Tag Archives: Mario Livio

April 2015 (US) National Math festival; inside story on math tournaments; US tv programme: The Great Math Mystery; and the SET Award (tech women in the movies and on tv)

I have three math items for this posting and one women in technology item, here they are in an almost date order.

X+Y

A British movie titled X+Y provides a fictionalized view of a team member on the British squad competing in an International Mathematics Olympiad.The Guardian’s science blog network hosted a March 11, 2015 review by Adam P. Goucher who also provides an insider’s view (Note: Links have been removed),

As a competition it is brutal and intense.

I speak from experience; I was in the UK team in 2011.

So it was with great expectation that I went to see X+Y, a star-studded British film about the travails of a British IMO hopeful who is struggling against the challenges of romance, Asperger’s and really tough maths.

Obviously, there were a few oversimplifications and departures from reality necessary for a coherent storyline. There were other problems too, but we’ll get to them later.

In order to get chosen for the UK IMO team, you must sit the first round test of the British Mathematical Olympiad (BMO1). About 1200 candidates take this test around the country.

I sat BMO1 on a cold December day at my sixth form, Netherthorpe School in Chesterfield. Apart from the invigilator and me, the room was completely empty, although the surroundings became irrelevant as soon as I was captivated by the problems. The test comprises six questions over the course of three and a half hours. As is the case with all Olympiad problems, there are often many distinct ways to solve them, and correct complete solutions are maximally rewarded irrespective of the elegance or complexity of the proof.

The highest twenty scorers are invited to another training camp at Trinity College, Cambridge, and the top six are selected to represent the UK at an annual competition in Romania.

In Romania, there was much maths, but we also enjoyed a snowball fight against the Italian delegation and sampled the delights of Romanian rum-endowed chocolate. Since I was teetotal at this point in time, the rum content was sufficient to alter my perception in such a way that I decided to attack a problem using Cartesian coordinates (considered by many to be barbaric and masochistic). Luckily my recklessness paid off, enabling me to scrape a much-coveted gold medal by the narrowest of margins.

The connection between the UK and Eastern Europe is rather complicated to explain, being intimately entangled with the history of the IMO. The inaugural Olympiad was held in Romania in 1959, with the competition being only open to countries under the Soviet bloc. A Hungarian mathematician, Béla Bollobás, competed in the first three Olympiads, seizing a perfect score on the third. After his PhD, Bollobás moved to Trinity College, Cambridge, to continue his research, where he fertilised Cambridge with his contributions in probabilistic and extremal combinatorics (becoming a Fellow of the Royal Society in the process). Consequently, there is a close relationship between Hungarian and Cantabrigian mathematics.

Rafe Spall’s character was very convincing, and his eccentricities injected some much-needed humour into the film. Similarly, Asa Butterfield’s portrayal of a “typical mathmo” was realistic. On the other hand, certain characters such as Richard (the team leader) were unnatural and exaggerated. In particular, I was disappointed that all of the competitors were portrayed as being borderline-autistic, when in reality there is a much more diverse mixture of individuals.

X+Y is also a love story, and one based on a true story covered in Morgan Matthews’ earlier work, the documentary Beautiful Young Minds. This followed the 2006 IMO, in China, where one of the members of the UK team fell in love and married the receptionist of the hotel the team were staying at. They have since separated, although his enamourment with China persisted – he switched from studying Mathematics to Chinese Studies.

It is common for relationships to develop during maths Olympiads. Indeed after a member of our team enjoyed a ménage-a-trois at an IMO in the 1980s, the committee increased the security and prohibited boys and girls from entering each others’ rooms.

The film was given a general release March 13, 2015 in the UK and is on the festival circuit elsewhere. Whether or not you can get to see the film, I recommend Goucher’s engaging review/memoir.

The Great Math Mystery and the SET award for the Portrayal of a Female in Technology

David Bruggeman in a March 13, 2015 post on his Pasco Phronesis blog describes the upcoming première of a maths installment in the NOVA series presented on the US PBS (Public Broadcasting Service), Note: Links have been removed,

… PBS has announced a new math special.  Mario Livio will host a NOVA special called The Great Math Mystery, premiering April 15.  Livio is an astrophysicist, science and math writer, and fan of science/culture mashups.  The mystery of the title is whether math(s) is invented or was discovered.

You can find out more about The Great Math Mystery here.

David also mentions this,

The Entertainment Industries Council is seeking votes for its first SET Award for Portrayal of a Female in Technology. … Voting on the award is via a Google form, so you will need a Google account to participate.  The nominees appear to be most of the women playing characters with technical jobs in television programs or recent films.  They are:

  • Annedroids on Amazon
  • Arrow: “Felicity Smoak” played by Emily Bett Rickards
  • Bones: “Angela Montenegro” played by Michaela Conlin

Here’s a video describing the competition and the competitors,

More details about the competition are available in David’s March 13, 2015 post or here or here. The deadline for voting is April 6, 2015. Here’s one more link, this one’s to the SET Awards website.

(US) National Math Festival

H/t to David Bruggeman again. This time it’s a Feb. 6, 2015 post on his Pasco Phronesis blog which announces (Note: Links have been removed),

On April 18 [2015], the Smithsonian Institution will host the first National Math Festival in Washington, D.C.  It will be the culmination of a weekend of events in the city to recognize outstanding math research, educators and books.

On April 16 there will be a morning breakfast briefing on Capitol Hill to discuss mathematics education.  It will be followed by a policy seminar in the Library of Congress and an evening gala to support basic research in mathematics and science.

You can find out more about the 2015 National Math Festival here (from the homepage),

On Saturday, April 18th, experience mathematics like never before, when the first-of-its-kind National Math Festival comes to Washington, D.C. As the country’s first national festival dedicated to discovering the delight and power of mathematics, this free and public celebration will feature dozens of activities for every age—from hands-on magic and Houdini-like getaways to lectures with some of the most influential mathematicians of our time.

The National Math Festival is organized by the Mathematical Sciences Research Institute (MSRI) and the Institute for Advanced Study (IAS) in cooperation with the Smithsonian Institution.

There you have it.

I sing the Hubble (space telescope)

Thanks to David Bruggeman and his Nov. 30, 2013 posting on the Pasco Phronesis blog for some fascinating information about  the Hubble space telescope and its upcoming  30th anniversary in 2015 (Note: Links have been removed),

Bay Chamber Concerts commissioned a piece in advance of the 30th anniversary of the Hubble Space Telescope (H/T The Atlantic).  Called Hubble Cantata, it is currently in two forms – a 22 minute version which can be heard online at the composer’s website (and is available for download), and a multimedia version that has been performed in public by soprano Jessica Rivera and the International Contemporary Ensemble.  The goal is to develop a full cantata for two voices and instruments, which would include the same kinds of multimedia interludes focused on the Hubble Telescope and what it’s been able to see.

David has embedded a video (approximately 20 mins. running time) of the July 2013 premiere of the Hubble Cantata, a work, that is still in progress.

I have dug up a bit of information about Bay Chamber Concerts which is located in the US state of Maine and is both a school and a concert production company as per the About Us webpage on their website,

Bay Chamber has a rich history of presenting the best in performing arts in Midcoast Maine.

ALL YEAR, ALL-AROUND OUTSTANDING.
Founded in 1961 by brothers Andrew and Thomas Wolf, Bay Chamber Concerts features world-renowned artists year-round. Our Summer Concert Series and Music Festival in July and August feature over 30 events that redefine the standards for chamber music. From September to June the Performing Arts Series features classical, jazz, world music and dance events in a variety of venues throughout the region.

EXCELLENCE IN EDUCATION.
The Bay Chamber Music School, located in the village of Rockport, offers private instruction, ensemble opportunities, group classes and other music education programming to local musicians and community members of all ages and abilities.

As part of our Community Engagement program, Bay Chamber presents concerts in alternative settings to audiences who might otherwise not have the ability to attend live performances. Concerts and workshops featuring Bay Chamber Concerts professional roster of musicians are presented at no charge in prisons, hospitals, assisted living facilities and more.

The composer for this cantata is Paola Prestini and here’s more about the project and her collaborators from her (eponymous) website’s Projects page,

Hubble Cantata

in collaboration with artists

filmmaker CARMEN KORDAS & librettist ROYCE VAVREK

with soprano Jessica Rivera &

International Contemporary Ensemble

violinist and improviser, Cornelius Dufallo

texts inspired by astrophysicist Mario Livio

a Bay Chamber Concerts Commission

The Hubble is a contemporary multimedia cantata for the mezzo soprano Jessica Rivera, and the renowned International Contemporary Ensemble. Commissioned by Bay Chamber Concerts, the cantata is inspired by Hubble Telescope images. The work is a collaboration with librettist Royce Vavrek, filmmaker Carmen Kordas, and the famed astrophysicist, Mario Livio, of the Space Telescope Science Institute. The work is leading towards a full length cantata for soprano and baritone, for the Hubble’s 25th anniversary in 2015. This work is supported by the Space Telescope Science Institute.

The work exists in two versions, as a 22 minute work, and an evening length cantata that features music, electronics, filmed sequences with rare seen photographs and footage from the Hubble telescope, interlaced with sung poetic movements.

Prestini provides this compelling description of the work written Mario Livio on the website homepage,

By incorporating Mario Livio’s strong and poignant themes with music, visual art/film, and advanced technology, the Hubble Cantata promises to be one of the most exciting forays into the interdisciplinary dance of science and art, to date.

“We decided to symbolically anchor the Earth-based part of the lyrics on the agonizing experiences of a young woman struggling with a harsh reality. As Vavrek states in the introduction to the libretto: “Her footsteps tell stories.” The music and imagery for this section were partly inspired by the Japanese mythology-rich forest Aokigahara. Sadly, the historic association of this forest with demons has led to numerous suicides on the site. To connect the life (and death) experience of the young woman to the heavens, we used the ancient Peruvian geoglyphs known as the Nazca Lines. Again in Vavrek’s words: “The woman walks in patterns, pictures emerge in the soil… She creates her own private Nazca lines, tattooing the Earth with her history.” The Nazca lines in Peru are believed to have been created between the fifth and seventh centuries, and they are thought (at least by some researchers) to point to places on the horizon where certain celestial bodies rose or set. In other words, they truly marked a direct astronomical connection between the surface of the Earth and the heavens. In its conclusion, the Cantata completely intermingles the fate of the young woman with the ultimate fate of the stars. The shapes in the sand and the constellations in the sky become one, mirroring the tortuous path of human life in the dramatic Hubble images of outbursts that simultaneously mark stellar deaths and the promise for a new generation of stars, planets, and life.”

-Mario Livio

While this is somewhat off topic; it is related. Today (Dec. 2, 2013), Google is commemorating the 90th anniversary of opera singer. Maria Callas’ birth with a doodle as per this Dec. 2, 2013 news item on the Guardian website (Note: Links have been removed),

The birth of singer Maria Callas 90 years ago has been celebrated in a new Google doodle.

The animation shows the legendary soprano performing on stage. Callas, who died in 1977, was a colourful figure who was renowned as a prima donna.

Last month, the actor Faye Dunaway said she was determined to finish a film – which she is also directing and producing – telling Callas’s life story. The Independent quoted Dunaway as saying: “That woman changed an art form and not many people can say that. Callas is to opera what Fellini is to cinema.”

google doodle of maria callas

Getting back to music and outer space, I was reminded of an episode in the classic Star Trek series that featured Nichelle Nichols as Uhura, the communications officer, singing a song about space,loneliness, and love,


For anyone as ignorant as I am about the difference between a cantata and an opera, here’s a definition for a cantata from Wikipedia (Note: Links have been removed),

A cantata (literally “sung”, derived from the Italian word “cantare”) is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir.

The meaning of the term changed over time, from the simple single voice madrigal of the early 17th century, to the multi-voice “cantata da camera” and the “cantata da chiesa” of the later part of that century, from the more substantial dramatic forms of the 18th century (including the 200-odd sacred and secular cantatas of Johann Sebastian Bach) to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio.[1] Several cantatas were written for special occasions, such as Christmas cantatas.

I wish the principals good luck with their Hubble Cantata project and look forward to hearing more about it as the Hubble’s 30th anniversary in 2015 rears.