The science, technology, and innovation (STI) landscape has changed rapidly in recent years, as a result of new technologies, ongoing digitization of the economy, a global pandemic that transformed supply chains, and new global security considerations. Since 2006, the Council of Canadian Academies (CCA) has been documenting Canada’s standing in this landscape by benchmarking science, technology, and innovation strengths and weaknesses in a series of reports, most recently with Competing in a Global Innovation Economy (2018). At the request of Innovation, Science and Economic Development Canada, CCA has formed an expert panel to provide an updated assessment of developments in the STI ecosystem, the extent to which barriers and knowledge gaps continue to impede innovation, and potential opportunities for Canada. Dr. Ilse Treurnicht, managing partner at TwinRiver Capital, will serve as Chair of the expert panel.
“CCA’s reports on this topic have repeatedly highlighted how Canada has historically excelled in research but struggled with innovation and productivity,” said Dr. Treurnicht. “I look forward to mining the extensive evidence and expertise on the topic to determine how things have evolved over the past few years and what new insights can be gained.”
Dr. Treurnicht is a general partner at North South Ventures, chair of the Public Policy Forum Board, and a director of the Equality Fund and Zentek. She was CEO of MaRS Discovery District in Toronto from 2005-2017. She has an extensive background in scientific research and commercialization, building health and cleantech firms, venture and impact investing, and public policy.
As Chair, Dr. Treurnicht will lead a multidisciplinary group with expertise in academic research, industrial research and development, financing, science and innovation policy, economics, and methodological approaches. The Panel will answer the following question:
What is the state of science, technology, and innovation in Canada, and how does Canada compare internationally?
“We are delighted that Dr. Treurnicht has agreed to take on the role of chair,” said Tijs Creutzberg, President and CEO of the CCA. “This is a timely and important assessment—the data and expert analysis by the panel will inform critical conversations about how Canada can position itself for the future.”
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The Expert Panel on the State of Science, Technology, and Innovation in Canada:
Ilse Treurnicht (chair), Managing Partner, TwinRiver Capital
Robert Atkinson, President, ITIF[Information Technology and Innovation Foundation] Centre for Canadian Innovation and Competitiveness
Ulrike Bahr-Gedalia, Senior Director, Digital Economy, Technology and Innovation, Canadian Chamber of Commerce
Joel Blit, Associate Professor, Department of Economics, University of Waterloo
Christina Freyman, Deputy Director, National Center for Science and Engineering Statistics, National Science Foundation
Jean Hamel, Chief Engineer, FPInnovations
Kathryn Hayashi, CEO, TRIUMF Innovations; Co-Lead Canadian Medical Isotope Ecosystem
Burhan Hussein, NSERC Postdoctoral Fellow, Concordia University
Vincent Larivière, UNESCO Chair on Open Science, Université de Montréal
Elicia Maine, W.J. VanDusen Professor of Innovation & Entrepreneurship and Associate Vice President, Knowledge Mobilization and Innovation, Simon Fraser University
Alexandra McCann, Executive Director, ONSIDE
R. Sandra Schillo, Associate Professor, Telfer School of Management, University of Ottawa
Jeffrey R. Taylor, Associate Vice-President, Applied Research and Innovation, Nova Scotia Community College
Hans-Joachim Wieden, Associate Vice-President Partnerships, Knowledge Mobilization and Innovation, University of Manitoba
Expert panel members serve as individuals and do not represent the views of their organizations of affiliation or employment.
The skill set for members of the expert panel’s would seem to be highly concentrated in the fields of business, commercialization, entrepreneurship, and economics. As for geographic representation, it’s a bit unusual (but not unheard of) for two people (Robert Atkinson and Christina Freyman) from the US to be members of the expert panel. Usually, the American or Americans are peer reviewers. Otherwise, it’s pretty much the same as usual, a preponderance of experts from eastern Canada (emphasis on Ontario and Québec) with a few representatives from western Canada and no one from the North. The male/female split is about 50/50.
The Walrus is an independent, nonprofit Canadian media organization. It is multi-platform and produces an eight-issue-per-year magazine and online editorial content that includes current affairs, fiction, poetry, and podcasts, a national speaker series called The Walrus Talks, and branded content for clients through The Walrus Lab.
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The first issue was in September 2003. Given how tough the publishing environment is, The Walrus has an impressive survival record. Bravo!
A new federal government is setting its sights on a stronger, more resilient Canada—and the key to getting there is homegrown innovation.
The Walrus Talks Innovation Nation celebrates the transformative research emerging from Canadian universities that’s already shaping how we live, work, and thrive. From life-saving medical breakthroughs to bold climate solutions and cutting-edge artificial intelligence, university-led research is transforming visionary ideas into tangible solutions that are fueling our economy, improving our well-being, and elevating Canada’s global leadership.
Join us in Ottawa or online for an inspiring evening of rapid-fire talks from award-winning researchers and pioneering experts. In dynamic seven-minute presentations, they’ll share how groundbreaking innovation is creating real-world impact—and how Canadian research is defining tomorrow’s possibilities.
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Featuring seven-minute talks by:
Dr. André Blais, Emeritus Professor, Department of Political Science, Université de Montreal
Dr. Kyle Bobiwash, Assistant Professor and Indigenous Scholar, Department of Entomology, University of Manitoba
Dr. Sarah Burch, Executive Director, Waterloo Climate Institute; Professor, Geography and Environmental Management; Canada Research Chair
Dr. Graham Carr, President and Vice-Chancellor, Concordia University
Rahul G. Krishnan, Assistant Professor, Department of Computer Science, University of Toronto; Canada CIFAR Artificial Intelligence Chair
Dr. Catalina Lopez-Correa, Chief Global Strategy Officer, Genome Canada
Dr. Gina Ogilvie, MD DrPH FCFP FRSC; Professor and Canada Research Chair, Faculty of Medicine; Associate Director, Women’s Health Research Institute, University of British Columbia
Canadian Museum of Nature, 4th Floor Gallery, 240 McLeod Street, Ottawa
Wednesday, November 26, 2025 7:00 p.m. – 9:00 p.m. ET
General Admission: $20 Student/Senior: $12 Livestream: Free with registration
This is going to be a jam-packed posting with the AI experts at the Canadian Science Policy Centre (CSPC) virtual panel, a look back at a ‘testy’ exchange between Yoshua Bengio (one of Canada’s godfathers of AI) and a former diplomat from China, an update on Canada’s Minister of Artificial Intelligence and Digital Innovation, Evan Solomon and his latest AI push, and a missive from the BC artificial intelligence community.
A Canadian Science Policy Centre AI panel on November 11, 2025
The Canadian Science Policy Centre (CSPC) provides an October 9, 2025 update on an upcoming virtual panel being held on Remembrance Day,
[AI-Driven Misinformation Across Sectors Addressing a Cross-Societal Challenge]
Upcoming Virtual Panel[s]: November 11 [2025]
Artificial Intelligence is transforming how information is created and trusted, offering immense benefits across sectors like healthcare, education, finance, and public discourse—yet also amplifying risks such as misinformation, deepfakes, and scams that threaten public trust. This panel brings together experts from diverse fields [emphasis mine] to examine the manifestations and impacts of AI-driven misinformation and to discuss policy, regulatory, and technical solutions [emphasis mine]. The conversation will highlight practical measures—from digital literacy and content verification to platform accountability—aimed at strengthening resilience in Canada and globally.
For more information on the panel and to register, click below.
Odd timing for this event. Moving on, I found more information on the CSPC’s webpage for this event, Note: Unfortunately, links to the moderator’s and speakers’ bios could not be copied here,
Canadian Science Policy Centre Email info@sciencepolicy.ca
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This panel brings together cross-sectoral experts to examine how AI-driven misinformation manifests in their respective domains, its consequences, and how policy, regulation, and technical interventions can help mitigate harm. The discussion will explore practical pathways for action, such as digital literacy, risk audits, content verification technologies, platform responsibility, and regulatory frameworks. Attendees will leave with a nuanced understanding of both the risks and the resilience strategies being explored in Canada and globally.
Canada Research Chair in Internet & E-commerce Law, University of Ottawa See Bio
[Panelists]
Dr. Plinio Morita
Associate Professor / Director, Ubiquitous Health Technology Lab, University of Waterloo …
Dr. Nadia Naffi
Université Laval — Associate Professor of Educational Technology and expert on building human agency against AI-augmented disinformation and deepfakes. See Bio
Dr. Jutta Treviranus
Director, Inclusive Design Research Centre, OCAD U, Expert on AI misinformation in the Education sector and schools. See Bio
Dr. Fenwick McKelvey
Concordia University — Expert in political bots, information flows, and Canadian tech governance See Bio
Michael Geist has his own blog/website featuring posts on his ares of interest and featuring his podcast, Law Bytes. Jutta Treviranus is mentioned in my October 13, 2025 posting as a participant in “Who’s afraid of AI? Arts, Sciences, and the Futures of Intelligence,” a conference (October 23 – 24, 205) and arts festival at the University of Toronto (scroll down to find it) . She’s scheduled for a session on Thursday, October 23, 2025.
China, Canada, and the AI Action summit in February 2025
Zoe Kleinman’s February 10, 2025 article for the British Broadcasting Corporation (BBC) news online website also notes the encounter,
A former Chinese official poked fun at a major international AI safety report led by “AI Godfather” professor Yoshua Bengio and co-authored by 96 global experts – in front of him.
Fu Ying, former vice minister of foreign affairs and once China’s UK ambassador, is now an academic at Tsinghua University in Beijing.
The pair were speaking at a panel discussion ahead of a two-day global AI summit starting in Paris on Monday [February 10, 2025].
The aim of the summit is to unite world leaders, tech executives, and academics to examine AI’s impact on society, governance, and the environment.
Fu Ying began by thanking Canada’s Prof Bengio for the “very, very long” document, adding that the Chinese translation stretched to around 400 pages and she hadn’t finished reading it.
She also had a dig at the title of the AI Safety Institute – of which Prof Bengio is a member.
China now has its own equivalent; but they decided to call it The AI Development and Safety Network, she said, because there are lots of institutes already but this wording emphasised the importance of collaboration.
The AI Action Summit is welcoming guests from 80 countries, with OpenAI chief executive Sam Altman, Microsoft president Brad Smith and Google chief executive Sundar Pichai among the big names in US tech attending.
Elon Musk is not on the guest list but it is currently unknown whether he will decide to join them. [As of February 13, 2025, Mr. Musk did not attend the summit, which ended February 11, 2025.]
A key focus is regulating AI in an increasingly fractured world. The summit comes weeks after a seismic industry shift as China’s DeepSeek unveiled a powerful, low-cost AI model, challenging US dominance.
The pair’s heated exchanges were a symbol of global political jostling in the powerful AI arms race, but Fu Ying also expressed regret about the negative impact of current hostilities between the US and China on the progress of AI safety.
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She gave a carefully-crafted glimpse behind the curtain of China’s AI scene, describing an “explosive period” of innovation since the country first published its AI development plan in 2017, five years before ChatGPT became a viral sensation in the west.
She added that “when the pace [of development] is rapid, risky stuff occurs” but did not elaborate on what might have taken place.
“The Chinese move faster [than the west] but it’s full of problems,” she said.
Fu Ying argued that building AI tools on foundations which are open source, meaning everyone can see how they work and therefore contribute to improving them, was the most effective way to make sure the tech did not cause harm.
Most of the US tech giants do not share the tech which drives their products.
Open source offers humans “better opportunities to detect and solve problems”, she said, adding that “the lack of transparency among the giants makes people nervous”.
But Prof Bengio disagreed.
His view was that open source also left the tech wide open for criminals to misuse.
He did however concede that “from a safety point of view”, it was easier to spot issues with the viral Chinese AI assistant DeepSeek, which was built using open source architecture, than ChatGPT, whose code has not been shared by its creator OpenAI.
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Interesting, non? You can read more about Bengio’s views in an October 1, 2025 article by Rae Witte for Futurism.
In a Policy Forum, Yue Zhu and colleagues provide an overview of China’s emerging regulation for artificial intelligence (AI) technologies and its potential contributions to global AI governance. Open-source AI systems from China are rapidly expanding worldwide, even as the country’s regulatory framework remains in flux. In general, AI governance suffers from fragmented approaches, a lack of clarity, and difficulty reconciling innovation with risk management, making global coordination especially hard in the face of rising controversy. Although no official AI law has yet been enacted, experts in China have drafted two influential proposals – the Model AI Law and the AI Law (Scholar’s Proposal) – which serve as key references for ongoing policy discussions. As the nation’s lawmakers prepare to draft a consolidated AI law, Zhu et al. note that the decisions will shape not only China’s innovation, but also global collaboration on AI safety, openness, and risk mitigation. Here, the authors discuss China’s emerging AI regulation as structured around 6 pillars, which, combined, stress exemptive laws, efficient adjudication, and experimentalist requirements, while safeguarding against extreme risks. This framework seeks to balance responsible oversight with pragmatic openness, allowing developers to innovate for the long term and collaborate across the global research community. According to Zhu et al., despite the need for greater clarity, harmonization, and simplification, China’s evolving model is poised to shape future legislation and contribute meaningfully to global AI governance by promoting both safety and innovation at a time when international cooperation on extreme risks is urgently needed.
Here’s a link to and a citation for the paper,
China’s emerging regulation toward an open future for AI by Yue Zhu, Bo He, Hongyu Fu, Naying Hu, Shaoqing Wu, Taolue Zhang, Xinyi Liu, Gang Xu, Linghan Zhang, and Hui Zhou. Science 9 Oct 2025Vol 390, Issue 6769 pp. 132-135 DOI: 10.1126/science.ady7922
This paper is behind a paywall.
No mention of Fu Ying or China’s ‘The AI Development and Safety Network’ but perhaps that’s in the paper.
Canada and its Minister of AI and Digital Innovation
Evan Solomon (born April 20, 1968)[citation needed] is a Canadian politician and broadcaster who has been the minister of artificial intelligence and digital innovation since May 2025. A member of the Liberal Party, Solomon was elected as the member of Parliament (MP) for Toronto Centre in the April 2025 election.
He was the host of The Evan Solomon Show on Toronto-area talk radio station CFRB,[2] and a writer for Maclean’s magazine. He was the host of CTV’s national political news programs Power Play and Question Period.[3] In October 2022, he moved to New York City to accept a position with the Eurasia Group as publisher of GZERO Media.[4] Solomon continued with CTV News as a “special correspondent” reporting on Canadian politics and global affairs.”[4]
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Had you asked me what background one needs to be a ‘Minister of Artificial Intelligence and Digital Innovation’, media would not have been my first thought. That said, sometimes people can surprise you.
Solomon appears to be an enthusiast if a June 10, 2025 article by Anja Karadeglija for The Canadian Press is to be believed,
Canada’s new minister of artificial intelligence said Tuesday [June 10, 2025] he’ll put less emphasis on AI regulation and more on finding ways to harness the technology’s economic benefits [emphases mine].
In his first speech since becoming Canada’s first-ever AI minister, Evan Solomon said Canada will move away from “over-indexing on warnings and regulation” to make sure the economy benefits from AI.
His regulatory focus will be on data protection and privacy, he told the audience at an event in Ottawa Tuesday morning organized by the think tank Canada 2020.
Solomon said regulation isn’t about finding “a saddle to throw on the bucking bronco called AI innovation. That’s hard. But it is to make sure that the horse doesn’t kick people in the face. And we need to protect people’s data and their privacy.”
The previous government introduced a privacy and AI regulation bill that targeted high-impact AI systems. It did not become law before the election was called.
That bill is “not gone, but we have to re-examine in this new environment where we’re going to be on that,” Solomon said.
He said constraints on AI have not worked at the international level.
“It’s really hard. There’s lots of leakages,” he said. “The United States and China have no desire to buy into any constraint or regulation.”
That doesn’t mean regulation won’t exist, he said, but it will have to be assembled in steps.
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Solomon’s comments follow a global shift among governments to focus on AI adoption and away from AI safety and governance.
The first global summit focusing on AI safety was held in 2023 as experts warned of the technology’s dangers — including the risk that it could pose an existential threat to humanity. At a global meeting in Korea last year, countries agreed to launch a network of publicly backed safety institutes.
But the mood had shifted by the time this year’s AI Action Summit began in Paris. …
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Solomon outlined several priorities for his ministry — scaling up Canada’s AI industry, driving adoption and ensuring Canadians have trust in and sovereignty over the technology.
He said that includes supporting Canadian AI companies like Cohere, which “means using government as essentially an industrial policy to champion our champions.”
The federal government is putting together a task force to guide its next steps on artificial intelligence, and Artificial Intelligence Minister Evan Solomon is promising an update to the government’s AI strategy.
Solomon told the All In artificial intelligence conference in Montreal on Wednesday [September 24, 2025] that the “refreshed” strategy will be tabled later this year, “almost two years ahead of schedule.”
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“We need to update and move quickly,” he said in a keynote speech at the start of the conference.
The task force will include about 20 representatives from industry, academia and civil society. The government says it won’t reveal the membership until later this week.
Solomon said task force members are being asked to consult with their networks, suggest “bold, practical” ideas and report back to him in November [2025].
The group will look at various topics related to AI, including research, adoption, commercialization, investment, infrastructure, skills, and safety and security. The government is also planning to solicit input from the public. [emphasis mine]
Canada was the first country to launch a national AI strategy [the Pan-Canadian AI Strategy announced in 2016], which the government updated in 2022. The strategy focuses on commercialization, the development and adoption of AI standards, talent and research.
Solomon also teased a “major quantum initiative” coming in October [2025?] to ensure both quantum computing talent and intellectual property stay in the country.
Solomon called digital sovereignty “the most pressing policy and democratic issue of our time” and stressed the importance of Canada having its own “digital economy that someone else can’t decide to turn off.”
Solomon said the federal government’s recent focus on major projects extends to artificial intelligence. He compared current conversations on Canada’s AI framework to the way earlier generations spoke about a national railroad or highway.
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He said his government will address concerns about AI by focusing on privacy reform and modernizing Canada’s 25-year-old privacy law.
“We’re going to include protections for consumers who are concerned about things like deep fakes and protection for children, because that’s a big, big issue. And we’re going to set clear standards for the use of data so innovators have clarity to unlock investment,” Solomon said.
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The government is consulting with the public? Experience suggests that when all the major decisions will have been made; the public consultation comments will mined so officials can make some minor, unimportant tweaks.
Canada’s AI Task Force and parts of the Empire Club talk are revealed in a September 26, 2025 article by Alex Riehl for BetaKit,
Inovia Capital partner Patrick Pichette, Cohere chief artificial intelligence (AI) officer Joelle Pineau, and Build Canada founder Dan Debow are among 26 members of AI minister Evan Solomon’s AI Strategy Task Force trusted to help the federal government renew its AI strategy.
Solomon revealed the roster, filled with leading Canadian researchers and business figures, while speaking at the Empire Club in Toronto on Friday morning [September 26, 2025]. He teased its formation at the ALL IN conference earlier this week [September 24, 2025], saying the team would include “innovative thinkers from across the country.”
The group will have 30 days to add to a collective consultation process in areas including research, talent, commercialization, safety, education, infrastructure, and security.
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The full AI Strategy Task Force is listed below; each member will consult their network on specific themes.
Research and Talent
Gail Murphy, professor of computer science and vice-president – research and innovation, University of British Columbia and vice-chair at the Digital Research Alliance of Canada
Diane Gutiw, VP – global AI research lead, CGI Canada and co-chair of the Advisory Council on AI
Michael Bowling, professor of computer science and principal investigator – Reinforcement Learning and Artificial Intelligence Lab, University of Alberta and research fellow, Alberta Machine Intelligence Institute and Canada CIFAR AI chair
Arvind Gupta, professor of computer science, University of Toronto
Adoption across industry and governments
Olivier Blais, co-founder and VP of AI, Moov and co-chair of the Advisory Council on AI
Cari Covent, technology executive
Dan Debow, chair of the board, Build Canada
Commercialization of AI
Louis Têtu, executive chairman, Coveo
Michael Serbinis, founder and CEO, League and board chair of the Perimeter Institute
Adam Keating, CEO and Founder, CoLab
Scaling our champions and attracting investment
Patrick Pichette, general partner, Inovia Capital
Ajay Agrawal, professor of strategic management, University of Toronto, founder, Next Canada and founder, Creative Destruction Lab
Sonia Sennik, CEO, Creative Destruction Lab
Ben Bergen, president, Council of Canadian Innovators
Building safe AI systems and public trust in AI
Mary Wells, dean of engineering, University of Waterloo
Joelle Pineau, chief AI officer, Cohere
Taylor Owen, founding director, Center [sic] for Media, Technology and Democracy [McGill University]
Education and Skills
Natiea Vinson, CEO, First Nations Technology Council
Alex Laplante, VP – cash management technology Canada, Royal Bank of Canada and board member at Mitacs
David Naylor, professor of medicine – University of Toronto
Infrastructure
Garth Gibson, chief technology and AI officer, VDURA
Ian Rae, president and CEO, Aptum
Marc Etienne Ouimette, chair of the board, Digital Moment and member, OECD One AI Group of Experts, affiliate researcher, sovereign AI, Cambridge University Bennett School of Public Policy
Security
Shelly Bruce, distinguished fellow, Centre for International Governance Innovation
James Neufeld, founder and CEO, Samdesk
Sam Ramadori, co-president and executive director, LawZero
With files from Josh Scott
If you have the time, Riehl ‘s September 26, 2025 article offers more depth than may be apparent in the excerpts I’ve chosen.
It’s been a while since I’ve seen Arvind Gupta’s name. I’m glad to see he’s part of this Task Force (Research and Talent). The man was treated quite shamefully at the University of British Columbia. (For the curious, this August 18, 2015 article by Ken MacQueen for Maclean’s Magazine presents a somewhat sanitized [in my opinion] review of the situation.)
One final comment, the experts on the virtual panel and members of Solomon’s Task Force are largely from Ontario and Québec. There is minor representation from others parts of the country but it is minor.
British Columbia wants entry into the national AI discussion
Just after I finished writing up this post, I received Kris Krug’s (techartist, quasi-sage, cyberpunk anti-hero from the future) October 14, 2025 communication (received via email) regarding an initiative from the BC + AI community,
Growth vs Guardrails: BC’s Framework for Steering AI
Our open letter to Minister Solomon shares what we’ve learned building community-led AI governance and how BC can help.
Ottawa created a Minister of Artificial Intelligence and just launched a national task force to shape the country’s next AI strategy. The conversation is happening right now about who gets compute, who sets the rules, and whose future this technology will serve.
Our new feature, Growth vs Guardrails [see link to letter below for ‘guardrails’], is already making the rounds in those rooms. The message is simple: if Ottawa’s foot is on the gas, BC is the steering wheel and the brakes. We can model a clean, ethical, community-led path that keeps power with people and place.
This is the time to show up together. Not as scattered voices, but as a connected movement with purpose, vision, and political gravity.
Over the past few months, almost 100 of us have joined as the new BC + AI Ecosystem Association non-profit as Founding Members. Builders. Artists. Researchers. Investors. Educators. Policymakers. People who believe that tech should serve communities, not the other way around.
Now we’re opening the door wider. Join and you’ll be part of the core group that built this from the ground up. Your membership is declaration that British Columbia deserves to shape its own AI future with ethics, creativity, and care.
If you’ve been watching from the sidelines, this is the time to lean in. We don’t do panels. We do portals. And this is the biggest one we’ve opened yet.
See you inside,
Kris Krüg Executive Director BC + AI Ecosystem Association kk@bc-ai.ca | bc-ai.ca
Canada just spun up a 30-day sprint to shape its next AI strategy. Minister Evan Solomon assembled 26 experts (mostly industry and academia) to advise on research, adoption, commercialization, safety, skills, and infrastructure.
On paper, it’s a pivot moment. In practice, it’s already drawing fire. Too much weight on scaling, not enough on governance. Too many boardrooms, not enough frontlines. Too much Ottawa, not enough ground truth.
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This is Canada’s chance to reset the DNA of its AI ecosystem.
But only if we choose regeneration over extraction, sovereign data governance over corporate capture, and community benefit over narrow interests.
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The Problem With The Task Force
Research says: The group’s stacked with expertise. But critics flag the imbalance. Where’s healthcare? Where’s civil society beyond token representation? Where are the people who’ll feel AI’s impact first: frontline workers, artists, community organizers?
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The worry:Commercialization and scaling overshadow public trust, governance, and equitable outcomes. Again.
The numbers back this up: Only 24% of Canadians have AI training. Just 38% feel confident in their knowledge. Nearly two-thirds see potential harm. 71% would trust AI more under public regulation.
We’re building a national strategy on a foundation of low literacy and eroding trust. That’s not a recipe for sovereignty. That’s a recipe for capture.
Principles for a National AI Strategy: What BC + AI Stands For
Here are some of the high points from the Canadian Science Policy Centre’s (CSPC) July 31, 2025 update (received via email),
Register Now for Upcoming Virtual Panels
[Nature-based Solutions in Canada – policies, frameworks and multi-sector cooperation to reach Canada’s 2030 climate and biodiversity goals]
Organized by Future Earth, this panel will explore how Nature-based Solutions (NbS) can be effectively designed, measured, and aligned with community and Indigenous priorities in Canada. NbS uses natural ecosystems to tackle climate change and biodiversity loss while benefiting communities. They are key to meeting Canada’s 30×30 conservation goals and reducing carbon emissions. However, clear frameworks to monitor their impact are still lacking.
[Navigating Geopolitical Shifts: Canada’s Innovation Strategy for the Life Sciences Sector]
The Canadian life sciences sector is undergoing rapid and profound transformation, shaped by shifting geopolitical dynamics, evolving international partnerships, emerging health threats, and the accelerating pace of scientific and digital innovation. These forces are redefining how health technologies are developed, regulated, and distributed across borders—creating both complex challenges and promising opportunities for industry leaders, researchers, and policymakers.
This panel is the next in CSPC’s ongoing series exploring Canada’s Innovation Strategy in key sectors. We will have more sessions coming this fall so stay tuned for the details in the coming weeks.
Nature-based Solutions (NbS) are actions to protect, manage and restore ecosystems for the benefit of people and nature. NbS are a promising avenue to meet Canada’s commitments to protect at least 30% of land and oceans by 2030 (30×30) under the Kunming-Montreal Global Biodiversity Framework, and to address up to 35% of Canada’s 2030 carbon reduction commitment. But few frameworks exist to adequately monitor NbS implementation. To achieve sustained impact NbS must be co-created by multiple interest holders and align with social well-being, including priorities of Indigenous Peoples and local communities. This panel will dive into the topic with the questions below. Join us for a wide-ranging and fascinating discussion on the future of Nature-based Solutions in Canada.
The panelists will address the following questions:
What exactly do we mean by Nature-based solutions (NbS) and how to incentivize multiple sectors (academia, government, financial, civil) to move forward on solutions that are equitable for all?
What is Canada doing to achieve its 30×30 targets, and why is that important in the lead-up to the next UN Climate Conference in November [2025] (COP30)?
What are some examples in practice of sustainable finance investments for biodiversity or climate action?
What are the economic pathways that can support equitable, Indigenous-led, and scalable NBS across Canada?
Professor, Geography, Planning and Environment, Concordia University Interim Executive Director, Future Earth Canada Hub and Sustainability in the Digital Age
Émilie Le Beuze
Senior Advisor, Engagement for Sustainable Finance & Biodiversity, Finance Montréal
Jason Taylor
Co-Founder and CEO, Climate Finance Advisors
Stephanie Poirier
Senior Policy Analyst, Climate Change and Sustainability, Standards Council of Canada
Zahra Jandaghian
Research Officer – Nature-based Solutions Lead, National Research Council of Canada
Kirsten Zickfeld
Distinguished SFU Professor of Climate Science, Simon Fraser University
Michael Twigg
Director, Nature Economies, Smart Prosperity Institute
A strong financier/financial services presence in the first panel, eh? The second panel has a speaker list dominated by the professional class that bounces from government to for-profit enterprises to non-profit enterprises while they rove from one business sector to another.. From the “Navigating Geopolitical Shifts: Canada’s Innovation Strategy for the Life Sciences Sector” event page, Note: I have edited the speaker list, please see the event page to access the speakers’ biography pages,
This panel aims to explore how Canada’s life sciences sector can navigate the evolving geopolitical and economic landscape to foster sustained innovation and competitiveness. Panelists will discuss the key challenges that are currently limiting innovation. The conversation will delve into how both government and industry can respond strategically, with a focus on improving policy alignment, fostering cross-sector collaboration, and enhancing private sector R&D investment. The panel will also identify emerging global and domestic opportunities that Canada is uniquely positioned to leverage in this period of transformation.
The panelists will address the following questions:
Considering the geopolitical shift, tariffs and a new dimension into the Canadian economy, what are the top three challenges currently hindering innovation in your sector?
How should the government and industry respond to these challenges to enable long-term innovation and competitiveness?
How can Canada enhance private sector R&D investment and capitalize on emerging opportunities in this sector?
What new opportunities or advantages should Canada exploit in this sector despite (or because of) the changing global landscape?
Canadian Life Sciences Leader/Corporate Director/Strategic Advisor
Wendy Zatylny
President & CEO, BIOTEC [s.b. BIOTECanada; BIOTEC is a company in Thailand]
Stephanie Michaud
President & CEO, BioCanRx
Alexandre Le Bouthillier
Founding Partner & CEO, Linearis
Bethany Moir
VP Partnerships, AdMare [also known as, adMare BioInnovations]
Wendy Hurlburt
President & CEO, BC Life Sciences [also known as, Life Sciences British Columbia or Life Sciences BC]
Anne Stevens
VP of Business Development, AbCellera
Now for the call for editorial submissions. From the Canadian Science Policy Centre’s (CSPC) July 31, 2025 update, *ETA August 11, 2025: The deadline for submissions has been extended to September 5, 2025,*
Only Three Weeks Left Until Deadline for Editorial Submissions
Only three weeks left to submit your editorials for CSPC’s Special Editorial Series. Canada’s defence spending is set to rise significantly—reaching NATO’s 2% target by 2025–2026 and projected to hit 5% by 2035. This historic shift presents a unique opportunity to strategically align defence investments with research, innovation, and economic development goals.
CSPC invites editorials on how this investment can strengthen Canada’s innovation ecosystem, research capacity, and economic growth. Contributions from researchers, policymakers, and industry experts are welcome. The deadline for submissions is Friday, August 22 [2025]. *ETA August 11, 2025: Thedeadline for submissions has been extended to September 5, 2025*
For more information on editorial guidelines and to submit an editorial, click the button below!
Defence spending as a catalyst for R&D, innovation, and economic growth in Canada
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With the extraordinary emphasis on economic benefits, it sometimes seems like it’s the Canadian Science Moneymaking Policy Centre rather than the Canadian Science Policy Centre.
*ETA August 11, 2025: The deadline for submissions has been extended to September 5, 2025.*
A February 4, 2025 news item on ScienceDaily announces an analysis (meta analysis) of over 40 studies into using nanomaterials for cleaning up pollution,
Cleaning up after a major oil spill is a long, expensive process, and the damage to a coastal region’s ecosystem can be significant. This is especially true for the world’s Arctic region, where newly opened sea lanes will expose remote shorelines to increased risks due to an anticipated rise in sea traffic.
Current mitigation techniques even in heavily populated regions face serious limitations, including low oil absorption capacity, potential toxicity to marine life and a slow remediation process.
However, advances in nanotechnology may provide solutions that are more effective, safer and work much faster than current methods. That’s according to a new paper in Environmental Science: Nano by a Concordia-led team of researchers.
“Using nanomaterials as a response method has emerged as a promising sustainable approach,” says lead author Huifang Bi, a PhD candidate in the Department of Building, Civil and Environmental Engineering at the Gina Cody School of Engineering and Computer Science.
“This paper synthesizes, reviews and analyzes between 40 and 50 studies on the subject to give us a big-picture look of the status of nanotechnologies in coastal oil spill response. At the same time, we are also presenting our own suggestions and identifying research gaps between using nanomaterials in the lab and how they can be used in real-world applications.”
She adds that nanomaterials are being widely studied to combat marine oil spills, but she is focusing specifically on coastline remediation. She estimates that more than 90 per cent of the papers she reviewed were exclusively lab-based and not yet available for field use.
Encouraging results need field testing
The unique properties found in nanomaterials can help mitigation across different remediation efforts. These include surface washing agents, dispersants, sorbents and bioremediation. Each method has its own strengths and drawbacks that can be improved with the use of nanomaterials.
For instance, replacing synthetic surfactants and organic solvents with bio-based nanomaterials has shown to be both highly effective at removing oil and to produce less toxic substances that can harm coastal biotas.
Nanomaterials can also be used in dispersants. Clay-based nanomaterials can stabilize oil particles in an emulsion, resulting in a larger area for oil-eating bacteria to grow and accelerating oil disappearance. In sorbents like aerogels or foams, nanomaterials can improve the removal of oil from water by absorption, adsorption or a combination thanks to large surface areas and a high number of sorption sites.
Finally, they can also be used to accelerate bioremediation, a technique that uses microorganisms to break down harmful pollutants like oil into less harmful or harmless substances.
“While these lab-based results are encouraging, we need to exercise caution,” warns Bi, winner of a 2023 Vanier Canada Graduate Scholarship. “We should prioritize the use of sustainable and eco-friendly nanomaterials to minimize environmental risks and ensure the responsible application of nanotechnology in coastal oil spill response. We also need to scale up testing to measure this efficacy in field tests.”
According to Bi’s thesis supervisor Chunjiang An, an associate professor in the same department, the emergence of nanomaterials as oil spill remediation tools is coming at a critical time.
“We are facing many new challenges, with threats of oil spills now affecting both traditional and new regions, including the Arctic,” he says. “We need to work with governments and the private sector to ensure that they are aware of these technologies and can further include them in their future remediation guidelines.”
An October 30, 2024 Concordia University news release by Vanessa Hauguel announces the upcoming theatre season, which features a focus on how current technology and historical narratives intersect, Note: Links have been removed,
The Concordia Department of Theatre recently announced its 2024-25 season, featuring a diverse lineup of scripted and devised works. The program delves into themes relevant to today’s world, from artificial intelligence (AI) and deepfakes to the timeless human experiences and societal change.
Two upcoming productions highlight the department’s wide range of creative approaches. The first is Concord Floral by Jordan Tannahill, directed by Emma Tibaldo. The second is a devised adaptation of La vida es sueño (Life is a Dream), based on Pedro Calderón de la Barca’s classic play, directed by Peter Farbridge.
While these two productions kick off the season, additional performances are planned throughout the year until April 2025, continuing the department’s exploration of contemporary and classic themes. Directors Farbridge and Tibaldo, as well as this season’s artistic producer, Noah Drew, share the creative vision behind the shows and the thematic connections between them.
Modern ghost story
Concord Floral, by Canadian playwright Tannahill, is a modern ghost story set in an abandoned greenhouse where a group of teenagers face a buried secret. Directed by Tibaldo, a Concordia theatre graduate, 99, and artist-in-residence, it incorporates cutting-edge technology to navigate themes of guilt, adolescence and the weight of collective silence.
“Concord Floral is a play that sticks with you,” Tibaldo explains. “It speaks to growing up, discovering yourself and grappling with your accountability to others. The haunting or ‘plague’ in the play is represented through movement, lighting and sound, creating a visceral embodiment of guilt and regret.”
The play draws on The Decameron as a point of reference, adding a sense of timelessness to the teenage experience. “During our teen years, we often react or make impulsive decisions, as we’re discovering or aiming to break boundaries, and sometimes they come with lasting consequences,” Tibaldo says. “This play will resonate strongly with many, as it captures that intense, confusing period of early adulthood.”
La vida es sueño: mixing AI, deepfakes & philosophy
Meanwhile, La vida es sueño offers a reimagining of Calderón de la Barca’s work, making allusions to contemporary issues like AI deepfakes. Farbridge, MA 22, explores the philosophical themes of illusion and reality in this adaptation, examining how modern technology manipulates perception.
“At the heart of the play is the idea that our lives are shaped by false narratives, a timeless concept that feels increasingly relevant in today’s world,” Farbridge says.
“Our adaptation looks at how political systems manipulate truth on a massive scale. And the deeper question we’re asking is, if belief in what we see and hear in online media collapses, where will we land?”
Farbridge’s production will use a combination of video screens, shadow-play and physical performance to explore these themes. “We’re experimenting with form and trying to find new ways of engaging with the audience. It’s an exciting process, and unnerving too, as we won’t know the full impact of it until the public is in the theatre with us..”
A season of learning and innovating
As this season’s artistic producer, Drew sees the productions as essential learning experiences for students. “A big part of students’ education has to come from ‘stage time’ — those moments when a live audience is experiencing their work,” the associate professor says.
“These two productions offer a chance to engage with classic stories radically reinvented —Concord Floral reinterprets The Decameron, while La vida es sueño rethinks a Spanish Golden Age play. I hope it gives students the opportunity to see how historical narratives can connect with today’s issues, and grasp a deeper, more personal understanding of how history loops and cycles.”
Drew also points out the importance of technology in both productions.
“Lighting, sound and video are used all the time in many forms of art and entertainment media. What’s special about their use in theatre is that audiences get to see them in a real three-dimensional space interacting with our species’ original ‘technology’ — the human body. This liveness and immediacy can create almost-hallucinatory images that make audiences rub their eyes and wonder if the haunting moments in Concord Floral or the manipulations of truth in La vida es sueño are illusions or are really happening.”
Reflecting on the broader significance of theatre, Drew believes that storytelling plays a vital role in addressing the challenges of today’s rapidly changing world.
“We live in a time of war, climate crises, political polarization, flawed AI, and many forms of injustice,” he says. “Theatre can help us step outside of our routines, wake up, and yearn for more. It’s a way to make sense of a complicated world and spark inspiration.”
La vida es sueño (Life is a Dream) runs from November 14 to 16 [2024] in room 240 of the Molson (MB) Building, 1450 Guy Street.
Concord Floral runs November 27 to 30 [2024] at the Concordia Theatre in the Henry F. Hall (H) Building, 1455 Boulevard De Maisonneuve West.
Should you be in Montréal and able to attend the performances, you can find more details via Concordia University’s PUBLIC PERFORMANCES 2024-25 webpage.
Before getting to the latest about carbon dots, there’s something to be clarified (and it was news to me), a carbon dot is not a quantum dot. So says this 2020 paper, “Advances in carbon dots: from the perspective of traditional quantum dots” by Yanhong Liu, Hui Huang, Weijing Cao, Baodong Mao, Yang Liu, and Zhenhui Kang. Mater. Chem. Front., 2020,4, 1586-1613 First published March 17, 2020.
Abstract
Quantum dots (QDs) have been the core concept of nanoscience and nanotechnology since their inception, and play a dominant role in the development of the nano-field. Carbon dots (CDots), defined by a feature size of <10 nm, have become a rising star in the crossover field of carbon materials and traditional QDs (TQDs). CDots possess many unique structural, physicochemical and photochemical properties that render them a promising platform for biology, devices, catalysis and other applications. …
This story is about carbon dots but you can find out more about quantum dots in my October 6, 2023 posting concerning the 2023 Nobel prizes; scroll down to the ‘Chemistry’ subhead.
An August 30, 2023 news item on phys.org describes work from Concordia University (Montréal, Canada) on carbon dots,
Researchers at Concordia have developed a new system using tiny nanosensors called carbon dots to detect the presence of the widely used chemical glyphosate. Their research, titled “Ratiometric Sensing of Glyphosate in Water Using Dual Fluorescent Carbon Dots,” is published in Sensors.
Glyphosate is a pesticide found in more than 750 agricultural, forestry, urban and home products, including Monsanto’s popular weed-killer Roundup. It is also controversial: studies have linked its overuse to environmental pollution and cancer in humans. Its sale is banned or restricted in dozens of countries and jurisdictions, including Canada.
The researchers’ system relies on the carbon dots’ chemical interaction with glyphosate to detect its presence. Carbon dots are exceedingly small fluorescent particles, usually no more than 10 or 15 nanometres in size (a human hair is between 80,000 and 100,000 nanometres). But when they are added to water solutions, these nanomaterials emit blue and red fluorescence.
The researchers employed an analysis technique called a ratiometric self-referencing assay to determine glyphosate levels in a solution. The red fluorescence emitted by the carbon dots when exposed to varying concentrations of the chemical and different pH levels is compared with a control in which no glyphosate is present. In all the tests, the blue fluorescence remained unchanged, giving the researchers a common reference point across the different tests.
They observed that higher levels of glyphosate quenched the red fluorescence, which they accredited to the interaction of the pesticide with the carbon dots’ surface.
“Our system differs from others because we are measuring the area between two peaks—two fluorescent signatures—on the visible spectrum,” says Adryanne Clermont-Paquette, a PhD candidate in biology and the paper’s lead author. “This is the integrated area between the two curves. Ratiometric measurement allows us to ignore variables such as temperature, pH levels or other environmental factors. That allows us to just only look at the levels of glyphosate and carbon dots that are in the system.”
“By understanding the chemistry at the surface of these very small dots and by knowing their optical properties, we can use them to our advantage for many different applications,” says Rafik Naccache, an associate professor of chemistry and biochemistry and the paper’s supervising author.
Research assistants Diego-Andrés Mendoza and Amir Sadeghi, along with associate professor of biology Alisa Piekny, are co-authors.
Starting small
Naccache says the technique is designed to detect minute amounts of the pesticide. The technique they developed is sensitive enough to be able to detect the presence of pesticide at levels as low as 0.03 parts per million.
“The challenge is always in the other direction, to see how low we can go in terms of sensitivity and selectivity,” he says.
There remains much work to be done before this technology can be used widely. But as Clermont-Paquette notes, this paper represents an important beginning.
“Understanding the interaction between glyphosate and carbon dots is a first step. If we are to move this along further, and develop it into a real-life application, we have to start with the fundamentals.”
The researchers are supported by funding from the Natural Sciences and Engineering Research Council of Canada.
Uncredited image promoting Poetry Night [downloaded from: https://mailchi.mp/e40a5373a9cd/dont-miss-artscisalon-poetry-night?e=ee5b8cc3f5]
Is there some sort of misunderstanding between Toronto’s ArtSci Salon and the Onsite Gallery at OCAD (Ontario College of Art and Design) University)?
Previously, I featured a series organized around the ‘more-than’human’ exhibition at the Onsite Gallery which included events being held by the ArtSci Salon in my February 1, 2023 posting. This morning (April 3, 2023), I received, via email, an April 2, 2023 ArtSci Salon announcement about some upcoming events for the ‘Re-situating: more-than-human’ event series (sigh), Note 1: They’ve added a poet to the Poetry Night, added more detail to the May 2023 excursion, and added a call for projects; Note 2: The Onsite Gallery continues call to it the ‘more-than-human’ exhibition,
Poetry Night Wednesday, April 5 [2023] – 7:30-9:30
An immersive poetry performance that involves three poets reading poems and a site-specific live projection mapping response created by artist Ilze Briede (Kavi). Come to this in-depth and unique event of deep listening and embodied experience!
Dr. Madhur Anand, School of Environmental Sciences, University of Guelph Dr. Karen Houle, College of arts, University of Guelph
Liz Howard, Department of English, Concordia University
Projection mapping by Ilze Briede (Kavi) PhD student, York University
Don’t forget next event of the Re-Situating series:
The rare Charitable Research Reserve is an urban land trust and environmental institute in Waterloo Region/Wellington, protecting over 1,200 acres of highly sensitive lands.
This event follows and concludes several interdisciplinary dialogues on ethics of care, ecology, symbiosis, and human-plant relations. We weave together embodied discovery and sensory experience ; listening and thinking about the ethical and material implications of recognizing non-human individuals as valuable ; as well as different disciplines, epistemologies, positionalities. Our goal is to acquire better awareness of the ecological community to which we belong, with the intention of rethinking and resituating the human within a diverse, complex, and multifaceted ecosystem of other-than-human lifeforms.
The day will begin with a panel between artists and scientists investigating the social, economic, and natural complexities affecting both human and plant-life. The afternoon events will include a 30-minute walk through the wetlands at rare (wetland as carbon sinks), a Master Class led by Dr. Alice Jarry (the design of plant-based air filtration), and a rare led walk following the ecological lichen monitoring.
IMPORTANT! Bus will leave for rare at 9 am and will return to Toronto at 5:30 pm.
Please, note: Tickets are limited. Should you not be able to attend, please let us know so we can free up the space for someone else.
We require a nominal registration fee of $5 which will be refunded on the day of the event.
PROGRAM
Sunday, May 7 [2023] – 9:00 am – 5:30 pm
Meeting place: Onsite gallery, 199 Richmond Street West.
11:00 am-12:30 pm: Panel
Sumia Ali, McMaster University
Grace Grothaus, PhD candidate, York University
Dr. Alice Jarry, Speculative Life BioLab, Concordia University
Dr. Marissa Davis, University of Waterloo
12:30-1:30pm: lunch – catered
1:30-2:15 Wetlands walk
2:30-4:15 Workshop
Dr. Alice Jarry, Speculative Life BioLab, Concordia University – Plant based filtration systems
4:30-5:15 The lichen monitoring walk. This program at rare is one of several long-term ecological monitoring programs yielding valuable baseline data and can help to identify critical changes in ecosystem dynamics.
5:30 – return to Toronto
For more information and for media inquiries please contact Roberta Buiani – ArtSci Salon, The Fields Institute roberta.buiani@utoronto.ca Jane Tingley – Slolab, York University jtingley@yorku.ca
The call
From the April 2, 2023 ArtSci Salon announcement (received via email),
call for GLAM Incubator projects for 2023 – 2024
For more information about the Call for Projects please visit the GLAM Incubator’s website For specific questions about the Incubator or this year’s call, please email me directly at p.keilty@utoronto.ca. I am happy to answer any questions you or any potential partner organizations might have.
Great idea to have this acronym for a set of institutions that don’t usually inspire fun, slang adjectives. Here’s more about GLAM (Galleries, Libraries, Archives, and Museums) incubator from its homepage on the University of Toronto website,
The GLAM Incubator is a research and support hub that connects galleries, libraries, archives, and museums with industry partners, researchers, and students to advance the development of seedling projects that benefit cultural institutions, industry, and the research and teaching goals of universities worldwide. The overarching goal of the Incubator is to provide support to experimental projects that benefit the GLAM industries and engages students. It provides the broader context and overarching structure for an ongoing series of responsive, finite, cross-sector action research collaborations. A collaboration between the Faculty of Information and the Knowledge Media Design Institute at the University of Toronto, the GLAM Incubator provides space, administrative assistance, research expertise, equipment, event facilitation, limited funding, and knowledge mobilization.
Each year, the GLAM Incubator puts out a Call for Projects from GLAM institutions for small-scale projects that experiment or incubate new programming, service models, interactive experiences, technical services, knowledge media, and user interfaces that will have an impact on GLAM institutions or professions more broadly. Please consult our Call for Projects page for more information.
The GLAM Incubator is a theory and innovation lab dedicated to launching and supporting small-scale projects focused on the development of cutting-edge programming, service models, interactive experiences, knowledge media, and user interfaces that address a specific issue or opportunity associated with emerging technologies within the GLAM sector. The themes and contents of the projects supported by the Incubator evolve in keeping with shifting technological developments and in response to the fluctuating needs and concerns of the various stakeholders involved in the cultural industry sectors (professionals, patrons, funders).
The Incubator will use its resources and infrastructure to run multiple projects concurrently. In addition to meeting the above criteria, projects will demonstrate a capacity to engage a diversity of stakeholders, as well as new and existing community partners. Projects will be “small-scale,” with a well-bounded research design (e.g. a study addressing a specific issue or timed opportunity faced by a community or industry partner) and short-term (1-3 years) duration. Active projects will be set up in a “doored lab,” either dedicated or shared. The Incubator will purchase or assist with the purchase of technological equipment and software required for the research. It will assist with administrative tasks and knowledge mobilization activities, as described in more detail below. It will provide in-kind support to help project leads secure external grants to fund other costs associated with the research (including research assistant salaries, conference travel, etc.). In exchange, project leads and their teams will ensure that a significant proportion of the research activities occur within that space.
Project teams must participate in an annual Symposium and engage their research and results in Incubator-supported knowledge mobilization activities, public or community outreach activities, and student engagement opportunities, where applicable.
Incubator projects will be selected through an application process.
Two-page description of the project that includes an explanation of the project’s purpose and impact on a GLAM industry or profession;
Resume(s) of the lead applicant(s);
A list of collaborators including brief biographies or descriptive information
Sustainability for continuing the project after incubation
A list of potential equipment, space, administrative, and funding needs.
We also welcome inquiries from potential applicants.
Enjoy the events and good luck with your submission to GLAM.
Should you be interested in an ArtSci Salon event (and part of whatever this series and exhibition is being called), titled ‘On Ethics of Care’, held in late March 2023, there’s an embedded two hour video on their ‘Re-situating: more-than-human’ webpage,
I wonder what happens to geography and time when you hold your conference virtually? Part of the excitement of a conference or other meetings is the promise of the destination with new people and new adventures. Whether 2020 is a pause between in-person meetings, a moment when everything changed, or some combination is yet to be determined but perhaps ISEA2020 will be a harbinger.
I received a June 10, 2020 notice (via email) with the latest news about ISEA2020,
Montreal, June 10, 2020 —ISEA2020 from October 13 to 18, 2020 goes entirely digital, with an innovative experiential format.
The worldwide COVID-19 outbreak has forced ISEA2020 in Montreal to be postponed to October 13 to 18. The physical distancing measures put in place in many countries and the travel restrictions imposed to prevent the spread of the pandemic mean that we cannot all be physically present in Montreal. Montreal Digital Spring (Printemps numérique) – the organizers of ISEA2020 – have thus decided to make the symposium a 100% online event. Our team is currently working on the platform that will allow us to come together, connect, and exchange knowledge and practices, despite the physical distance. We worked with our partners and collaborators, experts in art, design, science and technology to (if only begin to) reinvent the format of academic interdisciplinary conferencing!
Programming: ISEA2020 is a full week of research and creation, 100% online, with more than 300 international speakers and artists from over 40 countries.
Connecting: We are working on the online platform to ensure we meet ISEA’s core values of encouraging and promoting creative exchanges between diverse groups; of creating opportunities for networking and informal meetings, in addition to ensuring the good flow of panel sessions.
Programming for all the time-zones: From October 13 to 16, conference presentations will unfold over 16 consecutive hours each day, in order to include participants in all the time zones, from East Asia to the west Americas.
Reduced registration fee: The registration fee has been reduced. In addition to saving travel costs, ISEA2020 Online is accessible at a significantly reduced fee, hoping it will attract a larger number of participants, including more students and independent artists.
Live Q&A: All presentation sessions, including keynote sessions, will include live Q&A periods, mediated by invited delegates.
Art Programming: We are working with artists and partners on strategies to showcase the selected projects and special programming.
While we regret not seeing you in Montreal, the new format will make ISEA2020 accessible to a larger number and will certainly contribute to a broader discussion on how to produce and transfer knowledge and showcase art through connected digital communication platforms. Our team is committed to ensuring the high standard of creative and academic contributions that is paramount to ISEA.
We look forward to seeing you online this fall!
REGISTRATION FEE
You can now purchase your ISEA2020 Online Passat the Early Bird rates of CAD $99 (regular) and CAD $69 (students), offer valid until August 13 [2020].
NEW DEADLINE TO REGISTER (for presenters)
The deadline to register, to upload the camera-ready papers, and to fill in the Zone Festival form is July 27 at 11:59 pm (GMT-5).
ISEA2020 ONLINE: WHY SENTIENCE? OCTOBER 13-18, 2020
The academic chairs’ statements regarding the ISEA2020 online turn:
Since last August [2019] when we established the ISEA2020 theme of “Why Sentience?”, life on Earth has been dramatically transformed. Our belief in concepts like proximity, justice, equality, indeed, the very concept of the future itself, has been radically uprooted. As cultural organizations worldwide scramble to adapt, the ISEA2020 team has decided to reimagine the event for the anytime/anyplace zone of digital space and to transform it into an online experience. But we have also realized that there is no need to adjust the theme to make it more “responsive” to our current conditions. Despite their almost cataclysmic impact on the political-economic-social-cultural-ecological fabric of the world, the triumvirate forces of the coronavirus pandemic, its disastrous economic consequences, as well as systemic racial injustice have now acutely amplified ISEA2020s question: “Why Sentience?” These conditions sharpen the need to stop, pause and re-examine what it means to be sentient, “the ability to feel or perceive.” They help us reformulate our notions of what the world is with us and beyond us. They give us a front seat perspective on the corporeal and ecological entanglements between power and knowledge, animals and humans, machines and environment, oppression and liberation. They pointedly demonstrate that difference—social-economic-cultural—resonates through the sentient world. The virus—a 120-160 nm in diameter entity that is invisible to our human senses and considered neither living nor dead but ontologically somewhere in between [emphasis mine]—is thus perversely a great teacher and provides us lessons on how the modern splitting up of the sentient and inanimate worlds increasingly makes no sense.
ISEA’s mission aims to foster interdisciplinary academic discourse and exchange among culturally diverse organizations and individuals working with art, science and technology. As we write, ISEA2020 should have already passed into history. The new digital space of ISEA2020 will link the local community in Montreal with the international one beyond so that we can collectively rethink the form of such an event. The new platform will also allow us to examine close up these new and, at the same time, ongoing historical set of conditions; conditions that demand a response if we are to live in the coming (post)-pandemic world.
Christine Ross – McGill University (Montreal, Canada)
Chris Salter – Concordia University/Hexagram (Montreal, Canada)
2020 Trailers
There is a conference trailer for this new ‘virtual’ version of the 2020 conference,
Montreal Digital Spring (Printemps numérique) produced both the English language version and this one in French***, Note: Video [credit]: Guillaume Guardia,
I’m not sure why the French language version is so much shorter*** (maybe I found an abridged version?), in any case, the content is quite different and you may want to check out both trailers.
***ETA June 22, 2020 at 1550 PDT: The answer to my question as to why one trailer was shorter? Two different (but this year related) events. I failed to note that the second trailer was for “MTL Connect.” Here is Manuelle Freire’s description (academic programme manager of ISEA2020, Printemps numerique) of MTL Connect,
The latter is an annual event organised in Montreal by Printemps numérique, consisting of different thematic pavilion. This year ISEA2020 is the art and creativity pavilion of MTL Connect, so part of a larger endeavour that is affected by this online turn in its entirety.
As for MTL Connect, there’s this from the homepage,
BRINGING TOGETHER DIGITAL MINDS, DIGITALLY
6 DAYS OF PROGRAMMING • +400 SPEAKERS • 50 COUNTRIES REPRESENTED • +10,000 ATTENDEES • THOUSANDS OF OPPORTUNITIES FOR INTERACTION
That’s it for the correction. ***
Meeting technology, cyber security, and local involvement
I emailed (Friday, June 19, 2020) a couple of questions to the organizers which they have kindly answered.
Are you going to be using Zoom as the technology for virtual attendance? Will there be security measures for attendees?
[A]re there going to be any local (Vancouver, BC) virtual or in-person get-togethers? By October it might be possible to have small groups (with appropriate precautions) meet in person for ISEA2020 discussions/participation in virtual events held elsewhere. (Just a thought)
They responded by Sunday, June 21, 2020). That is quickly. The short answer to both questions is: “We don’t know yet.”
More specifically, Manuelle Freire (Printemps numerique) had this to say,
I will have to forward your first question regarding the technology of the platform, specifically cybersecurity, to the platform development project manager. Cybersecurity is an important matter that we have discussed internally and will be included in the FAQ and the IEA2020, as soon as we have stabilized the different features of the platform and we are ready to release.
As for the second question,
In what comes to small groups meeting in person. It is indeed possible that groups [might] be able to meet in October [2020], but at this stage, with social distancing and travel restrictions in place, we are still facing degrees of uncertainty. While we regret not meeting everyone in Montréal, moving the symposium 100% online seemed the only safe and certain solution. No in-person activities are scheduled for now.
The questions were also sent to Philippe Pasquier, a locally based (Vancouver, BC) member of the ISEA2020 academic committee and he had this to say about the possibility of local, in-person get-togethers,
As for (2), this is a good idea. Let’s wait and see what will be possible and revisit this idea closer to the date.
The responses have made me happy. Hearing that they take cybersecurity seriously is downright musical and learning that they are open to local, small, in person get-togethers is spirit-lifting.
Final words
In 2009, I attended an ISEA being held in Northern Ireland and Ireland and asked one of the organizers if any of their symposia had been held in Canada. Yes! Montréal, my source raved at length, hosted a great meeting.
The next Canadian ISEA host was Vancouver in 2015 and guess what? Someone in a lineup was raving about the Montréal meeting. It seems that 1995 meeting has taken on a legendary glow.
It was a privilege being able to attend two meetings in person. Legendary, problematic, or good, the meetings bring together exciting talent and disturbing and/or mind-expanding ideas and experiences. Given the circumstances, the organizers find themselves dealing with, I wish them the best of luck although I’m confident that despite all the obstacles, ISEA2020 will be an extraordinary affair.
On a practical note, the $99 (or less) fee for the online pass is a good deal. (I know because I had to pay for mine when they were here in Vancouver in 2015. By the way, I’ve never regretted a penny of it.)
At long last, the end is in sight! This last part is mostly a collection of items that don’t fit elsewhere or could have fit elsewhere but that particular part was already overstuffed.
Podcasting science for the people
March 2009 was the birth date for a podcast, then called Skeptically Speaking and now known as Science for the People (Wikipedia entry). Here’s more from the Science for the People About webpage,
Science for the People is a long-format interview podcast that explores the connections between science, popular culture, history, and public policy, to help listeners understand the evidence and arguments behind what’s in the news and on the shelves.
Every week, our hosts sit down with science researchers, writers, authors, journalists, and experts to discuss science from the past, the science that affects our lives today, and how science might change our future.
THE TEAM
Rachelle Saunders: Producer & Host
I love to learn new things, and say the word “fascinating” way too much. I like to talk about intersections and how science and critical thinking intersect with everyday life, politics, history, and culture. By day I’m a web developer, and I definitely listen to way too many podcasts.
Created in 2007 with the generous funding of the Social Sciences and Humanities Research Council of Canada Strategic Knowledge Cluster grant, Situating Science is a seven-year project promoting communication and collaboration among humanists and social scientists that are engaged in the study of science and technology.
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You can find out more about Situating Science’s final days in my August 16, 2013 posting where I included a lot of information about one of their last events titled, “Science and Society 2013 Symposium; Emerging Agendas for Citizens and the Sciences.”
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The “think-tank” will dovetail nicely with a special symposium in Ottawa on Science and Society Oct. 21-23. For this symposium, the Cluster is partnering with the Institute for Science, Society and Policy to bring together scholars from various disciplines, public servants and policy workers to discuss key issues at the intersection of science and society. [emphasis mine] The discussions will be compiled in a document to be shared with stakeholders and the wider public.
The team will continue to seek support and partnerships for projects within the scope of its objectives. Among our top priorities are a partnership to explore sciences, technologies and their publics as well as new partnerships to build upon exchanges between scholars and institutions in India, Singapore and Canada.
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The Situating Science folks did attempt to carry on the organization’s work by rebranding the organization to call it the Canadian Consortium for Situating Science and Technology (CCSST). It seems to have been a short-lived volunteer effort.
Meanwhile, the special symposium held in October 2013 appears to have been the springboard for another SSHRC funded multi-year initiative, this time focused on science collaborations between Canada, India, and Singapore, Cosmopolitanism and the Local in Science and Nature from 2014 – 2017. Despite their sunset year having been in 2017, their homepage boasts news about a 2020 Congress and their Twitter feed is still active. Harking back, here’s what the project was designed to do, from the About Us page,
Welcome to our three year project that will establish a research network on “Cosmopolitanism” in science. It closely examines the actual types of negotiations that go into the making of science and its culture within an increasingly globalized landscape. This partnership is both about “cosmopolitanism and the local” and is, at the same time, cosmopolitan and local.
Anyone who reads this blog with any frequency will know that I often comment on the fact that when organizations such as the Council of Canadian Academies bring in experts from other parts of the world, they are almost always from the US or Europe. So, I was delighted to discover the Cosmopolitanism project and featured it in a February 19, 2015 posting.
Expose a hitherto largely Eurocentric scholarly community in Canada to widening international perspectives and methods,
Build on past successes at border-crossings and exchanges between the participants,
Facilitate a much needed nation-wide organization and exchange amongst Indian and South East Asian scholars, in concert with their Canadian counterparts, by integrating into an international network,
Open up new perspectives on the genesis and place of globalized science, and thereby
Offer alternative ways to conceptualize and engage globalization itself, and especially the globalization of knowledge and science.
Bring the managerial team together for joint discussion, research exchange, leveraging and planning – all in the aid of laying the grounds of a sustainable partnership
Eco Art (also known as ecological art or environmental art)
I’m of two minds as to whether I should have tried to stuff this into the art/sci subsection in part 2. On balance, I decided that this merited its own section and that part 2 was already overstuffed.
Let’s start in Newfoundland and Labrador with Marlene Creates (pronounced Kreets), here’s more about her from her website’s bio webpage,
Marlene Creates (pronounced “Kreets”) is an environmental artist and poet who works with photography, video, scientific and vernacular knowledge, walking and collaborative site-specific performance in the six-acre patch of boreal forest in Portugal Cove, Newfoundland and Labrador, Canada, where she lives.
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For almost 40 years her work has been an exploration of the relationship between human experience, memory, language and the land, and the impact they have on each other. …
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Currently her work is focused on the six acres of boreal forest where she lives in a ‘relational aesthetic’ to the land. This oeuvre includes Water Flowing to the Sea Captured at the Speed of Light, Blast Hole Pond River, Newfoundland 2002–2003, and several ongoing projects:
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Marlene Creates received a Governor General’s Award in Visual and Media Arts for “Lifetime Artistic Achievement” in 2019. …
An October 1, 2018 article by Yasmin Nurming-Por for Canadian Art magazine features 10 artists who focus on environmental and/or land art themes,
As part of her 2016 master’s thesis exhibition, Fredericton [New Brunswick] artist Gillian Dykeman presented the video Dispatches from the Feminist Utopian Future within a larger installation that imagined various canonical earthworks from the perspective of the future. It’s a project that addresses the inherent sense of timelessness in these massive interventions on the natural landscape from the perspective of contemporary land politics. … she proposes a kind of interaction with the invasive and often colonial gestures of modernist Land art, one that imagines a different future for these earthworks, where they are treated as alien in a landscape and as beacons from a feminist future.
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A video trailer featuring “DISPATCHES FROM THE FEMINIST UTOPIAN FUTURE” (from Dykeman’s website archive page featuring the show,
If you have the time, I recommend reading the article in its entirety.
Oddly, I did not expect Vancouver to have such an active eco arts focus. The City of Vancouver Parks Board maintains an Environmental Art webpage on its site listing a number of current and past projects.
I cannot find the date for when this Parks Board initiative started but I did find a document produced prior to a Spring 2006 Arts & Ecology think tank held in Vancouver under the auspices of the Canada Council for the Arts, the Canadian Commission for UNESCO, the Vancouver Foundation, and the Royal Society for the Encouragement of the Arts, Manufactures and Commerce (London UK).
In all likelihood, Vancouver Park Board’s Environmental Art webpage was produced after 2006.
I imagine the document and the think tank session helped to anchor any then current eco art projects and encouraged more projects.
While its early days were in 2008, EartHand Gleaners (Vancouver-based) wasn’t formally founded as an arts non-for-profit organization until 2013. You can find out more about them and their projects here.
Eco Art has been around for decades according to the eco art think tank document but it does seemed to have gained momentum here in Canada over the last decade.
Photography and the Natural Sciences and Engineering Research Council of Canada (NSERC)
Exploring the jack pine tight knit family tree. Credit: Dana Harris Brock University (2018)
Pictured are developing phloem, cambial, and xylem cells (blue), and mature xylem cells (red), in the outermost portion of a jack pine tree. This research aims to identify the influences of climate on the cellular development of the species at its northern limit in Yellowknife, NT. The differences in these cell formations is what creates the annual tree ring boundary.
Science Exposed is a photography contest for scientists which has been run since 2016 (assuming the Past Winners archive is a good indicator for the programme’s starting year).
The 2020 competition recently closed but public voting should start soon. It’s nice to see that NSERC is now making efforts to engage members of the general public rather than focusing its efforts solely on children. The UK’s ASPIRES project seems to support the idea that adults need to be more fully engaged with STEM (science, technology, engineering, and mathematics) efforts as it found that children’s attitudes toward science are strongly influenced by their parents’ and relatives’ attitudes.(See my January 31, 2012 posting.)
Ingenious, the book and Ingenium, the science museums
To celebrate Canada’s 150th anniversary in 2017, then Governor General David Johnston and Tom Jenkins (Chair of the board for Open Text and former Chair of the federal committee overseeing the ‘Review of Federal Support to R&’D [see my October 21, 2011 posting about the resulting report]) wrote a boo about Canada’s inventors and inventions.
Johnston and Jenkins jaunted around the country launching their book (I have more about their June 1, 2017 Vancouver visit in a May 30, 2017 posting; scroll down about 60% of the way]).
The book’s full title, “Ingenious: How Canadian Innovators Made the World Smarter, Smaller, Kinder, Safer, Healthier, Wealthier and Happier ” outlines their thesis neatly.
Not all that long after the book was launched, there was a name change (thankfully) for the Canada Science and Technology Museums Corporation (CSTMC). It is now known as Ingenium (covered in my August 10, 2017 posting).
The reason that name change was such a relief (for those who don’t know) is that the corporation included three national science museums: Canada Aviation and Space Museum, Canada Agriculture and Food Museum, and (wait for it) Canada Science and Technology Museum. On the list of confusing names, this ranks very high for me. Again, I give thanks for the change from CSTMC to Ingenium, leaving the name for the museum alone.
2017 was also the year that the newly refurbished Canada Science and Technology Museum was reopened after more than three years (see my June 23, 2017 posting about the November 2017 reopening and my June 12, 2015 posting for more information about the situation that led to the closure).
A Saskatchewan lab, Convergence, Order of Canada, Year of Science, Animated Mathematics, a graphic novel, and new media
Since this section is jampacked, I’m using subheads.
Saskatchewan
Dr. Brian Eameshosts an artist-in-residence,Jean-Sebastien (JS) Gauthier at the University of Saskatchewan’s College of Medicine Eames Lab. A February 16, 2018 posting here featured their first collaboration together. It covered evolutionary biology, the synchrotron (Canadian Light Source [CLS]) in Saskatoon, and the ‘ins and outs’ of a collaboration between a scientist an artist. Presumably the art-in-residence position indicates that first collaboration went very well.
In January 2020, Brian kindly gave me an update on their current projects. Jean-Sebastin successfully coded an interactive piece for an exhibit at the 2019 Nuit Blanche Saskatoon event using Connect (Xbox). More recently, he got a VR [virtual reality] helmet for an upcoming project or two.
Our Glass is a work of interactive SciArt co-created by artist JS Gauthier and biologist Dr Brian F. Eames. It uses cutting-edge 3D microscopic images produced for artistic purposes at the Canadian Light Source, Canada’s only synchrotron facility. Our Glass engages viewers of all ages to peer within an hourglass showing how embryonic development compares among animals with whom we share a close genetic heritage.
Eames also mentioned they were hoping to hold an international SciArt Symposium at the University of Saskatchewan in 2021.
Convergence
Dr. Cristian Zaelzer-Perez, an instructor at Concordia University (Montreal; read this November 20, 2019 Concordia news release by Kelsey Rolfe for more about his work and awards), in 2016 founded the Convergence Initiative, a not-for-profit organization that encourages interdisciplinary neuroscience and art collaborations.
Cat Lau’s December 23, 2019 posting for the Science Borealis blog provides insight into Zaelzer-Perez’s relationship to science and art,
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Cristian: I have had a relationship with art and science ever since I have had memory. As a child, I loved to do classifications, from grouping different flowers to collecting leaves by their shapes. At the same time, I really loved to draw them and for me, both things never looked different; they (art and science) have always worked together.
I started as a graphic designer, but the pursuit to learn about nature was never dead. At some point, I knew I wanted to go back to school to do research, to explore and learn new things. I started studying medical technologies, then molecular biology and then jumped into a PhD. At that point, my life as a graphic designer slipped down, because of the focus you have to give to the discipline. It seemed like every time I tried to dedicate myself to one thing, I would find myself doing the other thing a couple years later.
I came to Montreal to do my post-doc, but I had trouble publishing, which became problematic in getting a career. I was still loving what I was doing, but not seeing a future in that. Once again, art came back into my life and at the same time I saw that science was becoming really hard to understand and scientists were not doing much to bridge the gap.
For a writer of children’s science books, an appointment to the Order of Canada is a singular honour. I cannot recall a children’s science book writer previous to Shar Levine being appointed as a Member of the Order of Canada. Known as ‘The Science Lady‘, Levine was appointed in 2016. Here’s more from her Wikipedia entry, Note: Links have been removed,
Shar Levine (born 1953) is an award-winning, best selling Canadian children’s author, and designer.
Shar has written over 70 books and book/kits, primarily on hands-on science for children. For her work in Science literacy and Science promotion, Shar has been appointed to the 2016 Order of Canada. In 2015, she was recognized by the University of Alberta and received their Alumni Honour Award. Levine, and her co-author, Leslie Johnstone, were co-recipients of the Eve Savory Award for Science Communication from the BC Innovation Council (2006) and their book, Backyard Science, was a finalist for the Subaru Award, (hands on activity) from the American Association for the Advancement of Science, Science Books and Films (2005). The Ultimate Guide to Your Microscope was a finalist-2008 American Association for the Advancement of Science/Subaru Science Books and Films Prize Hands -On Science/Activity Books.
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To get a sense of what an appointment to the Order of Canada means, here’s a description from the government of Canada website,
The Order of Canada is how our country honours people who make extraordinary contributions to the nation.
Since its creation in 1967—Canada’s centennial year—more than 7 000 people from all sectors of society have been invested into the Order. The contributions of these trailblazers are varied, yet they have all enriched the lives of others and made a difference to this country. Their grit and passion inspire us, teach us and show us the way forward. They exemplify the Order’s motto: DESIDERANTES MELIOREM PATRIAM (“They desire a better country”).
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Year of Science in British Columbia
In the Fall of 2010, the British Columbia provincial government announced a Year of Science (coinciding with the school year) . Originally, it was supposed to be a provincial government-wide initiative but the idea percolated through any number of processes and emerged as a year dedicated to science education for youth (according to the idea’s originator, Moira Stilwell who was then a Member of the Legislative Assembly [MLA]’ I spoke with her sometime in 2010 or 2011).
As the ‘year’ drew to a close, there was a finale ($1.1M in funding), which was featured here in a July 6, 2011 posting.
The larger portion of the money ($1M) was awarded to Science World while $100,000 ($0.1 M) was given to the Pacific Institute of Mathematical Sciences To my knowledge there have been no followup announcements about how the money was used.
Animation and mathematics
In Toronto, mathematician Dr. Karan Singh enjoyed a flurry of interest due to his association with animator Chris Landreth and their Academy Award (Oscar) Winning 2004 animated film, Ryan. They have continued to work together as members of the Dynamic Graphics Project (DGP) Lab at the University of Toronto. Theirs is not the only Oscar winning work to emerge from one or more of the members of the lab. Jos Stam, DGP graduate and adjunct professor won his third in 2019.
A graphic novel and medical promise
An academic at Simon Fraser University since 2015, Coleman Nye worked with three other women to produce a graphic novel about medical dilemmas in a genre described as’ ethno-fiction’.
Lissa: A Story about Medical Promise, Friendship, and Revolution (2017) by Sherine Hamdy and Coleman Nye, two anthropologists and Art by Sarula Bao and Caroline Brewer, two artists.
As young girls in Cairo, Anna and Layla strike up an unlikely friendship that crosses class, cultural, and religious divides. Years later, Anna learns that she may carry the hereditary cancer gene responsible for her mother’s death. Meanwhile, Layla’s family is faced with a difficult decision about kidney transplantation. Their friendship is put to the test when these medical crises reveal stark differences in their perspectives…until revolutionary unrest in Egypt changes their lives forever.
The first book in a new series [ethnoGRAPIC; a series of graphic novels from the University of Toronto Press], Lissa brings anthropological research to life in comic form, combining scholarly insights and accessible, visually-rich storytelling to foster greater understanding of global politics, inequalities, and solidarity.
I hope to write more about this graphic novel in a future posting.
New Media
I don’t know if this could be described as a movement yet but it’s certainly an interesting minor development. Two new media centres have hosted, in the last four years, art/sci projects and/or workshops. It’s unexpected given this definition from the Wikipedia entry for New Media (Note: Links have been removed),
New media are forms of media that are computational and rely on computers for redistribution. Some examples of new media are computer animations, computer games, human-computer interfaces, interactive computer installations, websites, and virtual worlds.[1][2]
In Manitoba, the Video Pool Media Arts Centre hosted a February 2016 workshop Biology as a New Art Medium: Workshop with Marta De Menezes. De Menezes, an artist from Portugal, gave workshops and talks in both Winnipeg (Manitoba) and Toronto (Ontario). Here’s a description for the one in Winnipeg,
This workshop aims to explore the multiple possibilities of artistic approaches that can be developed in relation to Art and Microbiology in a DIY situation. A special emphasis will be placed on the development of collaborative art and microbiology projects where the artist has to learn some biological research skills in order to create the artwork. The course will consist of a series of intense experimental sessions that will give raise to discussions on the artistic, aesthetic and ethical issues raised by the art and the science involved. Handling these materials and organisms will provoke a reflection on the theoretical issues involved and the course will provide background information on the current diversity of artistic discourses centred on biological sciences, as well a forum for debate.
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VIVO Media Arts Centre in Vancouver hosted the Invasive Systems in 2019. From the exhibition page,
Picture this – a world where AI invades human creativity, bacteria invade our brains, and invisible technological signals penetrate all natural environments. Where invasive species from plants to humans transform spaces where they don’t belong, technology infiltrates every aspect of our daily lives, and the waste of human inventions ravages our natural environments.
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This weekend festival includes an art-science exhibition [emphasis mine], a hands-on workshop (Sat, separate registration required), and guided discussions and tours by the curator (Sat/Sun). It will showcase collaborative works by three artist/scientist pairs, and independent works by six artists. Opening reception will be on Friday, November 8 starting at 7pm; curator’s remarks and performance by Edzi’u at 7:30pm and 9pm.
New Westminster’s (British Columbia) New Media Gallery recently hosted an exhibition, ‘winds‘ from June 20 – September 29, 2019 that could be described as an art/sci exhibition,
Landscape and weather have long shared an intimate connection with the arts. Each of the works here is a landscape: captured, interpreted and presented through a range of technologies. The four artists in this exhibition have taken, as their material process, the movement of wind through physical space & time. They explore how our perception and understanding of landscape can be interpreted through technology.
These works have been created by what might be understood as a sort of scientific method or process that involves collecting data, acute observation, controlled experiments and the incorporation of measurements and technologies that control or collect motion, pressure, sound, pattern and the like. …
Council of Canadian Academies, Publishing, and Open Access
Established in 2005, the Council of Canadian Academies (CCA) (Wikipedia entry) is tasked by various departments and agencies to answer their queries about science issues that could affect the populace and/or the government. In 2014, the CCA published a report titled, Science Culture: Where Canada Stands. It was in response to the Canada Science and Technology Museums Corporation (now called Ingenium), Industry Canada, and Natural Resources Canada and their joint request that the CCA conduct an in-depth, independent assessment to investigate the state of Canada’s science culture.
I gave a pretty extensive analysis of the report, which I delivered in four parts: Part 1, Part 2 (a), Part 2 (b), and Part 3. In brief, the term ‘science culture’ seems to be specifically, i.e., it’s not used elsewhere in the world (that we know of), Canadian. We have lots to be proud of. I was a little disappointed by the lack of culture (arts) producers on the expert panel and, as usual, I bemoaned the fact that the international community included as reviewers, members of the panel, and as points for comparison were drawn from the usual suspects (US, UK, or somewhere in northern Europe).
Science publishing in Canada took a bit of a turn in 2010, when the country’s largest science publisher, NRC (National Research Council) Research Publisher was cut loose from the government and spun out into the private, *not-for-profit publisher*, Canadian Science Publishing (CSP). From the CSP Wikipedia entry,
Since 2010, Canadian Science Publishing has acquired five new journals:
Canadian Science Publishing offers researchers options to make their published papers freely available (open access) in their standard journals and in their open access journal, (from the CSP Wikipedia entry)
Arctic Science aims to provide a collaborative approach to Arctic research for a diverse group of users including government, policy makers, the general public, and researchers across all scientific fields
FACETS is Canada’s first open access multidisciplinary science journal, aiming to advance science by publishing research that the multi-faceted global community of research. FACETS is the official journal of the Royal Society of Canada’s Academy of Science.
Anthropocene Coasts aims to understand and predict the effects of human activity, including climate change, on coastal regions.
In addition, Canadian Science Publishing strives to make their content accessible through the CSP blog that includes plain language summaries of featured research. The open-access journal FACETS similarly publishes plain language summaries.
*comment removed*
CSP announced (on Twitter) a new annual contest in 2016,
New CONTEST! Announcing Visualizing Science! Share your science images & win great prizes! Full details on the blog http://cdnsciencepub.com/blog/2016-csp-image-contest-visualizing-science.aspx1:45 PM · Sep 19, 2016·TweetDeck
The 2016 blog posting is no longer accessible. Oddly for a contest of this type, I can’t find an image archive for previous contests. Regardless, a 2020 competition has been announced for Summer 2020. There are some details on the VISUALIZING SCIENCE 2020 webpage but some are missing, e.g., no opening date, no deadline. They are encouraging you to sign up for notices.
Back to open access, in a January 22, 2016 posting I featured news about Montreal Neuro (Montreal Neurological Institute [MNI] in Québec, Canada) and its then new policy giving researchers world wide access to its research and made a pledge that it would not seek patents for its work.
Fish, Newfoundland & Labrador, and Prince Edward Island
AquAdvantage’s genetically modified salmon was approved for consumption in Canada according to my May 20, 2016 posting. The salmon are produced/farmed by a US company (AquaBounty) but the the work of genetically modifying Atlantic salmon with genetic material from the Chinook (a Pacific ocean salmon) was mostly undertaken at Memorial University in Newfoundland & Labrador.
The process by which work done in Newfoundland & Labrador becomes the property of a US company is one that’s well known here in Canada. The preliminary work and technology is developed here and then purchased by a US company, which files patents, markets, and profits from it. Interestingly, the fish farms for the AquAdvantage salmon are mostly (two out of three) located on Prince Edward Island.
Intriguingly, 4.5 tonnes of the modified fish were sold for consumption in Canada without consumers being informed (see my Sept. 13, 2017 posting, scroll down about 45% of the way).
It’s not all sunshine and roses where science culture in Canada is concerned. Incidents where Canadians are not informed let alone consulted about major changes in the food supply and other areas are not unusual. Too many times, scientists, politicians, and government policy experts want to spread news about science without any response from the recipients who are in effect viewed as a ‘tabula rasa’ or a blank page.
Tying it all up
This series has been my best attempt to document in some fashion or another the extraordinary range of science culture in Canada from roughly 2010-19. Thank you! This series represents a huge amount of work and effort to develop science culture in Canada and I am deeply thankful that people give so much to this effort.
I have inevitably missed people and organizations and events. For that I am very sorry. (There is an addendum to the series as it’s been hard to stop but I don’t expect to add anything or anyone more.)
I want to mention but can’t expand upon,the Pan-Canadian Artificial Intelligence Strategy, which was established in the 2017 federal budget (see a March 31, 2017 posting about the Vector Institute and Canada’s artificial intelligence sector).
Science Borealis, the Canadian science blog aggregator, owes its existence to Canadian Science Publishing for the support (programming and financial) needed to establish itself and, I believe, that support is still ongoing. I think thanks are also due to Jenny Ryan who was working for CSP and championed the initiative. Jenny now works for Canadian Blood Services. Interestingly, that agency added a new programme, a ‘Lay Science Writing Competition’ in 2018. It’s offered n partnership with two other groups, the Centre for Blood Research at the University of British Columbia and Science Borealis
While the Royal Astronomical Society of Canada does not fit into my time frame as it lists as its founding date December 1, 1868 (18 months after confederation), the organization did celebrate its 150th anniversary in 2018.
Vancouver’s Electric Company often produces theatrical experiences that cover science topics such as the one featured in my June 7, 2013 posting, You are very star—an immersive transmedia experience.
Let’s Talk Science (Wikipedia entry) has been heavily involved with offering STEM (science, technology, engineering, and mathematics) programming both as part of curricular and extra-curricular across Canada since 1993.
This organization predates confederation having been founded in 1849 by Sir Sandford Fleming and Kivas Tully in Toronto. for surveyors, civil engineers, and architects. It is the Royal Canadian Institute of Science (Wikipedia entry)_. With almost no interruption, they have been delivering a regular series of lectures on the University of Toronto campus since 1913.
The Perimeter Institute for Theoretical Physics is a more recent beast. In 1999 Mike Lazirides, founder of Research In Motion (now known as Blackberry Limited), acted as both founder and major benefactor for this institute in Waterloo, Ontario. They offer a substantive and imaginative outreach programmes such as Arts and Culture: “Event Horizons is a series of unique and extraordinary events that aim to stimulate and enthral. It is a showcase of innovative work of the highest international standard, an emotional, intellectual, and creative experience. And perhaps most importantly, it is a social space, where ideas collide and curious minds meet.”
While gene-editing hasn’t seemed to be top-of-mind for anyone other than those in the art/sci community that may change. My April 26, 2019 posting focused on what appears to be a campaign to reverse Canada’s criminal ban on human gene-editing of inheritable cells (germline). With less potential for controversy, there is a discussion about somatic gene therapies and engineered cell therapies. A report from the Council of Canadian is due in the Fall of 2020. (The therapies being discussed do not involve germline editing.)
French language science media and podcasting
Agence Science-Presse is unique as it is the only press agency in Canada devoted to science news. Founded in 1978, it has been active in print, radio, television, online blogs, and podcasts (Baladodiffusion). You can find their Twitter feed here.
I recently stumbled across ‘un balados’ (podcast), titled, 20%. Started in January 2019 by the magazine, Québec Science, the podcast is devoted to women in science and technology. 20%, the podcast’s name, is the statistic representing the number of women in those fields. “Dans les domaines de la science et de la technologie, les femmes ne forment que 20% de la main-d’oeuvre.” (from the podcast webpage) The podcast is a co-production between “Québec Science [founded in 1962] et l’Acfas [formerly, l’Association Canadienne-Française pour l’Avancement des Sciences, now, Association francophone pour le savoir], en collaboration avec la Commission canadienne pour l’UNESCO, L’Oréal Canada et la radio Choq.ca.” (also from the podcast webpage)
Does it mean anything?
There have been many developments since I started writing this series in late December 2019. In January 2020, Iran shot down one of its own planes. That error killed some 176 people , many of them (136 Canadians and students) bound for Canada. The number of people who were involved in the sciences, technology, and medicine was striking.
It was a shocking loss and will reverberate for quite some time. There is a memorial posting here (January 13, 2020), which includes links to another memorial posting and an essay.
As I write this we are dealing with a pandemic, COVID-19, which has us all practicing physical and social distancing. Congregations of large numbers are expressly forbidden. All of this is being done in a bid to lessen the passage of the virus, SARS-CoV-2 which causes COVID-19.
In the short term at least, it seems that much of what I’ve described in these five parts (and the addendum) will undergo significant changes or simply fade away.
As for the long term, with this last 10 years having hosted the most lively science culture scene I can ever recall, I’m hopeful that science culture in Canada will do more than survive but thrive.
*”for-profit publisher, Canadian Science Publishing (CSP)” corrected to “not-for-profit publisher, Canadian Science Publishing (CSP)” and this comment “Not bad for a for-profit business, eh?” removed on April 29, 2020 as per Twitter comments,
Hi Maryse, thank you for alerting us to your blog. To clarify, Canadian Science Publishing is a not-for-profit publisher. Thank you as well for sharing our image contest. We’ve updated the contest page to indicate that the contest opens July 2020!
Part 1 covered some of the more formal aspects science culture in Canada, such as science communication education programmes, mainstream media, children’s science magazines, music, etc. Part 2 covered science festivals, art/sci or sciart (depending on who’s talking, informal science get togethers such ‘Cafe Sccientifque’, etc.
This became a much bigger enterprise than I anticipated and so part 3 is stuffed with the do-it-yourself (DIY) biology movement in Canada, individual art/sci or lit/sci projects, a look at what the mathematicians have done and are doing, etc. But first there’s the comedy.
Comedy, humour, and science
Weirdly, Canadians like to mix their science fiction (scifi) movies with humour. (I will touch on more scifi later in this post but it’s too big a topic to cover inadequately, let alone adequately, in this review.) I post as my evidence of the popularity of comedy science fiction films, this from the Category: Canadian science fiction films Wikipedia webpage,
As you see, comedy science fiction is the second most populated category. Also, the Wikipedia time frame is much broader than mine but I did check one Canadian science fiction comedy film, Bang Bang Baby, a 2014 film, which, as it turns out, is also a musical.
The 2019 iteration of the Vancouver Podcast Festival included the podcast duo, Daniel Chai and Jeff Porter, behind The Fear of Science (which seems to be a science podcast of a humourous bent). They participated in a live https://www.vanpodfest.ca/event/live-podcast-fear-science-vs-vancolour podcast titled, Live Podcast: Fear of Science vs. This is VANCOLOUR.
Daniel Chai is a Vancouver-based writer, comedian, actor and podcaster. He is co-host of The Fear of Science podcast, which combines his love of learning with his love of being on a microphone. Daniel is also co-founder of The Fictionals Comedy Co and the creator of Improv Against Humanity, and teaches improv at Kwantlen Polytechnic University. He is very excited to be part of Vancouver Podcast Festival, and thanks everyone for listening!
Jeff is the producer and co-host of The Fear of Science. By day, he is a graphic designer/digital developer [according to his LinkedIn profile, he works at Science World], and by night he is a cosplayer, board gamer and full-time geek. Jeff is passionate about all things science, and has been working in science communication for over 4 years. He brings a general science knowledge point of view to The Fear of Science.
Here’s more about The Fear of Science from its homepage (where you will also find links to their podcasts),
A podcast that brings together experts and comedians for an unfiltered discussion about complicated and sometimes controversial science fears in a fun and respectful way.
This podcast seems to have taken life in August 2018.(Well, that’s as far back as the Archived episodes stretch on the website.)
This is Vancolour is a podcast hosted by Mo Amir and you will find this description on the website,
THIS IS A PODCAST ABOUT VANCOUVER AND THE PEOPLE WHO MAKE THIS CITY COLOURFUL
Cartoonist, writer, and educator, Raymond Nakamura produces work for Telus Science World and the Science Borealis science aggregator. His website is known as Raymond’s Brain features this image,
Getting an EEG to test whether my brain works. It does! [downloaded from http://www.raymondsbrain.com/biocontact]
Much has been happening on this front. First for anyone unfamiliar with do-it-yourself biology, here’s more from its Wikipedia entry,
Do-it-yourself biology (DIY biology, DIY bio) is a growing biotechnological social movement in which individuals, communities, and small organizations study biology and life science using the same methods as traditional research institutions. DIY biology is primarily undertaken by individuals with extensive research training from academia or corporations, who then mentor and oversee other DIY biologists with little or no formal training. This may be done as a hobby, as a not-for-profit endeavour for community learning and open-science innovation, or for profit, to start a business.
A January 21, 2020 posting here listed the second Canadian DIY Biology Summit organized by the Public Health Agency of Canada (PHAC). It was possible to attend virtually from any part of Canada. The first meeting was in 2016 (you can see the agenda here). You’ll see in the agenda for the 2nd meeting in 2020 that there have been a few changes as groups rise into and fall out of existence.
From the 2020 agenda, here’s a list representing the players in Canada’s DIYbio scene,
Most of these organizations (e.g., Victoria Makerspace, Synbiota, Bricobio, etc.) seem to be relatively new (founded in 2009 or later) which is quite exciting to think about. This March 13, 2016 article in the Vancouver Observer gives you a pretty good overview of the DIY biology scene in Canada at the time while providing a preview of the then upcoming first DIY Biology summit.
*The Open Science Network in Vancouver was formerly known as DIYbio YVR. I’m not sure when the name change occurred but this July 17, 2018 article by Emily Ng for The Ubyssey (a University of British Columbia student newspaper) gives a little history,
…
In 2009, a group of UBC students and staff recognized these barriers and teamed up to democratize science, increase its accessibility and create an interdisciplinary platform for idea exchange. They created the Open Science Network (OSN).
The Open Science Network is a non-profit society that serves the science and maker community through education, outreach and the provision of space. Currently, they run an open community lab out of the MakerLabs space on East Cordova and Main street, which is a compact space housing microscopes, a freezer, basic lab equipment and an impressive amount of activity.
The lab is home to a community of citizen scientists, professional scientists, artists, designers and makers of all ages who are pursuing their own science projects.
…
Members who are interested in lab work can receive some training in “basic microbiology techniques like pipetting, growing bacteria, using the Polymerase Chain Reaction machine (PCR) [to amplify DNA] and running gels [through a gel ectrophoresis machine to separate DNA fragments by size] from Scott Pownall, a PhD graduate from UBC and the resident microbiologist,” said Wong [ Wes Wong, a staff member of UBC Botany and a founding member of OSN].
The group has also made further efforts to serve their members by offering more advanced synthetic biology classes and workshops at their lab.
…
There is another organization called ‘Open Science Network’ (an ethnobiology group and not part of the Vancouver organization). Here is a link to the Vancouver-based Open Science Network (a community science lab) where they provide further links to all their activities including a regular ‘meetup’.
The word
I have poetry, a book, a television adaptation, three plays with mathematics and/or physics themes and more.
Poetry
In 2012 there was a night of poetry readings in Vancouver. What made it special was that five poets had collaborated with five scientists (later amended to four scientists and a landscape architect) according to my December 4, 2012 posting. The whole thing was conceptualized and organized by Aileen Penner who went on to produce a chapbook of the poetry. She doesn’t have any copies available currently but you can contact her on her website’s art/science page if you are interested in obtaining a copy. She doesn’t seem to have organized any art/science projects since. For more about Aileen Penner who is a writer and poet, go to her website here.
The Banff International Research Station (BIRS) it’s all about the mathematics) hosted a workshop for poets and mathematicians way back in 2011. I featured it (Mathematics: Muse, Maker, and Measure of the Arts) after the fact in my January 9, 2012 posting (scroll down about 30% of the way). If you have the time, do click on my link to Nassif Ghoussoub’s post on his blog (Piece of Mind) about mathematicians, poetry, and the arts. It’s especially interesting in retrospect as he is now the executive director for BIRS, which no longer seems to have workshops that meld any of the arts with mathematics, and science.
One of the guests at that 2011 meeting was Alice Major, former poet laureate for Edmonton and the author of a 2011 book titled, Intersecting Sets: A Poet Looks at Science.
That sadly seems to be it for poetry and the sciences, including mathematics. If you know of any other poetry/science projects or readings, etc. in Canada during the 2010-9 decade, please let me know in the comments.
Books
Karl Schroeder, a Canadian science fiction author, has written many books but of particular interest here are two futuristic novels for the Canadian military.The 2005 novel, Crisis in Zefra, doesn’t fit the time frame I’ve established for this review but the the 2014 novel, Crisis in Urla (scroll down) fits in nicely. His writing is considered ‘realistic’ science fiction in that it’s based on science research and his work is also associated with speculative realism (from his Wikipedia entry; Note: Links have been removed),
Karl Schroeder (born September 4, 1962) is a Canadianscience fiction author. His novels present far-future speculations on topics such as nanotechnology, terraforming, augmented reality, and interstellar travel, and are deeply philosophical.
The other author I’m mentioning here is Margaret Atwood. The television adaptation of her book, ‘The Handmaid’s Tale’ has turned a Canadian literary superstar into a supernova (an exploding star whose luminosity can be the equivalent of an entire galaxy). In 2019, she won the Booker Prize, for the second time for ‘The Testaments’ (a followup to ‘The Handmaid’s Tale’), sharing it with Bernardine Evaristo and her book ‘Girl, Woman, Other’. Atwood has described her work (The Handmaid’s Tale, and others) as speculative fiction rather than science fiction. For me, she bases her speculation on the social sciences and humanities, specifically history (read her Wikipedia entry for more).
In 2017 with the television adaptation of ‘The Handmaid’s Tale’, Atwood’s speculative fiction novel became a pop culture phenomenon. Originally published in 1985, the novel was also adapted for a film in 1990 and for an opera in 2000 before it came to television, according to its Wikipedia entry.
There’s a lot more out there, Schroeder and Atwood are just two I’ve stumbled across.
Theatre
I have drama, musical comedy and acting items.
Drama
Pi Theatre’s (Vancouver) mathematically-inclined show, ‘Long Division‘, ran in April 2017 and was mentioned in my April 20, 2017 posting (scroll down about 50% of the way).
This theatrical performance of concepts in mathematics runs from April 26 – 30, 2017 (check here for the times as they vary) at the Annex at 823 Seymour St. From the Georgia Straight’s April 12, 2017 Arts notice,
“Mathematics is an art form in itself, as proven by Pi Theatre’s number-charged Long Division. This is a “refreshed remount” of Peter Dickinson’s ambitious work, one that circles around seven seemingly unrelated characters (including a high-school math teacher, a soccer-loving imam, and a lesbian bar owner) bound together by a single traumatic incident. Directed by Richard Wolfe, with choreography by Lesley Telford and musical score by Owen Belton, it’s a multimedia, movement-driven piece that has a strong cast. … “
You can read more about the production here. As far as I’m aware, there are no upcoming show dates.
There seems to be some sort of affinity between theatre and mathematics, I recently featured (January 3, 2020 posting) a theatrical piece by Hannah Moscovitch titled, ‘Infinity‘, about time, physics, math and more. It had its first production in Toronto in 2015.
John Mighton, a playwright and mathematician, wrote ‘The Little Years’ which has been produced in both Vancouver and Toronto. From a May 9, 2005 article by Kathleen Oliver for the Georgia Straight,
The Little Years is a little jewel of a play: small but multifaceted, and beautifully crafted.
John Mighton’s script gives us glimpses into different stages in the life of Kate, a woman whose early promise as a mathematician is cut short. At age 13, she’s a gifted student whose natural abilities are overlooked by 1950s society, which has difficulty conceiving of women as scientists. Instead, she’s sent to vocational school while her older brother, William, grows up to become one of the most widely praised poets of his generation.
John Mighton is a successful playwright and mathematician, yet at times in his life, he’s struggled with doubt. However, he also learned there was hope, and that’s the genesis of The Little Years, which opens at the Tarragon Theatre on Nov. 16 and runs to Dec. 16 [2012].
In keeping (more or less) with this subsection’s theme ‘The Word’, Mighton has recently had a new book published, ‘All Things Being Equal: Why Math is the Key to a Better World’, according to a January 24, 2020 article (online version) by Jamie Portman for Postmedia,
It’s more than two decades since Canadian mathematician and playwright John Mighton found himself playing a small role in the film, Good Will Hunting. What he didn’t expect when he took on the job was that he would end up making a vital contribution to a screenplay that would go on to win an Oscar for its writers, Ben Affleck and Matt Damon.
What happened on that occasion tells you a great deal about Mighton’s commitment to the belief that society grossly underestimates the intellectual capacity of human beings — a belief reiterated with quiet eloquence in his latest book, All Things Being Equal.
…
Mighton loved the experience but as shooting continued he became troubled over his involvement in a movie that played “heavily on the idea that geniuses like Will are born and not made.” This was anathema to his own beliefs as a mathematician and he finally summoned up the courage to ask Affleck and Damon if he could write a few extra lines for his character. This speech was the result: “Most people never get the chance to see how brilliant they can be. They don’t find teachers who believe in them. They get convinced they’re stupid.”
At a time of growing controversy across Canada over the teaching of mathematics in school and continuing evidence of diminishing student results, Mighton continues to feel gratitude to the makers of Good Will Hunting for heeding his concerns. [I will be writing a post about the latest PISA scores where Canadian students have again slipped in their mathematics scores.]
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Mighton is on the phone from from Toronto, his voice soft-spoken but still edged with fervour. He pursues two successful careers — as an award-winning Canadian playwright and as a renowned mathematician and philosopher who has devoted a lifetime to developing strategies that foster the intellectual potential of all children through learning math. But even as he talks about his 2001 founding of JUMP Math, a respected charity that offers a radical alternative to conventional teaching of the subject, he’s anxious to remind you that he’s a guy who almost failed calculus at university and who once struggled to overcome his “own massive math anxiety.”
…
You can find out more about John Mighton in his Wikipedia entry (mostly about his academic accomplishments) and on the JUMP Math website (better overall biography).
Musical Comedy
It’s called ‘Math Out Loud’ and was first mentioned here in a January 9, 2012 posting (the same post also featured the BIRS poetry workshop),
“When Mackenzie Gray talks about the way Paul McCartney used a recursive sequence to make the song “I Want You (She’s So Heavy)” seem to last forever, you realize that part of the Beatles’ phenomenal success might have sprung from McCartney’s genius as a mathematician.
When Roger Kemp draws on a napkin to illustrate that you just have to change the way you think about numbers to come up with a binary code for pi (as in 3.14 ad infinitum), you get a sense that math can actually be a lot of fun.”
Produced by MITACS which in 2012 was known as ‘Mathematics of Information Technology and Complex Systems’, a not-for-profit research organization, the musical went on tour in the Fall of 2012 (according to my September 7, 2012 posting). Unusually, I did not embed the promotional trailer for this 2012 musical so, here it is now,
Since 2012, Mitacs has gone through some sort of rebranding process and it’s now described as a nonprofit national research organization. For more you can read its Wikipedia entry or go to its website.
Acting and storytelling
It turns out there was an acting class (five sessions) for scientists at the University of Calgary in 2017. Here’s more from the course’s information sheet,
Act Your Science: Improve Your Communication Skills with Training in Improvisation 2 hours a session, 5 sessions, every Wednesday starting November 14 [2017] …
Dr. Jeff Dunn, Faculty of Graduate Studies, Graduate Students Association, the Canadian Science Writers Association [also known as Science Writers and Communicators of Canada] and the Loose Moose Theatre have teamed together to provide training in a skill which will be useful where ever your career takes you.
The goal of this project is to improve the science communication skills of graduate students in science fields. We will improve your communication through the art of training in improvisation. Training will help with speech and body awareness. Improvisation will provide life‐long skills in communication, in a fun interactive environment.
For many years, Alan Alda, a well-known actor (originally of the “MASH” television series fame), has applied his acting skills and improvisation training to help scientists improve their communication. He developed the Alan Alda Centre for Communicating Science at Stony Brook University.
…
The training will involve five 2hr improvisation workshop sessions led by one of Canada’s top professional improvisation trainers, Dennis Cahill, the Artistic Director from Loose Moose Theatre. Dennis has an international reputation for developing the theatrical style of improvisation. Training involves a lot of moving around (and possibly rolling on the floor!) so dress casually. Be prepared to release your inhibitions!
…
The information sheet includes a link to this University of Chicago video (posted on Youtube February 24, 2014) of actor Alan Alda discussing science communication,
As for the storytelling, we’re back at the University of Calgary. A student video and storytelling workshop and contest (Innovation Untold) was held on Tuesday, February 4, 2020. Here’s more from the University of Calgary event page for Storytelling Workshop: Do photos and videos have voices?,
…
About the speaker:
Victoria Bouvier, a Michif-Metis woman, is of the Red River Settlement and Boggy Creek, Manitoba, and born and raised in Calgary. She is an Assistant professor in Indigenous Studies at Mount Royal University and a doctoral candidate in Educational Research [emphasis mine] at the University of Calgary. Her research is exploring how Michif/Métis people, born and raised in urban environments, practice and express their self-understandings, both individually and collectively through using an Indigenous oral system and visual media as methodology.
In a technology-laden society, people are capturing millions of photographs and videos that document their lived experiences, followed by uploading them to social media sites. As mass amounts of media is being shared each day, the question becomes: are we utilizing photos and videos to derive meaning from our everyday lived experiences, while settling in to a deeper sense of our self-in-relation?
This session will explore how photos and videos, positioned within an Indigenous oral system, are viewed and interacted with as a third perspective in the role of storytelling.
Finally, h/t to Jennifer Bon Bernard’s April 19, 2017 article (reposted Dec. 11, 2019) about Act Your Science for the Science Writers and Communicators blog. The original date doesn’t look right to me but perhaps she participated in a pilot project.
Neuroscience, science policy, and science advice
The end of this part is almost in sight
Knitting in Toronto and drawings in Vancouver (neuroscience)
In 2017, Toronto hosted a neuroscience event which combined storytelling and knitting (from my October 12, 2017 posting (Note: the portion below is an excerpt from an ArtSci Salon announcement),
With NARRATING NEUROSCIENCE we plan to initiate a discussion on the role and the use of storytelling and art (both in verbal and visual forms) to communicate abstract and complex concepts in neuroscience to very different audiences, ranging from fellow scientists, clinicians and patients, to social scientists and the general public. We invited four guests to share their research through case studies and experiences stemming directly from their research or from other practices they have adopted and incorporated into their research, where storytelling and the arts have played a crucial role not only in communicating cutting edge research in neuroscience, but also in developing and advancing it.
The ArtSci Salon folks also announced this (from the Sept. 25, 2017 ArtSci Salon announcement; received via email),
ATTENTION ARTSCI SALONISTAS AND FANS OF ART AND SCIENCE!! CALL FOR KNITTING AND CROCHET LOVERS!
In addition to being a PhD student at the University of Toronto, Tahani Baakdhah is a prolific knitter and crocheter and has been the motor behind two successful Knit-a-Neuron Toronto initiatives. We invite all Knitters and Crocheters among our ArtSci Salonistas to pick a pattern (link below) and knit a neuron (or 2! Or as many as you want!!)
BRING THEM TO OUR OCTOBER 20 ARTSCI SALON! Come to the ArtSci Salon and knit there!
That link to the patterns is still working.
Called “The Beautiful Brain” and held in the same time frame as Toronto’s neuro event, Vancouver hosted an exhibition of Santiago Ramon y Cajal’s drawings from September 5 to December 3, 2017. In concert with the exhibition, the local ‘neuro’ community held a number of outreach events. Here’s what I had in my September 11, 2017 posting where I quoted from the promotional material for the exhibition,
…
The Beautiful Brain is the first North American museum exhibition to present the extraordinary drawings of Santiago Ramón y Cajal (1852–1934), a Spanish pathologist, histologist and neuroscientist renowned for his discovery of neuron cells and their structure, for which he was awarded the Nobel Prize in Physiology and Medicine in 1906. Known as the father of modern neuroscience, Cajal was also an exceptional artist. He combined scientific and artistic skills to produce arresting drawings with extraordinary scientific and aesthetic qualities.
A century after their completion, Cajal’s drawings are still used in contemporary medical publications to illustrate important neuroscience principles, and continue to fascinate artists and visual art audiences. …
Pictured: Santiago Ramón y Cajal, injured Purkinje neurons, 1914, ink and pencil on paper. Courtesy of Instituto Cajal (CSIC).
From Vancouver, the exhibition traveled to a gallery in New York City and then onto the Massachusetts Institute of Technology (MIT).
Mehrdad Hariri has done a an extraordinary job as its founder and chief executive officer. The CSPC has developed from a single annual conference to an organization that hosts different events throughout the year and publishes articles and opinion pieces on Canadian science policy and has been instrumental in the development of a Canadian science policy community.
The magnitude of Hariri’s accomplishment becomes clear when reading J.w. Grove’s [sic] article, Science Policy, in The Canadian Encyclopedia and seeing that the most recent reports on a national science policy seem to be the Science Council’s (now defunct) 4th report in 1968, Towards a National Science Policy in Canada, the OECD’s (Organization for Economic Cooperation and Development) 1969 Review of [Canada’s] Science Policy, and 3 reports from the Senate’s Lamontagne Committee (Special Committee on Science Policy). Grove’s article takes us only to 1988 but I have been unable to find any more recent reports focused on a national science policy for Canada. (If you have any information about a more recent report, please do let me know in the comments.)
A November 5, 2019 piece (#VoteScience: lessons learned and building science advocacy beyond the election cycle) on the CSPC website further illustrates how the Canadian science policy community has gained ground (Note: Links have been removed),
… on August 8, 2019, a coalition of Canadian science organizations and student groups came together to launch the #VoteScience campaign: a national, non-partisan effort to advocate for science in the federal elections, and make science an election issue.
Specifically, we — aka Evidence for Democracy, Science & Policy Exchange (SPE), and the Toronto Science Policy Network (TSPN) [emphases mine] — built a collection of tools and resources to empower Canadian scientists and science supporters to engage with their local candidates on science issues and the importance of evidence-informed decision-making. Our goal was to make it easy for as many Canadians as possible to engage with their candidates — and they did.
Over the past three months, our #VoteScience portal received over 3,600 visitors, including 600 visitors who used our email form to reach out directly to their local candidates. Collectively, we took #VoteScience selfies, distributed postcards to supporters across Canada, and even wrote postcards to every sitting Member of Parliament (in addition to candidates from all parties in each of our own ridings). Also of note, we distributed a science policy questionnaire to the federal parties, to help better inform Canadians about where the federal parties stand on relevant science issues, and received responses from all but one party. We’ve also advocated for science through various media outlets, including commenting for articles appearing in The Narwhal and Nature News, and penning op-eds for outlets such as the National Observer, University Affairs, Le Devoir, and Découvrir.
Prior to SPIN, the Council of Canadian Academies (CCA; more about them in part 4), issued a 2017 report titled, Science Policy: Considerations for Subnational Governments. The report was the outcome of a 2016 CCA workshop originally titled, Towards a Science Policy in Alberta. I gather the scope broadened.
Interesting trajectory, yes?
Chief Science advisors/scientists
In September 2017, the Canadian federal government announced that a Chief Science Advisor, Dr. Mona Nemer, had been appointed. I have more about the position and Dr. Nemer in my September 26, 2017 posting. (Prior to Dr. Nemer’s appointment a previous government had discontinued a National Science Advisor position that existed from 2004 to 2008.)
The Office of the Chief Science Advisor released it first annual report in 2019 and was covered here in a March 19, 2019 posting.
Québec is the only province (as far as I know) to have a Chief Scientist, Rémi Quirion who was appointed in 2011.
Onto Part 4 where you’ll find we’ve gone to the birds and more.
*The Canadian Science Policy Centre (CSPC) section was written sometime in February 2020. I believe they are planning to publish an editorial piece I submitted to them on April 20, 202 (in other words, before this post was published) in response to their call for submissions (see my April 1, 2020 post for details about the call). In short, I did not praise the organization with any intention of having my work published by them. (sigh) Awkward timing.
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