Thank you Perimeter Institute for Theoretical Physics (PI) for getting your notice to me so I have time to post it before tickets are made available. Not that I imagine a huge following in Waterloo (Canada) but it feels better to get the information out early.
The lecture is on July 27, 2023; the tickets are being given away on July 17, 2023.
Here’s more from a July 14, 2023 PI notice (received via email),
The Meaning of Spacetime: Black Holes, wormholes and quantum entanglement THURSDAY, JULY 27 [2023] at 7:00 pm ET
Juan Maldacena, Institute for Advanced Study
What is spacetime, exactly? And how does it impact our understanding of important phenomena in our universe?
According to Einstein’s theory of gravity, spacetime is both curved and dynamical. The theory had two surprising predictions: black holes and the expansion of the universe. In both cases, there are regions of spacetime that are outside the reach of the classical theory, the so-called “singularities.” To address them, we need a quantum mechanical description of spacetime
Juan Maldacena studies black holes, string theory, and quantum field theory. In his July 27 [2023] Perimeter Public Lecture webcast, he will describe some ideas that arose from the study of quantum aspects of black holes. They involve an interesting connection between the basic description of quantum mechanics and the geometry of spacetime. He will also delve into how wormholes are related to quantum entanglement.
Don’t miss out! Free tickets to attend this event in person will become available on Monday, July 17 [2023] at 9 am ET [emphases mine]
I found a bit more information about Maldacena on the event page,
Maldacena began his studies in his native Argentina, before completing a PhD at Princeton University in 1996. He has been a professor at the Institute for Advanced Study in Princeton since 2001. He is a member of the American Physical Society, the American Academy of Arts and Sciences, and The World Academy of Sciences, among many other honours. Maldacena was also one of the inaugural laureates of the prestigious Breakthrough Prize in Fundamental Physics in 2012.
The tickets go quickly. Not Beyoncé concert- or BTS concert-level quick but don’t dawdle.
A hundred years ago, we believed that our own galaxy, the Milky Way, constituted the entire universe. We believed that the universe was stagnant. We did not know about the constituents of the universe – dark matter and dark energy – and we believed that we were special.
At the time, cosmological research relied on Newton’s conceptions of gravity. Since then, discoveries in modern physics, the triumphs of Einstein’s theory of general relativity, and the confluence of these ideas and instruments have completely transformed our understanding of space and time.
Today, we know that the universe is a dynamic and restless place, containing a billion galaxies or more. In her live lecture webcast, astrophysicist Priyamvada Natarajan will guide the audience through what we currently know about the nature of these exotic components of the universe.
… A professor in the Departments of Astronomy and Physics at Yale University, she is interested in confronting and testing theoretical ideas with observational data in astrophysics. She is noted for seminal contributions to two of the most challenging problems in cosmology – mapping the distribution of dark matter and tracing the growth history of black holes – and her work has enabled concrete predictions for upcoming astrophysics missions, including the James Webb Space Telescope and the Laser Interferometer Space Antenna (LISA).
Natarajan’s list of accomplishments is extensive. After becoming the first woman in astrophysics to be elected a fellow of Trinity College, Cambridge, she has served as the Chair of the Division of Astrophysics of the American Physical Society and is also the Director of the Franke Program in Science and the Humanities at Yale, among other roles.
Natarajan is deeply invested in the public understanding of science: she serves on the advisory boards of NOVA ScienceNow, Quanta Magazine, and Scientific American, and her work has been featured in The New York Times, BBC, and CNN, to name just a few. She is also the author of the critically acclaimed book Mapping the Heavens: The Radical Scientific Ideas that Reveal the Cosmos.
In her March 3 [2021] Perimeter Public Lecture webcast, Natarajan will guide the audience through what we currently know about the nature of dark matter and black holes.
Don’t forget: Wednesday, March 3, 2021 at 7 pm ET.
I’ve already written about October 2019 science and art/science events in Canada (see my Sept. 26, 2019 posting), but more event notices for Octoberhave come my way. These events are all art/science (or sciart as it’s sometimes called).
… on the future of life forms … a two-night (Oct./Nov.) discussion in Toronto, Canada
Here’s more from the ArtSci Salon’s October 3, 2019 announcement (received via email)
“…now they were perfecting a pigoon that could grow five or six kidneys at a time. Such a host animal could be reaped of its extra kidneys; then, rather than being destroyed, it could keep on living and grow more organs, much as a lobster could grow another claw to replace a missing one. That would be less wasteful, as it took a lot of food and care to grow a pigoon. A great deal of investment money had gone into OrganInc Farms…” (Margaret Atwood – Oryx & Crake 2003)
In Oryx and Crake Margaret Atwood describes a not-too-distant future where humans have perfected the art of fabricating and modifying a variety of creatures to improve and prolongue their own lives and wellbeing.
As Atwood has stated in various occasions, this is not science fiction.
It is in fact already happening. New forms of life appear not only as the product of lab fabrication or gene editing, but also as the result of toxic pollutants and climate change induced adaptation.
what to make of them?
how to cope with a world where extinction, adaptation and mutation risk to make traditional categories and taxonomies obsolete?
or not?
Join us to this two-parts series to discuss the ethics and implications of these transformations with artists, scientists and bioethicists.
this is a “double date”! Please, note the two dates please, RSVP here https://bit.ly/2AH1Pe8
Part 1 Thursday, October 17, 6:00-8:00 pm The Fields Institute for Research in Mathematical Sciences
Altered Inheritance: extinction, recreation or transformation? a dialogue and discussion on the implications of genome editing on humans and other organisms
with Francoise Baylis – Research Professor, Bioethicist, Dalhousie University
Karen Maxwell – Dept. of Biochemistry, Maxwell Lab, University of Toronto
emergent artists from OCADU [Ontario College of Art and Design University] and YorkU [York University, Toronto]
——————-
Part 2 Thursday, November 21, 6:00-8:00 pm The Fields Institute for Research in Mathematical Sciences
Classifying the new? why do we classify? what is it good for? what is the limit of taxonomy and classification in a transforming world?
with Richard Pell – Centre for PostNatural History, Pittsburgh, PA
Laurence Packer – Mellitologist, Professor of biology and environmental studies, York University
Stefan Herda – earth science artist
Cole Swanson – artist and educator (Art Foundation and Visual and Digital Arts, Humber college)
Anna Marie O’Brien – Frederickson, Rochman, and Sinton labs, University of Toronto
—————————
BIOS
Françoise Baylis is University Research Professor at Dalhousie University. She is a member of the Order of Canada and the Order of Nova Scotia, as well as a fellow of the Royal Society of Canada and of the Canadian Academy of Health Sciences. Baylis was one of the organizers of, and a key participant in, the 2015 International Summit on Human Gene Editing. She is a member of the WHO expert advisory committee on Developing Global Standards for Governance and Oversight of Human Genome Editing. Her new book “Altered Inheritance. CRISPR and the Ethics of Human Genome Editing” is published by Harvard University Press
Karen Maxwell is a research professor in the dept of biochemistry at the university of toronto, where she runs the Maxwell Lab. Among other topics, the lab’s three branches “Anti-CRISPR”, “Phage morons” and “Anti-Phage defences” study the interplay of phages with their bacterial hosts, with a focus on phage mediated bacterial virulence mechanisms and inhibitors of anti-phage bacterial defenses.
Richard Pell works at the intersections of science, engineering, and culture. He has worked in a variety of electronic media from documentary video to robotics to bioart to museum exhibition. He is the founder and director of the Center for PostNatural History (CPNH), an organization dedicated to the collection and exposition of life-forms that have been intentionally and heritably altered through domestication, selective breeding, tissue culture or genetic engineering. The CPNH operates a permanent museum in Pittsburgh, Pennsylvania, and produces traveling exhibitions that have appeared in science and art museums throughout Europe and the United States, including being the subject of a major exhibition at the Wellcome Collection in London.
Laurence Packer is a mellitologist, ie a scholar whose main subject of study is wild bees. his research primarily involves the systematics of the bee subfamily Xeromelissinae – an obscure, but fascinating group of bees, restricted to the New World south of central Mexico. he has also expended considerable energy leading the global campaign to barcode the bees of the world. his work is concerned with promulgating the importance of bees: for genetic reasons, it seems that bees are more extinction prone than are almost all other organisms
Stefan Herda‘s practice explores our troubling relationship to the natural world through drawing, sculpture and video. Inspired by the earth sciences, Herda’s work navigates the space between truth and fiction. His material and process-based investigations fuse elements of authenticity, façade, the natural and the manufactured together. He received his BAH from the University of Guelph in 2010. His work in both sculpture and video has been included in exhibitions nationally and has been featured by CBC Arts and Daily VICE. Recently, Stefan has held solo shows at Patel Projects (Toronto) and Wil Kucey Gallery (Toronto), participated in group shows such as Cultivars: Possible Worlds at InterAccess (Toronto) and was featured as one of 12 artists in the Cabinet Project at the University of Toronto
Cole Swanson is an artist and educator based in Toronto, Canada. He has exhibited in solo and group exhibitions across Canada and throughout international venues in North America, South America, Europe, and Asia. At the heart of recent work is a cross-disciplinary exploration of materials and their sociocultural and biological histories. Embedded within art media and commonplace resources are complex relations between nature and culture, humans and other agents, consumers and the consumed. Swanson has engaged in a broad material practice using sound, installation, painting, and sculpture to explore interspecies relationships.
Anna Marie O’Brien is a post doc in the Frederickson, Rochman, and Sinton labs at University of Toronto, working on duckweeds, microbes, urban contaminants, and phenotypes.her PhD work was at Davis, with thesis advisors Dr. Jeffrey Ross-Ibarra and Dr. Sharon Strauss. she also collaborated closely with Dr. Ruairidh Sawers at LANGEBIO-CINVESTAV in Guanajuato, Mexico.
The first highlighted speaker, Françoise Baylis, has been mentioned here twice before, in a May 17, 2019 posting (scroll down to the ‘Global plea for moratorium on heritable genome editing’ subheading) and in an April 26, 2019 posting (scroll down to the ‘Finally’ subheading, the second paragraph). Both postings touch on the topic of CRISPR (clustered regularly interspaced short palindromic repeats) and germline editing (genetic editing that will affect all of your descendents).
Cartooney in New Westminster (near Vancouver, Canada) starting October 18, 2019
I like physics but I love cartoons Stephen Hawking
There you have it from one of the 20th/early 21st century’s most famous physicists. The quote is the opening line for the New Westminster (near Vancouver, Canada) New Media Gallery’s latest event webpage, Cartooney,
The impact of animated cartoons has been profound. In the early 20th century, we began exploiting the possibilities of the animated frame. The seven artists in this exhibition don’t create cartoons, they deconstruct those that already exist; from Looney Tunes, to The Simpsons to Charlie Brown. They exploit this potent material to reveal the inner and outer workings of our human world. The original cartoon is ever-present, haunting us with suggestive content.
The artists in this exhibition reframe our world. Here we are asked to consider the laws, systems and iconographies of the cartoon world while drawing parallels with our human world; physical laws, the laws of gravitation, matter + light, the physics of motion, and societal psychologies & behaviours. We are presented with fascinating catalogues and overlaying systems of symbolic language. The purposeful demolition of expectation in these works, mirrors the instabilities and dreams of modern life. They remind us that the pervasive medium of the cartoon can reflect and influence how we navigate the world. If there is a paradox here, it might be that dismantling a cartoon can throw open the doors of perception.
An Oct. 7, 2019 article in the New Westminster Record provides a few more details about the show,
The New Westminster New Media Gallery’s next exhibition is exploring the impact of animated cartoons.
Cartooney opens at the gallery on Friday, Oct. 18 and runs until Dec. 8 [2019], then again from Jan. 7 to Feb. 2 [2020].
Artist Kevin McCoy, one-half of the duo of Jennifer and Kevin McCoy, will be on hand for an artist talk on opening night, Friday, Oct. 18. The talk will run from 6:30 to 7:30 p.m., with a reception and open exhibition from 7:30 to 9 p.m.
…
Laws of Motion in a Cartoon Landscape, by Andy Holden (U.K.):
In his two-channel audiovisual installation, 57 minutes long, Holden becomes a cartoon avatar, giving both a lecture on cartoons and a cartoon lecture, describing how our world is best now understood as a cartoon. The project incorporates Greek philosophy, Stephen Hawking, critical theory, physics, art, the financial crisis and Donald Trump, while adapting 10 laws of cartoon physics to create a theory of the world and a prophetic glimpse of the world we live in.
…
CB-MMXVIII (I’ve been thinking of giving sleeping lessons), by Patten (U.K.):
In this multi-screen audiovisual installation, the artist duo Patten subjects Charlie Brown to all the digital stresses, distortions and manipulations available in 2018, testing his plasticity.
“Sampled texts from philosophy, science and critical theory criss-cross the screens and are linked with scrolling images related to the natural world, DNA, systems, multiples; all serving to influence our reading of the cartoon character and the texts,” says the release. The ambient soundtrack is a dramatically slowed down Linus and Lucy theme.
You can find the New Westminster New Media Gallery on the third floor at the Anvil Centre, 777 Columbia St. See www.newmediagallery.ca for more details.
Collisions Festival: Invasive Systems in Vancouver, November 2019
Curiosity Collider, a Vancouver-based not-for-profit organization, will be hosting its inaugural art-science Collisions Festival: Invasive Systems at the VIVO Media Arts Centre from November 8 to 10, 2019. The festival features an art-science exhibition showcasing independent works and collaborative works by artist/scientist pairs, a hands-on DNA sonification workshop, an opening reception with performances, and guided discussions and tours.
Curated by Curiosity Collider’s Creative Director Char Hoyt, the theme of the festival focuses on the “invasive systems” that surround us – from technology and infections, to pollution and invasive species. “We want to create a space to explore the influence of the invasive aspects of our world on our inner and outer lives” said Char. “We will examine our observations from both scientific and artistic perspectives- are these influences beneficial, inevitable, or preventable?” Attendees can anticipate a deep dive into the delicate and complicated nature of how both living and inanimate things redefine our lives and environments – through visual art, multimedia installations, and interactive experiences.
“I am not a scientist and do not come from a family of scientists, but I have always appreciated knowing how things work, how things are connected and how things evolve – collaboration between art and science feel natural to me,” said Vancouver artist Dzee Lousie. “Both artists and scientists are curious, perform experiments and are driven by questions.” Dzee’s work Crossing, an interactive puzzle painting that examines how microbial colonies can impact our behaviours and processes in our body, is the result of a collaboration with UBC PhD candidate Linda Horianopoulos. “As scientists, we often want people to take notice of our work and engage with it. I think that art attracts people to do exactly that,” said Linda.
The sculptural work Invasion by Prince George artist Twyla Exner explores the remnants of technology. “My artworks propose hybrids of technological structures and living organisms. They take form as abandoned technologies that have sprouted with new life, clever artificialities that imitate nature, or biotechnological fixtures of the not-so-distant future,” Twyla shared. Like Dzee, she feels that artists and scientists share the sense of curiosity, experimentation, and creative problem solving. “Both art and science have the ability to tell stories and shape how people see and interpret the world around them.”
The festival is hosted in collaboration with the VIVO Media Arts Centre (2625 Kaslo Street, Vancouver, BC V5M 3G9). It will open on the evening of November 8th, with a reception and a live performance by local sound artist Edzi’u, during which her sculptural installation Moose are Life will be brought to life. On Saturday, artist Laara Cerman will co-host a DNA sonification workshop with scientist Scott Pownall. Their work Flora’s Song No. 1 in C Major – a hand-cranked music box that plays a tune created from the DNA of local invasive plants – will be on exhibit during the festival. The festival will also include tours by the curator at 3:30pm and guided discussions at 4pm on both Saturday and Sunday. Visit https://collisionsfestival2019.eventbrite.ca for festival tickets and http://bit.ly/collisionsfestival2019 for festival information.
Other participating artists and collaborating scientists include: Christian Dahlberg (Photography/ Painting / New Media Artist), Chris Dunnett (Multidisciplinary Artist), Garth Covernton (PhD Candidate, University of Victoria), Joanne Hastie (Artist / Mechanical Engineer), Kathryn Wadel (Interdisciplinary Mixed Media Artist), and Katrina Vera Wong (Artist / Writer / Editor).
Curiosity Collider and VIVO Media Arts Centre gratefully acknowledge the support of BC Arts Council, Canada Council for the Arts, City of Vancouver, Metro Vancouver Regional Cultural Project Grants Program, UBC Faculty of Science, and our printing sponsor Jukebox, for making Collisions Festival: Invasive Systems possible.
About Curiosity Collider Art-Science Foundation
Curiosity Collider Art-Science Foundation is a Vancouver based non-profit organization that is committed to providing opportunities for artists whose work expresses scientific concepts and scientists who collaborate with artists. We challenge the perception and experience of science in our culture, break down the walls between art and science, and engage our growing community to bringing life to the concepts that describe our world.
Are you curious about data sonification? Wondering how music theory and DNA sequences could converge to create a work of art and science? Join us to explore more!
In this DNA sonification workshop, participants will learn the process of DNA barcoding of invasive plant species, and how to sonify DNA sequences with basic music theory and MIDI freeware. Participants will also get hands-on experience in amplying specific genetic regions in plants through polymerase chain reaction (PCR), a step necessary in preparing samples for DNA barcoding.
This workshop will be led by artist Laara Cerman and scientist Scott Pownall, whose art-science collaborative work “Flora’s Song No. 1 in C Major” will be on exhibit during Collisions Festival: Invasive Systems. Laara and Scott will also share their process of working together, and how decisions were made to arrive at their collaborative work of art and science.
We acknowledge that Collisions Festival and its events take place on the traditional, ancestral, unceded territories of the xwməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish), Stó:lō and Səl̓ílwətaʔ/Selilwitulh (Tsleil- Waututh) Nations. We are grateful for the opportunity to live and work on this land.
I asked the Curiosity Collider folks (@CCollider on Twitter) if you needed to bring any equipment or have any knowledge of music. The answer was: no, you don’t need to bring anything (unless you want to) and you don’t need to know about music.
Uncorked at Science World at TELUS World of Science in Vancouver on November 14, 2019
This is not a cheap night out. An October 10, 2019 article by Lindsay William-Ross for the Daily Hive website gives you reasons to go anyway (Note: Links have been removed),
A new wine-themed event will have Vancouverites swirling with nerdy glee. Uncorked: A Celebration of the Science of Wine is an evening of sipping and learning that will bring together world-renown winemakers, chefs, and science experts for an unforgettable event.
…
Participating wineries are:
Mission Hill Family Estate CedarCreek Estate Winery CheckMate Artisanal Winery Martin’s Lane Winery Road 13 Vineyards
The wines will be paired with bites from Chef Patrick Gayler from Mission Hill’s Terrace Restaurant and Chef Neil Taylor from CedarCreek’s new Home Block Restaurant.
Programming for the evening includes seminars on the science of blending wine, the science of aging wine, the role of technology at modern vineyards, and the science of soil and terroir.
…
Proceeds from Uncorked will support Science World’s On the Road program, which last year brought live science performances to 41,500 students throughout B.C. who otherwise might not have had a chance to visit TELUS World of Science.
Tickets are $89 and can be purchased here. You may also want to reserve some money for the silent auction. Don’t forget, it’s November 14, 2019 from 7 pm to 10 pm at Science World in Vancouver. You can find directions and a map here.
Clifford V. Johnson is very good at promoting books. I tip my hat to him; that’s an excellent talent to have, especially when you’ve written a book, in his case, it’s a graphic novel titled ‘The Dialogues: Conversations about the Nature of the Universe‘.
I first stumbled across professor (University of Southern California) and physicist Johnson and his work in this January 18, 2018 news item on phys.org,
How often do you, outside the requirements of an assignment, ponder things like the workings of a distant star, the innards of your phone camera, or the number and layout of petals on a flower? Maybe a little bit, maybe never. Too often, people regard science as sitting outside the general culture: A specialized, difficult topic carried out by somewhat strange people with arcane talents. It’s somehow not for them.
But really science is part of the wonderful tapestry of human culture, intertwined with things like art, music, theater, film and even religion. These elements of our culture help us understand and celebrate our place in the universe, navigate it and be in dialogue with it and each other. Everyone should be able to engage freely in whichever parts of the general culture they choose, from going to a show or humming a tune to talking about a new movie over dinner.
Science, though, gets portrayed as opposite to art, intuition and mystery, as though knowing in detail how that flower works somehow undermines its beauty. As a practicing physicist, I disagree. Science can enhance our appreciation of the world around us. It should be part of our general culture, accessible to all. Those “special talents” required in order to engage with and even contribute to science are present in all of us.
Here’s more his January 18, 2018 essay on The Conversation (which was the origin for the news item), Note: Links have been removed,
… in addition to being a professor, I work as a science advisor for various forms of entertainment, from blockbuster movies like the recent “Thor: Ragnarok,” or last spring’s 10-hour TV dramatization of the life and work of Albert Einstein (“Genius,” on National Geographic), to the bestselling novel “Dark Matter,” by Blake Crouch. People spend a lot of time consuming entertainment simply because they love stories like these, so it makes sense to put some science in there.
Science can actually help make storytelling more entertaining, engaging and fun – as I explain to entertainment professionals every chance I get. From their perspective, they get potentially bigger audiences. But good stories, enhanced by science, also spark valuable conversations about the subject that continue beyond the movie theater.
Science can be one of the topics woven into the entertainment we consume – via stories, settings and characters. ABC Television
Nonprofit organizations have been working hard on this mission. The Alfred P. Sloan Foundation helps fund and develop films with science content – “The Man Who Knew Infinity” (2015) and “Robot & Frank” (2012) are two examples. (The Sloan Foundation is also a funding partner of The Conversation US.)
The National Academy of Sciences set up the Science & Entertainment Exchange to help connect people from the entertainment industry to scientists. The idea is that such experts can provide Hollywood with engaging details and help with more accurate portrayals of scientists that can enhance the narratives they tell. Many of the popular Marvel movies – including “Thor” (2011), “Ant-Man” (2015) and the upcoming “Avengers: Infinity War” – have had their content strengthened in this way.
Encouragingly, a recent Pew Research Center survey in the U.S. showed that entertainment with science or related content is watched by people across “all demographic, educational and political groups,” and that overall they report positive impressions of the science ideas and scenarios contained in them.
…
Many years ago I realized it is hard to find books on the nonfiction science shelf that let readers see themselves as part of the conversation about science. So I envisioned an entire book of conversations about science taking place between ordinary people. While “eavesdropping” on those conversations, readers learn some science ideas, and are implicitly invited to have conversations of their own. It’s a resurrection of the dialogue form, known to the ancient Greeks, and to Galileo, as a device for exchanging ideas, but with contemporary settings: cafes, restaurants, trains and so on.
…
So over six years I taught myself the requisite artistic and other production techniques, and studied the language and craft of graphic narratives. I wrote and drew “The Dialogues: Conversations About the Nature of the Universe” as proof of concept: A new kind of nonfiction science book that can inspire more people to engage in their own conversations about science, and celebrate a spirit of plurality in everyday science participation.
…
I so enjoyed Johnson’s writing and appreciated how he introduced his book into the piece that I searched for more and found a three-part interview with Henry Jenkins on his Confessions of an Aca-Fan (Academic-Fan) blog. Before moving onto the interview, here’s some information about the interviewer, Henry Jenkins, (Note: Links have been removed),
Henry Jenkins is the Provost Professor of Communication, Journalism, Cinematic Arts and Education at the University of Southern California. He arrived at USC in Fall 2009 after spending more than a decade as the Director of the MIT Comparative Media Studies Program and the Peter de Florez Professor of Humanities. He is the author and/or editor of seventeen books on various aspects of media and popular culture, including Textual Poachers: Television Fans and Participatory Culture, Hop on Pop: The Politics and Pleasures of Popular Culture, From Barbie to Mortal Kombat: Gender and Computer Games, Convergence Culture: Where Old and New Media Collide, Spreadable Media: Creating Meaning and Value in a Networked Culture, and By Any Media Necessary: The New Youth Activism. He is currently editing a handbook on the civic imagination and writing a book on “comics and stuff”. He has written for Technology Review, Computer Games, Salon, and The Huffington Post.
Jenkins is the principal investigator for The Civic Imagination Project, funded by the MacArthur Foundation, to explore ways to inspire creative collaborations within communities as they work together to identify shared values and visions for the future. This project grew out of the Media, Activism, and Participatory Politics research group, also funded by MacArthur, which did case studies of innovative organizations that have been effective at getting young people involved in the political process. He is also the Chief Advisor to the Annenberg Innovation Lab. Jenkins also serves on the jury that selects the Peabody Awards, which recognizes “stories that matter” from radio, television, and the web.
He has previously worked as the principal investigator for Project New Media Literacies (NML), a group which originated as part of the MacArthur Digital Media and Learning Initiative. Jenkins wrote a white paper on learning in a participatory culture that has become the springboard for the group’s efforts to develop and test educational materials focused on preparing students for engagement with the new media landscape. He also was the founder for the Convergence Culture Consortium, a faculty network which seeks to build bridges between academic researchers and the media industry in order to help inform the rethinking of consumer relations in an age of participatory culture. The Consortium lives on today via the Transforming Hollywood conference, run jointly between USC and UCLA, which recently hosted its 8th event.
While at MIT, he was one of the principal investigators for The Education Arcade, a consortium of educators and business leaders working to promote the educational use of computer and video games. Jenkins also plays a significant role as a public advocate for fans, gamers and bloggers: testifying before the U.S. Senate Commerce Committee investigation into “Marketing Violence to Youth” following the Columbine shootings; advocating for media literacy education before the Federal Communications Commission; calling for a more consumer-oriented approach to intellectual property at a closed door meeting of the governing body of the World Economic Forum; signing amicus briefs in opposition to games censorship; regularly speaking to the press and other media about aspects of media change and popular culture; and most recently, serving as an expert witness in the legal struggle over the fan-made film, Prelude to Axanar. He also has served as a consultant on the Amazon children’s series Lost in Oz, where he provided insights on world-building and transmedia strategies as well as new media literacy issues.
Jenkins has a B.A. in Political Science and Journalism from Georgia State University, a M.A. in Communication Studies from the University of Iowa and a PhD in Communication Arts from the University of Wisconsin-Madison.
Well, that didn’t seem so simple after all. For a somewhat more personal account of who I am, read on.
About Me
The first thing you are going to discover about me, oh reader of this blog, is that I am prolific as hell. The second is that I am also long-winded as all get out. As someone famous once said, “I would have written it shorter, but I didn’t have enough time.”
My earliest work centered on television fans – particularly science fiction fans. Part of what drew me into graduate school in media studies was a fascination with popular culture. I grew up reading Mad magazine and Famous Monsters of Filmland – and, much as my parents feared, it warped me for life. Early on, I discovered the joys of comic books and science fiction, spent time playing around with monster makeup, started writing scripts for my own Super 8 movies (The big problem was that I didn’t have access to a camera until much later), and collecting television-themed toys. By the time I went to college, I was regularly attending science fiction conventions. Through the woman who would become my wife, I discovered fan fiction. And we spent a great deal of time debating our very different ways of reading our favorite television series.
When I got to graduate school, I was struck by how impoverished the academic framework for thinking about media spectatorship was – basically, though everyone framed it differently, consumers were assumed to be passive, brainless, inarticulate, and brainwashed. None of this jelled well with my own robust experience of being a fan of popular culture. I was lucky enough to get to study under John Fiske, first at Iowa and then at the University of Wisconsin-Madison, who introduced me to the cultural studies perspective. Fiske was a key advocate of ethnographic audience research, arguing that media consumers had more tricks up their sleeves than most academic theory acknowledged.
Out of this tension between academic theory and fan experience emerged first an essay, “Star Trek Reread, Rerun, Rewritten” and then a book, Textual Poachers: Television Fans and Participatory Culture. Textual Poachers emerged at a moment when fans were still largely marginal to the way mass media was produced and consumed, and still hidden from the view of most “average consumers.” As such, the book represented a radically different way of thinking about how one might live in relation to media texts. In the book, I describe fans as “rogue readers.” What most people took from that book was my concept of “poaching,” the idea that fans construct their own culture – fan fiction, artwork, costumes, music and videos – from content appropriated from mass media, reshaping it to serve their own needs and interests. There are two other key concepts in this early work which takes on greater significance in my work today – the idea of participatory culture (which runs throughout Convergence Culture) and the idea of a moral economy (that is, the presumed ethical norms which govern the relations between media producers and consumers).
Clifford V. Johnson is the first theoretical physicist who I have ever interviewed for my blog. Given the sharp divide that our society constructs between the sciences and the humanities, he may well be the last, but he would be the first to see this gap as tragic, a consequence of the current configuration of disciplines. Johnson, as I have discovered, is deeply committed to helping us recognize the role that science plays in everyday life, a project he pursues actively through his involvement as one of the leaders of the Los Angeles Institute for the Humanities (of which I am also a member), as a consultant on various film and television projects, and now, as the author of a graphic novel, The Dialogues, which is being released this week. We were both on a panel about contemporary graphic storytelling Tara McPherson organized for the USC Sydney Harmon Institute for Polymathic Study and we’ve continued to bat around ideas about the pedagogical potential of comics ever since.
Here’s what I wrote when I was asked to provide a blurb for his new book:
“Two superheroes walk into a natural history museum — what happens after that will have you thinking and talking for a long time to come. Clifford V. Johnson’s The Dialogues joins a select few examples of recent texts, such as Scott McCloud’s Understanding Comics, Larry Gonick’s Cartoon History of the Universe, Nick Sousanis’s Unflattening, Bryan Talbot’s Alice in Sunderland, or Joe Sacco’s Palestine, which use the affordances of graphic storytelling as pedagogical tools for changing the ways we think about the world around us. Johnson displays a solid grasp of the craft of comics, demonstrating how this medium can be used to represent different understandings of the relationship between time and space, questions central to his native field of physics. He takes advantage of the observational qualities of contemporary graphic novels to explore the place of scientific thinking in our everyday lives.”
To my many readers who care about sequential art, this is a book which should be added to your collection — Johnson makes good comics, smart comics, beautiful comics, and comics which are doing important work, all at the same time. What more do you want!
In the interviews that follows, we explore more fully what motivated this particular comics and how approaching comics as a theoretical physicist has helped him to discover some interesting formal aspects of this medium.
…
What do you want your readers to learn about science over the course of these exchanges? I am struck by the ways you seek to demystify aspects of the scientific process, including the role of theory, equations, and experimentation.
That participatory aspect is core, for sure. Conversations about science by random people out there in the world really do happen – I hear them a lot on the subway, or in cafes, and so I wanted to highlight those and celebrate them. So the book becomes a bit of an invitation to everyone to join in. But then I can show so many other things that typically just get left out of books about science: The ordinariness of the settings in which such conversations can take place, the variety of types of people involved, and indeed the main tools, like equations and technical diagrams, that editors usually tell you to leave out for fear of scaring away the audience. …
I looked for book reviews and found two. This first one is from Starburst Magazine, which strangely does not have the date or author listed (from the review),
… The Dialogues is a series of nine conversations about science told in graphic novel format; the conversationalists are men, women, children, and amateur science buffs who all have something to say about the nature of the universe. Their discussions range from multiverse and string theory to immortality, black holes, and how it’s possible to put just a cup of rice in the pan but end up with a ton more after Mom cooks it. Johnson (who also illustrated the book) believes the graphic form is especially suited for physics because “one drawing can show what it would take many words to explain” and it’s hard to argue with his noble intentions, but despite some undoubtedly thoughtful content The Dialogues doesn’t really work. Why not? Because, even with its plethora of brightly-coloured pictures, it’s still 200+ pages of talking heads. The individual conversations might give us plenty to think about, but the absence of any genuine action (or even a sense of humour) still makes The Dialogues read like very pretty homework.
Adelmar Bultheel’s December 8, 2017 review for the European Mathematical Society acknowledges issues with the book while noting its strong points,
…
So what is the point of producing such a graphic novel if the reader is not properly instructed about anything? In my opinion, the true message can be found in the one or two pages of notes that follow each of the eleven conversations. If you are not into the subject that you were eavesdropping, you probably have heard words, concepts, theories, etc. that you did not understand, or you might just be curious about what exactly the two were discussing. Then you should look that up on the web, or if you want to do it properly, you should consult some literature. This is what these notes are providing: they are pointing to the proper books to consult. …
…
This is a most unusual book for this subject and the way this is approached is most surprising. Not only the contents is heavy stuff, it is also physically heavy to read. Some 250 pages on thick glossy paper makes it a quite heavy book to hold. You probably do not want to read this in bed or take it on a train, unless you have a table in front of you to put it on. Many subjects are mentioned, but not all are explained in detail. The reader should definitely be prepared to do some extra reading to understand things better. Since most references concern other popularising books on the subject, it may require quite a lot of extra reading. But all this hard science is happening in conversations by young enthusiastic people in casual locations and it is all wrapped up in beautiful graphics showing marvellous realistic decors.
I am fascinated by this book which I have yet to read but I did find a trailer for it (from thedialoguesbook.com),
Anyone who dreams of timetraveling is going to have to wait a bit longer as this form of timetraveling is theoretical. From an April 27, 2017 news item on ScienceDaily,
After some serious number crunching, a UBC [University of British Columbia] researcher has come up with a mathematical model for a viable time machine.
Ben Tippett, a mathematics and physics instructor at UBC’s Okanagan campus, recently published a study about the feasibility of time travel. Tippett, whose field of expertise is Einstein’s theory of general relativity, studies black holes and science fiction when he’s not teaching. Using math and physics, he has created a formula that describes a method for time travel.
“People think of time travel as something fictional,” says Tippett. “And we tend to think it’s not possible because we don’t actually do it. But, mathematically, it is possible.”
Ever since H.G. Wells published his book Time Machine in 1885, people have been curious about time travel—and scientists have worked to solve or disprove the theory. In 1915 Albert Einstein announced his theory of general relativity, stating that gravitational fields are caused by distortions in the fabric of space and time. More than 100 years later, the LIGO Scientific Collaboration—an international team of physics institutes and research groups—announced the detection of gravitational waves generated by colliding black holes billions of light years away, confirming Einstein’s theory.
The division of space into three dimensions, with time in a separate dimension by itself, is incorrect, says Tippett. The four dimensions should be imagined simultaneously, where different directions are connected, as a space-time continuum. Using Einstein’s theory, Tippett explains that the curvature of space-time accounts for the curved orbits of the planets.
In “flat” or uncurved space-time, planets and stars would move in straight lines. In the vicinity of a massive star, space-time geometry becomes curved and the straight trajectories of nearby planets will follow the curvature and bend around the star.
“The time direction of the space-time surface also shows curvature. There is evidence showing the closer to a black hole we get, time moves slower,” says Tippett. “My model of a time machine uses the curved space-time—to bend time into a circle for the passengers, not in a straight line. That circle takes us back in time.”
While it is possible to describe this type of time travel using a mathematical equation, Tippett doubts that anyone will ever build a machine to make it work.
“H.G. Wells popularized the term ‘time machine’ and he left people with the thought that an explorer would need a ‘machine or special box’ to actually accomplish time travel,” Tippett says. “While is it mathematically feasible, it is not yet possible to build a space-time machine because we need materials—which we call exotic matter—to bend space-time in these impossible ways, but they have yet to be discovered.”
For his research, Tippett created a mathematical model of a Traversable Acausal Retrograde Domain in Space-time (TARDIS). He describes it as a bubble of space-time geometry which carries its contents backward and forward through space and time as it tours a large circular path. The bubble moves through space-time at speeds greater than the speed of light at times, allowing it to move backward in time.
“Studying space-time is both fascinating and problematic. And it’s also a fun way to use math and physics,” says Tippett. “Experts in my field have been exploring the possibility of mathematical time machines since 1949. And my research presents a new method for doing it.”
Here’s a link to and a citation for the paper,
Traversable acausal retrograde domains in spacetime by Benjamin K Tippett and David Tsang. Classical and Quantum Gravity, Volume 34, Number 9 DOI: https://doi.org/10.1088/1361-6382/aa6549 Published 31 March 2017
There are two upcoming science events in Vancouver.
Café Scientifique
*
*
*
*
*Cancellation notice received via email March 29, 2016 at 1430 hours PDT:
Our sincerest apologies, but we have just received word that The Railway Club is shutting it’s doors for good, effective immediately. Unfortunately, because of this tonight’s event is cancelled. We will do our best to re-schedule the talk in the near future once we have found a new venue.
The Tues., March 29, 2016 (tonight) Café Scientifique talk at 7:30 pm, Café Scientifique, in the back room of The Railway Club (2nd floor of 579 Dunsmuir St. [at Seymour St.]), has one of the more peculiar descriptions for a talk that I’ve seen for this group. From a March 1, 2016 announcement (received via e-mail),
Our speaker for the evening will be Dr. Jerilynn Prior. Prior is Professor of Endocrinology and Metabolism at the University of British Columbia, founder and scientific director of the Centre for Menstrual Cycle and Ovulation Research (CeMCOR), director of the BC Center of the Canadian Multicenter Osteoporosis Study (CaMOS), and a past president of the Society for Menstrual Cycle Research. The title of her talk is:
Is Perimenopause Estrogen Deficiency?
Sorting engrained misinformation about women’s midlife reproductive transition
43 years old with teenagers a full-time executive director of a not for profit is not sleeping, she wakes soaked a couple of times a night, not every night but especially around the time her period comes. As it does frequently—it is heavy, even flooding. Her sexual interest is virtually gone and she feels dry when she tries.
Her family doctor offered her The Pill. When she took it she got very sore breasts, ankle swelling and high blood pressure. Her brain feels fuzzy, she’s getting migraines, gaining weight and just can’t cope. . . .
What’s going on? Does she need estrogen “replacement”? If yes, why when she’s still getting flow? Does The Pill work for other women? What do we know about the what, why, how long and how to help symptomatic perimenopausal women?
This description seems more appropriate for a workshop on women’s health for doctors and/or women going through ‘the change’.
We invite you to join us for an evening with renowned theoretical physicist Kip Thorne.
100 years ago, Albert Einstein formulated his wildly successful general theory of relativity—a set of physical laws that attribute gravity to the warping of time and space. It has been tested with high precision in the solar system and in binary pulsars and explains the expansion of the universe. It even predicts black holes and gravitational waves. When combined with quantum theory, relativity provides a tentative framework for understanding the universe’s big-bang birth. And the equations that made Einstein famous have become embedded in our popular culture via, for example, the science fiction movie Interstellar.
In a captivating talk accessible to science enthusiasts of all ages, Professor Kip Thorne will use Interstellar to illustrate some of relativity’s deepest ideas, including black holes and the recent discovery of gravitational waves.
Professor Thorne of the California Institute of Technology is one of the world’s foremost experts on the astrophysics implications of Einstein’s General Theory of Relativity, including black holes—an expertise he used to great effect as scientific advisor to the movieInterstellar. Thorne was also one of the three principal scientists (with Rainer Weiss and Ron Drever) behind the LIGO experiment that recently detected gravitational waves, an achievement most expect will earn them a Nobel Prize.
This event is organized by Science World, TRIUMF, and the UBC Department of Physics & Astronomy. It is part of UBC’s Centennial Celebration.
Sadly, I did not receive details and a link for registration in a more timely fashion although I was able to give readers a heads-up in a Jan. 22, 2016 posting. (scroll down about 25% of the way down).
Next Tuesday, May 26, 2015 Cafe Scientifique, in the back room of The Railway Club (2nd floor of 579 Dunsmuir St. [at Seymour St.]), will be hosting a talk on quantum gravity topics (from the May 11, 2015 announcement),
Our speaker for the evening will be Dr. Andrew DeBenedictis. The title of his talk is:
Black holes, wormholes, warp-drives, and time-machines: What does science have to say about these?
There are many fantastic devices from physics in books and in movies such as Interstellar. These concepts capture the imagination but are generally in the realm of science fiction. However, it may be surprising to learn that there is some real (albeit rather far-fetched) science behind these phenomena. This talk will introduce these topics and present a non-mathematical introduction to the physical theories that govern them. We will discuss what is possible (and even likely), what is highly unlikely, and why it is so.
Unfortunately, DeBenedictis doesn’t seem to have supplied a biography for inclusion with the announcement and there is singularly little information about him online. He’s a senior lecturer in the Dept. of Physics at Simon Fraser University and this is his personal page.