Tag Archives: art science

Art/science and a paintable diagnostic test for cancer

One of Joseph Cohen’s painting incorporating carbon nanotubes photographed in normal light. Photo courtesy of Joseph Cohen. [downloaded from https://news.artnet.com/art-world/carbon-nanotube-cancer-paint-1638340?utm_content=from_&utm_source=Sailthru&utm_medium=email&utm_campaign=Global%20September%202%20PM&utm_term=artnet%20News%20Daily%20Newsletter%20USE%20%2830%20Day%20Engaged%20Only%29]

The artist credited with the work seen in the above, Joseph Cohen, has done something remarkable with carbon nanotubes (CNTs). Something even more remarkable than the painting as Sarah Cascone recounts in her August 30, 2019 article for artnet.com (Note: A link has been removed),

Not every artist can say that his or her work is helping in the fight against cancer. But over the past several years, Joseph Cohen has done just that, working to develop a new, high-tech paint that can be used not only on canvas, but also to detect cancers and medical conditions such as hypertension and diabetes.

Sloan Kettering Institute scientist Daniel Heller first suggested that Cohen come work at his lab after seeing the artist’s work, which is often made with pigments that incorporate diamond dust and gold, at the DeBuck Gallery in New York.

“We initially thought that in working with an artist, we would make art to shed a little light on our science for the public,” Heller told the Memorial Sloan Kettering blog. “But the collaboration actually taught us something that could help us shine a light on cancer.”

For Cohen, the project was initially intended to develop a new way of art-making. In Heller’s lab, he worked with carbon nanotubes, which Heller was already employing in cancer research, for their optical properties. “They fluoresce in the infrared spectrum,” Cohen says. “That gives artists the opportunity to create paintings in a new spectrum, with a whole new palette of colors.”

Because human eyesight is limited, we can’t actually see infrared fluorescence. But using a special short-wave infrared camera, Cohen is able to document otherwise invisible effects, revealing the carbon nanotube paint’s hidden colors.

“What you’re perceiving as a static painting is actually in motion,” Cohen says. “I’m creating paintings that exist outside of the visible experience.”

Art Supplies—and a Diagnostic Tool

That same imaging technique can be used by doctors looking for microalbuminuria, a condition that causes the kidneys to leak trace amounts of albumin into urine, which is an early sign of of several cancers, diabetes, and high blood pressure.

Cohen helped co-author a paper published this month in Nature Communications about using the nanosensor paint in litmus paper tests with patient urine samples. The study found that the paint, when viewed through infrared light, was able to reveal the presence of albumin based on changes in the paint’s fluorescence after being exposed to the urine sample.

“It’s easy to detect albumen with a dipstick if there’s a lot of levels in the urine, but that would be like looking at stage four cancer,” Cohen says. “This is early detection.”

What’s more, a nanosensor paint can be easily used around the world, even in poor areas that don’t have access to the best diagnostic technologies. Doctors may even be able to view the urine samples using an infrared imaging attachments on their smartphones.

One of Joseph Cohen’s painting incorporating carbon nanotubes shown in both the visible light (left) and in UV fluorescence (right). Photo courtesy of Joseph Cohen. [downloaded from https://news.artnet.com/art-world/carbon-nanotube-cancer-paint-1638340?utm_content=from_&utm_source=Sailthru&utm_medium=email&utm_campaign=Global%20September%202%20PM&utm_term=artnet%20News%20Daily%20Newsletter%20USE%20%2830%20Day%20Engaged%20Only%29]

Amazing, eh? If you have the time, do read Cascone’s article in its entirety and should your curiosity be insatiable, there’s also an August 22, 2019 posting by Jim Stallard on the Memorial Sloan Kettering Cancer Center blog,

Here’s a link to and a citation for the paper,

Synthetic molecular recognition nanosensor paint for microalbuminuria by Januka Budhathoki-Uprety, Janki Shah, Joshua A. Korsen, Alysandria E. Wayne, Thomas V. Galassi, Joseph R. Cohen, Jackson D. Harvey, Prakrit V. Jena, Lakshmi V. Ramanathan, Edgar A. Jaimes & Daniel A. Heller. Nature Communicationsvolume 10, Article number: 3605 (2019) DOI: https://doi.org/10.1038/s41467-019-11583-1 Published: 09 August 2019

This paper is open access.

Joseph Cohen has graced this blog before in a May 3, 2019 posting titled, Where do I stand? a graphene artwork. It seems Cohen is very invested in using nanoscale carbon particles for his art.

September 2019’s science’ish’ events in Toronto and Vancouver (Canada)

There are movies, plays, a multimedia installation experience all in Vancouver, and the ‘CHAOSMOSIS mAchInesexhibition/performance/discussion/panel/in-situ experiments/art/ science/ techne/ philosophy’ event in Toronto. But first, there’s a a Vancouver talk about engaging scientists in the upcoming federal election. .

Science in the Age of Misinformation (and the upcoming federal election) in Vancouver

Dr. Katie Gibbs, co-founder and executive director of Evidence for Democracy, will be giving a talk today (Sept. 4, 2019) at the University of British Columbia (UBC; Vancouver). From the Eventbrite webpage for Science in the Age of Misinformation,

Science in the Age of Misinformation, with Katie Gibbs, Evidence for Democracy
In the lead up to the federal election, it is more important than ever to understand the role that researchers play in shaping policy. Join us in this special Policy in Practice event with Dr. Katie Gibbs, Executive Director of Evidence for Democracy, Canada’s leading, national, non-partisan, and not-for-profit organization promoting science and the transparent use of evidence in government decision making. A Musqueam land acknowledgement, welcome remarks and moderation of this event will be provided by MPPGA students Joshua Tafel, and Chengkun Lv.

Wednesday, September 4, 2019
12:30 pm – 1:50 pm (Doors will open at noon)
Liu Institute for Global Issues – xʷθəθiqətəm (Place of Many Trees), 1st floor
Pizza will be provided starting at noon on first come, first serve basis. Please RSVP.

What role do researchers play in a political environment that is increasingly polarized and influenced by misinformation? Dr. Katie Gibbs, Executive Director of Evidence for Democracy, will give an overview of the current state of science integrity and science policy in Canada highlighting progress made over the past four years and what this means in a context of growing anti-expert movements in Canada and around the world. Dr. Gibbs will share concrete ways for researchers to engage heading into a critical federal election [emphasis mine], and how they can have lasting policy impact.

Bio: Katie Gibbs is a scientist, organizer and advocate for science and evidence-based policies. While completing her Ph.D. at the University of Ottawa in Biology, she was one of the lead organizers of the ‘Death of Evidence’—one of the largest science rallies in Canadian history. Katie co-founded Evidence for Democracy, Canada’s leading, national, non-partisan, and not-for-profit organization promoting science and the transparent use of evidence in government decision making. Her ongoing success in advocating for the restoration of public science in Canada has made Katie a go-to resource for national and international media outlets including Science, The Guardian and the Globe and Mail.

Katie has also been involved in international efforts to increase evidence-based decision-making and advises science integrity movements in other countries and is a member of the Open Government Partnership Multi-stakeholder Forum.

Disclaimer: Please note that by registering via Eventbrite, your information will be stored on the Eventbrite server, which is located outside Canada. If you do not wish to use this service, please email Joelle.Lee@ubc.ca directly to register. Thank you.

Location
Liu Institute for Global Issues – Place of Many Trees
6476 NW Marine Drive
Vancouver, British Columbia V6T 1Z2

Sadly I was not able to post the information about Dr. Gibbs’s more informal talk last night (Sept. 3, 2019) which was a special event with Café Scientifique but I do have a link to a website encouraging anyone who wants to help get science on the 2019 federal election agenda, Vote Science. P.S. I’m sorry I wasn’t able to post this in a more timely fashion.

Transmissions; a multimedia installation in Vancouver, September 6 -28, 2019

Here’s a description for the multimedia installation, Transmissions, in the August 28, 2019 Georgia Straight article by Janet Smith,

Lisa Jackson is a filmmaker, but she’s never allowed that job description to limit what she creates or where and how she screens her works.

The Anishinaabe artist’s breakout piece was last year’s haunting virtual-reality animation Biidaaban: First Light. In its eerie world, one that won a Canadian Screen Award, nature has overtaken a near-empty, future Toronto, with trees growing through cracks in the sidewalks, vines enveloping skyscrapers, and people commuting by canoe.

All that and more has brought her here, to Transmissions, a 6,000-square-foot, immersive film installation that invites visitors to wander through windy coastal forests, by hauntingly empty glass towers, into soundscapes of ancient languages, and more.

Through the labyrinthine multimedia work at SFU [Simon Fraser University] Woodward’s, Jackson asks big questions—about Earth’s future, about humanity’s relationship to it, and about time and Indigeneity.

Simultaneously, she mashes up not just disciplines like film and sculpture, but concepts of science, storytelling, and linguistics [emphasis mine].

“The tag lines I’m working with now are ‘the roots of meaning’ and ‘knitting the world together’,” she explains. “In western society, we tend to hive things off into ‘That’s culture. That’s science.’ But from an Indigenous point of view, it’s all connected.”

Transmissions is split into three parts, with what Jackson describes as a beginning, a middle, and an end. Like Biidaaban, it’s also visually stunning: the artist admits she’s playing with Hollywood spectacle.

Without giving too much away—a big part of the appeal of Jackson’s work is the sense of surprise—Vancouver audiences will first enter a 48-foot-long, six-foot-wide tunnel, surrounded by projections that morph from empty urban streets to a forest and a river. Further engulfing them is a soundscape that features strong winds, while black mirrors along the floor skew perspective and play with what’s above and below ground.

“You feel out of time and space,” says Jackson, who wants to challenge western society’s linear notions of minutes and hours. “I want the audience to have a physical response and an emotional response. To me, that gets closer to the Indigenous understanding. Because the Eurocentric way is more rational, where the intellectual is put ahead of everything else.”

Viewers then enter a room, where the highly collaborative Jackson has worked with artist Alan Storey, who’s helped create Plexiglas towers that look like the ghost high-rises of an abandoned city. (Storey has also designed other components of the installation.) As audience members wander through them on foot, projections make their shadows dance on the structures. Like Biidaaban, the section hints at a postapocalyptic or posthuman world. Jackson operates in an emerging realm of Indigenous futurism.

The words “science, storytelling, and linguistics” were emphasized due to a minor problem I have with terminology. Linguistics is defined as the scientific study of language combining elements from the natural sciences, social sciences, and the humanities. I wish either Jackson or Smith had discussed the scientific element of Transmissions at more length and perhaps reconnected linguistics to science along with the physics of time and space, as well as, storytelling, film, and sculpture. It would have been helpful since it’s my understanding, Transmissions is designed to showcase all of those connections and more in ways that may not be obvious to everyone. On the plus side, perhaps the tour, which is part of this installation experience includes that information.

I have a bit .more detail (including logistics for the tours) from the SFU Events webpage for Transmissions,

Transmissions
September 6 – September 28, 2019

The Roots of Meaning
World Premiere
September 6 – 28, 2019

Fei & Milton Wong Experimental Theatre
SFU Woodward’s, 149 West Hastings
Tuesday to Friday, 1pm to 7pm
Saturday and Sunday, 1pm to 5pm
FREE

In partnership with SFU Woodward’s Cultural Programs and produced by Electric Company Theatre and Violator Films.

TRANSMISSIONS is a three-part, 6000 square foot multimedia installation by award-winning Anishinaabe filmmaker and artist Lisa Jackson. It extends her investigation into the connections between land, language, and people, most recently with her virtual reality work Biidaaban: First Light.

Projections, sculpture, and film combine to create urban and natural landscapes that are eerie and beautiful, familiar and foreign, concrete and magical. Past and future collide in a visceral and thought-provoking journey that questions our current moment and opens up the complexity of thought systems embedded in Indigenous languages. Radically different from European languages, they embody sets of relationships to the land, to each other, and to time itself.

Transmissions invites us to untether from our day-to-day world and imagine a possible future. It provides a platform to activate and cross-pollinate knowledge systems, from science to storytelling, ecology to linguistics, art to commerce. To begin conversations, to listen deeply, to engage varied perspectives and expertise, to knit the world together and find our place within the circle of all our relations.

Produced in association with McMaster University Socrates Project, Moving Images Distribution and Cobalt Connects Creativity.

….

Admission:  Free Public Tours
Tuesday through Sunday
Reservations accepted from 1pm to 3pm.  Reservations are booked in 15 minute increments.  Individuals and groups up to 10 welcome.
Please email: sfuw@sfu.ca for more information or to book groups of 10 or more.

Her Story: Canadian Women Scientists (short film subjects); Sept. 13 – 14, 2019

Curiosity Collider, producer of art/science events in Vancouver, is presenting a film series featuring Canadian women scientists, according to an August 27 ,2019 press release (received via email),

Her Story: Canadian Women Scientists,” a film series dedicated to sharing the stories of Canadian women scientists, will premiere on September 13th and 14th at the Annex theatre. Four pairs of local filmmakers and Canadian women scientists collaborated to create 5-6 minute videos; for each film in the series, a scientist tells her own story, interwoven with the story of an inspiring Canadian women scientist who came before her in her field of study.

Produced by Vancouver-based non-profit organization Curiosity Collider, this project was developed to address the lack of storytelling videos showcasing remarkable women scientists and their work available via popular online platforms. “Her Story reveals the lives of women working in science,” said Larissa Blokhuis, curator for Her Story. “This project acts as a beacon to girls and women who want to see themselves in the scientific community. The intergenerational nature of the project highlights the fact that women have always worked in and contributed to science.

This sentiment was reflected by Samantha Baglot as well, a PhD student in neuroscience who collaborated with filmmaker/science cartoonist Armin Mortazavi in Her Story. “It is empowering to share stories of previous Canadian female scientists… it is empowering for myself as a current female scientist to learn about other stories of success, and gain perspective of how these women fought through various hardships and inequality.”

When asked why seeing better representation of women in scientific work is important, artist/filmmaker Michael Markowsky shared his thoughts. “It’s important for women — and their male allies — to question and push back against these perceived social norms, and to occupy space which rightfully belongs to them.” In fact, his wife just gave birth to their first child, a daughter; “It’s personally very important to me that she has strong female role models to look up to.” His film will feature collaborating scientist Jade Shiller, and Kathleen Conlan – who was named one of Canada’s greatest explorers by Canadian Geographic in 2015.

Other participating filmmakers and collaborating scientists include: Leslie Kennah (Filmmaker), Kimberly Girling (scientist, Research and Policy Director at Evidence for Democracy), Lucas Kavanagh and Jesse Lupini (Filmmakers, Avocado Video), and Jessica Pilarczyk (SFU Assistant Professor, Department of Earth Sciences).

This film series is supported by Westcoast Women in Engineering, Science and Technology (WWEST) and Eng.Cite. The venue for the events is provided by Vancouver Civic Theatres.

Event Information

Screening events will be hosted at Annex (823 Seymour St, Vancouver) on September 13th and 14th [2019]. Events will also include a talkback with filmmakers and collab scientists on the 13th, and a panel discussion on representations of women in science and culture on the 14th. Visit http://bit.ly/HerStoryTickets2019 for tickets ($14.99-19.99) and http://bit.ly/HerStoryWomenScientists for project information.

I have a film collage,

Courtesy: Curiosity Collider

I looks like they’re presenting films with a diversity of styles. You can find out more about Curiosity Collider and its various programmes and events here.

Vancouver Fringe Festival September 5 – 16, 2019

I found two plays in this year’s fringe festival programme that feature science in one way or another. Not having seen either play I make no guarantees as to content. First up is,

AI Love You
Exit Productions
London, UK
Playwright: Melanie Anne Ball
exitproductionsltd.com

Adam and April are a regular 20-something couple, very nearly blissfully generic, aside from one important detail: one of the pair is an “artificially intelligent companion.” Their joyful veneer has begun to crack and they need YOU to decide the future of their relationship. Is the freedom of a robot or the will of a human more important?
For AI Love You: 

***** “Magnificent, complex and beautifully addictive.” —Spy in the Stalls 
**** “Emotionally charged, deeply moving piece … I was left with goosebumps.” —West End Wilma 
**** —London City Nights 
Past shows: 
***** “The perfect show.” —Theatre Box

Intellectual / Intimate / Shocking / 14+ / 75 minutes

The first show is on Friday, September 6, 2019 at 5 pm. There are another five showings being presented. You can get tickets and more information here.

The second play is this,

Red Glimmer
Dusty Foot Productions
Vancouver, Canada
Written & Directed by Patricia Trinh

Abstract Sci-Fi dramedy. An interdimensional science experiment! Woman involuntarily takes an all inclusive internal trip after falling into a deep depression. A scientist is hired to navigate her neurological pathways from inside her mind – tackling the fact that humans cannot physically re-experience somatosensory sensation, like pain. What if that were the case for traumatic emotional pain? A creepy little girl is heard running by. What happens next?

Weird / Poetic / Intellectual / LGBTQ+ / Multicultural / 14+ / Sexual Content / 50 minutes

This show is created by an underrepresented Artist.
Written, directed, and produced by local theatre Artist Patricia Trinh, a Queer, Asian-Canadian female.

The first showing is tonight, September 5, 2019 at 8:30 pm. There are another six showings being presented. You can get tickets and more information here.

CHAOSMOSIS mAchInes exhibition/performance/discussion/panel/in-situ experiments/art/ science/ techne/ philosophy, 28 September, 2019 in Toronto

An Art/Sci Salon September 2, 2019 announcement (received via email), Note: I have made some formatting changes,

CHAOSMOSIS mAchInes

28 September, 2019 
7pm-11pm.
Helen-Gardiner-Phelan Theatre, 2nd floor
University of Toronto. 79 St. George St.

A playful co-presentation by the Topological Media Lab (Concordia U-Montreal) and The Digital Dramaturgy Labsquared (U of T-Toronto). This event is part of our collaboration with DDLsquared lab, the Topological Lab and the Leonardo LASER network


7pm-9.30pm, Installation-performances, 
9.30pm-11pm, Reception and cash bar, Front and Long Room, Ground floor


Description:
From responsive sculptures to atmosphere-creating machines; from sensorial machines to affective autonomous robots, Chaosmosis mAchInes is an eclectic series of installations and performances reflecting on today’s complex symbiotic relations between humans, machines and the environment.


This will be the first encounter between Montreal-based Topological Media Lab (Concordia University) and the Toronto-based Digital Dramaturgy Labsquared (U of T) to co-present current process-based and experimental works. Both labs have a history of notorious playfulness, conceptual abysmal depth, human-machine interplays, Art&Science speculations (what if?), collaborative messes, and a knack for A/I as in Artistic Intelligence.


Thanks to  Nina Czegledy (Laser series, Leonardo network) for inspiring the event and for initiating the collaboration


Visit our Facebook event page 
Register through Evenbrite


Supported by


Main sponsor: Centre for Drama, Theatre and Performance Studies, U of T
Sponsors: Computational Arts Program (York U.), Cognitive Science Program (U of T), Knowledge Media Design Institute (U of T), Institute for the History and Philosophy of Science and Technology (IHPST)Fonds de Recherche du Québec – Société et culture (FRQSC)The Centre for Comparative Literature (U of T)
A collaboration between
Laser events, Leonardo networks – Science Artist, Nina Czegledy
ArtsSci Salon – Artistic Director, Roberta Buiani
Digital Dramaturgy Labsquared – Creative Research Director, Antje Budde
Topological Media Lab – Artistic-Research Co-directors, Michael Montanaro | Navid Navab


Project presentations will include:
Topological Media Lab
tangibleFlux φ plenumorphic ∴ chaosmosis
SPIEL
On Air
The Sound That Severs Now from Now
Cloud Chamber (2018) | Caustic Scenography, Responsive Cloud Formation
Liquid Light
Robots: Machine Menagerie
Phaze
Phase
Passing Light
Info projects
Digital Dramaturgy Labsquared
Btw Lf & Dth – interFACING disappearance
Info project

This is a very active September.

ETA September 4, 2019 at 1607 hours PDT: That last comment is even truer than I knew when I published earlier. I missed a Vancouver event, Maker Faire Vancouver will be hosted at Science World on Saturday, September 14. Here’s a little more about it from a Sept. 3, 2019 at Science World at Telus Science World blog posting,

Earlier last month [August 2019?], surgeons at St Paul’s Hospital performed an ankle replacement for a Cloverdale resident using a 3D printed bone. The first procedure of its kind in Western Canada, it saved the patient all of his ten toes — something doctors had originally decided to amputate due to the severity of the motorcycle accident.

Maker Faire Vancouver Co-producer, John Biehler, may not be using his 3D printer for medical breakthroughs, but he does see a subtle connection between his home 3D printer and the Health Canada-approved bone.

“I got into 3D printing to make fun stuff and gadgets,” John says of the box-sized machine that started as a hobby and turned into a side business. “But the fact that the very same technology can have life-changing and life-saving applications is amazing.”

When John showed up to Maker Faire Vancouver seven years ago, opportunities to access this hobby were limited. Armed with a 3D printer he had just finished assembling the night before, John was hoping to meet others in the community with similar interests to build, experiment and create. Much like the increase in accessibility to these portable machines has changed over the years—with universities, libraries and makerspaces making them readily available alongside CNC Machines, laser cutters and more — John says the excitement around crafting and tinkering has skyrocketed as well.

“The kind of technology that inspires people to print a bone or spinal insert all starts at ground zero in places like a Maker Faire where people get exposed to STEAM,” John says …

… From 3D printing enthusiasts like John to knitters, metal artists and roboticists, this full one-day event [Maker Faire Vancouver on Saturday, September 14, 2019] will facilitate cross-pollination between hobbyists, small businesses, artists and tinkerers. Described as part science fair, part county fair and part something entirely new, Maker Faire Vancouver hopes to facilitate discovery and what John calls “pure joy moments.”

Hopefully that’s it.

An art/science and a science event in Vancouver (Canada)

We’re closing off August 2019 with a couple of talks, Curiosity Collider features an art/science event and Café Scientifique features a discussion about protease research.

Collider Café: Art. Science. Hybrids. on August 21, 2019

From an August 14, 2019 Curiosity Collider announcement (received via email),

How can the hybrids of scientific studies and artistic practices – embroidery, botanical art, projection sculpture, and video storytelling – spark creativity and discoveries?

Our #ColliderCafe is a space for artists, scientists, makers, and anyone interested in art+science to meet, discover, and connect.

Are you curious? Join us at “Collider Cafe: Art. Science. Hybrids.” to explore how art and science intersect in the exploration of curiosity.

When: 8:00pm on Wednesday, August 21, 2019. Doors open at 7:30pm.
Where: Pizzeria Barbarella. 654 E Broadway, Vancouver, BC (Google Map).
Cost: $5-10 (sliding scale) cover at the door. Proceeds will be used to cover the cost of running this event, and to fund future Curiosity Collider events.

//Special thanks to Pizzeria Barbarella for hosting the upcoming Collider Cafe!//

With speakers: Heather Talbot (ecosystem, embroidery and felt art): Studying complex systems with thread
Katrina Vera Wong (botanical and climate research informed art): Flower Power
Kat Wadel (projection sculpture & plastic waste): Polymer Legacy
Lucas Kavanagh & Jesse Lupini; Avocado Video (science communication & video storytelling): Experiments in Digital Scientific Storytelling
Head to the Facebook event page – let us know you are coming and share this event with others! Follow updates on Instagram via @curiositycollider or #ColliderCafe. 
Looking for more Art+Science in Vancouver?

September 13, 14 We are excited to announce events for Her Story: Canadian Women Scientists, a film series dedicated to sharing the stories of Canadian women scientists. We will be hosting two screening events in September at the Annex. Get your tickets now!
August 15 Explore our relationships with waterways across Metro Vancouver at Living Legends of Vancouver: a premiere screening of short videos by students from the Emily Carr. This screening will be hosted by the Beaty Biodiversity Museum (admission by donation), and intermixed with interactive presentations and dialogue led by the artists. 
August 28 Our friends at Nerd Nite Vancouver is hosting Nerd Nite Goes to the Movies at the VIFF. The next event will focus on evolution. The event will be followed by a screening of Andrew Niccol’s Gattaca. Get tickets now!
Until September 29  New Media Gallery presents Winds, where artists explore how our perception and understanding of landscape can be interpreted through technology.  
Until November 10 CC friend Katrina Vera Wong (also speaker for Collider Cafe!), and Julya Hajnoczky will present their exhibition Closer at the Beaty Biodiversity Museum. Using different approaches – Hajnoczky with high-resolution still life photographs and Wong with sections of pressed or dried plants – both artists explore the enchanting world of the often overlooked in this unique joint exhibition

For more Vancouver art+science events, visit the Curiosity Collider events calendar.

Café Scientifique: From tadpole tails to diagnosing disease – the evolution of protease research, August 27, 2019

From an August 14, 2019 Café Scientifique announcement (received via email),

Our next café will happen on Tuesday, August 27th at 7:30pm in the back room at Yagger’s Downtown (433 W Pender). Our speaker for the evening will be  Dr. Georgina Butler from the Centre for Blood Research at UBC [University of British Columbia].


From tadpole tails to diagnosing disease – the evolution of protease research  
 
Proteases are enzymes that cut other proteins. Humans have 560 different proteases – why so many? what are they doing? We know that too much protease activity can be detrimental in diseases such as cancer and arthritis, but failed efforts to stop cancer spread by blocking proteases has contributed to the realization that some cuts are essential. In the era of “big data”, at UBC we have developed new techniques (degradomics) to study proteases on a global scale to determine what they really do in health and disease. Hopefully this information will enable us to identify new drug targets as well as novel biomarkers to diagnose or monitor disease.

Dr. Butler completed her undergraduate degree in Biochemistry (with Studies in Italy) at the University of Kent at Canterbury, and her PhD in Biochemistry at the University of Leicester in the UK. She came to UBC as a Wellcome Trust Travelling Fellow in 1999 for 2 years. Still here, she is a Research Associate at the Centre for Blood Research and in Oral, Biological and Medical Sciences at UBC, where she studies novel roles of proteases in health and disease. 

We hope to see you there!

Your Café Sci Vancouver Organizers

You can find Dr. Butler’s UBC profile page here.

Fields Centre for Quantitative Analysis and Modelling (CQAM) and ArtSci Salon: call for mathematical artworks

Currently, the deadline is July 26, 2019. For information about the call, there’s a July 6, 2019 ArtSci Salon announcement (received via email) about the call). Note: Both the Art/Sci Salon and CQAM are located in Toronto, Ontario but this is not limited to Canadian artists as far as I can tell,

Please, see this quick call!! this is for existing artworks: do you have
any math-related digital work/photography/drawing/ in high res? please
consider submitting!!!

Call for Artworks
Fields CQAM – ArtSci Salon
deadline: July 26, 2019

The Fields Centre for Quantitative Analysis and Modeling and ArtSci
Salon are looking for Mathematically related, Mathematically inspired,
or Mathematically informed artworks to feature on a limited series of
cards and small prints.

Fields CQAM (CQAM https://www.cqam.ca/ … is a research centre
comprised of 11 labs pairing leading researchers and industry from
across Ontario, simultaneously training a new pool of quantitative
scientists while enabling rapid translation of innovations from idea to
implementation. Mathematical modeling data analytics and visualization,
geometry processing and fabrication, health analytics, and human machine
interaction are only a few of the diverse research fields the centre is
engaged in. Please, check their website …for more information.

The artwork will be printed on cards. A limited number of bigger prints
will be distributed to volunteers who have made an outstanding
contribution to Fields CQAM. The selected artist will receive an
honorarium of $300 – $500 [CAD].

GENERAL REQUIREMENTS

– Artworks can engage with a variety of topics in mathematics. For
instance, they can complement themes explored by CQAM labs.

– Acceptable formats are: Black & White or Color digitally generated
artworks (like visualizations, or digitally produced illustrations);
reproductions of paintings and other canvas-based work; photographic
work; drawings and other illustrations etc. Artworks must be high res
(see below)

– Size can vary (5X7in, 4X6in, 5x5in, 3×3 etc., keep in mind that the
artwork must fit a rectangular or squared-shaped – card).

TECHNICAL INSTRUCTIONS

Please, send the following material tracy.barber@cqam.ca via WeTransfer
(use free version) https://wetransfer.com/

– 1 high res (300dpi) image

– a short bio

– a short description of the artwork

The deadline to propose your artwork is July 26, 2019

For more information please contact Tracy Barber (CQAM)
tracy.barber@cqam.ca

Or Roberta Buiani (ArtSci Salon) rbuiani@gmail.com

I’m guessing this art/sci call for artworks is being handled exclusively by the Art/Sci Salon folks since there doesn’t seem to be any additional information about it on the CQAM website.

The Art of Science (Juan Geuer) on May 18, 2019 at Canada’s Science and Technology Museum in Ottawa

If you’re in Ottawa on May 18, 2019 and available from 1 – 1:30 pm and have paid your entry fee to the Canada Science and Technology Museum, there’s a special talk. From a ‘Curiosity on Stage’ event page,

Have you ever wondered what it’s like to work in the fields of science, technology, engineering, and math? Curiosity on Stage is a series of short, interactive presentations that brings you face-to-face with researchers and innovators. Each week, a featured speaker delivers an engaging presentation followed by an interactive Q-and-A session. Curiosity on Stage invites you to learn directly from people working in the science and technology-related fields. Find out what they do and why it matters – and leave inspired by their stories of curiosity, overcoming obstacles, and innovation.

While everyone is welcome on the Demo Stage, this program is recommended for ages 10+.

This week: Juan Geuer: The Science of Art

Courtesy Canada Science and Technology Museum

[Speaker:] Wendy Moir, Ottawa Art Gallery

Wendy Moir earned her Master’s degree in art history from Carleton University and a Bachelor of Arts in art history and English literature at Queen’s University. She is passionate about art education and has taught visual literacy at galleries in Kingston, Halifax, and Ottawa since 2003.  Wendy currently teaches Canadian art history in the diploma program at the Ottawa School of Art and is an educator at the Ottawa Art Gallery.

This week, Wendy will be showcasing the work of Juan Geuer. Juan Geuer’s art, along with seven other artists he either collaborated with, influenced, or worked with in parallel, is showcased in the Ottawa Art Gallery exhibition Carbon + Light: Juan Geuer’s Luminous Precision. This presentation discusses his life in the National Capital Region and his ground-breaking artwork that sits at the threshold between science and art.

I’d never heard of Juan Geuer before but the title for the current exhibition of his work at the Ottawa Art Gallery immediately caught my attention, CARBON + LIGHT
JUAN GEUER’S LUMINOUS PRECISION. Here’s the description from the exhibition webpage,

March 9 – August 18, 2019

Canadian artist Juan Geuer’s groundbreaking work sits in the threshold between science and art.

It bridges the human condition, in all its various states, and the carbon-based ecosystems and oxygenated atmospheres upon which we depend.

The exhibition Carbon + Light celebrates this artist’s significant legacy as a fearless truth seeker. Through his inventive approach to installation, he pointed out the onset of the Anthropocene long before the term emerged to denote the geological period in which we now find ourselves embedded. Here, Geuer’s work will be in dialogue with artists with whom he either collaborated, influenced, or worked with in parallel, from Michael Snow to Catherine Richards.

The exhibition will also showcase the importance of Ottawa as the site within which Geuer’s surprising practice emerged, suggesting that time and location were instrumental to his ability to develop his unique investigation.

CURATOR
Caroline Seck Langill

Here’s one of the images and my favourite of those featured on the gallery’s Juan Geuer exhibition page,

Juan Geuer (1917-2009), Et Amor Fati (For the Love of Canada), 2007, aluminium frame, adjustment mechanisms and Mylar map. Collection of the Ottawa Art Gallery. Gift of Else Geuer-Vermeij, 2013
Juan Geuer (1917 – 2009) Et Amor Fati (For the Love of Canada), 2007 aluminum frame, adjustment mechanisms, and Mylar map. Courtesy: Ottawa Gallery of Art

It’s free and you can find out more about the Ottawa Art Gallery here.

The National Gallery of Canada (also in Ottawa) Has collected some of Geuer’s work and has a biography,

Juan Geuer’s goal is “to study our perception beyond science and art and to investigate our creative ability for adapting new visions”.

For Juan Geuer science is an activity as creative, inspired, and dependent upon perception as art. He is interested in the parallels between scientists and artists and their respective involvements with observation — their attempts to view nature in ways ever more complete, the scientist with apparatus, formulae and statistics, the artist by attention and understanding of the filters that colour perception.

Juan Geuer was brought up in a family of Dutch artists and became himself an artist, working first in glass in the 1940s and later turning to easel painting and murals. He left Holland with his family just before the beginning of World War II and immigrated to Bolivia.

By the time he came to Canada in 1954, he had traveled widely and tried his hand at several professions. In Canada, he worked as a draftsman at the Dominion Observatory of the National Research Council through the late 50s, the 60s and the70s, where he was exposed daily to the beauties and intricacies of science. Having only a little academic background in science, he learned from the scientists and, always an independent thinker, drew his own conclusions. Geuer maintains that both science and art are creative endeavours requiring of their practitioners an open-mindedness and a willingness to accept nature’s surprises.

By the 1960s, Geuer had become disenchanted with the idea of producing art as a commodity for sale to a limited public; he began to seek alternatives that might better reflect the creativity in everyday life. Eventually he began to view his scientific activity as inseparable from his art. He turned from painting to making more conceptual work in the early 1970s. Juan Geuer’s interest in finding a meeting ground between science and art is clearly stated as a mission of his company, The Truth-Seeker Company, formed in 1973. Geuer sees science as a theoretical network of systems that can only be verified by referral to the real world, or nature. But that which we know as nature is still only a concept based on the perceptions of our senses. Science can extend sensory perception by instruments that enable us to observe and analyze nature, thereby enriching our understanding of it.

Conversely, art for Geuer requires an open attitude to nature, a willingness to accept what is given, if the artist is to act “as the mirror which transmutes itself into as many colours as exist in the things placed before it,” (Leonardo da Vinci’s quote on an artist’s purpose). Geuer reaffirms in his art the necessity of humanity maintaining an honest dialogue with nature.

Some of Geuer’s works incorporate scientific apparatus. Other works use or analyze natural phenomena, like the colours of polarized light or earthquake activity. For Geuer, the equipment and methods of science can be useful to the artist who cares to understand them and to use them to allow the ordinary person entry into the universes that science can reveal.

In Karonhia, 1990, a work owned by the National Gallery, a simple scientific device is at work in aid of the observation of nature – mirrors. The mirrors are positioned with precision to reflect the sky, providing an opportunity for observation of its changing colours and weather conditions. Designed in response to the conditions of the architecture, Karonhia which means “sky” in the Mohawk language, frames and reflects the sky in four directions from four observation points, providing a constant daytime show of natural visual phenomena that draws visitors’ attention to an aspect of nature that is sometimes taken for granted.

H20, another work in the Gallery’s collection incorporates sophisticated and original equipment used for the observation of another natural phenomenon, water. Laser light is passed through a drop of water as it forms, swells and falls from a controlled source. The water drop acts as both lens and image. Its image is projected onto a wall by the laser light passing through it, where the viewer can watch it, large-scale. The magnification is itself fascinating – one can see the surface tension of the drop, a force that for Geuer is a dynamic and mysterious force, believed to be based on hydrogen bonding, that permeates all biological processes. One might also see bacteria and other matter if they are present – each drop becomes a unique microcosm, observable for the duration of its existence. In H​20, Geuer brings the unimaginable into a form that can be perceived and contemplated.

Geuer has extensively exhibited his work both within Canada and internationally, in solo and group exhibitions. Key among his exhibitions were his showing of several pieces at the List Visual Arts Centre of MIT in 1986 and his solo exhibition in Rotterdam at the Museum Boymans-van Beuningen in 1985.

I’m going to end this post with a link to a film made by Ed Folger about one of Geuer’s most seminal works, WIS (Water in Suspense) but first, there’s this excerpt from a May 7, 2009 obituary on Canadian Broadcasting Corporation (CBC) online news,

Ed Folger, who is finishing a video that documents one of Geuer’s pieces, said Geuer was intent on showing people the underlying rhythms of the earth and making the imperceptible visible.

Geuer saw art in lasers and swinging pendulums and used them, along with mirrors, in many of his creations.

“If you just look at a drop of water, you can’t see the movement of the molecules, but if you put a laser through it, these fabulous patterns are projected out,” said Folger.

One of Geuer’s seminal pieces — a seismometer that records motion — is permanently installed at the Ottawa Art Gallery.

“Wonderment! He kept using that word over and over again. Wonderment. It’s what people should feel,” said Folger.

Unfortunately, much of Geuer’s work is too complicated to be shown often, said Folger.

Geuer’s website describes one creation, Hellot Glasses, made in 1996, as small mirrors that allow viewers to “live vicariously in one another’s gaze.”

In an interview he gave at the age of 91, Geuer gave a hint of how it might feel to look through his own gaze.

“Every day, I get up with this wonderful feeling, and I think I can do something new today, something nobody else has done. I will find something,” he said.

Here’s a link to Folger’s film, Water, Light and Chaos: Art by Juan Geuer. It’s on Vimeo and it’s about 20 minutes long.

Quantum Rhapsodies

“Quantum Rhapsodies” combines a narrative script, video images and live music by the Jupiter String Quartet to explore the world of quantum physics. The performance will premiere April 10 [2019] at the Beckman Institute for Advanced Science and Technology. Courtesy Beckman Institute for Advanced Science and Technology

Here’s more about Quantum Rhapsodies, a free public art/science music performance at the University of Illinois on April 10, 2019, from an April 5, 2019 University of Illinois news release (also here) by Jodi Heckel,

A new performance that explores the world of quantum physics will feature the music of the Jupiter String Quartet, a fire juggler and a fantastical “Alice in Quantumland” scene.

“Quantum Rhapsodies,” the vision of physics professor Smitha Vishveshwara, looks at the foundational developments in quantum physics, the role it plays in our world and in technology such as the MRI, and the quantum mysteries that remain unanswered.

“The quantum world is a world that inspires awe, but it’s also who we are and what we are made of,” said Vishveshwara, who wrote the piece and guided the visuals.

The performance will premiere April 10 [2019] as part of the 30th anniversary celebration of the Beckman Institute for Advanced Science and Technology. The event begins with a 5 p.m. reception, followed by the performance at 6 p.m. and a meet-and-greet with the show’s creators at 7 p.m. The performance will be in the atrium of the Beckman Institute, 405 N. Mathews Ave., Urbana, [emphases mine] and it is free and open to the public. While the available seating is filling up, the atrium space will allow for an immersive experience in spite of potentially restricted viewing.

The production is a sister piece to “Quantum Voyages,” a performance created in 2018 by Vishveshwara and theatre professor Latrelle Bright to illustrate the basic concepts of quantum physics. It was performed at a quantum physics conference celebrating Nobel Prize-winning physicist Anthony Leggett’s 80th birthday in 2018.

While “Quantum Voyages” was a live theater piece, “Quantum Rhapsodies” combines narration by Bright, video images and live music from the Jupiter String Quartet. It ponders the wonder of the cosmos, the nature of light and matter, and the revolutionary ideas of quantum physics. A central part of the narrative involves the theory of Nobel Prize-winning French physicist Louis de Broglie that matter, like light, can behave as a wave.

The visuals – a blend of still images, video and animation – were created by a team consisting of the Beckman Visualization Laboratory; Steven Drake, a video producer at Beckman; filmmaker Nic Morse of Protagonist Pizza Productions; and members of a class Vishveshwara teaches, Where the Arts Meet Physics.

The biggest challenge in illustrating the ideas in the script was conveying the scope of the piece, from the galactic scale of the cosmos to the subatomic scale of the quantum world, Drake said. The concepts of quantum physics “are not something you can see. It’s theoretical or so small you can’t put it under a microscope or go out into the real world and film it,” he said.

Much of the work involved finding images, both scientific and artistic, that would help illustrate the concepts of the piece and complement the poetic language that Vishveshwara used, as well as the music.

Students and teaching assistant Danielle Markovich from Vishveshwara’s class contributed scientific images and original paintings. Drake used satellite images from the Hubble Space Telescope and other satellites, as well as animation created by the National Center for Supercomputing Applications in its work with NASA, for portions of the script talking about the cosmos. The Visualization Laboratory provided novel scientific visualizations.

“What we’re good at doing and have done for years is taking research content and theories and visualizing that information. We do that for a very wide variety of research and data. We’re good at coming up with images that represent these invisible worlds, like quantum physics,” said Travis Ross, the director of the lab.

Some ideas required conceptual images, such as footage by Morse of a fire juggler at Allerton Park to represent light and of hands moving to depict the rotational behavior of water-based hydrogen within a person in an MRI machine.

Motion was incorporated into a painting of a lake to show water rippling and light flickering across it to illustrate light waves. In the “Alice in Quantumland” sequence, a Mad Hatter’s tea party filmed at the Illini Union was blended with cartoonlike animated elements into the fantasy sequence by Jose Vazquez, an illustrator and concept artist who works in the Visualization Lab.

“Our main objective is making sure we’re representing it in a believable way that’s also fun and engaging,” Ross said. “We’ve never done anything quite like this. It’s pretty unique.”

In addition to performing the score, members of the Jupiter String Quartet were the musical directors, creating the musical narrative to mesh with the script. The music includes contemplative compositions by Beethoven to evoke the cosmos and playful modern compositions that summon images of the movements of particles and waves.

“I was working with such talented people and creative minds, and we had fun and came up with these seemingly absurd ideas. But then again, it’s like that with the quantum world as well,” Vishveshwara said.

“My hope is not necessarily for people to understand everything, but to infuse curiosity and to feel the grandness and the beauty that is part of who we are and the cosmos that we live in,” she said..

Here’s a preview of this free public performance,

How to look at SciArt (also known as, art/science depending on your religion)

There’s an intriguing April 8, 2019 post on the Science Borealis blog by Katrina Vera Wong and Raymond Nakamura titled: How to look at (and appreciate) SciArt,

….

The recent #SciArt #TwitterStorm, in which participants tweeted their own sciart and retweeted that of others, illustrated the diversity of approaches to melding art and science. With all this work out there, what can we do, as advocates of art and science, to better appreciate sciart? We’d like to foster interest in, and engagement with, sciart so that its value goes beyond how much it costs or how many likes it gets.

An article by Kit Messham-Muir based on the work of art historian Erwin Panofsky outlines a three-step strategy for looking at art: Look. See. Think. Looking is observing what the elements are. Seeing draws meaning from it. Thinking links personal experience and accessible information to the piece at hand.

Looking and seeing is also part of the Visual Thinking Strategies (VTS) method originally developed for looking at art and subsequently applied to science and other subjects as a social, object-oriented learning process. It begins by asking, “What is going on here?”, followed by “What do you see that makes you think that?” This allows learners of different backgrounds to participate and encourages the pursuit of evidence to back up opinions.

Let’s see how these approaches might work on your own or in conversation. Take, for example, the following work by natural history illustrator Julius Csotonyi:

I hope some of our Vancouver-based (Canada) art critics get a look at some of this material. I read a review a few years ago and the critic seemed intimidated by the idea of looking at work that explicitly integrated and reflected on science. Since that time (Note: there aren’t that many art reviewers here), I have not seen another attempt by an art critic.

Heart & Art—the first Anatomy Night in Canada—February 14, 2019 in Vancouver

First the local side of this news and then the international.

Vancouver

From a February 4, 2019 Curiosity Collider email,

Join Curiosity Collider and UBC [University of British Columbia] anatomists and medical illustrators on a tour of our remarkable heart on Valentine’s day [sic]

Pre-registration on Eventbrite is required. Only 15 spots are available. Purchase your tickets now!

During this special event we will explore the heart, a spectacular organ, through art, dissection, illustration, and discussion with UBC professor Claudia Krebs, MD/graduate student Najah Adreak, associate professor Carol-Ann Courneya, and medical illustrator Paige Blumer.

What to expect? This event is organized with members of UBC Department of Cellular & Physiological Sciences and UBC Continuing Professional Development.

An anatomy of the heart presentation and bovine heart dissection by UBC professor Claudia Krebs and MD/graduate student Najah Adreak.

A discussion on the heart in art with Heartfelt Images founder and UBC associate professor Carol-Ann Courneya.

Illustrating the heart (draw your own!) – hands-on introduction with medical illustrators Paige Blumer and Kate Campbell

Q&A and casual mingling

What are Anatomy Nights?

Anatomy Nights started out in Hull, UK as a public outreach event to bring anatomy knowledge to the general public. During an anatomy night, an anatomist talks about a specific organ and then performs a live dissection of that organ – not human: in this case it will be a bovine heart. This year the event is expanding to a new frontier with a global anatomy night – this will be the beginning of the Canadian series of events.

About the event
This event is open to all ages but minors must be accompanied by adults. Event venue is wheelchair accessible. Refreshments are available by donation. Proceeds will be used to cover the cost of running the event; profits will be donated to the Heart and Stroke Foundation.

Logistics for the event (from the Curiosity Collider Heart & Art event page);

Anatomy Night: Heart and Art

Date/Time
Date(s) – 14/02/2019
7:00 pm – 9:00 pm

Location
Artworks – Gallery
237 E 4th Ave, Vancouver, BC

Anatomy Nights International

I checked out the anatomynights.com website and found this Valentine’s Day listing of events (from their events webpage):

Valentine’s Day 2019

In 2019 we have gone international. Follow the links below to book places at an event near you.

You can learn all about the heart and see inside as part of the dissection of an animal heart.

UK

Newcastle – The Bridge Hotel

Brighton – The Walrus

Edinburgh – Summerhall

Belfast – The Black Box SOLD OUT

Bristol – The Greenbank, Easton

EUROPE

Riga, Latvia – Cafe Spiikiizi SOLD OUT

USA

Indianapolis – CentrePoint Brewery (Friday 15th February)

CANADA

canada

     Vancouver – 237 E 4th Ave, Vancouver, BC V5T 0B4

Happy Valentine’s Day! One final note, Curiosity Collider is a not-for-profit volunteer art/science organization based in Vancouver, Canada.

Art. Science. Optics. A Collider Café event in Vancouver (Canada) on January 23, 2019

The Curiosity Collider folks have decided to ring in the new year with an event focused on optics. Here’s more from their January 15, 2019 announcement (received via email),

FROM CONTEMPORARY ART TO SCIENCE ILLUSTRATION, IS “SEEING” REALLY
“BELIEVING”? OR IS THERE MORE TO IT THAN THERE SEEMS? HOW CAN WE EXPLORE
THE POSSIBILITIES THROUGH ART AND SCIENCE?

OUR #COLLIDERCAFE IS A SPACE FOR ARTISTS, SCIENTISTS, MAKERS, AND
ANYONE INTERESTED IN ART+SCIENCE. MEET, DISCOVER, CONNECT, CREATE. Are
you curious? Join us at “Collider Cafe: Art. Science. Optics.” to
explore how art and science intersect in the exploration of curiosity.

When: 8:00pm on Wednesday, January 23, 2019 Doors open at 7:30pm.
Where: Café Deux Soleils. 2096 Commercial Drive, Vancouver, BC (Google Map).
Cost: $5-10 (sliding scale) cover at the door. Proceeds will be used to cover the cost of running this event, and to fund future Curiosity Collider events.

With speakers:

Annie Briard, Contemporary Artist : What our eyes perceive but we do not see
Catherine Stewart, Visual Artist: The Museum as Muse: natural history collections as a resource for artistic exploration
Vicky Earle, Medical and Scientific Illustrator: The Art of Science & Medical Illustration
Ramey Newell, Photographer/Film Maker/Artist: Manifest Obscura: Reimagining/reimaging landscape through microbial collaboration
Julius T. Csotonyi, Paleoart, Natural History and Science Illustrator: A Mutualism of Endeavors

Head to the Facebook event page – let us know you are coming and share this event with others! Follow updates on instagram via @curiositycollider or #ColliderCafe. 

The announcement also includes other art/science events currently happening in Vancouver,

Looking for more Art+Science in Vancouver?

The work by one of our Collider Cafe speaker Catherine Stewart is on exhibition at the UBC Beaty Biodiversity Museum! “Skin & Bones” until August 13, 2019.

Another exhibition at the Beaty Biodiversity Museum: The Wild Creative by Asher Jay until April 28, 2019. “Examine biodiversity loss during the Anthropocene – the Age of Man – through compelling artworks and thought-provoking narratives.”

Our friends at the Story Collider will host their next Vancouver event “Kinship” on January 22. Learn more about the eventget tickets on Eventbrite.

Museum of Vancouver and Nature Vancouver are hosting Wild Things: The Power of Nature in Our Lives, an exhibition that delves into the life stories of local animals and plants. Interactive sessions every weekend. Until March 1, 2020.

For more Vancouver art+science events, visit the Curiosity Collider events calendar.

That last event (Wild Things at the Museum of Vancouver) is going to be available for viewing with a $5 Winter Wander ticket on February 2, 2019. A January 14, 2019 posting on the Miss604 blog has more,

Experience unique waterfront attractions showcasing art, history, crafts, science and performances during Winter Wander at Vanier Park on February 2, 2019. Enjoy local food vendors, enter to win great prizes, and get to know your local museum, space centre, archives, and more during this affordable, family-friendly event

Winter Wander at Vanier Park

When: Saturday, February 2, 2019 10:00am to 5:00pm
Venues include

Museum of Vancouver
The Museum of Vancouver inspires deeper understanding of the city through stories, objects and shared experiences. Check out their latest exhibits and their permanent collections and exhibition halls.

H.R. MacMillan Space Centre
The Space Centre is BC’s top space science attraction, inspiring visitors with shows, exhibits and some of Vancouver’s most unique special events

Vancouver Maritime Museum
Make some maritime-themed origami 10:00am to 4:30pm, visit with Parks Canada interpreters 10:00am to 4:30pm, climb on-board the St. Roch and celebrate 90 years of adventure, enjoy music from a string quartet onboard the St. Roch, and more

City of Vancouver Archives
The City Archives houses over 4 km of documents about the history of Vancouver, containing both government and public collections

Vancouver Academy of Music
Vancouver Academy of Music (“VAM”) is the city’s premiere centre of music education, serving aspiring musicians from early childhood to collegiate levels

Bonus: Bard on the Beach performances!

An undated posting at Vancouver’s Best Places gives you a sense of what to expect along with some handy tips,

At Winter Wander, expect lots of people, fair-sized lineups, and an event schedule with a list of entertainment and special activities throughout the day.

Live entertainment doesn’t happen all over the place. There is a set schedule and different things happen at specific times. The museums are open constantly all day. If you want to be entertained by the Bard on the Beach crew, however, you’ll need to check the schedule and be at a certain place at a certain time.

Although crowded, Winter Wander isn’t insanely busy. The venues are indeed crowded, but, surprisingly, not as bad as one might expect, or at least they weren’t when we’ve been. There is a pretty big lineup to get in before the doors even open in the morning, true, and you do need to wait your turn to get photos of your child in the model astronaut suit at the Planetarium, or to board the St. Roch police boat at the Maritime Museum.

Tips and Advic

Below are some tips and advice to help you make the most out of your experience at the Vanier Park museums on Winter Wander day

TIP #1: Go expecting the museums to be insanely crowded, and then hope to be pleasantly surprised. Go expecting small lineups and not too many people, however, and you’ll likely be disappointed

TIP #2: If you haven’t been to the museums at Vanier Park for a long time, you don’t mind crowds and you have children or guests from out of town, then definitely check out Winter Wander. For just $5, it’s a fabulous deal

TIP #3: Some venues and museum exhibit areas will be more popular and consequently more crowded than others. If a lineup for something is too long, simply move along to something else. There’s lots to see, so don’t fret if you don’t get to see everything

TIP #4: The best thing about the HR MacMillan Space Centre is the Planetarium and its shows about the stars and space. Chances are they’ll be busy, so don’t be disappointed if it’s not worth the wait. If you can get in to see a show though, do

TIP #5: Entertainment at Winter Wander happens at specific times and at certain places over the course of the day. When you arrive, check the schedule and decide what you want to see (including possible shows at the Planetarium). Then, plan your visit accordingly

TIP #6: Expect to spend between about an hour and all day at the event, but likely all morning or all afternoon. The length of your stay will depend on your level of interest in museums, model ships, history and space, but also on the crowds and the interest level and tolerance of crowds of the people you’re with

TIP #7: While at Vanier Park, go for a walk and explore. There is a beautiful walking trail all along the waterfront with views of the city. Especially if the museums are crowded, a break for some fresh air can be nice.

There you have it.

Tech Art Fair (Ontario, Canada) call for submissions

I received an email (Dec. 19, 2018) from the ArtSci Salon folks in Toronto (Canada) about this call for submissions. It’s a bit late but there’s still time (Jan. 14, 2019) to make the deadline, From a December 19, 2018 ArtSci Salon announcement,

OPEN CALL

Tech Art Fair

February 16 – 18, 2019 at the Ontario Science Centre

Juried Competition: Call for Applications to Participate in the Tech Art Fair

Are you a tech-focused artist who wants to showcase your work in a diverse and dynamic public venue? Do you enjoy face-to-face conversations about what you do? Would you like to expand your network and generate new synergies within a global like-minded community? The Tech Art Fair at the Ontario Science Centre in Toronto will highlight creative processes and provide an opportunity for participants to launch and test-drive creative ideas during a three-day winter holiday event, anticipated to attract up to 10,000 visitors. The Tech Art Fair will be complemented by an online exhibition hosted by the New York-based SciArt Center.

The Opportunity

This is a call for applications to participate in the Tech Art Fair to be held in the Great Hall of the Ontario Science Centre from February 16 through to February 18, 2019. Up to 20 applicants will be selected through a juried competition to demonstrate and exhibit work and sell affordable items at the Tech Art Fair. In addition to participation in the Tech Art Fair, participants will be considered for the art studio residences at MOCA Toronto [Museum of Contemporary Art Toronto], leading to an exhibition at the Ontario Science Centre.

Eligible Art and Selection Criteria

This call is open to artists, artist collectives, innovative entrepreneurs and interdisciplinary makers. Original art projects made in classic or digital media will be considered. This could include installations, immersive 3D works, innovative craft projects, electronics, Internet of Things projects and wearables, decorative arts, furniture, functional glass, ceramics and textiles.

We’re seeking provocative and unconventional art with a connection to science and technology that reveals your creative process, inspires awe and excitement and sparks dialogue. We’ll also be looking for work which facilitates interaction, collaboration and creation with our visitors.

Participants will be provided with a designated space containing one 6-foot table, two chairs and electrical power. Additional vertical supports (up to 6 feet in height) will be available for a limited number of works. Opportunities for displaying large-scale art pieces, hanging installations or video projections will be limited. Applicants selected by the jury will be required to sign a participation agreement with the Ontario Science Centre to participate in the Tech Art Fair. Please review the agreement: your agreement to execute and fulfill the terms of this agreement is a pre-condition to consideration by the jury. As set out in the agreement, you must be in attendance at the Ontario Science Centre during the Centre’s working hours for the duration of the Tech Art Fair.

Jury Members

  • Rachel Birnberg and Cecilia Garcia, North York Arts
  • Julia Buntaine Hoel, SciArt Center
  • Andy Forest, STEAMLabs
  • Ana Klasnja, Ontario Science Centre
  • Megan MacLaurin, InterAccess
  • Vessna Perunovich, Fashion Art Toronto
  • Renn Scott, Daily Goods Design Lab

Apply by January 14, 2019!
NOTE: To submit materials, you’ll need a Google Account.

Key Dates

October 31, 2018, 9 a.m. – Call for Applications opens
January 14, 2019, 11:59 p.m. – Call for applications closes
January 14 – 17, 2019 – Juried competition underway
January 18, 2019 – The Centre begins notifying successful applicants
January 26, 2019 – Due date for signed participant agreements
February 15, 2019, 7 a.m. to 10 a.m. – Participant set-up complete
February 16, 2019, 10 a.m. – Tech Art Fair opens to the public
February 18, 2019, 5 p.m. – Tech Art Fair closes to the public

For further details, please contact us.

I have looked at the ‘agreement’ and given the constraints and apparent lack of any funding for travel, this call is probably more suitable for artists based in Ontario and/or in close proximity to Toronto.  You can find the original call for submissions here on the Ontario Science Centre’s site.