Tag Archives: Longing + Forgetting (generative audio-video installation)

Highlights from Simon Fraser University’s (SFU) July 2024 Metacreation Lab newsletter

There’s some exciting news for people interested in Ars Electronica (see more below the newsletter excerpt) and for people who’d like to explore some of the same work from the Metacreation Lab in a locale that may be closer to their homes, there’s an exhibition on Saltspring Island, British Columbia. Here are details from SFU’s Metacreation Lab newsletter, which hit my mailbox on July 22, 2024,

Metacreation Lab at Ars Electronica 2024

We are delighted to announce that the Metacreation Lab for Creative AI will be part of the prestigious Ars Electronica Festival. This year’s festival, titled “HOPE – who will turn the tide,” will take place in Linz [Austria’ from September 4 to 8.[2024]

Representing the School of Interactive Arts and Technology (SIAT), we will showcase four innovative artworks. “Longing + Forgetting” by Philippe Pasquier, Matt Gingold, and Thecla Schiphorst explores pathfinding algorithms as metaphors for our personal and collective searches for solutions. “Autolume Mzton” by Jonas Kraasch and Philippe Pasquier examines the concept of birth through audio-reactive generative visuals. “Dreamscape” [emphasis mine] by Erica Lapadat-Janzen and Philippe Pasquier utilizes the Autolume system to train AI models with the artist’s own works, creating unique stills and video loops. “Ensemble” by Arshia Sobhan and Philippe Pasquier melds traditional Persian calligraphy with AI to create dynamic calligraphic forms.

We look forward to seeing you there!

More Information

MMM4Live Official Release; Generative MIDI in Ableton Live

We are ecstatic to release our Ableton plugin for computer-assisted music composition! Meet MMM4Live, our flexible and generic multi-track music AI generator. MMM4Live embeds our state-of-the-art music transformer model that allows generating fitting original musical patterns in any style! When generating, the AI model considers the request parameters, your instrument choice, and the existing musical MIDI content within your Ableton Live project to deliver relevant material. With this infilling approach, your music is the prompt!

We, at the Metacreation Lab for Creative AI at Simon Fraser University (SFU), are excited about democratizing and pushing the boundaries of musical creativity through academic research and serving diverse communities of creatives.

For additional inquiries, please do not hesitate to reach out to pasquier@sfu.ca

Try it out!

“Dreamscape” at the Provocation Exhibition

We are excited to announce that “Dreamscape,” a collaboration between Erica Lapadat-Janzen and Philippe Pasquier, will be exhibited at the Provocation exhibition from July 6th to August 10th, 2024.

In response to AI-generated art based on big data, the Metacreation Lab developed Autolume, a no-coding environment that allows artists to train AI models using their chosen works. For “Dreamscape,” the Metacreation Lab collaborated with Vancouver-based visual artist Erica Lapadat-Janzen. Using Autolume, they hand-picked and treated 12 stills and 9 video loops, capturing her unique aesthetic. Lapadat-Janzen’s media artworks, performances, and installations draw viewers into a world of equilibrium, where moments punctuate daily events to clarify our existence and find poetic meaning.

Provocation exhibition brings artists and audiences together to celebrate and provoke conversations about contemporary living. The exhibition is at 215 Baker Rd, Salt Spring Island, BC, and is open to the public (free admission) every Saturday and Sunday from 12-4 pm.

More Information

Ars Electronica

It is both an institute and a festival, from the Ars Electronica Wikipedia entry, Note: Links have been removed,

Ars Electronica Linz GmbH is an Austrian cultural, educational and scientific institute active in the field of new media art, founded in Linz in 1979. It is based at the Ars Electronica Center (AEC), which houses the Museum of the Future, in the city of Linz. Ars Electronica’s activities focus on the interlinkages between art, technology and society. It runs an annual festival, and manages a multidisciplinary media arts R&D facility known as the Futurelab. It also confers the Prix Ars Electronica awards.

Ars Electronica began with its first festival in September 1979. …

The 2024 festival, as noted earlier, has the theme of ‘Hope’, from the Ars Electronica 2024 festival theme page,

HOPE

Optimism is not the belief that things will somehow work out, but rather the confidence in our ability to influence and bring about improvement. And that perhaps best describes the essence of the principle of hope, not as a passive position, but as an active force that motivates us to keep going despite adversity.

But don’t worry, this year’s festival will not be an examination of the psychological or even evolutionary foundations of the principle of hope, nor will it be a reflection on our unsteady fluctuation between hope and pessimism.

“HOPE” as a festival theme is not a resigned statement that all we can do is hope that someone or something will solve our problems, but rather a manifestation that there are actually many reasons for hope. This is expressed in the subtitle “who will turn the tide”, which does not claim to know how the turnaround can be achieved, but rather focuses on who the driving forces behind this turnabout are.

The festival’s goal is to spotlight as many people as possible who have already set out on their journey and whose activities—no matter how big or small—are a very concrete reason to have hope.

Believing in the possibility of change is the prerequisite for bringing about positive change, especially when all signs point to the fact that the paths we are currently taking are often dead ends.

But belief alone will not be enough; it requires a combination of belief, vision, cooperation, and a willingness to take concrete action. A willingness that we need, even if we are not yet sure how we will turn the tide, how we will solve the problems, and how we will deal with the effects of the problems that we are (no longer) able to solve.

Earlier, I highlighted ‘Dreamscape’ which can be seen at Ars Electronica 2024 or at the “Provocation” exhibition on Salt Spring Island. Hopefully, you have an opportunity to visit one of the locations. As for the Metacreation Lab for Creative AI, you can find out more here.

Highlights from Simon Fraser University’s (SFU) June 2024 Metacreation Lab newsletter

The latest newsletter from the Metacreation Lab for Creative AI (at Simon Fraser University [SFU]), features a ‘first’. From the June 2024 Metacreation Lab newsletter (received via email),

“Longing + Forgetting” at the 2024 Currents New Media Festival in Santa Fe

We are thrilled to announce that Longing + Forgetting has been invited to the esteemed Currents New Media Festival in Santa Fe, New Mexico. Longing + Forgetting is a generative audio-video installation that explores the relationship between humans and machines. This media art project, created by Canadian artists Philippe Pasquier and Thecla Schiphorst alongside Australian artist Matt Gingold, has garnered international acclaim since its inception. Initially presented in Canada in 2013, the piece has journeyed through multiple international festivals, captivating audiences with its exploration of human expression through movement.

Philippe Pasquier will be on-site for the festival, overseeing the site-specific installation at El Museo Cultural de Santa Fe. This marks the North American premiere of the redeveloped version of “Longing + Forgetting,” featuring a new soundtrack by Pasquier based solely on the close-mic recording of dancers.

Currents New Media Festival runs June 14–23, 2024 and brings together the work of established and emerging new media artists from around the world across various disciplines, with an expected 9,000 visitors during the festival’s run.

More Information

Discover “Longing + Forgetting” at Bunjil Place in Melbourne

We are excited to announce that “Longing + Forgetting” is being featured at Bunjil Place in Melbourne, Australia. As part of the Art After Dark Program curated by Angela Barnett, this outdoor screening will run from June 1 to June 28, illuminating the night from 5 pm to 7 pm.

More Information

Presenting “Unveiling New Artistic Dimensions in Calligraphic Arabic Script with GANs” at SIGGRAPH 2024

We are pleased to share that our paper, “Unveiling New Artistic Dimensions in Calligraphic Arabic Script with Generative Adversarial Networks,” will be presented at SIGGRAPH 2024, the premier conference on computer graphics and interactive techniques. The event will take place from July 28 to August 1, 2024, in Denver, Colorado.

This paper delves into the artistic potential of Generative Adversarial Networks (GANs) to create and innovate within the realm of calligraphic Arabic script, particularly the nastaliq style. By developing two custom datasets and leveraging the StyleGAN2-ada architecture, we have generated high-quality, stylistically coherent calligraphic samples. Our work bridges the gap between traditional calligraphy and modern technology and offers a new mode of creative expression for this artform.

SIGGRAPH’24

For those unfamiliar with the acronym, SIGGRAPH stands for special interest group for computer graphics and interactive techniques. SIGGRAPH is huge and it’s a special interest group (SIG) of the ACM (Association for Computing Machinery).

If memory serves, this is the first time I’ve seen the Metacreation Lab make a request for volunteers, from the June 2024 Metacreation Lab newsletter,

Are you interested in music-making and AI technology?

The Metacreation Lab for Creative AI at Simon Fraser University (SFU), is conducting a research study in partnership with Steinberg Media Technologies GmbH. We are testing and evaluating MMM-Cubase v2, a creative AI system for assisting composing music. The system is based on our best music transformer, the multitrack music machine (MMM), which can generate, re-generate or complete new musical content based on existing content.

There is no prerequisite for this study beyond a basic knowledge of DAW and MIDI. So everyone is welcome even if you do not consider yourself a composer, but are interested in trying the system. The entire study should take you around 3 hours, and you must be 19+ years old. Basic interest and familiarity with digital music composition will help, but no experience with making music is required.

We seek to better evaluate the potential for adoption of such systems for novice/beginner as well as for seasoned composers. More specifically, you will be asked to install and use the system to compose a short 4-track musical composition and to fill out a survey questionnaire at the end.

Participation in this study is rewarded with one free Steinberg software license of your choice among Cubase Element, Dorico Element or Wavelab Element.

For any question or further inquiry, please contact researcher Renaud Bougueng Tchemeube directly at rbouguen@sfu.ca.

Enroll in the Study

You can find the Metacreation Lab for Creative AI website here.