Tag Archives: infographics

Curiosity collides with the quantum and with the Science Writers and Communicators of Canada in Vancouver (Canada)

There are a couple of events coming up in April and an opportunity to submit your work for inclusion in a Curiosity Collider event or two. There’s also a Science Writers and Communicators conference being held from April 12 – 15, 2018. All of this is happening in Vancouver, Canada.

Curiosity Collider events, etc.

Colliding with the Quantum

From a March 23, 2018 announcement (received via email) from CuriosityCollider.org,

MOA [Museum of Anthropology] Night Shift: Quantum Futures

In the quantum realm, what is observable and what is not? What happens when we mix art and science? 

Join us at UBC Museum of Anthropology on the evening of April 5 [2018] and immerse yourself in quantum physics through dance, spoken word, projection sculpture, virtual reality, and hands-on activities.

This event is curated by Curiosity Collider Art-Science Foundation with collaborations from UBC Physics & Astronomy and Stewart Blusson Quantum Matter Institute.

Let us know you are coming on Facebook | See list of participating artists/scientists

For anyone who needs directions, clicking on this UBC Museum of Anthropology link for Getting Here should help.

I wanted a few more details about the event and found them on Curiosity Collider’s Night Shift webpage,

Doors/Bar/Art & Science Activities 6 pm | Live Show 7:30 pm | Entry with museum admission ($10; free for UBC students & staff, Indigenous peoples, children under 6, and MOA Members)| Family Friendly

This event is curated by Curiosity Collider Creative Managing Director Char Hoyt.

The artwork gathered together for this event is a delightful blending of some of the most famous theories in Quantum Mechanics with both traditional and new artistic practices. When science is filtered through a creative expression it can both inspire and reveal new ways of seeing and understanding the concepts within. Our performers have crafted thoughtful experiences through dance, spoken word, sound, and light, that express the weirdness of the quantum realm and how it is reflected in our daily lives. We have also worked closely with scientists to develop hands-on activities that embody the same principles to create experiences that engage your creativity in understanding the quantum world. We encourage you to interact with the artists and scientists and let their work guide you through the quantum realm.

Participating artists and scientists

Most of these folks are associated with the Quantum Matter Institute.

Call for submissions

From a March 23, 2018 announcement (received via email) from CuriosityCollider.org,

Call for Submissions:
Women in STEM Exhibition

Interstitial: Science Innovations by Canadian Women is a two-week exhibition (June 1-14) and events showcasing work by female artists featuring women in STEM. We are looking for one more 2D artist/illustrator to join the exhibition and will accept existing work. Deadline April 6. To submit, visit our website.

This exhibition is funded by the Westcoast Women in Engineering, Science and Technology (WWEST) and eng-cite.

#Sciart & #Scicomm at Science World on April 12, 2018 (a Science Writers and Communicators of Canada [SWCC] reception)

From a March 23, 2018 announcement (received via email) from CuriosityCollider.org,

#Sciart & #Scicomm at Science World

On April 12, Curiosity Collider is bringing art+science to the Science Writers and Communications of Canada Annual Conference here in Vancouver. The public evening event will include performances and activities by Curiosity Collider, Science Slam, Beaker Head (Alberta) [sic], and SFU (Simon Fraser University) Faculty of Applied Science. We will also be hosting a silent auction to showcase local #sciart and support future art+science project, including our annual exhibition SPARK!

Get your tickets now! | Let us know you are coming on Facebook

I found more information about this event at something called allevents.in/vancouver,

SciComm Social with SWCC and STAN

Science Writers and Communicators of Canada (SWCC) and Science Technology Awareness Network (STAN) are hosting their annual conferences in Vancouver in April. This joint reception event featuring #scicomm and #sciart is free for conference delegates and also open to the public … . [emphasis mine]

Friends, family, and fans of science communication & communicators welcome!

This evening event will include performances and activities from:
* Beakerhead – Power Point Karaoke, hosted by Banff SciComm/Beakerhead alumni: A deck of slides is provided. Brave participants, who have never seen the slides before, improvise the talk. Hilarity ensues, egged on by an enthusiastic audience.
* Curiosity Collider – #sciart silent auction, stage performances, and art installation
* SFU Applied Sciences – interactive technology exhibits
* Science Slam Canada – Whether it’s a talk, a poem, a song, a dance, or something completely unexpected, the possibilities are endless. Our only two rules? Five minute slams, and no slideshows allowed!

Get your tickets – available until April 10! This is a 19+ event. Performances starting at 7:30, doors at 7 pm.

Weirdly, no mention is made of the cost. Tickets are $25. for anyone who’s not attending the conference and you can register for and purchase your ticket here. As for location, this event is being held at Science World at Telus World of Science (known locally as Science World), here’s where you find directions for how to get to Science World.

Science Writers and Communicators Conference in Vancouver from April 12 – 15, 2018

Before getting to the costs here a couple of peeks at the programme. First, there’s a March 25, 2018 posting on the SWCC blog by Ashley EM Miller about one of the conference sessions,

Art can be a way to engage the public with science through the the simple fact that novelty sparks curiosity. Artists in the emerging field of sci-art utilize science concepts, methods, principles and information within their practice. Their art, along with the work of science illustrators, can facilitate a deeper emotional connection to science, particularly in those who don’t regularly pay attention or feel welcome.

However, using artwork in science communication is not as simple as inserting a picture into a body of text and referencing the artist in MLA style.

For those coming from the sciences, citing your sources, as laborious as that may be, is a given. While that is fine for incorporating  information, that isn’t always adequate for artwork. In the art world, artists know how to ask other artists to use their work. If a scientist or science communicator does not have an “in” with the art community, they may not know where to find legal information about using art.


Anyone interested in using artwork in their science communication practice, should attend the upcoming SWCC conference’s professional development session “On Copyright, Ethics and Attribution: Interdisciplinary Collaborations Between Artists and Scientists”. The panel discussion will be moderated by Theresa Liao of Curiosity Collider and Sarah Louadi of Voirelia, both of whom are intimately familiar with combining art and science in their respective organizations. Sarah and Theresa will lead a much-needed conversation about the benefits and best practices of partnerships between artists and science communicators.


The session boasts a well-rounded panel. Attendees will gain insights on aspects of the art world with panelists Kate Campbell, a science illustrator, and Steven J. Barnes, a psychologist and artist. Legal and ethical considerations will be provided by Lawrence Chan, an intellectual property lawyer, and April Britski, the National Executive Director of Canadian Artists’ Representation/Le Front des artistes canadiens (CARFAC). For those unfamiliar, CARFAC is a federal organization that acts as a voice for visual artists in Canada and outlines minimum fee guidelines among other things.

Science communicators and bloggers will certainly benefit from the session, particularly early-career freelancers. When working independently, there are no organizational policies and procedures in place for you to follow. It means that you have to check everything yourself, and this session will give you a crash course of what to look for in artist collaborations, what to ask and how to ask it. Even researchers will benefit from the discussion, by learning about the opportunities for working with science illustrators and about what to expect.


On Copyright, Ethics and Attribution: Interdisciplinary Collaborations Between Artists and Scientists”. will take place at 3:15 pm on Saturday April 14th as part of the conference’s concurrent Professional Development sessions. …

There’s a programme schedule for the 2018 conference here and it includes both an “At a glance’ version and a more fulsome description of the various sessions such as these,

THURSDAY APRIL 12

Act your Science – Interactive Improvisation Training

10:00 am – 12:00 pm Innovation Lab

Come and share a taste of a communication program developed by Jeff Dunn, in collaboration with SWCC, the Loose Moose Theatre in Calgary and the University of Calgary. The goal of this presentation is to provide a taste of how improvisation can be used to improve communication skills in science fields. This hands-on exercise will help participants build capacity to communicate science to various audiences by learning how to fail gracefully in public (to help reduce presentation anxiety), how to connect with your audience and how to recognize and use status in personal interactions.

The full program is 10hrs of training, in this shorter session, we will sample the program in a fun interactive environment. Be prepared to release your inner thespian. Space is limited to 20 people

Jeff Dunn has been a research scientist in brain and imaging for over 30 years. He has a strong interest in mentoring science trainees to broaden their career skills and has recently been developing programs to improve science communication. One class, gaining traction, is “Act your Science”, a custom designed course using improvisation to improving science communication skills for science trainees. He is an alumni of the Banff Science Communication program where he first experienced improvisation training for science. He has held a Canada Research Chair and has Directed the Experimental Imaging Centre at the University of Calgary since 2004. He has over 150 science publications in diverse journals ranging from Polar Biology to the Journal of Neurotrauma. He has supervised scores of graduate students and taught on subjects including MRI, optical imaging and brain physiology at altitude. His imaging research currently includes multiple sclerosis, brain cancer and concussion.

Video Booth: How I SciComm – go ahead and tell all, we want to know! 

 Available 10:am – 2:30pm: Exploration Lab

A camera team will be on hand to help you record and upload your 1 minute video about who you are, and how you do your science communications. Here are some questions for you to think about:

1. Who are you?

2. How do you do your science communications?

3. What’s your favourite science trivia? What’s something cool you learned when researching a storyWhat’s your favourite jargon? What’s a word you had to memorizing pronunciation or spelling for a story

A Community of Innovators: 50 Years of TRIUMF

2:30 -3:30 pm  Science Theatre

 

Ask TRIUMF’s spirited founders and emeriti about the humble beginnings of Canada’s particle accelerator centre and you will invariably hear: “This used to be just a big pile of dirt.” You could imagine TRIUMF’s founding members five decades ago standing at the edge of the empty lot nestled between the forest and the sea, contemplating possibilities. But not even TRIUMF’s founders could have imagined the twists and turns of the lab’s 50-year journey, nor the impact that the lab would have on the people of Canada and the world.

Today, on that same 12.8-acre plot of land, TRIUMF houses world-leading research and technology, and fuels Canada’s collective imagination for the future of particle and nuclear physics and accelerator science. Join TRIUMF’s Director Jonathan Bagger and colleagues for an exploration of TRIUMF’s origins, impacts, and possibilities – a story of collaboration that over five decades celebrates a multifaceted community and growing family of 20 Canadian member universities and partners from around the world. www.triumf50.com  @TRIUMFlab

FRIDAY, APRIL 13 

Frontiers in SciComm Policy & Practice

Canada 2067 – Building a national vision for STEM learning

10:30 Room 1900

Canada 2067 is an ambitious initiative to develop a national vision and goals for youth learning in science, technology, engineering and math (STEM). Significant and scalable changes in education can be achieved by aligning efforts towards shared goals that support all children and youth in Canada.  A draft framework has been developed that builds on research into global policy, broad-based public input, five youth summits, consultation with millennials and a national leadership conference. It calls for action by diverse stakeholders including students, educators, parents, community organizations, industry and all levels of governments.  In this workshop, participants will learn about the initiative and discuss the inherent challenges of catalyzing education change in Canada. Participants will also review the framework and provide feedback that will be incorporated into the final version of the Canada 2067 framework. Input into the design of phase 2 will also be encouraged.

Bonnie Schmidt, C.M., Ph.D.

Founder and President, Let’s Talk Science

Dr. Bonnie Schmidt is the founder and president of Let’s Talk Science, a national charitable organization that helps Canadian youth prepare for future careers and citizenship roles by supporting their engagement in science, technology, engineering and math (STEM). Annually, Let’s Talk Science is accessed by more than 40% of schools in over 1,700 communities, impacting nearly 1 million youth. More than 3,500 volunteers at 45 post-secondary sites form our world-class outreach network. Bonnie currently serves as Chair of the National Leadership Taskforce on Education & Skills for the Information and Communications Technology Council (ICTC) and is on the Board of Governors of the University of Ontario Institute of Technology (UOIT). She was named a Member of the Order of Canada in 2015 and has received an Honorary Doctorate (Ryerson University), the Purvis Memorial Award (Chemical Institute of Canada), Community Service Award (Life Sciences Ontario), and a Queen’s Diamond Jubilee Award. @BMSchmidt

Infographics: Worth a Thousand Words with Kate Broadly and Sonya Odsen

1:15 Room 1520

Infographics have become a popular way to present results to non-specialist audiences, and they are a very effective tool for sharing science on social platforms. Infographics are more likely to be shared online, where they increase engagement with scientific content on platforms like Twitter.

No art skills? No problem! This session will guide you through the process of creating your own infographic, from crafting your story to telling that story visually, and will include strategies to design effective visuals without having to draw (unless you want to!). Topics will include developing your key messages, making your visuals functional rather than decorative, tips for giving your visuals a professional edge, and the best software options for each artistic skill level. Our goal is to empower you to create a visually-pleasing infographic regardless of your art or drawing experience. At the end of this active session, you will have a draft of your own unique infographic ready to be made digital.

The skills you develop during this session will be readily transferable to other visual media, such as talks, posters, or even creating visuals for blog posts.

Kate Broadley

Sonya Odsen

Kate Broadley and Sonya Odsen are Science Communicators with Fuse Consulting. Located in Edmonton, Alberta, Fuse is dedicated to communicating cutting-edge research to different audiences in creative and innovative ways. Their ultimate goal is to bring knowledge to life and empower audiences to apply that knowledge in policy, conservation, research, and their day-to-day lives. Every day, Kate and Sonya tackle complex topics and transform them for specific audiences through writing and design. Infographics are one of their favourite tools for conveying information in fun and accessible ways. Their past and current design projects include interpretive signage for Nature Conservancy Canada, twitter-optimized visual abstracts for the Applied Conservation Ecology lab at the University of Alberta, and a series of science-inspired holiday cards. You can see examples of their work at http://www.fuseconsulting.ca/see-our-work/. Kate and Sonya are also ecologists by training, each holding an M.Sc. from the University of Alberta.

Should this excite your interest,  get going as registration ends March 29, 2018. Here are the rates and the registration link is at the end,

Everyone is Welcome

RATES

Early Bird Registration

SWCC Members: $300

Non-members: $400

Regular Registration 

SWCC Members: $400

  Non-members: $500

Student Rates

SWCC student members: $150

Non-member students: $200

Beakerhead Course: $500

(includes day rate + course fee)

Day Rate: $150

Victoria Half Day Rate: $75

Snorkel Safari: snorkeler $120

Snorkel Safari: ride along $90

Social Evening, April 12

  TELUS Science World, 7:00-10:00pm additional single event tickets: $25.00 (limited)

DATES

EARLY BIRD REGISTRATION OPENS: MONDAY, FEBRUARY 5, 2018

EARLY BIRD REGISTRATION CLOSES: FRIDAY MARCH 9, 2018

REGISTRATION FINAL DEADLINE: THURSDAY MARCH 29, 2018

Conference Dates

April 12, TELUS Science World with STAN

April 13 & 14, SFU Harbour Centre

April 15, Vancouver tours & Victoria day Royal BC Museum

Travel and Accommodation information is available here

Register Here

Have fun!

Visual data that’s good enough to eat

John Brownlee in a June 30, 2014 article for Fast Company explores a facet of data visualization upending the notion that this is a purely visual specialty (Note: Links have been removed),

It would be fair to say that visualization maestro Moritz Stefaner eats up data. Over the years, he has used data for everything from identifying the world’s selfiest cities to showing the hidden network stringing together the world’s scientific institutions.

It was probably only a matter of time before Stefaner made his consumption of data literal. Stefaner is now exploring a new frontier in data viz. It’s called Data Cuisine, and it’s all about cooking up infographics that you can literally eat: a pizza that conveys the patterns of 100 years of Italian immigration, for example, or a salmon mousse that explores the environmental impacts of commercial fishing over the past decade.

Here’s one of the dishes you can see should you visit the Data Cuisine website’s Data Dishes webpage,

RequiemForScience

This fascinating dish provides a multi-layered representation of a simple, but striking statistic: science funding in Spain was cut by a staggering 34% over the last few years.

Antonija Kuzmanic decided to represent this huge drop in funding with two almond cakes (Tortas de Santiago) — based on the same recipe, but prepared differently. The first one was made applying “scientific” techniques (foaming the dough with a siphon and microwaving it for 45 seconds), representing the situation before the cuts, while the second cake represents today.

It was baked in the traditional way without advanced techniques, and turned out considerably drier and denser. In addition, the amount of sugar used in the cakes is proportional to the different amounts of funding in science, resulting in a much less enjoyable experience for the “non-science” cake.

 

Brownlee’s article offers a good overview of the project, the two organizers Mauritz Stefaner and Susanne Jaschko, and the first two workshops that were held in Helsinki (Nov. 2013) and in Barcelona (June 2014), respectively.

While Data Cuisine seems the best organized of the food data visualization movement, the proponents note other efforts on their Resources and reference projects page.

Visualizing nanotechnology data with Seed Media Group and GE (General Electric)

University of Washington (UW) researchers have uploaded a number of nanotechnology infographics on the visualizing.org website, from the UW Division of Design 2010: Nanotechnology Infographics webpage,

There are more than 1/2 dozen of these nanotechnology-themed infographics available on the page. This particular infographic, Nanotechnology:  Size Really is Everything,  has the following credit line,

By Kim Shedrick. Faculty: Karen Cheng, Marco Rolandi. Part of a series of infographics explaining nanotechnology through scale, how it has integrated into society, and what products it is being used in today.

Cheng and Rolandi have been mentioned here before in a Feb. 22, 2012 posting about their University of Washington Design Help Desk and their effort to match up scientists with designers in the interest of producing better science graphics.

I have nothing against better science graphics but I would like to know what information/data is supporting this and their other visualizations. I did resize the graphic to look more closely at the text but there were no references or citations.

Btw, The website handles ‘zooming’ in to see details clumsily. Rather than a click on the zooming tool resulting in a larger image, you are presented with an infographic which is now held within an Adobe PDF reader before you can magnify the image.

For those generally interested in infographics and visualizing date, there’s a lot to choose from on the Visualizing.org website. For those who like to dig a bit deeper, this site is a public relations ploy by General Electric and Seed Media Group. From the About Visualizing.org webpage,

Visualizing.org was created by GE and Seed Media Group to help make data visualization more accessible to the general public; to promote information literacy through the creation, sharing, and discussion of data visualizations; and to provide a unique resource to help simplify complex issues through design.

Seed Media seems to be an outgrowth (pun intended) of SEED Magazine. The magazine, which was founded by Adam Bly when he lived in Montréal, Canada, has always been focused on science and culture.  Headquarters for the magazine were moved to New York and, either at the same time or later, the magazine became a strictly online publication. From the Wikipedia essay (Note: Links have been removed),

Seed (subtitled Science Is Culture; originally Beneath the Surface) is an online science magazine published by Seed Media Group. The magazine looks at big ideas in science, important issues at the intersection of science and society, and the people driving global science culture. Seed was founded in Montreal by Adam Bly and the magazine is now headquartered in New York with bureaus around the world. May/June 2009 (Issue No. 22) was the last print issue. Content continues to be published on the website.

(I first mentioned SEED magazine in a Sept. 18, 2009 posting.) Interestingly, Seed Media which publishes the magazine makes no mention of it (that I could find) on its website. From Seed Media Group’s Learn webpage,

Scientific ThinkingTM

It’s a different way of looking at the world. It’s about using data to uncover patterns and design to confront complexity. It’s about connecting things to reveal systems. It’s about traversing scales and disregarding disciplines, applying neuroscience to economics, math to global health, virology to manufacturing, and genetics to law… It’s about experimenting all the way to understanding. It’s about changing your mind with new evidence – and getting as close to truth as humanly possible.

Getting 7 billion people to think scientifically has never been a small mission. And it has never been more important.

Since 2005, we have offered ideas and stories to help people think scientifically. Now we’re taking the next big step in this journey by creating tools and services to help institutions – companies, governments, and international organizations – do the same. We’re taking our way of seeing and thinking to parliaments, courtrooms, hospitals, construction sites, boardrooms… around the world – to catalyze scientific thinking at scale.

I’m not sure how one would go about trademarking ‘scientific thinking’ as this is  a very commonly used phrase and I’m pretty sure a case could be made that it has been common language for centuries.  This oddity had me going back to the Visualizing.org for their terms and conditions, which are largely unexceptionable,

These are the general terms of use. For terms and conditions regarding the uploading of work, please read the Visualization Submission Agreement.

This Web site is owned by General Electric Company (“GE”) and operated by Seed Media Group, LLC (“Seed”). Throughout the site, the terms “we,” “us” and “our” refer collectively to GE and Seed. We offer this Web site, including all information, tools and services available from this site, to you, the user, conditioned upon your acceptance of all the terms, conditions, policies and notices stated here. Your use of this site constitutes your agreement to these Terms of Use.

When you submit material other than a Visualization, you grant us and our affiliates an unrestricted, nonexclusive, royalty-free, perpetual, irrevocable and fully sublicensable right to use, reproduce, modify, adapt, publish, translate, create derivative works from, distribute and display such material throughout the world in any media. You further agree that we are free to use any ideas, concepts, know-how that you or individuals acting on your behalf provide to us. [emphasis mine] You grant us and our affiliates the right to use the name you submit in connection with such material, if we so choose. All personal information provided via this site will be handled in accordance with the site’s online Privacy Policy. You represent and warrant that you own or otherwise control all the rights to the content you post; that the content is accurate; that use of the content you supply does not violate any provision herein and will not cause injury to any person or entity; and that you will indemnify us for all claims resulting from content you supply.

Interesting, non? This has me wondering if it’s possible that  these folks (GE & Seed Media) might decide to use a concept from the visualization without any permission needed. If I understand this rightly, the promise is the visualization won’t be used, all they need is the idea or concept and either company (GE/Seed) or their affiliates can find someone else to illustrate or visualize it.  I find a company (Seed) that’s trying to trademark ‘scientific thinking’ might have some credibility issues regarding their stated terms and conditions for this visualizing.org website.

For the icing on this visualization cake, here’s a video from Visualizing.org’s About page where there is much discussion about the importance of design and visualization of data but not one single scientist is featured,