Wednesday, March 18: Lunch Poems at SFU | Erín Moure and Andrew McEwan
Place: Teck Gallery, Harbour Centre, 515 West Hastings St.
Cost: Free. No registration required.
Erín Moure writes in English and Galician and translates poetry from French, Galician, Spanish and Portuguese into English by, among others, Nicole Brossard, Chus Pato and Fernando Pessoa. Her work also appears in short films, theatre, and musical compositions.
Andrew McEwan is the author of the book, Repeater, shortlisted for the Gerald Lampert Award, which employs the ASCII binary code for letters to create poetry that has been described as “mesmerizingly lyrical and theoretically rigorous.”
You can find the webpage for this particular event here; it includes some additional biographical information.
Barcelona and more
I received poetry news from Zata* Banks* of PoetryFilm back in February 2015. While some of the events have occurred there are still these to come,
- Two PoetryFilm presentations at CCCB Barcelona, 18-19 March 2015
- Zata will present an academic talk, The PoetryFilm Archive 2002-2015, at the AHRC-funded Pararchive conference at Leeds University, 27-28 March 2015
- Zata to judge the Read Our Lips poetry film competition organised by Apples and Snakes, 28 March 2015
- PoetryFilm at the Alchemy Film & Moving Image Festival, Hawick, Scotland, 16-19 April 2015
- PoetryFilm event at the sound acts festival in Athens, Greece, 24-26 April 2015
- PoetryFilm event at the Wenlock Poetry Festival, UK, 24-26 April 2015
- PoetryFilm at Cannes Film Festival 2015, Cannes, France
- Zata awarded an Artist Residency in Denmark, 1-25 June 2015
- Exhibition of artworks in Denmark, 9-21 August 2015
For anyone unfamiliar with Zata* Banks*(from the PoetryFilm’s About page),
Zata Kitowski is the founder and director of PoetryFilm, an international research art project launched in 2002. The PoetryFilm project explores semiotics and meaning-making within the poetry film artform, celebrating experimental poetry films and other avant-garde text/image/sound screening and performance material. PoetryFilm was founded through Zata’s personal practice as a writer and as an artist, and through an interest in the creation and perception of emotion and meaning.
Since 2002, PoetryFilm has produced over 60 events at cinemas, galleries, literary festivals and academic institutions – including Tate Britain, The ICA, Southbank Centre, Cannes Film Festival, CCCB Barcelona, O Miami, and Curzon Cinemas (see Past Events page for more). Talks about PoetryFilm include sessions for MA Creative Writing at Warwick University, MA Filmmaking at The National Film & Television School, and MA Visual Communication at The Royal College of Art. Zata has also judged poetry film prizes at the Southbank Centre and Zebra Festival in Berlin.
PoetryFilm is supported by Arts Council England, who recently funded the cataloguing of the entire PoetryFilm Archive, which at present contains over 500 international artworks. In March 2015 Zata will contribute an academic presentation about this archive to an AHRC-funded conference at Leeds University. PoetryFilm is an accredited member of Film Hub London, part of the BFI Audience Network, and holds a trademark awarded by the Intellectual Property Office.
There is more about the CCCB appearance in Barcelona on this webpage,
PoetryFilm will present two programmes at the Kosmopolis Amplified Literature Festival at CCCB Barcelona on 19 and 20 March 2015.
Both programmes are listed below.
Reversed Mirror Eduardo Kac / 1997, 7’, V.O.
Lunar Tides Susan Trangmar / Regne Unit, 2014, 9’, V.O.
Sandpiper John Scott / Canadà, 2014, 3’30’’, V.O.
Full Stop Zata Kitowski [now Banks]* / Regne Unit, 2014, 4’30’’, V.O.
Turbines in January Kate Sweeney i Colette Bryce / Regne Unit, 2013, 2’, V.O.
Self-Evident Things Piotr Bosacki / Polònia, 2013, 10’, V.O.S.Anglès
Dream Poem Dann Casswell / Regne Unit, 2006, 1’30’’, V.O.
Afterlight Timothy David Orme / Estats Units, 2013, 3’, V.O.
The Portrait of Jean Genet Disinformation / Regne Unit, 2014, 3’, V.O.
Solstice Samuel Levack i Jennifer Lewandowski / Regne Unit, 2013, 3’, S.D.
The Man With Wheels Poeta: Billy Childish; director: Eugene Doyen / Regne Unit, 1990, 7’, V.O.
Proem Poeta: Hart Crane; directora: Suzie Hanna / Regne Unit, 2013, 4’, V.O.
You Be Mother Sarah Pucill / Regne Unit, 1990, 7’, S.D.
About Owls Poeta: Geoffrey Grigson / Regne Unit, 1968-2014, 1’, V.O.
Cut-Up Experiment VIII: Timers Run On Poeta i directora: Zata Kitowski / Regne Unit, 2007, 7’, V.O.
The Analysis of Beauty Produït per Disinformation / Regne Unit, 2000, 4’, S.D.
Just Midnight Poeta: Robert Lax; animadora: Susanne Wiegner / Alemanya, 2013, 4’, V.O.
The latest Analysis of Beauty video documentation, as opposed to what’s being included in PoetryFilm’s programme 2 in Barcelona, is from 2014. I mentioned the 2014 installation of the Analysis of Beauty at the festival of sonic art being held in Edinburgh at some length in my Nov. 13, 2014 posting. Accordingly, this excerpt from the event page on the rorsharchaudio.com website includes only information about the latest documentation,
Art in Scotland and Summerhall TV made this video about the “The Analysis of Beauty” sound and video installation (see earlier post) which ran for 2 weeks, up to 29 Nov 2014, in the Georgian Gallery at Talbot Rice in Edinburgh. The actual sound featured in “The Analysis of Beauty” exhibit focussed on sine-waves with a core frequency of 40Hz, with the effect that (inevitably) the in-situ audio proved almost impossible to record for this video. For the most accurate representation of the gallery sound, please play the MP3 file below, listening through good quality external hi-fi loudspeakers or headphones (not laptop speakers).
As for the influence of William Hogarth’s ideas about “The Analysis of Beauty” and “Serpentine Line” etc, the evolution of this exhibit, which premiered at Kettle’s Yard gallery in 2000, is described in the Summerhall TV video. …
*’Zlata’ corrected to ‘Zata’ and ‘Kitowski’ changed to ‘Banks’ so that I now have the correct first name and updated last name on Oct. 27, 2015.