Today [November 4, 20210], University of Ottawa and Ingenium – Canada’s Museums of Science and Innovation – announced a partnership that brings an interactive and educational digital experience to Kanata North. Innovating beyond the walls of its museums, Ingenium has created iOS [formerly iPhone OS {operating system}] and Nintendo Switch games to make learning fun. On site at the University’s Kanata North campus at 535 Legget Drive, visitors can now experience what it is like to fly like a honeybee, go on a mission to Mars, or test their skills as a fighter pilot in WWI.
“The University’s partnership with Ingenium has been a long and productive one, anchored by a common mandate to promote science education and to create environments that foster science and technology innovation,” said Veronica Farmer, Director, Partnerships and Commercialization at uOttawa Kanata North. “The digital games installation reflects this intent and definitely brings an element of fun to our Kanata North campus.”
Opened in 2018, uOttawa’s Kanata North campus has been partnering with Kanata North companies, connecting them to exceptional young talent, valuable education programming, relevant research expertise as well as global networks – all important factors to facilitate innovation. Recently expanded to 8000sqft, uOttawa Kanata North offers a large, dynamic collaborative and training space.
“As a national institution, we know that digital innovation is key to connecting with all Canadians. In partnering with uOttawa, we hope to foster creativity, discovery and innovation [emphasis mine] in the next generation,” said Darcy Ferron, Vice-President, Business Development [emphasis mine] at Ingenium.
This digital experience [emphasis mine] will benefit students, researchers, alumni and partners based in Kanata North. All are welcome to visit the uOttawa Kanata North campus and immerse themselves in an innovative, interactive and educational digital experience through this unique installation dedicated to showcasing that science and technology innovation starts with curiosity and exploration.
“Ingenium has been the place where this has happened for generations and this digital experience offers a reminder to all that visit our Kanata North campus of the deep connection between science and technology education, university training and research, and fulfilling careers in technology,” added Veronica Farmer.
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The University of Ottawa—A crossroads of cultures and ideas
The University of Ottawa is home to over 50,000 students, faculty and staff, who live, work and study in both French and English. Our campus is a crossroads of cultures and ideas, where bold minds come together to inspire game-changing [inadvertent pun] ideas. We are one of Canada’s top 10 research universities—our professors and researchers explore new approaches to today’s challenges. One of a handful of Canadian universities ranked among the top 200 in the world, we attract exceptional thinkers and welcome diverse perspectives from across the globe.
About Ingenium – Canada’s Museums of Science and Innovation
Ingenium oversees three national museums of science and innovation in Ottawa – the Canada Agriculture and Food Museum, the Canada Aviation and Space Museum, and the Canada Science and Technology Museum— and the new lngenium Centre, which houses an exceptional collection, research institute, and digital innovation lab. lngenium takes science engagement to the next level by co-creating participatory experiences, acting as community hubs and connectors, helping Canadians contribute to solving global challenges, and creating a collective impact which extends far beyond the physical spaces of our museums. Ingenium is a vital link between science and society. Our engaging digital content, outreach programs, travelling exhibitions, and collaborative spaces help to educate, entertain, and engage audiences across Canada and around the world.
I do have a few questions. Presumably offering these digital experiences will cost money and there’s no mention of how this is being funded. As well, it’s hard to know when this digital experience will be offered since there’s no mention of any proposed start date.
The innovation (in the instance I’ve emphasized, it’s code for business) part of this endeavour is a bit puzzling. Is this University of Ottawa/Ingenium partnership going to act as a lab for Apple and Nintendo games development?
Finally, if an outsider should wish to visit this digital lab/experience at the University’s Kanata North campus at 535 Legget Drive how should they identify it? There doesn’t seem to be a name for it.
In this unique colour-focused artist talk, Sova will explore her Covid19 Collage Project created in direct response to the pandemic. She will take the audience through an analysis of how she utilizes the precise symbolic and aesthetic qualities of colour-choice to reflect her psychological response to our current times and amplify the intent in her artist statement: ‘Former eyes have been replaced, and the curtain pulled back on the inequities that we didn’t fully see before. Newsfeeds are full of surreal deaths and devastating condolences. Different eyes; metallic and shiny. Eyes that no longer know how to ‘look to our future” for hope and possibilities. Our Instagram lives and our vitriolic materialism now laid bare. We are left to self-reflect, face ourselves, slow down, and toss and turn at night with vivid crackling dreams alive with messages screaming from our subconscious. We thought we were separate from nature, but now we know we are one. Sequestered in our homes, our minds begin to change, fracture with confusion. We float in a sea of unknowns, covering our faces with psychological and real masks. In a sparkly shiny isolated dreamy space; how will we prophesize our new future and manifest in a new uncertain one?
Bio: Ilene Sova holds the position of Ada Slaight Chair of Contemporary Drawing and Painting in the Faculty of Art at Ontario College of Art and Design University [OCAD University]. She identifies as Mixed Race, with a white settler, Afro-Caribbean, and Black Seminole ancestry. She is also an artist who lives with the disability of Epilepsy. As such, she passionately identifies with the tenets of intersectional feminism and has dedicated her creative career to art and activism. Ilene Sova is also the founder of the Feminist Art Collective and Blank Canvases, an in-school creative arts programme for elementary school students. She holds an Honours BFA from the University of Ottawa in Painting and an MFA in Painting and Drawing from the University of Windsor. With extensive solo and group exhibitions in Canada and abroad, Sova’s work has most notably been shown at Museum of Canadian Contemporary Art, the Department of Canadian Heritage, and Mutuo Centro de Arte in Barcelona. Sova’s artwork has been featured internationally in the Journal of Psychology and Counselling, the Nigerian Arts Journal, Tabula and the Italian feminist journal, Woman’O’Clock. In her academic career, Sova has been invited to speak on diversity and equity in arts curriculum at the Art Gallery of Ontario, Pratt University and the Association of Independent Colleges of Art and Design conference in Los Angeles. A passionate public speaker, Sova was chosen to speak at the first TEDx Women event in Toronto, and Southern University New York where she gave an all University Lecture on Art and Social Change. Additionally, Sova was invited to deliver the Arthur C. Danto Memorial Keynote Lecture at the 76th Annual Meeting of the American Society for Aesthetics (ASA). Sova’s exhibitions and advocacy in education have been featured on Global Television, CBC Radio, the Toronto Star, Canada AM, The Metro, National Post, Canadian Art, and MSN News.
Presentation #1: Cosmovision of the Polynesia and Rapanui.
Featured Speaker: Edmundo Edwards Eastman. Archeoastronomy. President Fundación Planetario Rapanui
Abstract: Some 3,500 years ago, the ancestors of the Polynesians led the speediest human expansion of the pre-historic world, guided by nothing more than their complex astronomical observations and an understanding of natural signs. This knowledge, coupled with tremendous navigational skills and human ingenuity, allowed the Polynesians to explore the vast Pacific Ocean and develop highly sophisticated cultures on thousands of different islands.
Bio: Edmundo’s passion for archaeology started when he was 12 years old and discovered a pre-Incan site in northern Chile, yet it was after visiting Rapa Nui in 1957, that he became enthralled by Rapanui culture and returned to the island in 1960 with archaeologist William Mulloy. Edmundo has lived and worked in Polynesia ever since. In 1977 he co-founded the Centro de Estudios de Isla de Pascua where he carried out archaeological and ethnographic studies for the University of Chile until 1985. He then left for Tahiti, conducting archaeological surveys and leading restoration work in the Society, Marquesas, and Austral Islands until he returned to Rapa Nui in 1994. Edmundo has since then devoted himself to the scientific study and preservation of the archaeology and culture of the Pacific islands. He is the co-founder of the Pacific Islands Research Institute (PIRI) and co-owner of Archaeological Travel Service (ATS). Edmundo is an active member of the Explorers Club and in 2011 he was honored with the Lowell Thomas Award for his exceptional contribution to human knowledge through his valuable research and discoveries in Polynesia, and in 2016 he received the Citation of Merit.
Presentation #2: Celestial Africa
Featured Speaker: Jarita Holbrook
Abstract: The continent of Africa is large and has thousands of ethnic groups living in over 50 countries. Though home to some of the biggest astronomical telescopes in the world, there remains the perception that Africans have little awareness of the celestial realm. In reality, African indigenous astronomy is rich with many cultural connections to the sky as well as many practical uses of the sky. Holbrook will share some of the African legacy of rich skylore, artistic works, and practices connected to the sky.
Bio: Jarita Holbrook is a Marie Skłowdowska Curie Fellow in Science, Technology & Innovation Studies at the University of Edinburgh. Holbrook has successfully navigated the physical science and the social sciences. Upon moving to South Africa in 2013 to the Physics department at the University of the Western Cape, Holbrook was engaged in indigenous astronomy, studying the sociocultural aspects of astrophysics education in South Africa, and making a film about the social issues connected to building the Square Kilometre Array radio telescope. Using interview based inquiry, Holbrook researches the practices of inclusion and exclusion through analyzing socioeconomic class, gender, and ethnicity among database-driven astrophysics collaborations. Holbrook’s current project, ASTROMOVES, explores these in the context of career decision making among astrophysicists.
Panellists:
Anita Tenasco is an Anishinabeg from Kitigan Zibi. She has a Bachelor’s degree in history and teaching from the University of Ottawa, as well as a First Nations leadership certificate from Saint Paul’s University, in Ottawa. She has also taken courses in public administration at ENAP (The University of Public Administration). In Kitigan Zibi, she has held various positions in the field of education and, since 2005, is director of education in her community.
Anita was an active participant in the Honouring Our Ancestors project, in which the Anishinabeg Nation of Kitigan Zibi, under Gilbert Whiteduck’s direction, was successful in the restitution of the remains of ancestors conserved at the Canadian Museum of History, in Gatineau. Anita also participated in the organizing of a conference on repatriation, in Kitigan Zibi, in 2005. She plays an important role in this research project.
Wilfred Buck is a member of the Opaskwayak Cree Nation. He obtained his B.Ed. & Post Bacc. from the University of Manitoba.
As an educator Wilfred has had the opportunity and good fortune to travel to South and Central America as well as Europe and met, shared and listened to Indigenous people from all over the world.
He is a husband, father of four, son, uncle, brother, nephew, story-teller, mad scientist, teacher, singer, pipe-carrier, sweat lodge keeper, old person and sun dance leader. Researching Ininew star stories Wilfred found a host of information which had to be interpreted and analyzed to identify if the stories were referring to the stars. The journey began… The easiest way to go about doing this, he was told, was to look up.
“The greatest teaching that was ever given to me, other than my wife and children, is the ability to see the humor in the world”…Wilfred Buck
Yasmin Catricheo is the STEM Education Scholar at AUI’s Office of Education and Public Engagement. She is a physics educator from Chile, and of Mapuche origin. Yasmin is passionate about the teaching of science and more recently has focused in the area of astronomy and STEM. In her professional training she has taken a range of courses in science and science education, and researched the benefits of scientific argumentation in the physics classroom, earning a master’s degree in education from the University of Bío-Bío. Yasmín is also a member of the indigenous group “Mapu Trafun”, and she works closely with the Mapuche community to recover the culture and communicate the message of the Mapuche Worldview. In 2018 Yasmín was selected as the Chilean representative for Astronomy in Chile Educator Ambassador Program (ACEAP) founded by NSF.
*Ingenium is the name for Canada’s Museums of Science and Innovation, which acts as an umbrella organization for the Canada Agriculture and Food Museum, the Canada Aviation and Space Museum, and the Canada Science and Technology Museum.
Tools for Catching Clouds at Venice’s Biennale Architettura 2021
This information comes from a June 8, 2021 email received from the artist himself, Lanfranco Aceti,
Tools for Catching Clouds is a new series of works of art by Lanfranco Aceti. They are a segment of Preferring Sinking to Surrender — the artist’s installation at the Venice Architecture Biennale, 2021. The installation is comprised of drawings, sculptures, paintings, videos, performances, and a vegetable garden.
Curated by Alessandro Melis for the Italian Pavilion, Preferring Sinking to Surrender is a progression and accumulation of works of art that will be developed throughout the duration of the Venice Architecture Biennale, from May 21, 2021, to November 21, 2021.
The artist reimagines the future in matriarchal terms and bypasses social upheavals and legacies of environmental disasters through a series of aesthetic approaches that navigate melancholia, anger, and hope. The works of art retrace the legacies of the past — back to the Italic tribes that populated the Apennines before the founding of Rome and the arrival of Greeks in southern Italy.
The worship of the Magna Mater — or the Great Black Mediterranean Mother — by the Italic tribes is a necessary rediscovery to understand the resilience of matriarchy and its values of acceptance and inclusion within societies that have become patriarchal in nature and, de facto, hierarchical and exclusionary. Nevertheless, these values resist and persist, and have empowered entire generations who were considered ‘outsiders’ and who have found, in the embrace of the ‘Mamma Schiavona’ (another name for the Magna Mater), their strength, networks of solidarity, and empowerment.
Aceti’s research in gender issues and alternative structures to patriarchy, developed during a one year affiliation at Art, Culture and Technology (ACT) @ MIT, inspired a continued analysis of pre-Roman matriarchal societies. This led to the conception of Preferring Sinking to Surrender as an alternative space and narrative to current capitalistic cultural frameworks.
“I have to say that it is a pleasure working with Alessandro Melis,” said Aceti. “Not every curator is fond of process based art. For me it is particularly rewarding to have found a curator that is both empowering and supportive.”
For more information and images of Tools for Catching Clouds, click here.
About the Artist
Lanfranco Aceti is known for his extensive career as artist, curator, and academic. He has exhibited numerous personal projects including Car Park, a public performance in the UK at the John Hansard Gallery; Who The People?, an installation artwork acquired in its entirety by the Chetham’s Library and Museum in Manchester; Sowing and Reaping, installation artworks acquired in their entirety by the National Museum of Contemporary Art of Cyprus; Hope Coming On, a site-specific choral performance he designed for the Museum of Fine Arts, Boston and realized in front of Turner’s Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On); Shimmer, a series of sculptural, photographic, and painting works curated by Irini Papadimitriou (V&A) at the Tobazi Mansion in Hydra; a large choral performance titled Accursed for the Thessaloniki Biennial in Greece; and Knock, Knock, Knocking a public space installation in the Mediterranean Garden Pavilion of the New Sea Waterfront of Thessaloniki. Currently, he is developing a large international project, Preferring Sinking to Surrender for the Venice Architecture Biennale 2021, which includes performances in major cities around the world.
About The Studium
The Studium is Lanfranco Aceti’s artistic studio. It has partnered with public and private organizations as well as with individuals to realize the artist’s works and to develop fora for the discussion of aesthetic approaches to public space, the role of contemporary art in the social political landscape, and themes of social and environmental justice.
For questions or information and materials, please contact The Studium’s Marketing Director, John Francescutti.
Something hopeful was in my email box this morning (August 27, 2020), it’s a survey from Ingenium, the portmanteau for the Canada Aviation and Space Museum, the Canada Agriculture and Food Museum, and the Canada Science and Technology Museum.
Have you ever asked yourself how the Canada Science and Technology Museum might improve its outreach to those of us outside Ottawa and the southern regions of Ontario and Québec? (To be fair, they do have an online presence with some activities and information.)
Well, it seems that now COVID-19 has constrained their attendance numbers, the folks at the museum are looking at livestreaming some of their Curiosity on Stage presentations and making them available for viewing afterwards.
The survey I saw this morning (August 27, 2020) is designed to gauge interest. Here’s more from the August 26, 2020 Ingenium notice,
Calling all museum lovers!
Would you have 3 minutes to help the Canada Science and Technology Museum develop activities, events, and experiences for young and old? You just need to complete a short set of questions in our online survey conducted with Quorus Consulting.
To complete this short survey please click on the following link (if the link is inactive, please copy and paste the URL into your browser to access the survey):Take the Survey
Please complete your survey by August 30, 2020.
If you have any technical difficulties with the survey, please contact the team at Quorus at discussions@quorusconsulting.com. If you would like to contact someone at Ingenium regarding this study, you can reach Lisa Leblanc by email at: lleblanc@ingeniumcanada.org.
We appreciate your assistance.
Sincerely,
Christina Tessier President and CEO of Ingenium
P.S. As a reminder, your participation is voluntary. All your answers will remain completely confidential and anonymous; no individual respondents will be identified as part of the analysis and, in accordance with the Privacy Act, no one will contact you as a result of your answers to this survey without your express consent.
—–
Appel aux amateurs de musées!
Auriez-vous trois minutes pour aider le Musée des sciences et de la technologie du Canada à développer des activités, des événements et des expériences pour petits et grands? Vous n’aurez qu’à répondre aux quelques questions de notre sondage en ligne réalisé conjointement avec le groupe-conseil Quorus.
Pour remplir ce court sondage, veuillez cliquer sur le lien suivant (si le lien est inactif, veuillez copier et coller l’URL dans votre navigateur pour accéder au sondage): Participer à l’enquête
Veuillez remplir le sondage d’ici le 30 août 2020.
Si vous éprouvez des difficultés techniques avec le sondage, veuillez communiquer avec l’équipe de Quorus à discussions@quorusconsulting.com. Si vous souhaitez parler à quelqu’un chez Ingenium concernant cette étude, vous pouvez communiquer avec Lisa Leblanc par courriel à lleblanc@ingeniumcanada.org.
Votre aide nous est précieuse.
Cordialement,
Christina Tessier Présidente et chef de la direction d’Ingenium
P.S. Nous souhaitons vous rappeler que, votre participation se fait sur une base volontaire. Vos réponses seront entièrement confidentielles et anonymes. Aucune personne interrogée ne sera identifiée dans le cadre de l’analyse et, conformément à la Loi sur la protection des renseignements personnels, personne ne communiquera avec vous à la suite de ce sondage, et ce, sans votre consentement explicite.
For anyone not familiar with ‘Curiosity on Stage’, here’s a description of a couple of the presentations and what they’re hoping to do (from the survey, which really did take me about 3 minutes),
email survey
During the 2019-2020 season, the Canada Science and Technology Museum hosted Curiosity on Stage, live evenings of talks and discussions with scientific leaders from private industry, academia and government. Topics were aimed at the future of innovation in science and technology and its applications for building a better society.
Titles of previous events include:
“Can Artificial Intelligence Tackle Climate Change: exploring the potential of AI to reduce greenhouse gas emissions and help Canada lead in the clean tech economy”, and
“When Your City is Smarter than You: exploring the future of cities in an increasingly algorithmic world”.
Given the challenges of hosting live events during COVID-19, Curiosity on Stage will have a different format this fall, as follows:
Digital instead of in-person discussions hosted through an online platform (i.e. YouTube, Zoom, or Crowdcast).
Available to anyone at no cost.
Recordings of the lectures available to those who cannot attend the virtual events live.
Fully bilingual through simultaneous translation.
Those who watch the event “live” will have the opportunity to ask questions to the experts through a live chat box and comments section.
BTW, I wasn’t sure how to answer the question later in the survey about what time of day I would like to watch a livestream. Whoever designed the survey doesn’t seem to have taken timezones into account. I answered from the perspective of someone on the West Coast.
I don’t know what’s happened but either there are way more science type events or I’ve changed some pattern of internet use and am stumbling across more of them. I vote for the former.
In any event, this is the third ’roundup’ of science type things and/or events that I’ve published this October 2019. *ETA October 23, 2019: The events are in one or other of the science museums in Ottawa, the internships (part-time) are in Washington, DC, and Sci_Tunes is aimed at teachers in the UK although I imagine anyone is free to enjoy them.*
Ingenium
All three of the museums that are included in the Ingenium portmanteau (formerly the Canada Science and Technology Museums Corporation) have events and Ingenium itself is announcing a science type thing (a video game).
AI (artificial intelligence) and climate change at the Canada Museum of Science and Technology
From an October 16, 2019 Ingenium announcement (received via email),
Canada Science and Technology Museum Oct. 24, 2019 (6:30 p.m. – 8:30 p.m.) Fee: $10 for non-members, $7 for members and students. Registration required. Language: English presentation with simultaneous translation into French, and a bilingual Q & A.
Climate Change and Artificial Intelligence – two topics essential to the future of our society, each with their own inherent challenges. What if they could work together for the greater good?
Join invited speakers from Watergeeks.io and BluWave AI for a discussion that will explore the potential to use AI to reduce greenhouse gas emissions, build climate resilience,and help Canada lead in the clean tech economy. Don’t miss this essential evening, the first in the thematic series “Living in the Machine Age.”
For anyone who may be confused about the museum name (as I was for so very long): The corporation is the governing entity for three museums, Canada Science and Technology, Canada Agriculture and Food Museum, and Canada Aviation and Space Museum. Changing the corporate name from Canada Science and Technology Museums Corporation to Ingenium was welcome news (to me, if no one else).
Sky High Magic at the Canada Aviation and Space Museum
From an October 16, 2019 Ingenium announcement (received via email) ,
Canada Aviation and Space Museum
Jan. 5, 2020, Feb. 17, 2020, and March 8, 2020
Fee: $8 per ticket, $6 for members (with the discount code)
Language: Bilingual
Mark your calendar…the Sky High Magic
Series is coming back to the Canada Aviation and Space Museum! With
shows running through March 2020, this year’s line up features talented,
high-energy magicians who will dazzle you with amazing illusions —
mixed with a whirlwind of comedy.
Reserve your tickets now to avoid disappointment! For full details, visit Sky High Magic Series.
StarBlox Inc. at Ingenium
StarBlox is a video game and one of the more peculiar initiatives that I’ve seen. From an October 16, 2019 Ingenium announcement (received via email),
StarBlox Inc. is a mashup of a puzzler and a brawler — in space! Ingenium’s experts worked on the science in the game to immerse players in a realistic world. For example, when playing on the Jovian moon Io, you’ll need to dodge waves of lava. In real life, these can measure over 50 km high!
The game includes 72 unlockable photobook entries about the planets, moons, and asteroids in the game, with images from NASA. Check out the StarBlox Inc. trailer.
…
I’ve included a copy of the trailer here,
It seems more like a entrepreneur’s starter kit than a game. The overarching theme seems to be that the business of transportation and delivery is a zero sum game. Philosophically, they seem to be espousing capitalism as a form of the ‘strongest survive’ tenet.
OTTAWA, ON, September 30, 2019 – Nintendo Switch players can now join the team at StarBlox Incorporated – where sorting cargo is a contact sport!
A unique mash up of a puzzler and a brawler, Ingenium – Canada’s Museums of Science and Innovation – developed the game for Nintendo Switch in partnership with Seed Interactive. Crafted for scientific accuracy by Ingenium’s expert science advisors and curatorial staff, StarBlox Inc. features stunning planetary backdrops which have been meticulously designed to ensure that players are fully immersed in a realistic world.
As players deliver cargo to the far corners of the solar system, each of the planets, moons and asteroids presents new challenges – from black holes to gravity to waves of lava. This interactive game tests quickness and ability to efficiently to beat the competition. But watch out – the shipping world is fierce! An opponent can sabotage work by stealing blocks, delivering punches or even throwing someone in the incinerator!
Game features include: Two local competitive multiplayer modes for up to four people Single player “Career mode” Seventy-two unlockable photobook entries about the planets, moons and asteroids in the game, with images provided by NASA
StarBlox Inc. is now available for pre-purchase in North America, and will launch in the Nintendo eShop on Nintendo Switch later this fall.
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QUOTES
“As science communicators, Ingenium is proud to create digital experiences that reach beyond the four walls of our Museums. This latest foray into the world of gaming is just one of the many ways in which we are leveraging our world class collection and team of experts to engage people regardless of where they are – nationally and internationally.” – Christina Tessier, President and CEO, Ingenium – Canada’s Museums of Science and Innovatio
“Seed Interactive creates entertainment with a purpose. As digital innovators we utilize games and interactive technologies to create exciting and accessible education, health and wellness and entertainment products.” -Aaron McLean, Founder and C.O.O, SEED Interactive Inc
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The game was released October 18, 2019.
Hercules and the last straw at the Canada Agriculture and Food Museum
From an October 21, 2019 Ingenium announcement (received via email),
Hercules and The Last Straw
Friday, November 8, 2019 5:30 p.m. to 8 p.m. Canada Agriculture and Food Museum
We are pleased to invite you to join us at the Canada Agriculture and Food Museum at 5:30 p.m. on Friday, November 8, 2019 for a special evening of art and inspiration.
Ingenium is thrilled to partner with celebrated artist Elaine Goble as she shares her artistic perspectives on the fascinating connection between the STEAM subjects of Science, Technology, Engineering, Arts, and Mathematics, and personal wellness. The Canada Agriculture and Food Museum is one of three museums of Ingenium – Canada’s Museums of Science and Innovation.
For the first time, three of Ms. Goble’s large-sized animal portraits will be on view simultaneously. The vernissage and presentation will be held in the museum’s Learning Centre, where guests will be welcome to view the artworks and meet the artist before the presentation. Ms. Goble’s pieces will be complemented by several other agriculture-related artworks from Ingenium’s national science and technology collection.
Light refreshments and a cash bar will be offered.
In honour of Ms. Goble’s commitment to using art as a catalyst for curiosity and expression, a $20 donation to the museum’s art programming is requested. A tax receipt will be issued to all ticket holders and donors. If you cannot attend but would like to make a donation, please visit the Ingenium Foundation’s website .
Please RSVP using this link before November 3. As space for this event is limited, please reserve early to ensure you don’t miss out on this evening devoted to art, ingenuity, and the human spirit. A reminder with more information, including detailed driving and parking directions, will be emailed to all registrants several days before the event.
Here’s the image they’re using to accompany the publicity for the event,
Presumably, that is either Hercules or a stand-in for him.
Perimeter Institute and ‘Homes away from home’ with Elizabeth Tasker
I tried but these Perimeter Institute (PI) events are very popular and they are already at the wait list stage mere hours after making tickets available. However, there are other ways to attend as you’ll see.
Here’s more from an October 18, 2019 announcement from PI (received via email),
Homes away from home WEDNESDAY, NOVEMBER 6 [2019] at 7 PM ET Elizabeth Tasker, Japan Aerospace Exploration Agency
Since the discovery of the first exoplanets in the early 1990s, we have detected more than 4,000 worlds beyond our solar system. Many of these are similar in size to our Earth, leading to an obvious question: could any be habitable?
On November 6 [2019], astrophysicist and author Elizabeth Tasker will take audiences for a speculative stroll through a few of the alien worlds we’ve discovered in the galaxy, and ponder whether someone else may already call them home. Read more ➞
Become a member of our donor thank you program! Learn more.
Here’s a bit more detail from the event’s ticket page,
PI Public Lecture Series:
Title: Homes away from home – the hunt for habitable planets
Abstract:
Since the discovery of the first exoplanets in the early 1990s, we have detected more than 4,000 worlds beyond our solar system. Many of these are similar in size to our Earth, leading to an obvious question: could any be habitable?
For now, we typically only know the size and orbit of these planets, but nothing about their surface conditions. Although we cannot know for sure if these worlds could support life, we can use models to speculate on what we might find there.
In her Nov. 6 [2019] talk at Perimeter Institute, astrophysicist and author Elizabeth Tasker will take audiences for a speculative stroll through a few of the alien worlds we’ve discovered in the galaxy, and ponder whether someone else may already call them home.
Elizabeth Tasker is an astrophysicist at the Japan Aerospace Exploration Agency (JAXA). Her research explores the formation of stars and planets using computer simulations. She is particularly interested in how diverse planets might be and what different conditions might exist beyond our Solar System. Elizabeth is also a keen science communicator and writer for the NASA NExSS “Many Worlds” online column. Her popular science book, The Planet Factory, was published out in paperback in Canada last April.
Wilson Center Spring 2020 science and technology internships
From an October 21, 2019 Wilson Center announcement (received via email),
The Science and Technology Innovation Program (STIP) is currently welcoming applicantions for the spring semester of 2020. Our internships are designed to provide the opportunity for current students or recent graduates for practical experience in an environment that successfully combines scholarship with public policy. We recommend exploring our website to determine if your research interests align with current STIP programming around emerging technologies, i.e.:
5G * Artificial Intelligence * Big Data * Citizen Science * Cybersecurity * Disinformation * Marine Debris/Ocean Plastics * One Health * Open Science * Public Communication of Science * Serious Games
We offer two types of internships: graduate-level research and undergraduate-level research internships. All internships must be served in Washington, D.C. and cannot be served remotely. Internships are unpaid unless otherwise stated.
Tools like Foldscope, a $1 microscope, and Arduino, a microprocessor for creating customized scientific instrumentation, show how low cost hardware (including open, proprietary, and mixed solutions) can accelerate research while making it more transparent and participatory.
These tools have the potential to change how, and by whom, science is done, within professional spaces and broader communities. But more work is needed to understand the capacity and future potential for low-cost hardware to accelerate and broaden participation in scientific research. We are seeking a research intern with an interest in exploring democratized scientific research and technological development through the lens of low cost hardware.
Our world is drowning in plastic pollution. Humans produce about 300 million tons of plastic waste every year, equivalent to the weight of the entire human population in 2018. Nowhere is this crisis more visible than in our oceans, which by 2050 could contain more plastic than fish. Further complicating this issue are city-state actors, such as the United States, EU and China, who have vastly different approaches in how to negate the issue area. The global public needs to understand the impact of plastic pollution and how to end its leakage into the ocean.
We are seeking a research intern with an interest in exploring the ocean plastics issue in a shared role between the China Environment Forum and Science and Technology Innovation Program’s Serious Games Initiative.
The deadline for Spring 2020 internships is November 15, 2019.
Cosmic Shambles and Sci-Tunes
Cosmic Shambles (officially, The Cosmic Shambles Network) is a science blog network that rose from the ashes of the Guardian science blog network. These days they have podcasts, videos, blogs, and more. This latest project is described in an October 21, 2019 posting on the Cosmic Shambles blog,
In association with The Stephen Hawking Foundation and science troubadour Jonny Berliner, The Cosmic Shambles Network is proud to present Sci-Tunes.
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Coming soon, a series of educational music videos on GCSE [General Certificate of Secondary Education examinations in the UK] Physics, written and performed by Jonny Berliner, funded by The Stephen Hawking Foundation, and produced by The Cosmic Shambles Network. The full videos will be released in November [2019] and accompanied by free resources packs for both teachers and students. …
