Tag Archives: mental health

The medical community and art/science: two events in Canada in November 2019

This time it’s the performing arts. I have one theatre and psychiatry production in Toronto and a music and medical science event in Vancouver.

Toronto’s Here are the Fragments opening on November 19, 2019

From a November 2, 2019 ArtSci Salon announcement (received via email),

An immersive theatre experience inspired by the psychiatric writing of Frantz Fanon

Here are the Fragments.
Co-produced by The ECT Collective and The Theatre Centre
November 19-December 1, 2019
Tickets: Preview $17 | Student/senior/arts worker $22 | Adult $30
Service charges may apply
Book 416-538-0988 | PURCHASE ONLINE

An immigrant psychiatrist develops psychosis and then schizophrenia. He walks a long path towards reconnection with himself, his son, and humanity.

Walk with him.

Within our immersive design (a fabric of sound, video, and live actors) lean in close to the possibilities of perceptual experience.

Schizophrenics ‘hear voices’. Schizophrenics fear loss of control over their own thoughts and bodies. But how does any one of us actually separate internal and external voices? How do we trust what we see or feel? How do we know which voices are truly our own?

Within the installation find places of retreat from chaos. Find poetry. Find critical analysis.

Explore archival material, Fanon’s writings and contemporary interviews with psychiatrists, neuroscientists, artists, and people living with schizophrenia, to reflect on the relationships between identity, history, racism and mental health.

I was able to find out more in a November 6, 2019 article at broadwayworld.com (Note: Some of this is repetitive),

How do we trust what we see or feel? How do we know which voices are truly our own? THE THEATRE CENTRE and THE ECT COLLECTIVE are proud to Co-produce HERE ARE THE FRAGMENTS., an immersive work of theatre written by Suvendrini Lena, Theatre Centre Residency artist and CAMH [ Centre for Addiction and Mental Health] Neurologist. Based on the psychiatric writing of famed political theorist Frantz Fanon and combining narratives, sensory exploration, and scientific and historical analysis, HERE ARE THE FRAGMENTS. reflects on the relationships between identity, history, racism, and mental health. FRAGMENTS. will run November 19 to December 1 at The Theatre Centre (Opening Night November 21).

HERE ARE THE FRAGMENTS. consists of live performances within an interactive installation. The plot, told in fragments, follows a psychiatrist early in his training as he develops psychosis and ultimately, treatment resistant schizophrenia. Eduard, his son, struggles to connect with his father, while the young man must also make difficult treatment decisions.

The Theatre Centre’s Franco Boni Theatre and Gallery will be transformed into an immersive interactive installation. The design will offer many spaces for exploration, investigation, and discovery, bringing audiences into the perceptual experience of Schizophrenia. The scenes unfold around you, incorporating a fabric of sound, video, and live actors. Amidst the seeming chaos there will also be areas of retreat; whispering voices, Fanon’s own books, archival materials, interviews with psychiatrists, neuroscientists, and people living with schizophrenia all merge to provoke analysis and reflection on the intersection of racism and mental health.

Suvendrini Lena (Writer) is a playwright and neurologist. She works as the staff neurologist at the Centre for Addiction and Mental Health and at the Centre for Headache at Women’s College Hospital [Toronto]. She is an Assistant Professor of Psychiatry and Neurology at the University of Toronto where she teaches medical students, residents, and fellows. She also teaches a course called Staging Medicine, a collaboration between The Theatre Centre and University of Toronto Postgraduate Medical Education.

Frantz Fanon (1925-1961), was a French West Indian psychiatrist, political philosopher, revolutionary, and writer, whose works are influential in the fields of post-colonial studies, critical theory, and Marxism. Fanon published numerous books, including Black Skin, White Masks (1952) and The Wretched of the Earth (1961).

In addition to performances, The Theatre Centre will host a number of panels and events. Highlights include a post-show talkback with Ngozi Paul (Development Producer, Artist/Activist) and Psychiatrist Collaborator Araba Chintoh on November 22. Also of note is Our Patients and Our Selves: Experiences of Racism Among Health Care Workers with facilitator Dr. Fatimah Jackson-Best of Black Health Alliance on November 23rd and Fanon Today: A Creative Symposium on November 24th, a panel, reading, and creative discussion featuring David Austin, Frank Francis, Doris Rajan and George Elliot Clarke [formerly Toronto’s Poet Laureate and Canadian Parliamentary Poet Laureate; emphasis and link mine].

You can get more details and a link for ticket purchase here.

Sounds and Science: Vienna meets Vancouver on November 30, 2019

‘Sounds and Science’ originated at the Medical University of Vienna (Austria) as the November 6, 2019 event posting on the University of British Columbia’s (UBC) Faculty of Medicine website,

The University of British Columbia will host the first Canadian concert bringing leading musical talents of Vienna together with dramatic narratives from science and medicine.

“Sounds and Science: Vienna Meets Vancouver” is part of the President’s Concert Series, to be held Nov. 30, 2019 on UBC campus. The event is modeled on a successful concert series launched in Austria in 2014, in cooperation with the Medical University of Vienna.

“Basic research tends to always stay within its own box, yet research is telling the most beautiful stories,” says Dr. Josef Penninger, director of UBC’s Life Sciences Institute, a professor of medical genetics and a Canada 150 Chair. “With this concert, we are bringing science out of the ivory tower, using the music of great composers such as Mozart, Schubert or Strauss to transport stories of discovery and insight into the major diseases that affected the composers themselves, and continue to have a significant impact on our society.”

Famous composers of the past are often seen as icons of classical music, but in fact, they were human beings, living under enormous physical constraints – perhaps more than people today, according to Dr. Manfred Hecking, an associate professor of internal medicine at the Medical University of Vienna.

“But ‘Sounds and Science’ is not primarily about suffering and disease,” says Dr. Hecking, a former member of the Vienna Philharmonic Orchestra who will be playing double bass during the concert. “It is a fun way of bringing music and science together. Combining music and thought, we hope that we will reach the attendees of the ‘Sounds and Science’ concert in Vancouver on an emotional, perhaps even personal level.”

A showcase for Viennese music, played in the tradition of the Vienna Philharmonic by several of its members, as well as the world-class science being done here at UBC, “Sounds and Science” will feature talks by UBC clinical and research faculty, including Dr. Penninger. Their topics will range from healthy aging and cancer research to the historical impact of bacterial infections.

Combining music and thought, we hope that we will reach the attendees of the ‘Sounds and Science’ concert in Vancouver on an emotional, perhaps even personal level.
Dr. Manfred Hecking

Faculty speaking at “Sounds and Science” will be:
Dr. Allison Eddy, professor and head, department of pediatrics, and chief, pediatric medicine, BC Children’s Hospital and BC Women’s Hospital;
Dr. Troy Grennan, clinical assistant professor, division of infectious diseases, UBC faculty of medicine;
Dr. Poul Sorensen, professor, department of pathology and laboratory medicine, UBC faculty of medicine; and
Dr. Roger Wong, executive associate dean, education and clinical professor of geriatric medicine, UBC faculty of medicine
UBC President and Vice-Chancellor Santa J. Ono and Vice President Health and Dr. Dermot Kelleher, dean, faculty of medicine and vice-president, health at UBC will also speak during the evening.

The musicians include two outstanding members of the Vienna Philharmonic – violinist Prof. Günter Seifert and violist-conductor Hans Peter Ochsenhofer, who will be joined by violinist-conductor Rémy Ballot and double bassist Dr. Manfred Hecking, who serves as a regular substitute in the orchestra.

For those in whose lives intertwine music and science, the experience of cross-connection will be familiar. For Dr. Penninger, the concert represents an opportunity to bring the famous sound of the Vienna Philharmonic to UBC and British Columbia, to a new audience. “That these musicians are coming here is a fantastic recognition and acknowledgement of the amazing work being done at UBC,” he says.

“Like poetry, music is a universal language that all of us immediately understand and can relate to. Science tells the most amazing stories. Both of them bring meaning and beauty to our world.”

“Sounds and Science” – Vienna Meets Vancouver is part of the President’s Concert Series | November 30, 2019 on campus at the Old Auditorium from 6:30 to 9:30 p.m.

To learn more about the Sounds and Science concert series hosted in cooperation with the Medical University of Vienna, visit www.soundsandscience.com.

I found more information regarding logistics,

Saturday, November 30, 2019
6:30 pm
The Old Auditorium, 6344 Memorial Road, UBC

Box office and Lobby: Opens at 5:30 pm (one hour prior to start of performance)
Old Auditorium Concert Hall: Opens at 6:00 pm

Sounds
Günter Seifert  VIOLIN
Rémy Ballot VIOLIN
Hans Peter Ochsenhofer VIOLA
Manfred Hecking DOUBLE BASS

Science
Josef Penninger GENETICS
Manfred Hecking INTERNAL MEDICINE
Troy Grennan INFECTIOUS DISEASE
Poul Sorensen PATHOLOGY & LABORATORY MEDICINE
Allison Eddy PEDIATRICS
Roger Wong GERIATRICS

Tickets are also available in person at UBC concert box-office locations:
– Old Auditorium
– Freddie Wood Theatre
– The Chan Centre for the Performing Art

General admission: $10.00
Free seating for UBC students
Purchase tickets for both President’s Concert Series events to make it a package, and save 10% on both performances

Transportation
Public and Bike Transportation
Please visit Translink for bike and transit information.
Parking
Suggested parking in the Rose Garden Parkade.

Buy Tickets

The Sounds and Science website has a feature abut the upcoming Vancouver concert and it offers a history dating from 2008,

MUSIC AND MEDICINE

The idea of combining music and medicine into the “Sounds & Science” – scientific concert series started in 2008, when the Austrian violinist Rainer Honeck played Bach’s Chaconne in d-minor directly before a keynote lecture, held by Nobel laureate Peter Doherty, at the Austrian Society of Allergology and Immunology’s yearly meeting in Vienna. The experience at that lecture was remarkable, truly a special moment. “Sounds & Science” was then taken a step further by bringing several concepts together: Anton Neumayr’s medical histories of composers, John Brockman’s idea of a “Third Culture” (very broadly speaking: combining humanities and science), and finally, our perception that science deserves a “Red Carpet” to walk on, in front of an audience. Attendees of the “Sounds & Science” series have also described that music opens the mind, and enables a better understanding of concepts in life and thereby science in general. On a typical concert/lecture, we start with a chamber music piece, continue with the pathobiography of the composer, go back to the music, and then introduce our main speaker, whose talk should be genuinely understandable to a broad, not necessarily scientifically trained audience. In the second half, we usually try to present a musical climax. One prerequisite that “Sounds & Science” stands for, is the outstanding quality of the principal musicians, and of the main speakers. Our previous concerts/lectures have so far covered several aspects of medicine like “Music & Cancer” (Debussy, Brahms, Schumann), “Music and Heart” (Bruckner, Mahler, Wagner), and “Music and Diabetes” (Bach, Ysaÿe, Puccini). For many individuals who have combined music and medicine or music and science inside of their own lives and biographies, the experience of a cross-connection between sounds and science is quite familiar. But there is also this “fun” aspect of sharing and participating, and at the “Sounds & Science” events, we usually try to ensure that the event location can easily be turned into a meeting place.

At a guess, Science and Sounds started informally in 2008 and became a formal series in 2014.

There is a video but it’s in German. It’s enjoyable viewing with beautiful music but unless you have German language skills you won’t get the humour. Also it runs for over 9 minutes (a little longer than most of videos you’ll find here on FrogHeart),

Enjoy!

Brain Talks: Epigenetics and Early Life Experiences on October 22, 2018 in Vancouver (Canada)

An October 3, 2018 announcement arrived from the Brain Talks folks (Vancouver, Canada) in my email box,

BrainTalks: Epigenetics and Early Life Experiences

Monday, October 22, 2018 from 6:00 PM – 8:30 PM

Join us on Monday, October 22nd for a talk on Epigenetics and Early Life Experiences. We are honoured to host three phenomenal presenters for the evening: Dr. Michael Kobor, Dr. Liisa Galea, and Dr. Adele Diamond.

Dr. Michael Kobor is a senior scientist at the Centre for Molecular Medicine and Therapeutics and BC Children’s Hospital, and a Professor at UBC [University of British Columbia]. He studies social epigenetics and medical genetics, with a focus on studying how the environment shapes the human epigenome, and how this in turn might affect children’s susceptibilities to chronic disease and their mental health. He has received numerous awards for his research, and runs the Kobor Lab at UBC.

Dr. Liisa Galea is a Professor in the Department of Psychology, and Director of the Graduate program in Neuroscience at UBC. The vision for her research is to establish how sex hormones influence brain health and disease in both females and males. Her goal is to improve brain health for women and men by examining the influence of sex and sex hormones on normal and diseased brain states, and how this can effect offspring development. She has received numerous awards for her research, and runs the Galea Laboratory for Behavioural Neuroendocrinology.

Dr. Adele Diamond is a well known and respected expert in Developmental Cognitive Neuroscience, the way the developing young brain evolves in its ability to make intelligent sense of the world around it, and how it evolves in response to the surrounding environment. She will address the effect of early adverse experiences on the brain from a developmental perspective. She has spoken at TedTalks and runs her Developmental Cognitive Neuroscience Lab associated with UBC.

Our event on Monday, October 22nd will start with presentations from each of the three speakers, and end with a panel discussion inspired by audience questions. For physicians, the event is CME accredited for a [sic] MOC credit of 1.5. After the talks, at 7:30 pm, we host a social gathering with a rich spread of catered healthy food and non-alcoholic drinks. We look forward to seeing you there!

You can get tickets here (no more free tickets, the ones that are left cost $10),

Date and Time

Mon, 22 October 2018

6:00 PM – 9:00 PM PDT

Add to Calendar

Location

Paetzhold Theater

Vancouver General Hospital; Jim Pattison Pavillion

Vancouver, BC

View Map

Refund Policy

Refunds up to 1 day before event

There you have it.

The ‘Lasso of Truth’ and the lie detector have a common origin

There’s a fascinating June 17, 2016 article about Wonder Woman’s seventy-fifth anniversary (points to anyone who her recognized her ‘Lasso of Truth’) by Susan Karlin for Fast Company,

William Moulton Marston—an attorney and psychologist who invented a systolic blood pressure deception test, the precursor to the modern polygraph—created Wonder Woman as a new type of superhero who, beyond her strength, used wisdom and compassion as weapons against evil—not to mention a magic golden lasso to compel people to tell the truth.

“Marston recognized not only the thereto untapped commercial market for a strong female superhero, but also the powerful potential for comic books to educate and inspire. He understood that education and entertainment need not be mutually exclusive,” says Vasilis Pozios, a forensic psychiatrist who cofounded [Broadcast Thought; mental health-and-media think tank with three forensic psychiatrists – H. Eric Bender, M.D., Praveen Kambam, M.D., and Pozios], which uses media and comic convention panels to educate about mental illness, and author of Aura, an award-winning comic about bipolar disorder.

The article has various versions of Wonder Woman images embedded throughout and it includes a few nuggets like this about her and her originator,

Wonder Woman is the only female comic book character to have her own stories continuously published for the past three-quarters of a century, spawning numerous other incarnations, including the hit 1975-1979 TV series starring Lynda Carter, and finally a big-screen introduction in this year’s [2016] Batman v Superman: Dawn of Justice.

Marston, who was strongly influenced by the women’s suffrage movement, devised that WW’s would lose her strength if men bound her in chains. Initially controversial due to a look inspired by pinup art and bondage intimations, she emerged as a symbol of equality and female empowerment—gracing Ms. magazine’s inaugural cover in 1972—that resonates today.

I gather this Wonder Woman 75th anniversary is going to be celebrated over a two year period with DC Comics hosting a 2016 Wonder Woman 75 San Diego Comic-Con panel and costume display and then, releasing the first (and fortuitously timed) Wonder Woman feature film starring Gal Gadot on June 2, 2017.

Do read Karlin’s if only to catch sight of the images. I have written about Wonder Woman before notably in a July 1, 2010 (Canada Day) posting featuring a then new makeover,

wonder_woman_makeover

I wasn’t thrilled by the makeover and was not alone in my opinion although reasons for the ‘lack of thrill’ varied from mine.

Highlighting the 2011 Dance Your Ph.D. contest

Science magazine (published by the American Association for the Advancement of Science [AAAS]) has been holding a Dance Your PhD contest since 2008* (as best I can determine from a Sept. 17, 2010 posting by Katherine for SciFri). In any case, this year they received a record number of entries (from an Oct. 14, 2011 posting by John Bohannon on Science Now),

Have you ever wondered what nanotube chemistry might look like as a dance? Or fruit fly sex? Or protein x-ray crystallography? Look no further. As part of the 2011 Dance Your Ph.D. contest, scientists who study those phenomena and more have converted their research into dance videos for your enjoyment and edification. And today the 16 finalists of this annual contest are revealed below.

A record 55 dances were created for this year’s contest, submitted by scientists around the globe, from the United States and Canada to Europe, India, and Australia. As the contest rules state, each dance must be based on the scientist’s own Ph.D. research thesis, and that scientist must participate in the dance. For many of the graduate students who danced, the research they depicted is still ongoing. For some of the older contestants, the project is a distant, perhaps harrowing memory from their early days in science. The dances are divided into four categories based on subject: physics, chemistry, biology, and social science. (The criteria for those categories are explained here.)

One of this year’s finalists is from the DeRosa lab at Carleton University in Ottawa, Canada. Titled, “DNA Aptamers as a Tool for Studying Mental Health Disease.” Erin McConnell and her troop are featured in the video below,

DNA Aptamers as a Tool for Studying Mental Health Disease from Erin McConnell on Vimeo.

I haven’t had time to review the other finalists but given this one, I can hardly wait.

The DeRosa lab also had a finalist in last year’s Dance Your PhD contest. It’s not the only reason I contacted the lab’s leader, Maria DeRosa but it did add a piquant flavour to my interview with her, which I will be posting tomorrow (Oct. 25, 2011).

*ETA Oct 24, 2011 1500 hours: There is an Oct. 18, 2011 article by Bob Weber for the Globe and Mail newspaper about the Canadian finalists in the 2011 Dance Your PhD contest. The contest was informally created in 2007 according to its originator John Bohannon.