Tag Archives: telescopes

Out Of This World; Art inspired by all things astronomical from July 4 – 22, 2018 in Toronto, Canada

From a June 29, 2018 ArtSci Salon notice (received via email),

July 4 – 22  | Out Of This World | Juried Group Exhibition

“ Space… is big. Really big. You just won’t believe how vastly, hugely, mindbogglingly big it is. I mean, you may think it’s a long way down the road to the chemist’s, but that’s just peanuts to space.”
– DOUGLAS ADAMS: THE HITCHHIKER’S GUIDE TO THE GALAXY (1979)


July 4 – 22  | Out of this World | Juried Group Exhibition
Opening Reception: Thurs. July 5th, 7 – 10 pm. (with telescopes! weather permitting… and astronomically-themed music from the 17th and 18th centuries)

2018 marks a century-and-a-half of the Royal Astronomical Society of Canada’s (RASC) promotion of astronomy and allied sciences in Canada. From early on, the RASC has encouraged exploring the connections of astronomy with other areas of culture, an interest which continues to the present. Propeller Gallery has partnered with the RASC to present an exhibition celebrating their sesquicentennial.

Astronomy, with its highly evocative imagery, and mindboggling and mindbending ideas about our Universe, provides artists with richly visual and deeply conceptual inspiration. Out of This World features a diverse array of work inspired by the cosmos, ranging from the visualization of astronomical data to textiles, video and installation. A select number of works from the archives of the RASC are also presented.

Participating Artists: Michael Black | Linda-Marlena Bucholtz Ross | David Cumming | Chris Domanski | Trinley Dorje | Dan Falk | Maya Foltyn | Peter Friedrichsen | Susan Gaby-Trotz | Aryan Ghaemmaghami | David Griffin | Xianda Guo, Charlotte Mueller, Sinead Lynch, Ramona Fluck, Christoph Blapp & Jayanne English | Diana Hamer | Chris Harms  | Angela Julian | Adam Kolodziej  | Irena IRiKO Kolodziej | Nancy Lalicon | Michelle Letarte | Shannon Leigh  | Elizabeth Lopez | Trevor McKinven | France McNeil  | John Ming Mark | Giuseppe Morano | Sarah Moreau  | Joseph Muscat  | Pria Muzumdar  | Neeko Paluzzi | Frances Patella | Donna Wells | Donna Wise | plus archival work from the Royal Astronomical Society of Canada

Curatorial Team: Robin Kingsburgh, Tony Saad, David Griffin, Randall Rosenfeld

Panel discussion: Understanding Astronomical Images, Saturday July 14, 1:30-3pm

Artist Talks and Star Party in Lisgar Park: Saturday July 21, 7pm+ (Join us in the gallery at 7pm for informal talks by artists about their work. Follow us outside to Lisgar Park across the street when it gets dark – where members of the RASC and York University will set up telescopes.)

As for exactly where the show, panel discussions, and artist talks are taking place,

Propeller Gallery
30 Abell Street, Toronto, ON M6J 0A9
416-504-7142

www.propellerctr.com
gallery@propellerctr.com

Happy star gazing!

Four dimensional digital universe (4D2U) and its Mitaka software

The National Astronomical Observatory of Japan (NAOJ) has made a free downloadable software available according to a Feb. 9, 2016 Japan National Institute of Natural Sciences press release (also on EurekAlert),

The door to the digital Universe has been flung open! Mitaka, a free downloadable software program to visualize the Universe based on real astronomical data, now accommodates a variety of the languages found on planet Earth. With this upgrade, many people all over the globe can use a PC to navigate through the digital Universe in their native language.

Mitaka version 1.3 with French. The default version includes the external files for French (courtesy NAOJ)

Mitaka version 1.3 with French. The default version includes the external files for French (courtesy NAOJ)

The press release goes on to describe the project which is making the software available,

The Four-Dimensional Digital Universe (4D2U) Project of the National Astronomical Observatory of Japan (NAOJ) was launched in 2001. This project aims to visualize the latest astronomical data obtained by observations and numerical simulations. The 4D2U project has developed various contents visualizing the Universe, including the software known as “Mitaka” and dozens of movie clips. These contents are regularly shown in the 4D2U Dome Theater in the NAOJ Headquarters. They are also very popular among schools and science museums in Japan and other countries. At the 3D theater of the ‘Imiloa Astronomy Center in Hilo, Hawai‘i, the 4D2U contents are on permanent display and have received a favorable reception from audiences. However, until now Mitaka has been available only in Japanese and English. There have been many requests from various countries for the multilingualization of Mitaka.

In the latest version of Mitaka, ver.1.3, the displayed language is defined by several external files. Users can modify the files to change the language to any one they would like, not only languages using the Latin alphabet, but also including other character sets defined in Unicode, such as Brahmic, Chinese, Cyrillic, and Hangeul. Right-to-left scripts such as Arabic, will be supported in future versions of Mitaka. “In the future, we will increase the number of language information files contained in the default version of Mitaka” said Tsunehiko Kato, the developer of Mitaka. “If a language is not contained in the default version, anyone can create his/her own language files. I really hope that Mitaka will be widely used around the world for educational purposes, live shows, exhibitions, and personal use in many languages.”

Various astronomy data are contained in Mitaka: orbits for 20 thousand asteroids; stellar positions based on the Hipparcos and Tycho Catalogues; and galaxies based on the Sloan Digital Sky Survey (SDSS). The structure of the Milky Way Galaxy and the gravitational lens effect of the supermassive black hole in the center of our Galaxy are constructed based on theoretical models. Mitaka also actively incorporates the latest data, such as the surface textures of Pluto and Charon obtained by NASA’s New Horizons probe. With Mitaka, users can fly out from the Earth, traveling to the edge of the known Universe.

Mitaka and the movies developed by 4D2U are available free of charge on the project web site. Currently, only three movies are listed on the English page, but more than a dozen movies will be added in the near future. These movies are provided in several formats: flat screen or dome screen (fish-eye) versions, with 2D or 3D options.

“Mitaka” is the name of the city in western Tokyo where the NAOJ Headquarters is located. NAOJ Mitaka Campus houses several historical telescopes, including the 65-cm Refractor built in 1929. It is also home to modern instruments such as the TAMA300 gravitational wave detector, the Solar Flare Telescope, and the special purpose computer GRAPE.

You can download ‘Mitaka’ from here and you can visit the 4D2U website here.

Outer space telescopes made of micro- and nanoparticles (smart dust)

Scientists at Rochester Institute of Technology (RIT is located in New York state) are working on a project that would see ‘smart dust’ used as a telescope in outer space. From a Dec. 1, 2014 news item on phys.org,

Telescope lenses someday might come in aerosol cans. Scientists at Rochester Institute of Technology and the NASA [ National Aeronautics and Space Administration] Jet Propulsion Laboratory are exploring a new type of space telescope with an aperture made of swarms of particles released from a canister and controlled by a laser.

These floating lenses would be larger, cheaper and lighter than apertures on conventional space-based imaging systems like NASA’s Hubble and James Webb space telescopes, said Grover Swartzlander, associate professor at RIT’s Chester F. Carlson Center for Imaging Science and Fellow of the Optical Society of America. Swartzlander is a co-investigator on the Jet Propulsion team led by Marco Quadrelli.

A Dec. 1, 2014 RIT news release by Susan Gawlowicz, which originated the news item, describes the NASA project and provides more details about the technology,

NASA’s Innovative Advanced Concepts Program is funding the second phase of the “orbiting rainbows” project that attempts to combine space optics and “smart dust,” or autonomous robotic system technology. The smart dust is made of a photo-polymer, or a light-sensitive plastic, covered with a metallic coating.

“Our motivation is to make a very large aperture telescope in space and that’s typically very expensive and difficult to do,” Swartzlander said. “You don’t have to have one continuous mass telescope in order to do astronomy—it can be distributed over a wide distance. Our proposed concept could be a very cheap, easy way to achieve large coverage, something you couldn’t do with the James Webb-type of approach.”

An adaptive optical imaging sensor comprised of tiny floating mirrors could support large-scale NASA missions and lead to new technology in astrophysical imaging and remote sensing.

Swarms of smart dust forming single or multiple lenses could grow to reach tens of meters to thousands of kilometers in diameter. According to Swartzlander, the unprecedented resolution and detail might be great enough to spot clouds on exoplanets, or planets beyond our solar system.

“This is really next generation,” Swartzlander said. “It’s 20, 30 years out. We’re at the very first step.”

Previous scientists have envisioned orbiting apertures but not the control mechanism. This new concept relies upon Swartzlander’s expertise in the use of light, or photons, to manipulate micro- or nano-particles like smart dust. He developed and patented the techniques known as “optical lift,” in which light from a laser produces radiation pressure that controls the position and orientation of small objects.

In this application, radiation pressure positions the smart dust in a coherent pattern oriented toward an astronomical object. The reflective particles form a lens and channel light to a sensor, or a large array of detectors, on a satellite. Controlling the smart dust to reflect enough light to the sensor to make it work will be a technological hurdle, Swartzlander said.

Two RIT graduate students on Swartzlander’s team are working on different aspects of the project. Alexandra Artusio-Glimpse, a doctoral student in imaging science, is designing experiments in low-gravity environments to explore techniques for controlling swarms of particle and to determine the merits of using a single or multiple beams of light.

Swartzlander expects the telescope will produce speckled and grainy images. Xiaopeng Peng, a doctoral student in imaging science, is developing software algorithms for extracting information from the blurred image the sensor captures. The laser that will shape the smart dust into a lens also will measure the optical distortion caused by the imaging system. Peng will use this information to develop advanced image processing techniques to reverse the distortion and recover detailed images.

“Our goal at this point is to marry advanced computational photography with radiation-pressure control techniques to achieve a rough image,” Swartzlander said. “Then we can establish a roadmap for improving both the algorithms and the control system to achieve ‘out of this world’ images.”

You can find out more about NASA’s Orbiting Rainbows project here.

I just mentioned rainbows and optics with regard to Robert Grosseteste, a 13th century cleric who ‘unwove’ rainbows, in a Dec. 1, 2014 posting (scroll down about 60% of the way).