Tag Archives: Ann Piché

Toronto’s ArtSci Salon is hosting a couple more October 2025 events

I have two art/science events and one art/science conference/festival (IRL [in real life or in person] and Zoom) taking place in Toronto, Ontario.

October 16, 2025

There is a closing event for the “I don’t do Math” series mentioned in my September 8, 2025 posting,

ABOUT
“I don’t do math” is a photographic series referencing dyscalculia, a learning difference affecting a person’s ability to understand and manipulate number-based information.

This initiative seeks to raise awareness about the challenges posed by dyscalculia with educators, fellow mathematicians, and parents, and to normalize its existence, leading to early detection and augmented support. In addition, it seeks to reflect on and question broader issues and assumptions about the role and significance of Mathematics and Math education in today’s changing socio-cultural and economic contexts. 

The exhibition will contain pedagogical information and activities for visitors and students. The artist will also address the extensive research that led to the exhibition. The exhibition will feature two panel discussions following the opening and to conclude the exhibition.

I have some information from an October 12, 2025 ArtSci Salon announcement (received via email) about the “I don’t do math” closing event,

in us for 

Closing Exhibition Panel Discussion
Thursday, October 16 2025
10:00 am -12:00 pm room 309
The Fields Institute for Research in Mathematical Sciences (or online)

Artist Ann Piché will be in conversation with
Andrew Fiss, Jacqueline Wernimont, Amenda Chow, Ellen Abrams, Michael Barany and JP Ascher

RSVP here

October 21, 2025

The second event mentioned in the October 12, 2025 ArtSci Salon announcement, Note 1: A link has been removed, Note 2: This event is part of a larger series,

Marco Donnarumma 
Monsters of Grace: bodies, sounds, and machines

Tuesday, October 21, 2025
3:30-4:30 PM
Sensorium Research Loft 
4th floor
Goldfarb Centre for Fine Arts
York University

About the talk
What is sound to those who do not hear it? How does one listen to something that cannot be heard? What kind of sensory gaps are created by aiding technologies such as prostheses and artificial intelligence (AI)? As a matter of fact, the majority of non-deaf people hear only partially due to age and personal experience. Still, sound is most often considered through the normalizing viewpoint of the non-deaf. If I become your body, what does sound become for me? Join us to welcome Marco Donnarumma  ahead of his new installation/performance at Paul Cadario Conference Room (Oct 22, 8-10 PM University College [University of Toronto] – 15 King’s College Circle). His talk will focus on this latest work in the context of a largest body of work titled “I Am Your Body,” an ongoing project investigating how normative power is enforced through the technological mediation of the senses.

About the artist:
Marco Donnarumma is an artist, inventor and theorist. His oeuvre confronts normative body politics with uncompromising counter-narratives, where bodies are in tension between control and agency, presence and absence, grace and monstrosity. He is best known for using sound, AI, biosensors, and robotics to turn the body into a site of resistance and transformation. He has presented his work in thirty-seven countries across Asia, Europe, North and South America and is the recipient of numerous accolades, most notably the German Federal Ministry of Research and Education’s Artist of the Science Year 2018, and the Prix Ars Electronica’s Award of Distinction in Sound Art 2017. Donnarumma received a ZER01NE Creator grant in 2024 and was named a pioneer of performing arts with advanced technologies by the major national newspaper Der Standard, Austria. His writings are published in Frontiers in Computer Science, Computer Music Journal and Performance Research, among others, and his newest book chapter, co-authored with Elizabeth Jochum, will appear in Robot Theaters by Routledge. Together with Margherita Pevere he runs the performance group Fronte Vacuo.


I wonder if Donnarumma’s “Monsters of Grace: bodies, sounds, and machines’ received any inspiration from “Monsters of Grace” (Wikipedia entry) or if it’s just happenstance, Note: Links have been removed,

Monsters of Grace is a multimedia chamber opera in 13 short acts directed by Robert Wilson, with music by Philip Glass and libretto from the works of 13th-century Sufi mystic Jalaluddin Rumi. The title is said to be a reference to Wilson’s corruption of a line from Hamlet: “Angels and ministers of grace defend us!” (1.4.39).

So, the October 21, 2025 event is a talk at York University taking place before the “Who’s afraid of AI? Arts, Sciences, and the Futures of Intelligence” (more below).

“Who’s afraid of AI? Arts, Sciences, and the Futures of Intelligence,” a conference and arts festival at the University of Toronto

The conference (October 23 – 24, 2025) is concurrent with the arts festival (October 19 – 25, 2025) at the University of Toronto. Here’s more from the event homepage on the https://bmolab.artsci.utoronto.ca/ website, Note: BMO stands for Bank of Montreal, Note: No mention of Edward Albee and “Who’s afraid of Virginia Woolf?,”

2025 marks an inflection point in our technological landscape, driven by seismic shifts in AI innovation.

Who’s Afraid of AI? Arts, Science, and the Futures of Intelligence is a week-long inquiry into the implications and future directions of AI for our creative and collective imaginings, and the many possible futures of intelligence. The complexity of these immediate future calls for interdisciplinary dialogue, bringing together artists, AI researchers, and humanities scholars.

In this volatile domain, the question of who envisions our futures is vital. Artists explore with complexity and humanity, while the humanities reveal the histories of intelligence and the often-overlooked ways knowledge and decision-making have been shaped. By placing these voices in dialogue with AI researchers and technologists, Who’s Afraid of AI? examines the social dimensions of technology, questions tech solutionism from a social-impact perspective, and challenges profit-driven AI with innovation guided by public values.

The two-day conference at the University of Toronto’s University College anchors the week and features panels and debates with leading figures in these disciplines, including a keynote by 2025 Nobel Laureate in Physics Geoffrey Hinton, the “Godfather of AI” and 2025 Neil Graham Lecturer in Science, Fei-Fei Li, an AI pioneer.

Throughout the week, the conversation continues across the city with:

  • AI-themed and AI powered art shows and exhibitions
  • Film screenings
  • Innovative theatre
  • Experimental music

Who’s Afraid of AI? demonstrates that Toronto has not only shaped the history of AI but continues to prepare its future.Step into this changing landscape and be part of this transformative dialogue — register today!

Organizing Committee:

Pia Kleber, Professor-Emerita, Comparative Literature, and Drama, U of T
Dirk Bernhardt-Walther, Department of Psychology, Program Director, Cognitive Science, U of T
David Rokeby, Director, BMO Lab, Centre for Drama, Theatre and Performance Studies, U of T
Rayyan Dabbous, PhD candidate, Centre for Comparative Literature, U of T

This looks like a pretty interesting programme (if you’re mainly focused on AI and the creative arts), from the event homepage on the https://bmolab.artsci.utoronto.ca/ website, Note 1: All times are ET, Note 2: I have not included speakers’ photos,

The conference will explore core questions about AI such as its capabilities, possibilities and challenges, bringing their unique research, creative practice, scholarship and experience to the discussion. Speakers will also engage in an interdisciplinary conversation on topics including AI’s implications for theories of mind and embodiment, its influence on creation, innovation, and discovery, its recognition of diverse perspectives, and its transformation of artistic, cultural, political and everyday practices.

Thursday, October 23, 2025

Mind the World

9 AM | Clark Reading Room, University College – 15 King’s College Circle

What are the merits and limits of artificial intelligence within the larger debate on embodiment? This session brings together an artist who has given AI a physical dimension, a neuroscientist who reckons with the biological neural networks inspiring AI, and a humanist knowledgeable of the longer history in which the human has tried to decouple itself from its bodily needs and wants.

Suzanne Kite
Director, The Wihanble S’a Center for Indigenous AI

James DiCarlo
Director, MIT Quest for Intelligence

N. Katherine Hayles
James B. Duke Distinguished Professor Emerita of Literature

Staging AI

11 AM | Clark Reading Room, University College – 15 King’s College Circle

How is AI changing the arts? To answer this question, we bring together theatre directors and artists who have made AI the main driving plot of their stories and those who opted to keep technology secondary in their productions.

Kay Voges
Artistic Director, Schauspiel Köln

Roland Schimmelpfennig
Playwright and Director, Berlin

Hito Steyerl
Artist, Filmmaker and Writer, Berlin

Recognizing ‘Noise’

2 PM | Clark Reading Room, University College – 15 King’s College Circle

How can we design a more inclusive AI? This session brings together an artist who has worked with AI and has been sensitive to groups who may be excluded by its practice, an inclusive design scholar who has grappled with AI’s potential for personalized accessibility, and a humanist who understands the longer history on pattern and recognition from which emerged AI.

Marco Donnarumma
Artist, Inventor, Theorist, Berlin

Jutta Treviranus
Director, OCADU [Ontario College of Art & Design University],
Inclusive Design Research Centre

Eryk Salvaggio
Media Artist and Tech Policy Press Fellow, Rochester

Art, Design, and Application are the Solution to AI’s Charlie Chaplain Problem

4 PM | Hart House Theatre – 7 Hart House Circle

Daniel Wigdor
CoFounder and Chief Executive Officer, AXL

Keynote and Neil Graham Lecture in Science

4:15 PM | Hart House Theatre – 7 Hart House Circle

Fei-Fei Li
Sequoia Professor in Computer Science, Stanford Institute for Human-Centered AI

Geoffrey Hinton
2024 Nobel Laureate in Physics, Professor Emeritus in Computer Science

Friday, October 24, 2025

Life with AI

9 AM | Clark Reading Room, University College – 15 King’s College Circle

How do machine minds relate to human minds? What can we learn from one about the other? In this session we interrogate the impact of AI on our understanding of human knowledge and tool-making, from the perspective of philosophy, computer science, as well as the arts.

Jeanette Winterson
Author, Fellow of the Royal Society of Literature, Great Britain

Leif Weatherby
Professor of German and Director of Digital Theory Lab at
New York University

Jennifer Nagel
Professor, Philosophy, University of Toronto Mississauga

Discovery & In/Sight

11 AM | Clark Reading Room, University College – 15 King’s College Circle

This session explores creative practice through the lens of innovation and cultural/scientific advancement. An artist who creates with critical inspiration from AI joins forces with an innovation scholar who investigates the effects of AI on our decision making, as well as a philosopher of science who understands scientific discovery and inference as well as their limits.

Vladan Joler
Visual Artist and Professor of
New Media, University of Novi Sad [Serbia]

Alán Aspuru-Guzik
Professor of Chemistry and Computer Science, University of Toronto

Brian Baigrie
Professor, Institute for the History and Philosophy of Science & Technology, University of Toronto

Social history & Possible Futures

2 PM | Clark Reading Room, University College – 15 King’s College Circle

How does AI ownership and its private uses coexist within a framework of public good? It brings together an artist who has created AI tools to be used by others, an AI ethics researcher who has turned algorithmic bias into collective insight, and a philosopher who understands the connection between AI and the longer history of automation and work from which AI emerged.

Memo Akten
Artist working with Code, Data and AI, UC San Diego

Beth Coleman
Professor, Institute of Communication, Culture, Information and Technology, University of Toronto

Matteo Pasquinelli
Professor, Philosophy and Cultural Heritage Università Ca’ Foscari Venezia [Italy]

A Theory of Latent Spaces | Conclusion: Where do we go from here?

4 PM | Clark Reading Room, University College – 15 King’s College Circle

Antonio Somaini, curator of the remarkable ‘World through AI’ exhibition at the Museé du Jeu de Paume in Paris, will discuss the way in which ‘latent spaces’, a core characteristic of current AI models as “meta-archives” that shape profoundly our relation with the past.

Following this, we will engage in a larger discussion amongst the various conference speakers and attendees on how we can, as artists, humanities scholars, scientists and the general public, collectively imagine and cultivate a future where AI serves the public good and enhances our individual and collective lives.”

Antonio Somaini
Curator and Professor, Sorbonne Nouvelle [Université Sorbonne Nouvelle]

You can register here for this free conference, although, there’s now a waitlist for in person attendance. Do not despair, there’s access by Zoom,

In case you can’t make it in person, join us by Zoom:

Link: https://utoronto.zoom.us/j/82603012955

Webinar ID: 826 0301 2955

Passcode: 512183

I have not forgotten the festival, from the event homepage on the https://bmolab.artsci.utoronto.ca/ website,

Events Also Happening

October 22 | 2 PM | Student Forum and AI Commentary Contest Award | Paul Cadario Conference Room, University College – 15 King’s College Circle

October 22 | 8 – 10 PM | Marco Donnarumma, world première of a new performance installation | Paul Cadario Conference Room, University College – 15 King’s College Circle

October 23 | 2 PM | Jeanette Winterson: Arts & AI Talk | Paul Cadario Conference Room, University College – 15 King’s College Circle

October 24 | 7 PM | The Kiss by Roland Schimmelpfennig | The BMO Lab, University College – 15 King’s College Circle (Note: we are scheduling more performances. Check back for more info soon!)

October 25 | 8 PM | AI Cabaret featuring Jason Sherman, Rick Miller, Cole Lewis, BMO Lab projects and more| Crow’s Theatre, Nada Ristich Studio-Gallery – 345 Carlaw Avenue..

Get tickets for the AI Cabaret

(Use promo code AICAB for 100% discount)

Enjoy!

Toronto’s ArtSci Salon offers “i don’t do math” and more

A September 5, 2025 announcement (received via email) from Toronto’s ArtSci Salon highlights three upcoming events. In date order, from the online version of the September 5, 2025 announcement, Note: The online version is on mailchi.mp and is time limited,

Book Launch
To Place a Rabbit
by
Madhur Anand
in conversation with Shyam Selvadurai

Tuesday, Sept. 9 2025
7:00 pm [ 7 – 8:30 pm ET]
Another Story Bookstore
315 Roncesvalles avenue
Toronto

RSVP here

I found more information about the book launch on its eventbrite RSVP page, Note: Links have been removed,

ABOUT THE BOOK

This delightfully clever, artfully layered novel begins when a scientist who has written a popular book of non-fiction attends a literary festival, where she strikes up a friendship with a charismatic novelist. The novelist reveals that her new work is an experiment: a novella she wrote in English only to have it translated and published solely in French—a language the novelist cannot read. Moreover, she has lost her original English manuscript of this work. Hearing this, the scientist, who is fluent in French, impulsively offers to retranslate the novella back into English for the novelist.As she embarks on this task, the scientist finds herself haunted by vivid memories and distracting questions—particularly about a passionate affair from her own life with a French lover. These insert themselves into her translation process, troubling it, then disrupting it entirely. She desperately tries to complete her task before losing control of both the work and her well-organized existence—but soon the novelist and the French lover reappear in the present, further complicating both life and art.Here is sparkling, irresistible debut fiction from one of our most consistently inventive voices, the award-winning and multi-talented Madhur Anand.

ABOUT THE AUTHOR

Madhur Anand’s debut book of creative non-fiction This Red Line Goes Straight to Your Heart (2020) won the Governor General’s Literary Award for Nonfiction. Her debut collection of poems A New Index for Predicting Catastrophes (2015) was a finalist for the Trillium Book Award for Poetry and named one of 10 all-time “trailblazing” poetry collections by the Canadian Broadcasting Corporation. Her second collection of poems Parasitic Oscillations (2022) was also a finalist for the Trillium Book Award for Poetry and named a Globe and Mail Top 100 Book. To Place a Rabbit is her first novel. Anand is a professor and the director of the Global Ecological Change and Sustainability Laboratory at the University of Guelph, Ontario.

ABOUT THE MODERATOR

Shyam Selvadurai was born in Colombo, Sri Lanka. Funny Boy, his first novel, won the W.H. Smith/ Books in Canada First Novel Award and the Lambda Literary Award in the US. He is the author of Cinnamon Gardens and Swimming in the Monsoon Sea, and the editor of an anthology, Story-wallah! A Celebration of South Asian Fiction. His books have been published in the US, the UK and India, and published in translation in France, Germany, Italy, Spain, Sweden, Denmark, Turkey and Israel. His latest novel, The Hungry Ghosts, was published April 2, 2013 in Canada, India and Sri Lanka. Shyam co- wrote the screenplay for his first novel Funny Boy, for which he won the Canadian Screen Award and the New York Cinema Independent Award for Best Adapted Screenplay. Shyam’s new novel Mansions of the Moon is a historical novel about the Buddha’s wife, Yasodhara. In 2016, Shyam had the interesting honour of having a spider named after him: Brignolia shyami, a small goblin spider.

This notice concerns the revival of an event and a call for proposals, the online version of the September 5, 2025 announcement,

Call for Proposals:
RE:SciComm
February 19-20, 2026
Oakham House,
Toronto Metropolitan University,
55 Gould Street, Toronto

RE:SciComm (formerly SciCommTO) — a dynamic, in-person conference exploring the art, science, and strategy of science communication in Canada. The conference will attract science communicators, researchers, journalists, graduate students, and outreach professionals from across the GTHA [Greater Toronto and Hamilton Area] and beyond.

Call for proposals now open until September 15, 2025

conference themes

The RE:ScieComm conference website offers a clue as to why it was mentioned in ArtSci Salon announcements,

Join us for a dynamic conference exploring the art, science, and strategy of science communication in Canada.

Whether you’re behind the mic, in front of a classroom, or crafting stories for the screen, RE:SciComm is the place to build your skills, grow your network, and join the national conversation on science engagement and communication.

In an era shaped by climate change, public health crises, and rapid advances in AI, the need for effective science communication has never been clearer. Science impacts all of us — but how we talk about it, and who gets heard, matters more than ever. RE:SciComm will dive into the challenges and opportunities of today’s engagement landscape, from tackling misinformation to reaching communities historically excluded from science conversations.

Why RE:SciComm?

Formerly known as SciCommTO, the original 2020 conference drew wide praise for its collaborative spirit and practical focus. Now we’re rebooting with fresh energy, a broader scope, and a renewed commitment to advancing inclusive and effective science communication.

Call for Proposals Now Open ◐

We’re looking for bold, practical, and thought-provoking session proposals that explore the future of science communication. Workshops, panel discussions, interactive sessions, debates, or something unexpected — if you’ve got an idea that could inspire or empower fellow communicators, we want to hear from you.

*Speakers and Conference Program will be released in October 2025. Registration will open October 2025.

Apply Now

DEADLINE Monday, September 15, 2025 at 11:59 PM ET

Conference Themes

Re:framing

What does inclusive, community-first science communication look like? This theme is about democratizing science and shifting perspectives—getting research out of the lab, beyond academic journals and conferences, and into public spaces where it can be shared, shaped, and understood by all. It’s about centering equity, decolonization, and Indigenous ways of knowing in how we communicate science. Whether it’s through co-creation, storytelling, art, language, or lived experience, we’re looking for sessions that challenge the status quo and open up new possibilities. Let’s explore fresh frameworks, participatory approaches, and best practices that make STEMM [science, technology, engineering, mathematics, and medicine] more accessible, responsive, and representative of the world we live in.

Re:building

As we navigate a rapidly changing world, how do we rebuild public trust in STEMM, and reimagine science communication for today’s reality in Canada? This theme explores emerging challenges and opportunities—from misinformation and AI to science policy and education. We invite sessions that tackle the unique contexts of science engagement in Canada, offering insight into how science communicators can meet the moment with integrity, creativity, and care. Let’s reshape the narrative and design strategies that help STEMM thrive across diverse communities.

Re:igniting

Let’s get inspired. This theme is all about renewal—of relationships, collaborations, ideas, and purpose. What fuels your passion for science communication, and how can we grow the field together? We’re looking for sessions that celebrate creativity, connection, and momentum—whether through innovative formats, bold new projects, or reflections on what keeps us going. Together, we’ll build a more vibrant, interconnected, and future-focused science communication community across Canada.

Conference Co-Hosts

The Royal Canadian Institute for Science (RCIScience) is Canada’s oldest scientific society, celebrating its 175th year of science engagement. Through award-winning events and programs, RCIScience sparks curiosity and builds a stronger science culture across Canada.

SciXchange at Toronto Metropolitan University is dedicated to making science accessible, engaging, and inclusive for all. From hands-on outreach to science communication training, SciXchange brings science to life for communities across the GTHA.

I very much appreciate the visual puns used to illustrate and ‘illuminate’ the conference themes.

This next and last event is more typical of the ArtSci Salon’s offerings, although the more accessible (IMO) description for the event and the artist was on this University of Toronto Jackman Humanities Institute event page,

Description

Join us for a series of events running through September 25 to October 16 that include an opening reception, additional tour and two panel discussions. Together, these events aim to raise awareness about the challenges posed by dyscalculia with educators, fellow mathematicians, and parents while normalizing its existence, leading to early detection and augmented support. It will also explore more broadly on the role and significance of mathematics and math education in today’s shifting socio-cultural and economic contexts.

“i don’t do math” is a photographic series exploring dyscalculia, a learning difference that affects a person’s ability to understand and work with number-based information. While dyslexia (difficulty with language) has become widely recognized thanks to years of advocacy and early detection, dyscalculia remains largely unknown. Research estimates that 3–7% of children, adolescents, and adults are affected (Haberstroh & Schulte-Körne 2019), though the actual numbers may be higher, as only a small fraction of those who struggle with math are ever screened (Sparks 2023).

Despite its prevalence, dyscalculia is often misunderstood—dismissed as a lack of education or mistaken for a personality trait. Left unrecognized, it can impact many aspects of daily life. It is also frequently confused with math anxiety, a sense of apprehension that interferes with math performance and while the two are not the same, dyscalculia can contribute to the development of math anxiety.

Photographer Ann Piché approaches this project both as an artist and an advocate, documenting the experiences of people affected by dyscalculia while engaging educators, learners, and parents in conversations about its effects and possible supports. Her exhibition presents abstract images paired with mathematical formulae, visually translating unfamiliar equations into recognizable photographic forms. The pairing of images and formulas conveys the frustration many with dyscalculia feel when navigating a number-centric world, while accompanying text-based panels guide viewers through the assumptions and challenges that shape these experiences.

The series consists of 15 photographs and 5 text-based panels, including works created during fieldwork visits in courses taught by University of Toronto, Department of Math, Professors Amenda Chow and Sarah Mayes-Tang of Calculus and Symmetry and Professor Pam Sargent of Business Calculus, Professor Ada Chan of Pre-Calculus at York University, and Dr. Pamela Brittain of K–12 Curriculum Education from the Fields Institute.

More information about the events and the participants.

To RSVP please visit https://uoft.me/nc-i-dont-do-math-exhibition

About the Artist

Ann Piché is a photo-based artist in Ottawa, Canada. Working in technology since the early 1990’s, Ann was the first female electronic technician hired by the Royal Canadian Mounted Police (RCMP). Experiencing the disconnect that can exist between science and the arts she constructs visual links to build those connections, creating accessible entry points for conversations about the less familiar.

A graduate of the School of the Photographic Arts: Ottawa (SPAO), Ann’s work has been presented in solo exhibitions in Canada and in group exhibitions internationally. Her collaborations include the Department of Mathematics at the University of Toronto and the Fields Institute for Research in Mathematical Sciences. A recipient of grants from the Jackman Humanities Institute at the University of Toronto, the City of Ottawa and the Ontario Arts Council, Ann has been published in North American magazines such as SHOTS and PhotoED.

Ann’s images are not software generated. Working primarily in digital photography, she stages her images using real and constructed landscapes with custom-built sets. Her work explores photographic abstraction and experimental camera techniques, a visual acknowledgement of the anxiety we can feel when facing the unfamiliar.

This initiative is supported by JHI Program for the Arts, the ArtSci Salon & the Fields Institute, and New College. Many thanks to the Departments of Mathematics at the University of Toronto and York University for their collaboration.

The ArtSci Salon provided this, from the online version of the September 5, 2025 announcement

ABOUT
“I don’t do math” is a photographic series referencing dyscalculia, a learning difference affecting a person’s ability to understand and manipulate number-based information.

This initiative seeks to raise awareness about the challenges posed by dyscalculia with educators, fellow mathematicians, and parents, and to normalize its existence, leading to early detection and augmented support. In addition, it seeks to reflect on and question broader issues and assumptions about the role and significance of Mathematics and Math education in today’s changing socio-cultural and economic contexts. 

The exhibition will contain pedagogical information and activities for visitors and students. The artist will also address the extensive research that led to the exhibition. The exhibition will feature two panel discussions following the opening and to conclude the exhibition.

Photographer Ann Piché is using her artistic practice both to document the struggles experienced by people affected by dyscalculia, and to educate math educators, students, and parents about its effects and potential support strategies.The series consists of 15 photographs and 5 text-based panels, including work produced during fieldwork visits in Prof. Amenda Chow and Prof. Sarah Mayes-Tang’s Calculus and Symmetry classes; Prof. Pam Sargent’s business calculus class (all three professors are from the dept. of Math.); Prof. Ada Chan’s pre-calculus class (dept. of Math., York University); and Dr.Pamela Brittain’s K-12 and curriculum education program (Fields Institute).

Opening: Thursday September 25, 5:00 pm [ET]
Tour: Saturday September 27, [2025] 2:00 pm [ET] (meet us at the Fields Institute, Atrium 2nd floor)
—-
Panel Discussion: 
Monday, September 29, 4:00 pm [ET]
Ann Piché (independent artist)
Daniel Ansari (Department of Psychology and Education, Western University)
Darja Barr (Department of Mathematics, University of Winnipeg)
room 230, the Fields Institute for Research in Mathematical Sciences
222 College Street, Toronto
—-
Stay tuned for the Final Panel Discussion on October 16, 10:00 am with Andrew Fiss (Professional & Technical Communication, Michigan Technological University Humanities Department) and other panelists

All panels will be recorded and posted on our Youtube channel

RSVP here