Tag Archives: call for papers

Final Call For Papers for IEEE MetroXRAINE 2023 Special Session on “eXtended Reality as a gateway to the Metaverse: Practices, Theories, Technologies and Applications” extended to April 7, 2023

I received an April 5, 2023 announcement for the 2023 IEEE International Conference on Metrology for eXtended Reality, Artificial Intelligence, and Neural Engineering (IEEE MetroXRAINE 2023) via email. Understandably given that it’s an Institute of Electrical and Electronics Engineers (IEEE) conference, they’re looking for submissions focused on developing the technology,

Last days to submit your contribution to our Special Session on “eXtended Reality as a gateway to the Metaverse: Practices, Theories, Technologies and Applications” – IEEE International Conference on Metrology for eXtended Reality, Artificial Intelligence, and Neural Engineering (IEEE MetroXRAINE 2023) – October 25-27, 2023 – Milan – https://metroxraine.org/special-session-17.

I want to remind you that the deadline of April 7 [2023] [extended to April 14, 2023 as per April 11, 2023 notice received via email] is for the submission of a 1-2 page Abstract or a Graphical Abstract to show the idea you are proposing.
You will have time to finalise your work by the deadline of May 15 [2023].

Please see the CfP below for details and forward it to colleagues who might be interested in contributing to this special session.

I’m looking forward to meeting you, virtually or in your presence, at IEEE MetroXRAINE 2023.

Best regards,
Giuseppe Caggianese

Research Scientist
National Research Council (CNR) [Italy]
Institute for High-Performance Computing and Networking (ICAR)
Via Pietro Castellino 111, 80131, Naples, Italy

Here’s are specific for the Special Session’s Call for Papers (from the April 5, 2023 email announcement),

Call for Papers – Special Session on: “EXTENDED REALITY AS A GATEWAY TO THE METAVERSE: PRACTICES, THEORIES, TECHNOLOGIES AND APPLICATIONS” https://metroxraine.org/special-session-17

2023 IEEE International Conference on Metrology for eXtended Reality, Artificial Intelligence, and Neural Engineering (IEEE MetroXRAINE 2023) https://metroxraine.org/

October 25-27, 2023 – Milan, Italy.

SPECIAL SESSION DESCRIPTION
————————-
The fast development of Virtual Reality (VR), Augmented Reality (AR), and Mixed Reality (MR) solutions over the last few years are transforming how people interact, work, and communicate. The eXtended Reality (XR) term encloses all those immersive technologies that can shift the boundaries between digital and physical worlds to realize the metaverse. According to tech companies and venture capitalists, the metaverse will be a super-platform that convenes sub-platforms: social media, online video games, and ease-of-life apps, all accessible through the same digital space and sharing the same digital economy. Inside the metaverse, virtual worlds will allow avatars to carry out all human endeavours, including creation, display, entertainment, social, and trading. Thus, the metaverse will evolve how users interact with brands, intellectual properties, health services, cultural heritage, and each other things on the Internet. A user could join friends to play a multiplayer game, watch a movie via a streaming service and then attend a university course precisely the same as in the real world.
The metaverse development will require new software architecture that will enable decentralized and collaborative virtual worlds. These self-organized virtual worlds will be permanent and will require maintenance operations. In addition, it will be necessary to design an efficient data management system and prevent privacy violations. Finally, the convergence of physical reality, virtually enhanced, and an always-on virtual space highlighted the need to rethink the actual paradigms for visualization, interaction, and sharing of digital information, moving toward more natural, intuitive, dynamically customizable, multimodal, and multi-user solutions.
This special session aims to focus on exploring how the realization of the metaverse can transform certain application domains such us: (i) healthcare, in which the metaverse solutions can, for instance, improve the communication between patients and physicians; (ii) cultural heritage, with potentially more effective solutions for tourism guidance, site maintenance, and heritage object conservation; and (iii) industry, where to enable data-driven decision making, smart maintenance, and overall asset optimisation.

More information can be found here: https://metroxraine.org/special-session-17

TOPICS

The topics of interest include, but are not limited to, the following:

  • Hardware/Software Architectures for metaverse
  • Decentralized and Collaborative Architectures for metaverse
  • Interoperability for metaverse
  • Tools to help creators to build the metaverse0
  • Operations and Maintenance in metaverse
  • Data security and privacy mechanisms for metaverse
  • Cryptocurrency, token, NFT Solutions for metaverse
  • Fraud-Detection in metaverse
  • Cyber Security for metaverse
  • Data Analytics to Identify Malicious Behaviors in metaverse
  • Blockchain/AI technologies in metaverse
  • Emerging Technologies and Applications for metaverse
  • New models to evaluate the impact of the metaverse
  • Interactive Data Exploration and Presentation in metaverse
  • Human-Computer Interaction for metaverse
  • Human factors issues related to metaverse
  • Proof-of-Concept in Metaverse: Experimental Prototyping and Testbeds

IMPORTANT DATES

Abstract Submission Deadline: April 7, 2023 (extended) NOTE: 1-2 pages abstract or a graphical abstract
Final Paper Submission Deadline: May 15, 2023 (extended)
Full Paper Acceptance Notification: June 15, 2023
Final Paper Submission Deadline: July 31, 2023

SUBMISSION AND DECISIONS
————————
Authors should prepare an Abstract (1 – 2 pages) that clearly indicates the originality of the contribution and the relevance of the work. The Abstract should include the title of the paper, names and affiliations of the authors, an abstract, keywords, an introduction describing the nature of the problem, a description of the contribution, the results achieved and their applicability.

As an alternative to the traditional abstract, it is possible to submit a Graphical Abstract. For further information, please see here: https://metroxraine.org/initial-author-instructions.

When the first review process has been completed, authors receive a notification of either acceptance or rejection of the submission. If the abstract has been accepted, the authors can prepare a full paper.
The format for the full paper is identical to the format for the abstract except for the number of pages: the full paper has a required minimum length of five (5) pages and a maximum of six (6) pages.
Full Papers will be reviewed by the Technical Program Committee. Authors of accepted full papers must submit the final paper version according to the deadline, register for the workshop, and attend to present their papers. The maximum length for final papers is 6 pages.
All contributions will be peer-reviewed and acceptance will be based on quality, originality and relevance. Accepted papers will be submitted for inclusion into IEEE Xplore Digital Library.

Submissions must be written in English and prepared according to the IEEE Conference Proceedings template. LaTeX and Word templates and an Overleaf sample project can be found at: https://metroxraine.org/initial-author-instructions.

The papers must be submitted in PDF format electronically via EDAS online submission and review system: https://edas.info/newPaper.php?c=30746.
To submit abstracts or draft papers to the special session, please follow the submission instructions for regular sessions, but remind to specify the special session to which the paper is directed.

The special session organizers and other external reviewers will review all submissions.

More information can be found here: https://metroxraine.org/initial-author-instructions

CONFERENCE PROCEEDINGS
———————————–
All contributions will be peer-reviewed, and acceptance will be based on quality, originality, and relevance. Accepted papers will be submitted for inclusion into IEEE Xplore Digital Library.

Extended versions of presented papers are eligible for post-publication; more information will be provided soon.

ORGANIZERS
————-
Giuseppe Caggianese
National Research Council of Italy
giuseppe.caggianese@cnr.it

Ugo Erra
University of Basilicata
ugo.erra@unibas.it

Luigi Gallo
National Research Council of Italy
luigi.gallo@cnr.it

Good luck!

You have till June 30, 2016 to submit your NanoArt and/or art-science-technology paper

A June 9, 2016 news item on Nanotechnology Now features a call for submissions to a NanoArt festival,

The 4th International Festival of NanoArt An Art-Science-Technology special session will be hosted in Cluj-Napoca, Romania, by Babes-Bolyai University between September 8 – 14, 2016 in parallel with the 11th International Conference On Physics Of Advanced Materials (Nanomaterials).

The artworks will be shown in the Hall of Transilvania Philharmonic Cluj-Napoca (…). The exhibition is curated by artist and scientist Cris Orfescu, founder of NanoArt 21 and artist Mirela Suchea, PhD, researcher in the field of nanostructured materials synthesis. The previous editions of the festival were held in Finland, Germany, and Romania. For additional Information, visit: nanoart21.org/nanoart_festival.html

Call for Papers

An Art-Science-Technology special session will be held during the 11th International Conference on Physics of Advanced Materials (ICPAM 11) between 8th to 14th of September, 2016 at Babes-Bolyai University of Cluj-Napoca, Romania.

This session focuses on presentations (oral and poster) related to NanoArt, Scientific Photography (microphotography, bio, medical, space, environmental, etc.), Digital Art, Video Art, Computer Graphics, Computer Animation, Game Design, Interactive Art, Net Art, Fractal Art, Algorithmic Art, Virtual Reality, Math Art.

Abstract Submission – Deadline June 30th 2016. Authors are invited to submit a summary of no more than 2000 characters (including spaces) using Conference Online Management System (www.abstractcentral.ro). …

According to the submission page, there are a few more rules,

 

  • The presenting author must be a paid registrant.
  • The authors can choose the presentation form of the paper among oral presentation or poster presentation.
  • Members of the Advisory Board can decide to change the final presentation form of the proposed contribution.
  • Authors will be notified of acceptance and mode of presentation of their papers before August 15, 2016.

 

There is also a call for artworks, from the 4th International Festival of NanoArt webpage,

THE 4th INTERNATIONAL FESTIVAL OF NANOART
Open to All Artists and Scientists

Submission deadline July 15, 2016

The following are the general directions for artwork submission. For selection, the artists can send for free up to 5 images in .jpeg format at a resolution of 72 dpi with the longest dimension of maximum 800 pixels. Each image should be sent with an entry form (click to download). The image(s) and entry form(s) should be sent by e-mail to info@nanoart21.org no later than July 15, 2016. The artists will receive the acceptance email by July 30, 2016 and they should submit high resolution (300dpi) .jpeg files of the accepted works in A3 format size (29.7cm x 42cm or 11.69in x 16.54in) no later than July 30, 2016. The selected images will be sent in digital format to the host venue where they will be printed, matted, and framed. The cost TBA should be paid (see ‘Buy Now‘ button bellow) at the time when artists send the high resolution files. After the event, the works may be exhibited in different venues for continuing education. A travel exhibition to different venues is always a possibility. If artists would like to have their print, they will have to pay for handling and shipping.

The festival will be promoted on different venues online, nanoart21.org contacts, social media, word-of-mouth. The artists could also promote the competition on their websites and other venues. All selected artworks will be shown in a multimedia presentation on the nanoart21.org festival’s page.

Copyright of entered artworks remains with the artist who agrees by submitting his/her works to grant permission to nanoart21.org and Cristian Orfescu to use the submitted material in exhibits, on the nanoart21.org web site, and other media for marketing and printing for off line marketing. Your permission to display the entry for the festival and later online and in the archives cannot be reversed and its use or removal is entirely at the discretion of nanoart21.org.

After the artworks have been accepted for the festival, the artists can pay 20 Euro/artwork for printing, framing, matting, and exhibition by … .

Good luck with your submissions.

Site remediation and nano materials; perspectives on risk assessment; Leonardo’s call for nano and art; a new nano art/science book

The Project on Emerging Nanotechnologies (PEN) is holding an event on site remediation on Feb. 4, 2010 (12:30 pm to 1:30 pm EST). From the news release,

A new review article appearing in Environmental Health Perspectives (EHP) co-authored by Dr. Todd Kuiken, Research Associate for the Project on Emerging Nanotechnologies (PEN), Dr. Barbara Karn, Office of Research and Development, U.S. Environmental Protection Agency and Marti Otto, Office of Superfund Remediation and Technology Innovation, U.S. Environmental Protection Agency focuses on the use of nanomaterials for environmental cleanup. It provides an overview of current practices; research findings; societal issues; potential environment, health, and safety implications; and possible future directions for nanoremediation. The authors conclude that the technology could be an effective and economically viable alternative for some current site cleanup practices, but potential risks remain poorly understood.

PEN’s Contaminated Site Remediation: Are Nanomaterials the Answer? features the EHN article’s authors  Kulken, Karn, and Otto on a panel with David Rejeski, PEN’s executive director moderating. PEN also has a map detailing almost 60 sites (mostly in the US, 2  in Canada, 4 in Europe, and 1 in Taiwan) where nanomaterials are being used for remediation.  More from the news release,

According to Dr. Kuiken, “Despite the potentially high performance and low cost of nanoremediation, more research is needed to understand and prevent any potential adverse environmental impacts, particularly studies on full-scale ecosystem-wide impacts. To date, little research has been done.”

In its 2004 report Nanoscience and nanotechnologies: opportunities and uncertainties, the British Royal Society and Royal Academy of Engineering recommended that the use of free manufactured nanoparticles be prohibited for environmental applications such as remediation until further research on potential risks and benefits had been conducted. The European Commission’s Scientific Committee on Emerging and Newly Identified Health Risks (SCENIHR) called for further risk research in 2005 while acknowledging environmental remediation technology as one of nanotechnology’s potential benefits.

If you wish to attend in person (i.e. you are in Washington, DC), you are asked to RSVP here (they provide a light lunch starting at 12 pm) or you can watch the webcast (no RSVP necessary and I will put up a link to the webcast closer to the date).

On the topic of risk, Michael Berger has written an in depth piece about a recently published article, Redefining research risk priorities for nanomaterials, in the Journal of Nanoparticle Research. From Berger’s piece,

While research in quantitative risk characterization of nanomaterials is crucially important, and no one advocates abandoning this approach, scientists and policy makers must face the reality that many of these knowledge gaps cannot be expected to be closed for many years to come – and decision making will need to continue under conditions of uncertainty. At the same time, current chemical-based research efforts are mainly directed at establishing toxicological and ecotoxicological and exposure data for nanomaterials, with comparatively little research undertaken on the tools or approaches that may facilitate near-term decisions.

In other words, there’s a big lag between developing new products using nanomaterials and the research needed to determine the health and environmental risks associated both with the production and use of these new materials. The precautionary principle suggests that we not produce or adopt these products until we are certain about risks and how to ameliorate and/or eliminate them. That’s an impossible position as we can never anticipate with any certainty what will happen when something is released to the general public or into the environment at large.  From Berger’s piece,

In their article, [Khara Deanna] Grieger [PhD student at Technical University of Denmark (DTU)], Anders Baun, who heads DTU’s Department of Environmental Engineering, and Richard Owens from the Policy Studies Institute in the UK, argue that there has not yet been a significant amount of attention dedicated to the field of timely and informed decision making for near term decisions. “We see this as the central issue for the responsible emergence of nanotechnologies” says Grieger.

Getting back to site remediation using nanomaterials, since it’s already in use as per the map and the authors state that there hasn’t been enough research into risks, do we pull back and adopt the precautionary principle or do we proceed as intelligently as possible in an area where uncertainty rules? That’s a question I will continue to explore as I get my hands on more information.

On a completely different nano front, the Leonardo magazine has issued a call for papers on nano and art,

2011 is the International Year of Chemistry! To celebrate Leonardo is seeking to publish papers and artworks on the intersections of chemistry,
nanotechnology and art for our on-going special section on nanotechnology and the arts. Since its inception nanotech/science has been intimately connected to chemistry; fullerenes, nanoputians, molecular machines, nano-inorganics and self-assembling molecular systems all spring from the minds and labs of chemists, biochemists and chemical engineers. If you’re a nano-oriented chemist who is serious about art, an artist working on the molecular level, or a chemical educator exploring the mysteries of nano through the arts we are especially seeking submissions from you.

You can send proposals, queries, and/or manuscripts to the Leonardo editorial office: leonardomanuscripts@gmail.com. You can read more about the call for papers here at Leblogducorps or you can go here to the Leonardo online journal.

Meanwhile, Andrew Maynard at 2020 Science is posting about a new book which integrates art work in an attempt to explain nanotechnology without ever mentioning it. From Andrew’s posting,

How do you write a book about something few people have heard off, and less seem interested in?  The answer, it seems, is to write about something else.

Felice Frankel and George Whitesides have clearly taken this lesson to heart. Judged by the cover alone, their new book “No Small Matter:  Science at the Nanoscale” is all about science in the Twilight zone of the nanoscale

– where stuff doesn’t behave in the way intuition says it should.

Drat! I can’t make the indent go away. At any rate, do visit 2020 as Andrew to read more from this posting and at least one other where he has gotten permission to excerpt parts of the book (text and images).