We hear a lot of hype about all the new products and materials that nanotechnology will make possible for us but it’s always at some unspecified future date or something like ‘it will come to market in three to five years or, five to seven years’. I’m still waiting for self-cleaning windows which, as far as I know, no one has promised to bring market at any time (sigh). There is a ray of light regarding new carbon nanotube-based materials according to an article by Michael Berger on Nanowerk. From the article,
For years now, nanotechnology researchers have been promising us carbon nanotubes as the basis for numerous breakthrough applications such as multifunctional high-strength fibres, coatings and transparent conducting films. Not to mention as a cure for cancer (see “Horeradish, carbon nanotubes and cancer therapy”) and a solution to the energy crisis. … CNTs are notoriously difficult to work with and, because researchers haven’t found efficient ways yet to assemble them, the resulting materials demonstrate only a small fraction of the possible single-object properties of CNTs. …
New research reported this week has now established an industrially relevant process for assembling carbon nanotubes that allows them to efficiently be made into fibers, coatings and films – the basic forms of material that can be used in engineering applications.
With the possibility of producing carbon nanotubes on a large scale, I would imagine some folks will be curious about health & safety and environmental issues. On occasion I’ve included information about research on carbon nanotubes and their resemblance to asbestos fibres. These carbon nanotubes are multi-walled carbon nanotubes (MWCNT) and the ones being made ready for industrial purposes in Berger’s article are single-walled CNTs. I have not come across anything yet which suggests that single-walled CNTs resemble asbestos fibres.
Back to China. The Portland (Oregon) Art Museum has a major exhibit called China Design Now according to an article by Steve McCallion, The Portland Art Museum Transforms an Art Exhibition into a Social Platform, in Fast Company. From the article,
As I mentioned in previous posts, the Portland Art Museum brought China Design Now, the London Victoria & Albert exhibit, to Portland to attract a new audience and elevate Portland’s cultural discourse to a global level. The exhibition documents China’s impressive advancement in graphics, fashion and design over the last 20 years. In my last post I discussed how the Portland Art Museum used story and metaphor to make the exhibition even more meaningful. The museum’s most significant innovation, however, is not in the content of the exhibition–it’s the museum experience itself.
I’m very enthused about this and would dearly love to get to Portland to experience the various shows, that’s right plural–shows not show. The museum folks encouraged artists and people working in galleries to put on their own shows as part of a larger dialog for Portland. The art museum also extended itself online,
To extend community involvement online, the museum created CDNPDX.org where sixteen different blog editors from the community contribute content and editorial perspectives daily. They are not museum employees, but people from the community that have insight into China and/or design, and are willing to contribute to the discourse for free.
While including potentially offensive underground comics and “amateur” art may make some traditional museum-goers uncomfortable, the museum believes that inviting people to be part of the experience is necessary to remain relevant and worth the risk.
Meanwhile at the Vancouver Art Gallery, we continue with the traditional art museum experience (sigh).
Following my concerns about introducing scientific methods into government bureaucracies, I found this somewhat related article by Linda Tischler (in Fast Company) about scientific methods in business. From the article, a portion of the interview with Roger Martin, Dean of the Rotman School of Management at the University of Toronto,
Martin: Well, yes. With every good thing in life, there’s often a dark shadow. The march of science is good, and corporations are being run more scientifically. But what they analyze is the past. And if the future is not exactly like the past, or there are things happening that are hard to measure scientifically, they get ignored. Corporations are pushing analytical thinking so far that it’s become unproductive. The future has no legitimacy for analytical thinkers.
Fast Company: What’s the alternative?
Martin: New ideas must come from a new kind of thinking. The American pragmatist Charles Sanders Peirce called it abductive logic. It’s a logical leap of the mind that you can’t prove from past data.
Fast Company: I can’t see many CEOs being comfortable with that!
Martin: Why not? The scientific method starts with a hypothesis. It’s often what happens in the shower or when an apple hits you on the head. It’s what we call ‘intuitive thinking.’ Its purpose is to know without explicit reasoning.
I’m relieved to see that Martin points out that scientific thinking does require creativity but his point that things which are hard to measure scientifically get ignored is well taken. While scientific breakthroughs often arise from a creative leap, the work (using the scientific method) to achieve that leap is painstaking and the narratives within the field tend to ignore the creative element. This is almost the opposite of an artistic or creative endeavour which also requires a creative leap and painstaking work to achieve but where narrative focuses primarily on the creative.
The scientific method for many is considered to be rigorously objective and inspires a certain faith (at times, religious in its intensity). It is a tool and a very effective tool in some, not all, situations. After all, you use a hammer ti build something with a nail, you don’t use it to paint your walls.
As for the Thomson Reuters report on China, I tried but had no joy when trying to retrieve it.