determines color — of live Sapphirina males and the spacing between crystal layers. They found that changes of reflectance depended on the thickness of the spacing. And for at least one particular species, when light hits an animal at a 45-degree angle, reflectance shifts out of the visible light range and into the ultraviolet, and it practically disappears. Their results could help inform the design of artificial photonic crystal structures, which have many potential uses in reflective coatings, optical mirrors and optical displays.

To sum this up, the colour and the invisibility properties are due to thin, hexagonal crystal plates and the spacing of these plates, in other words, structural colour, which is usually achieved at the nanoscale.

Here’s a link to and a citation for the paper,

Structural Basis for the Brilliant Colors of the Sapphirinid Copepods by Dvir Gur, Ben Leshem, Maria Pierantoni, Viviana Farstey, Dan Oron, Steve Weiner, and Lia Addadi. J. Am. Chem. Soc., 2015, 137 (26), pp 8408–8411 DOI: 10.1021/jacs.5b05289 Publication Date (Web): June 22, 2015

Copyright © 2015 American Chemical Society

This paper is behind a paywall.

For anyone who’s interested, Lynn Kimlicka has a nice explanation of structural colour in a July 22, 2015 posting on the Something About Science blog where she discusses some recent research iridescence in bird feathers and synthetic melanin. She also shares a picture of her budgie and its iridescent feathers. The ‘melanin’ research was mentioned here in a May 19, 2015 posting where I also provide a link to a great 2013 piece on structural throughout the animal and plant kingdoms by Cristina Luiggi for The Scientist.

Understanding how nanostructures can affect optical properties could be leading to new ways of managing light. A July 23, 2015 news item on ScienceDaily describes a project at the University of Delaware dedicated to “changing the color of light,”

Researchers at the University of Delaware have received a $1 million grant from the W.M. Keck Foundation to explore a new idea that could improve solar cells, medical imaging and even cancer treatments. Simply put, they want to change the color of light.

A July 23, 2015 University of Delaware (UD) news release, which originated the news item, provides more information about the proposed research,

“A ray of light contains millions and millions of individual units of light called photons,” says project leader Matthew Doty. “The energy of each photon is directly related to the color of the light — a photon of red light has less energy than a photon of blue light. You can’t simply turn a red photon into a blue one, but you can combine the energy from two or more red photons to make one blue photon.”

This process, called “photon upconversion,” isn’t new, Doty says. However, the UD team’s approach to it is.

They want to design a new kind of semiconductor nanostructure that will act like a ratchet. It will absorb two red photons, one after the other, to push an electron into an excited state when it can emit a single high-energy (blue) photon.

These nanostructures will be so teeny they can only be viewed when magnified a million times under a high-powered electron microscope.

“Think of the electrons in this structure as if they were at a water park,” Doty says. “The first red photon has only enough energy to push an electron half-way up the ladder of the water slide. The second red photon pushes it the rest of the way up. Then the electron goes down the slide, releasing all of that energy in a single process, with the emission of the blue photon. The trick is to make sure the electron doesn’t slip down the ladder before the second photon arrives. The semiconductor ratchet structure is how we trap the electron in the middle of the ladder until the second photon arrives to push it the rest of the way up.”

The UD team will develop new semiconductor structures containing multiple layers of different materials, such as aluminum arsenide and gallium bismuth arsenide, each only a few nanometers thick. This “tailored landscape” will control the flow of electrons into states with varying potential energy, turning once-wasted photons into useful energy.

The UD team has shown theoretically that their semiconductors could reach an upconversion efficiency of 86 percent, which would be a vast improvement over the 36 percent efficiency demonstrated by today’s best materials. What’s more, Doty says, the amount of light absorbed and energy emitted by the structures could be customized for a variety of applications, from lightbulbs to laser-guided surgery.

How do you even begin to make structures so tiny they can only be seen with an electron microscope? In one technique the UD team will use, called molecular beam epitaxy, nanostructures will be built by depositing layers of atoms one at a time. Each structure will be tested to see how well it absorbs and emits light, and the results will be used to tailor the structure to improve performance.

The researchers also will develop a milk-like solution filled with millions of identical individual nanoparticles, each one containing multiple layers of different materials. The multiple layers of this structure, like multiple candy shells in an M&M, will implement the photon ratchet idea. Through such work, the team envisions a future upconversion “paint” that could be easily applied to solar cells, windows and other commercial products.

Improving medical tests and treatments

While the initial focus of the three-year project will be on improving solar energy harvesting, the team also will explore biomedical applications.

A number of diagnostic tests and medical treatments, ranging from CT [computed tomography] and PET [positron emission tomography] scans to chemotherapy, rely on the release of fluorescent dyes and pharmaceutical drugs. Ideally, such payloads are delivered both at specific disease sites and at specific times, but this is hard to control in practice.

The UD team aims to develop an upconversion nanoparticle that can be triggered by light to release its payload. The goal is to achieve the controlled release of drug therapies even deep within diseased human tissue while reducing the peripheral damage to normal tissue by minimizing the laser power required.

“This is high-risk, high-reward research,” Doty says. “High-risk because we don’t yet have proof-of-concept data. High-reward because it has such a huge potential impact in renewable energy to medicine. It’s amazing to think that this same technology could be used to harvest more solar energy and to treat cancer. We’re excited to get started!”

That’s it for structural colour/color today.