Tag Archives: Brady Marks

Bill Nye saving science ?; a Blackout Night Sky Festival; and Eclipse: Total Alignment (science events in Vancouver Canada)

During August (2017), science in Vancouver (Canada) seems to be mostly about the night sky. The one exception is an event featuring American science communicator, Bill Nye. Here, in the order in which they occur, are the three science events mentioned in the head (scroll down to the third event [Eclipse: Total Alignment] if you are interested in Early Bird tickets, which are available until Aug. 4, 2017).

Bill Nye speaks

Billed as ‘An Evening With Bill Nye & George Stroumboulopoulos’, the event takes place at the Orpheum Theatre on Friday, August 11, 2017. Here’s more from the event page on brownpapertickets.com,

An Evening With Bill Nye & George Stroumboulopoulos
presented by Pangburn Philosophy

Friday, August 11, 2017
Doors: 7pm
Show: 8pm Sharp!

Bill Nye is one of the worlds most eminent promoters of science. He is a scientist, engineer, comedian, author, and inventor. His mission: to help foster a scientifically literate society, to help people everywhere understand and appreciate the science that makes our world work. Making science entertaining and accessible is something Bill has been doing most of his life. He will grace the stage on August 11th at the Orpheum Theatre in Vancouver to exchange dialogue with one of Canada’s most beloved public figures and tv personalities. George Stroumboulopoulos is a six-time Gemini Award and Canadian Screen Award winner for best host in a talk series, George Stroumboulopoulos has interviewed a who’s who of entertainment icons, world leaders and respected thinkers. George has also taken an active role in global initiatives and is a strong advocate for social issues.Special Note:

All PREMIUM ticket purchases grant you a copy of Bill Nye’s new book “Everything All at Once” plus fast-pass access to Bill’s book signing, taking place directly after the event.

All STUDENT discounted tickets are Will Call only at the Box Office, on the evening of the event. Student & Photo ID must be shown. No exceptions.

Service Charges Disclaimer
Note that all tickets are subject to an additional $3.50 for the Facility Fee and $5.00 for the Ticketing Fee.
Friday Aug 11, 2017 8:00 PM – Friday Aug 11, 2017 11:00 PM | CA$60.00 – CA$150.00

I got a message saying ‘sales are ended’, which suggests the event is sold out but organizers usually trumpet that detail right away so I don’t know. It might be an idea to try the Buy Tickets button on this page for yourself.

For anyone unfamiliar with the event organizers, Pangburn Philosophy, there’s their home page and this video,

While I’m quite interested in science and art, singly and together, the discussion about science, religion, and/or god, discussed in the video, leaves me cold. I notice the Pangburn Philosophy organization has a series of events titled ‘Science and Reason’ and all of them feature Richard Dawkins who (as I understand it) has been very involved in the debate about science/reason and religion/god. The debate gets more attention in the UK than it has here in Canada.

Getting back to Bill Nye, there was a provocative essay about Nye, his new television programme, and the debate regarding science/reason and anti-science/alternative facts (which can also touch on religion/god). From an April 25, 2017 essay (titled: Can Bill Nye – or any other science show – really save the world?) by Heather Akin, Bruce W. Hardy, Dietram A. Scheufele, and Dominique Brossard for The Conversation.com (h/t May 1, 2017 republication on salon.com; Note: Links have been removed)

Netflix’s new talk show, “Bill Nye Saves the World,” debuted the night before people around the world joined together to demonstrate and March for Science. Many have lauded the timing and relevance of the show, featuring the famous “Science Guy” as its host, because it aims to myth-bust and debunk anti-scientific claims in an alternative-fact era.

But are more facts really the kryptonite that will rein in what some suggest is a rapidly spreading “anti-science” sentiment in the U.S.?

“With the right science and good writing,” Nye hopes, “we’ll do our best to enlighten and entertain our audience. And, perhaps we’ll change the world a little.” In an ideal world, a show like this might attract a broad and diverse audience with varying levels of science interest and background. By entertaining a wide range of viewers, the thinking goes, the show could effectively dismantle enduring beliefs that are at odds with scientific evidence. Significant parts of the public still aren’t on board with the scientific consensus on climate change and the safety of vaccines and genetically modified foods, for instance.

But what deserves to be successful isn’t always what ends up winning hearts and minds in the real world. In fact, empirical data we collected suggest that the viewership of such shows – even heavily publicized and celebrity-endorsed ones – is small and made up of people who are already highly educated, knowledgeable about science and receptive to scientific evidence.

Engaging scientific programming could still be an antidote to waning public interest in science, especially where formal science education is falling short. But it is revealing that “Cosmos” – a heavily marketed, big-budget show backed by Fox Networks and “Family Guy” creator Seth McFarlane – did not reach the audience who need quality science information the most. “Bill Nye Saves the World” might not either. Its streaming numbers are not yet available.

Today’s fragmented and partisan media environment fosters selective exposure and motivated reasoning – that is, viewers typically tune in to programming that confirms their existing worldview. There are few opportunities or incentives for audiences to engage with scientific evidence in the media. All of this can propagate misleading claims and deter audiences from accepting the conclusions of sound science. And adoption of misinformation and alternative facts is not a partisan problem. Policy debates questioning or ignoring scientific consensus on vaccines, climate change and GMOs have cut across different political camps.

None of this is meant to downplay the huge potential of entertainment media to reach diverse audiences beyond the proverbial choir. We know from decades of research that our mental images of science and its impact on society are shaped heavily by (sometimes stereotypical) portrayals of science and scientists in shows like “The Big Bang Theory” or “Orphan Black.”

But successful scientific entertainment programming needs to accomplish two goals: First, draw in a diverse audience well beyond those already interested in science; second, present scientific issues in a way that unites audiences around shared values rather than further polarizing by presenting science in ways that seems at odds with specific political or religious worldviews.

And social science research suggests that complex information can reach audiences via the most unlikely of places, including the satirical fake news program “The Colbert Report.” In fact, a University of Pennsylvania study showed that a series of “Colbert Report” episodes about Super PACs and 501(c)(4) groups during the 2012 presidential election did a better job educating viewers than did mainstream programming in traditional news formats.

Social science can help us learn from our mistakes and better understand how to connect with hard-to-reach audiences via new formats and outlets. None of these shows by themselves will save the world. But if done right, they each might get us closer, one empirical step at a time.

I encourage you to read the essay in its entirety and, in particular, to read the comments.

The tickets for the Aug. 11, 2017 event seem a bit expensive but as they appear to be sold out, it proves I know very little about marketing science celebrities. I guess Stroumboulopoulos’ name recognition due to his CBC (Canadian Broadcasting Corporation) experience was part of the sales strategy since he doesn’t seem to have any science background. That said, good interviewers take the time to research and often unearth questions that someone with more expertise might not think to ask. I’ve been favourably impressed the few times I’ve caught one of Stroumboulopoulos’ interviews.

Blackout: Night Sky Festival

The day after Bill Nye, on Saturday, August 12, 2017, there’s a special event at the Museum of Anthropology on the University of British Columbia grounds in Vancouver. Cecilia Lu in a July 24, 2017 posting on The Daily Hive (Vancouver edition) writes up the event,

With the Perseid meteor shower returning next month, the Museum of Anthropology is putting on a unique stargazing festival for the occasion.

On Saturday, August 12 [2017], at the peak of meteor shower viewing season, Blackout: Night Sky Festival will see the MOA transform into an all-ages arts and astronomy celebration.

The museum will remain open until midnight, as stargazers enjoy the night sky amidst Indigenous storytelling, special musical performances, and lantern making.

The Museum of Anthropology’s Blackout event page provides more information,

Saturday, August 12 [2017] | 5 pm – Midnight | All-Ages + Licensed |
Adults $10 | Youth + Students Free | Tickets available at the door

Join the event on Facebook
Explore our connection to the stars during an evening of arts and astronomy.
Inspired by the global dark sky movement, Blackout brings together storytellers, musicians, artists and astronomers to share their relationships to the skies. Join us to witness the peak of the Perseid meteor shower and explore the museum until midnight during this all-ages event.
You’ll have the chance to peer into telescopes, make your own star lantern and experience an experimental art installation that reimagines the constellations. Bring a chair or blanket and enjoy stargazing to a soundtrack of downtempo and ambient beats, punctuated by live music and throat singing.
Co-hosted with the UBC Astronomy Club, in association with Hfour and the Secret Lantern Society. Performers include Bronson Charles, Jerry DesVoignes, You’re Me, Andrew Kim the musical scientist and the Secret Lantern Society musicians.


Blackout Night Sky Festival Schedule

Indigenous Sky Stories | 5–6 pm
Join us in the Great Hall for celestial storytelling by Margaret Grenier and learn about what you’ll see in the skies that night from the UBC Astronomy Club.
Planets and Pulsations: The New Keplerian Revolution | 6–7 pm
Does Earth harbour the only life in the universe? Astrophysicist Don Kurtz examines how the Kepler Space Mission has revolutionized our view in an animated multimedia performance.
Late Night Gallery Viewing | 5 pm – midnight
Explore MOA all night long — including our brand new Gallery of Northwest Coast Masterworks.
Bar + BBQ + Music | 7 pm – midnight
Grab a bite to eat or drink from our licensed bar and enjoy the music that runs all night. Vegetarian and non-alcoholic options available.
Lantern Making Workshop | 7–9 pm
Make your own pinhole lantern inspired by constellations from around the world in this drop-in workshop hosted by the Secret Lantern Society.
Reclaiming the Night Skies | 8:30 pm – midnight
Experimental artists Hfour and the MOA’s Native Youth Program present an immersive, projected art installation that brings to life a series of new constellations, featuring soundscapes by Adham Shaikh.
Lantern Procession | 9 pm
Join the procession of freshly built lanterns and roving musicians as we make our way across the Museum Grounds and up the hill for a night of stargazing!
Stargazing + Meteor Shower | 9:30 pm – midnight
How many meteors can you find? Expand your knowledge of the night sky with the telescopes and expertise of the UBC Astronomy Club and HR MacMillan Space Centre, set to a background of live and electronic music. On view that night: Moon, Saturn, Jupiter, M13, M15, Ring Nebula, Lagoon Nebula, Dumbbell Nebula and the Perseid meteor shower.

There are two eclipses during August 2017 (Aug. 7, 2017 and Aug. 21, 2017) and I find it odd that neither are mentioned in this astronomy-focused event at the Museum of Anthropology.  The Aug. 21, 2017 astronomical event is a total eclipse of the sun.. There’s more about it on this NASA (US National Aeronautics Space Administration) eclipse website.

Curiosity Collider and the Eclipse

[downloaded from http://www.curiositycollider.org/events/]

Vancouver’s art/sci organization (they have a wordier description here). Curiosity Collider is holding an event that celebrates the upcoming eclipse. From a July 28, 2017 notice (received via email),

Join Curiosity Collider and H.R. MacMillan Centre for this one night
only event

ART & SCIENCE EXPLORE THE MOMENTARY DARKNESS
ON AUGUST 17TH [2017], FOR ONE NIGHT ONLY, CURIOSITY COLLIDER AND THE H.R.
MACMILLAN SPACE CENTRE WILL HOST ECLIPSE: TOTAL ALIGNMENT where artists
and scientists interpret the rare alignment of the sun, earth, and moon
during a total solar eclipse. The event includes a performance show in
the planetarium theatre, and interactive multi and mixed media art
installations on the main level Cosmic Courtyard. Highlights include:

* a soundtrack of the solar system created by data sonification
* a dance piece that plays with alignment, light, and shadow
* scientific narration about the of the upcoming total solar eclipse
(on August 21st) and the phases of the moon
* spectacular custom planetarium dome visuals
* meeting the artists and scientists behind one-of-a-kind interactive
and multimedia art projects

This event is 19+ only. Beer and wine available for purchase, light
snacks included.

WHEN: 6:30pm on Thursday, August 17th 2017.
WHERE: H. R. MacMillan Space Centre (1100 Chestnut Street, Vancouver, BC

COST: $25-30. Each ticket includes entrance to the Space Centre and one
planetarium show (7:30pm or 9pm). LIMITED EARLY BIRD TICKETS AVAILABLE
BEFORE AUGUST 4 [2017].

Interested in observing the partial solar eclipse in Vancouver on
Monday, August 21st [2017]? Check out the two observation events hosted by H.R.
MacMillan Space Centre [5] and UBC Department of Physics & Astronomy
[6].

You can find information about the H.R. MacMillan Space Centre’s eclipse viewing event here and the UBC Department of Physics & Astronomy’s eclipse viewing event here. Both event will have eclipse viewers for safety purposes. For instructions on how to view an eclipse safely, there’s NASA.

Curiosity Collider’s event page (it’s a scrolling page so there are other events there as well) provides details about participants,

This show is curated by Curiosity Collider’s Creative Director Char Hoyt, and developed in collaboration with the H.R. MacMillan Space Centre. Participating artists and scientists:

I have not tried all of the links but at least one (Maren Lisac’s) is for a Twitter feed and it’s not particularly informative.

You can find the Eclipse event’s Facebook page here and information about tickets here.

Curiosity Collider (Vancouver, Canada) presents Neural Constellations: Exploring Connectivity

I think of Curiosity Collider as an informal art/science  presenter but I gather the organizers’ ambitions are more grand. From the Curiosity Collider’s About Us page,

Curiosity Collider provides an inclusive community [emphasis mine] hub for curious innovators from any discipline. Our non-profit foundation, based in Vancouver, Canada, fosters participatory partnerships between science & technology, art & culture, business communities, and educational foundations to inspire new ways to experience science. The Collider’s growing community supports and promotes the daily relevance of science with our events and projects. Curiosity Collider is a catalyst for collaborations that seed and grow engaging science communication projects.

Be inspired by the curiosity of others. Our Curiosity Collider events cross disciplinary lines to promote creative inspiration. Meet scientists, visual and performing artists, culinary perfectionists, passionate educators, and entrepreneurs who share a curiosity for science.

Help us create curiosity for science. Spark curiosity in others with your own ideas and projects. Get in touch with us and use our curiosity events to showcase how your work creates innovative new ways to experience science.

I wish they hadn’t described themselves as an “inclusive community.” This often means exactly the opposite.

Take for example the website. The background is in black, the heads are white, and the text is grey. This is a website for people under the age of 40. If you want to be inclusive, you make your website legible for everyone.

That said, there’s an upcoming Curiosity Collider event which looks promising (from a July 20, 2016 email notice),

Neural Constellations: Exploring Connectivity

An Evening of Art, Science and Performance under the Dome

“We are made of star stuff,” Carl Sagan once said. From constellations to our nervous system, from stars to our neurons. We’re colliding neuroscience and astronomy with performance art, sound, dance, and animation for one amazing evening under the planetarium dome. Together, let’s explore similar patterns at the macro (astronomy) and micro (neurobiology) scale by taking a tour through both outer and inner space.

This show is curated by Curiosity Collider’s Creative Director Char Hoyt, along with Special Guest Curator Naila Kuhlmann, and developed in collaboration with the MacMillan Space Centre. There will also be an Art-Science silent auction to raise funding for future Curiosity Collider activities.

Participating performers include:

The July 20, 2016 notice also provides information about date, time, location, and cost,

When
7:30pm on Thursday, August 18th 2016. Join us for drinks and snacks when doors open at 6:30pm.

Where
H. R. MacMillan Space Centre (1100 Chestnut Street, Vancouver, BC)

Cost
$20.00 sliding scale. Proceeds will be used to cover the cost of running this event, and to fund future Curiosity Collider events. Curiosity Collider is a registered BC non-profit organization. Purchase tickets on our Eventbrite page.

Head to the Facebook event page: Let us know you are coming and share this event with others! We will also share event updates and performer profiles on the Facebook page.

There is a pretty poster,

CuriostiytCollider_AugEvent_NeuralConstellations

[downloaded from http://www.curiositycollider.org/events/]

Enjoy!

Window sunglasses; insect microids; open access to science research?; theatre and science

Having windows that can darken or lighten according to the amount of sunshine would save money and energy. Such windows have been around for over two decades but they haven’t worked very well. Researchers at the US National Renewable Energy Laboratory (NREL) are working on a new, more successful generation of such windows (electrochromic windows). From the article by Joe Verrengia on physorg.com,

Insulated windows are made from multiple layers of glass. Typically the spaces between the panes are filled with a gas. Electrochromic windows are made with a very thin stack of dynamic materials deposited on the outside pane.

The dynamic portion consists of three layers: active and counter electrodes separated by an ion conductor layer. NREL researchers are experimenting with electrode layers made of nickel and tungsten oxides; the ions are lithium.

The window changes from clear to tinted when a small electric field is applied and the lithium ions move into the working electrode layers. The change can be triggered by sensors in an automated building management system, or by a flick of a switch. Electrochromic windows can block as much as 98 percent of the direct sunlight. Reversing the polarity of the applied voltage causes the ions to migrate back to their original layer, and the glass returns to clear.

It sounds exciting to someone like me who doesn’t handle the heat or air conditioning well. I just hope they can get the costs down as it’s about $1000 per square metre at this point.

While it’s not strictly speaking nanotechnology, a researcher (Jason Clark) at Purdue University is working on an insect robot, a microid.  From the news item on Nanowerk,

His [Clark’s] concept, a sort of solid-state muscle for microid legs and mandibles, would allow the robot to nimbly traverse harsh environments such as sand or water. The concept appears to be the first to show such insectlike characteristics at the microscale, he said.
“The microids would be able to walk, run, jump, and pick up and move objects many times their own weight,” Clark said. “A microid can also do what no insect or other microrobot can do, which is continue walking if flipped on its back. Who knows, maybe flight is next.”
He also envisions the possibility of hordes of microids working in unison and communicating with each other to perform a complex task.
“You can’t underestimate the power of having thousands of microids working together, much like ant colonies,” he said.

Those last bits about flying and working in unison bring Michael Crichton’s 2002 nanotechnology novel, Prey, to mind. Crichton conceptualized a swarm that was intelligent, voracious, and almost unstoppable. As I recall, Crichton included aspects of insect behaviour, network theory, neuroscience, and self-assembling nanotechnology to describe his swarm. It caused a bit of a kerfuffle in the nanotech research community as scientists were concerned that it might set off a controversy similar to  ‘frankenfoods’ or GM (genetically modified) foods but nothing came of it at the time.

Techdirt had an interesting bit last week about open access to science research,

Via James Boyle, we’re pointed to an editorial that supposedly is all about improving access to research via open access policies for the public — and just so happens to be locked up behind a paywall itself. Apparently, the publisher doesn’t necessarily agree with the authors’ conclusions.

I did check out the link to find the publisher is the journal Science and they require a free registration or a subscription  for access to the editorial. Either Techdirt made a mistake or the editors at Science changed access to the editorial.

Combining insects with the journal, I found a news item on physorg.com about a theatre review published in Science,

Typically science doesn’t bed down with theatre, much less mate with artistic vigor, but the accord between the two is explored in the recent production Heuschrecken [The Locusts] developed by Stefan Kaegi of Rimini Protokoll. “And why not?” asks Arizona State University’s Manfred Laubichler and Gitta Honegger who review the production in the Jan. 29 issue of the journal Science.

The marriage of theatre and science is not new. The Greeks, starting with Aristotle embraced a more integrated relationship of the two. “But a divide came when we associated science with the brain and the arts with emotions,” Honegger says.

The news item goes on to discuss the particulars of the production such as a 60 square metre terrarium of 10,000 locusts, actors, scientists, video cameras, interwoven narratives, and locust music. I am quite inspired by it.

Coincidentally, Rimini Protokoll, the German theatre arts company mentioned in the news item, has a production here in Vancouver (as part of PUSH International Performing Arts Festival 2010 [Jan. 20 to Feb. 6]) which integrates video games and theatre. From the Canwest article by Peter Birnie,

Tim Carlson is a Vancouver playwright who was in Berlin in 2006 for a production of his play Omniscience. Carlson was so impressed by a Rimini Protokoll production of Friedrich Schiller’s Wallenstein trilogy in the German capital that, when he subsequently learned the PuSh International Performing Arts Festival was bringing Rimini Protokoll here, asked to work with them.

“I knew that they shape their shows for particular cities,” Carlson explains, “and they would want to do research here. I had them meet [former city councillor] Jim Green, they visited In-Site and had an architecture tour with [noted critic] Trevor Boddy. One thing that really captured their interest was the video-gaming industry in town, so that kind of turned the light on.”

Electronic artist Brady Marks was hired to find a way that 200 people could game together, and other electronic designers were brought on board to do the 3D modelling. As it does in other productions, Rimini Protokoll then hired local experts — not actors — to perform as themselves.

Marks is the electronic artist directing things, with animator Duff Armour as a game tester, former politician (and Railway Club owner) Bob Williams as a politician and traffic flagger Ellen Schultz as, well, the traffic flagger for the show. Carlson explains that Williams will be something of a political commentator when the audience holds its own presidential election.

You can phone 604.251.1363 to inquire about tickets for the production (Best Before) at the Vancouver East Cultural Centre.