I have news about two April 2018 events in the US.
It’s been a while since I’ve featured a Woodrow Wilson International Center for Scholars event. I’d forgotten about this one but, since it was postponed due to weather issues, I’ve gotten another chance (from a March 28, 2018 Woodrow Wilson Center announcement received via email),
For over thirty years, women have remained noticeably underrepresented in science, technology, engineering and mathematics (STEM) fields. Women make up more than half of college-educated workers but only 25% of college-educated STEM workers – in some fields, such as computer science, women make up only 18.1% of earned bachelor’s degrees. Missing half of the talent pool impacts our potential competitiveness and innovation in a technology-driven economy. But the real problems may begin once women enter a STEM career.
Once in a STEM career, women continue to face obstacles that prevent them from advancing in their career at the same rate as their male colleagues. From hiring practices to workplace culture, multiple factors create barriers that prevent women from achieving fulfilling and successful careers. The capacity of women in STEM to excel in their chosen careers impacts the pipeline for emerging women leaders in these fields, and if these barriers persist, the number of women in the pipeline will not be able to grow.
In order to open up pathways to leadership for more women in STEM, we must ask the question: What are those barriers? And more importantly, what can we do about them?
In honor of Women’s History Month, please join the Wilson Center’s Science and Technology Innovation Program, Women in Public Service Project and Serious Game Initiative for a conversation with women leaders in STEM on the barriers and opportunities for women in STEM, and the actions that can be taken to achieve true gender parity in these fields.
Elizabeth Newbury, Director of the Serious Games Initiative
Eleanor Haller-Jorden, Global Fellow, President & CEO, The Paradigm Forum, GmbH
Mayra N. Montrose, Program Executive for Earth Science Flight Missions in the Science Mission Directorate (SMD) of NASA
Carol O’Donnell, Director of the Smithsonian Science Education Center
This event was rescheduled from its original date of March 21, 2018
Logistics and registration information,
Not having previously encountered the Wilson Center’s Serious Games Initiative, I looked up Elizabeth Newbery’s (session moderator) webpage on their site,
Elizabeth Newbury is the Director and Program Associate for the Serious Games Initiative for the Wilson Center, leading Wilson’s use of games in engaging the public around policy research. She has a PhD and Masters degree from the Department of Communication at Cornell University, where her research interests revolved around understanding multiple dimensions of gaming audiences and the surrounding culture of those who play video games. Her dissertation was a multi-method, cross-discplinary interrogation of the public consumption of games and the use of gaming in day-to-day practices, specifically in the context of esports. She has presented her research before both academic audiences and public audiences, ranging from the International Communication Association and the Association of Internet Researchers to the Serious Play Conference.
As lead of the Serious Games Initiative, she leverages games as a tool for the public communication of science and policy research. Current projects include the Fiscal Ship, a game about the federal budget developed and maintained in collaboration with the Hutchins Center on Fiscal and Monetary Policy with the Brookings Institute. Collaborating across the Wilson Institution, her current works in progress include games pertaining to cybsercurity to the history of nuclear proliferation to polar initiatives. Under her leadership, SGI is pursuing how public policy and science can come together in an interactive platform to increase public dialogue and engagement around timely and critical issues of today.
Onto the second event,
New York City
Every once in a while I get an unexpected email and this one was a delightful surprise as it combines an art installation, intellectual property law, and a legal performance piece (from a March 30, 2018 galeplstonpc.com announcement),
I Speak for the Trees:
A Mock Trial
Wednesday, April 25, 2018 | 6:00 PMLocation: Jacob Burns Moot Court Room, Cardozo School of Law
2018 A Blade of Grass Fellow Aviva Rahmani is creating Blued Trees Symphony, an ecological artwork made with the intention of using copyright law (VARA) to defend land in New York, Virginia, and West Virginia that is subject to eminent domain because of proposed natural gas pipelines.
The Cardozo School of Law Environmental Law Society; Art Law Society; and Intellectual Property Student Association welcome us to the Jacob Burns Moot Court Room for a mock trial that will explore whether the status of the artwork under VARA trumps eminent domain takings by corporations. Experienced VARA litigator Gale Elston (Cardozo alumna) will represent the artist.
This program is free and open to the public, but space is limited! Please RSVP to email@example.com. If you’re unable to join us in person, stay tuned to our Facebook page for a live stream of the event!
Ecological artist Aviva Rahmani is the inaugural ABOG Fellow for Contemplative Practice, in partnership with the Hemera Foundation. This targeted fellowship supports artists who work with the intersection of social practice and contemplative practice. Rahmani’s The Blued Trees and The Blued Trees Symphony projects have been installed and copyrighted in the path of natural gas pipelines across miles of North America. The work has gained international attention and support, including Fellowships from the New York Foundation for the Arts and A Blade of Grass. Rahmani holds a PhD from Plymouth University, UK in environmental sciences, technology and studio art and has produced over twenty one-hour raw Gulf to Gulf sessions on climate change viewed from eighty-five countries. “Trigger Points/ Tipping Points,” a precursor to Gulf to Gulf,premiered at the 2007 Venice Biennale.
Gale P. Elston is an art attorney who has represented artists, art institutes, and non-profits for over twenty-five years as an advocate for artists’ rights. Three of her cases are featured in the Art Law Handbook, including a VARA based case establishing new law for the rights of artists. She has litigated many VARA cases in the Federal Southern District Court of New York. Her cases have obtained monetary awards for artists whose work has been damaged, modified or harmed. She has served on the board of numerous art related non-profits, including WhiteBox, (Re)Create Artist In Residency Program, and Faith Ringgold’s Any Child Can Fly Foundation, and as a Trustee for the Marin Headlands Artist in Residency Program. She has served to promote numerous artists’ rights pro bono, and represented notable artists including Carolee Schneeman, Phillip Pavia, Faith Ringgold, Ida Applebroog, and Hans Van de Bovenkamp, among others.
We’re grateful that this program is made possible in part by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; the support of the American Chai Trust; and, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.
I’m particularly interested in this approach to pipeline protests as my home province (British Columbia, Canada) i s currently in a fight with two other provinces (Alberta and Saskatchewan), as well as, our federal government where the usual tactics (protests, jail the time and interprovincial trade wars [see: March 29, 2018 Financial Post article by Geoffrey Morgan], etc.) are being used. Maybe it’s time to apply a little more imagination to the protests in British Columbia.
*’property’ added to title of blog posting on April 5, 2018 3:30 pm PDT.