Tag Archives: Perimeter Institute for Theoretical Physics (PI)

Apply for faculty positions or entry to master’s programme at Canada’s Perimeter Institute for Theoretical Physics

I think the title for this post says it all.

Faculty positions

From an Oct. 13, 2020 Perimeter Institute for Theoretical Physics (PI) announcement (received via email),

Perimeter Institute for Theoretical Physics is inviting applications for tenure-track Faculty positions in Quantum Matter and Quantum Information Science. For more information please visit our website.

We would be very grateful if you would circulate this information to outstanding early career candidates who may be interested in this opportunity.

Perimeter Institute offers a dynamic, multi-disciplinary environment with maximum research freedom and opportunity to collaborate. Consideration of applications will begin on December 1, 2020; however, applications will be considered until the positions are filled.

Perimeter Scholars International (PSI) master’s programme

From an Oct. 13, 2020 Perimeter Institute for Theoretical Physics (PI) announcement (received via email),

Perimeter Institute for Theoretical Physics is now accepting applications for the 2021/2022 Perimeter Scholars International (PSI) program. 

PSI is a master’s-level course in theoretical physics designed to bring highly qualified and exceptionally motivated graduate students to the cutting edge of the field in an inclusive training environment. 

This unique Master’s program, in partnership with the University of Waterloo, seeks not only students with stellar undergraduate physics and/or mathematics track records, but also those with diverse backgrounds, collaborative spirit, creativity, and other attributes that will set them apart as future innovators. 

Program features

– Removal of financial barriers: Most students who receive and accept offers of admission to PSI will receive a full scholarship. Perimeter Institute also helps with travel arrangements and any immigration arrangements necessary. 

– Students learn from many of the leading minds in theoretical physics while earning a Master’s degree from the University of Waterloo 

– Collaboration is valued over competition; deep understanding and creativity are valued over rote learning and examination 

– PSI recruits worldwide: 85 percent of students come from outside of Canada

– PSI seeks extraordinary talent who may have non-traditional academic backgrounds, but have demonstrated exceptional scientific aptitude 

Early application deadline: November 15, 2020. 
Final application deadline: February 1, 2021. 

Good luck!

The Quantum Physicist as Causal Detective: an Oct. 7, 2020 event

I love mysteries and am quite interested in the nature of reality (you, too?) and that gives us something in common with a couple of Perimeter Institute for Theoretical Physics (PI; Canada) researchers. From The Quantum Physicist as Causal Detective event page on the insidetheperimeter.ca website (notice received via email),

In their live webcast from Perimeter on October 7 [2020], Robert Spekkens and Elie Wolfe will shed light on the exciting possibilities brought about by applying quantum thinking to the science of cause and effect.

Watch the live webcast on this page on Wednesday, October 7 [2020] at 7 pm ET.

What do data science and the foundations of quantum theory have to do with one another?

A great deal, it turns out. The particular branch of data science known as causal inference focuses on a problem which is central to disciplines ranging from epidemiology to economics: that of disentangling correlation and causation in statistical data.

Meanwhile, in a slightly different guise, this same problem has been pondered by quantum physicists as part of a continuing effort to make sense of various puzzling quantum phenomena. On top of that, the most celebrated result concerning quantum theory’s meaning for the nature of reality – Bell’s theorem – can be seen in retrospect to be built on the solution to a particularly challenging problem in causal inference.

Recent efforts to elaborate upon these connections have led to an exciting flow of techniques and insights across the disciplinary divide.

Perimeter researchers Robert Spekkens and Elie Wolfe have done pioneering work studying relations of cause and effect through a quantum foundational lens, and can be counted among a small number of physicists worldwide with expertise in this field.

In their joint webcast from Perimeter [at 7 pm ET] on October 7 [2020], Spekkens and Wolfe will explore what is happening at the intersection of these two fields and how thinking like a quantum physicist leads to new ways of sussing out cause and effect from correlation patterns in statistical data.

For those of us on the West Coast, that webcast will be at 4 p.m. on Wednesday, Oct. 7, 2020 and I believe you can watch it here.

A mathematical sculptor, a live webcast (May 6, 2020) with theoretical cosmologist and author Katie Mack, & uniting quantum theory with Einstein’s Theory of General Relativity in a drawing

I’ve bookended information about the talk with physicist Katie Mack at Canada’s Perimeter Institute on May 6, 2020 with two items on visual art and mathematics and the sciences.

Mathematical sculpting

Robert Fathauer’s Three-Fold Hyperbolic Form exhibits negative curvature, a concept in geometry and topology that describes a surface curving in two directions at every point. Hemp crochet by Marla Peterson. Image courtesy of Robert Fathauer. [downloaded from https://www.pnas.org/content/114/26/6643.full]

You’ll find this image and a few more in a fascinating 2017 paper (see link and citation below) about mathematical sculpture,

Ferguson [Helaman Ferguson], who holds a doctorate in mathematics, never chose between art and science: now nearly 77 years old, he’s a mathematical sculptor. Working in stone and bronze, Ferguson creates sculptures, often placed on college campuses, that turn deep mathematical ideas into solid objects that anyone—seasoned professors, curious children, wayward mathophobes—can experience for themselves.

Mathematics has an intrinsic aesthetic—proofs are often described as “beautiful” or “elegant”—that can be difficult for mathematicians to communicate to outsiders, says Ferguson. “It isn’t something you can tell somebody about on the street,” he says. “But if I hand them a sculpture, they’re immediately relating to it.” Sculpture, he says, can tell a story about math in an accessible language.

Here’s a link to and a citation for the paper,

Science and Culture: Armed with a knack for patterns and symmetry, mathematical sculptors create compelling forms by Stephen Ornes. PNAS [Proceedings of the National Academy of Sciences] June 27, 2017 114 (26) 6643-6645; https://doi.org/10.1073/pnas.1706987114

This paper appears to be open access.

Live webcast: theoretical cosmologist & science communicator Katie Mack

The live webcast will take place at 4 pm PT (1600 hours) on Wednesday, May 6, 2020. Here’s more about Katie Mack and the webcast from the event webpage (click through to the event page to get to the webcast) on the Perimeter Institute of Theoretical Physics (PI) website,

In a special live webcast on May 6 [2020] at 7 pm ET [4 pm PT], theoretical cosmologist and science communicator Katie Mack — known to her many Twitter followers as @astrokatie — will answer questions about her favourite subject: the end of the universe.

Mack, who holds a Simons Emmy Noether Visiting Fellowship at Perimeter, will give viewers a sneak peek at her upcoming book, The End of Everything (Astrophysically Speaking). She will then participate in a live “ask me anything” session, answering questions submitted via social media using the hashtag #piLIVE.

Mack is an Assistant Professor at North Carolina State University whose research investigates dark matter, vacuum decay, and the epoch of reionization. Mack is a popular science communicator on social media, and has contributed to Scientific American, Slate, Sky & Telescope, Time, and Cosmos.

PI is located in Waterloo, Ontario, Canada.

Uniting quantum theory with Einstein’s Theory of General Relativity with a drawing about light

The article by Stephon Alexander was originally published March 16, 2017 for Nautilus. My excerpts are from a getpocket.com selection,

LIGHT IN THE GARDEN: This drawing by the Oakes brothers, Irwin Gardens at the Getty in Winter, inspired the author to think anew about quantum mechanics and general relativity. The meticulous drawing, done on curved paper, allows viewers to reflect on the act of perception. Credit: Ryan and Trevor Oakes [downloaded from http://nautil.us/issue/46/balance/what-this-drawing-taught-me-about-four_dimensional-spacetime]

My aim as a theoretical physicist is to unite quantum theory with Einstein’s Theory of General Relativity. While there are a few proposals for this unification, such as string theory and loop quantum gravity, many roadblocks to a complete unification remain.

Einstein’s theory tells us the gravitational force is a direct manifestation of space and time bending. The sun bends the fabric of space, much like a sleeping person bends a mattress. Planetary orbits, including Earth’s, are motion along the contours of the bent space created by the sun. This theory provides some critical insights into the nature of light.

… one summer, I had the most unexpected breakthrough. Beth Jacobs, a member of the New York Academy of Sciences’ Board of Governors, invited me and some friends to her New York City apartment to meet the Oakes twins, artists who have gained attention in recent years for their drawings as well as the innovative technique and inventions they deploy to create them. An Oakes work, Irwin Gardens at the Getty in Winter (2011), an intricate drawing of the famous gardens designed by Robert Irwin at The Getty Museum in Los Angeles, was displayed on the balcony of Jacobs’ apartment overlooking Central Park, with the backdrop of the New York City skyline lit with a warm orange sky moments before sunset.

As I gazed at the drawing, I could feel the artists challenging me to reconsider the nature of light. I began to realize I should consider not only the physics of light, but also how light information is perceived by observers, when theorizing and conceiving new principles to unify quantum mechanics and general relativity. …

Ryan and Trevor Oakes, 35, have been exploring the impact and intersection of visual perception and the physics of light since they were kids. After attending The Cooper Union for the Advancement of Science and Art in New York City, and years of experimentation and inventing new techniques, the twins exploited the notion that light information is better described when originating from a spherical surface.

Fascinating stuff. BTW, you can find the original article here on Nautilus.

The decade that was (2010-19) and the decade to come (2020-29): Science culture in Canada (5 of 5)

At long last, the end is in sight! This last part is mostly a collection of items that don’t fit elsewhere or could have fit elsewhere but that particular part was already overstuffed.

Podcasting science for the people

March 2009 was the birth date for a podcast, then called Skeptically Speaking and now known as Science for the People (Wikipedia entry). Here’s more from the Science for the People About webpage,

Science for the People is a long-format interview podcast that explores the connections between science, popular culture, history, and public policy, to help listeners understand the evidence and arguments behind what’s in the news and on the shelves.

Every week, our hosts sit down with science researchers, writers, authors, journalists, and experts to discuss science from the past, the science that affects our lives today, and how science might change our future.

THE TEAM

Rachelle Saunders: Producer & Host

I love to learn new things, and say the word “fascinating” way too much. I like to talk about intersections and how science and critical thinking intersect with everyday life, politics, history, and culture. By day I’m a web developer, and I definitely listen to way too many podcasts.

….

H/t to GeekWrapped’s 20 Best Science Podcasts.

Science: human contexts and cosmopolitanism

situating science: Science in Human Contexts was a seven-year project ending in 2014 and funded by the Social Sciences and Humanities Research Council of Canada (SSHRC). Here’s more from their Project Summary webpage,

Created in 2007 with the generous funding of the Social Sciences and Humanities Research Council of Canada Strategic Knowledge Cluster grant, Situating Science is a seven-year project promoting communication and collaboration among humanists and social scientists that are engaged in the study of science and technology.

You can find out more about Situating Science’s final days in my August 16, 2013 posting where I included a lot of information about one of their last events titled, “Science and Society 2013 Symposium; Emerging Agendas for Citizens and the Sciences.”

The “think-tank” will dovetail nicely with a special symposium in Ottawa on Science and Society Oct. 21-23. For this symposium, the Cluster is partnering with the Institute for Science, Society and Policy to bring together scholars from various disciplines, public servants and policy workers to discuss key issues at the intersection of science and society. [emphasis mine]  The discussions will be compiled in a document to be shared with stakeholders and the wider public.

The team will continue to seek support and partnerships for projects within the scope of its objectives. Among our top priorities are a partnership to explore sciences, technologies and their publics as well as new partnerships to build upon exchanges between scholars and institutions in India, Singapore and Canada.

The Situating Science folks did attempt to carry on the organization’s work by rebranding the organization to call it the Canadian Consortium for Situating Science and Technology (CCSST). It seems to have been a short-lived volunteer effort.

Meanwhile, the special symposium held in October 2013 appears to have been the springboard for another SSHRC funded multi-year initiative, this time focused on science collaborations between Canada, India, and Singapore, Cosmopolitanism and the Local in Science and Nature from 2014 – 2017. Despite their sunset year having been in 2017, their homepage boasts news about a 2020 Congress and their Twitter feed is still active. Harking back, here’s what the project was designed to do, from the About Us page,

Welcome to our three year project that will establish a research network on “Cosmopolitanism” in science. It closely examines the actual types of negotiations that go into the making of science and its culture within an increasingly globalized landscape. This partnership is both about “cosmopolitanism and the local” and is, at the same time, cosmopolitan and local.

Anyone who reads this blog with any frequency will know that I often comment on the fact that when organizations such as the Council of Canadian Academies bring in experts from other parts of the world, they are almost always from the US or Europe. So, I was delighted to discover the Cosmopolitanism project and featured it in a February 19, 2015 posting.

Here’s more from Cosmopolitanism’s About Us page

Specifically, the project will:

  1. Expose a hitherto largely Eurocentric scholarly community in Canada to widening international perspectives and methods,
  2. Build on past successes at border-crossings and exchanges between the participants,
  3. Facilitate a much needed nation-wide organization and exchange amongst Indian and South East Asian scholars, in concert with their Canadian counterparts, by integrating into an international network,
  4. Open up new perspectives on the genesis and place of globalized science, and thereby
  5. Offer alternative ways to conceptualize and engage globalization itself, and especially the globalization of knowledge and science.
  6. Bring the managerial team together for joint discussion, research exchange, leveraging and planning – all in the aid of laying the grounds of a sustainable partnership

Eco Art (also known as ecological art or environmental art)

I’m of two minds as to whether I should have tried to stuff this into the art/sci subsection in part 2. On balance, I decided that this merited its own section and that part 2 was already overstuffed.

Let’s start in Newfoundland and Labrador with Marlene Creates (pronounced Kreets), here’s more about her from her website’s bio webpage,

Marlene Creates (pronounced “Kreets”) is an environmental artist and poet who works with photography, video, scientific and vernacular knowledge, walking and collaborative site-specific performance in the six-acre patch of boreal forest in Portugal Cove, Newfoundland and Labrador, Canada, where she lives.

For almost 40 years her work has been an exploration of the relationship between human experience, memory, language and the land, and the impact they have on each other. …

Currently her work is focused on the six acres of boreal forest where she lives in a ‘relational aesthetic’ to the land. This oeuvre includes Water Flowing to the Sea Captured at the Speed of Light, Blast Hole Pond River, Newfoundland 2002–2003, and several ongoing projects:

Marlene Creates received a Governor General’s Award in Visual and Media Arts for “Lifetime Artistic Achievement” in 2019. …

As mentioned in her bio, Creates has a ‘forest’ project. The Boreal Poetry Garden,
Portugal Cove, Newfoundland 2005– (ongoing)
. If you are interested in exploring it, she has created a virtual walk here. Just click on one of the index items on the right side of the screen to activate a video.

An October 1, 2018 article by Yasmin Nurming-Por for Canadian Art magazine features 10 artists who focus on environmental and/or land art themes,

As part of her 2016 master’s thesis exhibition, Fredericton [New Brunswick] artist Gillian Dykeman presented the video Dispatches from the Feminist Utopian Future within a larger installation that imagined various canonical earthworks from the perspective of the future. It’s a project that addresses the inherent sense of timelessness in these massive interventions on the natural landscape from the perspective of contemporary land politics. … she proposes a kind of interaction with the invasive and often colonial gestures of modernist Land art, one that imagines a different future for these earthworks, where they are treated as alien in a landscape and as beacons from a feminist future.

A video trailer featuring “DISPATCHES FROM THE FEMINIST UTOPIAN FUTURE” (from Dykeman’s website archive page featuring the show,

If you have the time, I recommend reading the article in its entirety.

Oddly, I did not expect Vancouver to have such an active eco arts focus. The City of Vancouver Parks Board maintains an Environmental Art webpage on its site listing a number of current and past projects.

I cannot find the date for when this Parks Board initiative started but I did find a document produced prior to a Spring 2006 Arts & Ecology think tank held in Vancouver under the auspices of the Canada Council for the Arts, the Canadian Commission for UNESCO, the Vancouver Foundation, and the Royal Society for the Encouragement of the Arts, Manufactures and Commerce (London UK).

In all likelihood, Vancouver Park Board’s Environmental Art webpage was produced after 2006.

I imagine the document and the think tank session helped to anchor any then current eco art projects and encouraged more projects.

The document (MAPPING THE TERRAIN OF CONTEMPORARY ECOART PRACTICE AND COLLABORATION) while almost 14 years old offers a fascinating overview of what was happening internationally and in Canada.

While its early days were in 2008, EartHand Gleaners (Vancouver-based) wasn’t formally founded as an arts non-for-profit organization until 2013. You can find out more about them and their projects here.

Eco Art has been around for decades according to the eco art think tank document but it does seemed to have gained momentum here in Canada over the last decade.

Photography and the Natural Sciences and Engineering Research Council of Canada (NSERC)

Exploring the jack pine tight knit family tree. Credit: Dana Harris Brock University (2018)

Pictured are developing phloem, cambial, and xylem cells (blue), and mature xylem cells (red), in the outermost portion of a jack pine tree. This research aims to identify the influences of climate on the cellular development of the species at its northern limit in Yellowknife, NT. The differences in these cell formations is what creates the annual tree ring boundary.

Science Exposed is a photography contest for scientists which has been run since 2016 (assuming the Past Winners archive is a good indicator for the programme’s starting year).

The 2020 competition recently closed but public voting should start soon. It’s nice to see that NSERC is now making efforts to engage members of the general public rather than focusing its efforts solely on children. The UK’s ASPIRES project seems to support the idea that adults need to be more fully engaged with STEM (science, technology, engineering, and mathematics) efforts as it found that children’s attitudes toward science are strongly influenced by their parents’ and relatives’ attitudes.(See my January 31, 2012 posting.)

Ingenious, the book and Ingenium, the science museums

To celebrate Canada’s 150th anniversary in 2017, then Governor General David Johnston and Tom Jenkins (Chair of the board for Open Text and former Chair of the federal committee overseeing the ‘Review of Federal Support to R&’D [see my October 21, 2011 posting about the resulting report]) wrote a boo about Canada’s inventors and inventions.

Johnston and Jenkins jaunted around the country launching their book (I have more about their June 1, 2017 Vancouver visit in a May 30, 2017 posting; scroll down about 60% of the way]).

The book’s full title, “Ingenious: How Canadian Innovators Made the World Smarter, Smaller, Kinder, Safer, Healthier, Wealthier and Happier ” outlines their thesis neatly.

Not all that long after the book was launched, there was a name change (thankfully) for the Canada Science and Technology Museums Corporation (CSTMC). It is now known as Ingenium (covered in my August 10, 2017 posting).

The reason that name change was such a relief (for those who don’t know) is that the corporation included three national science museums: Canada Aviation and Space Museum, Canada Agriculture and Food Museum, and (wait for it) Canada Science and Technology Museum. On the list of confusing names, this ranks very high for me. Again, I give thanks for the change from CSTMC to Ingenium, leaving the name for the museum alone.

2017 was also the year that the newly refurbished Canada Science and Technology Museum was reopened after more than three years (see my June 23, 2017 posting about the November 2017 reopening and my June 12, 2015 posting for more information about the situation that led to the closure).

A Saskatchewan lab, Convergence, Order of Canada, Year of Science, Animated Mathematics, a graphic novel, and new media

Since this section is jampacked, I’m using subheads.

Saskatchewan

Dr. Brian Eames hosts an artist-in-residence, Jean-Sebastien (JS) Gauthier at the University of Saskatchewan’s College of Medicine Eames Lab. A February 16, 2018 posting here featured their first collaboration together. It covered evolutionary biology, the synchrotron (Canadian Light Source [CLS]) in Saskatoon, and the ‘ins and outs’ of a collaboration between a scientist an artist. Presumably the art-in-residence position indicates that first collaboration went very well.

In January 2020, Brian kindly gave me an update on their current projects. Jean-Sebastin successfully coded an interactive piece for an exhibit at the 2019 Nuit Blanche Saskatoon event using Connect (Xbox). More recently, he got a VR [virtual reality] helmet for an upcoming project or two.

After much clicking on the Nuit Blanche Saskatoon 2019 interactive map, I found this,

Our Glass is a work of interactive SciArt co-created by artist JS Gauthier and biologist Dr Brian F. Eames. It uses cutting-edge 3D microscopic images produced for artistic purposes at the Canadian Light Source, Canada’s only synchrotron facility. Our Glass engages viewers of all ages to peer within an hourglass showing how embryonic development compares among animals with whom we share a close genetic heritage.

Eames also mentioned they were hoping to hold an international SciArt Symposium at the University of Saskatchewan in 2021.

Convergence

Dr. Cristian Zaelzer-Perez, an instructor at Concordia University (Montreal; read this November 20, 2019 Concordia news release by Kelsey Rolfe for more about his work and awards), in 2016 founded the Convergence Initiative, a not-for-profit organization that encourages interdisciplinary neuroscience and art collaborations.

Cat Lau’s December 23, 2019 posting for the Science Borealis blog provides insight into Zaelzer-Perez’s relationship to science and art,

Cristian: I have had a relationship with art and science ever since I have had memory. As a child, I loved to do classifications, from grouping different flowers to collecting leaves by their shapes. At the same time, I really loved to draw them and for me, both things never looked different; they (art and science) have always worked together.

I started as a graphic designer, but the pursuit to learn about nature was never dead. At some point, I knew I wanted to go back to school to do research, to explore and learn new things. I started studying medical technologies, then molecular biology and then jumped into a PhD. At that point, my life as a graphic designer slipped down, because of the focus you have to give to the discipline. It seemed like every time I tried to dedicate myself to one thing, I would find myself doing the other thing a couple years later.

I came to Montreal to do my post-doc, but I had trouble publishing, which became problematic in getting a career. I was still loving what I was doing, but not seeing a future in that. Once again, art came back into my life and at the same time I saw that science was becoming really hard to understand and scientists were not doing much to bridge the gap.

The Convergence Initiative has an impressive array of programmes. Do check it out.

Order of Canada and ‘The Science Lady’

For a writer of children’s science books, an appointment to the Order of Canada is a singular honour. I cannot recall a children’s science book writer previous to Shar Levine being appointed as a Member of the Order of Canada. Known as ‘The Science Lady‘, Levine was appointed in 2016. Here’s more from her Wikipedia entry, Note: Links have been removed,

Shar Levine (born 1953) is an award-winning, best selling Canadian children’s author, and designer.

Shar has written over 70 books and book/kits, primarily on hands-on science for children. For her work in Science literacy and Science promotion, Shar has been appointed to the 2016 Order of Canada. In 2015, she was recognized by the University of Alberta and received their Alumni Honour Award. Levine, and her co-author, Leslie Johnstone, were co-recipients of the Eve Savory Award for Science Communication from the BC Innovation Council (2006) and their book, Backyard Science, was a finalist for the Subaru Award, (hands on activity) from the American Association for the Advancement of Science, Science Books and Films (2005). The Ultimate Guide to Your Microscope was a finalist-2008 American Association for the Advancement of Science/Subaru Science Books and Films Prize Hands -On Science/Activity Books.

To get a sense of what an appointment to the Order of Canada means, here’s a description from the government of Canada website,

The Order of Canada is how our country honours people who make extraordinary contributions to the nation.

Since its creation in 1967—Canada’s centennial year—more than 7 000 people from all sectors of society have been invested into the Order. The contributions of these trailblazers are varied, yet they have all enriched the lives of others and made a difference to this country. Their grit and passion inspire us, teach us and show us the way forward. They exemplify the Order’s motto: DESIDERANTES MELIOREM PATRIAM (“They desire a better country”).

Year of Science in British Columbia

In the Fall of 2010, the British Columbia provincial government announced a Year of Science (coinciding with the school year) . Originally, it was supposed to be a provincial government-wide initiative but the idea percolated through any number of processes and emerged as a year dedicated to science education for youth (according to the idea’s originator, Moira Stilwell who was then a Member of the Legislative Assembly [MLA]’ I spoke with her sometime in 2010 or 2011).

As the ‘year’ drew to a close, there was a finale ($1.1M in funding), which was featured here in a July 6, 2011 posting.

The larger portion of the money ($1M) was awarded to Science World while $100,000 ($0.1 M) was given to the Pacific Institute of Mathematical Sciences To my knowledge there have been no followup announcements about how the money was used.

Animation and mathematics

In Toronto, mathematician Dr. Karan Singh enjoyed a flurry of interest due to his association with animator Chris Landreth and their Academy Award (Oscar) Winning 2004 animated film, Ryan. They have continued to work together as members of the Dynamic Graphics Project (DGP) Lab at the University of Toronto. Theirs is not the only Oscar winning work to emerge from one or more of the members of the lab. Jos Stam, DGP graduate and adjunct professor won his third in 2019.

A graphic novel and medical promise

An academic at Simon Fraser University since 2015, Coleman Nye worked with three other women to produce a graphic novel about medical dilemmas in a genre described as’ ethno-fiction’.

Lissa: A Story about Medical Promise, Friendship, and Revolution (2017) by Sherine Hamdy and Coleman Nye, two anthropologists and Art by Sarula Bao and Caroline Brewer, two artists.

Here’s a description of the book from the University of Toronto Press website,

As young girls in Cairo, Anna and Layla strike up an unlikely friendship that crosses class, cultural, and religious divides. Years later, Anna learns that she may carry the hereditary cancer gene responsible for her mother’s death. Meanwhile, Layla’s family is faced with a difficult decision about kidney transplantation. Their friendship is put to the test when these medical crises reveal stark differences in their perspectives…until revolutionary unrest in Egypt changes their lives forever.

The first book in a new series [ethnoGRAPIC; a series of graphic novels from the University of Toronto Press], Lissa brings anthropological research to life in comic form, combining scholarly insights and accessible, visually-rich storytelling to foster greater understanding of global politics, inequalities, and solidarity.

I hope to write more about this graphic novel in a future posting.

New Media

I don’t know if this could be described as a movement yet but it’s certainly an interesting minor development. Two new media centres have hosted, in the last four years, art/sci projects and/or workshops. It’s unexpected given this definition from the Wikipedia entry for New Media (Note: Links have been removed),

New media are forms of media that are computational and rely on computers for redistribution. Some examples of new media are computer animations, computer games, human-computer interfaces, interactive computer installations, websites, and virtual worlds.[1][2]

In Manitoba, the Video Pool Media Arts Centre hosted a February 2016 workshop Biology as a New Art Medium: Workshop with Marta De Menezes. De Menezes, an artist from Portugal, gave workshops and talks in both Winnipeg (Manitoba) and Toronto (Ontario). Here’s a description for the one in Winnipeg,

This workshop aims to explore the multiple possibilities of artistic approaches that can be developed in relation to Art and Microbiology in a DIY situation. A special emphasis will be placed on the development of collaborative art and microbiology projects where the artist has to learn some biological research skills in order to create the artwork. The course will consist of a series of intense experimental sessions that will give raise to discussions on the artistic, aesthetic and ethical issues raised by the art and the science involved. Handling these materials and organisms will provoke a reflection on the theoretical issues involved and the course will provide background information on the current diversity of artistic discourses centred on biological sciences, as well a forum for debate.

VIVO Media Arts Centre in Vancouver hosted the Invasive Systems in 2019. From the exhibition page,

Picture this – a world where AI invades human creativity, bacteria invade our brains, and invisible technological signals penetrate all natural environments. Where invasive species from plants to humans transform spaces where they don’t belong, technology infiltrates every aspect of our daily lives, and the waste of human inventions ravages our natural environments.

This weekend festival includes an art-science exhibition [emphasis mine], a hands-on workshop (Sat, separate registration required), and guided discussions and tours by the curator (Sat/Sun). It will showcase collaborative works by three artist/scientist pairs, and independent works by six artists. Opening reception will be on Friday, November 8 starting at 7pm; curator’s remarks and performance by Edzi’u at 7:30pm and 9pm. 

New Westminster’s (British Columbia) New Media Gallery recently hosted an exhibition, ‘winds‘ from June 20 – September 29, 2019 that could be described as an art/sci exhibition,

Landscape and weather have long shared an intimate connection with the arts.  Each of the works here is a landscape: captured, interpreted and presented through a range of technologies. The four artists in this exhibition have taken, as their material process, the movement of wind through physical space & time. They explore how our perception and understanding of landscape can be interpreted through technology. 

These works have been created by what might be understood as a sort of scientific method or process that involves collecting data, acute observation, controlled experiments and the incorporation of measurements and technologies that control or collect motion, pressure, sound, pattern and the like. …

Council of Canadian Academies, Publishing, and Open Access

Established in 2005, the Council of Canadian Academies (CCA) (Wikipedia entry) is tasked by various departments and agencies to answer their queries about science issues that could affect the populace and/or the government. In 2014, the CCA published a report titled, Science Culture: Where Canada Stands. It was in response to the Canada Science and Technology Museums Corporation (now called Ingenium), Industry Canada, and Natural Resources Canada and their joint request that the CCA conduct an in-depth, independent assessment to investigate the state of Canada’s science culture.

I gave a pretty extensive analysis of the report, which I delivered in four parts: Part 1, Part 2 (a), Part 2 (b), and Part 3. In brief, the term ‘science culture’ seems to be specifically, i.e., it’s not used elsewhere in the world (that we know of), Canadian. We have lots to be proud of. I was a little disappointed by the lack of culture (arts) producers on the expert panel and, as usual, I bemoaned the fact that the international community included as reviewers, members of the panel, and as points for comparison were drawn from the usual suspects (US, UK, or somewhere in northern Europe).

Science publishing in Canada took a bit of a turn in 2010, when the country’s largest science publisher, NRC (National Research Council) Research Publisher was cut loose from the government and spun out into the private, *not-for-profit publisher*, Canadian Science Publishing (CSP). From the CSP Wikipedia entry,

Since 2010, Canadian Science Publishing has acquired five new journals:

Since 2010, Canadian Science Publishing has also launched four new journals

Canadian Science Publishing offers researchers options to make their published papers freely available (open access) in their standard journals and in their open access journal, (from the CSP Wikipedia entry)

Arctic Science aims to provide a collaborative approach to Arctic research for a diverse group of users including government, policy makers, the general public, and researchers across all scientific fields

FACETS is Canada’s first open access multidisciplinary science journal, aiming to advance science by publishing research that the multi-faceted global community of research. FACETS is the official journal of the Royal Society of Canada’s Academy of Science.

Anthropocene Coasts aims to understand and predict the effects of human activity, including climate change, on coastal regions.

In addition, Canadian Science Publishing strives to make their content accessible through the CSP blog that includes plain language summaries of featured research. The open-access journal FACETS similarly publishes plain language summaries.

*comment removed*

CSP announced (on Twitter) a new annual contest in 2016,

Canadian Science Publishing@cdnsciencepub

New CONTEST! Announcing Visualizing Science! Share your science images & win great prizes! Full details on the blog http://cdnsciencepub.com/blog/2016-csp-image-contest-visualizing-science.aspx1:45 PM · Sep 19, 2016·TweetDeck

The 2016 blog posting is no longer accessible. Oddly for a contest of this type, I can’t find an image archive for previous contests. Regardless, a 2020 competition has been announced for Summer 2020. There are some details on the VISUALIZING SCIENCE 2020 webpage but some are missing, e.g., no opening date, no deadline. They are encouraging you to sign up for notices.

Back to open access, in a January 22, 2016 posting I featured news about Montreal Neuro (Montreal Neurological Institute [MNI] in Québec, Canada) and its then new policy giving researchers world wide access to its research and made a pledge that it would not seek patents for its work.

Fish, Newfoundland & Labrador, and Prince Edward Island

AquAdvantage’s genetically modified salmon was approved for consumption in Canada according to my May 20, 2016 posting. The salmon are produced/farmed by a US company (AquaBounty) but the the work of genetically modifying Atlantic salmon with genetic material from the Chinook (a Pacific ocean salmon) was mostly undertaken at Memorial University in Newfoundland & Labrador.

The process by which work done in Newfoundland & Labrador becomes the property of a US company is one that’s well known here in Canada. The preliminary work and technology is developed here and then purchased by a US company, which files patents, markets, and profits from it. Interestingly, the fish farms for the AquAdvantage salmon are mostly (two out of three) located on Prince Edward Island.

Intriguingly, 4.5 tonnes of the modified fish were sold for consumption in Canada without consumers being informed (see my Sept. 13, 2017 posting, scroll down about 45% of the way).

It’s not all sunshine and roses where science culture in Canada is concerned. Incidents where Canadians are not informed let alone consulted about major changes in the food supply and other areas are not unusual. Too many times, scientists, politicians, and government policy experts want to spread news about science without any response from the recipients who are in effect viewed as a ‘tabula rasa’ or a blank page.

Tying it all up

This series has been my best attempt to document in some fashion or another the extraordinary range of science culture in Canada from roughly 2010-19. Thank you! This series represents a huge amount of work and effort to develop science culture in Canada and I am deeply thankful that people give so much to this effort.

I have inevitably missed people and organizations and events. For that I am very sorry. (There is an addendum to the series as it’s been hard to stop but I don’t expect to add anything or anyone more.)

I want to mention but can’t expand upon,the Pan-Canadian Artificial Intelligence Strategy, which was established in the 2017 federal budget (see a March 31, 2017 posting about the Vector Institute and Canada’s artificial intelligence sector).

Science Borealis, the Canadian science blog aggregator, owes its existence to Canadian Science Publishing for the support (programming and financial) needed to establish itself and, I believe, that support is still ongoing. I think thanks are also due to Jenny Ryan who was working for CSP and championed the initiative. Jenny now works for Canadian Blood Services. Interestingly, that agency added a new programme, a ‘Lay Science Writing Competition’ in 2018. It’s offered n partnership with two other groups, the Centre for Blood Research at the University of British Columbia and Science Borealis

While the Royal Astronomical Society of Canada does not fit into my time frame as it lists as its founding date December 1, 1868 (18 months after confederation), the organization did celebrate its 150th anniversary in 2018.

Vancouver’s Electric Company often produces theatrical experiences that cover science topics such as the one featured in my June 7, 2013 posting, You are very star—an immersive transmedia experience.

Let’s Talk Science (Wikipedia entry) has been heavily involved with offering STEM (science, technology, engineering, and mathematics) programming both as part of curricular and extra-curricular across Canada since 1993.

This organization predates confederation having been founded in 1849 by Sir Sandford Fleming and Kivas Tully in Toronto. for surveyors, civil engineers, and architects. It is the Royal Canadian Institute of Science (Wikipedia entry)_. With almost no interruption, they have been delivering a regular series of lectures on the University of Toronto campus since 1913.

The Perimeter Institute for Theoretical Physics is a more recent beast. In 1999 Mike Lazirides, founder of Research In Motion (now known as Blackberry Limited), acted as both founder and major benefactor for this institute in Waterloo, Ontario. They offer a substantive and imaginative outreach programmes such as Arts and Culture: “Event Horizons is a series of unique and extraordinary events that aim to stimulate and enthral. It is a showcase of innovative work of the highest international standard, an emotional, intellectual, and creative experience. And perhaps most importantly, it is a social space, where ideas collide and curious minds meet.”

While gene-editing hasn’t seemed to be top-of-mind for anyone other than those in the art/sci community that may change. My April 26, 2019 posting focused on what appears to be a campaign to reverse Canada’s criminal ban on human gene-editing of inheritable cells (germline). With less potential for controversy, there is a discussion about somatic gene therapies and engineered cell therapies. A report from the Council of Canadian is due in the Fall of 2020. (The therapies being discussed do not involve germline editing.)

French language science media and podcasting

Agence Science-Presse is unique as it is the only press agency in Canada devoted to science news. Founded in 1978, it has been active in print, radio, television, online blogs, and podcasts (Baladodiffusion). You can find their Twitter feed here.

I recently stumbled across ‘un balados’ (podcast), titled, 20%. Started in January 2019 by the magazine, Québec Science, the podcast is devoted to women in science and technology. 20%, the podcast’s name, is the statistic representing the number of women in those fields. “Dans les domaines de la science et de la technologie, les femmes ne forment que 20% de la main-d’oeuvre.” (from the podcast webpage) The podcast is a co-production between “Québec Science [founded in 1962] et l’Acfas [formerly, l’Association Canadienne-Française pour l’Avancement des Sciences, now, Association francophone pour le savoir], en collaboration avec la Commission canadienne pour l’UNESCO, L’Oréal Canada et la radio Choq.ca.” (also from the podcast webpage)

Does it mean anything?

There have been many developments since I started writing this series in late December 2019. In January 2020, Iran shot down one of its own planes. That error killed some 176 people , many of them (136 Canadians and students) bound for Canada. The number of people who were involved in the sciences, technology, and medicine was striking.

It was a shocking loss and will reverberate for quite some time. There is a memorial posting here (January 13, 2020), which includes links to another memorial posting and an essay.

As I write this we are dealing with a pandemic, COVID-19, which has us all practicing physical and social distancing. Congregations of large numbers are expressly forbidden. All of this is being done in a bid to lessen the passage of the virus, SARS-CoV-2 which causes COVID-19.

In the short term at least, it seems that much of what I’ve described in these five parts (and the addendum) will undergo significant changes or simply fade away.

As for the long term, with this last 10 years having hosted the most lively science culture scene I can ever recall, I’m hopeful that science culture in Canada will do more than survive but thrive.

For anyone who missed them:

Part 1 covers science communication, science media (mainstream and others such as blogging) and arts as exemplified by music and dance: The decade that was (2010-19) and the decade to come (2020-29): Science culture in Canada (1 of 5).

Part 2 covers art/science (or art/sci or sciart) efforts, science festivals both national and local, international art and technology conferences held in Canada, and various bar/pub/café events: The decade that was (2010-19) and the decade to come (2020-29): Science culture in Canada (2 of 5).

Part 3 covers comedy, do-it-yourself (DIY) biology, chief science advisor, science policy, mathematicians, and more: The decade that was (2010-19) and the decade to come (2020-29): Science culture in Canada (3 of 5)

Part 4 covers citizen science, birds, climate change, indigenous knowledge (science), and the IISD Experimental Lakes Area: The decade that was (2010-19) and the decade to come (2020-29): Science culture in Canada (4 of 5)

*”for-profit publisher, Canadian Science Publishing (CSP)” corrected to “not-for-profit publisher, Canadian Science Publishing (CSP)” and this comment “Not bad for a for-profit business, eh?” removed on April 29, 2020 as per Twitter comments,

Canadian Science Publishing @cdnsciencepub

Hi Maryse, thank you for alerting us to your blog. To clarify, Canadian Science Publishing is a not-for-profit publisher. Thank you as well for sharing our image contest. We’ve updated the contest page to indicate that the contest opens July 2020!

10:01am · 29 Apr 2020 · Twitter Web App

RFP (request for proposal) from Evidence for Democracy and undergraduate physics summer school/internship opportunities at the Perimeter Institute

Two very different Canadian institutions are offering opportunities to work, in one case, and to study and work, in the other case.

Evidence for Democracy and their RFP

The deadline for making your proposal is November 25, 2019 and the competition was opened on November 11, 2019. Here’s more from Evidence for Democracy’s RFP webpage,

Description
Evidence for Democracy (E4D) is a national science-based non-partisan, non-profit organization promoting science integrity and evidence-based policy development in Canada.

E4D intends to hire a contractor to work with us to produce a case study documenting and examining the grassroots movement that evolved in Canada to support evidence-informed policymaking (EIP) from 2013 to 2019, and to determine which elements could inspire similar work in other countries.

Background
E4D will produce a case study documenting and examining the grassroots movement that evolved in Canada to support evidence-informed policymaking from 2013 to 2019 to see which elements could inspire similar work in other countries.

The goals are to better understand what elements of E4D’s work over this period have been successful and why. This will be achieved through a survey of E4D’s supporters and interviews with various people in the science policy and evidence field in Canada.

The project will start with information gathering from inside and outside the E4D community. One of the goals is to learn more about which E4D activities have been the most and least effective at engaging and mobilizing individuals around evidence-informed policymaking, so we will start with a digital survey of our broad supporter base to learn from them. This will be disseminated by email to our E4D network. To add to the survey data, we will conduct interviews with selected members of E4D’s network to dig deeper into why they chose to engage and what motivated them (aiming for 20 interviews with E4D volunteers and network of expert members). Finally, we will conduct interviews with individuals who are external to E4D but engaged in science policy or EIP to have an external perspective on E4D’s work and grassroots engagement.

The information will be synthesized into a report outlining the grassroots movement to support EIP that emerged in Canada; what actions and activities strengthened this movement and why; and what specific actions, strategies and lessons learned can be drawn out to be applied in other countries.

E4D is looking to contract an individual to develop survey and interview questions, execute the interviews, complete the information synthesis and the first draft of the report. The ideal individual will be a freelance science writer or science journalist who has some experience looking at issues through an international lens to ensure the final report is context-appropriate.

Timeline and Compensation
December: Drafting and finalizing interview questions and recipient list and begin survey and interviews
January: Complete survey/interviews
February: Draft report

Budget
$18,000 CDN

Responses
Responses shall be submitted by email to katie@evidencefordemocracy.ca by November 25th, 2019. Please provide your resume and a short (under 1 page) summary of your qualifications and availability for this project.

About Evidence for Democracy
Evidence for Democracy is the leading fact-driven, non-partisan, not-for-profit organization promoting the transparent use of evidence in government decision-making in Canada. Through research, education and issue campaigns, we engage and empower the science community while cultivating public and political demand for evidence-based decision-making.

A case study without science?

It’s fascinating to me that there’s no mention that the contractor might need skills in building a survey, creating an interview instrument, interviewing, and analyzing both qualitative and quantitative data. Where is the social science?

Focusing on a science writer or science journalist as examples of people who might have the required skill set suggests that more attention has been paid to the end result (the draft report) than the process.

I hope I’m wrong but this looks like a project where the importance of questions has been ignored. It can take a couple or more iterations to get your survey questions right and then you have to get your interview questions right. As for a sample of 20 qualitative interviews, that’s a lot of work.both from the perspective of setting up and conducting interviews and analyzing the copious amounts of information you are likely to receive.

Given that E4D is a science- and evidence-based organization, the project seems odd. Either they’ve left a lot out of their project description or they don’t plan to build a proper case study following basic social science protocols. It almost seems as if they’re more interested in self-promotion than in evidence. Time will tell. Once the report is released, it will be possible to examine how the gathered their information.

Perimeter Institute (PI) invites undergraduate physics students to their 2020 summer program

This looks pretty nifty given that PI will pay your expenses and you might end up with a paid internship afterwards. From a November 4, 2019 PI announcement (received via email),

Undergraduate Theoretical Physics Summer Program
Perimeter Institute for Theoretical Physics is now accepting applications for the Undergraduate Theoretical Physics Summer Program.

The program invites 20 exceptional students to join its research community for a fully-funded two-week summer school. Students will learn research tools and collaboration skills in the multi-disciplinary environment of the world’s largest independent theoretical physics research centre.

This program consists of two parts:
Two-week Summer School (fully-funded): Students are immersed in Perimeter’s dynamic research environment — attending courses on cutting-edge topics in physics, learning new techniques to solve interesting problems, working on group research projects, and potentially even publishing their work. 
Research Internship: Applicants may also be considered for a paid summer research internship. Accepted interns will work on projects alongside Perimeter researchers 

The program is accepting applications for the summer school beginning May 25, 2020.

Ways to share this opportunity with your colleagues and students
Download, print, and hang this high-resolution poster
Direct all to the Undergraduate Theoretical Physics Summer Program website for more information
Paste this key information on your sites and blogs
Application Deadline: January 6, 2020
Apply at perimeterinstitute.ca/undergrad

I’m not sure what the image on the left represents but the one on the right would seem to be some very happy students,

Perimeter Institute Summer Program

The institute is located in Waterloo, Ontario (from the PI Summer Program webpage),

We accept excellent students with a demonstrated interest in the program, who are entering the final year of their undergraduate program in Fall 2020 (special exceptions allowed).

The two-week summer school is fully funded. Successful candidates will be provided with workspace, accommodations, and weekday meals (per diem are provided for weekends). Perimeter Institute will also cover economy travel expenses between the applicant’s home institutions and Toronto Pearson Airport. Ground transportation from Toronto Pearson Airport to Perimeter Institute will be provided.

The two-week summer school is fully funded to ensure that a diverse group of top students, both in background and nationality and without regard for financial means, may attend.

Students staying for the research internship will be paid through a Research Award.

APPLY ONLINE

There is no application fee required.

Important Dates

January 6, 2020 – Application deadline

January 20, 2020 – By this date, all applicants will have received an email on their application status (for summer school acceptance and internship offers)

May 25 to June 5, 2020 – Two-week summer school program in session

Questions should be directed to Santiago Almada

According to the PI website, Waterloo is approximately one hour from Toronto.

Good luck!

The poetry of physics from Canada’s Perimeter Institute

Dedicated to foundational theoretical physics, the Perimeter Institute (PI) has an active outreach programme. In their latest ‘newsletter’ (received via email on September 19, 2018) highlights poetry written by scientists, (from the ’12 poignant poems’ webpage),

It can be said that science and poetry share the common purpose of revealing profound truths about the universe and our place in it.

Physicist Paul Dirac, a known curmudgeon, would have dismissed that idea as hogwash.

“The aim of science is to make difficult things understandable in a simpler way; the aim of poetry is to state simple things in an incomprehensible way,” Dirac grouched to a colleague.  “The two are incompatible.”

The colleague to whom Dirac was grumbling, J. Robert Oppenheimer, was a lover of poetry who dabbled in it himself — as did, it turns out, quite a few great physicists, past and present. Physicists have often turned to poetry to express ideas for which there are no equations.

Here’s a look at some of the loveliest stanzas from physicists past and present, plus a few selections of rhyming silliness that get an A+ for effort.

Considering his reported distaste for poetry, it seems Dirac may have committed a few lines to verse. A four-line poem credited to Dirac laments the belief that, once past the age of 30, physicists have already passed their peak intellectual years.

dirac poetry

Perhaps the most prolific of all the poetic physicists was the Scottish genius [James Clerk Maxwell] whose equations for electromagnetism have been called “the second great unification in physics” (second to Isaac Newton’s marriage of physics and astronomy).

Maxwell’s best-known poetic composition is “Rigid Body Sings,” a ditty he used to sing while playing guitar, which is based on the classic Robbie Burns poem “Comin’ Through the Rye” (the inspiration for the title of J.D. Salinger’s The Catcher in the Rye). In terms of melding poetry and physics, however, Maxwell’s geekiest composition might be “A Problem in Dynamics,” which shows both his brilliance and sense of humour.

james clerk maxwell poem

Read the full poem

If Maxwell’s “A Problem in Dynamics,” is a little too technical for your mathematical comfort level, his fellow Scottish physicist William J.M. Rankine penned poetry requiring only a rudimentary understanding of algebra (and a peculiar understanding of love).

rankine physics poem

Richard Feynman was known for both his brilliance and his eclectic lifestyle, which included playing the bongos, safe-cracking, and, occasionally, writing poetry.

Read the full poem

Although theoretical physics is her specialty, Shohini Ghose is a true polymath. Born in India, educated in the US, and now a multi-award-winning professor at Wilfrid Laurier University, Ghose has delivered popular talks on subjects ranging from climate change to sexism in science. She recently joined Perimeter Institute as an affiliate researcher and an Equity, Inclusion & Diversity Specialist. On top of all that, she is a poet too.

Shohini poem

English mathematician James Joseph Sylvester was a prolific scholar whose collected works on matrix theory, number theory, and combinatorics fill four (large) volumes. In his honour, the Royal Society of London bestows the Sylvester Medal every two years to an early-career mathematician who shows potential to make major breakthroughs, just as the medal’s namesake did. It is only fitting that Sylvester’s best known work of poetry is an ode to a missing part of an algebraic formula.

sylvester poem physics

Read the full poem

Sonali Mohapatra is a Chancellor’s PhD Student at the University of Sussex and an alumna of the Perimeter Scholars International master’s program (during which she sang on the nationally broadcast CBC Radio program Ideas). She’s also the author of the poetry compilation Leaking Ink and runs an international magazine on creative resistance called Carved Voices. In her spare time — which, remarkably, she occasionally has — she delivers motivational talks on physics, feminism, and the juxtaposition of the personal and the professional.

sonali poem

Read the full poem

William Rowan Hamilton was an extraordinary mathematician whose research had long-lasting implications for modern physics. As a poet, he was a bit of a hack, at least in the eyes of his friend and renowned poet William Wordsworth. Hamilton often sent his poems to Wordsworth for feedback, and Wordsworth went to great pains to provide constructive criticism without hurting his friend’s feelings. Upon reading one of Hamilton’s poems, Wordsworth replied: “I do venture to submit to your consideration, whether the poetical parts of your nature would not find a field more favourable to their exercise in the regions of prose.” Translation: don’t quit your day job, Bill. Here’s one of Hamilton’s better works — a tribute to another giant of mathematics and physics, Joseph Fourier.

hamilton poetry

Read the full poem

For some lyrical physicists, poetry is not always a hobby separate from scientific research. For some (at least one), poetry is a way to present scientific findings. In 1984, Australian physicist J.W.V. Storey published a research paper — The Detection of Shocked Co/ Emission from G333.6-0.2 — as a 38-stanza poem. To any present-day researchers reading this: we dare you to try it.

storey poem

Caltech physicist John Preskill is one of the world’s leading researchers exploring quantum information and the application of quantum computing to big questions about spacetime. Those are extremely complex topics, but Preskill also has a knack for explaining complicated subjects in accessible (and, occasionally, rhyming) terms. Here’s a snippet from a poem he wrote called “Quantum Cryptography.”

john preskill poems

Read the full poem

Nitica Sakharwade is a PhD student who, when not tackling foundational puzzles in quantum mechanics and quantum information, writes poetry and performs spoken word. In fact, she’s performing at the Canadian Festival of Spoken Word in October 2018. Though her poems don’t always relate to physics, when they do, they examine profound ideas like the Chandrasekhar limit (the mass threshold that determines whether a white dwarf star will explode in a cataclysmic supernova).

chandrasekhar limit

David Morin is a physics professor at Harvard who has become somewhat legendary for sprucing up his lessons with physics-based limericks. Some are quite catchy and impressively whittle a complex subject down to a set of simple rhyming verses, like the one below about Emmy Noether’s landmark theorem.

noether symmetries

Other poems by Morin — such as this one, explaining how a medium other than a vacuum would affect a classic experiment — border on the absurd.

morin poems harvard

Lastly, we can’t resist sharing a poem by the brilliant Katharine Burr Blodgett, a physicist and chemist who, among other achievements, invented non-reflective “invisible” glass. That glass became very useful in filmmaking and was first put to use by Hollywood in a little movie called Gone With the Wind. After she retired from a long and successful career at General Electric (where she also pioneered materials to de-ice airplane wings, among many other innovations), she amused herself by writing quirky poetry.

katharine burr blodget

I’d usually edit a bit in an effort to drive readers over to the Perimeter website but I just can’t bear to cut this up. Thank you to Colin Hunter for compiling the poems and the write ups. For anyone who wants to investigate the Perimeter Institute further and doesn’t have a PhD in physics, there’s the Slices of PI webpage featuring “fun, monthly dispatches about science designed for social sharing.”

Canada’s Perimeter Institute, graphic novels, physics, and a public webcast

The full name is Perimeter Institute for Theoretical Physics. The abbreviation I’m most familiar with is PI but there’s also Perimeter or PITP according to the institute’s Wikipedia entry. It is the only such institute in the country (as far as I’m aware) and it is very active in science outreach such as their latest foray: Graphic Talk about the Universe: a Clifford V. Johnson public lecture webcast.

A January 16, 2019 posting on the Slice of PI blog (?) announces the webcast,

Physics lends itself to illustration

From da Vinci’s detailed drawings to schematics of a hypothetical zombie cat both alive and dead in a box, illustrations are invaluable tools for those not fluent in the language of equations

But while illustrated textbooks abound, only relatively recently have artists and writers begun exploring physics concepts through the growing genre of graphic novels

These artists (one of whom will deliver a live webcast from Perimeter on Feb. 6!) convey complex ideas not only through illustration, but also narrative creativity, dialogue, action, and humour.

Here are some of our recommendations. Did we miss your favourite? Let us know in the comments.

The Dialogues by Clifford Johnson (MIT Press) is available here.

Max the Demon vs Entropy of Doom by Assa Auerbach and Richard Codor (Loose Line Productions Inc.) is available here


I have two comments about the excerpt from the PI blog: (1) I love the reference to Maxwell’s demon thought experiment in the title for Auerbach’s and Codor’s graphic novel title and (2) Clifford Johnson and his graphic novel were mentioned here in an April 16, 2018 posting.

PI has created a trailer for Johnson’s upcoming webcast,

You can watch the live webcast on February 6, 2019 here (7 pm ET or, for those of us on the West Coast, 4 pm PT). There will be tickets available for anyone who can attend the live lecturre in Waterloo, Ontario. Tickets are available as of Monday, January 21, 2019 at 9 am ET or 6 am PT.

A selection of science songs for summer

Canada’s Perimeter Institute for Theoretical Physics (PI) has compiled a list of science songs and it includes a few Canadian surprises. Here’s more from the July 21, 2016 PI notice received via email.

Ah, summer.

School’s out, the outdoors beckon, and with every passing second a 4.5-billion-year-old nuclear fireball fuses 620 million tons of hydrogen so brightly you’ve gotta wear shades.

Who says you have to stop learning science over the summer?

All you need is the right soundtrack to your next road trip, backyard barbeque, or day at the beach.

Did we miss your favourite science song? Tweet us @Perimeter with the hashtag #SciencePlaylist.

You can find the list and accompanying videos on The Ultimate Science Playlist webpage on the PI website. Here are a few samples,

“History of Everything” – Barenaked Ladies (The Big Bang Theory theme)

You probably know this one as the theme song of The Big Bang Theory. But here’s something you might not know. The tune began as an improvised ditty Barenaked Ladies’ singer Ed Robertson performed one night in Los Angeles after reading Simon Singh’s book Big Bang: The Most Important Scientific Discovery of All Time and Why You Need to Know About It. Lo and behold, in the audience that night were Chuck Lorre and Bill Prady, creators of The Big Bang Theory. The rest is history (of everything).

“Bohemian Gravity” – A Capella Science (Tim Blais)

Tim Blais, the one-man choir behind A Capella Science, is a master at conveying complex science in fun musical parodies. “Bohemian Gravity” is his most famous, but be sure to also check out our collaboration with him about gravitational waves, “LIGO: Feel That Space.”

“NaCl” – Kate and Anna McGarrigle

“NaCl” is a romantic tale of the courtship of a chlorine atom and a sodium atom, who marry and become sodium chloride. “Think of the love you eat,” sings Kate McGarrigle, “when you salt your meat.”

This is just a sampling. At this point, there are 15 science songs on the webpage. Surprisingly, rap is not represented. One other note, you’ll notice all of my samples are Canadian. (Sadly, I had other videos as well but every time I saved a draft I lost at least half or more. It seems the maximum allowed to me is three.).

Here are the others I wanted to include:

“Mandelbrot Set” – Jonathan Coulton

Singer-songwriter Jonathan Coulton (JoCo, to fans) is arguably the patron saint of geek-pop, having penned the uber-catchy credits songs of the Portal games, as well as this loving tribute to a particular set of complex numbers that has a highly convoluted fractal boundary when plotted.

“Higgs Boson Sonification” – Traq 

CERN physicist Piotr Traczyk (a.k.a. Traq) “sonified” data from the experiment that uncovered the Higgs boson, turning the discovery into a high-energy metal riff.

“Why Does the Sun Shine?” – They Might Be Giants

Choosing just one song for this playlist by They Might Be Giants is a tricky task, since They Definitely Are Nerdy. But this one celebrates physics, chemistry, and astronomy while also being absurdly catchy, so it made the list. Honourable mention goes to their entire album for kids, Here Comes Science.

In any event, the PI list is a great introduction to science songs and The Ultimate Science Playlist includes embedded videos for all 15 of the songs selected so far. Happy Summer!