Tag Archives: Laura U. Marks

Toronto’s ArtSci Salon in Vancouver (Canada) and Venice (Italy)

In addition to the June 22 – July 16, 2022 exhibition in Toronto (These are a Few of Our Favourite Bees) highlighted in my June 14, 2022 posting, the ArtSci Salon has sent a June 20, 2022 announcement (received via email) about two events taking place for the first time in venues outside of Toronto,

IN VANCOUVER

A LIGHT FOOTPRINT IN THE COSMOS

SYMPOSIUM, EXHIBITIONS, PERFORMANCES, AND SCREENINGS

JUNE 24 – 27, 2022 | IN-PERSON AND ONLINE
DJAVAD MOWAFAGHIAN WORLD ART CENTRE
SFU GOLDCORP CENTRE FOR ARTS,
149 W. HASTINGS ST., VANCOUVER AND OTHER VENUES

REGISTRATION ON A SLIDING FEE SCALE.
IN-PERSON REGISTRATION INCLUDES CATERED LUNCHES AND COFFEE BREAKS AND
ADMISSION TO PERFORMANCES AND SCREENINGS.



A Light Footprint in the Cosmos is a celebration of research methods
and intercultural dialogue elaborated by the Substantial Motion Research
Network (SMRN).

Inspired by 17th–century Persian process philosopher Sadr al-Dīn
al-Shīrāzī, Azadeh Emadi and Laura U. Marks founded SMRN in 2018
for scholars and practitioners interested in cross-cultural exploration
of digital media, art and philosophy. Sadra famously stated that  each
individual is “a multiplicity of continuous forms, unified by the
essential movement itself,” which describes how SMRN’s members inform
each other’s practice and how those practices weave across artistic
and scholarly work. Our collective method unfolds hidden connections:
researching histories of media in world cultures, tracing paths of
transmission, seeking models for media in world philosophies, studying
vernacular practices, cultivating cultural openness, developing hunches,
building imaginative and fabulative connections, and diagramming the
processes of unfolding and enfolding. We fold South, Central, and East
Asian, Persian, Arab, North and sub-Saharan African and African
diaspora, Eastern European, and global Indigenous practices into
contemporary media and thought. Our light footprint lies in seeking
appropriate technological solutions, often from non-Western and
traditional practices, to contemporary overbuilt digital
infrastructures.

Celebrating the substantial motion of thought and/as creative practice,
A Light Footprint in the Cosmos will feature presentations by 60
scholars and artists, delivered both online and in person, at the
acoustically sophisticated performance venue Djavad Mowafaghian World
Art Centre.

The exhibitions, performances, and curated film screenings are integral
to the event. We are delighted to present exhibitions of works of 17
artists, curated by Nina Czegledy and hosted by Vancouver contemporary
art venues Or Gallery and Centre A: Vancouver International Centre for
Contemporary Asian Art, and Studio T at SFU’s Goldcorp Centre for the
Arts. The artworks explore, via a wide variety of analogue and digital
media, the global circulation and connectivity of theories and
technologies, addressing both historical inspirations and contemporary
issues. They illuminate hidden connections and reveal diverse yet
complementary concepts and practices. The musical performances literally
draw breath from deep cultural sources. SMRN’s methods extend into the
curated screenings Cinema of Breath: Rapture, Rupture and Cosmological Diagrams.

A Light Footprint in the Cosmos affirms the substantial movement of
thought and practice by seeking to stage dialogues, provoke discussion
and spark new collaborations in order to decolonize media studies, art
history and aesthetics.

          IN VENICE (ITA)

Emergent [emphasis mine]

a post pandemic mobile gallery

Part 1

Megachile Alienus
Sala Camino
Fondazione Bevilacqua la Masa
Venezia

June 22-25, 2022

Opening June 22, 18:30

Emergent is a mobile gallery featuring collaborations across the
sciences and the arts. Its goal is to better comprehend and cope with
the emergence, survival, and adaptation of life due to climate change
and global mobility, laboratory manipulations and world making.

Emergent is a porous object: it encourages reflections across different
experiences and sites of divergence through and with the arts; it may
reach new human and non-human audiences, and have a transformative
effect on the places it visits.

Emergent is a postpandemic gallery interrogating the role of exhibition
spaces today. What possible experiences, what new dialogues could a
redesign of the gallery as a living, breathing entity foster?

Emergent was
Designed and executed by
Roberta Buiani
Lorella Di Cintio
Ilze Briede [Kavi]

Fabrication:
Rick Quercia

Megachile Alienus is an Installation by
Cole Swanson

Scientific collaboration:
Laurence Packer

Fabrication for installation:
Jacob Sun

Thanks to:
Alessandro Marletta
Anna Lisa Manini

Steven Baris, Never the Same Space Twice D29 (oil on Mylar, 24 x 24 inches, 2022). [downloaded from https://www.sfu.ca/sca/events—news/events/a-light-footprint-in-the-cosmos.html?mc_cid=f826643d70&mc_eid=584e4ad9fa]

You can find more details and a registration link here at SFU’s “A Light Footprint in the Cosmos” event page.

[downloaded from https://artscisalon.com/post-p/]

You can find more details about Emergent in Venice here.