Tag Archives: Dorothy Hodgkin

Science and the arts: a science rap promotes civil discussion about science and religion; a science movie and a play; and a chemistry article about authenticating a Lawren Harris painting

Canadian-born rapper of science and many other topics, Baba Brinkman sent me an update about his current doings (first mentioned in an Aug. 1, 2014 posting featuring his appearances at the 2014 Edinburgh Fringe Festival, his Rap Guide to Religion being debuted at the Fringe, and his Kickstarter campaign to raise money for the creation of an animated rap album of his news Rap Guide to Religion), Note: Links have been removed,

Greetings from Edinburgh! In the past two and half weeks I’ve done fifteen performances of The Rap Guide to Religion for a steadily building audience here at the Fringe, and we recently had a whole pile of awesome reviews published, which I will excerpt below, but first a funny story.

Yesterday [August 14, 2014] BBC [British Broadcasting Corporation] Sunday Morning TV was in to film my performance. They had a scheme to send a right wing conservative Christian to the show and then film us having an argument afterwards. The man they sent certainly has the credentials. Reverend George Hargreaves is a Pentecostal Minister and former leader of the UK Christian Party, as well as a young earth creationist and strong opponent of abortion and homosexuality. He led the protests that got “Jerry Springer the Opera” shut down in London a few years back, and is on record as saying that religion is not an appropriate subject for comedy. Before he converted to Christianity, the man was also a DJ and producer of pop music for the London gay scene, interesting background.

So after an hour of cracking jokes at religion’s expense, declaring myself an unapologetic atheist, and explaining why evolutionary science gives a perfectly satisfying naturalistic account of where religion comes from, I sat down with Reverend George and was gobsmacked when he started the interview with: “I don’t know if we’re going to have anything to debate about… I LOVED your show!” We talked for half an hour with the cameras rolling and at one point George said “I don’t know what we disagree about,” so I asked him: “Do you think one of your ancestors was a fish?” He declared that statement a fishy story and denied it, and then we found much to disagree about.

I honestly thought I had written a hard-hitting, provocative and controversial show, but it turns out the religious are loving it as much as the nonbelievers – and I’m not sure how I feel about that. I asked Reverend George why he wasn’t offended, even though he’s officially against comedy that targets religion, and he told me it’s because I take the religious worldview seriously, instead of lazily dismissing it as delusional. The key word here is “lazily” rather than “delusional” because I don’t pull punches about religion being a series of delusions, but I don’t think those delusions are pointless. I think they have evolved (culturally and genetically) to solve adaptive problems in the past, and for religious people accustomed to atheists being derisive and dismissive that’s a (semi) validating perspective.

To listen to songs from The Rap Guide to Religion, you need to back my Kickstarter campaign so I can raise the money to produce a proper record. To check out what the critics here in Edinburgh have to say about my take on religion, read on. And if you want to help organize a gig somewhere, just let me know. The show is open for bookings.

On Sunday Morning [August 17, 2014 GMT] my segment with Reverend George will air on BBC One, so we’ll see what a million British people think of the debate.

All the best from the religious fringe,

Baba

Here’s a link to the BBC One Sunday Morning Live show, where hopefully you’ll be able to catch the segment featuring Baba and Reverend George Hargreaves either livestreamed or shortly thereafter.

A science movie and a science play

Onto the science movie and the play: David Bruggeman on his Pasco Phronesis blog writes about two upcoming movie biopics featuring Alan Turing and Stephen Hawking respectively, in an Aug. 8, 2014 posting. Having covered the Turing movie here (at length) in a July 22, 2014 posting here’s the new information about the Hawking movie from David’s Aug, 8, 2014 posting,

Alan Turing and Stephen Hawking are noted British scientists, well recognized for their work and for having faced significant challenges in their lives.  While they were in different fields and productive in different parts of the 20th century (Hawking is still with us), their stories will compete in movieplexes (at least in the U.S.) this November.

The Theory of Everything is scheduled for release on November 7 and focuses on the early career and life of Hawking.  He’s portrayed by Eddie Redmayne, and the film is directed by James Marsh.  Marsh has several documentaries to his credit, including the Oscar-winning Man on Wire.  Theory is the third film project on Hawking since 2004, but the first to get much attention outside of the United Kingdom (this might explain why it won’t debut in the U.K. until New Year’s Day).  It premieres at the Toronto International Film Festival next month [Sept. 2014].

David features some trailers for both movies and additional information.

Interestingly the science play focuses on the friendship between a female UK scientist and her former student, Margaret Thatcher (a UK Prime Minister). From an Aug. 13, 2014 Alice Bell posting on the Guardian science blog network (Note: Links have been removed),

Adam Ganz’s new play – The Chemistry Between Them, to be broadcast on Radio 4 this month – explores one of the most intriguing friendships in the history of science and politics: Margaret Thatcher and Dorothy Hodgkin.

As well as winning the Nobel Prize in Chemistry for her pioneering scientific work on the structures of proteins, Hodgkin was a left-wing peace campaigner who was awarded the Soviet equivalent of the Nobel Peace Prize, the Order of Lenin. Hardly Thatcher’s type, you might think. But Hodgkin was Thatcher’s tutor at university, and the relationships between science, politics and women in high office are anything but straightforward.

I spoke to Ganz about his interest in the subject, and started by asking him to tell us more about the play.

… they stayed friends throughout Dorothy’s life. Margaret Thatcher apparently had a photo of Dorothy Hodgkin in Downing Street, and they maintained a kind of warm relationship. The play happens in two timescales – one is a meeting in 1983 in Chequers where Dorothy came to plead with Margaret to take nuclear disarmament more seriously at a time when Cruise missiles and SS20s were being stationed in Europe. In fact I’ve set it – I’m not sure of the exact date – shortly after the Korean airliner was shot down, when the Russians feared Nato were possibly planning a first strike. And that is intercut with the time when Margaret is studying chemistry and looking at her journey; what she learned at Somerville, but especially what she learned from Dorothy.

Here’s a link to the BBC 4 webpage for The Chemistry Between Them. I gather the broadcast will be Weds., Aug. 20, 2014 at 1415 hours GMT.

Chemistry and authentication of a Lawren Harris painting

The final item for this posting concerns Canadian art, chemistry, and the quest to prove the authenticity of a painting. Roberta Staley, editor of Canadian Chemical News (ACCN), has written a concise technical story about David Robertson’s quest to authenticate a painting he purchased some years ago,

Fourteen years ago, David Robertson of Delta, British Columbia was holidaying in Ontario when he stopped at a small antique shop in the community of Bala, two hours north of Toronto in cottage country. An unsigned 1912 oil painting caught his attention. Thinking it evocative of a Group of Seven painting, Robertson paid the asking price of $280 and took it home to hang above his fireplace.

Roberta has very kindly made it available as a PDF: ChemistryNews_Art.Mystery.Group.7. It will also be available online at the Canadian Chemical News website soon. (It’s not in the July/August 2014 issue.)

For anyone who might recognize the topic, I wrote a sprawling five-part series (over 5000 words) on the story starting with part one. Roberta’s piece is 800 words and offers her  account of the tests for both Autumn Harbour and the authentic Harris painting, Hurdy Gurdy. I was able to attend only one of them (Autumn Harbour).

David William Robertson, Autumn Harbour’s owner has recently (I received a notice on Aug. 13, 2014) updated his website with all of the scientific material and points of authentication that he feels prove his case.

Have a very nice weekend!

International Women’s Day March 8, 2014: women bridging ‘the valley of death’; celebrating the Year of Crystallography; describing success; and righting a wrong

To celebrate International Women’s Day 2014 and to thank Carla Caprioli (@carlacap) for reminding me of the date, here are a few stories about women and science that I find uplifting in one fashion or another, First, I have an excerpt from a piece written by Australian, Cathy Foley where she describes how women could be instrumental in bridging the scientific/technical ‘valley of death’, from a Feb. 20, 2014 news item on phys.org,

As International Women’s Day approaches on March 8 [2014] and my time as NSW [Australia’s state of New South Wales] Premier’s Woman of the Year draws to a close, I have been thinking about diversity in the workplace, and in particular, the relationship between diversity and innovation.

Science and technology that lead to innovation are critical for the changes that lead to a better quality of life, greater business opportunities and a happier, healthier and more equitable society.

There is strong evidence that companies operating with a gender-balance actually enhance their innovation quotient and gain a competitive advantage.

Reports also suggest that advances in gender equality correlate positively with higher Gross National Product (GNP) and that increasing women’s labour force participation and earnings generates greater economic benefits for a family’s health and education. Surely this can only be a good thing.

Foley then goes on to present her case that women can be instrumental in bridging the ‘valley of death’, that gap between laboratory research and commercialization.

Next up, Georgina Ferry’s Jan. 29, 2014 article for Nature (magazine) about women, crystallography, and the International Year of Crystallograpy,

Georgina Ferry celebrates the egalitarian, collaborative culture that has so far produced two female Nobel prizewinners.

“It takes a very special breed of scientist to do this work … it is an area of science in which women dominate.” So said the professor introducing distinguished British crystallographer Judith Howard in 2004 as she received an honorary degree from the University of Bristol, UK.

Some 15 years previously, Howard had received an invitation to apply for a new chair in structural chemistry at Durham University, UK, framed in similarly irksome terms: “because aren’t women supposed to be good at that sort of thing?” Her former PhD supervisor, the Nobel prizewinner Dorothy Hodgkin, encouraged Howard not to let such comments get in her way. Howard got the job, established one of the world’s leading laboratories for low- and variable-temperature structural chemistry, served as head of the department of chemistry, was elected a Fellow of the Royal Society and became the founding director of Durham’s interdepartmental Biophysical Sciences Institute.

Whatever their level of distinction, female crystallographers have always in fact been in the minority. But there is a relationship between the outstanding achievements of some of them and the reputation and culture of the field that is worth examining as we celebrate the International Year of Crystallography.

Ferry goes on to present a fascinating history of the contribution women have made to the field of crystallography.

Next up is a March 7, 2014 posting about women and success written by Athene Donald for the Guardian science blogs (Note: Links have been removed),

At the more everyday level of academic science, how should success be measured? As part of its work on gender equality, and to coincide with International Women’s Day, the University of Cambridge is publishing a book entitled The Meaning of Success containing a fascinating series of 26 interviews with women identified as “successful” by their colleagues, plus an accompanying narrative written by Jo Bostock. These women aren’t only scientists, they aren’t only academics, but through them come some loud and clear messages about how they collectively view success, with the issues highlighted not necessarily the obvious ones.

The stories revealed in the interviews in The Meaning of Success suggest that women take a very broad view of success, how they achieved it and what it means to them. Take chemistry professor Jane Clarke, who only started research in her 40s after a career as a schoolteacher. She says:

I am one of the world leaders in my field and I’m tremendously proud of that. And I’ve done it in such a way that I can hold my head up and say that I never trampled on anybody. I’ve also done it starting late, in an unusual way, and I think that’s something to be proud of. It shows that there’s more than one way of having a successful scientific career, and you should never be told otherwise.

Or plant scientist and Director of the Sainsbury Laboratory, Professor Ottoline Leyser, who says:

I want to break the mould of what you need to be like to be successful. I think success needs to be about collegiality and recognising that the whole should be far more than the sum of the parts. Of course it’s nice if you’re elected to the Royal Society, but it’s a byproduct, not the object of the exercise.

From the University of Cambridge’s perspective this book is meant to start an internal dialogue about how we measure and value success to ensure that we truly do recruit and reward the best wherever that is to be found, not just facilitate the progression of lookalikes to those already in post.

The quote from Ottoline Leyser in the excerpt from Donald’s posting reminded me of some research about reference letters and how the words used to describe the candidates affect their applications (from a Nov. 9, 2010 piece by Jessica Stark on phys.org),

A recommendation letter could be the chute in a woman’s career ladder, according to ongoing research at Rice University. The comprehensive study shows that qualities mentioned in recommendation letters for women differ sharply from those for men, and those differences may be costing women jobs and promotions in academia and medicine.

Funded by the National Science Foundation, Rice University professors Michelle Hebl and Randi Martin and graduate student Juan Madera, now an assistant professor at the University of Houston, reviewed 624 letters of recommendation for 194 applicants for eight junior faculty positions at a U.S. university. They found that letter writers conformed to traditional gender schemas when describing candidates. Female candidates were described in more communal (social or emotive) terms and male candidates in more agentic (active or assertive) terms. [emphasis mine]

Thematically, we have Foley suggesting that women’s communal qualities can be an advantage for bridging the ‘valley of death’, Ferry noting that while women are a minority in the field of crystallography , their success has been due to “a collaborative ethos,” and Donald’s suggestion that we redefine success.

Finally, here’s an excerpt from Rosie Redfield’s Feb. 6, 2014 post on her RRResearch blog where she attempts to redress an old wrong,

A few days ago a French student in my Useful Genetics Coursera course posted a link to an article in Le Monde (sorry, it’s both in French and behind a paywall, but this link might get you a translation).  It reported that a Jan. 31 award ceremony for the discovery of the cause of Down syndrome, part of the 7th Human and Medical Genetics Congress  in Bordeaux, had been blocked by a Down syndrome support organization (Fondation Jerome-Lejeune).  The back story is very depressing, an egregious example of a woman scientist being denied credit for her discovery.

The woman is Dr. Marthe Gautier, now 88 years old.  In 1956 she was a young physician, returning to Paris from a year’s study of pediatric cardiology at Harvard.  She was given a clinical/teaching position at a local hospital, with no funds for research.  The Head of the Pediatric Unit, Raymond Turpin, was interested in mongolism (as Down syndrome was then called); years earlier he had proposed that it might be caused by a chromosome abnormality.  Human cytogenetics was not well understood, but a big breakthrough came this same year, when the true chromosome number was finally established as 46 (not 48).  When Turpin complained that nobody was investigating his hypothesis, Gautier proposed that she take this problem on, since her Harvard training had introduced her to both cell culture and histology.  Turpin agreed to provide a tissue sample from a patient.

For this work she was given a disused laboratory with a fridge, a centrifuge, and a poor quality microscope, but no funding.  And of course she still had her other responsibilities.  But she was keen and resourceful, so she took out a personal loan to buy glassware, kept a live cockerel as a source of serum, and used her own blood when she needed human serum.

By the end of 1957 she had everything working with normal human cells, and could clearly distinguish the 46 chromosomes.  So she asked Prof. Turpin for the patient sample.  After 6 months wait it arrived, and she quickly was able to prepare slides showing that it had not 46 but 47 chromosomes, with three copies of a small chromosome.  But her microscope was very poor, and she could not identify the chromosome or take the photographs of her slides that a publication would need.

All this time Prof. Turpin had never visited her lab, but she’d had frequent visits from a protege of his, Jerome Lejeune.  When she showed Lejeune her discovery, he offered to take the slides to another laboratory where they could be photographed.  …

You may be able to partially guess where this story is going (it bears some similarity to Rosalind Franklin’s which is briefly described in Ferry’s article) but you may want to check out Redfield’s Gautier for at least one twist. In any event, the good part of the story is that Redfield wrote that post and she’s working on a Wikiipedia entry as part of an informal collaborative movement to ensure that Gautier finally gets credit for her work. On that theme, one of my favourite sites, Grandma Got STEM [science, technology, engineering,mathematics] does something similar by soliciting posts that recognize all kinds of contributions women have made. Happy International Women’s Day 2014.

ETA March 10, 2014: Here’s one more article I’d like to add by Maia Weinstock for Scientific American, 15 Works of Art Depicting Women in Science [Photo Essay].  This art piece by Orlando Leibovitz is one of the 15 featured in the article,

 Lise Meitner and Nuclear Fission, 2009 Acrylic on Jute, 54 x 48 inches Credit: Orlando Leibovitz. [downloaded from http://www.orlandoleibovitz.com/Lise_Meitner_and_Nuclear_Fission.html]


Lise Meitner and Nuclear Fission, 2009
Acrylic on Jute, 54 x 48 inches
Credit: Orlando Leibovitz. [downloaded from http://www.orlandoleibovitz.com/Lise_Meitner_and_Nuclear_Fission.html]

Leibovitz has a series titled, ‘Painted Physics‘ where you can find the Meitner piece and others. From the Weinstock article in Scientific American (Note: Links have been removed),

Both Marie Curie and German-born physicist Lise Meitner were responsible for some of the most important advances in physics of the 20th century. Meitner’s contribution was the discovery of nuclear fission, the splitting of atoms that led to the development of nuclear energy and atomic weapons.  Unlike Curie, who was showered with two Nobel Prizes, Meitner was snubbed when her collaborator, Otto Hahn, took home a solo Nobel in physics for their work. But Meitner’s accomplishments eventually earned her something even more enduring: a place on the periodic table of elements. She is the namesake of meitnerium, element 109.

I was pleasantly surprised by the whimsy with which Orlando Leibovitz, a self-taught artist based in Santa Fe, N.M., represented Meitner’s signature work. …

Leibovitz adds: “Lise Meitner’s discoveries continue to have a monumental impact on our lives. The way she overcame the discrimination she faced as a woman, as a physicist and as a Jew in Nazi Germany is a dramatic story. Meitner wrote, ‘Science makes people reach selflessly for truth and objectivity. It teaches people to accept reality with wonder and admiration….’ She lived that sentiment every day of her life. That is a story worth painting.”

The Weinstock article appears to be a review of sorts for an art exhibit that Weinstock is curating, from the Scientific American article (Note: A link has been removed),

… The artists in the following collection of works featuring women in science have contributed boldly to the dual goals of celebrating women in the STEM fields and portraying them positively through the lens of visual media. A selection of these will be featured at a women-in-STEM art exhibit that I will guest curate at the Art.Science.Gallery. in Austin, Texas, from September 13 through October 15, 2014.

While the Art.Science.Gallery doesn’t yet list Weinstock’s show as an upcoming event, there are some intriguing exhibits and images being featured currently.