Tag Archives: art/technology

Event at the Guggenheim Museum (New York City) on May 18, 2026: Trevor Paglen: The Lizard People are Here!

Trevor Paglen, the current LG Guggenheim Art and Technology Initiative Award Recipient, is giving a performance-lecture according to a May 8, 2026 Guggenheim Museum announcement (received via email and available online here),

Trevor Paglen: The Lizard People are Here!

Monday, May 18, 2026
6:30–8 pm EDT
Guggenheim New York

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This performance-lecture invites audiences to consider whether we are entering a new era of invisible architectures and algorithmic systems shaping perception, knowledge, and power. In the program, 2026 LG Guggenheim Award recipient, artist, and author Trevor Paglen traces a dense network of ideas spanning philosophy, belief, deception, and speculation.

Bringing together psyops, artificial intelligence, magic, mind control, UFOs, the secret of the Ark of the Covenant, and the figure of a new demiurge, Paglen examines historical precedents for the manipulation of human perception and cognition at a moment when artificial intelligence is becoming increasingly pervasive.

Across his practice, Paglen has repeatedly revealed the infrastructures through which information systems—governmental, corporate, and algorithmic—operate beyond the threshold of human perception while profoundly reshaping how reality is understood. Drawing on figures and practices from diverse domains, ranging from the Central Intelligence Agency to stage magicians and contemporary technologists, the talk uncovers recurring strategies of influence and control. In doing so, it raises timely questions about why supposedly rational minds remain vulnerable to structures of influence that bypass conscious reasoning and instead engage our most instinctive psychological responses.

The program will be followed by a conversation between Paglen and Noam Segal, LG Electronics Associate Curator, reflecting on how rapid developments in artificial intelligence—from large language models to agentic and robotic systems—are reshaping everyday life, modes of thought, and artistic practice.

For those who don’t know, LG Electronics is a South Korean multinational electronics company. and for anyone needing a little more information about Trevor Paglen, there’s this from his Wikipedia entry, Note: Links have been removed,

Trevor Paglen (born 1974) is an American artist, geographer, and author whose work covers mass surveillance and data collection.[1][2]

In 2016, Paglen won the Deutsche Börse Photography Foundation Prize[3] and he has also won The Cultural Award from the German Society for Photography.[4] In 2017, he was a recipient of a MacArthur Fellowship. On March 17, 2026, Paglen was awarded the 2026 LG Guggenheim Award (a collaboration between LG and Guggenheim New York).[5][6]

Work

Sean O’Hagan, writing in The Guardian in 2015, said that Paglen, whose “ongoing grand project [is] the murky world of global state surveillance and the ethics of drone warfare”, “is one of the most conceptually adventurous political artists working today, and has collaborated with scientists and human rights activists on his always ambitious multimedia projects.”[2] His visual work such as his “Limit Telephotography”[9] and “The Other Night Sky” series have received widespread attention for both his technical innovations and for his conceptual project that involves simultaneously making and negating documentary-style truth-claims.[10] Paglen’s work relies on contemporary technology in two meaningful ways. Firstly, the views he photographs would be impossible to shoot without media tech, that includes the cameras, the microscopes, and even helicopters.[11] But interestingly enough, the shots would not be possible if not for the existence of the subject. The contrasts between secrecy and revelation, evidence and abstraction distinguish Paglen’s work. With that the artist presents not so much “evidence” as admonitions to awareness.[12][13]

On balance, I found the Guggenheim’s description of Paglen’s work a little more accessible than the one in his Wikipedia entry. There’s also Paglen’s own website; from his bio page,

Trevor Paglen is an artist whose work spans image-making, sculpture, investigative journalism, writing, engineering, and numerous other disciplines.

Another accessible description but more clicking (you’ll see when you get to his homepage).

Nominees for new SETI ‘Art and AI’ Artist in Residency (AIR) program announced

Not exactly an art/science (or sciart) story. let’s call it an art/technology (or techno art) story. The SETI (Search for Extraterrestrial Intelligence) Institute issued an October 22, 2024 news release (also on EurekAlert but published October 23, 2024) announcing the six nominees for SETI’s new artist in residency (AIR) program ‘Algorithmic Imaginings’,

The SETI Artist in Residency (AIR) program announced Algorithmic Imaginings, a new residency that explores how AI technologies affect science and society. The residency focuses on creative research topics such as imaginary life, human-AI collaboration, AI futures, posthumanism, AI and consciousness, and the ethics of AI data. It also connects with current SETI Institute research, including exoplanet studies, astrobiology, signal detection, and advanced computing. The two-year program offers $30,000 in funding and an exhibition at the ZKM | Center for Art and Media in Karlsruhe, Germany.

“AI is on everyone’s mind right now, be it ChatGPT4, text-to-video generators such as Sora, and discussions surrounding fake news and copyright,” said Bettina Forget, Director of the AIR program. “AI is a phenomenal tool, but it also comes with opportunities and concerns that should be addressed. This residency allows artists working at the intersection of art and technology to explore new avenues of thinking and connect them to SETI Institute research.”

Internationally recognized media art curator Zhang Ga, SETI AIR program Director Bettina Forget, and SETI AIR program Founder and Senior Advisor Charles Lindsay lead the SETI AIR Algorithmic Imaginings residency. Andrew Siemion, the SETI Institute’s Bernard M. Oliver Chair for SETI Research, and AI researcher Robert Alvarez, who collaborates with the SETI Institute as a mentor for its Frontier Development Lab program, bring their science and technology expertise to this residency.

The residency’s team of advisors selected six outstanding media artists and invited them to submit a project proposal for the SETI AIR Algorithmic Imaginings residency.

“These artists are notable voices with a solid track record of critically and inventively confronting the pressing issues raised by a pervasively technological world,” said Zhang Ga.

“SETI AIR is uniquely poised to participate in the AI zeitgeist that is exploding in San Francisco and Silicon Valley,” said Charles Lindsay. “We will support the most innovative artists of our time. It is time. Now.”

The SETI Institute will announce the winning artist later this fall.

The six nominees of the Art and AI residency are:

Tega Brain
Tega Brain’s work examines ecology, data, automation, and infrastructure. She has created projects such as digital networks controlled by environmental phenomena, schemes for obfuscating personal data, and a wildly popular online smell-based dating service.

Dominique Gonzalez Foerster
An experimental artist based in Paris, Dominique Gonzalez-Foerster explores the different modalities of sensory and cognitive relationships between bodies and spaces, real or fictitious, up to the point of questioning the distance between organic and inorganic life.

Laurent Grasso
French-born artist Laurent Grasso has developed a fascination with the visual possibilities related to the science of electromagnetic energy, radio waves, and naturally occurring phenomena.

HeHe (Helen Evans, Heiko Hansen)
HeHe is an artist duo consisting of Helen Evans (French, British) and Heiko Hansen (German), based in Le Havre, France. Their works are about the social, industrial, and ecological paradoxes found in today’s technological landscapes. Their practice explores the relationship between art, media, and the environment.

Terike Haapoja
Terike Haapoja is an interdisciplinary visual artist, writer, and researcher. Haapoja’s work investigates our world’s existential and political boundaries, specifically focusing on issues arising from the anthropocentric worldview of Western traditions. Animality, multispecies politics, cohabitation, time, loss, and repairing connections are recurring themes in Haapoja’s work.

Wang Yuyang
Wang Yuyang is a renowned contemporary Chinese artist teaching at the Central Academy of Fine Arts. Focused on techno-art, his work explores the relationships between technology and art, nature and artificiality, and material and immaterial through an interdisciplinary and multimedia approach.

About the SETI Institute

Founded in 1984, the SETI Institute is a non-profit, multi-disciplinary research and education organization whose mission is to lead humanity’s quest to understand the origins and prevalence of life and intelligence in the Universe and to share that knowledge with the world. Our research encompasses the physical and biological sciences and leverages expertise in data analytics, machine learning and advanced signal detection technologies. The SETI Institute is a distinguished research partner for industry, academia and government agencies, including NASA and NSF.

Caption: The six nominees for the SETI Institute’s Algorithmic Imaginings residency. Credit: SETI Institute [top row, left to right: Dominique Gonzalez Foerster; HeHe (Helen Evans, Heiko Hansen); Laurent Grasso; bottom row, left to the right: Tega Brain; Terike Haapoja; and Wang Yuyang]

Good luck to the artists.