Tag Archives: 221 A (arts and culture organization)

Ethọ́s Lab (youth STEAM academy) launches physical space in Vancouver (Canada) with a block party on June 18, 2022

The Ethọ́s Lab offers extra-curricular programming through STEAM (science, technology, engineering, arts, and mathematics) for youths between 12 and 18 . Here’s more from Rebecca Bollwitt’s May 17, 2022 article on her Miss604.com website, Note: A link has been removed,

… has been offering virtual, STEAM-based education (science, technology, engineering, arts, math) within an antiracist, technology-forward framework throughout the pandemic, and will now be able to add in-person programming.

Ethọ́s Lab was founded to increase access and representation in STEAM,” says parent and founder Anthonia Ogundele.

“These past two years have shown us that this goal is more important than ever before. The ‘metaverse’ has become a hot topic since Facebook’s name change to Meta, the rise of NFTs, and the digital pivot the world underwent at the start of the pandemic. Parents are realizing that their kids need equitable access to tools and information that will help them challenge and shape a digital future that is quickly arriving upon us. We need young, diverse voices co-creating innovative solutions and leading change, in order to ensure we aren’t just perpetuating antiquated, unjust systems — whether those hierarchies are found in coding, urban planning, or the art market. We can’t wait to connect with even more young people with our new home in Mount Pleasant.”

Here’s the Grand Opening/party information (from Bollwitt’s May 17, 2022 article),

Ethọ́s Lab Opens in Mount Pleasant

  • What: Opening Block Party
  • When: Saturday, June 18 from 10:00am to 8:00pm
  • Where: 177 East 3rd Ave, Vancouver
  • Admission: Free!

According to Katie Hyslop’s February 26, 2021 article for The Tyee, Ethọ́s Lab began with a search,

When Anthonia Ogundele was looking for after-school programs for her 11-year-old daughter in 2019, she was frustrated by the lack of options. Particularly when it came to science, technology, engineering and math, or STEM, programs.

“Innovation in STEM is often reserved to gifted, enrichment-type kids or programs, streams and mini-schools,” she said.

“And if you don’t have access, you end up missing out on really great project-based learning, or competitions, or even just the basic tools and equipment to be able to innovate within that space.”

Access to current STEM after-school programs can be limited by an inability to afford program fees, but also by class, race and who you know.

When Ogundele, who is Black, spoke to other parents about after-school program options, she found she wasn’t alone in her struggle. She wondered: what would a program look like that provided access for all young people, but especially Black youth, to technology and STEM skills and addressed needs like belonging and self-worth?

Hyslop’s February 26, 2021 article provides a couple of examples of early Ethọ́s Lab programmes,

… a four-week session on 3D modelling exposed young people to 3D technology and skills. The session had young people design housing specifically for Hogan’s Alley, the Black community in Vancouver that was razed in 1970 to make way for the Georgia Viaducts.

“The theme was ‘place, race and space.’ So the young people come in to learn about place, race and space, but it’s actually a 3D modelling course and they learn how to build homes in a geographical context of Hogan’s Alley,” said Ogundele, who has a master’s in urban planning and launched the Hogan’s Alley Land Trust, now known as the Hogan’s Alley Society.

“We would talk about monuments, and what it means to create or build things that have meaning and place. That’s how we contextualize it.”

Korinne Tsang’s first introduction to Ethọ́s Lab was a screen-printing session last summer [2020]. The 16-year-old student was a bit reluctant to participate at first due to shyness, but she eventually decided to give it a try.

Eight months later, Tsang is still taking Ethọ́s Lab workshops, including sessions on bias in artificial intelligence, coding and creating a personal avatar.

“One of the interesting things is we look at the bias in every part of technology, where I may try to go make an avatar in a video game. And you can’t always make one that looks like yourself because we don’t have those features, and figuring out how to change that,” said Tsang, who is of Chinese and European descent.

I gather the A (arts) was added to this STEM initiative after Hyslop’s article was written.

Bollwitt’s May 17, 2022 article describes the building which will house Ethọ́s Lab, Note: A link has been removed)

The organization is housed inside a new building owned by the City of Vancouver and operated over the next 60 years by non-profit cultural organization 221A [emphasis mine] in collaboration with the Community Land Trust. In addition to a nearly 1,000-sq.-ft. dedicated space, Ethọ́s Lab has shared access to a 2,700-sq.-ft. production facility.

The site is the physical manifestation of the thriving community that Ethọ́s Lab built in their own proprietary metaverse over the pandemic, a virtual hub called Atlanthọ́s that was co-created with youth members and developed by local tech start-up Active Replica. Now, the organization will be a hub for the broader community, a place for members and their families to gather and collaborate. 

The space features a mix of organic, sustainable materials and digital elements, and makes use of the site’s natural light. Local firm Tectonic Architecture, which prioritizes community-based work, led design discussions with youth members — also known as Ethósians — to ensure their vision was incorporated into the space. Comic artist and illustrator Jazz Gordon-Gillquist and Chase Gray (who recently designed the Vancouver Canucks’ First Nations Night warmup jersey) created an original mural in collaboration with curator Krystal Paraboo. Microsoft, Sony, and Heritage Office Furnishings equipped and furnished the space. 

Given 221A’s involvement (see my June 17, 2021 posting; scroll down to the “Arts and blockchain events in Vancouver” subhead), it’s no surprise that Ethọ́s Lab offers a course on blockchain and NFTs (nonfungible tokens).

As for events at the block party and information about Ethọ́s Lab’s summer programmes, check out Bollwitt’s May 17, 2022 article or, for events at the block party only, the Ethos Lab 3rd & Main Grand Opening page on eventbrite. Finally, the organization is fundraising and, as of May 17, 2022, was 3/4 of the way ($75,000) to their goal of $100,000.

Enjoy!

The Canada Council for the Arts, a digital strategy research report on blockchains and culture, and Vancouver (Canada)

Is the May 17, 2021 “Blockchains & Cultural Padlocks (BACP) Digital Strategy Research Report” discussing a hoped for future transformative experience? Given the report’s subtitle: “Towards a Digitally Cooperative Culture: Recommoning Land, Data and Objects,” and the various essays included in the 200 pp document, I say the answer is ‘yes’.

The report was launched by 221 A, a Vancouver (Canada)-based arts and culture organization and funded by the Canada Council for the Arts through their Digital Strategy Fund. Here’s more from the BACP report in the voice of its research leader, Jesse McKee,

… The blockchain is the openly readable and unalterable ledger technology, which is most broadly known for supporting such applications as bitcoin and other cryptocurrencies. This report documents the first research phase in a three-phased approach to establishing our digital strategy [emphasis mine], as we [emphasis mine] learn from the blockchain development communities. This initiative’s approach is an institutional one, not one that is interpreting the technology for individuals, artists and designers alone. The central concept of the blockchain is that exchanges of value need not rely on centralized authentication from institutions such as banks, credit cards or the state, and that this exchange of value is better programmed and tracked with metadata to support the virtues, goals and values of a particular network. This concept relies on a shared, decentralized and trustless ledger. “Trustless” in the blockchain community is an evolution of the term trust, shifting its signification as a contract usually held between individuals, managed and upheld by a centralized social institution, and redistributing it amongst the actors in a blockchain network who uphold the platform’s technical operational codes and can access ledgers of exchange. All parties involved in the system are then able to reach a consensus on what the canonical truth is regarding the holding and exchange of value within the system.

… [from page 6 of the report]

McKee manages to keep the report from floating away in a sea of utopian bliss with some cautionary notes. Still, as a writer I’m surprised he didn’t notice that ‘blockchain‘ which (in English) is supposed to ‘unlock padlocks’ poses a linguistic conundrum if nothing else.

This looks like an interesting report but it’s helpful to have some ‘critical theory’ jargon. That said, the bulk of the report is relatively accessible reading although some of the essays (at the end) from the artist-researchers are tough going.

One more thought, the report does present many exciting and transformative possibilities and I would dearly love to see much of this come to pass. I am more hesitant than McKee and his colleagues and that hesitation is beautifully described in an essay (The Vampire Problem: Illustrating the Paradox of Transformative Experience) first published September 3, 2017 by Maria Popova (originally published on Brain Pickings),

To be human is to suffer from a peculiar congenital blindness: On the precipice of any great change, we can see with terrifying clarity the familiar firm footing we stand to lose, but we fill the abyss of the unfamiliar before us with dread at the potential loss rather than jubilation over the potential gain of gladnesses and gratifications we fail to envision because we haven’t yet experienced them. …

Arts and blockchain events in Vancouver

The 221 A launch event for the report kicked off a series of related events, here’s more from a 221 A May 17, 2021 news release (Note: the first and second events have already taken place),

Events Series

Please join us for a live stream events series bringing together key contributors of the Blockchains & Cultural Padlocks Research Report alongside a host of leading figures across academic, urbanism, media and blockchain development communities.

Blockchains & Cultural Padlocks Digital Strategy Launch

May 25, 10 am PDT / 1 pm EDT / 7 CEST

With Jesse McKee, BACP Lead Investigator and 221A Head of Strategy; Rosemary Heather, BACP Editorial Director and Principal Researcher; moderated by Svitlana Matviyenko, Assistant Professor and Associate Director of Simon Fraser University’s Digital Democracies Institute.

The Valuation of Necessity: A Cosmological View of our Technologies and Culture

June 4, 10 am PDT / 1 pm EDT / 7pm CEST

With BACP researcher, artist and theorist Patricia Reed; critical geographer Maral Sotoudehnia, and Wassim Alsindi of 0x Salon, Berlin, who conducts research on the legal and ecological externalities of blockchain networks.

Recommoning Territory: Diversifying Housing Tenure Through Platform Cooperatives

June 18, 10 am PDT / 1 pm EDT / 7pm CEST

With 221A Fellows Maksym Rokmaniko and Francis Tseng (DOMA [a nonprofit organization developing a distributed housing platform]); Andy Yan (Simon Fraser University); and BACP researcher and critical geographer Maral Sotoudehnia.

Roundtable: Decentralized Autonomous Organizations (DAOs) & Social Tokens

Released June 25, Pre-recorded

Roundtable co-organized with Daniel Keller of newmodels.io, with participation from development teams and researchers from @albiverse, trust.support, Circles UBI, folia.app, SayDAO, and Blockchain@UBC

Blockchains & Cultural Padlocks is supported by the Digital Strategy Fund of the Canada Council for the Arts.

For more, contact us hello@221a.ca

Coming up: Vancouver’s Voxel Bridge

The Vancouver Biennale folks first sent me information about Voxel Bridge in 2018 but this new material is the most substantive description yet, even without an opening date. From a June 6, 2021 article by Kevin Griffin for the Vancouver Sun (Note: Links have been removed),

The underside of the Cambie Bridge is about to be transformed into the unique digital world of Voxel Bridge. Part of the Vancouver Biennale, Voxel Bridge will exist both as a physical analogue art work and an online digital one.

The public art installation is by Jessica Angel. When it’s fully operational, Voxel Bridge will have several non-fungible tokens called NFTs that exist in an interactive 3-D world that uses blockchain technology. The intention is to create a fully immersive installation. Voxel Bridge is being described as the largest digital public art installation of its kind.

“To my knowledge, nothing has been done at this scale outdoors that’s fully interactive,” said Sammi Wei, the Vancouver Biennale‘s operations director. “Once the digital world is built in your phone, you’ll be able to walk around objects. When you touch one, it kind of vibrates.”

Just as a pixel refers to a point in a two-dimensional world, voxel refers to a similar unit in a 3-D world.

Voxel Bridge will be about itself: it will tell the story of what it means to use new decentralized technology called blockchain to create Voxel Bridge.

There are a few more Voxel Bridge details in a June 7, 2021 article by Vincent Plana for the Daily Hive,

Voxel Bridge draws parallels between blockchain technology and the structural integrity of the underpass itself. The installation will be created by using adhesive vinyl and augmented reality technology.

Gfiffin’s description in his June 6, 2021 article gives you a sense of what it will be like to become immersed in Voxel Bridge,

Starting Monday [June 14, 2021], a crew will begin installing a vinyl overlay directly on the architecture on the underside of the bridge deck, around the columns, and underfoot on the sidewalk from West 2nd to the parking-lot road. Enclosing a space of about 18,000 square feet, the vinyl layer will be visible without any digital enhancement. It will look like an off-kilter circuit board.

“It’ll be like you’re standing in the middle of a circuit board,” [emphasis mine] she said. “At the same time, the visual perception will be slightly off. It’s like an optical illusion. You feel the ground is not quite where it’s supposed to be.”

Griffin’s June 6, 2021 article offers good detail and a glossary.

So, Vancouver is offering more than one opportunity to learn about and/or experience blockchain.