Tag Archives: Emily Midkiff

A dearth of science fiction books for children

Unusually, I’m going to start with the author’s bio, from Emily Midkiff’s profile page on The Conversation,

Before getting degrees in children’s literature and literacy education, Dr. Emily Midkiff spent 9 years working in children’s theater, and now does research on books with attention to what children have to say. Her most recent publication is Equipping Space Cadets: Primary Science Fiction for Young Children, a book-length study of science fiction for children.

Her November 30, 2022 essay for The Conversation (h/t Dec. 1, 2022 news item on phys.org) explains the motivation for her research, Note: Links have been removed,

While visiting an elementary school library in 2016 to count the fantasy books for a graduate class on fantasy literature, I noticed there were hardly any science fiction books for readers under 12. This discovery prompted me to spend the next five years researching the shortage of science fiction books for children in this age group.

I reached two big conclusions. First, I found that adults often think that kids can’t understand science fiction – but they can. Second, I found that authors and illustrators are not depicting characters from diverse backgrounds in children’s stories about the future. As a researcher who specializes in children’s literature, these findings make me wonder if the reason there is so little diversity in children’s science fiction is because authors don’t believe that their readers will be children from diverse backgrounds.

Out of the 357 science fiction children’s books that I read for my research, I found that only a quarter of them featured diverse characters. Less than half – 37% – featured a girl in a major role. While children’s science fiction books have lacked diversity historically, I found that those written in the 21st century are more diverse than children’s books overall.

In recent years, some vocal fans have reacted negatively when major television and film series like “Star Trek,” “Star Wars” and other science fiction and fantasy television shows cast actors of color to play main characters.

When fans refuse to accept non-white fantasy and science fiction characters, they demonstrate what children’s literature expert and professor Ebony Elizabeth Thomas calls the “imagination gap.” Thomas explains that the imagination gap begins in childhood. Children who rarely see diversity represented in their fantasy and science fiction books grow up to be adults who see diversity as out of place in their favorite stories.

Midkiff goes on to describe some of her findings,

The earliest example from my sample to include diversity was a collection of “Buck Rogers” comic strips from 1929. It contained at least a few characters with different skin tones and some independent female characters. This is more than can be said for the other stories I read from the same era, like the “Flash Gordon” comics from 1934 and the “Brick Bradford on the Isles Beyond the Ice” comics from 1935. The women in the stories prior to the 1960s were often trying but failing to be independent. “Connie: Master of the Jovian Moons” from 1939 stood out for having an active and successful female protagonist and an elderly female scientist.

Only five books out of the 357 that I read had detailed non-white or non-European cultural content. The 2014 graphic novel “Lowriders in Space” by Cathy Camper and Raúl The Third, for instance, features Mexican American lowrider culture and rasquachismo, which is a uniquely Chicano aesthetic that values survival and uses discarded and recycled materials in art in defiance of the perceived value of those materials. The illustrations in “Lowriders in Space” were drawn with ballpoint pens that Raúl The Third picked up from sidewalks.

The books that I read did not show any queer characters, but I found that recent children’s television has ventured into this type of representation. The cartoon “Steven Universe” uses the unlimited possibilities of the science fiction genre to think about gender and queerness creatively. For example, the aliens in “Steven Universe” can transform their bodies at will, and yet identify as female and have queer relationships.

It seems we need more children in our imagined futures and more range in who they are in terms of colour, ability, sexual identity, and more.