Tag Archives: University of British Columbia

Two May 31, 2016 talks (Why nuclear power is necessary and DNA is not destiny) in Vancouver, Canada

Both the upcoming science talks in Vancouver are scheduled for May 31, 2016. Isn’t that always the way?

Why nuclear power is necessary

This talk is being held by ARPICO (Society of Italian Researchers & Professionals in Western Canada). From the ARPICO event page,

Why Nuclear Power is Necessary

Presenter

Patrick Walden graduated with a B.Sc. in Physics from UBC and a Ph.D in Particle Physics from Caltech. His Post Doctoral research was done at the Stanford University Linear Accelerator (SLAC), and since 1974 he has been at TRIUMF here in Vancouver. Patrick has been active in the fields of pion photo-production, meson spectroscopy, the dynamics of pion production from nuclei, and nuclear astrophysics.

Abstract

Nuclear power is the second largest source of greenhouse gas emissions-free energy in the world. It supplies approximately 5% of the world’s total energy demand. Presently, human activity is on the brink of initiating a global greenhouse climate catastrophe unless we can limit our greenhouse gas emissions.

In this talk, Dr. Patrick Walden will examine the concerns about nuclear power and the reasons why, contrary to public perception, nuclear power is one of the safest, most economical, plentiful, and greenest sources of energy available.

Logistics

  • May 31, 2016 – 7:00pm
  • Roundhouse Community Centre – Room B – (181 Roundhouse Mews, Vancouver BC V6Z2W3)
  • Underground pay parking is available, access off Drake St. south of Pacific Blvd.
    Admission by donation. Q&A and complimentary refreshments follow. Registration is highly recommended as seating is limited. RSVP at info@arpico.ca or at EventBrite by May 28th, 2016.

A map for the location can be found here.

There is a Skytrain station nearbyYaletown-Roundhouse Canada Line Station

DNA is not destiny

This month’s Café Scientifique talk is being held in downtown Vancouver at Yaggers (433 W. Pender St.). Details of the talk are (from the May 13, 2016 email announcement,

… Our speaker for the evening will be Dr. Steven Heine, a Professor in the Department of Psychology at UBC [University of British Columbia]. The title of his talk is:

DNA is Not Destiny: How Essences Distort how we Think about Genes

People the world over are essentialist thinkers – they are attracted to the idea that hidden essences make things as they are. And because genetic concepts remind people of essences, they tend to think of genes in ways similar to essences. That is, people tend to think about genetic causes as immutable, deterministic, homogenous, discrete, and natural.  Dr. Heine will discuss how our essentialist biases lead people to think differently about sex, race, crime, eugenics, and disease whenever these are described in genetic terms. Moreover, Dr. Heine will discuss how our essentialistic biases make people vulnerable to the sensationalist hype that has emerged with the genomic revolution and access to direct-to-consumer genotyping services.

Logistics

Tuesday May 31st, 7:30pm at Yagger’s Downtown (433 W Pender).

I have found a little more information about Dr. Steven Heine and his work (from his University of British Columbia webpage),

Our lab is currently working on three distinct research programs, which we refer to as Cultural Psychology, Meaning Maintenance, and Genetic Essentialism.

Our third research program on genetic esssentialism considers how people understand essences and genetic foundations for human behavior. We propose that encounters with genetic explanations for human outcomes prompts people to think of those outcomes in essentiialized ways, by viewing those outcomes as more deterministic, immutable, and fatalistic. For example, we find that women are more vulnerable to stereotype threat when they hear of genetic reasons for why men outperform women in math than when they hear of environmental reasons for this difference. We also find that men are more tolerant of sex crimes when they learn of genetic basis for sexual motivations than when they hear of social-constructivist accounts. We are conducting several studies to explore the ways that people respond to genetic accounts for human conditions.

Have fun whichever one you choose to attend.

Café Scientifique (Vancouver, Canada) April 26, 2016 talk about why food security is contentious and TEDx East Van has some science speakers for April 23, 2016

Café Scientifique

It seems Vancouver’s (Canada) Café Scientifique has found a new venue after having to cancel last month’s (March 2016) talk when their previous venue, The Railway Club, abruptly closed its doors after some 80 years. The Big Rock Urban Brewery (310 West Fourth Avenue, just east of Cambie St.) is hosting the next Café Scientifique talk, from the April 6, 2016 notice received via email,

Our next café will happen on Tuesday April 26th, 7:30pm at Big Rock Urban Brewery. Our speaker for the evening will be Dr. Navin Ramankutty, a Professor of Global Food Security and Sustainability at UBC [University of British Columbia]. The title of his talk is:

A Framework for Understanding Why Food Security Discussions are Contentious

There is a contentious debate regarding the best approach to achieving food security in an environmentally sustainable and socially just manner. Some advocate for new technological systems, such as genetic modification or vertical farming, while others argue for organic agricuture or local food systems. Still others argue that agriculture does not need a revolution and that we simply need to improve current farming practices. Even the overall objectives are unclear, with some arguing that we need to double food production by 2050 while others suggest that we already have enough food on this planet to feed 10 billion. In this talk, I will use an assessment framework to explore the available evidence supporting or opposing the various claims about the most sustainable way to farm on our planet. The broad assessment offers some insights on why we argue about food security.

You can find out more about Dr. Ramankutty here,

Navin Ramankutty is Professor in Global Food Security and Sustainability, Liu Institute for Global Issues and Institute for Resources, Environment and Sustainability (IRES) at the University of British Columbia Vancouver campus. His research addresses the overarching question of how to improve food security for 9-10 billion people while reducing agriculture’s environmental footprint.  To address this challenge, he develops global data sets of agricultural land use practices, conducts global analysis of the environmental outcomes of agriculture (using statistical analysis and agroecosystem models), and identifies solutions and leverage points.

There is more about Raminkutty on his UBC Liu Institute profile page,

Navin Ramankutty is Professor in Global Food Security and Sustainability, Liu Institute for Global Issues and Institute for Resources, Environment and Sustainability (IRES) at the University of British Columbia Vancouver campus. His research addresses the overarching question of how to improve food security for 9-10 billion people while reducing agriculture’s environmental footprint.  To address this challenge, he develops global data sets of agricultural land use practices, conducts global analysis of the environmental outcomes of agriculture (using statistical analysis and agroecosystem models), and identifies solutions and leverage points.

TEDxEastVan 2016

This event is taking place Sunday, April 23, 2016 at the York Theatre from 9 am to 4:30 pm with an after party at the Big Rock Urban Brewery. For science types, two speakers are of particular interest, assuming they will be talking about science and not their personal life journeys From the TEDxEastVan 2016 Speakers page,

Dr. Sam Wadsworth

Sam is a scientist, inventor, and entrepreneur. He completed his Ph.D. in respiratory cell biology in the UK before relocating to Vancouver in 2007 to work as an academic researcher at St. Paul’s Hospital. In 2013, Sam co-founded a biotechnology company that uses a unique bioprinting technology that has the potential to revolutionise how we treat disease and the ageing process. He sees a future where human tissues can be provided on demand, where donor organs are built, not harvested, and where drugs are tested on bioprinted artificial tissues, not animals.

Dominic Walliman

Dominic Walliman is a physicist, and award-winning science writer. He received his PhD in quantum device physics from the University of Birmingham and currently works at D-Wave Systems Inc., a quantum computing company in Vancouver. Dominic grew up reading science books and remembers vividly the excitement of discovering the mind-boggling explanations that science gives us about the Universe. If he can pass on this wonder and enjoyment to the next generation, he will consider it a job well done.

There are 12 speakers in total and they are hoping for 250 audience members. The TEDxEastVan 2016 ticket page notes this,

TEDxEastVan is a day-long event that brings together creators, catalysts, designers, and thinkers to share their ideas on the TEDx stage. A day of listening that invites thought, discussion, and play — the TEDx talks are interspersed with activities, performances, and food worth eating. Our theme this year is “MOVE.”

TEDxEastVan is dedicated to discovering great ideas and sharing them with the rest of the world. Acting as a hub of energy and inspiration, the TEDxEastVan stage will bring unique thinkers together in a platform for sharing wisdom and experiences. It is a chance to welcome interesting people into the community and to showcase and celebrate the dynamic ideas which exist in East Vancouver.

WHAT’S INCLUDED IN YOUR TICKET?

  • Morning coffee/tea and light snack at the York Theatre during registration
  • SESSION ONE Talks and Performances inside the York Theatre
  • Lunchtime meal and drink at the Aboriginal Friendship Centre
  • Lunchtime activities at the Aboriginal Friendship Centre
  • SESSION TWO Talks and Performances inside the York Theatre
  • Afternoon break with coffee/tea and light snack at the Aboriginal Friendship Centre
  • SESSION THREE Talks and Performances inside the York Theatre

Your ticket will also include a free ticket to the Taste of East Van TEDxEastVan exclusive AFTER-PARTY at Big Rock Urban Brewery ( 310 W 4th Ave.). Ticket includes beer tastings from 13 East Van breweries that have partnered with the event, live musical and dance performances and plenty of snacks! Keep the conversation going with a chance to mingle directly with speakers, brewers, partners and the conference organizers.

We’re so looking forward to meeting you all! 🙂

ALL TICKET SALES END APRIL 15, 2016 AT 11:30PM PST.  << Updated
ALL TICKET SALES ARE FINAL. NO REFUNDS AT ANYTIME.

Tickets are $67.88 (student) and $83.40, respectively. I imagine taxes will be added.

Hopefully one or other of these events will appeal.

Café Scientifique on March 29, 2016 *(cancelled)* and a fully booked talk on April 14, 2016 in Vancouver, Canada

There are two upcoming science events in Vancouver.

Café Scientifique

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*Cancellation notice received via email March 29, 2016 at 1430 hours PDT:

Our sincerest apologies, but we have just received word that The Railway Club is shutting it’s doors for good, effective immediately.  Unfortunately, because of this tonight’s event is cancelled.  We will do our best to re-schedule the talk in the near future once we have found a new venue.

The Tues., March 29, 2016 (tonight) Café Scientifique talk at 7:30 pm,  Café Scientifique, in the back room of The Railway Club (2nd floor of 579 Dunsmuir St. [at Seymour St.]), has one of the more peculiar descriptions for a talk that I’ve seen for this group. From a March 1, 2016 announcement (received via e-mail),

Our speaker for the evening will be Dr. Jerilynn Prior.  Prior is Professor of Endocrinology and Metabolism at the University of British Columbia, founder and scientific director of the Centre for Menstrual Cycle and Ovulation Research (CeMCOR), director of the BC Center of the Canadian Multicenter Osteoporosis Study (CaMOS), and a past president of the Society for Menstrual Cycle Research.  The title of her talk is:

 

Is Perimenopause Estrogen Deficiency?

Sorting engrained misinformation about women’s midlife reproductive transition

43 years old with teenagers a full-time executive director of a not for profit is not sleeping, she wakes soaked a couple of times a night, not every night but especially around the time her period comes. As it does frequently—it is heavy, even flooding. Her sexual interest is virtually gone and she feels dry when she tries.

Her family doctor offered her The Pill. When she took it she got very sore breasts, ankle swelling and high blood pressure. Her brain feels fuzzy, she’s getting migraines, gaining weight and just can’t cope. . . .

What’s going on? Does she need estrogen “replacement”?  If yes, why when she’s still getting flow? Does The Pill work for other women? What do we know about the what, why, how long and how to help symptomatic perimenopausal women?

This description seems more appropriate for a workshop on women’s health for doctors and/or women going through ‘the change’.

Unveiling the Universe Lecture Series

This is a fully booked event but I suppose there’s always the possibility of a ticket at the last minute. From the 100 Years of General Relativity: From the Big Bang to Black Holes, Gravitational Waves and Interstellar on the University of British Columbia (UBC) website,

We invite you to join us for an evening with renowned theoretical physicist Kip Thorne.

100 years ago, Albert Einstein formulated his wildly successful general theory of relativity—a set of physical laws that attribute gravity to the warping of time and space. It has been tested with high precision in the solar system and in binary pulsars and explains the expansion of the universe. It even predicts black holes and gravitational waves. When combined with quantum theory, relativity provides a tentative framework for understanding the universe’s big-bang birth. And the equations that made Einstein famous have become embedded in our popular culture via, for example, the science fiction movie Interstellar.

In a captivating talk accessible to science enthusiasts of all ages, Professor Kip Thorne will use Interstellar to illustrate some of relativity’s deepest ideas, including black holes and the recent discovery of gravitational waves.

Professor Thorne of the California Institute of Technology is one of the world’s foremost experts on the astrophysics implications of Einstein’s General Theory of Relativity, including black holes—an expertise he used to great effect as scientific advisor to the movieInterstellar. Thorne was also one of the three principal scientists (with Rainer Weiss and Ron Drever) behind the LIGO experiment that recently detected gravitational waves, an achievement most expect will earn them a Nobel Prize.

Here are the details from the event page,

Speaker:

Dr. Kip Thorne

Event Date and Time:

Thu, 2016-04-14 19:0020:30

Location:

Science World (1455 Quebec St )

Local Contact:

Theresa Liao

Intended Audience:

Public

Despite the fact that are no tickets, here’s the registration link (in the hope they make a waiting list available) and more logistics,

Free Registration Required

Doors Open at 6:00PM
Lecture begins at 7:00pm

This event is organized by Science World, TRIUMF, and the UBC Department of Physics & Astronomy. It is part of UBC’s Centennial Celebration.

Sadly, I did not receive details and a link for registration in a more timely fashion although I was able to give readers a heads-up in a Jan. 22, 2016 posting. (scroll down about 25% of the way down).

Two tales of mashup visual art shows in Vancouver (Canada): part 2 of 2

Part 1 of this piece featured definitions for the word mashup and a commentary on the current (Jan. 23 – April 23, 2016 [ETA April 4, 2016: The show has been extended to Friday, May 20, 2016.]) Rennie Collection show which is a mashup in all but name. This part is going to focus on the Vancouver Art Gallery’s show ‘Mashup: The Birth of Modern Culture’ (Feb. 20 – June 12, 2016). There will also be mention of a couple of precursor mashup shows and there will be a few comments about artists, mashups, and curators.

Mashup: The Birth of Modern Culture

Immediately, you hear the sounds of the show bleeding into the Vancouver Art Gallery’s (VAG) lobby. With 371 works representing 156 artists, it is the largest and most ambitious show in the gallery’s  85-year (founded in 1931) history. (20% of the works are from the VAG’s collection and the other 80% are from elsewhere.)

The first mashup experience is a wall of screens (reminding me of a movie ‘The Man Who Fell to Earth’ starring David Bowie as an alien who like to watch multiple television sets arranged as a wall of screens) where pieces in the show flash on in a mesmerizing fashion. If you stay long enough in front of the bank of screens, you will see the entire show cycle through. It’s an appropriate beginning for a show that overwhelms the senses and in many ways reflects modern culture.

Each floor hosts a different ‘age’ with the first floor representing ‘The Digital Age: Hacking, Remix and the Archive in the Age of Post-Production’, the second floor the ‘Late Twentieth Century: Splicing, Sampling and the Street in the Age of Appropriation’, the third floor the ‘Post-War: Cut, Copy and Quotation in the Age of Mass Media, and the fourth floor the ‘Early Twentieth Century: Collage, Montage and Readymade at the Birth of Modern Culture. Somewhat counterintuitively you go backward in time.

The press tour I attended was trotted through the not quite ready for prime time show pretty briskly two days before the opening so your experience may vary from what I am about to describe. In fact, it’s a certainty it will, given the wealth of works shown.

By contrast with the Rennie Collection show which focused on social issues, this show is focused, although some of the artists do address social issues, on the art history of the last hundred years or so.

In a sense, Marcel Duchamp provides the through-line for the show. Sherrie Levine’s ‘urinal’ (cast in bronze with a gold patina) evokes the ‘original’ version in a fashion I read as teasing,

Sherrie Levine's Fountain (After Marcel Duchamp).

Sherrie Levine’s Fountain (After Marcel Duchamp), 1991, cast bronze and artist’s wooden base,Glenstone Photo: Tim Nightswander/Imaging4Art.com

Here’s an image of the original,

The original Fountain by Marcel Duchamp photographed by Alfred Stieglitz at the 291 (Art Gallery) after the 1917 Society of Independent Artists exhibit. Stieglitz used a backdrop of The Warriors by Marsden Hartley to photograph the urinal. The entry tag is clearly visible. [downloaded from https://en.wikipedia.org/wiki/Fountain_%28Duchamp%29]

The original Fountain by Marcel Duchamp photographed by Alfred Stieglitz at the 291 (Art Gallery) after the 1917 Society of Independent Artists exhibit. Stieglitz used a backdrop of The Warriors by Marsden Hartley to photograph the urinal. The entry tag is clearly visible. [downloaded from https://en.wikipedia.org/wiki/Fountain_%28Duchamp%29]

Here’s a description of the ‘fountain’ and its place in contemporary art history, from the Fountain (Duchamp) entry in Wikipedia (Note: Links have been removed),

Fountain is a 1917 work produced by Marcel Duchamp. The piece was a porcelain urinal, which was signed “R.Mutt” and titled Fountain. Submitted for the exhibition of the Society of Independent Artists, in 1917, the first annual exhibition by the Society to be staged at The Grand Central Palace in New York, Fountain was rejected by the committee, even though the rules stated that all works would be accepted from artists who paid the fee. Fountain was displayed and photographed at Alfred Stieglitz’s studio, and the photo published in The Blind Man, but the original has been lost. The work is regarded by art historians and theorists of the avant-garde, such as Peter Bürger, as a major landmark in 20th-century art. 17 replicas commissioned by Duchamp in the 1960s now exist.[2]

Mashup has a Marcel Duchamp ‘fountain’ on the VAG’s fourth floor. Levine’s piece can be found on the second floor. So, this Duchamp ‘throughline’ takes us almost from the present into the past.

One installation that seemed interesting but wasn’t ready at the preview was a music room (on the second floor) featuring David Byrne’s and Brian Eno’s album, ‘My Life in the Bush of Ghosts’. The album’s Wikipedia entry has this (Note: Links have been removed),

Recorded by Eno and Byrne in between their work on Talking Heads projects, the album combines sampled vocals, African rhythms, found sounds, and electronic music,[6] and has been called a “pioneering work for countless styles connected to electronics, ambience, and Third World music”.[2] The extensive use of sampling on the album is widely considered ground-breaking and innovative, though its actual influence on the sample-based music genres that later emerged continues to be debated.[7][8]

Also on the second floor is a roomlet of bookcases (floor to ceiling) featuring copies of a 1376-page book titled ‘S, M, L, XL’.  by Rem Koolhaus (internationally renowned Dutch architect) and Bruce Mau, a Canadian graphic designer. It made a bit of a splash when it was published in 1995 but its Wikipedia entry is somewhat muted. Perhaps its prominence in Mashup is in part due to Mau’s Massive Change show which was premiered at the Vancouver Art Gallery in October 2004.

One of my favourite pieces (due to its bright colours and movement) was by Robert Rauschenberg, [Revolver II] on the third floor,

Rauschenberg – Revolver II – Silk screen on plexiglass – 1967 Courtesy: fibonaccisusan

Rauschenberg – Revolver II – Silk screen on plexiglass – 1967 Courtesy: fibonaccisusan

This piece has an interesting history as described in a Jan. 25, 2014 (?) post by Susan Happersett on her fibonaccisusan website concerning Math Art,

E.A.T Experiments in Art and Technology 1960 – 2014 is the current exhibition on display at the Payne Gallery at Moravian College in Bethlehem, Pennsylvania. This small show documents the collaborations of artists with scientists and engineers from Bell Labs in NJ. Two Bell Labs engineers, Billy Kluver and Fred Waldhauer, started working with artists, providing them access to the newest technology. In 1966 they helped bring together 30 scientists and engineers with 11 artists to produce a cutting edge performance art series called 9 Evenings: Theater and Engineering in NYC. Through these partnerships, the engineers were trying to do two things. They wanted to address the effects of technology on society, and they were looking for new ways to explore this technology. Not all of the work was performance art, it also included  sculpture, drawing and architecture.

What does this have to with Math Art? If you look at the time line for these collaborations you see that in 1966 computers were the new technology. Some of the art work done in these experiments was based on Mathematical algorithms.

Robert Rauschenberg

Robert Rauschenberg was one of the artists closely involved with E.A.T. One of his projects was a series of six “Revolvers”. “Revolver II” from 1967 is on display in the center of the gallery. It consists of 5 plexiglass circles that have been printed with silk screen. They rotate independently when one of five buttons is pushed. Because the circles are transparent, the different rotations (1, 2, 3, 4, or 5 circles at a time) create interesting geometric patterns.

‘Revolver II’ has a control box so you can push a switch and make things happen.

While it’s not stated explicitly, technology is an important motif in this show as the technologies of different periods make some of these art pieces and installations possible.

While the infamous (in some circles) Duchamp ‘Fountain’ can be found on the fourth floor, it was another of Duchamp’s pieces there which caught my attention. ‘La boîte-en-valise’ largely because it reminded me of a dollhouse. New York’s Museum of Modern Art (MOMA) devotes a webpage to the ‘boîte’,

Duchamp’s Boîte-en-valise, or box in a suitcase, is a portable miniature monograph including sixty-nine reproductions of the artist’s own work. Between 1935 and 1940, he created a deluxe edition of twenty boxes, each in a brown leather carrying case but with slight variations in design and content. A later edition consisting of six different series was created during the 1950s and 1960s; these eliminated the suitcase, used different colored fabrics for the cover, and altered the number of items inside. Each box unfolds to reveal pull-out standing frames displaying Nude Descending a Staircase and other works, diminutive Readymades hung in a vertical “gallery,” and loose prints mounted on paper. Duchamp included in each deluxe box one “original.” In The Museum of Modern Art’s Boîte-en-valise, this is a hand-colored print depicting the upper half of The Bride Stripped Bare by her Bachelors, Even, or Large Glass (1915-23). Among the reproductions found in the box is L.H.O.O.Q., a rectified Readymade created by taking a cheap print of the Mona Lisa and adding a moustache, goatee, and lascivious pun (understood when the letters L-H-O-O-Q are pronounced rapidly in French to mean “she’s got a hot ass”). Duchamp’s boxes, along with his altered Mona Lisa, address museums’ ever-increasing traffic in reproductions and question the relative importance of the “original” work of art.

Here’s an image of one of the many ‘boxes’ appearing in an April 20, 2012 article by Brady Carlson for New Hampshire Public Radio,

Marcel Duchamp, Box in a Valise (Boîte-en-valise, Series F), 1966, mixed-media assemblage. Courtesy Hood Museum of Art

Marcel Duchamp, Box in a Valise (Boîte-en-valise, Series F), 1966, mixed-media assemblage.
Courtesy Hood Museum of Art

The ‘boîte’ in the VAG’s Mashup came from the Art Gallery of Ontario and according to the show’s lead curator, Bruce Grenville, this is the last time, due to fragility, the piece will be loaned out.

Commentary

Both the Rennie Collection’s ‘untitled’ mashup and the VAG’s ‘Birth of Modern Culture’ mashup are overwhelming experiences. The issues raised in Rennie’s curatorial outing (it took him five years and it’s his first attempt) are difficult, complex, and, at times, quite confronting. And while art history might seem like a more sedate topic, the VAG’s mashup (10 years from when Grenville first had the idea including three years to execute the plan) reflects the frenetic, frantic pace and noise (both literally and informationwise) of contemporary life. Both shows do beg repeat viewings.

These shows also pose a question about the role of artists and the role of curators. If a mashup, as I noted in part one, “… is when you bring together multiple source materials to create something new” and curators are bringing these pieces together to create something new, then is the curator also the artist?

Rennie could argue that he has brought pieces together in a way which reflects each artist’s concerns and demonstrates how different artists approach the same social issues. So, he’s less an artist and more a curator who has found a way to highlight each artist while reflecting contemporary concerns.

By contrast, the curators at the VAG (Bruce Grenville, Daina Augaitis, and Stephanie Rebick took a creator’s approach to their show and in some ways could be viewed as subverting the artists.

Rennie and the VAG curators have facilitated their own subversion as viewers mentally construct their own show from the works on display. While, it could be said that viewers always construct their own shows, the sheer number of pieces in the VAG’s Mashup and Rennie’s ‘untitled chaos’ demand it.

Previous Vancouver art gallery/museum mashups

Surrey Art Gallery (Surrey is in the Vancouver metropolitan area) had a mashup in 2007, Cultural Mashups, Bhangra, Bollywood + Beyond (PDF). Plus the University of British Columbia’s Museum of Anthropology had a mashup show sometime in the mid-1980s that was a revelation to me. Objects were brought together in completely unexpected ways to showcase similarities of disparate cultures across time. Sadly, I don’t recall the title of the show.

Going to the Rennie Collection and VAG shows

As noted in part one, you have to book a tour for the Rennie Collection but the show is free. Scheduled tours are given on Saturdays, Sundays, and Thursdays.

The VAG show costs $24 for adults and $55 for families. Seniors and students do get a break, it’s $18 for them. In addition seniors (65+) can pay by donation from 10 am to 1 pm on Mondays: March 7, 2016, April 4, 2016, May 2, 2016, and June 6, 2016. There are no show passes but you can purchase a membership which if you go often enough to the VAG can be a good deal. Tuesday nights used to feature a donation entry fee after 5 pm but that seems to have been eliminated.

Reviews and commentaries from elsewhere

Robin Laurence who writes about visual art for the Georgia Straight newspaper and many other publications has two pieces, a Feb. 10, 2016 preview of the show (MashUp charts modern culture’s mad mixing; The Vancouver Art Gallery’s monumental new show links everyone from Picasso to Basquiat and Tarantino) and a Feb. 23, 2015 review (MashUp reveals the pivotal role of women in pioneering of modern art methods). I particularly appreciated this bit in her review,

Despite the large number of women among the show’s 28 collaborating curators, female artists are dramatically underrepresented in MashUp. By my count, they number 36 out of the 156 listed in the show’s media kit. Nonetheless, an interesting subtheme emerges here: the important, if not always acknowledged, role women played in pioneering collage and photomontage techniques.

On the VAG’s fourth floor, where the early-modernist works are installed, a couple of didactic panels alert us to the photo-collages that were produced by aristocratic English women during the Victorian era. “Decades before the collage experiments of…the 20th century European avant-garde,” the text tells us, “the manipulation of photographs had already become a popular technique.”

The greatly enlarged example of a genteel-pastime precursor to photomontage is a late-1870s work by Kate Edith Gough. Her homely watercolour scene of a pond is given a surreal twist by cut-out photos of women’s heads mounted onto the necks of painted ducks. The effect is unsettling–a precursor to surrealism.

The show doesn’t allude at all to Mary Delany, the 18th-century “gentlewoman” credited with inventing mixed-media collage, an art form she described as “paper-mosaicks”. An accomplished amateur artist, Delany created, in her 70s and 80s, an extraordinary series of botanical drawings using cut paper and watercolour mounted on a black ground. (Not only are they extremely beautiful and dazzlingly detailed, they are also scientifically accurate.) But perhaps she was too botanically inclined and too far in advance of the modern era to be considered here—more’s the pity.

Point taken Ms. Laurence and just in time for International Women’s Day, March 8, 2016.

Kevin Griffin of the Vancouver Sun chimes in with a Feb. 23, 2016 review on his blog where he provides more information about the Sherrie Levine piece mentioned earlier in this part,

An example of how the idea of the readymade has changed over time is Fountain (after Marcel Duchamp) by Sherrie Levine. Unlike Duchamp’s urinal, Levine’s wasn’t bought in a store but is a copy cast in bronze, a traditional sculptural material. By 1991 when she made the work, Levine appropriated Duchamp’s original but made it out a material that suggests that what was once a radical art gesture has now become tamed by art history.

While the VAG show received extensive coverage internationally prior to its opening, as of this day, March 8, 2016, I haven’t found many reviews other than a few local ones and one in the national newspaper, the Globe and Mail, by Marsha Lederman in a March 4, 2016 article,

During a period of intense experimentation between 1912 and 1914, Picasso and Georges Braque began to incorporate non-traditional materials in their compositions – wallpaper, newspapers, musical scores and other found materials – essentially inventing collage. This launches an entirely new mode of representation, something that will take on many forms and terms – assemblage, collage, détournement, appropriation, sampling, ripping and hacking (to name a few).

The impact of this radical move was tremendous and the VAG show demonstrates that it has reached far beyond visual art. You see it in architecture and design, in film; you hear it in music – an interconnectedness that links artists, eras, genres and mediums.

“Everything you see around you is really based in a kind of mashup, remix, sampling kind of sensibility,” says Grenville, who conceived the exhibition.

“We do like to encompass the historical but to see it from the contemporary perspective. And so trying to make sense out of mashup culture, we had to go back in time to see it and to understand: Where does this originate? How is it connected?”

The impact of this radical move was tremendous and the VAG show demonstrates that it has reached far beyond visual art. You see it in architecture and design, in film; you hear it in music – an interconnectedness that links artists, eras, genres and mediums.

“Everything you see around you is really based in a kind of mashup, remix, sampling kind of sensibility,” says Grenville, who conceived the exhibition.

“We do like to encompass the historical but to see it from the contemporary perspective. And so trying to make sense out of mashup culture, we had to go back in time to see it and to understand: Where does this originate? How is it connected?”

The exhibition is organized chronologically in four sections, each with its own floor. On the first floor, the contemporary – the digital age. Here you can lie back on blue pillows in German filmmaker Hito Steyerl’s video installation Liquidity Inc. (2014) and let the story of economic loss, mixed martial arts – and water – wash over you; blue judo mats act as sound buffers, also part of the installation.

You can watch an armed Ronald McDonald take Big Boy hostage in French graphics and animation studio H5’s animated short Logorama (2009) – which uses more than 2,500 logos.

While there are a few others, the last review I’m including here is Helen Wong’s March 2, 2016 article for Sad Mag (Note: I found her article on March 7, 2016 after I finished my set of impressions and found she and I shared more than one; we have not communicated with each other),

In the exhibition preview Grenville stated their goal was to ensure their visitors would return again and again. By creating such a massive and comprehensive show, there is no choice but to return. Frankly, going and seeing the exhibition in one go is overwhelming and exhausting. [emphasis mine] There is so much work to see that by the time you finish, your thoughts resemble the mashup of the exhibition. In a way, the design of the exhibition presents a mashup in itself where hundreds of works are presented to the viewer, giving you the responsibility of picking out what’s important. I found that this also mirrors modern day society as information and images are given to us at a speed quicker than ever. We are prone to distraction as our attention spans decline.

What follows is a segue of sorts into the New York art scene which disconcertingly brings to mind the current situation with the VAG’s interest in moving to a purpose-built space and its current show.

Contemporary art museum scene

For anyone who’s interested in the Vancouver art scene, it’s hard to miss the Vancouver Art Gallery’s current drive to raise $350M for a new space. This desire for a newer, bigger box is not confined to Vancouver as Jerry Saltz points out in his April 19, 2015 piece for the Vulture where he explores the drive for bigger and better in New York City’s art scene (Note: Links have been removed),

… museums have changed — a lot. Slowly over the past quarter-century, then quickly in the past decade. These changes have been complicated, piecemeal, and sometimes contradictory, with different museums embracing them in different ways. But the transformation is visible everywhere. Put simply, it is this: The museum used to be a storehouse for the art of the past, the display of supposed masterpieces, the insightful exploration of the present in the context of the long or compressed histories that preceded it. Now — especially as embodied by the Tate Modern [Note: The Swiss architects responsibe for the Tate Modern have been retained for the proposed new VAG space], Guggenheim Bilbao, and our beloved MoMA — the museum is a revved-up showcase of the new, the now, the next, an always-activated market of events and experiences, many of which lack any reason to exist other than to occupy the museum industry — an industry that critic Matthew Collings has called “bloated and foolish, corporatist, ghastly and death-ridden.”

The list of fun-house attractions is long. At MoMA, we’ve had overhyped, badly done shows of Björk and Tim Burton, the Rain Room selfie trap, and the daylong spectacle of Tilda Swinton sleeping in a glass case. This summer in London you can ride Carsten Höller’s building-high slides at the Hayward Gallery — there, the fun house is literal. Elsewhere, it is a little more “adult”: In 2011, L.A.’s MoCA staged Marina Abramovic’s Survival MoCA Dinner, a piece of megakitsch that included naked women with skeletons atop them on dinner tables where attendees ate. In 2012, the Los Angeles County Museum of Art paid $70,000 for a 21-foot-tall, 340-ton boulder by artist Michael Heizer and installed it over a cement trench in front of the museum, paying $10 million for what is essentially a photo op. Last year, the Museum of Contemporary Art in Chicago mounted a tepid David Bowie show, which nevertheless broke records for attendance and sales of catalogues, “limited-edition prints,” and T-shirts. Among the many unfocused recent spectacles at the Guggenheim were Cai Guo-Qiang’s nine cars suspended in the rotunda with lights shooting out of them. The irony of these massively expensive endeavors is that the works and shows are supposedly “radical” and “interdisciplinary,” but the experiences they generate are closer, really, to a visit to Graceland — “Shut up, take a selfie, keep moving.”

In this way, an old museum model has been replaced by another one. Museums that were roughly bookish, slow, a bit hoity-toity, not risk-averse but careful, oddly other, and devoted to reflection, connoisseurship, cultivation, and preservation (mostly of the past but also of new great works) — these museums have transformed into institutions that feel faster, indifferent to existing collections, and at all times intensely in pursuit of new work, new crowds, and new money. We used to look at these places as something like embodiments and explorations of the canon — or canons, since some (MoMA’s and Guggenheim’s modernism collections) were narrower and more specialized than others (the Met’s, the Louvre’s). But whatever long-view curating and collecting museums do now — and many of them still do it well — the institutions that are sucking up the most energy are the ones that have made themselves into platforms for spectacle, as though the party-driven global-art-fair feeding frenzy had taken up residence in one place, and one building, permanently. Plus, accessibility has become everything. More museums are making collections available online — sad to say, art is sometimes better viewed there than in the flesh, thanks to so much bad museum architecture and so little actual space to display permanent collections. Acousti­guides have become more and more common, and while there’s much good they can do, it often seems their most important function is crowd control — moving visitors through quickly to make room for the next million.

The museums of New York can already feel alien with this new model taking over. And we’re really at the beginning rather than the end of the transformation. All four of Manhattan’s big museums — the Met, MoMA, the Whitney, and the Guggenheim — have undertaken or are involved in massive expansion, renovation, and rebuilding. …

It’s a fascinating read for its perspective on the New York art and international art scenes. Well worth reading.

Final words

After reading Saltz’s piece and recalling the VAG’s expansionist plans, I am beginning to wonder if their Mashup spectacle is a precursor for their future contributions to Vancouver’s art scene. Is quiet contemplation going to disappear from our public galleries and museums?

Part 1 which includes definitions for mashups and a review of the Jan. 23 – April 23, 2016 [ETA April 4, 2016: The show has been extended to Friday, May 20, 2016.] is here.

University of British Columbia gets $3.5M in funding for nanoscience and other sciences

One-third to one-half of the researchers getting grants are working on nanotechnology projects. From a March 1, 2016 University of British Columbia (UBC) news release (received via email),

Research into forest renewal, quantum computer nanotechnology, solar power, high-tech manufacturing, forestry products and the Subarctic ocean climate gained a boost today, with the announcement of $3.5 million in funding for six UBC projects from the Natural Sciences and Engineering Research Council of Canada (NSERC).

The funding comes from NSERC’s Strategic Partnership Grants, which support scientific partnerships to strengthen the Canadian economy, society and environment.

Konrad Walus, Associate Professor, Department of Electrical and Computer Engineering

A framework for embedding, simulation and design of computational nanotechnology using a quantum annealing processor [emphasis mine] — $394,500

This project will work with Quantum Silicon Inc. [emphasis mine] to conduct experiments that provide better insight into the potential of quantum computing, and will develop design rules for future designers of the technology.

Alireza Nojeh, Professor, Department of Electrical and Computer Engineering

Thermionic solar energy converter — $510,500

In close collaboration with four Canadian industrial partners, this project will establish a novel approach to solar electricity generation using recent discoveries in nanostructured materials.

With mention of quantum annealing, I would have expected their industrial partner to be D-Wave Systems, a Vancouver-based company which has gotten a lot of attention for its quantum annealing processor (a Dec. 16, 2015 post titled: Google announces research results after testing 1,097-qubit D-Wave 2X™ quantum computers is one of my most recent pieces about the company). The company mentioned, Quantum Silicon, is based in Alberta.

There is one project where I believe at least some of the work is being done at the nanoscale or less (from the March 1, 2016 news release0,

Harry Brumer, Professor, Michael Smith Laboratories at UBC

Biorefining of novel cellulosics from forest fibre resources — $532,812

Working with a Canadian forest products company, this project will use genomic and biochemical methods to develop new technology for wood-fibre modification.

And for the curious, here are the other projects (from the March 1, 2016 news release),

Suzanne Simard, Professor, Department of Forest and Conservation Sciences

Designing successful forest renewal practices for our changing climate — $929,000

This project will investigate novel forest renewal methods, and establish recommendations for best harvesting and regeneration practices under changing climate conditions.

Chadwick Sinclair, Professor, Faculty of Applied Science – Materials Engineering

Through-process modeling for optimized electron beam additive manufacturing — $484,400

Working in collaboration with Canadian electron-beam processor PAVAC Industries Inc. [emphasis mine], this project will develop a through-process model for additive manufacturing that will link machine control to material microstructure and properties.

Philippe Tortell, Professor, Department of Earth, Ocean and Atmospheric Sciences

Quantifying climate-dependent and anthropogenic impacts on ecosystem services in the Subarctic Pacific Ocean; State-of-the-art observational tools to inform policy and management — $707,100

University scientists and Fisheries and Oceans Canada will use field-based observations to generate satellite-based models of ecosystem productivity to examine fish yields and environmental variability.

PAVAC Industries is headquartered in Richmond, BC, Canada,.

Congratulations to the researchers!

Café Scientifique (Vancouver, Canada) and human-robot collaboration on Feb. 23, 2016

On Tuesday, February 23, 2016 at 7:30 pm,  Café Scientifique, in the back room of The Railway Club (2nd floor of 579 Dunsmuir St. [at Seymour St.]), will be hosting a talk on human-robot collaboration (from the Feb. 3, 2016 announcement),

Our speaker for the evening will be Dr. Elizabeth A. Croft.  The title of her talk is:

Up Close and Personal with Human-Robot Collaboration

Advances in robot control, sensing and intelligence are rapidly expanding the potential for close-proximity human-robot collaborative work. In many different contexts, from manufacturing assembly to home care settings, a robot’s potential strength, precision and process knowledge can productively complement human perception, dexterity and intelligence to produce a highly coupled, coactive, human-robot team. Such interactions, however, require task-appropriate communication cues that allow each party to quickly share intentions and expectations around the task. These basic communication cues allow dyads, human-human or human-robot, to successfully and robustly pass objects, share spaces, avoid collisions and take turns – some of the basic building blocks of good, safe, and friendly collaboration regardless of one’s humanity. In this talk we will discuss approaches to identifying, characterizing, and implementing communicative cues and validating their impact in human-robot interaction scenarios.

Dr. Croft was featured here previously in a June 7, 2013 posting when she gave a talk titled, Transforming Human-Robot Interaction and again in a July 23, 2013 post about a gender workshop in engineering. Here’s an excerpt from Dr. Croft’s webpage on the University of British Columbia Faculty of Applied Science Engineering Dept. webspace,

Elizabeth Croft is Associate Dean, Education and Professional Development for the Faculty of Applied Science, director of the Collaborative Advanced Robotics and Intelligent Systems Lab, and a registered Professional Engineer in the Province of British Columbia. Her research investigates how robotic systems can operate efficiently and effectively in partnership with people, in a safe, predictable, and helpful manner. She is author of over 120 refereed publications in robotics, controls, visual servoing and human robot interaction. Applications of this work range from manufacturing assembly to healthcare and assistive technology and her work has been funded by industry partners including Thermo-CRS, General Motors and Hyundai Heavy Industries. She received a Peter Wall Early Career Scholar Award in 2001, and an NSERC Accelerator Award in 2007, and a YWCA Women of Distinction Award in 2013. She was named Fellow of Engineers Canada (2008) and of the American Society of Mechanical Engineers (2009), and one of WXN’s top 100 most powerful women in Canada (2014).

Enjoy!

University of British Columbia (Canada) researchers reverse coating process: a smart window story?

It’s nice to see that the science writing at the University of British Columbia (UBC) has gone up a notch if a Feb. 11, 2016 news release (original received via email; see also a Feb. 11, 2016 news item on Nanowerk and EurekAlert) is any indication,

Imagine if the picture window in your living room could double as a giant thermostat or big screen TV. A discovery by researchers at the University of British Columbia has brought us one step closer to this becoming a reality.

Researchers at UBC’s Okanagan campus in Kelowna found that coating small pieces of glass with extremely thin layers of metal like silver makes it possible to enhance the amount of light coming through the glass. This, coupled with the fact that metals naturally conduct electricity, may make it possible to add advanced technologies to windowpanes and other glass objects.

“Engineers are constantly trying to expand the scope of materials that they can use for display technologies, and having thin, inexpensive, see-through components that conduct electricity will be huge,” said UBC Associate Professor and lead investigator Kenneth Chau. “I think one of the most important implications of this research is the potential to integrate electronic capabilities into windows and make them smart.” [!]

The next phase of this research, added Chau, will be to incorporate their invention onto windows with an aim to selectively filter light and heat waves depending on the season or time of day.

The theory underlying the research was developed by Chau and collaborator Loïc Markley, an assistant professor of engineering at UBC. Chau and Markley questioned what would happen if they reversed the practice of applying glass over metal—a typical method used in the creation of energy efficient window coatings.

“It’s been known for quite a while that you could put glass on metal to make metal more transparent, but people have never put metal on top of glass to make glass more transparent,” said Markley. “It’s counter-intuitive to think that metal could be used to enhance light transmission, but we saw that this was actually possible, and our experiments are the first to prove it.”

This work from UBC comes on the heels of a University of Alberta team rethinking the architecture for thin film transistors  (a Feb. 10, 2016 posting).

Getting back to UBC, here’s a link to and a citation for the paper,

Layers by Coatings of Opposing Susceptibility: How Metals Help See Through Dielectrics by Mohammed Al Shakhs, Lucian Augusto, Loïc Markley, & Kenneth J. Chau. Scientific Reports 6, Article number: 20659 (2016) doi:10.1038/srep20659 Published online: 10 February 2016

This is an open access paper.

My most recent post about smart windows (a longstanding obsession) is a Jan. 21, 2016 piece featuring a UK technology that combines self-cleaning and temperature control properties for a possible market introduction in the next three to five years.

Science events (Einstein, getting research to patients, sleep, and art/science) in Vancouver (Canada), Jan. 23 – 28, 2016

There are five upcoming science events in seven days (Jan. 23 – 28, 2016) in the Vancouver area.

Einstein Centenary Series

The first is a Saturday morning, Jan. 23, 2016 lecture, the first for 2016 in a joint TRIUMF (Canada’s national laboratory for particle and nuclear physics), UBC (University of British Columbia), and SFU (Simon Fraser University) series featuring Einstein’s  work and its implications. From the event brochure (pdf), which lists the entire series,

TRIUMF, UBC and SFU are proud to present the 2015-2016 Saturday morning lecture series on the frontiers of modern physics. These free lectures are a level appropriate for high school students and members of the general public.

Parallel lecture series will be held at TRIUMF on the UBC South Campus, and at SFU Surrey Campus.

Lectures start at 10:00 am and 11:10 am. Parking is available.

For information, registration and directions, see :
http://www.triumf.ca/saturday-lectures

January 23, 2016 TRIUMF Auditorium (UBC, Vancouver)
1. General Relativity – the theory (Jonathan Kozaczuk, TRIUMF)
2. Einstein and Light: stimulated emission, photoelectric effect and quantum theory (Mark Van Raamsdonk, UBC)

January 30, 2016 SFU Surrey Room 2740 (SFU, Surrey Campus)

1. General Relativity – the theory (Jonathan Kozaczuk, TRIUMF)
2. Einstein and Light: stimulated emission, photoelectric effect and quantum theory (Mark Van Raamsdonk, UBC)

I believe these lectures are free. One more note, they will be capping off this series with a special lecture by Kip Thorne (astrophysicist and consultant for the movie Interstellar) at Science World, on Thursday, April 14, 2016. More about that * at a closer date.

Café Scientifique

On Tuesday, January 26, 2016 at 7:30 pm in the back room of The Railway Club (2nd floor of 579 Dunsmuir St. [at Seymour St.]), Café Scientifique will be hosting a talk about science and serving patients (from the Jan. 5, 2016 announcement),

Our speakers for the evening will be Dr. Millan Patel and Dr. Shirin Kalyan.  The title of their talk is:

Helping Science to Serve Patients

Science in general and biotechnology in particular are auto-catalytic. That is, they catalyze their own evolution and so generate breakthroughs at an exponentially increasing rate.  The experience of patients is not exponentially getting better, however.  This talk, with a medical geneticist and an immunologist who believe science can deliver far more for patients, will focus on structural and cultural impediments in our system and ways they and others have developed to either lower or leapfrog the barriers. We hope to engage the audience in a highly interactive discussion to share thoughts and perspectives on this important issue.

There is additional information about Dr. Millan Patel here and Dr. Shirin Kalyan here. It would appear both speakers are researchers and academics and while I find the emphasis on the patient and the acknowledgement that medical research benefits are not being delivered in quantity or quality to patients, it seems odd that they don’t have a clinician (a doctor who deals almost exclusively with patients as opposed to two researchers) to add to their perspective.

You may want to take a look at my Jan. 22, 2016 ‘open science’ and Montreal Neurological Institute posting for a look at how researchers there are responding to the issue.

Curiosity Collider

This is an art/science event from an organization that sprang into existence sometime during summer 2015 (my July 7, 2015 posting featuring Curiosity Collider).

When: 8:00pm on Wednesday, January 27, 2016. Door opens at 7:30pm.
Where: Café Deux Soleils. 2096 Commercial Drive, Vancouver, BC (Google Map).
Cost: $5.00 cover (sliding scale) at the door. Proceeds will be used to cover the cost of running this event, and to fund future Curiosity Collider events.

Part I. Speakers

Part II. Open Mic

  • 90 seconds to share your art-science ideas. Think they are “ridiculous”? Well, we think it could be ridiculously awesome – we are looking for creative ideas!
  • Don’t have an idea (yet)? Contribute by sharing your expertise.
  • Chat with other art-science enthusiasts, strike up a conversation to collaborate, all disciplines/backgrounds welcome.
  • Want to showcase your project in the future? Participate in our fall art-science competition (more to come)!

Follow updates on twitter via @ccollider or #CollideConquer

Good luck on the open mic (should you have a project)!

Brain Talks

This particular Brain Talk event is taking place at Vancouver General Hospital (VGH; there is also another Brain Talks series which takes place at the University of British Columbia). Yes, members of the public can attend the VGH version; they didn’t throw me out the last time I was there. Here’s more about the next VGH Brain Talks,

Sleep: biological & pathological perspectives

Thursday, Jan 28, 6:00pm @ Paetzold Auditorium, Vancouver General Hospital

Speakers:

Peter Hamilton, Sleep technician ~ Sleep Architecture

Dr. Robert Comey, MD ~ Sleep Disorders

Dr. Maia Love, MD ~ Circadian Rhythms

Panel discussion and wine and cheese reception to follow!

Please RSVP here

You may want to keep in mind that the event is organized by people who don’t organize events often. Nice people but you may need to search for crackers for your cheese and your wine comes out of a box (and I think it might have been self-serve the time I attended).

What a fabulous week we have ahead of us—Happy Weekend!

*’when’ removed from the sentence on March 28, 2016.

Summer camp, science blogging, and algae eyes: Nerd Nite Vancouver (Canada), Jan. 19, 2016

H/t to the Jan. 14-21, 2016 issue (events/timeout p. 10) of the Georgia Straight for pointing to a Jan. 19, 2016 event focused, mostly, on science (from the vancouver.nerdnite.com webpage listing Nerd Nite Vancouver events),

Nerd Nite Vancouver v16

2016 is looking bright for nerds and we’re here to kick it off with some amazing speakers and our favourite beverage – beer! Join us or a pint and a New Year of Nerdery at our local haunt.

Where: The Fox Cabaret

When: Tuesday January 19th, Doors @ 7; Talks @ 7:30

Tickets: as low as $5 online; $9 at the door

#1 The Examination of Bill Murray’s Meatball and the Evolution of Nerds: SummerCamp 101

Jeff Willis

What does Bill Murray, Meatballs and Nerd Evolution have in common? Summer Camp! Buckle your seat belt, open your cranium and roll up your sleeves as we take an introspective and hilarious indepth [sic] journey of relating Bill Murray’s movies to the design and flavor of a meatball wrapped up with the birthing of nerds. How can it be? Nerds, camp and Bill Murray…WTF…what the fun!  Jeff Willis is a giant camp geek and ready to share his thesis of the evolution of a nerd through the lens of summer camp. Geeking about camp at Nerd Nite.

Bio: Since 1991, Jeff (aka Willy), has been developing and leading various camps, expeditions and outdoor programs throughout Canada, Japan, Germany and the Arctic. His love of outdoor education coupled with formal training and years of experience in youth and family work led him to create and work at numerous camps such as Camp Fircom, Camp Suzuki and Fireside Avdentures. He is the quintessential camp director – an energetic leader, creating meaningful experiences for campers and having a load of fun along the way!

#2 Ever Wonder about Science Blogging?

Dr. Raymond Nakamura

In this experimental presentation, we are going to develop an outline for a science blog and a cartoon to go with it. At the beginning, I will exploit the curiosity of the audience to develop a topic. In the middle, I will mine the knowledge and perhaps smart phones of the audience to flesh out an outline. And in the end, I will tap into the imagination and humour of the audience to create a related science cartoon. Come see if this experiment blows up in my face and perhaps learn a little about science communication in the process.

Bio: Raymond Nakamura spends most of his time walking the dog, washing dishes, and helping his daughter with homework. As Head of Raymond’s Brain, he creates blog posts for Science World, co-hosts a podcast for the Nikkei National Museum, writes exhibit text and develops educational programs. He is an editor and cartoonist for the Science Borealis Canadian science blog site, an executive for the Lower Mainland Museum Educators group, and author of a picture book called Peach Girl. Twitter stalk him @raymondsbrain.

#3 The Seas Have Eyes

Dr. Greg Gavelis

Gaze into the algae and the algae gaze back into you. Discover why this bizarre statement is true as we learn about the scientific pursuit of a single cell said to have a human-like eye. In this process, we will explore the controversy and lurid details behind a lost branch of evolutionary theory, and perhaps find an answer to the question “Just how did eyes evolve, anyway?”

Bio: Greg Gavelis works at UBC [University of British Columbia], researching evolutionary cell biology. His findings have been featured in the journals Nature and National Geographic online.  In the past, Greg has accrued further nerd points through his Harry Potter themed wedding, collection of magic cards, inhalers and orthodontia, and was once hospitalized by a squirrel.

Online tickets are still available, as of 1740 PST on Jan. 18, 2016.

#BCTECH: preview of Summit, Jan. 18 – 19, 2016

It is the first and it is sold out. Fear Not! I have gotten a press pass so I can investigate a bit further. In the meantime, #BCTECH Summit 2016 is a joint venture between the province of British Columbia (BC, Canada) and the BC Innovation Council (BCIC), a crown corporation formerly known as the Science Council of British Columbia.  A Jan 6, 2016 BCIC news release tells the story,

With less than two weeks to go and tickets 95% sold out, world-renowned keynote speakers will reinforce technology’s increasing economic and social impact to more than 2,000 people during B.C.’s first #BCTECH Summit on Jan. 18 & 19, 2016.

With Microsoft confirmed as the title sponsor, the summit will feature numerous dynamic keynote speakers:

  •  Ray Kurzweil, inventor, futurist—described as “the restless genius”, with predictions that will change how people think about the future.
  •  Andrew Wilson, CEO, Electronic Arts—named one of the top people in business by Fortune magazine.
  •  T.K. “Ranga” Rengarajan, corporate vice-president, Microsoft—will explore how technology and the cloud is empowering Canadians and changing how we do business and interact in the digital world.
  •  Elyse Allan, president and CEO, GE Canada—named one of the 25 most powerful people in Canada.
  •  Eric Ries, pioneer of the Lean Startup movement—a new approach to business that’s being adopted around the world; changing the way companies are built and new products are launched.

In addition, panel discussions featuring B.C. business leaders and global thought leaders will explore the latest trends, including fintech, cleantech, big data and cyber security.

A technology showcase will feature B.C.’s most innovative technology at work, including robots, 3D printing and electric cars. A new exhibit, the 4D Portal, will take delegates on a journey of B.C. tech, from deep below the earth’s surface into outer space.

More than 500 high school and post-secondary students will also take part in the summit’s career showcase featuring speakers and exhibitors sharing the latest information about technology as a career choice that pays, on average, 60% more than the B.C. average.

As part of the career showcase, nearly 200 high school students will participate in a coding camp and learn basic coding skills. The coding camp will also be offered via live webcast so schools throughout the province can participate.

A key component of the summit will profile venture capital presentations made by 40 promising small- to medium-sized B.C. companies aiming to attract investors and proceed to the next stage of development.

B.C.’s technology sector, a key pillar of the BC Jobs Plan, is consistently growing faster than the economy overall. Its continued growth is integral to diversifying the Province’s economy, strengthening B.C.’s business landscape and creating jobs in B.C. communities.

The new $100 million venture capital BC Tech Fund, announced Dec. 8, 2015, is the first pillar of the comprehensive #BCTECH Strategy to be released in full at B.C.’s first #BCTECH Summit, Jan. 18 – 19, 2016. The conference is presented by the B.C. government in partnership with the BC Innovation Council (BCIC). To register or learn more, go to: http://bctechsummit.ca

Quotes:

Minister of Technology, Innovation and Citizens’ Services, Amrik Virk –

“Strengthening our technology sector is part of our commitment to support our diverse economy. The summit provides an unprecedented opportunity for like-minded individuals to get together and discuss ways of growing this sector and capitalizing from that growth.”

President and CEO, BCIC, Greg Caws –

“We are pleased to provide British Columbians from across the province with the opportunity to explore how technology impacts our lives and our businesses. Above all, the #BCTECH Summit will be a catalyst for all of us to embrace technology and an innovation mindset.”

President, Microsoft Canada, Janet Kennedy –

“Microsoft is proud to be the title sponsor of the #BCTECH Summit—an event that showcases B.C.’s vibrant technology industry. We are excited about the growth of B.C.’s tech sector and are pleased that we’re expanding our developer presence in Vancouver and supporting Canadian private and public sector organizations through our investments in Canadian data centres.”

Quick Facts:

  •  The technology sector directly employs more than 86,000 people, and wages for those jobs are 60% higher than B.C.’s industrial average.
  •  B.C.’s technology sector is growing faster than the overall economy. In 2013, it grew at a rate of 4.7%, higher than the 3.2% growth observed in the provincial economy.
  •  In 2013, the technology sector added $13.9 billion to B.C.’s GDP.
  •  B.C.’s 9,000 technology companies combined generated $23.3 billion in revenue in 2013.
  •  New technology companies are emerging at increasing rates throughout the province. In 2013, there was an addition of more than 700 new technology companies in B.C., an increase of 8% over the prior year.

I’m not a big fan of Kurzweil’s but the man can sell tickets and, in days past, he did develop some important software. You can find out more about him on his website and critiques can be found here on Quora, as well as, a thoughtful Nov. 5, 2012 piece by Gary Marcus for the New Yorker about Kurzweil’s latest book (“How to Create a Mind: The Secret of Human Thought Revealed”).

As for me, I’m most interested in the trade show/research row/technology showcase. Simon Fraser University sent out a Jan. 14, 2016 news release highlighting its participation in the trade show and summit (weirdly there was nothing from the other major local research institution, the University of British Columbia),

Simon Fraser University is a gold sponsor of the #BCTECH Summit a new two-day event presented by the B.C. government and the BC Innovation Council to showcase the province’s vibrant technology sector

 

Simon Fraser University will be highly visible at the inaugural #BCTECH Summit taking place on January 18-19 at the Vancouver Convention Centre.

 

In addition to technology displays from student entrepreneurs at the SFU Innovates booth, SFU research will be featured at both the Technology Showcase and Research Row. [emphasis mine] SFU representatives will be on hand at the Career Showcase to speak to secondary and post-secondary students who are interested in the industry. And several investment-ready companies affiliated with SFU will be pitching to elite investors.

 

During the summit, entrepreneurs, investors, researchers, students and government will explore new ideas on how to gain a competitive advantage for B.C. The event will spark discussion on directions for the province’s rapidly developing high tech sector, while several streams will illustrate and share new innovations.

 

“This event provides us with an opportunity to showcase how SFU students, faculty, alumni and client companies are stimulating innovation and creating jobs and opportunities for British Columbia,“ says SFU Vice-President Research Joy Johnson. “And it highlights the work we’ve been doing to inspire, develop and support impact-driven innovation and entrepreneurship through SFU Innovates.”

 

SFU Innovates was launched in October to synergize and strengthen the university’s activities and resources related to community and industry engagement, incubation and acceleration, entrepreneurship and social innovation.

 

Johnson will introduce the summit’s keynote address by Eric Ries, Silicon Valley entrepreneur and author of The Lean Startup, on How today’s Entrepreneurs Use Continuous Innovation to Create Radically Successful Businesses, on Jan. 18 [2016] at 10:45 a.m.

 

SFU Faculty of Applied Sciences professor Ryan D’Arcy will be a panelist at a session titled Industry Deep Dive – Healthcare, moderated by Paul Drohan, CEO, Life Sciences BC, on Jan. 19 [2016] at 11 a.m. He will share how Surrey’s thriving Innovation Boulevard (IB) is progressing. SFU is a founding partner of IB and contributes via the university’s research strengths in health and technology and its focus on health tech innovation.

 

Steven Jones, an SFU professor of molecular biology and biochemistry, and associate director and head of bioinformatics at the Michael Smith Genome Sciences Centre, BCCA [BC Cancer Agency], will participate on a panel titled Shaping the Future of Health, on Jan. 19 [2016] at 2:15 p.m., to be moderated by the Honourable Terry Lake, Minister of Health.

 

And Igor Faletski, CEO of Mobify (and an SFU alumnus) will participate in the “Why BC?” session to be moderated by Bill Tam, CEO of BCTIA [BC Technology Industry Association], on Jan. 18 [2016] at 11:30 a.m.

 

Students and delegates will also have the opportunity to explore the various research and technology showcases.

 

Backgrounder: SFU Innovations at #BCTECH Summit

 

Research Row

 

4D LABS will showcase how it has helped B.C.’s academic and industry tech clients turn their ideas into innovations. The facility has been instrumental in bringing numerous ideas out of the lab and into the marketplace, advancing a diverse range of technologies, including fuel cells, batteries, biosensors, security devices, pharmaceutical delivery, MEMS, and many more. As B.C.’s premier materials research institute, the open-access, $65 million state-of-the-art facility has helped to advance nearly 50 companies in the local tech sector.

 

• SFU researchers led by JC Liu of the Faculty of Applied Sciences will display their cloud gaming platform, Rhizome, utilizing the latest hardware support for both remote servers and local clients. The platform takes the first step towards bridging online gaming systems and the public cloud, accomplishing ultra-low latency and resulting in a low power consumption gaming experience. Their demo shows that gaming over virtualized cloud can be made possible with careful optimization and integration of different modules. They will also introduce CrowdNavigation, a complementary service to existing navigation systems that combats the “last mile puzzle” and helps drivers to determine the end of routes.

 

Molescope is a hand held tool that uses a smartphone to monitor skin for signs of cancer. The device is based on research that Maryam Sadeghi conducted during her doctoral studies at SFU and commercialized through her company, MetaOptima Inc., a former SFU Venture Connection client. The product was unveiled at the World Congress of Dermatology in 2015 and is also now available at the consumer level. Molescope enables people to monitor their moles and manage skin health.

 

Technology Showcase

 

• Engineering science professors Siamak Arzanpour and Edward Park will showcase their Wearable Lower Limb Anthropomorphic Exoskeleton (WLLAE) – a lightweight, battery-operated and ergonomic robotic system to help those with mobility issues improve their lives. The exoskeleton features joints and links that correspond to those of a human body and sync with motion. SFU has designed, manufactured and tested a proof-of-concept prototype and the current version can mimic all the motions of hip joints. Researchers anticipate the next generation of this system early this year. The prototype will be live-demoed as an example of a breakthrough innovation.

 

Venture Capital Presentations

 

Several SFU-affiliated companies were selected to present investment pitches to local and international venture capitalists at the summit, including:

 

H+ Technology, creator of Holus, an interactive, tabletop holographic platform that converts any digital content from your tablet, smartphone, PC or Mac into a 360-degree holographic experience. H+ was co-founded by three SFU alumni and was a former client company of the SFU incubator at the Harbour Centre campus.

 

Optigo Networks, a VentureLabs® client company that delivers next-generation security for the commercial Internet of Things.

 

Saltworks Technologies Inc., provider of advanced water treatment solutions and a company founded by two graduates of SFU’s Management of Technology MBA program.

 

Semios, a VentureLabs® client company and emerging leader in agricultural technology innovation.

 

VeloMetro Mobility Inc., a former SFU Venture Connection and current VentureLabs® client company with the mission to provide people with human-powered vehicles that parallel automobile functionality for urban use.

 

SFU Innovates Trade Show will include:

 

• H+ Technology (see above)

 

Shield X Technology, creators of Brainshield™, an impact-diverting decal for sports helmets that is the result of six years of R&D at SFU’s School of Mechatronics Systems Engineering at the Surrey campus. An SFU spinout, it is a current VentureLabs® client company.

 

• Acceleration Innovations, creator of Birth Alert, the first ever app-enabled, automatic and wireless contraction-monitoring device. Acceleration Innovations was founded by a team of students from the Technology Entrepreneurship@SFU program.

 

ORA Scents, a mobile device company created by an SFU Beedie School of Business undergrad student, that is introducing the world’s first app-enabled scent diffuser that enables users to create, control and share personalized scents in real-time. [Sounds like oPhone mentioned in my June 18, 2014 posting.)

 

Also presenting at the VentureLabs area within the BC Accelerator Network Pavilion will be: PHEMI Health Systems, Semios, XCo, U R In Control, TeamFit, Instant, Wearable Therapeutics, V7 Entertainment, ThinkValue, and Aspect Biosystems. Lungpacer Medical and Metacreative, both companies formed around SFU faculty research, will also have exhibits.

 

Prize draws will be held for projects from RADIUS Slingshot ventures The Capilano Tea House & Botanical Soda Co. and Naked Snacks.

I’m particularly interested in what 4D Labs is doing these days. (They used to brand themselves as a nanotechnology laboratory but they’ve moved on to what they see as more sophisticated branding. I’m just curious. Have they changed focus or is it nanotechnology under a new name?)