Tag Archives: Ilze Briede [Kavi]

Toronto’s ArtSci Salon and December 2025 events

I received (via email) a November 25, 2025 notice from Toronto’s ArtSci Salon about some December 2025 art/science events (available online here) being held in Toronto, Note: Some links have been removed,

THE BODY ELECTRIC

Exhibition & Performances
December 5, 6 & 7th, 2025

at Charles Street Video,
76 Geary Ave, Toronto

Opening, reception and performances:
Friday, December 5th at 6pm,
performances start at 7pm.

Exhibition Open to Public:
Saturday, December 6th and Sunday, December 7th
from 12pm – 4pm. 

Inspired by Walt Whitman’s visionary poem “I Sing the Body Electric,” this exhibition reimagines the body as a network of electric impulses, voltages, and signals that both generate and transmit lived experiences. Body Electric brings together artists, researchers, performers, and technologists who explore the inner electrical life of the human body through biophysical sensing.

By capturing physiological signals such as brainwaves (EEG), heart rhythms (ECG), and muscle activity (EMG), the exhibition reveals the hidden languages of the body — not as metaphor, but as material, as data, as expression.

Body Electric features contributions from York University faculty, students, and international collaborators. The exhibition builds a living bridge between the past and the present, connecting analogue pioneers with today’s generative futures, and invites us to look into the future with an open and curious mind.

..

Biophysical Movement and Emotion as Computational Interfaces (bioMECI) Workshop 
Charles Street Video, 76 Geary Ave, Toronto
Free with registration (same workshop both days):

Workshop 1: December 13th, 10am–6pm register at:
https://www.eventbrite.com/e/1934433134579

[or]

Workshop 2: December 14th, 10am–6pm register at:
https://www.eventbrite.com/e/1941956487129

This Workshop is a collaborative workshop centred on biophysical data, computational art, and performance. At the centre of this workshop is the biophysical sensing toolkit, called The Source (www.biomeci.com). The Source is a wearable device solution for full-spectrum biophysical sensing that integrates with commonly used software platforms, enabling its use in the maker and arts communities. Data gathered from The Source is analyzed using hardware and software tools that interface with popular platforms such as Arduino, Max/MSP, SuperCollider, Ableton Live, TouchDesigner, and Processing. The Source provides real-time access to signals from the brain, heart, muscles, skin and eyes and more. This modular system empowers artists to create responsive artworks that engage directly with the body’s inner states.

Here’s more about the exhibition and performances, from the Charles Street Video project webpage,

Inspired by Walt Whitman’s visionary poem “I Sing the Body Electric,” this exhibition …

Electricity governs life on Earth at every scale, from small molecular organisms to sophisticated evolved beings. In the human body, in particular, electricity presents itself as the firing of neurons, the pulse of the heart, the conductivity of the skin, and the flux of emotional states. This exhibition foregrounds electricity not only as a force of animation, but as a creative medium — a raw, natural element that artists can sense, shape, and translate. The electric medium is further carried into the technological domain as a means of instrumentation and expression of gathered data from the human body. Through interactive installations, performances, and sonic-visual systems, Body Electric invites audiences to witness how the body thinks, feels, and reacts beneath the surface. What emerges is a portrait of the human not as a fixed entity, but as an ever-changing field of affective and electrical relations.

About the artists

The programme will feature a series of interactive installations, including body-physiology sensing chairs originally conceptualized by artist Alan Macy, a retrospective of the work of artist, composer, and scholar David Rosenboom, and installations by artists from York University’s nD::StudioLab (https://www.ndstudiolab.com/), including Ilze Briede [Kavi], Kwame Kyei-Boateng, Kyle Duffield, Mark-David Hosale, Hrysovalanti Maheras, and Nava Waxman.

It will also include live performances, among them

a new work by composer Gene Coleman with violinist Amy Hillis from York’s Music Department;

a performance by The Global Organoid Orchestra (GOO); and a set by the live-coding collective The Endemics.

The Global Organoid Orchestra (GOO) includes:
*Mark-David Hosale and Ilze Briede [Kavi] in Toronto;
*Diarmid Flatley, Marcos Novak, Iason Paterakis, and Nefeli Manoudaki in Santa Barbara;
*and collaborators at the Kosik Neurobiology Lab, UC Santa Barbara (Ken Kosik, Director),
*along with Tjitse van der Molen and Eve Bodnia.

The Endemics consists of
*Ilze Briede [Kavi] and
*Hrysovalanti Maheras.

bioMECI: Biophysical Movement and Emotion as Computational Interface

You can find out more about bioMECI here and about the Body Electric’s bioMECI workshops here.

Toronto’s ArtSci Salon in Vancouver (Canada) and Venice (Italy)

In addition to the June 22 – July 16, 2022 exhibition in Toronto (These are a Few of Our Favourite Bees) highlighted in my June 14, 2022 posting, the ArtSci Salon has sent a June 20, 2022 announcement (received via email) about two events taking place for the first time in venues outside of Toronto,

IN VANCOUVER

A LIGHT FOOTPRINT IN THE COSMOS

SYMPOSIUM, EXHIBITIONS, PERFORMANCES, AND SCREENINGS

JUNE 24 – 27, 2022 | IN-PERSON AND ONLINE
DJAVAD MOWAFAGHIAN WORLD ART CENTRE
SFU GOLDCORP CENTRE FOR ARTS,
149 W. HASTINGS ST., VANCOUVER AND OTHER VENUES

REGISTRATION ON A SLIDING FEE SCALE.
IN-PERSON REGISTRATION INCLUDES CATERED LUNCHES AND COFFEE BREAKS AND
ADMISSION TO PERFORMANCES AND SCREENINGS.



A Light Footprint in the Cosmos is a celebration of research methods
and intercultural dialogue elaborated by the Substantial Motion Research
Network (SMRN).

Inspired by 17th–century Persian process philosopher Sadr al-Dīn
al-Shīrāzī, Azadeh Emadi and Laura U. Marks founded SMRN in 2018
for scholars and practitioners interested in cross-cultural exploration
of digital media, art and philosophy. Sadra famously stated that  each
individual is “a multiplicity of continuous forms, unified by the
essential movement itself,” which describes how SMRN’s members inform
each other’s practice and how those practices weave across artistic
and scholarly work. Our collective method unfolds hidden connections:
researching histories of media in world cultures, tracing paths of
transmission, seeking models for media in world philosophies, studying
vernacular practices, cultivating cultural openness, developing hunches,
building imaginative and fabulative connections, and diagramming the
processes of unfolding and enfolding. We fold South, Central, and East
Asian, Persian, Arab, North and sub-Saharan African and African
diaspora, Eastern European, and global Indigenous practices into
contemporary media and thought. Our light footprint lies in seeking
appropriate technological solutions, often from non-Western and
traditional practices, to contemporary overbuilt digital
infrastructures.

Celebrating the substantial motion of thought and/as creative practice,
A Light Footprint in the Cosmos will feature presentations by 60
scholars and artists, delivered both online and in person, at the
acoustically sophisticated performance venue Djavad Mowafaghian World
Art Centre.

The exhibitions, performances, and curated film screenings are integral
to the event. We are delighted to present exhibitions of works of 17
artists, curated by Nina Czegledy and hosted by Vancouver contemporary
art venues Or Gallery and Centre A: Vancouver International Centre for
Contemporary Asian Art, and Studio T at SFU’s Goldcorp Centre for the
Arts. The artworks explore, via a wide variety of analogue and digital
media, the global circulation and connectivity of theories and
technologies, addressing both historical inspirations and contemporary
issues. They illuminate hidden connections and reveal diverse yet
complementary concepts and practices. The musical performances literally
draw breath from deep cultural sources. SMRN’s methods extend into the
curated screenings Cinema of Breath: Rapture, Rupture and Cosmological Diagrams.

A Light Footprint in the Cosmos affirms the substantial movement of
thought and practice by seeking to stage dialogues, provoke discussion
and spark new collaborations in order to decolonize media studies, art
history and aesthetics.

          IN VENICE (ITA)

Emergent [emphasis mine]

a post pandemic mobile gallery

Part 1

Megachile Alienus
Sala Camino
Fondazione Bevilacqua la Masa
Venezia

June 22-25, 2022

Opening June 22, 18:30

Emergent is a mobile gallery featuring collaborations across the
sciences and the arts. Its goal is to better comprehend and cope with
the emergence, survival, and adaptation of life due to climate change
and global mobility, laboratory manipulations and world making.

Emergent is a porous object: it encourages reflections across different
experiences and sites of divergence through and with the arts; it may
reach new human and non-human audiences, and have a transformative
effect on the places it visits.

Emergent is a postpandemic gallery interrogating the role of exhibition
spaces today. What possible experiences, what new dialogues could a
redesign of the gallery as a living, breathing entity foster?

Emergent was
Designed and executed by
Roberta Buiani
Lorella Di Cintio
Ilze Briede [Kavi]

Fabrication:
Rick Quercia

Megachile Alienus is an Installation by
Cole Swanson

Scientific collaboration:
Laurence Packer

Fabrication for installation:
Jacob Sun

Thanks to:
Alessandro Marletta
Anna Lisa Manini

Steven Baris, Never the Same Space Twice D29 (oil on Mylar, 24 x 24 inches, 2022). [downloaded from https://www.sfu.ca/sca/events—news/events/a-light-footprint-in-the-cosmos.html?mc_cid=f826643d70&mc_eid=584e4ad9fa]

You can find more details and a registration link here at SFU’s “A Light Footprint in the Cosmos” event page.

[downloaded from https://artscisalon.com/post-p/]

You can find more details about Emergent in Venice here.