Tag Archives: University of Bristol

Seaweed battery

A supercapacitor is not a battery but it does have some similarities. (For the ‘seaweed curious’, there’s this somewhat related May 17, 2017 posting titled “Seaweed supercapacitors.” It doesn’t seem to be quite as popular as butterfly wings or a crustacean’s shell but seaweed does seem to have a following in the materials community. From an October 5, 2022 news item on Nanowerk,

Bristol-led team uses nanomaterials made from seaweed to create a strong battery separator, paving the way for greener and more efficient energy storage.

Sodium-metal batteries (SMBs) are one of the most promising high-energy and low-cost energy storage systems for the next-generation of large-scale applications. However, one of the major impediments to the development of SMBs is uncontrolled dendrite growth, which penetrate the battery’s separator and result in short-circuiting.

Building on previous work at the University of Bristol and in collaboration with Imperial College and University College London, the team has succeeded in making a separator from cellulose nanomaterials derived from brown seaweed.

An October 5, 2022 University of Bristol press release (also on EurekAlert), which originated the news item, gives some technical details, Note: A link has been removed,

The research, published in Advanced Materials, describes how fibres containing these seaweed-derived nanomaterials not only stop crystals from the sodium electrodes penetrating the separator, they also improve the performance of the batteries.

“The aim of a separator is to separate the functioning parts of a battery (the plus and the minus ends) and allow free transport of the charge. We have shown that seaweed-based materials can make the separator very strong and prevent it being punctured by metal structures made from sodium. It also allows for greater storage capacity and efficiency, increasing the lifetime of the batteries – something which is key to powering devices such as mobile phones for much longer,” said Jing Wang, first author and PhD student in the Bristol Composites Institute (BCI).

Dr Amaka Onyianta, also from the BCI, who created the cellulose nanomaterials and co-authored the research, said: “I was delighted to see that these nanomaterials are able to strengthen the separator materials and enhance our capability to move towards sodium-based batteries. This means we wouldn’t have to rely on scarce materials such as lithium, which is often mined unethically and uses a great deal of natural resources, such as water, to extract it.”

“This work really demonstrates that greener forms of energy storage are possible, without being destructive to the environment in their production,” said Professor Steve Eichhorn who led the research at the Bristol Composites Institute.

The next challenge is to upscale production of these materials and to supplant current lithium-based technology.

Here’s a link to and a citation for the paper,

Stable Sodium Metal Batteries in Carbonate Electrolytes Achieved by Bifunctional, Sustainable Separators with Tailored Alignment by Jing Wang, Zhen Xu, Qicheng Zhang, Xin Song, Xuekun Lu, Zhenyu Zhang, Amaka J. Onyianta, Mengnan Wang, Maria-Magdalena Titirici, Stephen J. Eichhorn. DOI: https://doi.org/10.1002/adma.202206367 First published online: 20 September 2022

This paper is open access.

Sound absorbing wallpaper inspired by moth wings

Up close and personal with a moth,

Caption: Antheraea pernyi Credit: University of Bristol

As for how this creature’s wings might provide inspiration for sound absorbing wallpaper, there’s this June 14, 2022 news item on phys.org, Note: A link has been removed,

Experts at the University of Bristol have discovered that the scales on moth wings act as excellent sound absorbers even when placed on an artificial surface.

The researchers, who recently discovered that moth wings offer acoustic protection from bat echolocation calls, have been studying whether their structure could inform better performing sound absorbing panels when not moving in free space.

A June 15, 2022 University of Bristol press release (also on EurekAlert but published on June 14, 2022), which originated the news item, delves further into the research, Note: Links have been removed,

Bats and moths have been involved in an acoustic arms race between predator and prey ever since bats evolved echolocation some 65 million years ago. Moths are under huge predation pressure from bats and have evolved a plethora of defences in their strive for survival, but it’s the scales, on a moth wing, that hold the key to transforming noise-cancelling technology.

Prof Marc Holderied, of Bristol’s School of Biological Sciences, said: “What we needed to know first, was how well these moth scales would perform if they were in front of an acoustically highly reflective surface, such as a wall.

“We also needed to find out how the mechanisms of absorption might change when the scales were interacting with this surface.”

Prof Holderied and his team tested this by placing small sections of moth wings on an aluminium disc, then systematically tested how orientation of the wing with respect to the incoming sound and the removal of scale layers affected absorption.

Remarkably, they found that moth wings proved to be excellent sound absorbers, even when on top of an acoustical solid substrate, with the wings absorbing as much as 87% of the incoming sound energy. The effect is also broadband and omnidirectional, covering a wide range of frequencies and sound incident angles.

“What is even more impressive is that the wings are doing this whilst being incredibly thin, with the scale layer being only 1/50th of the thickness of the wavelength of the sound that they are absorbing,” explained lead author Dr Thomas Neil. “This extraordinary performance qualifies the moth wing as a natural occurring acoustic absorbing metasurface, a material that has unique properties and capabilities, that are not possible to create using conventional materials.”

The potential to create ultrathin sound absorbing panels has huge implications in building acoustics. As cities get louder, the need for efficient non-intrusive sound mitigation solutions grows. Equally, these lightweight sound absorbing panels could have huge impacts on the travel industry, with any weight saving in planes, cars and trains increasing efficiency in these modes of transport, reducing fuel use and CO2 emissions.  

Now the scientists plan to replicate the sound absorbing performance by designing and building prototypes based on the sound absorbing mechanisms of the moth. The absorption that they have characterised in moth wing scales is all in the ultrasound frequency range, above that which humans can hear. Their next challenge is to design a structure that will work at lower frequencies whilst retaining the same ultrathin architecture employed by the moth.  

Prof Holderied concluded: “Moths are going to inspire the next generation of sound absorbing materials.

“New research has shown that one day it will be possible to adorn the walls of your house with ultrathin sound absorbing wallpaper, using a design that copies the mechanisms that gives moths stealth acoustic camouflage.”

Here’s link to and a citation for the paper,

Moth wings as sound absorber metasurface by Thomas R. Neil, Zhiyuan Shen, Daniel Robert, Bruce W. Drinkwater and Marc W. Holderied. Proceedings of the Royal Society A Mathematical Physical and Engineering Sciences DOI: https://doi.org/10.1098/rspa.2022.0046 Published:15 June 2022

This paper is open access.

June 7 – 10, 2022 in Grenoble, France, a conference and a 6G summit to explore pathways to 6G, ‘Internet of Senses’, etc.

As far as I can tell, 5G is still not widely deployed. At least, that’s what I gather from Tim Fisher’s article profiling the deployment by continent and by country (reviewed by Christine Baker; updated on June 2, 2022) on the Lifewire website, Note: Links have been removed)

5G is the newest wireless networking technology for phones, smartwatches, cars, and who knows what else, but it’s not yet available in every region around the world.

Some estimates forecast that by 2025, we’ll reach 3.6 billion 5G connections, a number expected to grow to 4.4 billion by 2027.

I skimmed through Fisher’s article and the African continent would seem to have the most extensive deployment country by country.

Despite the fact that we’re years from a ubiquitous 5G environment, enthusiasts are preparing for 6G. A June 1, 2022 news item on Nanotechnology Now highlights an upcoming conference and 6G summit in Grenoble, France,

Anticipating that 6G systems will offer a major step change in performance from gigabit towards terabit capacities and sub-millisecond response times, the top two European conferences for communication networks will meet June 7-10 [2022] to explore future critical 6G applications like real-time automation or extended reality, an “internet of senses”, sustainability and providing data for a digital twin of the physical world.

The hybrid conference, “Connectivity for a Sustainable World”, will accommodate both in-person and remote attendance for four days of keynotes, panels, work sessions and exhibits. The event is sponsored by the IEEE Communications Society and the EU Association for Signal Processing and will be held in the WTC Grenoble Convention Center.

“The telecom sector is an enabler for a sustainable world,” said Emilio Calvanese Strinati, New-6G Program director at CEA-Leti, which organized the conference. “Designed to be energy efficient, with low carbon footprints, telecoms will be a key enabler to reduce CO2 emissions in the ICT sectors. For example, 6G targets multi-sensorial virtual reality, e.g. the metaverse, and remote work and telepresence, which enable people to interact without travelling.”

The conference also will explore new smart network technologies and architectures needed to dramatically enhance the energy efficiency and sustainability of networks to manage major traffic growth, while keeping electromagnetic fields under strict safety limits. These technologies will form the basis for a human-centric Next-Generation Internet and address the European Commission’s Sustainable Development Goals, such as accessibility and affordability of technology.
The Grenoble gathering is the 31st edition of the EuCNC [EU-China Commission] conference, which merged two years ago with the 6G Summit. The joint conference was established by the European Commission for industry, academia, research centers and SMEs from across the ICT and telecom sectors to cooperate, discuss and help realize the vision for European technological sovereignty. It is intended to be held for in-person attendance, with remote attendance in a hybrid mode.

“The EuCNC and 6G Summit members are playing an important role in supporting the EU’s goal of European Sovereignty and cybersecurity in 5G and 6G in parallel with the French microelectronics industry’s support of the European Chips Act,” said Calvanese Strinati, who will help lead a workshop, “Semantic and Goal Oriented Communications, an Opportunity for 6G?”, on June 7.

Keynotes (all times CEST) [Central European Summer Time]

“Shaping 6G: Revolutionizing the Evolution of Networks”
Mikael Rylander, Technology Leadership Officer, Nokia/Netherlands
June 8: 9:15-10:00 am

“6G: From Digital Transformation to Socio-Digital Innovation”
Dimitra Simeonidou, Director Smart Internet Lab, Co-Director Bristol Digital Futures Institute, University of Bristol, UK
June 9: 8:30-9:15 am

“Going Beyond RF: Nano Communication in 6G+ Networks”
Falko Dressler, Professor, Technische Universität, Berlin
June 9: 9:15-10:00 am

For the curious, CEA-Leti, the organizing institution, is “a research institute for electronics and information technologies, based in Grenoble, France. It is one of the world’s largest organizations for applied research in microelectronics and nanotechnology.” (See the entire description in the CEA-Leti: Laboratoire d’l’électronique des technologies de l’information Wikipedia entry)

As for the ‘internet of senses’, perhaps I missed seeing it in the programme?

The co-chairs Pearse O’Donohue and Sébastien Dauvé offer a welcome on the 2022 conference/summit homepage that touches on current affairs, as well as, the technology,

We would like to welcome you to this edition of the conference, which is for the second time putting together two of the top European conferences in the area of communication networks: the European Conference on Networks and Communications (EuCNC) and the 6G Summit. After two years of restrictions due to the COVID-19 pandemic, we are delighted to host this hybrid conference in the city of Grenoble, located in the French Alps and recognised internationally for its scientific excellence, especially in the area of electronics components and systems. This is a testimony of the increased importance of microelectronics for European technological sovereignty and cybersecurity in 5G and 6G, in line with the European Chips Act recently proposed by the Commission.

The Russian war against Ukraine has disrupted the lives of millions of Ukrainians. Recognising the importance of connectivity, in particular in times of crisis and under these exceptional circumstances, the EU in cooperation with key stakeholders has taken measures to alleviate the consequences of the humanitarian crisis. These include resilience of networks within the country, free or heavily discounted international calls and SMS to Ukraine or free roaming to Ukrainian people that fled the war.

In the longer term, we need to make sure that trust, security and competitiveness of future technologies such as beyond 5G and 6G are ensured.

6G systems are expected to offer a new step change in performance from Gigabit towards Terabit capacities and sub-millisecond response times. This will enable new critical applications such as real-time automation or extended reality (“Internet of Senses”) sensing, collecting and providing the data for nothing less than a digital twin of the physical world.

Moreover, new smart network technologies and architectures will need to drastically enhance the energy efficiency of connectivity infrastructures to manage major traffic growth while keeping electromagnetic fields under strict safety limits. These technologies will form the basis for a human-centric Next-Generation Internet and address Sustainable Development Goals (SDGs) such as accessibility and affordability of technology.

This year is an important milestone in the European research, development and innovation sphere towards 6G communications systems as it has seen the kick-off of the activities of the European partnership on Smart Networks and Services (SNS). This strategic public-private partnership has been established in November 2021 as one of the Horizon Europe Joint undertakings. The SNS partnership should enable European players to develop the technology capacities for 6G systems as basis for future digital services towards 2030. Its focus extends beyond networking, spanning the whole value chain, from components and devices to the Cloud, AI and Cybersecurity.

In January 2022, the first SNS JU [Joint Undertaking] calls for proposals has been launched, with a total budget of EUR 240 million. It sets out main complementary work streams spanning from 5G Evolution systems, research for radical technology advancement in preparation for 6G, proof of concepts including experimental infrastructures; up to large scale trials and pilots with vertical industries. We are excited and cannot wait for the selected projects to be launched next autumn, thus joining the big family of the EU projects that you will be able to discover and liaise with during this conference.

Karl Bode’s June 2, 2022 article, “6G Hype Begins Despite Fact 5G Hasn’t Finished Disappointing Us Yet,” on Techdirt offers a more measured response to the 6G hopes and dreams offered by O’Donohue, Dauvé, and the others hyping the next technology that will solve all kinds of problems.

How do nanoscale crystals make volcanoes explode?

This research may have the answer as to why a supposedly peaceful volcano will suddenly explode violently. From a September 24, 2020 University of Bayreuth press release (also on EurekAlert),

Tiny crystals, ten thousand times thinner than a human hair, can cause explosive volcanic eruptions. This surprising connection has recently been discovered by a German-British research team led by Dr. Danilo Di Genova from the Bavarian Research Institute of Experimental Geochemistry & Geophysics (BGI) at the University of Bayreuth. The crystals increase the viscosity of the underground magma. As a result, a build-up of rising gases occurs. The continuously rising pressure finally discharges in massive eruptions. The scientists present the results of their nanogeoscientific research in the journal “Science Advances“.

“Exactly what causes the sudden and violent eruption of apparently peaceful volcanoes has always been a mystery in geology research. Nanogeoscience research has now allowed us to find an explanation. Tiny crystal grains containing mostly iron, silicon, and aluminium are the first link in a chain of cause and effect that can end in catastrophe for people living in the vicinity of a volcano. The most powerful volcanic eruption in human history was Mount Tambora in Indonesia in 1815”, says Dr. Danilo Di Genova. For the recently published study, he worked closely with scientists from the University of Bristol, the Clausthal University of Technology, and two European synchrotron radiation facilities.

Because of their diameter of a few nanometres, the crystals are also known as nanolites. Using spectroscopic and electron microscopy methods, the researchers have detected traces of these particles, invisible to the eye, in the ashes of active volcanoes. In the BGI’s laboratory, they were then able to describe these crystals and finally to demonstrate how they influence the properties of volcanic magma. The investigations focused on magma of low silicon oxide content cooling to form basalt on the earth’s surface after a volcanic eruption. Low silica magma is known for its low viscosity: It forms a thin lava that flows quickly and easily. The situation is different, however, if it contains a large number of nanolites. This makes the magma viscous – and far less permeable to gases rising from the earth’s interior. Instead of continuously escaping from the volcanic cone, the gases in the depths of the volcano become trapped in the hot magma. As a result, the magma is subjected to increasing pressure until it is finally ejected explosively from the volcano.

“Constant light plumes of smoke above a volcanic cone need not necessarily be interpreted as a sign of an imminent dangerous eruption. Conversely, however, the inactivity of apparently peaceful volcanoes can be deceptive. Rock analyses, written and archaeological sources suggest, for example, that people in the vicinity of Vesuvius were surprised by an extremely violent eruption of the volcano in 79 AD. Numerous fatalities and severe damage to buildings were the result”, says Di Genova. In his further research, the Bayreuth scientist hopes to use high-pressure facilites and computer simulation to model the geochemical processes that lead to such unexpected violent eruptions. The aim is to better understand these processes and thus also to reduce the risks for the population in the vicinity of volcanoes.

The researchers have included a nanocrystal image to illustrate their work,

Caption: A transmission electron microscopy image of a nano crystal (ca 25 nm in diameter) in a basaltic magma from Mt. Etna (Italy). The nano crystal is enriched in iron (Fe) and it was produced in a laboratory during at BGI. Credit Image: Nobuyoshi Miyajima.

Here’s a link to and a citation for the paper,

In situ observation of nanolite growth in volcanic melt: A driving force for explosive eruptions by Danilo Di Genova, Richard A. Brooker, Heidy M. Mader, James W. E. Drewitt, Alessandro Longo, Joachim Deubener, Daniel R. Neuville, Sara Fanara, Olga Shebanova, Simone Anzellini, Fabio Arzilli, Emily C. Bamber, Louis Hennet, Giuseppe La Spina and Nobuyoshi Miyajima. Science Advances DOI: 10.1126/sciadv.abb0413 Vol. 6, no. 39, eabb0413 Published: 23 Sep 2020

This paper appears to be open access.

Viburnum and a new kind of structural colo(u)r

I love structural colo(u) and the first such story here was this February 7, 2013 posting, which is where you’ll find the image below,

AGELESS BRILLIANCE: Although the pigment-derived leaf color of this decades-old specimen of the African perennial Pollia condensata has faded, the fruit still maintains its intense metallic-blue iridescence.COURTESY OF P.J. RUDALL [downloaded from http://www.the-scientist.com/?articles.view/articleNo/34200/title/Color-from-Structure/]

Those berries are stunning especially when you realize they are part of a long-dead Pollia plant. Scientist, Rox Middleton of University of Bristol (UK) was studying the structures that render the Pollia plant’s berries (fruit) blue when she decided to study another, more conveniently accessible plant with blue fruit. That’s when she got a surprise (from an August 11, 2020 article by Véronique Greenwood for the New York Times),

Big, leafy viburnum bushes have lined yards in the United States and Europe for decades — their domes of blossoms have an understated attractiveness. But once the flowers of the Viburnum tinus plant fade, the shrub makes something unusual: shiny, brilliantly blue fruit.

Scientists had noticed that pigments related to those in blueberries exist in viburnum fruit, and assumed that this must be the source of their odd hue. Blue fruit, after all, is rare. But researchers reported last week in Current Biology that viburnum’s blue is actually created by layers of molecules arranged under the surface of the skin, a form of what scientists call structural color. By means still unknown, the plant’s cells create thin slabs of fat [emphasis mine] arranged in a stack, like the flakes of puff pastry, and their peculiar gleam is the result.

Rox Middleton, a researcher at University of Bristol in England and an author of the new paper, had been studying the African pollia plant, which produces its own exotic blue fruit. But viburnum fruit were everywhere, and she realized that their blue had not been well-studied. Along with Miranda Sinnott-Armstrong, a researcher at the University of Colorado, Boulder, and other colleagues, she set out to take a closer look at the fruit’s skin.

The pollia fruit’s blue is a form of structural color, in which light bounces off a regularly spaced arrangement of tiny structures such that certain wavelengths, usually those that look blue or green to us, are reflected back at the viewer. In pollia fruit, the color comes from light interacting with thin sheets of cellulose packed together. At first the team thought there would be something similar in viburnum. But they saw no cellulose stacks.

The research team has concluded that all it comes down the arrangement of fat molecules, which are also responsible for the cloudier, metallic blue in viburnum berries,

Caption Closeup of viburnum tinus. Credit: Rox Middleton Courtesy University of Cambridge

I encourage you to read Greenwood’s August 11, 2020 article in its entirety. For those who like more details, there are two press releases. The first is an August 6, 2020 University of Cambridge press release on EurekAlert. Middleton completed the ‘Virbunum’ research while completing her PhD at Cambridge. As mentioned earlier, Middleton is currently a researcher at the University of Bristol and they issued an August 11, 2020 press release touting her accomplishment.

Finally, for the insatiably curious, here’s a link to and a citation for the paper,

Viburnum tinus Fruits Use Lipids to Produce Metallic Blue Structural Color by Rox Middleton, Miranda Sinnott-Armstrong, Yu Ogawa, Gianni Jacucci, Edwige Moyroud, Paula J. Rudall, Chrissie Prychid, Maria Conejero, Beverley J. Glover, Michael J. Donoghue, Silvia Vignolini. Current Biology DOI:https://doi.org/10.1016/j.cub.2020.07.005 Published:August 06, 2020

This paper is behind a paywall.

Concerns about Zoom? Call for expressions of interest in “Zoom Obscura,” creative interventions for a data ethics of video conferencing

Have you wondered about Zoom video conferencing and all that data being made available? Perhaps questioned ethical issues in addition to those associated with data security? Is so and you’d like to come up with a creative intervention that delves beyond encryption issues, there’s Zoom Obscura (on the creativeinformatics.org website),

CI [Creative Informatics] researchers Pip Thornton, Chris Elsden and Chris Speed were recently awarded funding from the Human Data Interaction Network (HDI +) Ethics & Data competition. Collaborating with researchers from Durham [Durham University] and KCL [Kings College London], the Zoom Obscura project aims to investigate creative interventions for a data ethics of video conferencing beyond encryption.

The COVID-19 pandemic has gifted video conferencing companies, such as Zoom, with a vast amount of economically valuable and sensitive data such as our facial and voice biometrics, backgrounds and chat scripts. Before the pandemic, this ‘new normal’ would be subject to scrutiny, scepticism and critique. Yet, the urgent need for remote working and socialising left us with little choice but to engage with these potentially exploitative platforms.

While much of the narrative around data security revolves around technological ‘solutions’ such as encryption, we think there are other – more creative – ways to push back against the systems of digital capitalism that continue to encroach on our everyday lives.

As part of this HDI-funded project, we seek artists, hackers and creative technologists who are interested in experimenting with creative methods to join us in a series of online workshops that will explore how to restore some control and agency in how we can be seen and heard in these newly ubiquitous online spaces. Through three half-day workshops held remotely, we will bring artists and technicians together to ideate, prototype, and exhibit various interventions into the rapidly normalising culture of video-calling in ways that do not compromise our privacy and limit the sharing of our data. We invite interventions that begin at any stage of the video-calling process – from analogue obfuscation, to software manipulation or camera trickery.

Selected artists/collectives will receive a £1000 commission to take part and contribute in three workshops, in order to design and produce one or more, individual or collaborative, creative interventions developed from the workshops. These will include both technical support from a creative technologist as well as a curator for dissemination both online and in Edinburgh and London.

If you are an artist / technologist interested in disrupting/subverting the pandemic-inspired digital status quo, please send expressions of interest of no more than 500 words to pip.thornton@ed.ac.uk , andrew.dwyer@bristol.ac.uk, celsden@ed.ac.uk and michael.duggan@kcl.ac.uk by 8th October 2020. We don’t expect fully formed projects (these will come in the workshop sessions), but please indicate any broad ideas and thoughts you have, and highlight how your past and present practice might be a good fit for the project and its aims.

The Zoom Obscura project is in collaboration with Tinderbox Lab in Edinburgh and Hannah Redler-Hawes (independent curator and codirector of the Data as Culture art programme at the Open Data Institute in London). Outputs from the project will be hosted and exhibited via the Data as Culture archive site and at a Creative Informatics event at the University of Edinburgh.

Are folks outside the UK eligible?

I asked Dr. Pip Thornton about eligibility and she kindly noted this in her Sept. 25, 2020 tweet (reply copied from my Twitter feed),

Open to all, but workshop timings may be more amenable to UK working hours. Having said that, we won’t know what the critical mass is until we review all the applications, so please do apply if you’re interested!

Who are the members of the Zoom Obscura project team?

From the Zoom Obscura webpage (on the creativeinformatics.org website),

Dr. Pip Thornton is a post-doctoral research associate in Creative Informatics at the University of Edinburgh, having recently gained her PhD in Geopolitics and Cybersecurity from Royal Holloway, University of London. Her thesis, Language in the Age of Algorithmic Reproduction: A Critique of Linguistic Capitalism, included theoretical, political and artistic critiques of Google’s search and advertising platforms. She has presented in a variety of venues including the Science Museum, the Alan Turing Institute and transmediale. Her work has featured in WIRED UK and New Scientist, and a collection from her {poem}.py intervention has been displayed at Open Data Institute in London. Her Edinburgh Futures Institute (EFI) funded installation Newspeak 2019, shown at the Edinburgh Festival Fringe (2019), was recently awarded an honourable mention in the Surveillance Studies Network biennial art competition (2020) and is shortlisted for the 2020 Lumen Prize for art and technology in the AI category.

Dr. Andrew Dwyer is a research associate  in the University of Bristol’s Cyber Security Group. Andrew gained a DPhil in Cyber Security at the University of Oxford, where he studied and questioned the role of malware – commonly known as computational viruses and worms –  through its analysis, detection, and translation into international politics and its intersection with multiple ecologies. In his doctoral thesis – Malware Ecologies: A Politics of Cybersecurity – he argued for a re-evaluation of the role of computational actors in the production and negotiation of security, and what this means for human-centred notions of weapons and warfare. Previously, Andrew has been a visiting fellow at the German ‘Dynamics of Security’ collaborative research centre based between Philipps-Universität Marburg, Justus-Liebig-Universität Gießen and the Herder Institute, Marburg and is a Research Affiliate at the Centre for Technology and Global Affairs at the University of Oxford. He will soon be starting a 3-year Addison Wheeler research fellowship in the Department of Geography at the Durham University

Dr Chris Elsden is a research associate in Design Informatics at the University of Edinburgh. Chris is primarily working on the AHRC Creative Informatics project., with specific interests in FinTech and livestreaming within the Creative Industries. He is an HCI researcher, with a background in sociology, and expertise in the human experience of a data-driven life. Using and developing innovative design research methods, his work undertakes diverse, qualitative and often speculative engagements with participants to investigate emerging relationships with technology – particularly data-driven tools and financialn technologies. Chris gained his PhD in Computer Science at Open Lab, Newcastle University in 2018, and in 2019 was a recipient of a SIGCHI Outstanding Dissertation Award.

Dr Mike Duggan is a Teaching Fellow in Digital Cultures in the Department of Digital Humanities at Kings College London. He was awarded a PhD in Cultural Geography from Royal Holloway University of London in 2017, which examined everyday digital mapping practices. This project was co-funded by the Ordnance Survey and the EPSRC. He is a member of the Living Maps network, where he is an editor for the ‘navigations’ section and previously curated the seminar series. Mike’s research is broadly interested in the digital and cultural geographies that emerge from the intersections between everyday life and digital technology.

Professor Chris Speed is Chair of Design Informatics at the University of Edinburgh where his research focuses upon the Network Society, Digital Art and Technology, and The Internet of Things. Chris has sustained a critical enquiry into how network technology can engage with the fields of art, design and social experience through a variety of international digital art exhibitions, funded research projects, books journals and conferences. At present Chris is working on funded projects that engage with the social opportunities of crypto-currencies, an internet of toilet roll holders, and a persistent argument that chickens are actually robots.  Chris is co-editor of the journal Ubiquity and co-directs the Design Informatics Research Centre that is home to a combination of researchers working across the fields of interaction design, temporal design, anthropology, software engineering and digital architecture, as well as the PhD, MA/MFA and MSc and Advanced MSc programmes.

David Chatting is a designer and technologist who works in software and hardware to explore the impact of emerging technologies in everyday lives. He is currently a PhD student in the Department of Design at Goldsmiths – University of London, a Visiting Researcher at Newcastle University’s Open Lab and has his own design practice. Previously he was a Senior Researcher at BTs Broadband Applications Research Centre. David has a Masters degree in Design Interactions from the Royal College of Art (2012) and a Bachelors degree in Computer Science from the University of Birmingham (2000). He has published papers and filed patents in the fields of HCI, psychology, tangible interfaces, computer vision and computer graphics.

Hannah Redler Hawes (Data as Culture) is an independent curator and codirector of the Data as Culture art programme at the Open Data Institute in London. Hannah specialises in emerging artistic practice within the fields of art and science and technology, with an interest in participatory process. She has previously developed projects for museums, galleries, corporate contexts, digital space and the public realm including the  Institute of Physics, Tate Modern, The Lowry, Natural History Museum, FACT Liverpool, the Digital Catapult and Science Gallery London, and has provided specialist consultancy services to the Wellcome Collection, Discover South Kensington and the Horniman Museum. Hannah enjoys projects that redraw boundaries between different disciplines. Current research is around addiction, open data, networked culture and new forms of programming beyond the gallery.

Tinderbox Collective : From grass-roots youth work to award-winning music productions, Tinderbox is building a vibrant and eclectic community of young musicians and artists in Scotland. We have a number of programmes that cross over with each other and come together wherever possible.  They are open to children and young people aged 10 – 25, from complete beginners to young professionals and all levels in between. Tinderbox Lab is our digital arts programme and shared studio maker-space in Edinburgh that brings together artists across disciplines with an interest in digital media and interactive technologies. It is a new programme that started development in 2019, leading to projects and events such as Room to Play, a 10-week course for emerging artists led by Yann Seznec; various guest artist talks & workshops; digital arts exhibitions at the V&A Dundee & Edinburgh Festival of Sound; digital/electronics workshops design/development for children & young people; and research included as part of Electronic Visualisation and the Arts (EVA) London 2019 conference.

Jack Nissan (Tinderbox) is the founder and director of the Tinderbox Collective. In 2012/13, Jack took part in a fellowship programmed called International Creative Entrepreneurs and spent several months working with community activists and social enterprises in China, primarily with families and communities on the outskirts of Beijing with an organisation called Hua Dan. Following this, he set up a number of international exchanges and cross-cultural productions that formed the basis for Tinderbox’s Journey of a Thousand Wings programme, a project bringing together artists and community projects from different countries. He is also a co-director and founding member of Hidden Door, a volunteer-run multi-arts festival, and has won a number of awards for his work across creative and social enterprise sectors. He has been invited to take part in several steering committees and advisory roles, including for Creative Scotland’s new cross-cutting theme on Creative Learning and Artworks Scotland’s peer-networks for artists working in participatory settings. Previously, Jack worked as a researcher in psychology and ageing for the multidisciplinary MRC Centre for Cognitive Ageing and Cognitive Epidemiology, specialising in areas of neuropsychology and memory.

Luci Holland (Tinderbox) is a Scottish (Edinburgh-based) composer, sound artist and radio presenter who composes and produces music and audiovisual art for film, games and concert. As a games music composer Luci wrote the original dynamic/responsive music for Blazing Griffin‘s 2018 release Murderous Pursuits, and has composed and arranged for numerous video game music collaborations, such as orchestrating and producing an arrangement of Jessica Curry‘s Disappearing with label Materia Collective’s bespoke cover album Pattern: An Homage to Everybody’s Gone to the Rapture. Currently she has also been composing custom game music tracks for Skyrim mod Lordbound and a variety of other film and game music projects. Luci also builds and designs interactive sonic art installations for festivals and venues (Refraction (Cryptic), CITADEL (Hidden Door)); and in 2019 Luci joined new classical music station Scala Radio to present The Console, a weekly one-hour show dedicated to celebrating great music in games. Luci also works as a musical director and composer with the youth music charity Tinderbox Project on their Orchestra & Digital Arts programmes; classical music organisation Absolute Classics; and occasionally coordinates musical experiments and productions with her music-for-media band Mantra Sound.

Good luck to all who submit an expression of interest and good luck to Dr. Thornton (I see from her bio that she’s been shortlisted for the 2020 Lumen Prize).

Moths with sound absorption stealth technology

The cabbage tree emperor moth (Thomas Neil) [downloaded from https://www.cbc.ca/radio/quirks/nov-17-2018-greenland-asteroid-impact-short-people-in-the-rain-forest-reef-islands-and-sea-level-and-more-1.4906857/how-moths-evolved-a-kind-of-stealth-jet-technology-to-sneak-past-bats-1.4906866]

I don’t think I’ve ever seen a more gorgeous moth and it seems a perfect way to enter 2019, from a November 16, 2018 news item on CBC (Canadian Broadcasting Corporation),

A species of silk moth has evolved special sound absorbing scales on its wings to absorb the sonar pulses from hunting bats. This is analogous to the special coatings on stealth aircraft that allow them to be nearly invisible to radar.

“It’s a battle out there every night, insects flying for their lives trying to avoid becoming a bat’s next dinner,” said Dr. Marc Holderied, the senior author on the paper and an associate professor in the School of Biological Sciences at the University of Bristol.

“If you manage to absorb some of these sound energies, it would make you look smaller and let you be detectable over a shorter distance because echoe isn’t strong enough outside the detection bubble.”

Many moths have ears that warn them when a bat is nearby. But not the big and juicy cabbage tree emperor moths which would ordinarily make the perfect meal for bats.

The researchers prepared a brief animated feature illustrating the research,

Prior to publication of the study, the scientists made a presentation at the Acoustical Society of America’s 176th Meeting, held in conjunction with the Canadian Acoustical Association’s 2018 Acoustics Week, Nov. 5-9 at the Victoria Conference Centre in Victoria, Canada according to a November 7, 2018 University of Bristol press release (also on EurekAlert but submitted by the Acoustical Society of America on November 6, 2018),

Moths are a mainstay food source for bats, which use echolocation (biological sonar) to hunt their prey. Scientists such as Thomas Neil, from the University of Bristol in the U.K., are studying how moths have evolved passive defenses over millions of years to resist their primary predators.

While some moths have evolved ears that detect the ultrasonic calls of bats, many types of moths remain deaf. In those moths, Neil has found that the insects developed types of “stealth coating” that serve as acoustic camouflage to evade hungry bats.

Neil will describe his work during the Acoustical Society of America’s 176th Meeting, held in conjunction with the Canadian Acoustical Association’s 2018 Acoustics Week, Nov. 5-9 at the Victoria Conference Centre in Victoria, Canada.

In his presentation, Neil will focus on how fur on a moth’s thorax and wing joints provide acoustic stealth by reducing the echoes of these body parts from bat calls.

“Thoracic fur provides substantial acoustic stealth at all ecologically relevant ultrasonic frequencies,” said Neil, a researcher at Bristol University. “The thorax fur of moths acts as a lightweight porous sound absorber, facilitating acoustic camouflage and offering a significant survival advantage against bats.” Removing the fur from the moth’s thorax increased its detection risk by as much as 38 percent.

Neil used acoustic tomography to quantify echo strength in the spatial and frequency domains of two deaf moth species that are subject to bat predation and two butterfly species that are not.

In comparing the effects of removing thorax fur from insects that serve as food for bats to those that don’t, Neil’s research team found that thoracic fur determines acoustic camouflage of moths but not butterflies.

“We found that the fur on moths was both thicker and denser than that of the butterflies, and these parameters seem to be linked with the absorptive performance of their respective furs,” Neil said. “The thorax fur of the moths was able to absorb up to 85 percent of the impinging sound energy. The maximum absorption we found in butterflies was just 20 percent.”

Neil’s research could contribute to the development of biomimetic materials for ultrathin sound absorbers and other noise-control devices.

“Moth fur is thin and lightweight,” said Neil, “and acts as a broadband and multidirectional ultrasound absorber that is on par with the performance of current porous sound-absorbing foams.”

Moth fur? This has changed my view of moths although I reserve the right to get cranky when local moths chew through my wool sweaters. Here’s a link to and a citation for the paper,

Biomechanics of a moth scale at ultrasonic frequencies by Zhiyuan Shen, Thomas R. Neil, Daniel Robert, Bruce W. Drinkwater, and Marc W. Holderied. PNAS [Proccedings of the National Academy of Sciences of the United States of America] November 27, 2018 115 (48) 12200-12205; published ahead of print November 12, 2018 https://doi.org/10.1073/pnas.1810025115

This paper is behind a paywall.

Unusually I’m going to include the paper’s abstract here,

The wings of moths and butterflies are densely covered in scales that exhibit intricate shapes and sculptured nanostructures. While certain butterfly scales create nanoscale photonic effects [emphasis mine], moth scales show different nanostructures suggesting different functionality. Here we investigate moth-scale vibrodynamics to understand their role in creating acoustic camouflage against bat echolocation, where scales on wings provide ultrasound absorber functionality. For this, individual scales can be considered as building blocks with adapted biomechanical properties at ultrasonic frequencies. The 3D nanostructure of a full Bunaea alcinoe moth forewing scale was characterized using confocal microscopy. Structurally, this scale is double layered and endowed with different perforation rates on the upper and lower laminae, which are interconnected by trabeculae pillars. From these observations a parameterized model of the scale’s nanostructure was formed and its effective elastic stiffness matrix extracted. Macroscale numerical modeling of scale vibrodynamics showed close qualitative and quantitative agreement with scanning laser Doppler vibrometry measurement of this scale’s oscillations, suggesting that the governing biomechanics have been captured accurately. Importantly, this scale of B. alcinoe exhibits its first three resonances in the typical echolocation frequency range of bats, suggesting it has evolved as a resonant absorber. Damping coefficients of the moth-scale resonator and ultrasonic absorption of a scaled wing were estimated using numerical modeling. The calculated absorption coefficient of 0.50 agrees with the published maximum acoustic effect of wing scaling. Understanding scale vibroacoustic behavior helps create macroscopic structures with the capacity for broadband acoustic camouflage.

Those nanoscale photonic effects caused by butterfly scales are something I’d usually describe as optical effects due to the nanoscale structures on some butterfly wings, notably those of the Blue Morpho butterfly. In fact there’s a whole field of study on what’s known as structural colo(u)r. Strictly speaking I’m not sure you could describe the nanostructures on Glasswing butterflies as an example of structure colour since those structures make that butterfly’s wings transparent but they are definitely an optical effect. For the curious, you can use ‘blue morpho butterfly’, ‘glasswing butterfly’ or ‘structural colo(u)r’ to search for more on this blog or pursue bigger fish with an internet search.

Tractor beams for humans?

I got excited for a moment before realizing that, if tractor beams for humans result from this work, it will be many years in the future. Still, one can dream, eh? Here’s more about the current state of tractor beams (the acoustic kind) from a January 21, 2018 news item on ScienceDaily,

Acoustic tractor beams use the power of sound to hold particles in mid-air, and unlike magnetic levitation, they can grab most solids or liquids. For the first time University of Bristol engineers have shown it is possible to stably trap objects larger than the wavelength of sound in an acoustic tractor beam. This discovery opens the door to the manipulation of drug capsules or micro-surgical implements within the body. Container-less transportation of delicate larger samples is now also a possibility and could lead to levitating humans.

A January 22, 2018 University of Bristol press release (also on EurekAlert but dated January 21, 2018), which originated the news item, expands on the theme,

Researchers previously thought that acoustic tractor beams were fundamentally limited to levitating small objects as all the previous attempts to trap particles larger than the wavelength had been unstable, with objects spinning uncontrollably. This is because rotating sound field transfers some of its spinning motion to the objects causing them to orbit faster and faster until they are ejected.

The new approach, published in Physical Review Letters today [Monday 22 January]{2018}], uses rapidly fluctuating acoustic vortices, which are similar to tornadoes of sound, made of a twister-like structure with loud sound surrounding a silent core.

The Bristol researchers discovered that the rate of rotation can be finely controlled by rapidly changing the twisting direction of the vortices, this stabilises the tractor beam. They were then able to increase the size of the silent core allowing it to hold larger objects. Working with ultrasonic waves at a pitch of 40kHz, a similar pitch to that which only bats can hear, the researchers held a two-centimetre polystyrene sphere in the tractor beam. This sphere measures over two acoustic wavelengths in size and is the largest yet trapped in a tractor beam. The research suggests that, in the future much larger objects could be levitated in this way.

Dr Asier Marzo, lead author on the paper from Bristol’s Department of Mechanical Engineering, said: “Acoustic researchers had been frustrated by the size limit for years, so its satisfying to find a way to overcome it. I think it opens the door to many new applications.”

Dr Mihai Caleap, Senior Research Associate, who developed the simulations, explained: “In the future, with more acoustic power it will be possible to hold even larger objects. This was only thought to be possible using lower pitches making the experiment audible and dangerous for humans.”

Bruce Drinkwater, Professor of Ultrasonics from the Department of Mechanical Engineering, who supervised the work, added: “Acoustic tractor beams have huge potential in many applications. I’m particularly excited by the idea of contactless production lines where delicate objects are assembled without touching them.”

The researchers have included a video representing their work,

I always liked the tractor beams on Star Trek as they seemed very useful. For those who can dream in more technical language, here’s a link to and a citation for the paper,

Acoustic Virtual Vortices with Tunable Orbital Angular Momentum for Trapping of Mie Particles by Asier Marzo, Mihai Caleap, and Bruce W. Drinkwater. Phys. Rev. Lett. Vol. 120, Iss. 4 — 26 January 2018 DOI:https://doi.org/10.1103/PhysRevLett.120.044301 Published 22 January 2018

This paper is open access.

Nanotechnology cracks Wall Street (Daily)

David Dittman’s Jan. 11, 2017 article for wallstreetdaily.com portrays a great deal of excitement about nanotechnology and the possibilities (I’m highlighting the article because it showcases Dexter Johnson’s Nanoclast blog),

When we talk about next-generation aircraft, next-generation wearable biomedical devices, and next-generation fiber-optic communication, the consistent theme is nano: nanotechnology, nanomaterials, nanophotonics.

For decades, manufacturers have used carbon fiber to make lighter sports equipment, stronger aircraft, and better textiles.

Now, as Dexter Johnson of IEEE [Institute of Electrical and Electronics Engineers] Spectrum reports [on his Nanoclast blog], carbon nanotubes will help make aerospace composites more efficient:

Now researchers at the University of Surrey’s Advanced Technology Institute (ATI), the University of Bristol’s Advanced Composite Centre for Innovation and Science (ACCIS), and aerospace company Bombardier [headquartered in Montréal, Canada] have collaborated on the development of a carbon nanotube-enabled material set to replace the polymer sizing. The reinforced polymers produced with this new material have enhanced electrical and thermal conductivity, opening up new functional possibilities. It will be possible, say the British researchers, to embed gadgets such as sensors and energy harvesters directly into the material.

When it comes to flight, lighter is better, so building sensors and energy harvesters into the body of aircraft marks a significant leap forward.

Johnson also reports for IEEE Spectrum on a “novel hybrid nanomaterial” based on oscillations of electrons — a major advance in nanophotonics:

Researchers at the University of Texas at Austin have developed a hybrid nanomaterial that enables the writing, erasing and rewriting of optical components. The researchers believe that this nanomaterial and the techniques used in exploiting it could create a new generation of optical chips and circuits.

Of course, the concept of rewritable optics is not altogether new; it forms the basis of optical storage mediums like CDs and DVDs. However, CDs and DVDs require bulky light sources, optical media and light detectors. The advantage of the rewritable integrated photonic circuits developed here is that it all happens on a 2-D material.

“To develop rewritable integrated nanophotonic circuits, one has to be able to confine light within a 2-D plane, where the light can travel in the plane over a long distance and be arbitrarily controlled in terms of its propagation direction, amplitude, frequency and phase,” explained Yuebing Zheng, a professor at the University of Texas who led the research… “Our material, which is a hybrid, makes it possible to develop rewritable integrated nanophotonic circuits.”

Who knew that mixing graphene with homemade Silly Putty would create a potentially groundbreaking new material that could make “wearables” actually useful?

Next-generation biomedical devices will undoubtedly include some of this stuff:

A dash of graphene can transform the stretchy goo known as Silly Putty into a pressure sensor able to monitor a human pulse or even track the dainty steps of a small spider.

The material, dubbed G-putty, could be developed into a device that continuously monitors blood pressure, its inventors hope.

The guys who made G-putty often rely on “household stuff” in their research.

It’s nice to see a blogger’s work be highlighted. Congratulations Dexter.

G-putty was mentioned here in a Dec. 30, 2016 posting which also includes a link to Dexter’s piece on the topic.

Soft contact lenses key to supercapacitor breaththrough

It seems like pretty exciting news for anyone following the supercapacitor story but they are being awfully cagey about it all in a Dec. 6, 2016 news item on Nanowerk,

Ground-breaking research from the University of Surrey and Augmented Optics Ltd., in collaboration with the University of Bristol, has developed potentially transformational technology which could revolutionise the capabilities of appliances that have previously relied on battery power to work.

This development by Augmented Optics Ltd., could translate into very high energy density super-capacitors making it possible to recharge your mobile phone, laptop or other mobile devices in just a few seconds.

The technology could have a seismic impact across a number of industries, including transport, aerospace, energy generation, and household applications such as mobile phones, flat screen electronic devices, and biosensors. It could also revolutionise electric cars, allowing the possibility for them to recharge as quickly as it takes for a regular non-electric car to refuel with petrol – a process that currently takes approximately 6-8 hours to recharge. Imagine, instead of an electric car being limited to a drive from London to Brighton, the new technology could allow the electric car to travel from London to Edinburgh without the need to recharge, but when it did recharge for this operation to take just a few minutes to perform.

I imagine the reason for the caginess has to do with the efforts to commercialize the technology. In any event, here’s a little more from a Dec. 5, 2016 University of Surrey press release by Ashley Lovell,

Supercapacitor buses are already being used in China, but they have a very limited range whereas this technology could allow them to travel a lot further between recharges. Instead of recharging every 2-3 stops this technology could mean they only need to recharge every 20-30 stops and that will only take a few seconds.

Elon Musk, of Tesla and SpaceX, has previously stated his belief that supercapacitors are likely to be the technology for future electric air transportation. We believe that the present scientific advance could make that vision a reality.

The technology was adapted from the principles used to make soft contact lenses, which Dr Donald Highgate (of Augmented Optics, and an alumnus of the University of Surrey) developed following his postgraduate studies at Surrey 40 years ago. Supercapacitors, an alternative power source to batteries, store energy using electrodes and electrolytes and both charge and deliver energy quickly, unlike conventional batteries which do so in a much slower, more sustained way. Supercapacitors have the ability to charge and discharge rapidly over very large numbers of cycles. However, because of their poor energy density per kilogramme (approximately just one twentieth of existing battery technology), they have, until now, been unable to compete with conventional battery energy storage in many applications.

Dr Brendan Howlin of the University of Surrey, explained: “There is a global search for new energy storage technology and this new ultra capacity supercapacitor has the potential to open the door to unimaginably exciting developments.”

The ground-breaking research programme was conducted by researchers at the University of Surrey’s Department of Chemistry where the project was initiated by Dr Donald Highgate of Augmented Optics Ltd. The research team was co-led by the Principal Investigators Dr Ian Hamerton and Dr Brendan Howlin. Dr Hamerton continues to collaborate on the project in his new post at the University of Bristol, where the electrochemical testing to trial the research findings was carried out by fellow University of Bristol academic – David Fermin, Professor of Electrochemistry in the School of Chemistry.

Dr Ian Hamerton, Reader in Polymers and Composite Materials from the Department of Aerospace Engineering, University of Bristol said: “While this research has potentially opened the route to very high density supercapacitors, these *polymers have many other possible uses in which tough, flexible conducting materials are desirable, including bioelectronics, sensors, wearable electronics, and advanced optics. We believe that this is an extremely exciting and potentially game changing development.”

*the materials are based on large organic molecules composed of many repeated sub-units and bonded together to form a 3-dimensional network.

Jim Heathcote, Chief Executive of both Augmented Optics Ltd and Supercapacitor Materials Ltd, said: “It is a privilege to work with the teams from the University of Surrey and the University of Bristol. The test results from the new polymers suggest that extremely high energy density supercapacitors could be constructed in the very new future. We are now actively seeking commercial partners [emphasis mine] in order to supply our polymers and offer assistance to build these ultra high energy density storage devices.”

I was not able to find a website for Augmented Optics but there is one for SuperCapacitor Materials here.