Kate Nichols is a fellow at TED. She is also a painter who trained in 15th century techniques. From the article by Kristen Philipkoski on Boing, Boing,
Nichols learned painting as painters did in 15th century Flanders: by apprenticing under a master and learning to make her own paints. She became skilled at creating the type of complex colors only possible as light travels through thin layers of oil glaze. But she eventually found that no amount of layering could recreate the complexity she saw in the Morpho butterfly’s wings. [I previously posted about nanotech and the colour of butterfly wings here.]
As Philipkoski goes on to recount, the desire to recreate the colours of a Morpho butterfly’s wings is what led her to working with nanotechnology but, first, working with mathematician, Judy Holdener, she learned why she couldn’t recreate those colours with her traditional techniques. Nichols eventually contacted someone at a nanotech laboratory in her pursuit and went on to become the first artist-in-residence at that lab (the Lawrence Berkeley National Laboratory at the University of California at Berkeley). (You can see images of her work at the article on the Boing Boing site.)
More recently she was awarded the TED fellowship I’ve already mentioned. TED stands for Technology Entertainment Design and it started out as an annual conference. You can find out more about TED here and more about this year’s annual conference here. As for the fellowship, it sounds a bit like a mentoring programme but you can read the description for yourself here.
One last quote from the article,
“I love thinking about plasmon resonance–likely, because I paint motion and grew up dancing,” Nichols said. When light comes into contact with a metal, electrons are displaced. Because the electrons are attracted to the nuclei of the metallic atoms, the electrons fall back into their original positions only to be exiled again, over and over. This oscillatory dance is called a plasmon and we perceived it as color when the wavelength falls within the visible spectrum.
On the copyright (intellectual property) front, Michael Geist is commenting on the latest Conference Board of Canada’s report. As you may recall, the Conference Board was embarrassed last year when it released a report that had large chunks plagiarized from a US lobby group’s materials. You can read more about the contretemps here on Techdirt and Geist’s comments here. From Geist’s blog,
The new report, which weighs in at 113 pages, was completed by Ruth Corbin, a Toronto-based IP expert. Corbin started from scratch, reading a broad range of materials, conducting interviews, and leading a private roundtable on the issue (I participated in the roundtable and met separately with her). While there is much to digest, the lead takeaway is to marvel at the difference between a report cribbed from lobby speaking points and one that attempts to dig into the issues in a more balanced fashion. Three examples:
First, the report puts intellectual property policy into perspective as just one portion of the innovation agenda, noting that over-protection can be lead to diminishing returns…
W2 Community Media House (in Vancouver, Canada) is hosting a writer’s series that has two more weeks to go. The next event is Feb. 17, 2010.
This description from Heather Haley (poet) highlights a couple of radio interviews and her upcoming Real Vancouver Writers appearance,
Real Vancouver Writers Series at the W2 Culture and Media House
Located across from the refurbished Woodwards Building in Downtown Vancouver
Wednesday, February 17, 2010
7:00pm – 10:00pm
112 E. Hastings
“Poet, author, musician and media artist Heather Susan Haley pushes boundaries by creatively integrating disciplines, genres and media. Published in numerous journals and anthologies, her poetry collections Sideways (Anvil Press) and Three Blocks West of Wonderland (Ekstasis Editions) have been described as ³supple and unusual” and ³brawny and uncompromising.² She was an editor for the LA Weekly, publisher of Rattler and the Edgewise Cafe, one of Canada’s first electronic literary magazines. Architect of the Edgewise ElectroLit Centre, the Vancouver Videopoem Festival and SEE THE VOICE: Visible Verse at Pacific Cinémathèque, her works have been official selections at dozens of international film festivals. Haley has gained renown as an engaging performer, sharing her poetry and music with audiences around the world. Most recently she toured eastern Canada and the U.S. in support of her critically acclaimed AURAL Heather CD of spoken word songs, Princess Nut.”
She will be appearing with Teresa McWhirter, Lee Henderson, Elizabeth Bachinsky, Nikki Reimer, Chris Hutchinson, Dina Del Bucchia, Amber Dawn, Donato Mancini, Sonnet L¹Abbe, Jonathon Wilcke and Catherine Owen.
Heather will be live in ‘The Artist Lounge’ hosted by J Peachy on CJSF 90.1 FM on Tuesday Feb 16th at 7pm. Hope you can tune in, its also online at http://wwwcjsf.ca. The next day, the day of the reading, Wed. Feb. 17 Heather will be visiting friends Steve Duncan and RC Weslowki on Wax Poetic @ 2pm (PST) 102.7fm CFRO Co-op Radio, http://www.coopradio.org/. *See* you there!
I like to feature more about the arts and new media on Fridays or, at least, to have something amusing here. Today, I’ve managed both now that I’ve come to this item by Alissa Walker in Fast Company ,
Who knew that paper clips and staples could teach such smart life lessons? Everyday objects you might find at your desk are the stars in Hints for Better Living , a short film by Los Angeles-based designer Mike Afsa, who also does work for companies like Chiat\Day and Quiksilver.
It’s charming and it gave me a whole new perspective on paper clips and staples. Happy Weekend!