Tag Archives: Toronto

Toronto, Sidewalk Labs, smart cities, and timber

The ‘smart city’ initiatives continue to fascinate. During the summer, Toronto’s efforts were described in a June 24, 2019 article by Katharine Schwab for Fast Company (Note: Links have been removed),

Today, Google sister company Sidewalk Labs released a draft of its master plan to transform 12 acres on the Toronto waterfront into a smart city. The document details the neighborhood’s buildings, street design, transportation, and digital infrastructure—as well as how the company plans to construct it.

When a leaked copy of the plan popped up online earlier this year, we learned that Sidewalk Labs plans to build the entire development, called Quayside, out of mass timber. But today’s release of the official plan reveals the key to doing so: Sidewalk proposes investing $80 million to build a timber factory and supply chain that would support its fully timber neighborhood. The company says the factory, which would be focused on manufacturing prefabricated building pieces that could then be assembled into fully modular buildings on site, could reduce building time by 35% compared to more traditional building methods.

“We would fund the creation of [a factory] somewhere in the greater Toronto area that we think could play a role in catalyzing a new industry around mass timber,” says Sidewalk Labs CEO and chairman Dan Doctoroff.

However, the funding of the factory is dependent on Sidewalk Labs being able to expand its development plan to the entire riverfront district. .. [emphasis mine].

Here’s where I think it gets very interesting,

Sidewalk proposes sourcing spruce and fir trees from the forests in Ontario, Quebec, and British Columbia. While Canada has 40% of the world’s sustainable forests, Sidewalk claims, the country has few factories that can turn these trees into the building material. That’s why the company proposes starting a factory to process two kinds of mass timber: Cross-laminated timber (CLT) and glulam beams. The latter is meant specifically to bear the weight of the 30-story buildings Sidewalk hopes to build. While Sidewalk says that 84% of the larger district would be handed over for development by local companies, the plan requires that these companies uphold the same sustainability standards when it comes to performance

Sidewalk says companies wouldn’t be required to build with CLT and glulam, but since the company’s reason for building the mass timber factory is that there aren’t many existing manufacturers to meet the needs for a full-scale development, the company’s plan might ultimately push any third-party developers toward using its [Google] factory to source materials. … [emphasis mine]

If I understand this rightly, Google wants to expand its plan to Toronto’s entire waterfront to make building a factory to produce the type of wood products Google wants to use in its Quayside development financially feasible (profitable). And somehow, local developers will not be forced to build the sames kinds of structures although Google will be managing the entire waterfront development. Hmmm.

Let’s take a look at one of Google’s other ‘city ventures’.

Louisville, Kentucky

First, Alphabet is the name of Google’s parent company and it was Alphabet that offered the city of Louisville an opportunity for cheap, abundant internet service known as Google Fiber. From a May 6, 2019 article by Alex Correa for the The Edge (Note: Links have been removed),

In 2015, Alphabet chose several cities in Kentucky to host its Google Fiber project. Google Fiber is a service providing broadband internet and IPTV directly to a number of locations, and the initiative in Kentucky … . The tech giant dug up city streets to bury fibre optic cables of their own, touting a new technique that would only require the cables to be a few inches beneath the surface. However, after two years of delays and negotiations after the announcement, Google abandoned the project in Louisville, Kentucky.

Like an unwanted pest in a garden, sign of Google’s presence can be seen and felt in the city streets. Metro Councilman Brandon Coan criticized the state of the city’s infrastructure, pointing out that strands of errant, tar-like sealant, used to cover up the cables, are “everywhere.” Speaking outside of a Louisville coffee shop that ran Google Fiber lines before the departure, he said, “I’m confident that Google and the city are going to negotiate a deal… to restore the roads to as good a condition as they were when they got here. Frankly, I think they owe us more than that.”

Google’s disappearance did more than just damage roads [emphasis mine] in Louisville. Plans for promising projects were abandoned, including transformative economic development that could have provided the population with new jobs and vastly different career opportunities than what was available. Add to that the fact that media coverage of the aborted initiative cast Louisville as the site of a failed experiment, creating an impression of the city as an embarrassment. (Google has since announced plans to reimburse the city $3.84 million over 20 months to help repair the damage to the city’s streets and infrastructure.)

A February 22, 2019 article on CBC (Canadian Broadcasting Corporation) Radio news online offers images of the damaged roadways and a particle transcript of a Day 6 radio show hosted by Brent Bambury,

Shortly after it was installed, the sealant on the trenches Google Fiber cut into Louisville roads popped out. (WDRB Louisville) Courtesy: CBC Radio Day 6

Google’s Sidewalk Labs is facing increased pushback to its proposal to build a futuristic neighbourhood in Toronto, after leaked documents revealed the company’s plans are more ambitious than the public had realized.

One particular proposal — which would see Sidewalk Labs taking a cut of property taxes in exchange for building a light rail transit line along Toronto’s waterfront — is especially controversial.

The company has developed an impressive list of promises for its proposed neighbourhood, including mobile pre-built buildings and office towers that tailor themselves to occupants’ behaviour.

But Louisville, Kentucky-based business reporter Chris Otts says that when Google companies come to town, it doesn’t always end well.

What was the promise Google Fiber made to Louisville back in 2015?

Well, it was just to be included as one of their Fiber cities, which was a pretty serious deal for Louisville at the time. A big coup for the mayor, and his administration had been working for years to get Google to consider adding Louisville to that list.

So if the city was eager, what sorts of accommodations were made for Google to entice them to come to Louisville?

Basically, the city did everything it could from a streamlining red tape perspective to get Google here … in terms of, you know, awarding them a franchise, and allowing them to be in the rights of way with this innovative technique they had for burying their cables here.
And then also, they [the city] passed a policy, which, to be sure, they say is just good policy regardless of Google’s support for it. But it had to do with how new Internet companies like Google can access utility poles to install their networks.

And Louisville ended up spending hundreds of thousands of dollars to defend that new policy in court in lawsuits by AT&T and by the traditional cable company here.

When Google Fiber starts doing business, they’re offering cheaper high speed Internet access, and they start burying these cables in the ground.

When did things start to go sideways for this project?

I don’t know if I would say ‘almost immediately,’ but certainly the problems were evident fairly quickly.

So they started their work in 2017. If you picture it, [in] the streets you can see on either side there are these seams. They look like little strings … near the end of the streets on both sides. And there are cuts in the street where they buried the cable and they topped it off with this sealant

And fairly early on — within months, I would say, of them doing that — you could see the sealant popping out. The conduit in there [was] visible or exposed. And so it was fairly evident that there were problems with it pretty quickly

Was this the first time that they had used this system and the sealant that you’re describing?

It was the first time, according to them, that they had used such shallow trenches in the streets.

So these are as shallow as two inches below the pavement surface that they’d bury these cables. It’s the ultra-shallow version of this technique.

And what explanation did Google Fiber offer for their decision to leave Louisville?

That it was basically a business decision; that they were trying this construction method to see if it was sustainable and they just had too many problems with it.

And as they said directly in their … written statement about this, they decided that instead of doing things right and starting over, which they would have to do essentially to keep providing service in Louisville, that it was the better business decision for them to just pick up and leave.

Toronto’s Sidewalk Labs isn’t Google Fiber — but they’re both owned by Google’s parent company, Alphabet.

If Louisville could give Toronto a piece of advice about welcoming a Google infrastructure project to town, what do you think that advice would be?

The biggest lesson from this is that one day they can be next to you at the press conference saying what a great city you are and how happy they are to … provide new service in your market, and then the next day, with almost no notice, they can say, “You know what? This doesn’t make sense for us anymore. And by the way, see ya. Thanks for having us. Sorry it didn’t work out.”

Google’s promises to Toronto

Getting back to Katharine Schwab’s June 24, 2019 fast Company article,

The factory is also key to another of Sidewalk’s promises: Jobs. According to Sidewalk, the factory itself would create 2,500 jobs [emphasis mine] along the entire supply chain over a 20-year period. But even if the Canadian government approves Sidewalk’s plan and commits to building out the entire waterfront district to take advantage of the mass timber factory’s economies of scale, there are other regulatory hurdles to overcome. Right now, the building code in Toronto doesn’t allow for timber buildings over six stories tall. All of Sidewalk’s proposed buildings are over six stories, and many of them go up to 30 stories. Doctoroff said he was optimistic that the company will be able to get regulations changed if the city decides to adopt the plan. There are several examples of timber buildings that are already under construction, with a planned skyscraper in Japan that will be 70 stories.

Sidewalk’s proposal is the result of 18 months of planning, which involved getting feedback from community members and prototyping elements like a building raincoat that the company hopes to include in the final development. It has come under fire from privacy advocates in particular, and the Canadian government is currently facing a lawsuit from a civil liberties group over its decision to allow a corporation to propose public privacy governance standards.

Now that the company has released the plan, it will be up to the Canadian government to decide whether to move forward. And the mass timber factory, in particular, will be dependent on the government adopting Sidewalk’s plan wholesale, far beyond the Quayside development—a reminder that Sidewalk is a corporation that’s here to make money, dangling investment dollars in front of the government to incentivize it to embrace Sidewalk as the developer for the entire area.

A few thoughts

Those folks in Louisville made a lot of accommodations for Google only to have the company abandon them. They will get some money in compensation, finally, but it doesn’t make up for the lost jobs and the national, if not international, loss of face.

I would think that should things go wrong, Google would do exactly the same thing to Toronto. As for the $80M promise, here’s exactly how it’s phrased in the June 24, 2019 Sidewalk Labs news release,

… Together with local partners, Sidewalk proposes to invest up to $80 million in a mass timber factory in Ontario to jumpstart this emerging industry.

So, Alphabet/Google/Sidewalk has proposed up to an $80M investment—with local partners. I wonder how much this factory is supposed to cost and what kinds of accommodations Alphabet/Google/Sidewalk will demand. Possibilities include policy changes, changes in municipal bylaws, and government money. In other words, Canadian taxpayers could end up footing part of the bill and/or local developers could be required to cover and outsize percentage of the costs for the factory as they jockey for the opportunity to develop part of Toronto’s waterfront.

Other than Louisville, what’s the company’s track record with regard to its partnerships with cities and municipalities? I Haven’t found any success stories in my admittedly brief search. Unusually, the company doesn’t seem to be promoting any of its successful city partnerships.

Smart city

While my focus has been on the company’s failure with Louisville and the possible dangers inherent to Toronto in a partnership with this company, it shouldn’t be forgotten that all of this development is in the name of a ‘smart’ city and that means data-driven. My March 28, 2018 posting features some of the issues with the technology, 5G, that will be needed to make cities ‘smart’. There’s also my March 20, 2018 posting (scroll down about 30% of the way) which looks at ‘smart’ cities in Canada with a special emphasis on Vancouver.

You may want to check out David Skok’s February 15, 2019 Maclean’s article (Cracks in the Sidewalk) for a Torontonian’s perspective.

Should you wish to do some delving yourself, there’s Sidewalk Labs website here and a June 24, 2019 article by Matt McFarland for CNN detailing some of the latest news about the backlash in Toronto concerning Sidewalk Labs.

A September 2019 update

Waterfront Toronto’s Digital Strategy Advisory Panel (DSAP) submitted a report to Google in August 2019 which was subsequently published as of September 10, 2019. To sum it up, the panel was not impressed with Google’s June 2019 draft master plan. From a September 11, 2019 news item on the Guardian (Note: Links have been removed),

A controversial smart city development in Canada has hit another roadblock after an oversight panel called key aspects of the proposal “irrelevant”, “unnecessary” and “frustratingly abstract” in a new report.

The project on Toronto’s waterfront, dubbed Quayside, is a partnership between the city and Google’s sister company Sidewalk Labs. It promises “raincoats” for buildings, autonomous vehicles and cutting-edge wood-frame towers, but has faced numerous criticisms in recent months.

A September 11, 2019 article by Ian Bick of Canadian Press published on the CBC (Canadian Broadcasting Corporation) website offers more detail,

Preliminary commentary from Waterfront Toronto’s digital strategy advisory panel (DSAP) released Tuesday said the plan from Google’s sister company Sidewalk is “frustratingly abstract” and that some of the innovations proposed were “irrelevant or unnecessary.”

“The document is somewhat unwieldy and repetitive, spreads discussions of topics across multiple volumes, and is overly focused on the ‘what’ rather than the ‘how,’ ” said the report on the panel’s comments.

Some on the 15-member panel, an arm’s-length body that gives expert advice to Waterfront Toronto, have also found the scope of the proposal to be unclear or “concerning.”

The report says that some members also felt the official Sidewalk plan did not appear to put the citizen at the centre of the design process for digital innovations, and raised issues with the way Sidewalk has proposed to manage data that is generated from the neighbourhood.

The panel’s early report is not official commentary from Waterfront Toronto, the multi-government body that is overseeing the Quayside development, but is meant to indicate areas that needs improvement.

The panel, chaired by University of Ottawa law professor Michael Geist, includes executives, professors, and other experts on technology, privacy, and innovation.

Sidewalk Labs spokeswoman Keerthana Rang said the company appreciates the feedback and already intends to release more details in October on the digital innovations it hopes to implement at Quayside.

I haven’t been able to find the response to DSAP’s September 2019 critique but I did find this Toronto Sidewalk Labs report, Responsible Data Use Assessment Summary :Overview of Collab dated October 16, 2019. Of course, there’s still another 10 days before October 2019 is past.

Tech Art Fair (Ontario, Canada) call for submissions

I received an email (Dec. 19, 2018) from the ArtSci Salon folks in Toronto (Canada) about this call for submissions. It’s a bit late but there’s still time (Jan. 14, 2019) to make the deadline, From a December 19, 2018 ArtSci Salon announcement,

OPEN CALL

Tech Art Fair

February 16 – 18, 2019 at the Ontario Science Centre

Juried Competition: Call for Applications to Participate in the Tech Art Fair

Are you a tech-focused artist who wants to showcase your work in a diverse and dynamic public venue? Do you enjoy face-to-face conversations about what you do? Would you like to expand your network and generate new synergies within a global like-minded community? The Tech Art Fair at the Ontario Science Centre in Toronto will highlight creative processes and provide an opportunity for participants to launch and test-drive creative ideas during a three-day winter holiday event, anticipated to attract up to 10,000 visitors. The Tech Art Fair will be complemented by an online exhibition hosted by the New York-based SciArt Center.

The Opportunity

This is a call for applications to participate in the Tech Art Fair to be held in the Great Hall of the Ontario Science Centre from February 16 through to February 18, 2019. Up to 20 applicants will be selected through a juried competition to demonstrate and exhibit work and sell affordable items at the Tech Art Fair. In addition to participation in the Tech Art Fair, participants will be considered for the art studio residences at MOCA Toronto [Museum of Contemporary Art Toronto], leading to an exhibition at the Ontario Science Centre.

Eligible Art and Selection Criteria

This call is open to artists, artist collectives, innovative entrepreneurs and interdisciplinary makers. Original art projects made in classic or digital media will be considered. This could include installations, immersive 3D works, innovative craft projects, electronics, Internet of Things projects and wearables, decorative arts, furniture, functional glass, ceramics and textiles.

We’re seeking provocative and unconventional art with a connection to science and technology that reveals your creative process, inspires awe and excitement and sparks dialogue. We’ll also be looking for work which facilitates interaction, collaboration and creation with our visitors.

Participants will be provided with a designated space containing one 6-foot table, two chairs and electrical power. Additional vertical supports (up to 6 feet in height) will be available for a limited number of works. Opportunities for displaying large-scale art pieces, hanging installations or video projections will be limited. Applicants selected by the jury will be required to sign a participation agreement with the Ontario Science Centre to participate in the Tech Art Fair. Please review the agreement: your agreement to execute and fulfill the terms of this agreement is a pre-condition to consideration by the jury. As set out in the agreement, you must be in attendance at the Ontario Science Centre during the Centre’s working hours for the duration of the Tech Art Fair.

Jury Members

  • Rachel Birnberg and Cecilia Garcia, North York Arts
  • Julia Buntaine Hoel, SciArt Center
  • Andy Forest, STEAMLabs
  • Ana Klasnja, Ontario Science Centre
  • Megan MacLaurin, InterAccess
  • Vessna Perunovich, Fashion Art Toronto
  • Renn Scott, Daily Goods Design Lab

Apply by January 14, 2019!
NOTE: To submit materials, you’ll need a Google Account.

Key Dates

October 31, 2018, 9 a.m. – Call for Applications opens
January 14, 2019, 11:59 p.m. – Call for applications closes
January 14 – 17, 2019 – Juried competition underway
January 18, 2019 – The Centre begins notifying successful applicants
January 26, 2019 – Due date for signed participant agreements
February 15, 2019, 7 a.m. to 10 a.m. – Participant set-up complete
February 16, 2019, 10 a.m. – Tech Art Fair opens to the public
February 18, 2019, 5 p.m. – Tech Art Fair closes to the public

For further details, please contact us.

I have looked at the ‘agreement’ and given the constraints and apparent lack of any funding for travel, this call is probably more suitable for artists based in Ontario and/or in close proximity to Toronto.  You can find the original call for submissions here on the Ontario Science Centre’s site.

The sense of beauty: an art/science film about CERN, the European Particle Physics Laboratory, in Vancouver, Canada; art/sci September in Toronto (Canada), a science at the bar night in Vancouver (Canada), and a festival in Calgary (Canada)

Compared to five or more years ago, there’s a lollapalooza of art/sci (or sciart) events coming up in September 2018. Of course, it’s helpful if you live in or are visiting Toronto or Vancouver or Calgary at the right time.  All of these events occur from mid September (roughly) to the end of September. In no particular date order:

Sense of beauty in Vancouver

The September 10, 2018 Dante Alighieri Society of British Columbia invitation (received via email) offered more tease than information. Happily, the evite webpage for “The Sense of Beauty: Art and Science at CERN” (2017) by Valerio Jalongo filled in the details,

The Dante Alighieri Society of British Columbia

Invites you to the screening of the documentary

“The Sense of Beauty: Art and Science at CERN” (2017) by Valerio Jalongo

TUESDAY, SEPTEMBER 25, 2018 at 6:30 pm

The CINEMATHEQUE – 1131 Howe Street, Vancouver

Duration of film: 75’. Director in attendance; Q&A with the film director to follow the screening

Free Admission

RSVP: info@dantesocietybc.ca

Director Jalongo will discuss the making of his documentary in a seminar open to the public on September 24 (1:00-2:30 pm) at UBC  [University of British Columbia] (Buchanan Penthouse, *1866 Main Maill, Block C, 5th floor*, Vancouver).

The Sense of Beauty is the story of an unprecedented experiment that involves scientists from throughout the world collaborating around the largest machine ever constructed by human beings: the LHC (Large Hadron Collider). As the new experiment at CERN proceeds in its exploration of the mysterious energy that animates the universe, scientists and artists guide us towards the shadow line where science and art, in different ways, pursue truth and beauty.

Some of these men and women believe in God, while others believe only in experiment and doubt. But in their search for truth they are all alert to an elusive sixth – or seventh – sense: the sense of beauty. An unmissable opportunity for lovers of science, of beauty, or of both.

Rome-born Valerio Jalongo is a teacher, screenwriter and director who works in cinema and TV, for which he created works of fiction and award-winning documentaries. Among them: Sulla mia pelle (On My Skin, 2003) and La scuola è finita (2010), starring Valeria Golino, on the difficulties facing public schools in Italy.

This event is presented by the Dante Alighieri Society of BC in collaboration with the Consulate General of Italy in Vancouver and in association with ARPICO (www.arpico.ca), the Society of Italian Researchers and Professionals in Western Canada.

RSVP: info@dantesocietybc.ca

I searched for more information both about the film and about the seminar at UBC. I had no luck with the UBC seminar but I did find more about the film. There’s an April (?) 2017 synopsis by Luciano Barisone on the Vision du Réel website,

From one cave to another. In prehistoric times, human beings would leave paintings in caves to show their amazement and admiration for the complexity of the world. These reproductions of natural forms were the results of an act of creation and also of mystical gestures which appropriated the soul of things. In another gigantic and modern den, the immense CERN laboratory, the same thing is happening today, a combination of enthralled exploration of the cosmos and an attempt to control it. Valerio Jalongo’s film tackles the big questions that have fascinated poets, artists and philosophers since the dawn of time. Who are we? Where do we come from? Where are we going? The scientists at CERN attempt to answer them through machines that explore matter and search for the origins of life. In their conversations or their words to camera, the meaning of existence thus seems to become a pure question of the laws of physics and mathematical formulae. If only for solving the mystery of the universe a sixth sense is necessary. That of beauty…

There’s also a February 5, 2018 essay by Stefano Caggiano for Interni, which uses a description of the film to launch into a paean to Italian design,

The success of the documentary The Sense of Beauty by Valerio Jalongo, which narrates the ‘aesthetic’ side of the physicists at CERN when faced with the fundamental laws of nature, proves that the yearning for beauty is not just an aspect of art, but something shared by all human efforts to interpret reality.

It is no coincidence that the scientists themselves define the LHC particle accelerator (27 km) as a grand machine for beauty, conceived to investigate the meaning of things, not to perform some practical function. In fact, just as matter can be perceived only through form, and form only if supported by matter (Aristotle already understood this), so the laws of physics can be glimpsed only when they are applied to reality.

This is why in the Large Hadron Collider particles are accelerated to speeds close to that of light, reconstructing the matter-energy conditions just a few instants after the Big Bang. Only in this way is it possible to glimpse the hidden fundamental laws of the universe. It is precisely this evanescence that constitutes ‘beauty.’

The quivering of the form that reveals itself in the matter that conceals it, and which – given the fact that everything originates in the Big Bang – is found everywhere, in the most faraway stars and the closest objects: you just have to know how to prove it, grasp it, how to wait. Because this is the only way to establish relations with beauty: not perceiving it but awaiting it. Respecting its way of offering itself, which consists in denying itself.

Charging the form of an object with this sensation of awaiting, then, means catalyzing the ultimate and primary sense of beauty. And it is what is held in common by the work of the five Italian designers nominated for the Rising Talent Awards of Maison & Object 2018 (with Kensaku Oshiro as the only non-Italian designer, though he does live and work in Milan).

There’s a trailer (published by CERN on November 7, 2017,

It’s in both Italian and English with subtitles throughout, should you need them.

*The address for the Buchanan Penthouse was corrected from: 2329 West Mall to 1866 Main Maill, Block C, 5th floor on Sept. 17, 2018.

Toronto’s ArtSci Salon at Nuit Blanche, Mycology, Wild Bees and Art+Tech!

From a Tuesday, September 11, 2018 Art/Sci Salon announcement (received via email),

Baba Yaga Collective and ArtSci Salon Present:
Chaos Fungorum

In 1747, Carl Linnaeus, known as the “father of taxonomy”, observed
that the seeds of fungus moved in water like fish until “..by a law of
nature thus far unheard of and surpassing all human understanding..,”
they changed back to plant in their adult life.

He proceeded to include fungi in the new genus of “Chaos”. But why
delimiting fungi within categories and boundaries when it is exactly
their fluidity that make them so interesting?

Chaos Fungorum draws on the particular position occupied by fungi and
other hybrid organisms: neither plant nor animal, fungi extend across,
and can entertain, communications and collaborations between animal,
human and industrial realms.

Mixing different artistic practices and media, the artists featured in
this exhibition seek to move beyond rigid comprehensions of the living
by working with, rather than merely shaping, sculpting and manipulating
plants, microorganisms and fungi. Letting the non-human speak is to move
away from an anthropocentric approach to the world: it not only opens to
new rewarding artistic practices, but it also fosters new ideas of
sustainable coexistence, new unusual life collaborations and
adaptations, and new forms of communications and languages.

THE EXHIBITION
September 26 – October 7, 2018

Baba Yaga Collective 906 Queen Street West @Crawford, Toronto

info@babayagacollective.ca

FEATURING

BIO.CHROME COLLECTIVE
Robyn Crouch • Mellissa Fisher • Shavon Madden
Tracy Maurice • Tosca Teran • Alexis Williams

SPECIAL GUEST
Whitefeather Hunter

SPECIAL NUIT BLANCHE OPENING RECEPTION
September 29
6:00 – 9:00 pm

6:30pm: Artsci Salon introduction with Roberta Buiani and Stephen Morris
rethinking categories and the “non-human” in art and science

Followed by artist remarks.
Scientists from the University of Toronto will act as respondent.

9:30pm onward: Tosca Teran & Andrei Gravelle of Nanotopia [emphasis mine]

BIO-SONIFICATIONS: NON-HUMAN COLLABORATIONS Mycelium to MIDI •

Midnight Mushroom music live performance

This Special program is co-presented by The Baba Yaga Collective and
ArtSci Salon. For more information contact artscisalon@gmail.com
https://www.facebook.com/events/1763778620414561/

 All the Buzz on Wild Bee Club!
Summer Speaker Series

Wed Sept 19 at 7pm
High Park Nature Centre,
All the Buzz on Wild Bee Club! – Summer Speaker Series

The speaker series will feature the club’s biologist/leader SUSAN FRYE.
A major component of this club will use the SONIC SOLITARIES AUDIO BEE
CABINET  – an observable nest site for bees in OURSpace – to encompass a
sensory experience with stem nesting bees and wasps, and to record
weekly activity at the cabinet. Pairing magnified views in tandem with
amplified sound via headphones, the cabinet facilitates an enhanced
perception of its tiny inhabitants: solitary bees and wasps and other
nest biota in action, up close. As citizen scientists, we can gather and
record observations to compile them into a database that will contribute
to our growing understanding of native bees, the native (and non-native)
plants they use for food and nest material sources, their co-evolution,
and how pollination in a park and restored habitat setting is
facilitated by native bees.

Fri, Sept 21, 8pm
Music Gallery, 918 Bathurst (their new location) –
Trio Wow & Flutter
with Bea Labikova, fujara, saxophones,
Kayla Milmine-Abbott, soprano saxophone,
Sarah Peebles, shō, cracklebox, amplifiers.

Call for Participants: Art+Tech Jam

ChangeUp’s Art+Tech Jam
September 21-23

This three days event will unite a diverse group of artists and
technologists in an intensive, collaborative three-day creation period
and culminating showcase (public exhibition and interdisciplinary rave).

ChangeUo is currently accepting applicants from tech and arts/culture
spaces of all ages, backgrounds, and experience levels.
Limited spots available.
For more information and to apply
https://tinyurl.com/changeup-artsorg

I looked up Nanotopia and found it on SoundCloud. Happy listening!

Et Al III (the ultimate science bar night in Vancouver) and more

A September 12, 2018 Curiosity Collider announcement (received via email) reveals details about the latest cooperative event/bar night put on by three sciencish groups,

Curiosity Collider is bringing art + science to Vancouver’s Ultimate Bar Science Night with Nerd Nite & Science Slam

Do you enjoy learning about science in a casual environment? This is the third year that Curiosity Collider is part of Et al, the Ultimate Bar Science Night where we bring together awesome speakers and activities. Come and enjoy Curiosity Collider’s segment on quantum physics with Spoken Word Poet Angelica Poversky, Physicist James Day, and CC’s own Creative Director Char Hoyt.

When: Drinks and mingling start at 6:30pm. Presentations start at 7:30pm.
Where: Rio Theatre, 1660 E Broadway, Vancouver, BC V5N 1W1
Cost: $15-20 via Eventbrite and at the door. Proceeds will be used to cover the cost of running this event, and to fund future science bar events.

Special Guest talk by Dr. Carin Bondar – Biologist with a Twist!

Dr. Carin Bondar is a biologist, author and philosopher. Bondar is author of the books Wild Sex and Wild Moms (Pegasus). She is the writer and host of an online series based on her books which have garnered over 100,000,000 views. Her TED talk on the subject has nearly 3 million views. She is host of several TV series including Worlds Oddest Animal Couples (Animal Planet, Netflix), Stephen Hawking’s Brave New World (Discovery World HD, National Geographic) and Outrageous Acts of Science (The Science Channel). Bondar is an adventurer and explorer, having discovered 11 new species of beetles and snails in the remote jungles of Borneo. Bondar is also a mom of 4 kids, two boys and two girls.

Follow updates on twitter via @ccollider or #ColliderCafe. This event is part of the Science Literacy Week celebration across Canada.

Head to the Facebook event page – let us know you are coming and share this event with others!

Looking for more Art+Science in Vancouver?
For more Vancouver art+science events, visit the Curiosity Collider events calendar.

Devoted readers 🙂 will note that the Vancouver Biennale’s Curious Imaginings show was featured here in a June 18, 2018 post and mentioned more recently in the context of a September 11, 2018 post on xenotransplantation.

Finally for this section, special mention to whomever wrote up the ‘bar night’ description on Eventbrite,

Et Al III: The Ultimate Bar Science Night Curiosity Collider + Nerd Nite Vancouver + Science Slam Canada

POSTER BY: Armin Mortazavi IG:@Armin.Scientoonist

Et Al III: The Ultimate Bar Science Night

Curiosity Collider + Nerd Nite Vancouver + Science Slam Canada

Special Guest talk by Dr. Carin Bondar – Biologist with a Twist!

6:30pm – Doors open
6:30-7:30 Drinks, Socializing, Nerding
7:30pm-945pm Stage Show with two intermissions

You like science? You like drinking while sciencing? In Vancouver there are many options to get educated and inspired through science, art, and culture in a casual bar setting outside of universities. There’s Nerd Nite which focuses on nerdy lectures in the Fox Cabaret, Curiosity Collider which creates events that bring together artists and scientists, and Science Slam, a poetry-slam inspired science communication competition!

In this third installment of Et Al, we’re making the show bigger than ever. We want people to know all about the bar science nights in Vancouver, but we also want to connect all you nerds together as we build this community. We encourage you to COME DRESSED AS YOUR FAVOURITE SCIENTIST. We will give away prizes to the best costumes, plus it’s a great ice breaker. We’re also encouraging science based organizations to get involved in the show by promoting your institution. Contact Kaylee or Michael at vancouver@nerdnite.com if your science organization would like to contribute to the show with some giveaways, you will get a free ticket, if you don’t have anything to give away, contact us anyway, we want this to be a celebration of science nights in Vancouver!

BIOS

CARIN BONDAR
Dr. Carin Bondar is a biologist, author and philosopher. Bondar is author of the books Wild Sex and Wild Moms (Pegasus). She is writer and host of online series based on her books (Wild Sex and Wild Moms) which have garnered over 100,000,000 views. Her TED talk on the subject has nearly 3 million views. She is host of several TV series including Worlds Oddest Animal Couples (Animal Planet, Netflix), Stephen Hawking’s Brave New World (Discovery World HD, National Geographic) and Outrageous Acts of Science (The Science Channel). Bondar is an adventurer and explorer, having discovered 11 new species of beetles and snails in the remote jungles of Borneo. Bondar is also a mom of 4 kids, two boys and two girls.

Curiosity Collider Art Science Foundation promotes interdisciplinary collaborations that capture natural human curiosity. At the intersection of art, culture, technology, and humanity are innovative ways to communicate the daily relevance of science. Though exhibitions, performance events and our quarterly speaker event, the Collider Cafe we help create new ways to experience science.

NERD NITE
In our opinion, there has never been a better time to be a Nerd! Nerd Nite is an event which is currently held in over 60 cities worldwide! The formula for each Nerd Nite is pretty standard – 20 minute presentations from three presenters each night, in a laid-back environment with lots to learn, and lots to drink!

SCIENCE SLAM
Science Slam YVR is a community outreach organization committed to supporting and promoting science communication in Vancouver. Our Science Slams are informal competitions that bring together researchers, students, educators, and communicators to share interesting science in creative ways. Every event is different, with talks, poems, songs, dances, and unexpected surprises. Our only two rules? Each slammer has 5 minutes, and no slideshows are allowed! Slammers come to share their science, and the judges and audience decide their fate. Who will take away the title of Science Slam champion?

That’s a pretty lively description. You can get tickets here.

Calgary’s Beakerhead

An art, science, and engineering festival in Calgary, Alberta, Beakerhead opens on September 19, 2018 and runs until September 23, 2018. Here’s more from the 2018 online programme announcement made in late July (?) 2018,

Giant Dung Beetle, Zorb Ball Racers, Heart Powered Art and More Set to Explode on Calgary Streets!

Quirky, fun adventures result when art, science and engineering collide at Beakerhead September 19 – 23, 2018.

In just seven weeks, enormous electric bolts will light up the sky in downtown Calgary when a crazy cacophony of exhibits and events takes over the city. The Beakerhead crew is announcing the official program lineup with tickets now available online for all ticketed events. This year’s extravaganza will include remarkable spectacles of art and science, unique activities, and more than 50 distinct events – many of which are free, but still require registration to get tickets.

The Calgary-born smash up of art, science and engineering is in its sixth year. Last year, more than 145,000 people participated in Beakerhead and organizers are planning to top that number in 2018.

“Expect conversations that start with “wow!” says Mary Anne Moser, President and Co-founder of Beakerhead. “This year’s lineup includes a lot of original concepts, special culinary events, dozens of workshops, shows and and tours.”

Beakerhead events take place indoors and out. Beakernight is science’s biggest ticketed street party and tickets are now on sale.

Highlights of Beakerhead 2018:

  • Light up the Night: Giant electric bolts will light up the night sky thanks to two 10-metre Tesla Coils built by a team of artists and engineers.
  • Lunch Without Light: This special Dark Table dining experience is led by a famous broadcaster and an esteemed neuroscientist.
  • Beakereats and Beakerbar: Dining is a whole new experience when chef and bartender become scientist! Creative Calgary chefs and mixologists experiment with a new theme in 2018: canola.
  • Four to Six on Fourth: Blocks of open-air experimentation including a human-sized hamster wheel, artists, performers, and hands-on or feet-on experiences like walking on liquid.
  • Beacons: This series of free neighbourhood installations is completely wild! There’s everything from a giant dung beetle to a 3.5 metre lotus that lights up with your heart beat.
  • Workshops: Learn the art of animation, understand cryptocurrency, meet famous scientists and broadcasters, make organic facial oil or a vegan carrot cake and much more.
  • Zorbathon: Get inside a zorb and cavort with family and friends in an oversized playground. Participate in rolling races, bump-a-thons, obstacle courses. Make a day of it.

Beakerhead takes place September 19 – 23, 2018 with the ticketed Beakernight on Saturday, September 22 at Fort Calgary.

Here’s a special shout out to Shaskatchewan`s Jean-Sébastien Gauthier and Brian F. Eames (featured here in a February 16, 2018 posting) and their free ‘Within Measure’ Sept. 19 – 23, 2018 event at Beakerhead.

That’s all folks! For now, that is.

Sexbots, sexbot ethics, families, and marriage

Setting the stage

Can we? Should we? Is this really a good idea? I believe those ships have sailed where sexbots are concerned since the issue is no longer whether we can or should but rather what to do now that we have them. My Oct. 17, 2017 posting: ‘Robots in Vancouver and in Canada (one of two)’ features Harmony, the first (I believe) commercial AI (artificial intelligence)-enhanced sex robot n the US. They were getting ready to start shipping the bot either for Christmas 2017 or in early 2018.

Ethical quandaries?

Things have moved a little more quickly that I would have expected had I thought ahead. An April 5, 2018 essay  (h/t phys.org) by Victoria Brooks, lecturer in law at the University of Westminster (UK) for The Conversation lays out some of ethical issues (Note: Links have been removed),

Late in 2017 at a tech fair in Austria, a sex robot was reportedly “molested” repeatedly and left in a “filthy” state. The robot, named Samantha, received a barrage of male attention, which resulted in her sustaining two broken fingers. This incident confirms worries that the possibility of fully functioning sex robots raises both tantalising possibilities for human desire (by mirroring human/sex-worker relationships), as well as serious ethical questions.

So what should be done? The campaign to “ban” sex robots, as the computer scientist Kate Devlin has argued, is only likely to lead to a lack of discussion. Instead, she hypothesises that many ways of sexual and social inclusivity could be explored as a result of human-robot relationships.

To be sure, there are certain elements of relationships between humans and sex workers that we may not wish to repeat. But to me, it is the ethical aspects of the way we think about human-robot desire that are particularly key.

Why? Because we do not even agree yet on what sex is. Sex can mean lots of different things for different bodies – and the types of joys and sufferings associated with it are radically different for each individual body. We are only just beginning to understand and know these stories. But with Europe’s first sex robot brothel open in Barcelona and the building of “Harmony”, a talking sex robot in California, it is clear that humans are already contemplating imposing our barely understood sexual ethic upon machines.

I think that most of us will experience some discomfort on hearing Samantha’s story. And it’s important that, just because she’s a machine, we do not let ourselves “off the hook” by making her yet another victim and heroine who survived an encounter, only for it to be repeated. Yes, she is a machine, but does this mean it is justifiable to act destructively towards her? Surely the fact that she is in a human form makes her a surface on which human sexuality is projected, and symbolic of a futuristic human sexuality. If this is the case, then Samatha’s [sic] case is especially sad.

It is Devlin who has asked the crucial question: whether sex robots will have rights. “Should we build in the idea of consent,” she asks? In legal terms, this would mean having to recognise the robot as human – such is the limitation of a law made by and for humans.

Suffering is a way of knowing that you, as a body, have come out on the “wrong” side of an ethical dilemma. [emphasis mine] This idea of an “embodied” ethic understood through suffering has been developed on the basis of the work of the famous philosopher Spinoza and is of particular use for legal thinkers. It is useful as it allows us to judge rightness by virtue of the real and personal experience of the body itself, rather than judging by virtue of what we “think” is right in connection with what we assume to be true about their identity.

This helps us with Samantha’s case, since it tells us that in accordance with human desire, it is clear she would not have wanted what she got. The contact Samantha received was distinctly human in the sense that this case mirrors some of the most violent sexual offences cases. While human concepts such as “law” and “ethics” are flawed, we know we don’t want to make others suffer. We are making these robot lovers in our image and we ought not pick and choose whether to be kind to our sexual partners, even when we choose to have relationships outside of the “norm”, or with beings that have a supposedly limited consciousness, or even no (humanly detectable) consciousness.

Brooks makes many interesting points not all of them in the excerpts seen here but one question not raised in the essay is whether or not the bot itself suffered. It’s a point that I imagine proponents of ‘treating your sex bot however you like’ are certain to raise. It’s also a question Canadians may need to answer sooner rather than later now that a ‘sex doll brothel’ is about to open Toronto. However, before getting to that news bit, there’s an interview with a man, his sexbot, and his wife.

The sexbot at home

In fact, I have two interviews the first I’m including here was with CBC (Canadian Broadcasting Corporation) radio and it originally aired October 29, 2017. Here’s a part of the transcript (Note: A link has been removed),

“She’s [Samantha] quite an elegant kind of girl,” says Arran Lee Squire, who is sales director for the company that makes her and also owns one himself.

And unlike other dolls like her, she’ll resist sex if she isn’t in the mood.

“If you touch her, say, on her sensitive spots on the breasts, for example, straight away, and you don’t touch her hands or kiss her, she might say, ‘Oh, I’m not ready for that,'” Arran says.

He says she’ll even synchronize her orgasm to the user’s.

But Arran emphasized that her functions go beyond the bedroom.

Samantha has a “family mode,” in which she can can talk about science, animals and philosophy. She’ll give you motivational quotes if you’re feeling down.

At Arran’s house, Samantha interacts with his two kids. And when they’ve gone to bed, she’ll have sex with him, but only with his wife involved.

There’s also this Sept. 12, 2017 ITV This Morning with Phillip & Holly broadcast interview  (running time: 6 mins. 19 secs.),

I can imagine that if I were a child in that household I’d be tempted to put the sexbot into ‘sexy mode’, preferably unsupervised by my parents. Also, will the parents be using it, at some point, for sex education?

Canadian perspective 1: Sure, it could be good for your marriage

Prior to the potential sex doll brothel in Toronto (more about that coming up), there was a flurry of interest in Marina Adshade’s contribution to the book, Robot Sex: Social and Ethical Implications, from an April 18, 2018 news item on The Tyee,

Sex robots may soon be a reality. However, little research has been done on the social, philosophical, moral and legal implications of robots specifically designed for sexual gratification.

In a chapter written for the book Robot Sex: Social and Ethical Implications, Marina Adshade, professor in the Vancouver School of Economics at the University of British Columbia, argues that sex robots could improve marriage by making it less about sex and more about love.

In this Q&A, Adshade discusses her predictions.

Could sex robots really be a viable replacement for marriage with a human? Can you love a robot?

I don’t see sex robots as substitutes for human companionship but rather as complements to human companionship. Just because we might enjoy the company of robots doesn’t mean that we cannot also enjoy the company of humans, or that having robots won’t enhance our relationships with humans. I see them as very different things — just as one woman (or one man) is not a perfect substitute for another woman (or man).

Is there a need for modern marriage to improve?

We have become increasingly demanding in what we want from the people that we marry. There was a time when women were happy to have a husband that supported the family and men were happy to have a caring mother to his children. Today we still want those things, but we also want so much more — we want lasting sexual compatibility, intense romance, and someone who is an amazing co-parent. That is a lot to ask of one person. …

Adshade adapted part of her text  “Sexbot-Induced Social Change: An Economic Perspective” in Robot Sex: Social and Ethical Implications edited by John Danaher and Neil McArthur for an August 14, 2018 essay on Slate.com,

Technological change invariably brings social change. We know this to be true, but rarely can we make accurate predictions about how social behavior will evolve when new technologies are introduced. …we should expect that the proliferation of robots designed specifically for human sexual gratification means that sexbot-induced social change is on the horizon.

Some elements of that social change might be easier to anticipate than others. For example, the share of the young adult population that chooses to remain single (with their sexual needs met by robots) is very likely to increase. Because social change is organic, however, adaptations in other social norms and behaviors are much more difficult to predict. But this is not virgin territory [I suspect this was an unintended pun]. New technologies completely transformed sexual behavior and marital norms over the second half of the 20th century. Although getting any of these predictions right will surely involve some luck, we have decades of technology-induced social change to guide our predictions about the future of a world confronted with wholesale access to sexbots.

The reality is that marriage has always evolved alongside changes in technology. Between the mid-1700s and the early 2000s, the role of marriage between a man and a woman was predominately to encourage the efficient production of market goods and services (by men) and household goods and services (by women), since the social capacity to earn a wage was almost always higher for husbands than it was for wives. But starting as early as the end of the 19th century, marriage began to evolve as electrification in the home made women’s work less time-consuming, and new technologies in the workplace started to decrease the gender wage gap. Between 1890 and 1940, the share of married women working in the labor force tripled, and over the course of the century, that share continued to grow as new technologies arrived that replaced the labor of women in the home. By the early 1970s, the arrival of microwave ovens and frozen foods meant that a family could easily be fed at the end of a long workday, even when the mother worked outside of the home.

Some elements of that social change might be easier to anticipate than others. For example, the share of the young adult population that chooses to remain single (with their sexual needs met by robots) is very likely to increase. Because social change is organic, however, adaptations in other social norms and behaviors are much more difficult to predict. But this is not virgin territory. New technologies completely transformed sexual behavior and marital norms over the second half of the 20th century. Although getting any of these predictions right will surely involve some luck, we have decades of technology-induced social change to guide our predictions about the future of a world confronted with wholesale access to sexbots.

The reality is that marriage has always evolved alongside changes in technology. Between the mid-1700s and the early 2000s, the role of marriage between a man and a woman was predominately to encourage the efficient production of market goods and services (by men) and household goods and services (by women), since the social capacity to earn a wage was almost always higher for husbands than it was for wives. But starting as early as the end of the 19th century, marriage began to evolve as electrification in the home made women’s work less time-consuming, and new technologies in the workplace started to decrease the gender wage gap. Between 1890 and 1940, the share of married women working in the labor force tripled, and over the course of the century, that share continued to grow as new technologies arrived that replaced the labor of women in the home. By the early 1970s, the arrival of microwave ovens and frozen foods meant that a family could easily be fed at the end of a long workday, even when the mother worked outside of the home.

There are those who argue that men only “assume the burden” of marriage because marriage allows men easy sexual access, and that if men can find sex elsewhere they won’t marry. We hear this prediction now being made in reference to sexbots, but the same argument was given a century ago when the invention of the latex condom (1912) and the intrauterine device (1909) significantly increased people’s freedom to have sex without risking pregnancy and (importantly, in an era in which syphilis was rampant) sexually transmitted disease. Cosmopolitan magazine ran a piece at the time by John B. Watson that asked the blunt question, will men marry 50 years from now? Watson’s answer was a resounding no, writing that “we don’t want helpmates anymore, we want playmates.” Social commentators warned that birth control technologies would destroy marriage by removing the incentives women had to remain chaste and encourage them to flood the market with nonmarital sex. Men would have no incentive to marry, and women, whose only asset is sexual access, would be left destitute.

Fascinating, non? Should you be interested, “Sexbot-Induced Social Change: An Economic Perspective” by Marina Adshade  can be found in Robot Sex: Social and Ethical Implications (link to Amazon) edited by John Danaher and Neil McArthur. © 2017 by the Massachusetts Institute of Technology, reprinted courtesy of the MIT Press

Canadian perspective 2: What is a sex doll brothel doing in Toronto?

Sometimes known as Toronto the Good (although not recently; find out more about Toronto and its nicknames here) and once a byword for stodginess, the city is about to welcome a sex doll brothel according to an August 28, 2018 CBC Radio news item by Katie Geleff and John McGill,

On their website, Aura Dolls claims to be, “North America’s first known brothel that offers sexual services with the world’s most beautiful silicone ladies.”

Nestled between a massage parlour, nail salon and dry cleaner, Aura Dolls is slated to open on Sept. 8 [2018] in an otherwise nondescript plaza in Toronto’s north end.

The company plans to operate 24 hours a day, seven days a week, and will offer customers six different silicone dolls. The website describes the life-like dolls as, “classy, sophisticated, and adventurous ladies.” …

They add that, “the dolls are thoroughly sanitized to meet your expectations.” But that condoms are still “highly recommended.”

Toronto city councillor John Filion says people in his community are concerned about the proposed business.

Filion spoke to As It Happens guest host Helen Mann. Here is part of their conversation.

Councillor Filion, Aura Dolls is urging people to have “an open mind” about their business plan. Would you say that you have one?

Well, I have an open mind about what sort of behaviours people want to do, as long as they don’t harm anybody else. It’s a totally different matter once you bring that out to the public. So I think I have a fairly closed mind about where people should be having sex with [silicone] dolls.

So, what’s wrong with a sex doll brothel?

It’s where it is located, for one thing. Where it’s being proposed happens to be near an intersection where about 25,000 people live, all kinds of families, four elementary schools are very near by. And you know, people shouldn’t really need to be out on a walk with their families and try to explain to their kids why someone is having sex with a [silicone] doll.

But Aura Dolls says that they are going to be doing this very discreetly, that they won’t have explicit signage, and that they therefore won’t be bothering anyone.

They’ve hardly been discreet. They were putting illegal posters all over the neighbourhood. They’ve probably had a couple of hundred of thousands of dollars of free publicity already. I don’t think there’s anything at all discreet about what they are doing. They’re trying to be indiscreet to drum up business.

Can you be sure that there aren’t constituents in your area that think this is a great idea?

I can’t be sure that there aren’t some people who might think, “Oh great, it’s just down the street from me. Let me go there.” I would say that might be a fraction of one per cent of my constituents. Most people are appalled by this.

And it’s not a narrow-minded neighbourhood. Whatever somebody does in their home, I don’t think we’re going to pass moral judgment on it, again, as long as it’s not harming anyone else. But this is just kind of scuzzy. ..

….

Aura Dolls says that it’s doing nothing illegal. They say that they are being very clear that the dolls they are using represent adult women and that they are actually providing a service. Do you agree that they are doing this legally?

No, they’re not at all legal. It’s an illegal use. And if there’s any confusion about that, they will be getting a letter from the city very soon. It is clearly not a legal use. It’s not permitted under the zoning bylaw and it fits the definition of adult entertainment parlour, for which you require a license — and they certainly would not get one. They would not get a license in this neighbourhood because it’s not a permitted use.

The audio portion runs for 5 mins. 31 secs.

I believe these dolls are in fact sexbots, likely enhanced with AI. An August 29, 2018 article by Karlton Jahmal for hotnewhiphop.com describes the dolls as ‘fembots’ and provides more detail (Note: Links have been removed),

Toronto has seen the future, and apparently, it has to do with sex dolls. The Six [another Toronto nickname] is about to get blessed with the first legal sex doll brothel, and the fembots look too good to be true. If you head over to Aura Dolls website, detailed biographies for the six available sex dolls are on full display. You can check out the doll’s height, physical dimensions, heritage and more.

Aura plans to introduce more dolls in the future, according to a statement in the Toronto Star by Claire Lee, a representative for the compnay. At the moment, the ethnicities of the sex dolls feature Japanese, Caucasian American, French Canadian, Irish Canadian, Colombian, and Korean girls. Male dolls will be added in the near future. The sex dolls look remarkably realistic. Aura’s website writes, “Our dolls are made from the highest quality of TPE silicone which mimics the feeling of natural human skin, pores, texture and movement giving the user a virtually identical experience as being with a real partner.”

There are a few more details about the proposed brothel and more comments from Toronto city councillor John Filion in an August 28, 2018 article by Claire Floody and Jenna Moon with Alexandra Jones and Melanie Green for thestar.com,

Toronto will soon be home to North America’s [this should include Canada, US, and Mexico] first known sex doll brothel, offering sexual services with six silicone-made dolls.

According to the website for Aura Dolls, the company behind the brothel, the vision is to bring a new way to achieve sexual needs “without the many restrictions and limitations that a real partner may come with.”

The brothel is expected to open in a shopping plaza on Yonge St., south of Sheppard Ave., on Sept. 8 [2018]. The company doesn’t give the exact location on its website, stating it’s announced upon booking.

Spending half an hour with one doll costs $80, with two dolls running $160. For an hour, the cost is $120 with one doll. The maximum listed time is four hours for $480 per doll.

Doors at the new brothel for separate entry and exit will be used to ensure “maximum privacy for customers.” While the business does plan on having staff on-site, they “should not have any interaction,” Lee said.

“The reason why we do that is to make sure that everyone feels comfortable coming in and exiting,” she said, noting that people may feel shy or awkward about visiting the site.

… Lee said that the business is operating within the law. “The only law stating with anything to do with the dolls is that it has to meet a height requirement. It can’t resemble a child,” she said. …

Councillor John Filion, Ward 23 Willowdale, said his staff will be “throwing the book at (Aura Dolls) for everything they can.”

“I’ve still got people studying to see what’s legal and what isn’t,” Filion said. He noted that a bylaw introduced in North York in the ’90s prevents retail sex shops operating outside of industrial areas. Filion said his office is still confirming that the bylaw is active following harmonization, which condensed the six boroughs’ bylaws after amalgamation in 1998.

“If the bylaw that I brought in 20 years ago still exists, it would prohibit this,” Filion said.

“There’s legal issues,” he said, suggesting that people interested in using the sex dolls might consider doing so at home, rather than at a brothel.

The councillor said he’s received complaints from constituents about the business. “The phone’s ringing off the hook today,” Filion said.

It should be an interesting first week at school for everyone involved. I wonder what Ontario Premier, Doug Ford who recently rolled back the sex education curriculum for the province by 20 years will make of these developments.

As for sexbots/fembots/sex dolls or whatever you want to call them, they are here and it’s about time Canadians had a frank discussion on the matter. Also, I’ve been waiting for quite some time for any mention of male sexbots (malebots?). Personally, I don’t think we’ll be seeing male sexbots appear in either brothels or homes anytime soon.

The Hedy Lamarr of international research: Canada’s Third assessment of The State of Science and Technology and Industrial Research and Development in Canada (2 of 2)

Taking up from where I left off with my comments on Competing in a Global Innovation Economy: The Current State of R and D in Canada or as I prefer to call it the Third assessment of Canadas S&T (science and technology) and R&D (research and development). (Part 1 for anyone who missed it).

Is it possible to get past Hedy?

Interestingly (to me anyway), one of our R&D strengths, the visual and performing arts, features sectors where a preponderance of people are dedicated to creating culture in Canada and don’t spend a lot of time trying to make money so they can retire before the age of 40 as so many of our start-up founders do. (Retiring before the age of 40 just reminded me of Hollywood actresses {Hedy] who found and still do find that work was/is hard to come by after that age. You may be able but I’m not sure I can get past Hedy.) Perhaps our business people (start-up founders) could take a leaf out of the visual and performing arts handbook? Or, not. There is another question.

Does it matter if we continue to be a ‘branch plant’ economy? Somebody once posed that question to me when I was grumbling that our start-ups never led to larger businesses and acted more like incubators (which could describe our R&D as well),. He noted that Canadians have a pretty good standard of living and we’ve been running things this way for over a century and it seems to work for us. Is it that bad? I didn’t have an  answer for him then and I don’t have one now but I think it’s a useful question to ask and no one on this (2018) expert panel or the previous expert panel (2013) seems to have asked.

I appreciate that the panel was constrained by the questions given by the government but given how they snuck in a few items that technically speaking were not part of their remit, I’m thinking they might have gone just a bit further. The problem with answering the questions as asked is that if you’ve got the wrong questions, your answers will be garbage (GIGO; garbage in, garbage out) or, as is said, where science is concerned, it’s the quality of your questions.

On that note, I would have liked to know more about the survey of top-cited researchers. I think looking at the questions could have been quite illuminating and I would have liked some information on from where (geographically and area of specialization) they got most of their answers. In keeping with past practice (2012 assessment published in 2013), there is no additional information offered about the survey questions or results. Still, there was this (from the report released April 10, 2018; Note: There may be some difference between the formatting seen here and that seen in the document),

3.1.2 International Perceptions of Canadian Research
As with the 2012 S&T report, the CCA commissioned a survey of top-cited researchers’ perceptions of Canada’s research strength in their field or subfield relative to that of other countries (Section 1.3.2). Researchers were asked to identify the top five countries in their field and subfield of expertise: 36% of respondents (compared with 37% in the 2012 survey) from across all fields of research rated Canada in the top five countries in their field (Figure B.1 and Table B.1 in the appendix). Canada ranks fourth out of all countries, behind the United States, United Kingdom, and Germany, and ahead of France. This represents a change of about 1 percentage point from the overall results of the 2012 S&T survey. There was a 4 percentage point decrease in how often France is ranked among the top five countries; the ordering of the top five countries, however, remains the same.

When asked to rate Canada’s research strength among other advanced countries in their field of expertise, 72% (4,005) of respondents rated Canadian research as “strong” (corresponding to a score of 5 or higher on a 7-point scale) compared with 68% in the 2012 S&T survey (Table 3.4). [pp. 40-41 Print; pp. 78-70 PDF]

Before I forget, there was mention of the international research scene,

Growth in research output, as estimated by number of publications, varies considerably for the 20 top countries. Brazil, China, India, Iran, and South Korea have had the most significant increases in publication output over the last 10 years. [emphases mine] In particular, the dramatic increase in China’s output means that it is closing the gap with the United States. In 2014, China’s output was 95% of that of the United States, compared with 26% in 2003. [emphasis mine]

Table 3.2 shows the Growth Index (GI), a measure of the rate at which the research output for a given country changed between 2003 and 2014, normalized by the world growth rate. If a country’s growth in research output is higher than the world average, the GI score is greater than 1.0. For example, between 2003 and 2014, China’s GI score was 1.50 (i.e., 50% greater than the world average) compared with 0.88 and 0.80 for Canada and the United States, respectively. Note that the dramatic increase in publication production of emerging economies such as China and India has had a negative impact on Canada’s rank and GI score (see CCA, 2016).

As long as I’ve been blogging (10 years), the international research community (in particular the US) has been looking over its shoulder at China.

Patents and intellectual property

As an inventor, Hedy got more than one patent. Much has been made of the fact that  despite an agreement, the US Navy did not pay her or her partner (George Antheil) for work that would lead to significant military use (apparently, it was instrumental in the Bay of Pigs incident, for those familiar with that bit of history), GPS, WiFi, Bluetooth, and more.

Some comments about patents. They are meant to encourage more innovation by ensuring that creators/inventors get paid for their efforts .This is true for a set time period and when it’s over, other people get access and can innovate further. It’s not intended to be a lifelong (or inheritable) source of income. The issue in Lamarr’s case is that the navy developed the technology during the patent’s term without telling either her or her partner so, of course, they didn’t need to compensate them despite the original agreement. They really should have paid her and Antheil.

The current patent situation, particularly in the US, is vastly different from the original vision. These days patents are often used as weapons designed to halt innovation. One item that should be noted is that the Canadian federal budget indirectly addressed their misuse (from my March 16, 2018 posting),

Surprisingly, no one else seems to have mentioned a new (?) intellectual property strategy introduced in the document (from Chapter 2: Progress; scroll down about 80% of the way, Note: The formatting has been changed),

Budget 2018 proposes measures in support of a new Intellectual Property Strategy to help Canadian entrepreneurs better understand and protect intellectual property, and get better access to shared intellectual property.

What Is a Patent Collective?
A Patent Collective is a way for firms to share, generate, and license or purchase intellectual property. The collective approach is intended to help Canadian firms ensure a global “freedom to operate”, mitigate the risk of infringing a patent, and aid in the defence of a patent infringement suit.

Budget 2018 proposes to invest $85.3 million over five years, starting in 2018–19, with $10 million per year ongoing, in support of the strategy. The Minister of Innovation, Science and Economic Development will bring forward the full details of the strategy in the coming months, including the following initiatives to increase the intellectual property literacy of Canadian entrepreneurs, and to reduce costs and create incentives for Canadian businesses to leverage their intellectual property:

  • To better enable firms to access and share intellectual property, the Government proposes to provide $30 million in 2019–20 to pilot a Patent Collective. This collective will work with Canada’s entrepreneurs to pool patents, so that small and medium-sized firms have better access to the critical intellectual property they need to grow their businesses.
  • To support the development of intellectual property expertise and legal advice for Canada’s innovation community, the Government proposes to provide $21.5 million over five years, starting in 2018–19, to Innovation, Science and Economic Development Canada. This funding will improve access for Canadian entrepreneurs to intellectual property legal clinics at universities. It will also enable the creation of a team in the federal government to work with Canadian entrepreneurs to help them develop tailored strategies for using their intellectual property and expanding into international markets.
  • To support strategic intellectual property tools that enable economic growth, Budget 2018 also proposes to provide $33.8 million over five years, starting in 2018–19, to Innovation, Science and Economic Development Canada, including $4.5 million for the creation of an intellectual property marketplace. This marketplace will be a one-stop, online listing of public sector-owned intellectual property available for licensing or sale to reduce transaction costs for businesses and researchers, and to improve Canadian entrepreneurs’ access to public sector-owned intellectual property.

The Government will also consider further measures, including through legislation, in support of the new intellectual property strategy.

Helping All Canadians Harness Intellectual Property
Intellectual property is one of our most valuable resources, and every Canadian business owner should understand how to protect and use it.

To better understand what groups of Canadians are benefiting the most from intellectual property, Budget 2018 proposes to provide Statistics Canada with $2 million over three years to conduct an intellectual property awareness and use survey. This survey will help identify how Canadians understand and use intellectual property, including groups that have traditionally been less likely to use intellectual property, such as women and Indigenous entrepreneurs. The results of the survey should help the Government better meet the needs of these groups through education and awareness initiatives.

The Canadian Intellectual Property Office will also increase the number of education and awareness initiatives that are delivered in partnership with business, intermediaries and academia to ensure Canadians better understand, integrate and take advantage of intellectual property when building their business strategies. This will include targeted initiatives to support underrepresented groups.

Finally, Budget 2018 also proposes to invest $1 million over five years to enable representatives of Canada’s Indigenous Peoples to participate in discussions at the World Intellectual Property Organization related to traditional knowledge and traditional cultural expressions, an important form of intellectual property.

It’s not wholly clear what they mean by ‘intellectual property’. The focus seems to be on  patents as they are the only intellectual property (as opposed to copyright and trademarks) singled out in the budget. As for how the ‘patent collective’ is going to meet all its objectives, this budget supplies no clarity on the matter. On the plus side, I’m glad to see that indigenous peoples’ knowledge is being acknowledged as “an important form of intellectual property” and I hope the discussions at the World Intellectual Property Organization are fruitful.

As for the patent situation in Canada (from the report released April 10, 2018),

Over the past decade, the Canadian patent flow in all technical sectors has consistently decreased. Patent flow provides a partial picture of how patents in Canada are exploited. A negative flow represents a deficit of patented inventions owned by Canadian assignees versus the number of patented inventions created by Canadian inventors. The patent flow for all Canadian patents decreased from about −0.04 in 2003 to −0.26 in 2014 (Figure 4.7). This means that there is an overall deficit of 26% of patent ownership in Canada. In other words, fewer patents were owned by Canadian institutions than were invented in Canada.

This is a significant change from 2003 when the deficit was only 4%. The drop is consistent across all technical sectors in the past 10 years, with Mechanical Engineering falling the least, and Electrical Engineering the most (Figure 4.7). At the technical field level, the patent flow dropped significantly in Digital Communication and Telecommunications. For example, the Digital Communication patent flow fell from 0.6 in 2003 to −0.2 in 2014. This fall could be partially linked to Nortel’s US$4.5 billion patent sale [emphasis mine] to the Rockstar consortium (which included Apple, BlackBerry, Ericsson, Microsoft, and Sony) (Brickley, 2011). Food Chemistry and Microstructural [?] and Nanotechnology both also showed a significant drop in patent flow. [p. 83 Print; p. 121 PDF]

Despite a fall in the number of parents for ‘Digital Communication’, we’re still doing well according to statistics elsewhere in this report. Is it possible that patents aren’t that big a deal? Of course, it’s also possible that we are enjoying the benefits of past work and will miss out on future work. (Note: A video of the April 10, 2018 report presentation by Max Blouw features him saying something like that.)

One last note, Nortel died many years ago. Disconcertingly, this report, despite more than one reference to Nortel, never mentions the company’s demise.

Boxed text

While the expert panel wasn’t tasked to answer certain types of questions, as I’ve noted earlier they managed to sneak in a few items.  One of the strategies they used was putting special inserts into text boxes including this (from the report released April 10, 2018),

Box 4.2
The FinTech Revolution

Financial services is a key industry in Canada. In 2015, the industry accounted for 4.4%

of Canadia jobs and about 7% of Canadian GDP (Burt, 2016). Toronto is the second largest financial services hub in North America and one of the most vibrant research hubs in FinTech. Since 2010, more than 100 start-up companies have been founded in Canada, attracting more than $1 billion in investment (Moffatt, 2016). In 2016 alone, venture-backed investment in Canadian financial technology companies grew by 35% to $137.7 million (Ho, 2017). The Toronto Financial Services Alliance estimates that there are approximately 40,000 ICT specialists working in financial services in Toronto alone.

AI, blockchain, [emphasis mine] and other results of ICT research provide the basis for several transformative FinTech innovations including, for example, decentralized transaction ledgers, cryptocurrencies (e.g., bitcoin), and AI-based risk assessment and fraud detection. These innovations offer opportunities to develop new markets for established financial services firms, but also provide entry points for technology firms to develop competing service offerings, increasing competition in the financial services industry. In response, many financial services companies are increasing their investments in FinTech companies (Breznitz et al., 2015). By their own account, the big five banks invest more than $1 billion annually in R&D of advanced software solutions, including AI-based innovations (J. Thompson, personal communication, 2016). The banks are also increasingly investing in university research and collaboration with start-up companies. For instance, together with several large insurance and financial management firms, all big five banks have invested in the Vector Institute for Artificial Intelligence (Kolm, 2017).

I’m glad to see the mention of blockchain while AI (artificial intelligence) is an area where we have innovated (from the report released April 10, 2018),

AI has attracted researchers and funding since the 1960s; however, there were periods of stagnation in the 1970s and 1980s, sometimes referred to as the “AI winter.” During this period, the Canadian Institute for Advanced Research (CIFAR), under the direction of Fraser Mustard, started supporting AI research with a decade-long program called Artificial Intelligence, Robotics and Society, [emphasis mine] which was active from 1983 to 1994. In 2004, a new program called Neural Computation and Adaptive Perception was initiated and renewed twice in 2008 and 2014 under the title, Learning in Machines and Brains. Through these programs, the government provided long-term, predictable support for high- risk research that propelled Canadian researchers to the forefront of global AI development. In the 1990s and early 2000s, Canadian research output and impact on AI were second only to that of the United States (CIFAR, 2016). NSERC has also been an early supporter of AI. According to its searchable grant database, NSERC has given funding to research projects on AI since at least 1991–1992 (the earliest searchable year) (NSERC, 2017a).

The University of Toronto, the University of Alberta, and the Université de Montréal have emerged as international centres for research in neural networks and deep learning, with leading experts such as Geoffrey Hinton and Yoshua Bengio. Recently, these locations have expanded into vibrant hubs for research in AI applications with a diverse mix of specialized research institutes, accelerators, and start-up companies, and growing investment by major international players in AI development, such as Microsoft, Google, and Facebook. Many highly influential AI researchers today are either from Canada or have at some point in their careers worked at a Canadian institution or with Canadian scholars.

As international opportunities in AI research and the ICT industry have grown, many of Canada’s AI pioneers have been drawn to research institutions and companies outside of Canada. According to the OECD, Canada’s share of patents in AI declined from 2.4% in 2000 to 2005 to 2% in 2010 to 2015. Although Canada is the sixth largest producer of top-cited scientific publications related to machine learning, firms headquartered in Canada accounted for only 0.9% of all AI-related inventions from 2012 to 2014 (OECD, 2017c). Canadian AI researchers, however, remain involved in the core nodes of an expanding international network of AI researchers, most of whom continue to maintain ties with their home institutions. Compared with their international peers, Canadian AI researchers are engaged in international collaborations far more often than would be expected by Canada’s level of research output, with Canada ranking fifth in collaboration. [p. 97-98 Print; p. 135-136 PDF]

The only mention of robotics seems to be here in this section and it’s only in passing. This is a bit surprising given its global importance. I wonder if robotics has been somehow hidden inside the term artificial intelligence, although sometimes it’s vice versa with robot being used to describe artificial intelligence. I’m noticing this trend of assuming the terms are synonymous or interchangeable not just in Canadian publications but elsewhere too.  ’nuff said.

Getting back to the matter at hand, t he report does note that patenting (technometric data) is problematic (from the report released April 10, 2018),

The limitations of technometric data stem largely from their restricted applicability across areas of R&D. Patenting, as a strategy for IP management, is similarly limited in not being equally relevant across industries. Trends in patenting can also reflect commercial pressures unrelated to R&D activities, such as defensive or strategic patenting practices. Finally, taxonomies for assessing patents are not aligned with bibliometric taxonomies, though links can be drawn to research publications through the analysis of patent citations. [p. 105 Print; p. 143 PDF]

It’s interesting to me that they make reference to many of the same issues that I mention but they seem to forget and don’t use that information in their conclusions.

There is one other piece of boxed text I want to highlight (from the report released April 10, 2018),

Box 6.3
Open Science: An Emerging Approach to Create New Linkages

Open Science is an umbrella term to describe collaborative and open approaches to
undertaking science, which can be powerful catalysts of innovation. This includes
the development of open collaborative networks among research performers, such
as the private sector, and the wider distribution of research that usually results when
restrictions on use are removed. Such an approach triggers faster translation of ideas
among research partners and moves the boundaries of pre-competitive research to
later, applied stages of research. With research results freely accessible, companies
can focus on developing new products and processes that can be commercialized.

Two Canadian organizations exemplify the development of such models. In June
2017, Genome Canada, the Ontario government, and pharmaceutical companies
invested $33 million in the Structural Genomics Consortium (SGC) (Genome Canada,
2017). Formed in 2004, the SGC is at the forefront of the Canadian open science
movement and has contributed to many key research advancements towards new
treatments (SGC, 2018). McGill University’s Montréal Neurological Institute and
Hospital has also embraced the principles of open science. Since 2016, it has been
sharing its research results with the scientific community without restriction, with
the objective of expanding “the impact of brain research and accelerat[ing] the
discovery of ground-breaking therapies to treat patients suffering from a wide range
of devastating neurological diseases” (neuro, n.d.).

This is exciting stuff and I’m happy the panel featured it. (I wrote about the Montréal Neurological Institute initiative in a Jan. 22, 2016 posting.)

More than once, the report notes the difficulties with using bibliometric and technometric data as measures of scientific achievement and progress and open science (along with its cousins, open data and open access) are contributing to the difficulties as James Somers notes in his April 5, 2018 article ‘The Scientific Paper is Obsolete’ for The Atlantic (Note: Links have been removed),

The scientific paper—the actual form of it—was one of the enabling inventions of modernity. Before it was developed in the 1600s, results were communicated privately in letters, ephemerally in lectures, or all at once in books. There was no public forum for incremental advances. By making room for reports of single experiments or minor technical advances, journals made the chaos of science accretive. Scientists from that point forward became like the social insects: They made their progress steadily, as a buzzing mass.

The earliest papers were in some ways more readable than papers are today. They were less specialized, more direct, shorter, and far less formal. Calculus had only just been invented. Entire data sets could fit in a table on a single page. What little “computation” contributed to the results was done by hand and could be verified in the same way.

The more sophisticated science becomes, the harder it is to communicate results. Papers today are longer than ever and full of jargon and symbols. They depend on chains of computer programs that generate data, and clean up data, and plot data, and run statistical models on data. These programs tend to be both so sloppily written and so central to the results that it’s [sic] contributed to a replication crisis, or put another way, a failure of the paper to perform its most basic task: to report what you’ve actually discovered, clearly enough that someone else can discover it for themselves.

Perhaps the paper itself is to blame. Scientific methods evolve now at the speed of software; the skill most in demand among physicists, biologists, chemists, geologists, even anthropologists and research psychologists, is facility with programming languages and “data science” packages. And yet the basic means of communicating scientific results hasn’t changed for 400 years. Papers may be posted online, but they’re still text and pictures on a page.

What would you get if you designed the scientific paper from scratch today? A little while ago I spoke to Bret Victor, a researcher who worked at Apple on early user-interface prototypes for the iPad and now runs his own lab in Oakland, California, that studies the future of computing. Victor has long been convinced that scientists haven’t yet taken full advantage of the computer. “It’s not that different than looking at the printing press, and the evolution of the book,” he said. After Gutenberg, the printing press was mostly used to mimic the calligraphy in bibles. It took nearly 100 years of technical and conceptual improvements to invent the modern book. “There was this entire period where they had the new technology of printing, but they were just using it to emulate the old media.”Victor gestured at what might be possible when he redesigned a journal article by Duncan Watts and Steven Strogatz, “Collective dynamics of ‘small-world’ networks.” He chose it both because it’s one of the most highly cited papers in all of science and because it’s a model of clear exposition. (Strogatz is best known for writing the beloved “Elements of Math” column for The New York Times.)

The Watts-Strogatz paper described its key findings the way most papers do, with text, pictures, and mathematical symbols. And like most papers, these findings were still hard to swallow, despite the lucid prose. The hardest parts were the ones that described procedures or algorithms, because these required the reader to “play computer” in their head, as Victor put it, that is, to strain to maintain a fragile mental picture of what was happening with each step of the algorithm.Victor’s redesign interleaved the explanatory text with little interactive diagrams that illustrated each step. In his version, you could see the algorithm at work on an example. You could even control it yourself….

For anyone interested in the evolution of how science is conducted and communicated, Somers’ article is a fascinating and in depth look at future possibilities.

Subregional R&D

I didn’t find this quite as compelling as the last time and that may be due to the fact that there’s less information and I think the 2012 report was the first to examine the Canadian R&D scene with a subregional (in their case, provinces) lens. On a high note, this report also covers cities (!) and regions, as well as, provinces.

Here’s the conclusion (from the report released April 10, 2018),

Ontario leads Canada in R&D investment and performance. The province accounts for almost half of R&D investment and personnel, research publications and collaborations, and patents. R&D activity in Ontario produces high-quality publications in each of Canada’s five R&D strengths, reflecting both the quantity and quality of universities in the province. Quebec lags Ontario in total investment, publications, and patents, but performs as well (citations) or better (R&D intensity) by some measures. Much like Ontario, Quebec researchers produce impactful publications across most of Canada’s five R&D strengths. Although it invests an amount similar to that of Alberta, British Columbia does so at a significantly higher intensity. British Columbia also produces more highly cited publications and patents, and is involved in more international research collaborations. R&D in British Columbia and Alberta clusters around Vancouver and Calgary in areas such as physics and ICT and in clinical medicine and energy, respectively. [emphasis mine] Smaller but vibrant R&D communities exist in the Prairies and Atlantic Canada [also referred to as the Maritime provinces or Maritimes] (and, to a lesser extent, in the Territories) in natural resource industries.

Globally, as urban populations expand exponentially, cities are likely to drive innovation and wealth creation at an increasing rate in the future. In Canada, R&D activity clusters around five large cities: Toronto, Montréal, Vancouver, Ottawa, and Calgary. These five cities create patents and high-tech companies at nearly twice the rate of other Canadian cities. They also account for half of clusters in the services sector, and many in advanced manufacturing.

Many clusters relate to natural resources and long-standing areas of economic and research strength. Natural resource clusters have emerged around the location of resources, such as forestry in British Columbia, oil and gas in Alberta, agriculture in Ontario, mining in Quebec, and maritime resources in Atlantic Canada. The automotive, plastics, and steel industries have the most individual clusters as a result of their economic success in Windsor, Hamilton, and Oshawa. Advanced manufacturing industries tend to be more concentrated, often located near specialized research universities. Strong connections between academia and industry are often associated with these clusters. R&D activity is distributed across the country, varying both between and within regions. It is critical to avoid drawing the wrong conclusion from this fact. This distribution does not imply the existence of a problem that needs to be remedied. Rather, it signals the benefits of diverse innovation systems, with differentiation driven by the needs of and resources available in each province. [pp.  132-133 Print; pp. 170-171 PDF]

Intriguingly, there’s no mention that in British Columbia (BC), there are leading areas of research: Visual & Performing Arts, Psychology & Cognitive Sciences, and Clinical Medicine (according to the table on p. 117 Print, p. 153 PDF).

As I said and hinted earlier, we’ve got brains; they’re just not the kind of brains that command respect.

Final comments

My hat’s off to the expert panel and staff of the Council of Canadian Academies. Combining two previous reports into one could not have been easy. As well, kudos to their attempts to broaden the discussion by mentioning initiative such as open science and for emphasizing the problems with bibliometrics, technometrics, and other measures. I have covered only parts of this assessment, (Competing in a Global Innovation Economy: The Current State of R&D in Canada), there’s a lot more to it including a substantive list of reference materials (bibliography).

While I have argued that perhaps the situation isn’t quite as bad as the headlines and statistics may suggest, there are some concerning trends for Canadians but we have to acknowledge that many countries have stepped up their research game and that’s good for all of us. You don’t get better at anything unless you work with and play with others who are better than you are. For example, both India and Italy surpassed us in numbers of published research papers. We slipped from 7th place to 9th. Thank you, Italy and India. (And, Happy ‘Italian Research in the World Day’ on April 15, 2018, the day’s inaugural year. In Italian: Piano Straordinario “Vivere all’Italiana” – Giornata della ricerca Italiana nel mondo.)

Unfortunately, the reading is harder going than previous R&D assessments in the CCA catalogue. And in the end, I can’t help thinking we’re just a little bit like Hedy Lamarr. Not really appreciated in all of our complexities although the expert panel and staff did try from time to time. Perhaps the government needs to find better ways of asking the questions.

***ETA April 12, 2018 at 1500 PDT: Talking about missing the obvious! I’ve been ranting on about how research strength in visual and performing arts and in philosophy and theology, etc. is perfectly fine and could lead to ‘traditional’ science breakthroughs without underlining the point by noting that Antheil was a musician, Lamarr was as an actress and they set the foundation for work by electrical engineers (or people with that specialty) for their signature work leading to WiFi, etc.***

There is, by the way, a Hedy-Canada connection. In 1998, she sued Canadian software company Corel, for its unauthorized use of her image on their Corel Draw 8 product packaging. She won.

More stuff

For those who’d like to see and hear the April 10, 2017 launch for “Competing in a Global Innovation Economy: The Current State of R&D in Canada” or the Third Assessment as I think of it, go here.

The report can be found here.

For anyone curious about ‘Bombshell: The Hedy Lamarr Story’ to be broadcast on May 18, 2018 as part of PBS’s American Masters series, there’s this trailer,

For the curious, I did find out more about the Hedy Lamarr and Corel Draw. John Lettice’s December 2, 1998 article The Rgister describes the suit and her subsequent victory in less than admiring terms,

Our picture doesn’t show glamorous actress Hedy Lamarr, who yesterday [Dec. 1, 1998] came to a settlement with Corel over the use of her image on Corel’s packaging. But we suppose that following the settlement we could have used a picture of Corel’s packaging. Lamarr sued Corel earlier this year over its use of a CorelDraw image of her. The picture had been produced by John Corkery, who was 1996 Best of Show winner of the Corel World Design Contest. Corel now seems to have come to an undisclosed settlement with her, which includes a five-year exclusive (oops — maybe we can’t use the pack-shot then) licence to use “the lifelike vector illustration of Hedy Lamarr on Corel’s graphic software packaging”. Lamarr, bless ‘er, says she’s looking forward to the continued success of Corel Corporation,  …

There’s this excerpt from a Sept. 21, 2015 posting (a pictorial essay of Lamarr’s life) by Shahebaz Khan on The Blaze Blog,

6. CorelDRAW:
For several years beginning in 1997, the boxes of Corel DRAW’s software suites were graced by a large Corel-drawn image of Lamarr. The picture won Corel DRAW’s yearly software suite cover design contest in 1996. Lamarr sued Corel for using the image without her permission. Corel countered that she did not own rights to the image. The parties reached an undisclosed settlement in 1998.

There’s also a Nov. 23, 1998 Corel Draw 8 product review by Mike Gorman on mymac.com, which includes a screenshot of the packaging that precipitated the lawsuit. Once they settled, it seems Corel used her image at least one more time.

Emergence in Toronto and Ottawa and brains in Vancouver (Canada): three April 2018 events

April 2018 is shaping up to be quite the month where art/sci events are concerned. I just published a March 27, 2018 posting titled ‘Curiosity collides with the quantum and with the Science Writers and Communicators of Canada in Vancouver (Canada)‘ and I’ve now received news about more happenings in Toronto and Ottawa.  Plus, there’s a science-themed meeting organized by ARPICO (Society of Italian Researchers &; Professionals in Western Canada) featuring brains and brain imaging in Vancouver.

Toronto’s and Ottawa’s Emergence

There’s an art/sci exhibit opening, from a March 27, 2018 Art/Sci Salon announcement (received via email),

You are invited!

FaceBook event:

The Oakwood Village Library and Arts Centre event:

341 Oakwood Avenue, Toronto, ON  M6E 2W1

I check the library webpage listed in the above and found this artist’s statement,

Artist / Scientist Statement [Stephen Morris]

I am interested in self-organized, emergent patterns and textures. I make images of patterns both from the natural world and of experiments in my laboratory in the Department of Physics at the University of Toronto. Patterns naturally attract casual attention but are also the subject of serious scientific research. Some things just evolve all by themselves into strikingly regular shapes and textures. Why? These shapes emerge spontaneously from a dynamic process of growing, folding, cracking, wrinkling, branching, flowing and other kinds of morphological development. My photos are informed by the scientific aesthetic of nonlinear physics, and celebrate the subtle interplay of order and complexity in emergent patterns. They are a kind of “Scientific Folk Art” of the science of Emergence.

While the official opening is April 5, 2018, the event itself runs from April 1 – 30, 2018.

Next, there’s another March 27, 2018 announcement (received via email) from the Art/Sci Salon but this one concerns a series of talks about ’emergence’, Note: Some of the event information was a little difficult to decipher so I’ve added a note to the relevant section).

What is Emergent Form?

Nature teems with self-organized forms that seem to spring spontaneously from the smooth background of things, by mechanisms that are not always apparent. Think of rippled sand on a beach or regular stripes in the clouds.  Plants, insects and animals exhibit spirals and spots and stripes in an exuberant riot of colours.  Fluid flows in amazingly regular swirls and eddies.  The emergence of form is ubiquitous, and presents a challenge and an inspiration to both artists and scientists. In mathematics, patterns appear as solutions of the nonlinear partial differential equations in the continuum limit of classical physics, chemistry and biology. In the arts and humanities, “emergent form” addresses the entangled ways in which humans, plants animals, microorganisms inevitably co-exist in the universe; the way that human intervention and natural transformation can generate new landscapes and new forms of life.

With Emergent Form, we want to question the idea of a fixed world.

For us, Emergent Form is not just a series of natural and human phenomena too complicated to understand, measure or predict, but also a concept to help us identify ways in which we can come to term with, and embrace their complexity as a source of inspiration.

Join us in Toronto and Ottawa for a series of interdisciplinary discussions, performances and exhibitions on Emergent Form on Apr 10, 11, 12 (Toronto) and Apr. 14 [2018] (Ottawa).

This series is the result of a collaboration among several parties. Each event of the series is different and has its dedicated RSVP 

Tue. Apr 10 The Fields Institute, 222 College Street

Emergent form: an interdisciplinary concept 6:00-8:00 pm Pier Luigi Capucci, Accademia di Belle Arti Urbino. Founder and director, Noemalab*, Charles Sowers, Independent artist and exhibit designer, the Exploratorium, Stephen Morris, Professor of of Physics University of Toronto, Ron Wild, smART Maps

CLICK HERE FOR MORE AND TO RSVP

Wed. Apr 11 The Fields Institute6:00-8:00 pm

Anatomy of an Interconnected SystemA Performative Lecture with Margherita Pevere, Aalto University, Helsinki

CLICK HERE FOR MORE AND TO RSVP

Thu. Apr 12 (Note: I believe that from 5 – 6 pm, you’re invited to see Pevere’s exhibit and then proceed to Luella Massey Studio Theatre for performances)

5:00 pm  Cabinets in the Koffler Student Centre [I believe this is at the University of Toronto] Anatomy of an Interconnected System An exhibition by Margherita Pevere

6:00 pm Luella Massey Studio Theatre, 4 Glen Morris Ave., Toronto biopoetriX – conFiGURing AI

6:00-8:00 pm Performance: 

6:00pm Performance “Corpus Nil. A Ritual of Birth for a Modified Body” conceived and performed by Marco Donnarumma

6.30pm LAB dance: Blitz media posters on labs in the arts, sciences and engineering

7.10pm Panel: Performing AI, hybrid media and humans in/as technologyMarco Donnarumma, Doug van Nort (Dispersion Lab, York U.), Jane Tingley (Stratford User Research & Gameful Experiences Lab –SURGE-, U of Waterloo), Angela Schoellig (Dynamic Systems Lab, U of T)

Panel animators: Antje Budde (Digital Dramaturgy Lab) and Roberta Buiani (ArtSci Salon)

8.15pm Reception at the Italian Cultural Institute, 496 Huron St, Toronto

CLICK HERE FOR MORE AND TO RSVP

Ottawa. Sat. Apr. 14 National Arts Centre, 1 Elgin Street11:00 am-1:00 pm

Emergent Form and complex phenomenaA creative panel discussion and surprise demonstrationsWith Pier Luigi Capucci, Margherita Pevere, Marco Donnarumma, Stephen Morris

CLICK HERE FOR MORE AND TO RSVP

This event would not be possible without the support of The Fields Institute for Research in Mathematical Science, The Italian Embassy, the Centre for Drama, Theatre and Performance Studies at the University of Toronto, the Digital Dramaturgy Lab, and the Istituto Italiano di Cultura. Many thanks to our community partner BYOR (Bring your own Robot)

I wonder if some of the funding from Italy is in support of Italian Research in World Day. This is the inaugural year for the event, which will be held annually on April 15.

Vancouver’s brains

The Society of Italian Researchers and Professionals in Western Canada (ARPICO) is hosting an event in Vancouver (from a March 22, 2018 ARICO announcement received via email),

Our second speaking event of the year, in collaboration with the Consulate General of Italy in Vancouver, has been scheduled for Wednesday, April 11th, 2018 at the Roundhouse Community Centre. Professor Vesna Sossi’s talk will be examining how positron emission tomography (PET) imaging has contributed to better understanding of the brain function and disease with particular focus on Parkinson’s disease. You can read a summary of Prof. Sossi’s lecture as well as her short professional biography at the bottom of this message.

This event is organized in collaboration with the Consulate General of Italy in Vancouver to celebrate the newly instituted Italian Research in the World Day, as part of the Piano Straordinario “Vivere all’Italiana” – Giornata della ricerca Italiana nel mondo. You can read more on our website event page.

We look forward to seeing everyone there.

Please register for the event by visiting the EventBrite link or RSVPing to info@arpico.ca.

The evening agenda is as follows:

  • 6:45 pm – Doors Open
  • 7:00 pm – Lecture by Prof. Vesna Sossi
  • ~8:00 pm – Q & A Period
  • Mingling & Refreshments until about 9:30 pm

If you have not yet RSVP’d, please do so on our EventBrite page.

Further details are also available at arpico.ca, our facebook page, and Eventbrite.


Imaging: A Window into the Brain

Brain illness, comprising neurological disorders, mental illness and addiction, is considered the major health challenge in the 21st century with a socio-economic cost greater than cancer and cardiovascular disease combined. There are at least three unique challenges hampering brain disease management: relative inaccessibility, disease onset often preceding the onset of clinical symptoms by many years and overlap between clinical and pathological symptoms that makes accurate disease identification often difficult. This talk will give examples of how positron emission tomography (PET) imaging has contributed to better understanding of the brain function and disease with particular focus on Parkinson’s disease. Emphasis will be placed on the interplay between scientific discoveries and instrumentation and data analysis development as exemplified by the current understanding of the brain function as comprised by interactions between connectivity networks and neurochemistry and advancement in multi-modal imaging such as simultaneous PET and magnetic resonance imaging (MRI).

Vesna Sossi is a Professor in the University of British Columbia (UBC) Physics and Astronomy Department and at the UBC Djavad Mowafaghian Center for Brain Health. She directs the UBC Positron Emission Tomography (PET) imaging centre, which is known for its use of imaging as applied to neurodegeneration with emphasis on Parkinson’s disease. Her main areas of interest comprise development of imaging methods to enhance the investigation of neurochemical mechanisms that lead to an increased risk of Parkinson’s disease (PD) and mechanisms that contribute to treatment-related complications. She uses PET imaging to explore how alterations of the different neurotransmitter systems contribute to different trajectories of disease progression. Her other areas of interest are PET image analysis, instrumentation and multi-modal, multi-parameter data analysis. She published more than 180 peer review papers, is funded by several granting agencies, including the Michael J Fox Foundation, and sits on several national and international review panels.


WHEN: Wednesday, April 11th, 2018 at 7:00pm (doors open at 6:45pm)
WHERE: Roundhouse Community Centre, Room B – 181 Roundhouse Mews, Vancouver, BC, V6Z 2W3
RSVP: Please RSVP at EventBrite (https://imaging-a-window-into-the-brain.eventbrite.ca) or email info@arpico.ca


Tickets are Needed

  • Tickets are FREE, but all individuals are requested to obtain “free-admission” tickets on EventBrite site due to limited seating at the venue. Organizers need accurate registration numbers to manage wait lists and prepare name tags.
  • All ARPICO events are 100% staffed by volunteer organizers and helpers, however, room rental, stationery, and guest refreshments are costs incurred and underwritten by members of ARPICO. Therefore to be fair, all audience participants are asked to donate to the best of their ability at the door or via EventBrite to “help” defray costs of the event.

You can find directions for the Roundhouse Community Centre here

I have one idle question. What’s going to happen these groups if Canadians change their use of  Facebook or abandon the platform as they are threatening to do in the face of Cambridge Analytica’s use of their data? A March 25, 2018 article on huffingtonpost.ca outlines the latest about Canadians’ reaction to the Cambridge Analytical news according to an Angus Reid poll,

A survey by Angus Reid Institute suggests 73 per cent of Canadian Facebook users say they will make changes, while 27 per cent say it will be “business as usual.”

Nearly a quarter (23 per cent) said they would use Facebook less in the future, and 41 per cent of users said they would check and/or change their privacy settings.

The survey also found that one in 10 say they plan to abandon the platform, at least temporarily.

Facebook has been under fire for its ability to protect user privacy after Cambridge Analytica was accused of lifting the Facebook profiles of more than 50 million users without their permission.

There you have it.

*Well, a bit more information about one of the “Emergent’ speakers was received in an April 4, 2018 ArtSci Salon email announcement,

Do make sure to check out Pier Luigi Capucci’s EU-based (but with international breadth) Noemalab platform. https://noemalab.eu/ since the mid-nineties, this platform has been an important node of information for New Media Art and the relation between the arts and science.

noemalab’s blog regularly hosts reviews of events and conferences occurring around the world, including  the Subtle Technologies Festival between 2007 and 2014. you can search its archives here http://blogs.noemalab.eu/

Capucci has been writing several reflections on emergent forms of Life and theorized what he called the “third life”. See a recent essay https://noemalab.eu/memo/events/evolutionary-creativity-the-inner-life-and-meaning-of-art/ here is a picture which I would love him to explain during Emergent Form. Intrigued? come listen to him!

Café Scientifique Vancouver talk on January 30, 2018 and a couple of February 2018 art/sci events in Toronto

Vancouver

This could be a first for Café Scientifique Vancouver. From a January 28, 2018 Café Scientifique Vancouver announcement (received via email)

This is a reminder that our next café with biotech entrepreneur Dr.Andrew Tait (TUESDAY, JANUARY 30TH [2018] at 7:30PM) in the back room of YAGGER'S DOWNTOWN (433 W Pender).

COMBINING TRADITIONAL NATURAL MEDICINES WITH SCIENTIFIC RESEARCH: UNVEILING THE POTENTIAL OF THE MANDARIN ORANGE PEEL

The orange peel is something most of us may think of as a throw-away compost item, but it is so much more. Travel back in time 9,000 years to China, where orange peel was found in the first fermented alcoholic beverage, and return to today, where mandarin orange peel remains one of China’s top selling herbs that promotes digestion. Now meet Tait Laboratories Inc., a company that was founded based on one chemistry Ph.D. student’s idea, that mandarin orange peel has the potential to reverse incurable neurodegenerative diseases like multiple sclerosis. You will learn about the company’s journey through a scientific lens, from its early days to the present, having developed a mandarin orange peel product sold across Canada in over 1,000 stores including 400 Rexall pharmacies. You will leave with a basic understanding of how herbal products like the company’s mandarin orange peel-based product are developed and brought to market in Canada, and about the science that is required to substantiate health claims on this and other exciting new botanical products.

Bio:

Dr. Andrew Tait is the founder of Tait Laboratories Inc., a company devoted to developing natural medicines from agricultural bi-products. After a B.Sc. in Biochemistry and M.Sc. in Chemistry from Concordia University (Montreal), he completed a Ph.D. in Chemistry at the
University of British Columbia [UBC].

Inspired by his thesis work on multiple sclerosis, he subsequently identified Traditional Chinese Medicines as having potential to treat a wide range of chronic diseases; he founded the company while finishing his graduate studies.

In 2012, he was invited to Ottawa to be awarded the NSERC [{Canada} Natural Sciences and Engineering Research Council] Innovation Challenge Award, for successfully translating his Ph.D. research to an entrepreneurial venture. In 2014, he was awarded the BC Food Processors Association “Rising Star” award.

Dr. Tait is a regularly invited speaker on the topics of entrepreneurship and the science supporting natural health products; he was keynote speaker in 2012 at the Annual Symposium of the Boucher Institute of Naturopathic Medicine (Vancouver) and in 2016 at the
Functional Foods and Natural Health Products Graduate Research Symposium (Winnipeg).

Supported by the Futurpreneur Canada, the Bank of Development of Canada, the UBC’s Entrepreneurship@UBC program, and the NSERC  and NRC  [{Canada} National Research Council] Industry Research Assistance Program (IRAP), he works with industrial and academic researchers developing safe, affordable, and clinically proven medicines. He successfully launched MS+ Mandarin Skin PlusÒ, a patent-pending digestive product now on shelf in over 1000 pharmacies and health food stores across Canada, including 400 Rexall pharmacies.

Dr. Tait mentors young companies as an Entrepreneur in Residence at both SFU [Simon Fraser University] Coast Capital Savings Venture Connection and also the Health Tech Innovation Hub and he also volunteers his time to mentor students of the Student Biotechnology Network.

Lest it be forgotten, many drugs and therapeutic agents are based on natural remedies; a fact often ignored in the discussion about drugs and natural remedies. In any event, I am surprised this talk is being hosted by Café Scientifique Vancouver which has tended to more ‘traditional’ (i.e., university academic) presentations without any hint of ‘alternative’ or ‘entrepreneurial’ aspects. I wonder if this is the harbinger of new things to come from the Café Scientifique Vancouver community.

Meanwhile, interested parties can find out more about Tait Laboratories on their company website. They are selling one product at this time (from the MS+ [Mandarin Skin Plus] product webpage,

MS+™ (Mandarin Skin Plus) is a revolutionary natural health product that aids with digestion and promotes gastrointestinal health. It is a patent-pending proprietary extract based on dry-aged mandarin orange peel, an ancient Traditional Chinese Medicine. This remedy has been safely used for centuries to relieve bloating, indigestion, diarrhea, nausea, upset stomach, cough with phlegm. Experience ULTIMATE DIGESTIVE RELIEF and top gastrointestinal health for only about a dollar a day!

Directions: take one capsule twice a day, up to six capsules per day. Swallow capsule directly OR dissolve powder in water.
60 vegan capsules for ~ 1 month supply

I would have liked to have seen a list of research papers and discussion of human clinical trials regarding their ‘digestive’ product. Will Tait be discussing his research and results into what seems to be a new direction (i.e., the use of mandarin skin peel-derived therapeutics for neurodegenerative diseases)?

I don’t think I’m going to make it to the talk but should anyone who attends care to answer the question, please feel free to add a comment.

ArtSci Salon in Toronto

2018 is proving to be an active year for the ArtSci Salon folks in Toronto. They’ve just finished hosting a January 24-25, 2018 workshop and January 26, 2018 panel discussion on the gene-editing tool CRISPR/CAS9 (see my January 10, 2018 posting for a description).

Now they’ve announced another workshop and panel discussion on successive nights in February, the topic being: cells. From a January 29, 2018 ArtSci Salon announcement (received via email), Note: The panel discussion is listed first, then the workshop, then the artists’ biographies,

FROM CELL TO CANVAS: CREATIVE EXPLORATIONS OF THE MICROSCOPIC [panel discussion]

From the complex forms of the cell to the colonies created by the microbiota; from the undetectable chemical reactions activated by enzymes and natural processes to the environmental information captured through data visualization, the five local and international artists presenting tonight have developed a range of very diverse practices all inspired by the invisible, the undetectable and the microscopic.

We invite you to an evening of artist talks and discussion on the creative process of exploring the microscopic and using living organisms in art, on its potentials and implication for science and its popular dissemination, as well as on its ethics.

WITH:
Robyn Crouch
Mellissa Fisher
JULIA KROLIK
SHAVON MADDEN
TOSCA TERAN

FRIDAY, FEB 9, 2018
6:00-8:00 PM
THE FIELDS INSTITUTE
222 COLLEGE STREET,
RM 230

[Go to this page for access to registration]

FROM CELL TO CANVAS: CREATIVE EXPLORATIONS OF THE MICROSCOPIC [workshop]

THE EVENT WILL BE FOLLOWED BY A WORKSHOP BY: MELLISSA FISHER, SHAVON MADDEN AND JULIA KROLIK
FEB. 10, 2018
11:00AM-5:00PM
AT HACKLAB,
1266 Queen St West

[Go to this page for access to registration]

Workshop:

Design My Microbiome

Artist Mellissa Fisher invites participants to mould parts of her body in agar to create their own microbial version of her, alongside producing their own microbial portrait with painting techniques.

Cooking with the Invasive

Artist Shavon Madden invites participants to discuss invasive species like garlic mustard and cook invasive species whilst exploring, do species which we define and brand as invasive simply have no benefits?

Intoduction to Biological Staining

Artist & Scientist Julia Krolik invites participants to learn about 3 different types of biological staining and have a chance to try staining procedures.

BIOS:

ROBYN CROUCH
The symbolic imagery that comes through Robyn’s work invites one’s gaze inward to the cellular realms. There, one discovers playful depictions of chemical processes; the unseen lattice upon which our macro­cosmic world is constructed. Technological advancements create windows into this molecular realm, and human consciousness acts as the interface between the seen and the unseen worlds. In her functional ceramic work, the influence of Chinese and Japanese tea ceremony encourages contem­plation and appreciation of a quiet
moment. The viewer-participant can lose their train of thought while meandering through geometry and biota, con­nected by strands of double-helical DNA. A flash of recognition, a momentary mirror.

MELLISSA FISHER
Mellissa Fisher is a British Bio Artist based in Kent. Her practice explores the invisible world on our skin by using living organisms and by creating sculptures made with agar to show the public what the surface of our skin really looks like. She is best known for her work with bacteria and works extensively with collaborators in microbiology and immunology. She has exhibited an installation _ “Microbial Me”_with Professor Mark Clements and Dr Richard Harvey at The Eden Project for their permanent exhibition _“The Invisible You: The Human
Microbiome”._The installation included a living portrait in bacteria of the artists face as well as a time-lapse film of the sculpture growing.

JULIA KROLIK
Julia Krolik is a creative director, entrepreneur, scientist and award-winning artist. Her diverse background enables a rare cross-disciplinary empathy, and she continuously advocates for both art and science through several initiatives. Julia is the founder of Art the Science, a non-profit organization dedicated to facilitating artist residencies in scientific research laboratories to foster Canadian science-art culture and expand scientific knowledge communication to benefit the public. Through her consulting agency Pixels and Plans, Julia works with private and public organizations, helping them with strategy, data visualization and knowledge mobilization, often utilizing creative technology and skills-transfer workshops.

SHAVON MADDEN
Shavon Madden is a Brampton based artist, specializing in sculptural, performance and instillation based work exploring the social injustices inflicted on the environment and its creatures. Her work focuses on challenging social-environmental and political ethics, through the embodied experience and feelings of self. She graduated from the University of Toronto Specializing in Art and Art History, along with studies in Environmental Science and will be on her way to Edinburgh for her MFA. Shavon has had works shown at Shelly Peterson, the Burlington Art Gallery and the Art Gallery of Mississauga, among many others. Website: www.greenheartartistry.com [4]

TOSCA TERAN
Working with metal for over 30+ years, Tosca was introduced to glass as an artistic medium in 2004. Through developing bodies of work incorporating metal + glass Tosca has been awarded scholarships at The Corning Museum of Glass, Pilchuck Glass School and The Penland school of Crafts. Her work has been featured at SOFA New York, Culture Canada,
Metalsmith Magazine, The Toronto Design Exchange, and the Memphis Metal Museum. She has been awarded residencies at Gullkistan, Nes, and the Ayatana Research Program. A long-term guest artist instructor at the Ontario Science Centre, Tosca continues to explore materials, code, BioArt, SciArt and teach Metal + Glass courses out of her studio in Toronto.

It seems that these February events and the two events with Marta de Menezes are part of the FACTT (transdisciplinary and transnational festival of art and science) Toronto, from the FACTT Toronto webpage,

FACTT Toronto – Festival of Art & Science posted in: blog, events

The Arte Institute, in partnership with Cultivamos Cultura and ArtSi Salon, has the pleasure to announce FACTT – Festival of Art & Science in Toronto.

The Festival took place in Lisbon, New York, Mexico, Berlin and will continue in Toronto.
Exhibition: The Cabinet Project/ Art Sci Salon / FACTT

Artists:

Andrew Carnie
Elaine Whittaker
Erich Berger
Joana Ricou
Ken Rinaldo
Laura Beloff and Maria Antonia Gonzalez Valerio
Marta de Menezes and Luís Graça
Pedro Cruz

Dates: Jan 26- feb 15 [2018 {sic}]

Where: Meet us on Jan 26 [2018] in the Lobby of the Physics Department, 255 Huron Street
University of Toronto
When: 4:45 PM

You may want to keep an eye on the ArtSci Salon website although I find their posting schedule a bit erratic. Sometimes, I get email notices for events that aren’t yet listed on their website.

Alberta adds a newish quantum nanotechnology research hub to the Canada’s quantum computing research scene

One of the winners in Canada’s 2017 federal budget announcement of the Pan-Canadian Artificial Intelligence Strategy was Edmonton, Alberta. It’s a fact which sometimes goes unnoticed while Canadians marvel at the wonderfulness found in Toronto and Montréal where it seems new initiatives and monies are being announced on a weekly basis (I exaggerate) for their AI (artificial intelligence) efforts.

Alberta’s quantum nanotechnology hub (graduate programme)

Intriguingly, it seems that Edmonton has higher aims than (an almost unnoticed) leadership in AI. Physicists at the University of Alberta have announced hopes to be just as successful as their AI brethren in a Nov. 27, 2017 article by Juris Graney for the Edmonton Journal,

Physicists at the University of Alberta [U of A] are hoping to emulate the success of their artificial intelligence studying counterparts in establishing the city and the province as the nucleus of quantum nanotechnology research in Canada and North America.

Google’s artificial intelligence research division DeepMind announced in July [2017] it had chosen Edmonton as its first international AI research lab, based on a long-running partnership with the U of A’s 10-person AI lab.

Retaining the brightest minds in the AI and machine-learning fields while enticing a global tech leader to Alberta was heralded as a coup for the province and the university.

It is something U of A physics professor John Davis believes the university’s new graduate program, Quanta, can help achieve in the world of quantum nanotechnology.

The field of quantum mechanics had long been a realm of theoretical science based on the theory that atomic and subatomic material like photons or electrons behave both as particles and waves.

“When you get right down to it, everything has both behaviours (particle and wave) and we can pick and choose certain scenarios which one of those properties we want to use,” he said.

But, Davis said, physicists and scientists are “now at the point where we understand quantum physics and are developing quantum technology to take to the marketplace.”

“Quantum computing used to be realm of science fiction, but now we’ve figured it out, it’s now a matter of engineering,” he said.

Quantum computing labs are being bought by large tech companies such as Google, IBM and Microsoft because they realize they are only a few years away from having this power, he said.

Those making the groundbreaking developments may want to commercialize their finds and take the technology to market and that is where Quanta comes in.

East vs. West—Again?

Ivan Semeniuk in his article, Quantum Supremacy, ignores any quantum research effort not located in either Waterloo, Ontario or metro Vancouver, British Columbia to describe a struggle between the East and the West (a standard Canadian trope). From Semeniuk’s Oct. 17, 2017 quantum article [link follows the excerpts] for the Globe and Mail’s October 2017 issue of the Report on Business (ROB),

 Lazaridis [Mike], of course, has experienced lost advantage first-hand. As co-founder and former co-CEO of Research in Motion (RIM, now called Blackberry), he made the smartphone an indispensable feature of the modern world, only to watch rivals such as Apple and Samsung wrest away Blackberry’s dominance. Now, at 56, he is engaged in a high-stakes race that will determine who will lead the next technology revolution. In the rolling heartland of southwestern Ontario, he is laying the foundation for what he envisions as a new Silicon Valley—a commercial hub based on the promise of quantum technology.

Semeniuk skips over the story of how Blackberry lost its advantage. I came onto that story late in the game when Blackberry was already in serious trouble due to a failure to recognize that the field they helped to create was moving in a new direction. If memory serves, they were trying to keep their technology wholly proprietary which meant that developers couldn’t easily create apps to extend the phone’s features. Blackberry also fought a legal battle in the US with a patent troll draining company resources and energy in proved to be a futile effort.

Since then Lazaridis has invested heavily in quantum research. He gave the University of Waterloo a serious chunk of money as they named their Quantum Nano Centre (QNC) after him and his wife, Ophelia (you can read all about it in my Sept. 25, 2012 posting about the then new centre). The best details for Lazaridis’ investments in Canada’s quantum technology are to be found on the Quantum Valley Investments, About QVI, History webpage,

History-bannerHistory has repeatedly demonstrated the power of research in physics to transform society.  As a student of history and a believer in the power of physics, Mike Lazaridis set out in 2000 to make real his bold vision to establish the Region of Waterloo as a world leading centre for physics research.  That is, a place where the best researchers in the world would come to do cutting-edge research and to collaborate with each other and in so doing, achieve transformative discoveries that would lead to the commercialization of breakthrough  technologies.

Establishing a World Class Centre in Quantum Research:

The first step in this regard was the establishment of the Perimeter Institute for Theoretical Physics.  Perimeter was established in 2000 as an independent theoretical physics research institute.  Mike started Perimeter with an initial pledge of $100 million (which at the time was approximately one third of his net worth).  Since that time, Mike and his family have donated a total of more than $170 million to the Perimeter Institute.  In addition to this unprecedented monetary support, Mike also devotes his time and influence to help lead and support the organization in everything from the raising of funds with government and private donors to helping to attract the top researchers from around the globe to it.  Mike’s efforts helped Perimeter achieve and grow its position as one of a handful of leading centres globally for theoretical research in fundamental physics.

Stephen HawkingPerimeter is located in a Governor-General award winning designed building in Waterloo.  Success in recruiting and resulting space requirements led to an expansion of the Perimeter facility.  A uniquely designed addition, which has been described as space-ship-like, was opened in 2011 as the Stephen Hawking Centre in recognition of one of the most famous physicists alive today who holds the position of Distinguished Visiting Research Chair at Perimeter and is a strong friend and supporter of the organization.

Recognizing the need for collaboration between theorists and experimentalists, in 2002, Mike applied his passion and his financial resources toward the establishment of The Institute for Quantum Computing at the University of Waterloo.  IQC was established as an experimental research institute focusing on quantum information.  Mike established IQC with an initial donation of $33.3 million.  Since that time, Mike and his family have donated a total of more than $120 million to the University of Waterloo for IQC and other related science initiatives.  As in the case of the Perimeter Institute, Mike devotes considerable time and influence to help lead and support IQC in fundraising and recruiting efforts.  Mike’s efforts have helped IQC become one of the top experimental physics research institutes in the world.

Quantum ComputingMike and Doug Fregin have been close friends since grade 5.  They are also co-founders of BlackBerry (formerly Research In Motion Limited).  Doug shares Mike’s passion for physics and supported Mike’s efforts at the Perimeter Institute with an initial gift of $10 million.  Since that time Doug has donated a total of $30 million to Perimeter Institute.  Separately, Doug helped establish the Waterloo Institute for Nanotechnology at the University of Waterloo with total gifts for $29 million.  As suggested by its name, WIN is devoted to research in the area of nanotechnology.  It has established as an area of primary focus the intersection of nanotechnology and quantum physics.

With a donation of $50 million from Mike which was matched by both the Government of Canada and the province of Ontario as well as a donation of $10 million from Doug, the University of Waterloo built the Mike & Ophelia Lazaridis Quantum-Nano Centre, a state of the art laboratory located on the main campus of the University of Waterloo that rivals the best facilities in the world.  QNC was opened in September 2012 and houses researchers from both IQC and WIN.

Leading the Establishment of Commercialization Culture for Quantum Technologies in Canada:

In the Research LabFor many years, theorists have been able to demonstrate the transformative powers of quantum mechanics on paper.  That said, converting these theories to experimentally demonstrable discoveries has, putting it mildly, been a challenge.  Many naysayers have suggested that achieving these discoveries was not possible and even the believers suggested that it could likely take decades to achieve these discoveries.  Recently, a buzz has been developing globally as experimentalists have been able to achieve demonstrable success with respect to Quantum Information based discoveries.  Local experimentalists are very much playing a leading role in this regard.  It is believed by many that breakthrough discoveries that will lead to commercialization opportunities may be achieved in the next few years and certainly within the next decade.

Recognizing the unique challenges for the commercialization of quantum technologies (including risk associated with uncertainty of success, complexity of the underlying science and high capital / equipment costs) Mike and Doug have chosen to once again lead by example.  The Quantum Valley Investment Fund will provide commercialization funding, expertise and support for researchers that develop breakthroughs in Quantum Information Science that can reasonably lead to new commercializable technologies and applications.  Their goal in establishing this Fund is to lead in the development of a commercialization infrastructure and culture for Quantum discoveries in Canada and thereby enable such discoveries to remain here.

Semeniuk goes on to set the stage for Waterloo/Lazaridis vs. Vancouver (from Semeniuk’s 2017 ROB article),

… as happened with Blackberry, the world is once again catching up. While Canada’s funding of quantum technology ranks among the top five in the world, the European Union, China, and the US are all accelerating their investments in the field. Tech giants such as Google [also known as Alphabet], Microsoft and IBM are ramping up programs to develop companies and other technologies based on quantum principles. Meanwhile, even as Lazaridis works to establish Waterloo as the country’s quantum hub, a Vancouver-area company has emerged to challenge that claim. The two camps—one methodically focused on the long game, the other keen to stake an early commercial lead—have sparked an East-West rivalry that many observers of the Canadian quantum scene are at a loss to explain.

Is it possible that some of the rivalry might be due to an influential individual who has invested heavily in a ‘quantum valley’ and has a history of trying to ‘own’ a technology?

Getting back to D-Wave Systems, the Vancouver company, I have written about them a number of times (particularly in 2015; for the full list: input D-Wave into the blog search engine). This June 26, 2015 posting includes a reference to an article in The Economist magazine about D-Wave’s commercial opportunities while the bulk of the posting is focused on a technical breakthrough.

Semeniuk offers an overview of the D-Wave Systems story,

D-Wave was born in 1999, the same year Lazaridis began to fund quantum science in Waterloo. From the start, D-Wave had a more immediate goal: to develop a new computer technology to bring to market. “We didn’t have money or facilities,” says Geordie Rose, a physics PhD who co0founded the company and served in various executive roles. …

The group soon concluded that the kind of machine most scientists were pursing based on so-called gate-model architecture was decades away from being realized—if ever. …

Instead, D-Wave pursued another idea, based on a principle dubbed “quantum annealing.” This approach seemed more likely to produce a working system, even if the application that would run on it were more limited. “The only thing we cared about was building the machine,” says Rose. “Nobody else was trying to solve the same problem.”

D-Wave debuted its first prototype at an event in California in February 2007 running it through a few basic problems such as solving a Sudoku puzzle and finding the optimal seating plan for a wedding reception. … “They just assumed we were hucksters,” says Hilton [Jeremy Hilton, D.Wave senior vice-president of systems]. Federico Spedalieri, a computer scientist at the University of Southern California’s [USC} Information Sciences Institute who has worked with D-Wave’s system, says the limited information the company provided about the machine’s operation provoked outright hostility. “I think that played against them a lot in the following years,” he says.

It seems Lazaridis is not the only one who likes to hold company information tightly.

Back to Semeniuk and D-Wave,

Today [October 2017], the Los Alamos National Laboratory owns a D-Wave machine, which costs about $15million. Others pay to access D-Wave systems remotely. This year , for example, Volkswagen fed data from thousands of Beijing taxis into a machine located in Burnaby [one of the municipalities that make up metro Vancouver] to study ways to optimize traffic flow.

But the application for which D-Wave has the hights hope is artificial intelligence. Any AI program hings on the on the “training” through which a computer acquires automated competence, and the 2000Q [a D-Wave computer] appears well suited to this task. …

Yet, for all the buzz D-Wave has generated, with several research teams outside Canada investigating its quantum annealing approach, the company has elicited little interest from the Waterloo hub. As a result, what might seem like a natural development—the Institute for Quantum Computing acquiring access to a D-Wave machine to explore and potentially improve its value—has not occurred. …

I am particularly interested in this comment as it concerns public funding (from Semeniuk’s article),

Vern Brownell, a former Goldman Sachs executive who became CEO of D-Wave in 2009, calls the lack of collaboration with Waterloo’s research community “ridiculous,” adding that his company’s efforts to establish closer ties have proven futile, “I’ll be blunt: I don’t think our relationship is good enough,” he says. Brownell also point out that, while  hundreds of millions in public funds have flowed into Waterloo’s ecosystem, little funding is available for  Canadian scientists wishing to make the most of D-Wave’s hardware—despite the fact that it remains unclear which core quantum technology will prove the most profitable.

There’s a lot more to Semeniuk’s article but this is the last excerpt,

The world isn’t waiting for Canada’s quantum rivals to forge a united front. Google, Microsoft, IBM, and Intel are racing to develop a gate-model quantum computer—the sector’s ultimate goal. (Google’s researchers have said they will unveil a significant development early next year.) With the U.K., Australia and Japan pouring money into quantum, Canada, an early leader, is under pressure to keep up. The federal government is currently developing  a strategy for supporting the country’s evolving quantum sector and, ultimately, getting a return on its approximately $1-billion investment over the past decade [emphasis mine].

I wonder where the “approximately $1-billion … ” figure came from. I ask because some years ago MP Peter Julian asked the government for information about how much Canadian federal money had been invested in nanotechnology. The government replied with sheets of paper (a pile approximately 2 inches high) that had funding disbursements from various ministries. Each ministry had its own method with different categories for listing disbursements and the titles for the research projects were not necessarily informative for anyone outside a narrow specialty. (Peter Julian’s assistant had kindly sent me a copy of the response they had received.) The bottom line is that it would have been close to impossible to determine the amount of federal funding devoted to nanotechnology using that data. So, where did the $1-billion figure come from?

In any event, it will be interesting to see how the Council of Canadian Academies assesses the ‘quantum’ situation in its more academically inclined, “The State of Science and Technology and Industrial Research and Development in Canada,” when it’s released later this year (2018).

Finally, you can find Semeniuk’s October 2017 article here but be aware it’s behind a paywall.

Whither we goest?

Despite any doubts one might have about Lazaridis’ approach to research and technology, his tremendous investment and support cannot be denied. Without him, Canada’s quantum research efforts would be substantially less significant. As for the ‘cowboys’ in Vancouver, it takes a certain temperament to found a start-up company and it seems the D-Wave folks have more in common with Lazaridis than they might like to admit. As for the Quanta graduate  programme, it’s early days yet and no one should ever count out Alberta.

Meanwhile, one can continue to hope that a more thoughtful approach to regional collaboration will be adopted so Canada can continue to blaze trails in the field of quantum research.

CRISPR/Cas9 as a tool for artists (Art/sci Salon January 2018 events in Toronto, Canada) and an event in Winnipeg, Canada

The Art/Sci Salon in Toronto, Canada is offering a workshop and a panel discussion (I think) on the topic of CRISPR( (clustered regularly interspaced short palindromic repeats)/Cas9.

CRISPR Cas9 Workshop with Marta De Menezes

From its Art/Sci Salon event page (on Eventbrite),

This is a two day intensive workshop on

Jan. 24 5:00-9:00 pm
and
Jan. 25 5:00-9:00 pm

This workshop will address issues pertaining to the uses, ethics, and representations of CRISPR-cas9 genome editing system; and the evolution of bioart as a cultural phenomenon . The workshop will focus on:

1. Scientific strategies and ethical issues related to the modification of organisms through the most advanced technology;

2. Techniques and biological materials to develop and express complex concepts into art objects.

This workshop will introduce knowledge, methods and living material from the life sciences to the participants. The class will apply that novel information to the creation of art. Finally, the key concepts, processes and knowledge from the arts will be discussed and related to scientific research. The studio-­‐lab portion of the course will focus on the mastering and understanding of the CRISPR – Cas9 technology and its revolutionary applications. The unparalleled potential of CRISPR ‐ Cas9 for genome editing will be directly assessed as the participants will use the method to make artworks and generate meaning through such a technique. The participants will be expected to complete one small project by the end of the course. In developing and completing these projects, participants will be asked to present their ideas/work to the instructors and fellow participants. As part of the course, participants are expected to document their work/methodology/process by keeping a record of processes, outcomes, and explorations.

This is a free event. Go here to register.

Do CRISPR monsters dream of synthetic futures?

This second event in Toronto seems to be a panel discussion; here’s more from its Art/Sci Salon event page (on Eventbrite),

The term CRISPR (Clustered Regularly Interspaced Short Palindromic Repeats) refers to a range of novel gene editing systems which can be programmed to edit DNA at precise locations. It allows the permanent modification of the genes in cells of living organisms. CRISPR enables novel basic research and promises a wide range of possible applications from biomedicine and agriculture to environmental challenges.

The surprising simplicity of CRISPR and its potentials have led to a wide range of reactions. While some welcome it as a gene editing revolution able to cure diseases that are currently fatal, others urge for a worldwide moratorium, especially when it comes to human germline modifications. The possibility that CRISPR may allow us to intervene in the evolution of organisms has generated particularly divisive thoughts: is gene editing going to cure us all? Or is it opening up a new era of designer babies and new types of privileges measured at the level of genes? Could the relative easiness of the technique allow individuals to modify bodies, identities, sexuality, to create new species and races? will it create new monsters? [emphasis mine] These are all topics that need to be discussed. With this panel/discussion, we wish to address technical, ethical, and creative issues arising from the futuristic scenarios promised by CRISPR.

Our Guests:

Marta De Menezes, Director, Cultivamos Cultura

Dalila Honorato, Assistant Professor, Ionian University

Mark Lipton, Professor, University of Guelph

Date: January 26, 2018

Time: 6:00-8:00 pm

Location: The Fields Institute for Research in Mathematical Sciences
222 College Street, Toronto, ON

Events Facilitators: Roberta Buiani and Stephen Morris (ArtSci Salon) and Nina Czegledy (Leonardo Network)

Bios:

Marta de Menezes is a Portuguese artist (b. Lisbon, 1975) with a degree in Fine Arts by the University in Lisbon, a MSt in History of Art and Visual Culture by the University of Oxford, and a PhD candidate at the University of Leiden. She has been exploring the intersection between Art and Biology, working in research laboratories demonstrating that new biological technologies can be used as new art medium. Her work has been presented internationally in exhibitions, articles and lectures. She is currently the artistic director of Ectopia, an experimental art laboratory in Lisbon, and Director of Cultivamos Cultura in the South of Portugal. http://martademenezes.com

Dalila Honorato, Ph.D., is currently Assistant Professor in Media Aesthetics and Semiotics at the Ionian University in Greece where she is one of the founding members of the Interactive Arts Lab. She is the head of the organizing committee of the conference “Taboo-Transgression-Transcendence in Art & Science” and developer of the studies program concept of the Summer School in Hybrid Arts. She is a guest faculty at the PhD studies program of the Institutum Studiorum Humanitatis in Alma Mater Europaea, Slovenia, and a guest member of the Science Art Philosophy Lab integrated in the Center of Philosophy of Sciences of the University of Lisbon, Portugal. Her research focus is on embodiment in the intersection of performing arts and new media.

Mark Lipton works in the College of Arts; in the School of English and Theatre Studies, and Guelph’s Program in Media Studies. Currently, his work focuses on queering media ecological perspectives of technology’s role in education, with emerging questions about haptics and the body in performance contexts, and political outcomes of neo-liberal economics within Higher Education.

ArtSci Salon thanks the Fields Institute and the Bonham Center for Sexual Diversity Studies (U of T), and the McLuhan Centre for Culture and Technology for their support. We are grateful to the members of DIYBio Toronto and Hacklab for hosting Marta’s workshop.

This series of event is promoted and facilitated as part of FACTT Toronto

LASER – Leonardo Art Science Evening Rendezvous is a project of Leonardo® /ISAST (International Society for the Arts Sciences and Technology)

Go here to click on the Register button.

For anyone who didn’t recognize (or, like me, barely remembers what it means) the title’s reference is to a famous science fiction story by Philip K. Dick. Here’s more from the Do Androids Dream of Electric Sheep? Wikipedia entry (Note: Links have been removed),

Do Androids Dream of Electric Sheep? (retitled Blade Runner: Do Androids Dream of Electric Sheep? in some later printings) is a science fiction novel by American writer Philip K. Dick, first published in 1968. The novel is set in a post-apocalyptic San Francisco, where Earth’s life has been greatly damaged by nuclear global war. Most animal species are endangered or extinct from extreme radiation poisoning, so that owning an animal is now a sign of status and empathy, an attitude encouraged towards animals. The book served as the primary basis for the 1982 film Blade Runner, and many elements and themes from it were used in its 2017 sequel Blade Runner 2049.

The main plot follows Rick Deckard, a bounty hunter who is tasked with “retiring” (i.e. killing) six escaped Nexus-6 model androids, while a secondary plot follows John Isidore, a man of sub-par IQ who aids the fugitive androids. In connection with Deckard’s mission, the novel explores the issue of what it is to be human. Unlike humans, the androids are said to possess no sense of empathy.

I wonder why they didn’t try to reference Orphan Black (its Wikipedia entry)? That television series was all about biotechnology. If not Orphan Black, what about a Frankenstein reference? It’s the 200th anniversary this year (2018) of the publication of the book which is the forerunner to all the cautionary tales that have come after.

Art/science events in Vancouver, Canada (Nov. 22, 2017) and Toronto (Dec. 1, 2017)

The first event I’m highlighting is the Curiosity Collider Cafe’s Nov. 22, 2017 event in Vancouver (Canada), from a November 14, 2017 announcement received via email,

Art, science, & neuroscience. Visualizing/sonifying particle collisions. Colors from nature. Sci-art career adventure. Our #ColliderCafe is a space for artists, scientists, makers, and anyone interested in art+science.

Meet, discover, connect, create. Are you curious?

Join us at “Collider Cafe: Art. Science. Interwoven.” to explore how art and science intersect in the exploration of curiosity.

When: 8:00pm on Wednesday, November 22, 2017.

Doors open at 7:30pm.

Where: Café Deux Soleils.. 2096 Commercial Drive, Vancouver, BC (Google Map).

Cost: $5-10 (sliding scale) cover at the door.

Proceeds will be used to cover the cost of running this event, and to fund future Curiosity Collider events.

With speakers:

Caitlin Ffrench (painter, writer, and textile artist) – Colours from Nature

Claudia Krebs (neuroanatomy professor) – Does the brain really differentiate between science and art?

Derek Tan (photographer, illustrator, and multimedia designer) – Design for Science: How I Got My Job E

Eli York (neuroscience researcher) – Imaging the brain’s immune system

Leó Stefánsson (multimedia artist) – Experiencing Data: Visualizing and Sonifying Particle Collisions

Follow updates on twitter via @ccollider or #ColliderCafe.

Head to the Facebook event page – let us know you are coming and share this event with others!

Then in Toronto, there’s the ArtSci Salon with an event about what they claim is one of the hottest topics today: STEAM. For the uninitiated, the acronym is for Science, Technology, Engineering, Art, and Mathematics which some hope will supersede STEM (Science, Technology, Engineering, and Mathematics). Regardless, here’s more from a November 13, 2017 Art/Sci Salon announcement received via email,

The ArtSci Salon presents:

What does A stand for in STEAM?

Date: December 1, 2017

Time: 5:30-7:30 pm

Location: The Fields Institute for Research in Mathematical Sciences
222 College Street, Toronto, ON

Please, RSVP here
http://bit.ly/2zH8nrN

Grouping four broadly defined disciplinary clusters –– Science, Technology, Engineering and Mathematics –– STEM has come to stand for governments’ and institutions’ attempt to champion ambitious programs geared towards excellence and innovation while providing hopeful students with “useful” education leading to “real jobs”. But in recent years education advocates have reiterated the crucial role of the arts in achieving such excellence. A has been added to STEM…

But what does A stand for in STEAM? What is its role? and how is it interpreted by those involved in STEM education, by arts practitioners and educators and by science communicators? It turns out that A has different roles, meanings, applications, interpretations…

Please, join us for an intriguing discussion on STEAM education and STEAM approaches. Our guests represent different experiences, backgrounds and areas of research. Your participation will make their contributions even richer

With:

Linda Duvall (Visual and Media Artist)

Richard Lachman (Associate Professor, RTA School of Media, Ryerson University)

Jan McMillin (Teacher/Librarian, Queen Victoria P.S.)

Jenn Stroud Rossmann (Professor, Mechanical Engineering – Lafayette College)

Lauren Williams (Special Collections Librarian – Thomas Fisher Rare Book Library

Bios

Linda Duvall is a Saskatoon-based visual artist whose work exists at the intersection of collaboration, performance and conversation. Her hybrid practice addresses recurring themes of connection to place, grief and loss, and the many meanings of exclusion and absence.

Richard Lachman directs the Zone Learning network of incubators for Ryerson University, Research Development for the Faculty of Communication and Design, and the Experiential Media Institute. His research interests include transmedia storytelling, digital documentaries, augmented/locative/VR experiences, mixed realities, and collaborative design thinking.

Jan McMillin is a Teacher Librarian at the TDSB. Over the last 3 years she has led a team to organize a S.T.E.A.M. Conference for approximately 180 Intermediate students from Queen Victoria P.S. and Parkdale Public. The purpose of the conference is to inspire these young people and to show them what they can also aspire to. Queen Victoria has a history of promoting the Arts in Education and so the conference was also partly to expand the notion of STEM to incorporate the Arts and creativity

Jenn Stroud Rossmann is a professor of mechanical engineering at Lafayette College. Her research interests include cardiovascular and respiratory fluid mechanics and interdiscplinary pedagogies. She co-authored an innovative textbook, Introduction to Engineering Mechanics: A Continuum Approach (CRC Press, Second Edition, 2015), and writes the essay series “An Engineer Reads a Novel” for Public Books. She is also a fiction writer whose work (in such journals as Cheap Pop, Literary Orphans, Tahoma Literary Review) has earned several Pushcart Prize nominations and other honors; her first novel is forthcoming in Fall 2018 from 7.13 Books.

Lauren Williams is Special Collections Librarian in the Department of Rare Books and Special Collections, Thomas Fisher Rare Book Library. Lauren is a graduate of the University of Toronto iSchool, where she specialized in Library and Information Science and participated in the Book History and Print Culture Collaborative Program.

Enjoy!