Author Archives: Maryse de la Giroday

Canadian Science Policy Centre: call for editorials, March and April 2026 panels and more

A March 12, 2026 Canadian Science Policy Centre (CSPC) notice (received via email) announces a number of upcoming virtual panels and more,

Call for Editorial Series on “Defence Industrial Strategy and Strengthening Canada’s R&D and Innovation Capacities”

CSPC is excited to announce a call for editorials entitled  “Defence Industrial Strategy and Strengthening Canada’s R&D and Innovation Capacities.” The Canadian government has recently unveiled their Defence Industrial Strategy (DIS), which promises to increase government investment in defence-related research and development (R&D) by ~85% over the next decade. This call seeks perspectives on how DIS and increased investments can strengthen Canada’s innovation ecosystem. The submission deadline is Wednesday, April 15, 2026.

Submit an Editorial

Panel and Short Talk Submission Open for CSPC [Canadian Science Policy Conference] 2026

Don’t miss your opportunity to join the action-oriented conversation at the 18th Canadian Science and Innovation Policy Conference, CSPC 2026, this November 25-27, 2026 at the Fairmont Château Laurier in Ottawa.

With the overarching theme “Sovereignty by Design: Mobilizing Action to Reshape Canada’s Science, Technology, and Innovation Capacity,” CSPC 2026 reflects a time of geopolitical realignment, fiscal constraint, productivity challenges, and rapid technological disruption during which Canada must strategically mobilize its full knowledge base to advance national priorities.

The deadline to submit a Proposal or Short Talk is Wednesday, April 15, 2026.

Learn more about CSPC 2026 Panel and Short Talk Submission and Submit a Proposal

Upcoming Virtual Panels

March 19 [2026]: Future Leaders in Canadian Brain Research: Building Canadian Research Capacity in a Shifting Global Landscape

Join us for a virtual panel that brings together Canadian brain research leaders for a discussion on strengthening Canada’s research ecosystem on Thursday, March 19, 2026, at 12:00 – 1:30 PM ET.

Register (For Free)

March 24 [2026]: Comment le Canada peut tirer parti de son bilinguisme pour renforcer sa collaboration scientifique et technologique à l’échelle mondiale

CSPC Celebrates “la journée de la francophonie”. Join us for a panel discussion on how Canada can leverage its bilingualism as a strategic asset to strengthen international scientific and technological collaboration and partnerships on Tuesday, March 24, 2026, at 1:00 – 2:00 PM ET. This virtual panel will be held in French.

Register (For Free)

April 8 [2026]: Decentralizing Data for Climate‑Smart Research: Policy, Infrastructure, and Trust

Join us for a panel on how decentralized data systems can help Canada securely share research data while protecting sovereignty, trust, and community control on Wednesday, April 8, 2026 from 2-3:30 pm EST, organized by Genome Canada.

Register (For Free)

April 16 [2026]: Canada, South Africa, Astronomy, and the SKAO: a Strategic Research Partnership

Join us for a panel on how Canada’s participation in the Square Kilometre Array Observatory can strengthen strategic research and science policy collaboration with South Africa while addressing challenges in access, capacity, and international partnership on Thursday, April 16, 2026, at 12:00 – 1:30 PM EST, organized by Queen’s University.

Register (For Free)

Science Meets Parliament

Meet the Delegates: Science Meets Parliament BC and ON 2026

The SMP program for BC has been set for April 27-28, 2026, and Ontario for May 5-6, 2026.

View the SMP-BC 2026 Delegates

View the SMP-ON 2026 Delegates

That’s a lot of science policy.

Author Cixin Liu on why Chinese sci-fi (science fiction) like Netflix’s 3 Body Problem is booming

Yesterday (March 11, 2026) I published a post about a new project being funded by the European Research Council (ERC) titled, SINOFANTASY – Studying Imaginative Otherworlds: Chinese Fantasy Fiction, Literary Politics, and Media Creativity.

Today (March 12, 2026) I have a story about Chinese science fiction from the Canadian Broadcasting Corporation’s (CBC) radio programme, Ideas by Nicola Luksic, which was published online on September 2, 2025, Note: the radio interview is embedded in the article,

Chinese science fiction is booming, and this makes total sense to globally renowned sci-fi writer Cixin Liu. 

“Science fiction is different from traditional literature in that it can only prosper in the fastest developing, modernizing countries,” said Liu, speaking through a translator from his home in Tianjin — a city about 140km south west of Beijing.

Liu is the author of The Three-Body Problem — a trilogy adapted into a quarter-billion dollar eight-part Netflix series. 

The first installment of Three Body Problem was published in China in 2006, and translated into English in 2014. In 2015 it was the first Chinese book to win the Hugo Award — essentially the Nobel Prize for science fiction. 

Luksic\s September 2, 2025 article features some interesting comments from Liu,

Sci-fi tends to thrive in burgeoning empires [emphasis mine], observes Liu, pointing to the birth of popular sci-fi in 9th-century Britain and the flourishing of American sci-fi in the 1950s and ’60s. 

Now the prosperity of science fiction is happening in China [emphasis mine], which is closely related to China’s rapid modernization,” said Liu. 

“It is impossible for science fiction to prosper in a backward and slow-developing country. The prosperity of science fiction in China should be inseparable from the background of China’s rapid development, and it is this big era that is driving it.”

Liu grew up in the 1960s and witnessed massive social, technological and economic change through the Cultural Revolution to today. 

“The social changes we witnessed from childhood to adulthood were probably the greatest in human history,” he said.

“This is not an exaggeration; the world around us during our childhood and adolescence is totally two worlds, and now Chinese society is still in rapid development, which makes Chinese society full of a very strong futuristic feeling, and this feeling provides a fertile soil for the development of science fiction literature.

“I think this is the most fundamental reason for the popularity of science fiction literature in China.”

I wonder if Liu is hinting at or predicting a ‘Chinese century’ or a ‘Chinese millenium’. Liu’s claims seem a little facey to me but that doesn’t mean he’s wrong.

The September 2, 2025 article delves into the publishing environment in China,

All publications in China are subject to review by the General Administration of Press and Publication before they can be sold on the mass market. It has the authority to censor and ban books deemed to be critical of the government, or books that promote what it sees as western values.

But that does not significantly limit the complexity of social issues and layers of story that can be told through sci-fi, according to PhD student Zichuan Gan. Originally from China’s Fujian province he is pursuing his PhD thesis in comparative literature at the University of Toronto. 

“There is a very hot discussion about how Chinese science fiction is inherently non-binary,” said Gan.

“Non-binary not only in the sense of gender, not just two genders, but also in the way we think about things. Instead of putting things into black and white categories like male or female, human or machines, west or east, Chinese science-fiction often shows that reality and life are more mixed and complicated.”

,,,

… he also points to the moral complexity of the main characters in The Three-Body Problem.

“When Western readers read Chinese science fiction, they very often assume like, ‘oh, this work has some political meaning’, but in many cases it’s not black and white, it is not propaganda, and this non-binary feature is worth discussing.”

Gan is particularly interested in how ethical questions about the promise of technology are introduced, developed and explored in Chinese sci-fi. Having grown up in a part of China that took on a lot of the world’s e-waste over the past two decades, he is wary of what’s called ‘techno-fetishism.’ Something he defines as “a tendency to view technology as something detached from society, something immaterial, something magical.”

“Technology is not neutral,” said Gan. “We often hear that technology is just a tool and the only thing that matters is how we use technology. But in reality, who designs technology and what purpose it serves all shape the final product.”

Here’s one last bit from the September 2, 2025 article and it’s about the history of science fiction in China,

While Chinese sci-fi is flourishing in the 21st century, the genre’s roots in the country go back to the late 1880s and into the early 20th century as the imperial period ended. 

“Everything was in turmoil. The dynasties that had been in place for thousands of years were suddenly crumbling. People didn’t know what to do,” said Ari Heinrich, professor of Chinese literature and media at the Australian National University.

“Science fiction was on the table as a way of introducing technology to build better tools for society,” said Heinrich. “So people were deeply invested in a kind of nationalist way in what kind of technologies were out there and science fiction was a way to imagine what those technologies could be.”

[see article for image] First published in the 1880s, the fantastical illustrated journal Dianshizhai Pictorial, published three times a month out of Shanghai. (Wikimedia/Free Domain)

“It was an illustrated, widely circulated journal, and you can see these pictures in it of bizarre flying machines, like a ship in the sky with wings, but also, you know, a hot air balloon that is clearly based on an actual one,” said Heinrich. 

“So from a very early period people were writing stories that had all kinds of actual technology in it, even if it was tweaked and made weird, but it was still somehow grounded in a desire to improve Chinese capacity. And you could say that’s still going on now.”

If you have time, do check out the September 2, 2025 article and/or the embedded Ideas podcast/radio programme.

I have a few previous posts about Chinese science fiction and Chinese fantasy literature, Note: For those who are unfamiliar with the genres, they are often linked together as a category or in a story,

  • Chen Qiufan, garbage, and Chinese science fiction stories (May 31, 2019 posting)
  • Telling stories about artificial intelligence (AI) and Chinese science fiction; a Nov. 17, 2020 virtual event (November 16, 2020 posting)
  • The science in science fiction television (scroll down to “3 Body Problem (television series)” (June 27, 2024 posting)
  • SINOFANTASY – Studying Imaginative Otherworlds: Chinese Fantasy Fiction, Literary Politics, and Media Creativity (March 11, 2026 posting)

Given how important Korean pop culture has been internationally, it seems surprising that I haven’t stumbled across Korean science fiction/fantasy.

SINOFANTASY – Studying Imaginative Otherworlds: Chinese Fantasy Fiction, Literary Politics, and Media Creativity

A European Research Council (ERC) grant to study SINOFANTASY has been awarded to a University of Freiberg (Germany) researcher. (I’ve seen Chinese science fiction discussed but not Chinese fantasy. Glad to see this as there’s often crossover between the genres.) Here’s more from a September 9, 2025 University of Freiberg press release (also on EurekAlert but published September 10, 2025), Note: Links have been removed,

Sinologist and junior professor Dr. Jessica Imbach from the University of Freiburg has been awarded a Starting Grant by the European Research Council (ERC). With her funded project SINOFANTASY – Studying Imaginative Otherworlds: Chinese Fantasy Fiction, Literary Politics, and Media Creativity, Imbach is investigating the development and significance of Chinese fantasy and science fiction literature since the 1990s. The grant covers five years and amounts to approximately 1.4 million euros.

Fantasy literature as a mirror of social transformation

The project aims to develop a well-founded theory of Chinese fantasy as a mirror and medium of social transformation. “I am investigating, for example, how cultural identity, historical images and visions of the future are negotiated in Chinese fantasy literature. This genre has become one of the most popular forms of entertainment in China,” says Imbach. “Some texts are formally innovative and experimental, creating alternative views of history or speculative forms of society, while others follow conservative narrative patterns. My project therefore asks: What themes, conflicts and worldviews are negotiated in these texts? And what social negotiation processes are reflected in this literary form?”

Digital encyclopaedia on fantasy literature planned

In addition to literary texts, the project explores how speculative storytelling affects concepts such as authorship and digital participation in an authoritarian media system. “The ERC Starting Grant now gives me the opportunity to systematically explore the diverse media, social and political dimensions of Chinese fantasy with a larger team and a long-term perspective,” Imbach emphasises. In addition, a digital encyclopaedia of contemporary Chinese fantasy is to be developed. The project thus not only contributes to literary and Chinese studies, but also makes complex cultural processes accessible to a broad public.

The ERC Starting Grant
The European Research Council (ERC) supports outstanding scientists in carrying out groundbreaking research projects by providing highly competitive funding.ERC Starting Grants are aimed at innovative scientists in the early stages of their scientific careers who have already gained two to seven years of experience after completing their doctorates and would like to establish their own research group. Applications can be submitted from all research areas. Scientists can receive funding of up to 1.5 million euros over a period of five years for their projects.

For more information 

  • Jessica Imbach’s website https://uni-freiburg.de/sinologie/einrichtung-und-personen/junprof-dr-jessica-imbach/
  • Dr. Jessica Imbach received the Margarete von Wrangell funding https://uni-freiburg.de/en/margarete-von-wrangell-fellowship-for-research-on-new-media-in-china/

You can find the project description for “Studying Imaginative Otherworlds: Chinese Fantasy Fiction, Literary Politics, and Media Creativity” here.

As to the popularity of SINOFANTASY, there’s this about Ne Zha 2 from its Wikipedia entry, Note: Links have been removed,

Ne Zha 2 (Chinese: 哪吒之魔童闹海; pinyin: Nézhā zhī Mótóng nào hǎi; also known as 哪吒2; Nézhā èr)[5] is a 2025 Chinese adult animated adventure fantasy action film written and directed by Jiaozi. The direct sequel to Ne Zha (2019),[6] it is based on the Chinese mythological character and Xu Zhonglin’s 16th-century novel Investiture of the Gods (Fengshen Yanyi).[6] The film takes up the story of Chinese mythological character Ne Zha and his friend Ao Bing. After a sacrifice, only Ne Zha’s body can be recreated, although he carries Ao Bing’s spirit within. Ne Zha calls on this spirit in his fight against Master Shen.

Ne Zha 2 was released in theaters across China on 29 January 2025, coinciding with the first day of the Chinese New Year.[7] Like its predecessor, the film received highly positive reviews from critics, and achieved even greater commercial success at a gross of $2.2 billion[8] worldwide against a production budget of US$80 million. Ne Zha 2 broke numerous box office records inside and outside China, including becoming the highest-grossing film in a single box office territory, the highest-grossing animated film, being the first adult animated film in this position, the highest-grossing non-English language film and the first animated film in history to cross the $2 billion mark, as well as being the highest-selling animated film based on ticket sales. It also ranks as the highest-grossing film of 2025 and the fifth-highest-grossing film of all time.[9] [emphasis mine] A sequel is in development.

The highest grossing film of 2025, worldwide! H/t to Lainey Gossip’s March 14, 2025 blog posting by Sarah.

Now,I’ve stumbled across what seems to be an increasing interest in SINOFANTASY (more specifically, science fiction),

  • Chen Qiufan, garbage, and Chinese science fiction stories (May 31, 2019 posting)
  • Telling stories about artificial intelligence (AI) and Chinese science fiction; a Nov. 17, 2020 virtual event (November 16, 2020 posting)
  • The science in science fiction television (scroll down to “3 Body Problem (television series)” (June 27, 2024 posting)

Making museums more ‘touchable’

Children naturally learn by building foam compositions on this interactive sculpture. Maja Baska Photography

Sanné Mestrom’s (Senior Lecturer, DECRA Fellow, Sydney College of the Arts, University of Sydney) September 2, 2025 essay for The Conversation explores the importance of touch where visual art is concerned and describes an exhibition she developed for the National Gallery of Australia (NGA), Note: Links have been removed,

Walk into most art galleries with children, and you’ll hear the familiar refrain “look but don’t touch”. This instruction reveals something troubling about how cultural institutions understand learning. Museums have become temples to visual consumption, where knowledge is received through eyes rather than constructed through bodies.

This fundamentally misunderstands how humans learn – and what we deny young people when we privilege looking over all other forms of engagement.

At my exhibition The Whole is Greater Than the Sum of Her Parts, I have watched visitors consistently spend significantly longer with touchable elements compared to visual-only displays. Visitors engaging tactilely ask fundamentally different questions, too, moving from “what is this?” to “how was this made?” and “what if I tried…?”

So what happens when we design cultural spaces honouring the full range of human learning capacities?

Touch reveals what eyes miss

My exhibition includes bronze reliefs visitors can touch while viewing corresponding paintings. This simple addition reveals artistic knowledge that visual observation alone cannot provide.

Take a moment I witnessed with the work The Weight of Connection, where a child placed her hands on reliefs while looking at paintings.

These bronze sculptures translate semi-abstract paintings into three-dimensional form, but with a twist. What appears to recede in the painting might actually protrude in the bronze relief.

“This looks like the background, but it feels raised,” she said, as her fingers traced raised areas that appeared sunken in the painting. Suddenly she had to work harder to understand what was actually happening, comparing what her eyes told her with what her hands discovered.

This is spatial reasoning in action: understanding emerging not from a single sense, but from reconciling conflicting information.

The exhibition’s large playable sculpture, Ludic Folly, transforms semi-abstract figurative forms into an interactive adventure. Visitors climb, rest and navigate space. I repeatedly observe children and adults having “aha moments” as physical position fundamentally changes their understanding of sculptural forms.

Mestrom’s exhibition ran from May 31 to September 21, 2025, which means that a visit to Australia now will not yield an experience at “The Whole is Greater Than the Sum of Her Parts” but there are still materials available online via the National Gallery of Australia’s Sanné Mestrom, The Whole is Greater than the Sum of Her Parts Learning Resources webpage, Note: Links have been removed,

This catalogue and learning resource has been written by artist Sanné Mestrom offering essays, activities, and inquiry questions designed to complement her work The Whole is Greater than the Sum of Her Parts. This resource aims to deepen understanding of how art challenges traditional perspectives, develop observational and critical thinking skills, showcase the value of play-based learning in connecting with complex artistic and philosophical ideas, support inclusive education for diverse learning styles and connect historical artistic movements with contemporary practices.

The Whole is Greater than the Sum of Her Parts, 2025 is a dedicated interactive space created by Sanné and presented as part of the exhibition Cézanne to Giacometti: Highlights from Museum Berggruen / Neue Nationalgalerie on display from 31 May – 21 Sep 2025. This space builds on Sanné’s artistic engagement with female representation in modern Western art. Drawing on iconic 20th century works, Sanné filters their legacies through her own systems of reference, to question notions of lineage, originality and influence.

For Sanné her works are always expressive of the body and driven by an understanding of art’s role as a conduit for embodiment and locator of place and how art can bridge the built and natural environments.

The connection to the exhibition running concurrently and serving as inspiration “Cézanne to Giacometti: Highlights from Museum Berggruen / Neue Nationalgalerie” is briefly explained in a July 10, 2025 University of Sydney press release, Note: Links have been removed,

Running alongside the NGA’s blockbuster Cézanne to Giacometti exhibition until 21 September, Dr Mestrom’s interactive installation responds to works by Picasso, Matisse, Cézanne, Klee, and Giacometti. Through participatory experiences, the exhibition examines female representation in the modernist canon and reimagines how audiences engage with art.

“We’re taught to look at art from a distance, but what happens when we’re invited to touch it, build with it, and even inhabit it?” asked Dr Mestrom. “This work is about inviting people of all ages to experience art through their bodies, not just their eyes.”

Dr Mestrom has a long tradition of incorporating play into her artwork. She uses interactive, large-scale and functional sculptures, from skating installations to children’s playgrounds, to question the physical and social aspects of urban design. Her research investigates ways that art in public places has the potential to create spaces for intergenerational play.

“I make sculptures that people can move through and interact with, because I want art to feel like part of everyday life, not something distant or untouchable,” she said. “When we play with art, we start to see the world differently. It’s a way to break out of the usual rules and routines, and that kind of freedom can be quietly powerful, even political.”

Commercialising visual arts research

Dr Mestrom’s exhibition is the outcome of a four-year Discovery Early Career Researcher Awards (DECRA) research project and an example of research translation and commercialisation in the arts. Her broader research into playful environments and inclusive spaces has influenced urban policy and generated $1.7 million in research income, demonstrating the civic and commercial value of her work to the wider public.

The exhibition also contributes to the NGA’s Know My Name initiative, which aims to address the gender imbalance and increase the representation and visibility of women artists in Australian art collections. Through her work, Dr Mestrom is actively challenging audiences to rethink how the female body is represented and experienced.

“This is about loosening the grip of hierarchy and ownership in art,” said Dr Mestrom. “My work is inclusive, it’s playable, and it’s about making space for new ways of seeing and being in spaces accessible by all.”

Sanné Mestrom’s website can be found here.

Finally, there’s a May 20, 2025 posting here that reveals a certain synchronicity with Mestrom\s work across time; it’s titled, “Marshall McLuhan, Harley Parker, and “multi-sensory museology”.”

Born to run and refusing to die: evolved robots

For those who prefer to read about the science, a November 6, 2025 Northwestern University news release (received via email and on EurekAlert) by Amanda Morris describes the work, Note: Links have been removed,

AI-designed metamachines run in the wild, recover from damage and transform into new shapes

Northwestern University engineers have developed the first modular robots with athletic intelligence. They can be combined and recombined in the wild, recover from injury and keep moving no matter what’s thrown at them.

Called “legged metamachines,” the creations are made from autonomous, Lego-like modules that snap together into an endless number of configurations. Each module by itself is a complete robot with its own motor, battery and computer. Alone, a module can roll, turn and jump. But the real agility and indestructibility emerges when the modules combine.

The study was published today (March 6 [2026]) in the Proceedings of the National Academy of Sciences [PNAS].

To design the most effective combinations, the engineers used artificial intelligence (AI) to evolve novel body configurations. Instead of sticking with standard dog- or human-like designs, the AI churned out strange new “species” of machines that no human engineer would have conceived. When connected to other modules, the metamachines undulate like seals, bound like lizards or spring like kangaroos.

The robots also can flip themselves upright when turned over, hop over obstacles and perform acrobatics like spinning in air. Because a metamachine is essentially a robot made up of other robots, it can resist catastrophic damage. Broken parts don’t become dead weight; they keep rolling, crawling and rejoin the team.

By combining physical modularity with AI-driven design, the researchers have opened the door to a new class of robots that don’t just survive the real world — they adapt to it. These machines point toward a future where robots are less like fragile, pre-designed tools and more like resilient, evolving lifeforms.

“These are the first robots to set foot outdoors after evolving inside of a computer,” said Northwestern’s Sam Kriegman, who led the study. “They are rapidly assembled and then quite literally hit the ground running. They can move freely in the wild and easily recover from major injuries that would be fatal to every other wild robot. If flipped upside down, they instinctively bring themselves upright and continue their journey. They can survive being chopped in half or cut up into many pieces. When separated, every module within the metamachine can become an individual agent.”

An expert in biorobotics and AI, Kriegman is an assistant professor of computer science, mechanical engineering and chemical and biological engineering at Northwestern’s McCormick School of Engineering, where he is a member of the Center for Robotics and Biosystems (CRB). The study’s co-first authors are Chen Yu, David Matthews and Jingxian Wang, who are all Ph.D. students in the CRB. 

Evolution accelerated by computers

While today’s robots can be fast and agile, their body shapes are often fixed and rigid. Most robots cannot adapt to new tasks, environments or physical damage. If a robotic dog breaks a leg, for example, it’s basically useless. To escape those limitations, Kriegman’s team turned to AI — not to copy familiar designs but to evolve something entirely new.

Kriegman and his team started with an evolutionary algorithm that mimics natural selection. As a starting point, the team gave the algorithm the building blocks for the robot. These building blocks are half-meter-long modular legs, which look like a pair of sticks joined by a central sphere.

“Inside the sphere, the robot has everything it needs to survive: a ‘nervous system,’ a ‘metabolism’ and ‘muscle,’” Kriegman said. “By that, I mean a circuit board, a battery and a motor. The modules are mechanically simple. They can only rotate around a single axis, but they are surprisingly athletic and smart.”

Then, Kriegman and his team gave the algorithm a goal: Design a robot with efficient, versatile movement. By mixing and matching the modules in different combinations, the algorithm generated new body types. It then simulated each design, keeping the best performers and discarding the weak. It also iteratively “bred” new designs by combining or mutating them. Depending on the robot’s body, modular legs became legs, spines or tails. 

“We simulated the Darwinian process of mutation and selection within a virtual, physical environment,” Kriegman said. “This is survival of the fittest — accelerated by computers and made real by athletic modular building blocks.”

Traversing rugged terrain

To test the designs, Kriegman and his team assembled the best three-, four- and five-legged designs found by evolution. In outdoor tests, the metamachines ran across rough terrain, including gravel, grass, tree roots, leaves, sand, mud and uneven bricks. They jumped, spun and righted themselves when flipped — all without complicated setup or retraining.

Unlike traditional robots that fail when a single part breaks, these machines can adapt, recover and survive.Even when a leg breaks off, the metamachine remains resilient. The modules adapt to a missing leg and keep moving. The missing leg, too, can roll home and rejoin its team. 

“It can sense its surroundings, move from place to place, compute and learn,” Kriegman said. “Metamachines can be rapidly assembled, repaired, redesigned and recombined. Once assembled, they immediately move themselves across a wide array of unstructured environments.”

The new study builds off previous work from Kriegman’s lab, in which his team designed the first AI algorithm to intelligently design robots from scratch. By compressing billions of years of evolution into mere seconds, the algorithm successfully designed a small, flexible walking robot in mere seconds. While those robots could not do more than walk across a table, they proved that AI can instantly evolve working robots.

“Our previously evolved robots couldn’t sense their own bodies or coordinate themselves,” Kriegman said. “But they still taught us a lot about how evolution works and how to distill those lessons into useful technologies. Evolution can reveal new designs that are different from or even beyond what humans were previously capable of imagining. So, we really wanted to study how and why it works. The best way — or at least the most fun way — is to evolve structures in realistic conditions.”

The study, “Agile legged locomotion in reconfigurable modular robots,” was supported by Schmidt Sciences AI2050 (award number G-22-64506) and the National Science Foundation (award numbers FRR-2331581 and FRR-2440412).

Here’s a link to and a citation for the paper,

Agile legged locomotion in reconfigurable modular robots by Chen Yu, David Matthews, Jingxian Wang, Jing Gu, Douglas Blackiston, Michael Rubenstein, and Sam Kriegman. Proceedings of the National Academy of Sciences (PNAS) March 6, 2026 vol. 123 (10) e2519129123 DOI: https://doi.org/10.1073/pnas.2519129123

This paper is open access.

Kriegman was last mentioned here in a September 13, 2024 posting, “Moving past xenobots (living robots based on frog stem cells).”

Rare-earth recycling (new method) can strengthen raw material independence

I wasn’t planning on celebrating my 7500th [March 9, 2026 correction: 7499th] post by publishing something from last July. Ah well. Here it is: a July 1, 2025 Institute of Organic Chemistry and Biochemistry of the Czech Academy of Sciences (IOCB Prague) press release (also on EurekAlert) announced research into recycling that could provide more critical minerals, in this case, rare earths, Note: Link have been removed,

The scientific team of Dr. Miloslav Polášek at IOCB Prague has developed a new method of separating the rare earth elements, or lanthanides, which are widely used in the electronic, medical, automotive, and defense industries. The unique method allows metals such as neodymium or dysprosium to be purified from used neodymium magnets. The environmentally friendly process precipitates the rare earths from water without organic solvents or toxic substances. The results were published in the Journal of the American Chemical Society (JACS) at the end of June [2025].

Global demand for rare earths is driven primarily by their use in extremely strong neodymium magnets, which enable efficient conversion of motion into electrical energy and vice versa. They are essential to manufacturers of electric cars, wind power plants, mobile phones, computers, and data centers. As these industries develop, demand for rare earths will continue to grow. However, the process of mining and purifying these elements is highly energy intensive and produces large amounts of toxic and radioactive waste.

The rare-earth market is dominated by China, giving it leverage over Europe and North America. It is therefore strategically advantageous to focus on so-called urban mining, i.e. the recycling, renewal, and reuse of materials from discarded equipment, such as electric vehicles, as a significant domestic source of rare earths.

“In the future, we won’t be able to cover the growing consumption of rare earths with primary mining. We know that within ten years at the latest, it will be necessary to manage these materials more carefully. In order to achieve this, the development of new technologies must start now,” explains Miloslav Polášek, head of the Coordination Chemistry group. “Our method solves the fundamental problems of recycling neodymium magnets. We can separate the right elements so that new magnets can be produced. Our process is environmentally friendly, and we believe that it will work on an industrial scale. Fortunately, unlike plastics, chemical elements don’t lose their properties through repeated processing, so their recycling is sustainable and can compensate for traditional mining.”

The topic, which Polášek’s group has been working on for a long time, is part of Kelsea G. Jones’s doctoral thesis. “We’ve developed a new type of chelator, which is a molecule that binds metal ions. This chelator specifically precipitates neodymium from dissolved magnets, while dysprosium remains in solution, and the elements are easily separated from each other. The method is also adaptable for the other rare earths found in neodymium magnets,” says Jones. “The separation is done in water and generates no hazardous waste. We achieve the same or better results than current industrial methods that rely on organic solvents and toxic reagents.”

The new technology is patented and responds to a fundamental global problem at the right time. “We’re impatiently awaiting the results of a feasibility study, which will help us direct this research from the laboratory into practice. I believe that in cooperation with the investors and business partners we’re approaching, this new technology from IOCB Prague has the potential to influence a wide range of industrial sectors,” says Milan Prášil, director of the transfer company IOCB Tech.

This research has also yielded another important finding: namely, that the element holmium is used in neodymium magnets of newer electric cars. Scientists from Polášek’s team discovered this by analyzing samples from the electric motors of European and Chinese cars. However, professional publications have not yet mentioned this fact, and most recycling projects do not take it into account when processing waste from electric cars. These findings will undoubtedly influence other development and recycling projects, even beyond the automotive industry.

….

Here’s a link to and a citation for the paper,

Macrocyclic Chelators for Aqueous Lanthanide Separations via Precipitation: Toward Sustainable Recycling of Rare-Earths from NdFeB Magnets by Kelsea G. Jones, Tomáš David, Martin Loula, Stanislava Matějková, Jan Blahut, Anatolij Filimoněnko, Miroslava Litecká, Jan Rohlíček, Jiří Böserle, Miloslav Polasek. Journal of the American Chemical Society (J. Am. Chem. Soc.) 2025, 147, 26, 22666–22676 DOI: https://doi.org/10.1021/jacs.5c04150 Published June 19, 2025 Copyright © 2025 The Authors. Published by American Chemical Society. This publication is licensed under CC-BY 4.0 .

This paper is open access.

At the heart of quantum matter: geometry

A September 2, 2025 Université de Genève press release (also on EurekAlert) announced that what was once a purely theoretical geometry does, in fact, lie at the heart of quantum matter,

How can data be processed at lightning speed, or electricity conducted without loss? To achieve this, scientists and industry alike are turning to quantum materials, governed by the laws of the infinitesimal. Designing such materials requires a detailed understanding of atomic phenomena, much of which remains unexplored. A team from the University of Geneva (UNIGE), in collaboration with the University of Salerno and the CNR-SPIN Institute [[Consiglio Internationale delle Ricerche Institute for SuPerconductors INnovative materials and devices]] (Italy), has taken a major step forward by uncovering a hidden geometry — until now purely theoretical — that distorts the trajectories of electrons in much the same way gravity bends the path of light. This work, published in Science, opens new avenues for quantum electronics.


Future technologies depend on high-performance materials with unprecedented properties, rooted in quantum physics. At the heart of this revolution lies the study of matter at the microscopic scale — the very essence of quantum physics. In the past century, exploring atoms, electrons and photons within materials gave rise to transistors and, ultimately, to modern computing.


New quantum phenomena that defy established models are still being discovered today. Recent studies suggest the possible emergence of a geometry within certain materials when vast numbers of particles are observed. This geometry appears to distort the trajectories of electrons in these materials — much like Einstein’s gravity bends the path of light.


From theory to observation

Known as quantum metric, this geometry reflects the curvature of the quantum space in which electrons move. It plays a crucial role in many phenomena at the microscopic scale of matter. Yet detecting its presence and effects remains a major challenge.


‘‘The concept of quantum metric dates back about 20 years, but for a long time it was regarded purely as a theoretical construct. Only in recent years have scientists begun to explore its tangible effects on the properties of matter,’’ explains Andrea Caviglia, full professor and director of the Department of Quantum Matter Physics at the UNIGE Faculty of Science.


Thanks to recent work, the team led by the UNIGE researcher, in collaboration with Carmine Ortix, associate professor in the Department of Physics at the University of Salerno, has detected quantum metric at the interface between two oxides — strontium titanate and lanthanum aluminate — a well-known quantum material. ‘‘Its presence can be revealed by observing how electron trajectories are distorted under the combined influence of quantum metric and intense magnetic fields applied to solids,’’ explains Giacomo Sala, research associate in the Department of Quantum Matter Physics at the UNIGE Faculty of Science and lead author of the study.


Unlocking Future Technologies

Observing this phenomenon makes it possible to characterise a material’s optical, electronic and transport properties with greater precision. The research team also demonstrates that quantum metric is an intrinsic property of many materials — contrary to previous assumptions.


‘‘These discoveries open up new avenues for exploring and harnessing quantum geometry in a wide range of materials, with major implications for future electronics operating at terahertz frequencies (a trillion hertz), as well as for superconductivity and light–matter interactions,’’ concludes Andrea Caviglia.


Here’s a link to and a citation for the papter,

The quantum metric of electrons with spin-momentum locking by Giacomo Sala, Maria Teresa Mercaldo, Klevis Domi, Stefano Gariglio, Mario Cuoco, Carmine Ortix, and Andrea D. Caviglia. Science 21 Aug 2025 Vol 389, Issue 6762 pp. 822-825 DOI: 10.1126/science.adq3255

This paper is behind a paywall.

No more plastic sorting for your recycle bin?

This is a problem many of us can relate to, is the plastic recyclable and where do I put it for recycling? I have two stories about solutions to these recycling issues.

Northwestern University

A September 2, 2025 Northwestern University news release (also on EurekAlert) by Amanda Morris announces a new catalyst for plastic recycling, Note: Links have been removed,

The future of plastic recycling may soon get much less complicated, frustrating and tedious.

In a new study, Northwestern University chemists have introduced a new plastic upcycling process that can drastically reduce — or perhaps even fully bypass — the laborious chore of pre-sorting mixed plastic waste.

The process harnesses a new, inexpensive nickel-based catalyst that selectively breaks down polyolefin plastics consisting of polyethylenes and polypropylenes — the single-use kind that dominates nearly two-thirds of global plastic consumption. This means industrial users could apply the catalyst to large volumes of unsorted polyolefin waste.

When the catalyst breaks down polyolefins, the low-value solid plastics transform into liquid oils and waxes, which can be upcycled into higher-value products, including lubricants, fuels and candles. Not only can it be used multiple times, but the new catalyst can also break down plastics contaminated with polyvinyl chloride (PVC), a toxic polymer that notoriously makes plastics “unrecyclable.”

The study will be published on Tuesday (Sept. 2 [2025]) in the journal Nature Chemistry.

“One of the biggest hurdles in plastic recycling has always been the necessity of meticulously sorting plastic waste by type,” said Northwestern’s Tobin Marks, the study’s senior author. “Our new catalyst could bypass this costly and labor-intensive step for common polyolefin plastics, making recycling more efficient, practical and economically viable than current strategies.”

“When people think of plastic, they likely are thinking about polyolefins,” said Northwestern’s Yosi Kratish, a co-corresponding author on the paper. “Basically, almost everything in your refrigerator is polyolefin based — squeeze bottles for condiments and salad dressings, milk jugs, plastic wrap, trash bags, disposable utensils, juice cartons and much more. These plastics have a very short lifetime, so they are mostly single-use. If we don’t have an efficient way to recycle them, then they end up in landfills and in the environment, where they linger for decades before degrading into harmful microplastics.”

A world-renowned catalysis expert, Marks is the Vladimir N. Ipatieff Professor of Catalytic Chemistry at Northwestern’s Weinberg College of Arts and Sciences and a professor of chemical and biological engineering at Northwestern’s McCormick School of Engineering. He is also a faculty affiliate at the Paula M. Trienens Institute for Sustainability and Energy. Kratish is a research assistant professor in Marks’ group, and an affiliated faculty member at the Trienens Institute. Qingheng Lai, a research associate in Marks’ group, is the study’s first author. Marks, Kratish and Lai co-led the study with Jeffrey Miller, a professor of chemical engineering at Purdue University; Michael Wasielewski, Clare Hamilton Hall Professor of Chemistry at Weinberg; and Takeshi Kobayashi a research scientist at Ames National Laboratory.

The polyolefin predicament

From yogurt cups and snack wrappers to shampoo bottles and medical masks, most people interact with polyolefin plastics multiple times throughout the day. Because of its versatility, polyolefins are the most used plastic in the world. By some estimates, industry produces more than 220 million tons of polyolefin products globally each year. Yet, according to a 2023 report in the journal Nature, recycling rates for polyolefin plastics are alarmingly low, ranging from less than 1% to 10% worldwide.

The main reason for this disappointing recycling rate is polyolefin’s sturdy, stubborn composition. It contains small molecules linked together with carbon-carbon bonds, which are famously difficult to break.

“When we design catalysts, we target weak spots,” Kratish said. “But polyolefins don’t have any weak links. Every bond is incredibly strong and chemically unreactive.” 

Problems with current processes

Currently, only a few, less-than-ideal processes exist that can recycle polyolefin. It can be shredded into flakes, which are then melted and downcycled to form low-quality plastic pellets. But because different types of plastics have different properties and melting points, the process requires workers to scrupulously separate various types of plastics. Even small amounts of other plastics, food residue or non-plastic materials can compromise an entire batch. And those compromised batches go straight into the landfill.

Another option involves heating plastics to incredibly high temperatures, reaching 400 to 700 degrees Celsius. Although this process degrades polyolefin plastics into a useful mixture of gases and liquids, it’s extremely energy intensive.

“Everything can be burned, of course,” Kratish said. “If you apply enough energy, you can convert anything to carbon dioxide and water. But we wanted to find an elegant way to add the minimum amount of energy to derive the maximum value product.”

Precision engineering

To uncover that elegant solution, Marks, Kratish and their team looked to hydrogenolysis, a process that uses hydrogen gas and a catalyst to break down polyolefin plastics into smaller, useful hydrocarbons. While hydrogenolysis approaches already exist, they typically require extremely high temperatures and expensive catalysts made from noble metals like platinum and palladium.

“The polyolefin production scale is huge, but the global noble metal reserves are very limited,” Lai said. “We cannot use the entire metal supply for chemistry. And, even if we did, there still would not be enough to address the plastic problem. That’s why we’re interested in Earth-abundant metals.”

For its polyolefin recycling catalyst, the Northwestern team pinpointed cationic nickel, which is synthesized from an abundant, inexpensive and commercially available nickel compound. While other nickel nanoparticle-based catalysts have multiple reaction sites, the team designed a single-site molecular catalyst. 

The single-site design enables the catalyst to act like a highly specialized scalpel — preferentially cutting carbon-carbon bonds — rather than a less controlled blunt instrument that indiscriminately breaks down the plastic’s entire structure. As a result, the catalyst allows for the selective breakdown of branched polyolefins (such as isotactic polypropylene) when they are mixed with unbranched polyolefins — effectively separating them chemically.

“Compared to other nickel-based catalysts, our process uses a single-site catalyst that operates at a temperature 100 degrees lower and at half the hydrogen gas pressure,” Kratish said. “We also use 10 times less catalyst loading, and our activity is 10 times greater. So, we are winning across all categories.”

Accelerated by contamination

With its single, precisely defined and isolated active site, the nickel-based catalyst possesses unprecedented activity and stability. The catalyst is so thermally and chemically stable, in fact, that it maintains control even when exposed to contaminants like PVC. Used in pipes, flooring and medical devices, PVC is visually similar to other types of plastics but significantly less stable upon heating. Upon decomposition, PVC releases hydrogen chloride gas, a highly corrosive byproduct that typically deactivates catalysts and disrupts the recycling process.

Amazingly, not only did Northwestern’s catalyst withstand PVC contamination, PVC actually accelerated its activity. Even when the total weight of the waste mixture is made up of 25% PVC, the scientists found their catalyst still worked with improved performance. This unexpected result suggests the team’s method might overcome one of the biggest hurdles in mixed plastic recycling — breaking down waste currently deemed “unrecyclable” due to PVC contamination. The catalyst also can be regenerated over multiple cycles through a simple treatment with inexpensive alkylaluminium.

“Adding PVC to a recycling mixture has always been forbidden,” Kratish said. “But apparently, it makes our process even better. That is crazy. It’s definitely not something anybody expected.”

Here’s a link to and a citation for the paper,

Stable single-site organonickel catalyst preferentially hydrogenolyses branched polyolefin C–C bonds by Qingheng Lai, Xinrui Zhang, Shan Jiang, Matthew D. Krzyaniak, Selim Alayoglu, Amol Agarwal, Yukun Liu, Wilson C. Edenfield, Takeshi Kobayashi, Yuyang Wang, Vinayak Dravid, Michael R. Wasielewski, Jeffery T. Miller, Yosi Kratish & Tobin J. Marks. Nature Chemistry volume 17, pages 1488–1496 (2025) DOI: https://doi.org/10.1038/s41557-025-01892-y Published: 02 September 2025 Version of record: 02 September 2025 Issue date: October 2025

This paper is behind a paywall.

Pink box

While British Columbia (Canada) can’t yer avail itself of the solution (that situation changed, in Vancouver anyway, as of February 2026) offered by Northwestern University (Chicago, US), there is the ‘pink box solution’ as described in a September 11, 2025 article by Chad Pawson for the Canadian Broadcasting Corporation’s (CBC) news online website,

The organization behind B.C.’s recycling system wants residents to do more to keep plastics from going to landfills or ending up as litter — as only 45 per cent of plastic packaging used by residents is recovered for recycling.

“There’s been a lot of hesitancy around recycling, but our model proves that you can have a system that responsibly manages and recycles these plastics,” said Sam Baker, executive director of Recycle B.C.

In 2024, residents either put into their blue boxes or took to depots 31,362 tonnes of plastic packaging — from Ziploc bags to yogurt containers — of which 98 per cent was recycled, according to Recycle B.C.’s latest annual report.

B.C.’s not-for-profit system, introduced 10 years ago, was the first in North America to require producers to pay for the packaging and paper they create to be recycled, lifting the burden from local governments.

In 2024, Recycle B.C. recovered 100 per cent of glass made by producers and used by residents, and 92 per cent of paper.

The recovery of plastic bags and wrapping trails far behind the recovery of things like plastic containers, even though in 2022 Merlin Plastics figured out for Recycle B.C. how to turn flexible plastics into pellets for new products, rather than be burned as fuel.

Baker said there are several reasons for this, ranging from a lack of understanding of how B.C.’s system works and possible distrust in it, to confusion over how to sort items and ultimately the need to take some items to special depots.

Recycle B.C.’s goal is to raise the recovery rate of all plastics to at least 50 per cent. One way to make gains will be to improve the recovery of flexible plastics, such as bags and wrappers.

Currently most residents need to collect and keep those items and then take them to one of 227 depots spread across the province or one of 53 London Drugs locations, which has recycling kiosks for items not accepted in curbside or multi-unit building pickup.

“London Drugs recognizes that we put a lot of material out into the market,” said Raman Johal, sustainability manager at the retail chain. “So we only feel right that we are responsible for taking some of that material back.”

But the corporate responsibility only works if residents are willing to make the effort to bring in the materials.

Recycle B.C. has a plan to overcome that barrier. In January it launched a pink box, to be used in communities alongside residents’ blue boxes.

Aubrey Smethurst, a West Vancouver resident who works in marketing, describes the pink box as a “game changer.”

The mother of two says she has long cared about recycling and would go out of her way [emphasis mine] to make sure things like the plastic bags her family used got to depots.

Now she diverts them to her pink box, which gets picked up once a month from her home.

I’m glad to learn of the pink boxes and hope to see one for my building in the near future. (That day arrived a few weeks ago) and I have a message for Mr. Baker,

Dear Mr. Baker,

I appreciate the ‘pink box’ option but could do without your scolding tone. Depots for recyclables in difficult to reach locations if you don’t have a car/truck. It’s especially difficult if the items in questions are awkwardly shaped.

As for the communication strategies used by organization, those could do with a bit or work. How did you get the message across about the change regarding soft plastics? Life is busy for most of us and putting out a notice on your website and a few notices at London Drugs stores and at your recycling depots is not enough. An article in a newspaper or on a media website is not enough.

Given how ‘media rich’ most people’s environments are, once or twice is not enough.

I suggest you abandon the scolding and simply work on getting the message out.

Sincerely

As much as was possible, Baker’s scolding was removed from Pawson’s article.

Cum Grano Salis (with a grain of salt): a March 4 – 28, 2026 art/sci exhibition in Toronto, Canada

A February 24, 2026 notice (received via email and available here) from Toronto’s ArtSci Salon announces the opening,

CUM GRANO SALIS

March 4-28, 2026
Red Head Gallery
401 Richmond Street W

Opening Reception March 7, [2026]
2:00-5:00 pm

Stay tuned for other related events
 

Elaine Whittaker
Matthew Borrett, Teri Donovan, Tracy Gorman, Kelley Aitken, Kaz Ogino, Heidi Breier, Kat Honey, Kai Kan, Kim-Lee Kho, Jim Nason.

Cum grano salis (Latin for ‘with a grain of salt’) is an expression of skepticism. In an era saturated with images, data, and competing truths, the potential for exaggeration and distortion is greater than ever. Doubt is integral to how we perceive and interpret the world today. We move continuously between trust and mistrust, truth and fabrication, constantly pausing to reassess what we have just seen, heard, or absorbed.

Cum Grano Salis invites viewers to enter a constellation of speculative worlds in which uncertainty is not an exception but a condition. Across installations, video, and mixed media artworks, Elaine Whittaker both curates and collaborates with ten artists to imagine what forms of life, survival, and coexistence might emerge on a rapidly changing planet. Drawing on depictions of climate change in speculative and science fiction, the artworks unfold through narrative, atmospheric, and embodied experiences [emphasis mine]. The changes are not a distant abstraction but something we now feel, inhabit, and negotiate.

The exhibition is a story of three interwoven galaxies—distinct yet interconnected—fantasy and scientific inquiry converge [emphasis mine]. Viewers move between our Milky Way galaxy and two fantastical ones, encountering altered ecosystems and technologies. Adaptations blur the boundaries between the plausible and the imagined. Dystopian and utopia impulses intersect. This is what Margaret Atwood terms ‘ustopia’— a fragile balance where loss and possibility coexist, shaped by new forms of cooperation.

In placing climate change and planetary changes within speculative and fictional frameworks, Cum Grano Salis opens space for emotional, poetic, and critical engagement. The exhibition encourages viewers to consider how imagination, storytelling, and world-building might help reframe our understanding of environmental instability and change our relationship to our planet.

Find more information or visit the
Red Head Gallery
Hours: Wed.-Sat. 12:00-5:00 pm

That’s it.