A May 19, 2021 news item on phys.org sheds some light on a new approach to stroke treatments,
Blocked blood vessels in the brains of stroke patients prevent oxygen-rich blood from getting to cells, causing severe damage. Plants and some microbes produce oxygen through photosynthesis. What if there was a way to make photosynthesis happen in the brains of patients? Now, researchers reporting in ACS’ Nano Letters have done just that in cells and in mice, using blue-green algae and special nanoparticles, in a proof-of-concept demonstration.
Strokes result in the deaths of 5 million people worldwide every year, according to the World Health Organization. Millions more survive, but they often experience disabilities, such as difficulties with speech, swallowing or memory. The most common cause is a blood vessel blockage in the brain, and the best way to prevent permanent brain damage from this type of stroke is to dissolve or surgically remove the blockage as soon as possible. However, those options only work within a narrow time window after the stroke happens and can be risky. Blue-green algae, such as Synechococcus elongatus, have been studied previously to treat the lack of oxygen in heart tissue and tumors using photosynthesis. But the visible light needed to trigger the microbes can’t penetrate the skull, and although near-infrared light can pass through, it is insufficient to directly power photosynthesis. “Up-conversion” nanoparticles, often used for imaging, can absorb near-infrared photons and emit visible light. So, Lin Wang, Zheng Wang, Guobin Wang and colleagues at Huazhong University of Science and Technology wanted to see if they could develop a new approach that could someday be used for stroke patients by combining these parts — S. elongatus, nanoparticles and near-infrared light — in a new “nano-photosynthetic” system.
The researchers paired S. elongatus with neodymium up-conversion nanoparticles that transform tissue-penetrating near-infrared light to a visible wavelength that the microbes can use to photosynthesize. In a cell study, they found that the nano-photosynthesis approach reduced the number of neurons that died after oxygen and glucose deprivation. They then injected the microbes and nanoparticles into mice with blocked cerebral arteries and exposed the mice to near-infrared light. The therapy reduced the number of dying neurons, improved the animals’ motor function and even helped new blood vessels to start growing. Although this treatment is still in the animal testing stage, it has promise to advance someday toward human clinical trials, the researchers say.
The authors acknowledge funding from the National Key Basic Research Program of China, the National Natural Science Foundation of China, the Chinese Ministry of Education’s Science and Technology Program, the Major Scientific and Technological Innovation Projects in Hubei Province, and the Joint Fund of Ministry of Education for Equipment Pre-research.
I have one research announcement from China and another from the Netherlands, both of which concern memristors and oxides.
China
A May 17, 2021 news item on Nanowerk announces work, which suggests that memristors may not need to rely solely on oxides but could instead utilize light more gainfully,
Scientists are getting better at making neuron-like junctions for computers that mimic the human brain’s random information processing, storage and recall. Fei Zhuge of the Chinese Academy of Sciences and colleagues reviewed the latest developments in the design of these ‘memristors’ for the journal Science and Technology of Advanced Materials …
Computers apply artificial intelligence programs to recall previously learned information and make predictions. These programs are extremely energy- and time-intensive: typically, vast volumes of data must be transferred between separate memory and processing units. To solve this issue, researchers have been developing computer hardware that allows for more random and simultaneous information transfer and storage, much like the human brain.
Electronic circuits in these ‘neuromorphic’ computers include memristors that resemble the junctions between neurons called synapses. Energy flows through a material from one electrode to another, much like a neuron firing a signal across the synapse to the next neuron. Scientists are now finding ways to better tune this intermediate material so the information flow is more stable and reliable.
…
I had no success locating the original news release, which originated the news item, but have found this May 17, 2021 news item on eedesignit.com, which provides the remaining portion of the news release.
“Oxides are the most widely used materials in memristors,” said Zhuge. “But oxide memristors have unsatisfactory stability and reliability. Oxide-based hybrid structures can effectively improve this.”
Memristors are usually made of an oxide-based material sandwiched between two electrodes. Researchers are getting better results when they combine two or more layers of different oxide-based materials between the electrodes. When an electrical current flows through the network, it induces ions to drift within the layers. The ions’ movements ultimately change the memristor’s resistance, which is necessary to send or stop a signal through the junction.
Memristors can be tuned further by changing the compounds used for electrodes or by adjusting the intermediate oxide-based materials. Zhuge and his team are currently developing optoelectronic neuromorphic computers based on optically-controlled oxide memristors. Compared to electronic memristors, photonic ones are expected to have higher operation speeds and lower energy consumption. They could be used to construct next generation artificial visual systems with high computing efficiency.
Now for a picture that accompanied the news release, which follows,
Fig. The all-optically controlled memristor developed for optoelectronic neuromorphic computing (Image by NIMTE)
A research group led by Prof. ZHUGE Fei at the Ningbo Institute of Materials Technology and Engineering (NIMTE) of the Chinese Academy of Sciences (CAS) developed an all-optically controlled (AOC) analog memristor, whose memconductance can be reversibly tuned by varying only the wavelength of the controlling light.
As the next generation of artificial intelligence (AI), neuromorphic computing (NC) emulates the neural structure and operation of the human brain at the physical level, and thus can efficiently perform multiple advanced computing tasks such as learning, recognition and cognition.
Memristors are promising candidates for NC thanks to the feasibility of high-density 3D integration and low energy consumption. Among them, the emerging optoelectronic memristors are competitive by virtue of combining the advantages of both photonics and electronics. However, the reversible tuning of memconductance depends highly on the electric excitation, which have severely limited the development and application of optoelectronic NC.
To address this issue, researchers at NIMTE proposed a bilayered oxide AOC memristor, based on the relatively mature semiconductor material InGaZnO and a memconductance tuning mechanism of light-induced electron trapping and detrapping.
The traditional electrical memristors require strong electrical stimuli to tune their memconductance, leading to high power consumption, a large amount of Joule heat, microstructural change triggered by the Joule heat, and even high crosstalk in memristor crossbars.
On the contrary, the developed AOC memristor does not involve microstructure changes, and can operate upon weak light irradiation with light power density of only 20 μW cm-2, which has provided a new approach to overcome the instability of the memristor.
Specifically, the AOC memristor can serve as an excellent synaptic emulator and thus mimic spike-timing-dependent plasticity (STDP) which is an important learning rule in the brain, indicating its potential applications in AOC spiking neural networks for high-efficiency optoelectronic NC.
Moreover, compared to purely optical computing, the optoelectronic computing using our AOC memristor showed higher practical feasibility, on account of the simple structure and fabrication process of the device.
The study may shed light on the in-depth research and practical application of optoelectronic NC, and thus promote the development of the new generation of AI.
This work was supported by the National Natural Science Foundation of China (No. 61674156 and 61874125), the Strategic Priority Research Program of Chinese Academy of Sciences (No. XDB32050204), and the Zhejiang Provincial Natural Science Foundation of China (No. LD19E020001).
Classic computers use binary values (0/1) to perform. By contrast, our brain cells can use more values to operate, making them more energy-efficient than computers. This is why scientists are interested in neuromorphic (brain-like) computing.
Physicists from the University of Groningen (the Netherlands) have used a complex oxide to create elements comparable to the neurons and synapses in the brain using spins, a magnetic property of electrons.
…
The press release, which follows, was accompanied by this image illustrating the work,
Caption: Schematic of the proposed device structure for neuromorphic spintronic memristors. The write path is between the terminals through the top layer (black dotted line), the read path goes through the device stack (red dotted line). The right side of the figure indicates how the choice of substrate dictates whether the device will show deterministic or probabilistic behaviour. Credit: Banerjee group, University of Groningen
Although computers can do straightforward calculations much faster than humans, our brains outperform silicon machines in tasks like object recognition. Furthermore, our brain uses less energy than computers. Part of this can be explained by the way our brain operates: whereas a computer uses a binary system (with values 0 or 1), brain cells can provide more analogue signals with a range of values.
Thin films
The operation of our brains can be simulated in computers, but the basic architecture still relies on a binary system. That is why scientist look for ways to expand this, creating hardware that is more brain-like, but will also interface with normal computers. ‘One idea is to create magnetic bits that can have intermediate states’, says Tamalika Banerjee, Professor of Spintronics of Functional Materials at the Zernike Institute for Advanced Materials, University of Groningen. She works on spintronics, which uses a magnetic property of electrons called ‘spin’ to transport, manipulate and store information.
In this study, her PhD student Anouk Goossens, first author of the paper, created thin films of a ferromagnetic metal (strontium-ruthenate oxide, SRO) grown on a substrate of strontium titanate oxide. The resulting thin film contained magnetic domains that were perpendicular to the plane of the film. ‘These can be switched more efficiently than in-plane magnetic domains’, explains Goossens. By adapting the growth conditions, it is possible to control the crystal orientation in the SRO. Previously, out-of-plane magnetic domains have been made using other techniques, but these typically require complex layer structures.
Magnetic anisotropy
The magnetic domains can be switched using a current through a platinum electrode on top of the SRO. Goossens: ‘When the magnetic domains are oriented perfectly perpendicular to the film, this switching is deterministic: the entire domain will switch.’ However, when the magnetic domains are slightly tilted, the response is probabilistic: not all the domains are the same, and intermediate values occur when only part of the crystals in the domain have switched.
By choosing variants of the substrate on which the SRO is grown, the scientists can control its magnetic anisotropy. This allows them to produce two different spintronic devices. ‘This magnetic anisotropy is exactly what we wanted’, says Goossens. ‘Probabilistic switching compares to how neurons function, while the deterministic switching is more like a synapse.’
The scientists expect that in the future, brain-like computer hardware can be created by combining these different domains in a spintronic device that can be connected to standard silicon-based circuits. Furthermore, probabilistic switching would also allow for stochastic computing, a promising technology which represents continuous values by streams of random bits. Banerjee: ‘We have found a way to control intermediate states, not just for memory but also for computing.’
A May 12, 2021 news item on ScienceDaily brings news of a technology that makes reading easier,
AdaptiFont has recently been presented at CHI, the leading Conference on Human Factors in Computing.
Language is without doubt the most pervasive medium for exchanging knowledge between humans. However, spoken language or abstract text need to be made visible in order to be read, be it in print or on screen.
How does the way a text looks affect its readability, that is, how it is being read, processed, and understood? A team at TU Darmstadt’s Centre for Cognitive Science investigated this question at the intersection of perceptual science, cognitive science, and linguistics. Electronic text is even more complex. Texts are read on different devices under different external conditions. And although any digital text is formatted initially, users might resize it on screen, change brightness and contrast of the display, or even select a different font when reading text on the web.
The team of researchers from TU Darmstadt now developed a system that leaves font design to the user’s visual system. First, they needed to come up with a way of synthesizing new fonts. This was achieved by using a machine learning algorithm, which learned the structure of fonts analysing 25 popular and classic typefaces. The system is capable of creating an infinite number of new fonts that are any intermediate form of others – for example, visually halfway between Helvetica and Times New Roman.
Since some fonts may make it more difficult to read the text, they may slow the reader down. Other fonts may help the user read more fluently. Measuring reading speed, a second algorithm can now generate more typefaces that increase the reading speed.
In a laboratory experiment, in which users read texts over one hour, the research team showed that their algorithm indeed generates new fonts that increase individual user’s reading speed. Interestingly all readers had their own personalized font that made reading especially easy for them. However: This individual favorite typeface does not necessarily fit in all situations. “AdaptiFont therefore can be understood as a system which creates fonts for an individual dynamically and continuously while reading, which maximizes the reading speed at the time of use. This may depend on the content of the text, whether you are tired, or perhaps are using different display devices,” explains Professor Constantin A. Rothkopf, Centre for Cognitive Science und head of the institute of Psychology of Information Processing at TU Darmstadt.
The AdaptiFont system was recently presented to the scientific community at the Conference on Human Factors in Computing Systems (CHI). A patent application has been filed. Future possible applications are with all electronic devices on which text is read.
There’s a 5 minute video featuring the work and narration for a researcher who speaks very quickly,
The 2021 Canadian Science Policy Conference (CSPC 2021) is the 13th in the annual series and runs virtually from November 22 – 26 (including pre-conference events, CSPC runs from Nov. 8 -26). Early bird registration rates are available until midnight (presumably ET) October 8, 2021,
I have never seen diplomats singled out for cheaper rates before. Are they paid especially poorly?
As for the programme, it’s not fully populated at the moment but a few items did catch my attention,
Monday, November 22 • 8:30am – 10:00am
Societal impacts of emerging quantum technologies: which scenarios should we consider now?
Organized by: Université de Sherbrooke / Institut quantique
A multisectorial and multidisciplinary approach to quantum science is essential in Canada to address the emergence of new disruptive quantum technologies and their potential commercial applications. These technologies will have significant ethical, environmental, economic, social and legal implications that need to be explored in the early stages of their development in order to foster socially responsible development. This panel brings together experts from various backgrounds (academic, business and government sectors) and the public to discuss the socio-economic dimensions of quantum technologies, starting from different implementation scenarios, to ensure their responsible development and to maximize benefits of their implementation.
Monday, November 22 • 8:30am – 10:30am
Evidence-based policies to build the future of agriculture in Canada / Des politiques et des données probantes pour bâtir l’agriculture canadienne de demain
Organized by: Fonds de recherche du Québec
Agriculture has a considerable impact on population health and the economy, both interms of production methods and the quality and accessibility of the food it produces. It is for this reason, among others, that this sector is involved in the achievement of several sustainable development goals. In recent years, the Government of Canada and provincial governments have worked in collaboration with the research community to build policies and strategies to stimulate innovation in agriculture and food processing from a sustainable perspective. In this panel, we will discuss how Agriculture Canada and the Ministère de l’Agriculture, des Pêcheries et de l’Alimentation du Québec (MAPAQ) have integrated research and development into their policies, and how they have established strategic inter-jurisdictional collaborations. For example, we will discuss strategic investments by Canada and Québec in precision agriculture and in research aimed at improving diagnostic and biovigilance capabilities.
L’agriculture a un impact considérable sur la santé des populations et des économies, tant par ses modes de production que par la qualité et l’accessibilité des aliments qu’elle produit. C’est pour cette raison, entre autres, que ce secteur se voit interpellé dans l’atteinte de plusieurs objectifs de développement durable. Ces dernières années, le gouvernement du Canada et les gouvernements provinciaux ont travaillé en collaboration avec le milieu de la recherche pour bâtir des politiques et stratégies stimulant l’innovation en agriculture et en transformation alimentaire, dans une perspective durable. À l’occasion de ce panel, nous aborderons comment Agriculture Canada et le ministère de l’Agriculture, des Pêcheries et de l’Alimentation du Québec (MAPAQ) ont intégré la dimension de recherche et de développement dans leurs politiques, et comment ils ont établi des collaborations stratégiques inter-juridictionnelles. A titre d’exemple, on abordera l’investissement stratégique du Canada et du Québec dans l’agriculture de précision et dans les recherches visant à améliorer les capacités de diagnostic et de biovigilance.
…
Monday, November 22 • 10:30am – 12:00pm
How Science Diplomats can help foster prosperity and growth in the post-COVID-19 world: an exploration of the Canada/Québec-UK nexus
Organized by: Québec Government Office in London
Co-organised by the Government of Québec and the UK’s Science and Innovation Network, this panel aims to reflect on the crucial role of science attachés in steering and strengthening bilateral collaboration while also addressing how their role changed as a result of the COVID-19 pandemic. Ensuring growth and equitable recovery in the post-pandemic world is paramount with science diplomats unlocking cooperation platforms between scientists, diplomats, policymakers and entrepreneurs based on innovation and values-led strategies. Representatives from UK Research and Innovation, industry and scholars will also discuss their changing expectations and how science attachés can help them seize new opportunities.
…
Wednesday, November 24 • 2:30pm – 4:00pm
Anti-Racist Science, from Cell to Society: Real Solutions for Real Issues
Organized by: Health Canada
Three Panelists will share diverse perspectives on the sensitive and ubiquitous topic of systemic racism, in multiple aspects of different scientific disciplines. In a dynamic exchange, the Moderator will guide the audience through an evidence-based journey on how racially biased science can be addressed, in ways science is practiced, managed, and consumed. As it often happens in science, naming problems might be unsettling, yet should lead to a healthy introspection towards improvement. The discussion aims to show that, individually and collectively, we can prevent and correct race-based bias by sticking to fundamental scientific principles. Essentially: anti-racist science is better science.
…
You can check out the programme for CSPC 2021: Building Better Forward here.
Isn’t the conference theme a little too much like US President Joe Biden’s ‘Build Back Better’ theme?
The drift in “Drift: Art and Dark Matter” (at the Belkin Art Gallery) comes from a mining term for an almost horizontal passageway or tunnel in a mine. (This makes sense when you realize SNOLAB is one of the partners for this show. For anyone unfamiliar with SNOLAB, there is more coming shortly.)
The show itself appears to be a suite of multimedia installations from four artists, which were first shown at the Agnes Etherington Art Centre at Queen’s University, Ontario.
Image: Josèfa Ntjam, Organic Nebula, 2019, photomontage, mixed techniques. Collection of the artist [one of the Drift show artists]
For anyone who’s primarily interested in the show’s Belkin Gallery appearance, scroll down to the “Drift moves to the Belkin in British Columbia” subhead where you’ll find an invitation to the show’s opening and more about the BC collaboration. **As of Sept. 9, 2021, I have updated the ‘questions’ subsection (scroll down to ?) with newly arrived answers.**
Drift: the show and the art/science residencies at Queen’s University
This show, which ran from 20 February to 30 May 2021, had its start at Queen’s University (Ontario) where it featured astroparticle physics, art/science residencies, and artists Nadia Lichtig, Josèfa Ntjam, Anne Riley and Jol Thoms, (from the Drift: Art and Dark Matter exhibition webpage on the Agnes Queen’s University site; Note: The Agnes is also known as, the Agnes Etherington Art Centre), Note: A link has been removed,
Some kind of invisible matter is having a gravitational effect on everything. Without the gravity of this “dark” matter, galaxies would fly apart. Observational data in astroparticle physics indicate that it exists, but so far dark matter hasn’t been directly detected. Given the contours of such an unknown, artists Nadia Lichtig, Josèfa Ntjam, Anne Riley and Jol Thoms reflect on the “how” and “why” of physics and art as diverse and interrelating practices of knowledge. Through open exchange between disciplines, they have created works that are sensory agents between scientific ideas of dark matter and the exploration of that which has never been directly sensed.
Drift: Art and Dark Matter is a residency and exhibition project generated by Agnes Etherington Art Centre, the Arthur B. McDonald Canadian Astroparticle Physics Research Institute and SNOLAB. Four artists of national and international stature were invited to make new work while engaging with physicists, chemists and engineers contributing to the search for dark matter at SNOLAB’s facility in Sudbury, two kilometres below the surface of the Earth.
The title Drift draws from the mining term for a horizontal tunnel, in this case the hot underground passageway in the copper and nickel mine stretching between the elevator and the clean lab spaces of SNOLAB. The project thereby begins from a reflection on the forms and energies that connect physics to art, labour, landscapes, cultures and histories.
We acknowledge the support of the Canada Council for the Arts, Ontario Arts Council, an agency of the Government of Ontario, City of Kingston Arts Fund through the Kingston Arts Council and the George Taylor Richardson Memorial Fund at Queen’s University.
Partners
The Arthur B. McDonald Canadian Astroparticle Physics Research Institute is the Canadian hub for astroparticle physics research, uniting researchers, theorists, and technical experts within one organization. Located at and led by Queen’s University, the McDonald Institute is proud to have thirteen partner universities and research institutes across the country, all of which are key players in Canada’s past and future innovation in astroparticle physics.
SNOLAB is a world-class science facility located deep underground in the operational Vale Creighton nickel mine, near Sudbury, Ontario in Canada. The combination of great depth and cleanliness that SNOLAB affords allows extremely rare interactions and weak processes to be studied. The science programme at SNOLAB is currently focussed on sub-atomic physics, largely neutrino and dark matter physics. SNOLAB seeks to enable, spearhead, catalyze and promote underground science, while inspiring both the public and future professionals in the field.
SNO stands for Sudbury Neutrino Observatory according to the information in my June 6, 2019 posting about a then upcoming talk tiled, Whispering in the Dark: Updates from Underground Science. More recently, I noted that TRIUMF’s (Canada’s national particle accelerator centre) new Chief Executive Officer, Nigel Smith, was moving to Vancouver from Sudbury’s SNOLAB in my May 12, 2021 posting.
Nadia Lichtig is an artist currently living in the South of France. In her multilayered work, voice is transposed into various media including painting, print, sculpture, photography, performance, soundscape and song—each medium approached not as a field to be mastered, but as a source of possibilities to question our ability to decipher the present. Visual and aural aspects entangle in her performances.
Lichtig studied linguistics at the LMU Munich in Germany and at the Ecole des Beaux-Arts de Paris, France with Jean-Luc Vilmouth, where she graduated with honours in 2001, before assisting Mike Kelley in Los Angeles, USA the same year. She taught at the Shrishti School of Art and Technology, Bangalore, India as a visiting professor in 2006, at the Ecole des Beaux-Arts of Valence in 2007, and is professor of Fine Arts at the Ecole Supérieure des Beaux-arts of Montpellier (MOCO-ESBA), France since 2009. She has collaborated with musicians who are also visual artists, such as Bertrand Georges (Audible), Christian Bouyjou (Popopfalse), Nicolu (La Chatte), Nina Canal (Ut) and Michael Moorley (The dead C). Nadia Lichtig worked and works under several group names and pseudonyms (until 2009: EchoparK, Falseparklocation, Skrietch, Ghosttrap and Nanana).
Josèfa Ntjam was born in 1992 in Metz (FR), and currently lives and works in Paris. Ntjam is part of a generation of artists who grew up with the internet, communicating and sending images by electromagnetic wave. Working with video, text, installation, performance and photomontage, Ntjam creates a story with every piece that acts as a reflection of the world around her. Drawing connections to science fiction and the cosmos, Ntjam has said of her work, “I sat there some time ago with Sun Ra in his Spaceship experimenting with a series of alternative stories. An exoteric syncretism with which I travel as a vessel in perpetual motion.”
Ntjam studied in Amiens and Dakar (Cheikh Anta Diop University) and graduated from l’Ecole Nationale Supérieure d’Art, Bourges (FR) and Ecole Nationale Supérieure d’Art, Paris-Cergy (FR). Her works and performance have been shown at numerous venues such as the 15th Biennial of Lyon, DOC! Paris, a la Zentral (CH), Palais de Tokyo, Beton Salon, La Cite internationale des arts, la Bienanale de Dakar (SN), Let Us Rflect Festival (FR), FRAC de Caen, and CAC Bretigny.
Anne Riley is a multidisciplinary artist living as an uninvited Slavey Dene/German guest from Fort Nelson First Nation on the unceded Territories of the Musqueam, Squamish and Tsleil-waututh Nations. Her work explores different ways of being and becoming, touch, and Indigeneity. Riley received her BFA from the University of Texas at Austin in 2012. She has exhibited both in the United States and Canada. Currently she is working on a public art project commissioned by the City of Vancouver with her collaborator, T’uy’tanat Cease Wyss. Wyss and Riley’s project A Constellation of Remediation consists of Indigenous remediation gardens planted throughout the city, decolonizing and healing the dirt back to soil. The duo was longlisted for the 2021 Sobey Art Award.
Riley’s that brings the other nearly as close as oneself, included in the 2015 exhibition Every Little Bit Hurts at Western Front, foregrounded touch, impression and embodied experience. It featured a wall drawing created by the artist rubbing, dragging and moving her body across the gallery wall wearing raw-dyed denim. “I’m interested in queer touch as a radical act,” she says. “It’s not always possible because of fear. But I’m also investigating first touch between mother and child. I have the same hands as my mother and my great grandmother.”
Jol Thoms is a Canadian-born, European-based artist, author and sound designer. Both his written and moving-image work engage posthumanism, feminist science studies, general ecology and the environmental implications of pervasive technical/sensing devices. In the fields of neutrino and dark matter physics he collaborates with renowned physics institutes around the world. These “laboratory-landscapes” are the focus of his practice led PhD at the University of Westminster. In 2017 Thoms was a fellow of Schloss Solitude and resident artist at the Bosch Campus for Research and Advanced Engineering.
Thoms graduated with an Honors BA in Philosophy, Art History and Visual Studies from the University of Toronto (2009) and later studied under Prof. Simon Starling at the Städelschule in Frankfurt (2013). Between 2014 and 2016 he developed and taught an experimental creative-research program for architecture students at the University of Braunschweig with then interim director Tomás Saraceno. In 2016 Thoms won the MERU Art*Science Award for his film G24|0vßß, which was installed in the Blind Faith: Between the Cognitive and the Visceral in Contemporary Art group exhibition at Haus der Kunst, Munich.
Drift moves to the Belkin in British Columbia
An invitation (also received via email) to the show’s launch in BC is for the evening before the show officially opens,
Thursday 9 Sep 2021, 6 pm
Please join us for the opening of Drift: Art and Dark Matter with a performance-conversation between artists Denise Ferreira da Silva and Jol Thoms. This event is free and open to the public, but space is limited due to COVID-19 safety protocols. To ensure a spot, please RSVP to belkin.rsvp@ubc.ca.
Opening remarks will begin at 6 pm, followed by a conversation with Ferreira da Silva and Thoms who will touch on intersections between the films Soot Breath / Corpus Infinitum (2021) and n-Land (2021), both of which will play throughout the evening on the Belkin’s Outdoor Screen.
Soot Breath / Corpus Infinitum (2021) is a film collaboration between Arjuna Neuman and Denise Ferreira da Silva. Moving across scales geologic, historic-cultural, quantum and cosmic, the work reimagines knowledge and existence without the limits of European and Colonial constructions of the human.
n-Land (2021) is an audio-visual composition by Jol Thoms. Examining context and agency through scales at once geologic, cosmic and human, the piece probes the ecological ethics of our time through a holographic, multi-dimensional view of the SNOLAB site.
…
The official dates for Drift are Friday, September 10, 2021to December 5, 2021.
As best as I can tell from the Morris & Helen Belkin Art Gallery (the Belkin) homepage description of ‘Drift’, the show will comprise the original series of installations from the four artists featured at the Agnes. The new work from art/science residencies at the University of British Columbia (UBC), where the Belkin is located will be featured in artist talks and in a symposium to be held in November 2021.
Here’s how the newest residencies are described and a list of the various supporting agencies in an undated announcement on the Galleries West website,
…
As a complement to the Drift exhibition, the Belkin is collaborating with the Stewart Blusson Quantum Matter Institute (SBQMI) and the Department of Physics and Astronomy at UBC on Ars Scientia [emphasis mine], an interdisciplinary research project fusing the praxes of art and science that will include artist-scientist residencies and a research symposium.
We acknowledge the support of the Canada Council for the Arts, Ontario Arts Council, an agency of the Government of Ontario, City of Kingston Arts Fund through the Kingston Arts Council and the George Taylor Richardson Memorial Fund at Queen’s University. The project is curated by Sunny Kerr, Curator of Contemporary Art at Agnes Etherington Art Centre. The Belkin gratefully acknowledges [emphasis mine] the generous support of the Canada Council for the Arts, the Province of British Columbia through the BC Arts Council, UBC Grants for Catalyzing Research Clusters, and our Belkin Curator’s Forum members.
Ars Scientia
There’s a brief description of Ars Scientia in the graduate school webspace located on the UBC website. Emily Wight’s March 22, 2021 article for the Stewart Blusson Quantum Matter Institute (SBQMI) provides more detail about Ars Scientia (the first para. is the least interesting),
The Stewart Blusson Quantum Matter Institute (Blusson QMI) has partnered with the Morris & Helen Belkin Art Gallery (the Belkin) and UBC’s Department of Physics and Astronomy (UBC PHAS) in Ars Scientia, a new project that connects physicists and artists in an effort to find shared ways of communicating about science and explaining the world around us. The partnership was recently awarded two years of funding through the UBC Research Excellence Cluster program.
Though the project is in its early days, the team at Ars Scientia is already working quickly to partner scientists with artists who will conduct six-month residencies in order to explore the potential for academic art-science collaborations; much of the cluster’s early programming will be in support of DRIFT: Art and Dark Matter (DRIFT), an exhibit set to debut at the Belkin in September 2021. DRIFT is a collaborative exhibit that has linked artists and scientists in exploring ways of describing that which exists beyond the limits of our language and understanding; most recently, the exhibit connected the Agnes Etherington Art Centre at Queen’s University, the Arthur B. McDonald Canadian Astroparticle Physics Research Institute, and SNOLAB.
This partnership is a promising early step in Blusson QMI’s mission to engage meaningfully with the art community and external audiences, and an opportunity for an enriching exchange of knowledge and perspective. Students in particular will benefit from this exchange; by inviting artists into labs and research spaces, trainee scientists will gain valuable insight into how someone with different expertise might interpret their work, and how to communicate more effectively about their research. New programs are under development and will be announced soon.
Ars Scientia is co-led by Andrea Damascelli, UBC PHAS [Dept. of Physics and Astronomy] Professor and Blusson QMI Scientific Director; Jeremy Heyl, UBC PHAS Professor; and Shelly Rosenblum, Curator of Academic Programs at the Belkin, and supported by a team of staff including Program Manager James Day.
Ars Scientia: Merging Artistic Practice with Scientific Research
The long search for dark matter has put the spotlight on the limitations of human knowledge and technological capability. Confronted with the shortcomings of our established modes of detecting, diagnosing and testing, the search beckons the creation of new ways of learning and knowing. Fusing the praxes of arts and science in the emergent fields of interdisciplinary research, Ars Scientia, a tripartite partnership between UBC’s Stewart Blusson Quantum Matter Institute (SBQMI), the Department of Physics and Astronomy and the Belkin, presents an opportunity to foster new modes of knowledge exchange across the arts, sciences and their pedagogies. Funded by UBC’s Research Excellence Cluster program, Ars Scientia will conduct rich programming and research to address this line of inquiry over the next two years beginning in 2021.
The Ars Scientia research cluster has begun this interdisciplinary work by partnering scientists with artists to conduct six-month residencies that explore the potential for academic art-science collaborations. [List is not complete] Artists Justine A. Chambers, Josephine Lee, Khan Lee and Kelly Lycan have partnered with physicists Rysa Greenwood, Alannah Hallas, Daniel Korchinski, Kirk Madison, Sarah Morris and Luke Reynolds to identify areas of collaborative research in pursuit of both scientific and artistic aims. The residencies will culminate in a research symposium where collaborative findings will be shared, set to take place in November 2021 [emphases mine].
There is what seems to be a more complete list of the participants in the Belkin/Blusson residency on the same webpage as the undated announcement of the above,
Justine A. Chambers
Andrea Damascelli
James Day
Rysa Greenwood
Jeremy Heyl
Daniel Korchinski
Josephine Lee
Khan Lee
Kelly Lycan
Kirk Madison
Susana Mendez Álcala
Sarah Morris
Marcus Prasad
Luke Reynolds
Shelly Rosenblum
Emily Wight
You’ll notice two things should you go to the undated announcement. First, some of the names are clickable; these are the artists’ biographies. Second, Emily Wight who wrote the March 22, 2021 article for the Stewart Blusson Quantum Matter Institute (SBQMI) is also on the list. I also noticed that a couple of the names belong to people who are staff members, James Day (Ars Scientia Program Manager) and Marcus Prasad (from his personal website: Academic Programs Assistant at the Belkin Assistant Project Coordinator for Ars Scientia).
?
On Thursday, Sept. 2, 2021, I emailed some followup questions for the folks at the Belkin. Sadly, I failed to take into account that long weekend, which gave them very little time to respond before I planned to post this. Should I receive any replies, I will update this posting.
*ETA September 9, 2021: Marcus Prasad, Academic Programs Assistant at the Belkin Assistant Project Coordinator for Ars Scientia, very kindly sent answers to the questions:
Here are the questions:
Would you have any details about the talks, projects, and/or symposium?
*One of Ars Scientia’s main projects is a residency program between UBC physicists and 4 artists who have been paired up or grouped together to think through an arts-science collaboration. As practicing professionals in their respective fields, they have been asked to think about points of intersection and difference in their disciplines, as well as to formulate new ways of knowing and learning from each other. The intent of this residency program is to provide time and space for these collaborations to unfold in whatever way the participants desire. We plan to have a symposium/gathering event at the end of November where findings from these collaborations can be presented in a large discussion. While this research cluster is topically related to the Drift exhibition at the Belkin, it is somewhat of a separate entity. Programming in the research cluster complements the Belkin’s exhibition, but will continue over the next couple of years after Drift has left the gallery. [emphases mine]
Will there be an online version of the BC work? (e.g., the Agnes had and still has an online version of the show.)
*I am unsure what kind of online presence the Belkin will have for the works in the exhibition specifically, but documentation of related events and programming is often made available on their website.
I noticed that Emily Wight who wrote the March 22, 2021 article about the show for the ‘Stewart Blusson’ is also listed as one of the participants. The only (more or less) relevant online reference I could find for Ms. Wight was at Carleton University for a student art show. Is this the same person? Is she an artist and/or writer who’s participating in the residency?
*Emily Wight is part of the steering committee for Ars Scientia, along with myself, James Day, and Susana Mendez Álcala. Shelly Rosenblum, Andrea Damascelli, and Jeremy Heyl are the cluster co-leads, and the rest of the listed names are either artists or physicists participating in the residency.
**Note: Susana Mendez Álcala is the Large Grants and Awards Officer at the SBQMI.
Will there be some talks that focus on astrophysics? e.g., Might someone from TRIUMF such as the new CEO, Nigel Smith who came here from the SNOLAB give a talk? [See my May 12, 2021 posting about TRIUMF’s new Chief Executive Office {CEO}]
Following on that thought, will there be any joint events with other organizations as there were with The Beautiful Brain show? [See my September 11, 2017 posting titled: “Art in the details: A look at the role of art in science—a Sept. 19, 2017 Café Scientifique event in Vancouver, Canada” for more about that exhibit and its associated events ?
*To my knowledge, we have not planned for a talk with TRIUMF as of yet. The QMI is working on programming with the H.R. MacMillan space centre for Dark Matter Days, however, and we do plan to expand our reach to other organizations in the second year of our cluster.
**Prasad also had this to say: “… we are in the midst of getting an Ars Scientia website up, so there’ll be more concrete information on there to come.”
**Thank you to Marcus Prasad for the answers and for clearing up a few matters that I had not thought to ask about.**
One comment: I have had difficulties accessing the Belkin Gallery website, e.g., most of Wednesday, Sept. 1, 2021 and on the morning of Friday, September 3, 2021. Hopefully, they’re experiencing just a few glitches and nothing more serious.
Scientists used synchrotron technology to show a key ingredient can create the ideal chocolate structure and could revolutionize the chocolate industry.
Structure is key when it comes creating the best quality of chocolate. An ideal internal structure will be smooth and continuous, not crumbly, and result in glossy, delicious, melt-in-your-mouth decadence. However, this sweet bliss is not easy to achieve.
Researchers from the University of Guelph had their first look at the detailed structure of dark chocolate using the Canadian Light Source (CLS) at the University of Saskatchewan. Their results were published today in Nature Communications.
“One of the major problems in chocolate making is tempering,” said Alejandro Marangoni, a professor at the University of Guelph and Canada Research Chair in Food, Health and Aging. “Very much like when you temper steel, you have to achieve a certain crystalline structure in the cocoa butter.”
Skilled chocolate makers [emphasis mine] use specialized tools and training to manipulate cocoa butter for gourmet chocolate. However, Marangoni wondered if adding a special ingredient to chocolate could drive the formation of the correct crystal structure without the complex cooling and mixing procedures typically used by chocolatiers during tempering.
“Imagine if you could add a component that directs the entire crystallization process to a high-quality finished product. You wouldn’t need fancy tempering protocols or industrial machines — you could easily achieve the desired crystalline form just by the addition of this component,” Marangoni said.
His team went to the CLS to see if their secret ingredient, a specific phospholipid, could drive the formation of an ideal chocolate structure. The facility’s bright light, which is millions of times brighter than the sun, allowed the team to get images of the interior structure of their dark chocolate in exquisite detail.
“We have some of the most beautiful micrographs of the finished chocolate that were only possible because we did this work at the CLS,” said Marangoni.
In a world first, the researchers were able to get detailed imaging of the internal structure of dark chocolate, thanks to the synchrotron’s state of the art BMIT beamline.
“Working with the CLS, I would call it a next level interaction,” Marangoni added. “It was extremely easy to set up a project and we had enormous support from beamline scientists.”
In collaboration with CLS Plant Imaging Lead Jarvis Stobbs, Marangoni and colleagues were able to confirm the positive effect their ingredient had on obtaining the ideal structure for chocolate.
“We screened many minor lipid components that would naturally be present in chocolate and identified one preferred group. We then added a very specific molecule, a saturated phospholipid, to the chocolate mass and obtained the desired effect. This phospholipid formed a specific liquid crystal structure that would ‘seed’ the formation of cocoa butter crystals,” said Marangoni.
Their discovery that this phospholipid ingredient will drive the formation of ideal cocoa butter crystals could have a big impact on the way that chocolate is made.
“It could potentially revolutionize the chocolate industry, because we would not need very complex tempering machines,” Marangoni said. “This could open up the possibility for smaller manufacturers to produce chocolate without having the big capital investment for tempering machinery.”
Synchrotron research allows scientists to identify important details that are not possible to find with other techniques. Marangoni said that any small improvement on current manufacturing methods can have a very large impact on the food industry and can potentially save money for companies.
He added that while chocolate research pales in comparison to global problems, he emphasizes the impact food can have on our everyday lives.
“We have more serious problems like climate change and alternative energies and maybe even vegan foods, which we’re working on as well, but chocolate gives us that psychological pleasure. It’s one of these foods that makes us feel happy.”
According to a Sept. 2, 2021 article by Marc Fawcett-Atkinson for Canada’s National Observer, this work could lead to making chocolate production more sustainable
What happens to the skilled chocolate makers?
That’s one of my big questions. The other is what happens to us? In all these ‘improvements’ of which there are many being touted these days, what I notice is a lack of sensuality. In this particular case, no touch and no smell.
Toronto’s (Canada) Art/Sci Salon (also known as, Art Science Salon) sent me an August 26, 2021 announcement (received via email) of an online show with a limited viewing period (BTW, nice play on words with the title echoing the name of the institution mentioned in the first sentence),
PROXIMAL FIELDS
The Fields Institute was closed to the public for a long time. Yet, it has not been empty. Peculiar sounds and intriguing silences, the flows of the few individuals and the janitors occasional visiting the building made it surprisingly alive. Microorganisms, dust specs and other invisible guests populated undisturbed the space while the humans were away. The building is alive. We created site specific installations reflecting this condition: Elaine Whittaker and her poet collaborators take us to a journey of the microbes living in our proximal spaces. Joel Ong and his collaborators have recorded space data in the building: the result is an emergent digital organism. Roberta Buiani and Kavi interpret the venue as an organism which can be taken outside on a mobile gallery.
PROXIMAL FIELDS will be visible September 8-12 2021 at
With: Elaine Whittaker, Joel Ong, Nina Czegledy, Roberta Buiani, Sachin Karghie, Ryan Martin, Racelar Ho, Kavi. Poetry: Maureen Hynes, Sheila Stewart
Video: Natalie Plociennik
This event is one of many such events being held for Ars Electronica 2021 festival.
For anyone who remembers back to my May 3, 2021 posting (scroll down to the relevant subhead; a number of events were mentioned), I featured a show from the ArtSci Salon community called ‘Proximal Spaces’, a combined poetry reading and bioart experience.
Many of the same artists and poets seem to have continued working together to develop more work based on the ‘proximal’ for a larger international audience.
International and local scene details (e.g., same show? what is Ars Electronica? etc.)
As you may have noticed from the announcement, there are a lot of different institutions involved.
Local: Fields Institute and ArtSci Salon
The Fields Institute is properly known as The Fields Institute for Research in Mathematical Sciences and is located at the University of Toronto. Here’s more from their About Us webpage,
…
Founded in 1992, the Fields Institute was initially located at the University of Waterloo. Since 1995, it has occupied a purpose-built building on the St. George Campus of the University of Toronto.
The Institute is internationally renowned for strengthening collaboration, innovation, and learning in mathematics and across a broad range of disciplines. …
…
The Fields Institute is named after the Canadian mathematician John Charles Fields (1863-1932). Fields was a pioneer and visionary who recognized the scientific, educational, and economic value of research in the mathematical sciences. Fields spent many of his early years in Berlin and, to a lesser extent, in Paris and Göttingen, the principal mathematical centres of Europe of that time. These experiences led him, after his return to Canada, to work for the public support of university research, which he did very successfully. He also organized and presided over the 1924 meeting of the International Congress of Mathematicians in Toronto. This quadrennial meeting was, and still is, the major meeting of the mathematics world.
There is no Nobel Prize in mathematics, and Fields felt strongly that there should be a comparable award to recognize the most outstanding current research in mathematics. With this in mind, he established the International Medal for Outstanding Discoveries in Mathematics, which, contrary to his personal directive, is now known as the Fields Medal. Information on Fields Medal winners can be found through the International Mathematical Union, which chooses the quadrennial recipients of the prize.
Fields’ name was given to the Institute in recognition of his seminal contributions to world mathematics and his work on behalf of high level mathematical scholarship in Canada. The Institute aims to carry on the work of Fields and to promote the wider use and understanding of mathematics in Canada.
The relationship between the Fields Institute and the ArtSci Salon is unclear to me. This can be found under Programs and Activities on the Fields Institute website,
2020-2021 ArtSci Salon
Description
ArtSci Salon consists of a series of semi-informal gatherings facilitating discussion and cross-pollination between science, technology, and the arts. ArtSci Salon started in 2010 as a spin-off of Subtle Technologies Festival to satisfy increasing demands by the audience attending the Festival to have a more frequent (monthly or bi-monthly) outlet for debate and information sharing across disciplines. In addition, it responds to the recent expansion in the GTA [Greater Toronto Area] area of a community of scientists and artists increasingly seeking collaborations across disciplines to successfully accomplish their research projects and questions.
We are pleased to announce our upcoming March 2021 events (more details are in the schedule below):
…
Ars Electronica
It started life as a Festival for Art, Technology and Society in 1979 in Linz, Austria. Here’s a little more from their About webpage,
…
… Since September 18, 1979, our world has changed radically, and digitization has covered almost all areas of our lives. Ars Electronica’s philosophy has remained the same over the years. Our activities are always guided by the question of what new technologies mean for our lives. Together with artists, scientists, developers, designers, entrepreneurs and activists, we shed light on current developments in our digital society and speculate about their manifestations in the future. We never ask what technology can or will be able to do, but always what it should do for us. And we don’t try to adapt to technology, but we want the development of technology to be oriented towards us. Therefore, our artistic research always focuses on ourselves, our needs, our desires, our feelings.
…
They have a number of initiatives in addition to the festival. The next festival, A New Digital Deal, runs from September 8 – 12, 2021 (Ars Electronica 2021). Here’s a little more from the festival webpage,
Ars Electronica 2021, the festival for art, technology and society, will take place from September 8 to 12. For the second time since 1979, it will be a hybrid event that includes exhibitions, concerts, talks, conferences, workshops and guided tours in Linz, Austria, and more than 80 other locations around the globe.
…
Leonardo; The International Society for Arts, Sciences and Technology
Ars Electronica and Leonardo; The International Society for Arts, Sciences and Technology (ISAST) cooperate on projects but they are two different entities. Here’s more from the About LEONARDO webpage,
Fearlessly pioneering since 1968, Leonardo serves as THE community forging a transdisciplinary network to convene, research, collaborate, and disseminate best practices at the nexus of arts, science and technology worldwide. Leonardo’ serves a network of transdisciplinary scholars, artists, scientists, technologists and thinkers, who experiment with cutting-edge, new approaches, practices, systems and solutions to tackle the most complex challenges facing humanity today.
As a not-for-profit 501(c)3 enterprising think tank, Leonardo offers a global platform for creative exploration and collaboration reaching tens of thousands of people across 135 countries. Our flagship publication, Leonardo, the world’s leading scholarly journal on transdisciplinary art, anchors a robust publishing partnership with MIT Press; our partnership with ASU [Arizona State University] infuses educational innovation with digital art and media for lifelong learning; our creative programs span thought-provoking events, exhibits, residencies and fellowships, scholarship and social enterprise ventures.
…
I have a description of Leonardo’s LASER (Leonardo Art Science Evening Rendezvous), from my March 22, 2021 posting (the Garden comes up next),
“… a program of international gatherings that bring artists, scientists, humanists and technologists together for informal presentations, performances and conversations with the wider public. The mission of LASER is to encourage contribution to the cultural environment of a region by fostering interdisciplinary dialogue and opportunities for community building.”
To be specific it’s Ars Electronica Garden LEONARDO LASER and this is one of the series being held as part of the festival (A Digital New Deal). Here’s more from the [Anti]disciplinary Topographies ‘garden’ webpage,
Culturing transnational dialogue for creative hybridity
Leonardo LASER Garden gathers our global network of artists, scientists, humanists and technologists together in a series of hybrid formats addressing the world’s most pressing issues. Animated by the theme of a “new digital deal” and grounded in the UN Sustainability Goals, Leonardo LASER Garden cultivates our values of equity and inclusion by elevating underrepresented voices in a wide-ranging exploration of global challenges, digital communities and placemaking, space, networks and systems, the digital divide – and the impact of interdisciplinary art, science and technology discourse and collaboration.
Dovetailing with the launch of LASER Linz, this asynchronous multi-platform garden will highlight the best of the Leonardo Network (spanning 47 cities worldwide) and our transdisciplinary community. In “Extraordinary Times Call for Extraordinary Vision: Humanizing Digital Culture with the New Creativity Agenda & the UNSDGs [United Nations Sustainable Development Goals],” Leonardo/ISAST CEO Diana Ayton-Shenker presents our vision for shaping our global future. This will be followed by a Leonardo Community Lounge open to the general public, with the goal of encouraging contributions to the cultural environments of different regions through transnational exchange and community building.
Getting back to the beginning you can view Proximal Fields from September 8 – 12, 2021 as part of the Ars Electonica 2021 festival, specifically, the ‘garden’ series.
I had just posted my Aug. 30, 2021 piece (4th International Conference on Science Advice to Governments (INGSA2021) August 30 – September 2, 2021) when the organization issued a news release, which was partially embargoed. By the time this is published (after 8 am ET on Wednesday, Sept. 1, 2021), the embargo will have lifted and i can announce that Rémi Quirion, Chief Scientist of Québec (Canada), has been selected to replace Sir Peter Gluckman (New Zealand) as President of INGSA.
What? 4th International Conference on Science Advice to Governments, INGSA2021.
Where? Palais des Congrès de Montréal, Québec, Canada and online at www.ingsa2021.org
When? 30 August – 2 September, 2021.
CONTEXT: The largest ever independent gathering of interest groups, thought-leaders, science advisors to governments and global institutions, researchers, academics, communicators and diplomats is taking place in Montreal and online. Organized by Prof Rémi Quirion, Chief Scientist of Québec, speakers from over 50 countries[1] from Brazil to Burkina Faso and from Ireland to Indonesia, plus over 2000 delegates from over 130 countries, will spotlight what is really at stake in the relationship between science and policy-making, both during crises and within our daily lives. From the air we breathe, the food we eat and the cars we drive, to the medical treatments or the vaccines we take, and the education we provide to children, this relationship, and the decisions it can influence, matter immensely.
Prof Rémi Quirion, Conference Organizer, Chief Scientist of Québec and incoming President of INGSA added: “For those of us who believe wholeheartedly in evidence and the integrity of science, the past 18 months have been challenging. Information, correct and incorrect, can spread like a virus. The importance of open science and access to data to inform our UN sustainable development goals discussions or domestically as we strengthen the role of cities and municipalities, has never been more critical. I have no doubt that this transparent and honest platform led from Montréal will act as a carrier-wave for greater engagement”.
Chief Science Advisor of Canada and Conference co-organizer, Dr Mona Nemer, stated that: “Rapid scientific advances in managing the Covid pandemic have generated enormous public interest in evidence-based decision making. This attention comes with high expectations and an obligation to achieve results. Overcoming the current health crisis and future challenges will require global coordination in science advice, and INGSA is well positioned to carry out this important work. Canada and our international peers can benefit greatly from this collaboration.”
Sir Peter Gluckman, founding Chair of INGSA stated that: “This is a timely conference as we are at a turning point not just in the pandemic, but globally in our management of longer-term challenges that affect us all. INGSA has helped build and elevate open and ongoing public and policy dialogue about the role of robust evidence in sound policy making”.
He added that: “Issues that were considered marginal seven years ago when the network was created are today rightly seen as central to our social, environmental and economic wellbeing. The pandemic highlights the strengths and weaknesses of evidence-based policy-making at all levels of governance. Operating on all continents, INGSA demonstrates the value of a well-networked community of emerging and experienced practitioners and academics, from countries at all levels of development. Learning from each other, we can help bring scientific evidence more centrally into policy-making. INGSA has achieved much since its formation in 2014, but the energy shown in this meeting demonstrates our potential to do so much more”.
Held previously in Auckland 2014, Brussels 2016, Tokyo 2018 and delayed for one year due to Covid, the advantage of the new hybrid and virtual format is that organizers have been able to involve more speakers, broaden the thematic scope and offer the conference as free to view online, reaching thousands more people. Examining the complex interactions between scientists, public policy and diplomatic relations at local, national, regional and international levels, especially in times of crisis, the overarching INGSA2021 theme is: “Build back wiser: knowledge, policy & publics in dialogue”.
The first three days will scrutinize everything from concrete case-studies outlining successes and failures in our advisory systems to how digital technologies and AI are reshaping the profession itself. The final day targets how expertize and action in the cultural context of the French-speaking world is encouraging partnerships and contributing to economic and social development. A highlight of the conference is the 2 September announcement of a new ‘Francophonie Science Advisory Network’.
Prof. Salim Abdool Karim, a member of the World Health Organization’s Science Council, and the face of South Africa’s Covid-19 science, speaking in the opening plenary outlined that: “As a past anti-apartheid activist now providing scientific advice to policy-makers, I have learnt that science and politics share common features. Both operate at the boundaries of knowledge and uncertainty, but approach problems differently. We scientists constantly question and challenge our assumptions, constantly searching for empiric evidence to determine the best options. In contrast, politicians are most often guided by the needs or demands of voters and constituencies, and by ideology”.
He added: “What is changing is that grass-roots citizens worldwide are no longer ill-informed and passive bystanders. And they are rightfully demanding greater transparency and accountability. This has brought the complex contradictions between evidence and ideology into the public eye. Covid-19 is not just a disease, its social fabric exemplifies humanity’s interdependence in slowing global spread and preventing new viral mutations through global vaccine equity. This starkly highlights the fault-lines between the rich and poor countries, especially the maldistribution of life-saving public health goods like vaccines. I will explore some of the key lessons from Covid-19 to guide a better response to the next pandemic”.
Speaking on a panel analysing different advisory models, Prof. Mark Ferguson, Chair of the European Innovation Council’sAdvisory Board and Chief Science Advisor to the Government of Ireland, sounded a note of optimism and caution in stating that: “Around the world, many scientists have become public celebrities as citizens engage with science like never before. Every country has a new, much followed advisory body. With that comes tremendous opportunities to advance the status of science and the funding of scientific research. On the flipside, my view is that we must also be mindful of the threat of science and scientists being viewed as a political force”.
Strength in numbers
What makes the 4th edition of this biennial event stand out is the perhaps never-before assembled range of speakers from all continents working at the boundary between science, society and policy willing to make their voices heard. In a truly ‘Olympics’ approach to getting all stakeholders on-board, organisers succeeded in involving, amongst others, the UN Office for Disaster Risk Reduction, the United Nations Development Programme, UNESCO and the OECD. The in-house science services of the European Commission and Parliament, plus many country-specific science advisors also feature prominently.
As organisers foster informed debate, we get a rare glimpse inside the science advisory worlds of the Comprehensive Nuclear Test Ban Treaty Organisation, the World Economic Forum and the Global Young Academy to name a few. From Canadian doctors, educators and entrepreneurs and charitable foundations like the Welcome Trust, to Science Europe and media organisations, the programme is rich in its diversity. The International Organisation of the Francophonie and a keynote address by H.E. Laurent Fabius, President of the Constitutional Council of the French Republic are just examples of two major draws on the final day dedicated to spotlighting advisory groups working through French.
…
INGSA’s Elections: New Canadian President and Three Vice Presidents from Chile, Ethiopia, UK
…
The International Network for Government Science Advice has recently undertaken a series of internal reforms intended to better equip it to respond to the growing demands for support from its international partners, while realising the project proposals and ideas of its members.
Part of these reforms included the election in June, 2021 of a new President replacing Sir Peter Gluckman (2014 – 2021) and the creation of three new Vice President roles.
These results will be announced at 13h15 on Wednesday, 1st September during a special conference plenary and awards ceremony. While noting the election results below, media are asked to respect this embargo.
Professor Rémi Quirion, Chief Scientist of Québec (Canada), replaces Sir Peter Gluckman (New Zealand) as President of INGSA.
Professor Claire Craig (United Kingdom), CBE, Provost of Queen’s College Oxford and a member of the UK government’s AI Council, has been elected by members as the inaugural Vice President for Evidence.
Professor Binyam Sisay Mendisu (Egypt), PhD, Lecture at the University of Addis Ababa and Programme Advisor, UNESCO Institute for Building Capacity in Africa, has been elected by members as the inaugural Vice President for Capacity Building.
Professor Soledad Quiroz Valenzuela (Chile), Science Advisor on Climate Change to the Ministry of Science, Technology, Knowledge and Innovation of the government of Chile, has been elected by members as the Vice President for Policy.
Satellite Events: From 7 – 9 September, as part of INGSA2021, the conference is partnering with local, national and international organisations to ignite further conversations about the science/policy/society interface. Six satellite events are planned to cover everything from climate science advice and energy policy, open science and publishing during a crisis, to the politicisation of science and pre-school scientific education. International delegates are equally encouraged to join in online.
About INGSA: Founded in 2014 with regional chapters in Africa, Asia and Latin America and the Caribbean, INGSA has quicky established an important reputation as aa collaborative platform for policy exchange, capacity building and research across diverse global science advisory organisations and national systems. Currently, over 5000 individuals and institutions are listed as members. Science communicators and members of the media are warmly welcomed to join.
As the body of work detailed on its website shows (www.ingsa.org) through workshops, conferences and a growing catalogue of tools and guidance, the network aims to enhance the global science-policy interface to improve the potential for evidence-informed policy formation at sub-national, national and transnational levels. INGSA operates as an affiliated body of the International Science Council which acts as trustee of INGSA funds and hosts its governance committee. INGSA’s secretariat is based in Koi Tū: The Centre for Informed Futures at the University of Auckland in New Zealand.
[1] Argentina, Australia, Austria, Barbados, Belgium, Benin, Brazil, Burkina Faso, Cameroon, Canada, Chad, Colombia, Costa Rica, Côte D’Ivoire, Denmark, Estonia, Finland, France, Germany, Hong Kong, Indonesia, Ireland, Japan, Lebanon, Luxembourg, Malaysia, Mexico, Morocco, Netherlands, New Zealand, Pakistan, Papua New Guinea, Rwanda, Senegal, Singapore, Slovakia, South Africa, Spain, Sri Lanka, Sweden, Switzerland, Thailand, UK, USA.
Society for Canadian Women in Science and Technology (SCWIST)
As noted earlier this year in my January 28, 2021 posting, it’s SCWIST’s 40th anniversary and the organization is celebrating with a number of initiatives, here are some of the latest including as talk on science policy (from the August 2021 newsletter received via email),
SCWIST “STEM Forward Project” Receives Federal Funding SCWIST’s “STEM Forward for Economic Prosperity” project proposal was among 237 projects across the country to receive funding from the $100 million Feminist Response Recovery Fund of the Government of Canada through the Women and Gender Equality Canada (WAGE) federal department.
iWIST and SCWIST Ink Affiliate MOU [memorandum of understanding]
Years in planning, the Island Women in Science and Technology (iWIST) of Victoria, British Columbia and SCWIST finally signed an Affiliate MOU (memorandum of understanding) on Aug 11, 2021.
The MOU strengthens our commitment to collaborate on advocacy (e.g. grants, policy and program changes at the Provincial and Federal level), events (networking, workshops, conferences), cross promotion ( event/ program promotion via digital media), and membership growth (discounts for iWIST members to join SCWIST and vice versa).
Dr. Khristine Carino, SCWIST President, travelled to Victoria to sign the MOU in person. She was invited as an honoured guest to the iWIST annual summer picnic by Claire Skillen, iWIST President. Khristine’s travel expenses were paid from her own personal funds.
…
Discovery Foundation x SBN x SCWIST Business Mentorship Program: Enhancing Diversity in today’s Biotechnology Landscape
The Discovery Foundation, Student Biotechnology Network, and Society for Canadian Women in Science and Technology are proud to bring you the first-ever “Business Mentorship Program: Enhancing Diversity in today’s Biotechnology Landscape”.
The Business Mentorship Program aims to support historically underrepresented communities (BIPOC, Women, LGBTQIAS+ and more) in navigating the growth of the biotechnology industry. The program aims to foster relationships between individuals and professionals through networking and mentorship, providing education and training through workshops and seminars, and providing 1:1 consultation with industry leaders. Participants will be paired with mentors throughout the week and have the opportunity to deliver a pitch for the chance to win prizes at the annual Building Biotechnology Expo.
This is a one week intensive program running from September 27th – October 1st, 2021 and is limited to 10 participants. Please apply early.
Science and policy-making go together. Acuitas’ [emphasis mine] Molly Sung shares her journey and how more scientists need to engage in this important area.
Dans le cadre de la semaine de l’égalité des sexes au Canada, ce forum de la division québécoise de la Société pour les femmes canadiennes en science et technologie (la SCWIST) mettra en vedette quatre panélistes inspirantes avec des parcours variés qui étudient ou travaillent en science, technologie, ingénierie et mathématiques (STIM) au Québec. Ces femmes immigrantes ont laissé leurs proches et leurs pays d’origine pour venir au Québec et contribuer activement à la recherche scientifique québécoise.
….
The ‘Art and Science Policy-Making Go Together’ talk seems to be aimed at persuasion and is not likely to offer any insider information as to how the BC life sciences effort is progressing. For a somewhat less rosy view of science and policy efforts, you can check out my August 23, 2021 posting, Who’s running the life science companies’ public relations campaign in British Columbia (Vancouver, Canada)?; scroll down to ‘The BC biotech gorillas’ subhead for more about Acuitas and some of the other life sciences companies in British Columbia (BC).
