The latest Quantum Studio artist-in-residence, Nadia Lichtig, has recently been announced in the University of British Columbia’s (Vancouver, Canada) Morris and Helen Belkin Gallery October 7, 2025 newsletter (also received via email),
ARS SCIENTIA – BRIDGING ART AND SCIENCE AT UBC
Building on exhibitions like The Beautiful Brain and Drift, the Ars Scientia research project connects artists with physicists to explore the intersections between the disciplines of art and science. A collaboration between the Belkin, the Department of Physics and Astronomy and the Stewart Blusson Quantum Matter Institute, with project support from the Institut Français du Canada and the Department of Art History, Visual Art and Theory, we’re pleased to share news of Ars Scientia‘s latest initiatives.
Quantum Studio Artist Residency with Nadia Lichtig
We are happy to welcome French-German artist Nadia Lichtig as this year’s Quantum Studio Artist-in-Residence, a collaboration between the Institut Français du Canada and UBC’s Stewart Blusson Quantum Matter Institute and the Belkin through Quantum Studio, which is part of the larger West-West residency program supported by Institut Français du Canada. Nadia Lichtig’s multidisciplinary practice explores the intersections between pictorial and musical composition. Her works emerge from a continuous process of translation, where each medium reconfigures the other. She creates immersive installations, shaped by multilingualism, embodied listening and the notion of the “ghost image.” Her work unfolds across both artistic and musical scenes, in France and internationally, under her own name or various pseudonyms. Nadia Lichtig’s one-month residency (October 8 to November 7 [2025]) will conclude with a presentation of her research – a score and live performance – in the final week of her residency, details to follow!
Brains, Poems, AI and Forensics: Inside Ars Scientia’s Prize for Artful Science Writing
This past academic year, we invited UBC students to contribute an essay exploring the profound and often catalyzing connections between the two fields of art and science. We are pleased to share the winning essay by Dalmar Yusuf, alongside writing by three distinguished runners-up, Ever Roberts, Robin Lei and Wendy Yang! Their writing offered fresh insights, compelling examples and bold reflections on how creative and scientific thinking can inform and enrich one another.
Since its launch, the Quantum Studio residency has been made possible through a vital partnership between the French Consulate and UBC’s leading arts and science institutions. The program supports meaningful collaboration between artists and researchers across quantum physics, quantum computing, materials science, and beyond—creating a fertile space for cross-disciplinary inquiry.
Nadia Lichtig’s work bridges pictorial and musical forms through a process of continuous translation—her installations imbue painting with sound, visual imagery with sonic texture, and engage concepts like multilingualism, embodied listening, and the “ghost image.” During her residency, she will produce Event Horizon, a monumental painting paired with a sound composition inspired by quantum theory and the philosophy of Karen Barad. Developed through dialogue with the QMI research community, the piece aims to probe the fragile thresholds between visibility and disappearance, memory and perception, presence and absence.
Although specific collaborations remain to be shaped once Nadia arrives, researchers, students, and artists interested in exploring possibilities are warmly invited to engage with her during the residency. As in previous editions, these spontaneous encounters often yield rich creative and intellectual fruit.
Public programming—including artist talks and open discussions—will be organized throughout her stay. These will offer glimpses into the evolving creative process and foster connections between disciplines.
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All about Nadia Lichtig
If you click on the READ MORE… link in the newsletter, you’ll be directed to the Quantum Studio Artist Residency 2025: Nadia Lichtig webpage where you’ll see Nadia Lichtig (right side of screen) and can click on a second READ MORE instruction to find more detail about her work,
Nadia Lichtig is an artist currently living in the South of France. In her multilayered work, voice is transposed into various media including painting, print, sculpture, photography, performance, soundscape and song—each medium approached not as a field to be mastered, but as a source of possibilities to question our ability to decipher the present. Visual and aural aspects entangle in her performances. Lichtig studied linguistics at the LMU Munich in Germany and at the Ecole des Beaux-Arts de Paris, France with Jean-Luc Vilmouth, where she graduated with honours in 2001, before assisting Mike Kelley in Los Angeles the same year. She is currently pursuing a PhD in artistic research. Lichtig taught at the Shrishti School of Art and Technology, Bangalore, India as a visiting professor in 2006, at the Ecole des Beaux-Arts of Valence in 2007 and is professor of Fine Arts at the Ecole Supérieure des Beaux-arts of Montpellier (MOCO-ESBA), France since 2009. She has collaborated with musicians who are also visual artists, such as Bertrand Georges (Audible), Christian Bouyjou (Popopfalse), Nicolu (La Chatte), Nina Canal (Ut) and Michael Moorley (The dead C). Lichtig worked and works under several group names and pseudonyms (until 2009: EchoparK, Falseparklocation, Skrietch, Ghosttrap and Nanana).
Nadia Lichtig is a French-German artist, based in Montpellier, France.
She is the new recipient of the Arts & Sciences residency program “Quantum Studio, Vancouver” a program created by the French Institute of Canada in 2023, in partnership with the Stewart Blusson Quantum Matter Institute (QMI) and the Morris and Helen Belkin Art Gallery at the University of British Columbia (UBC).
Nadia Lichtig succeeds Caroline Delétoille (2024) and Javiera Tejerina Risso (2023). The artist will be in residence in Vancouver from October 8 to November 7 2025.
Nadia Lichtig is an artist whose multidisciplinary practice explores the intersections between pictorial and musical composition. Her works emerge from a continuous process of translation, where each medium reconfigures the other. She creates immersive installations, shaped by multilingualism, embodied listening, and the notion of the “ghost image.” Her work unfolds across both artistic and musical scenes, in France and internationally, under her own name or various pseudonyms. She also teaches at MO.CO. ESBA in Montpellier and is currently pursuing a PhD in artistic research.
Special note: Lichtig’s work was last here in Vancouver as part of the Drift exhibition at the Belkin Gallery.
Not quite related (mushroom music)
The talk of music, visual art, physics, and “… a continuous process of translation, where each medium reconfigures the other” reminded me of Tarun Nayar (Modern Biology) and his work as described in my May 27, 2022 posting “The sound of the mushroom,” where he sonifies data he collects from mushrooms and other plants,
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A May 13, 2022 article by Philip Drost for the Canadian Broadcasting Corporation’s (CBC) As It Happens radio programme highlights the “From funky fungi to melodious mangos, this artist makes music out of nature” segment of the show, Note: Links have been removed,
At the intersection of biology and electronic music, you can find Tarun Nayar plugging his synthesizer equipment into mushrooms and other forms of plant life, hoping to capture their invisible bioelectric rhythms and build them into tranquil soundscapes.
“What I’m really doing is trying to stimulate joy and wonder and create these little sketches or vignettes using the plants themselves, so I like to think of it as definitely a collaboration,” Nayar told As It Happens guest host Helen Mann.
Nayar is an electronic musician and former biologist in Vancouver who uses his TikTok account and Youtube page, Modern Biology, to show off his serenading spores. And his videos have millions of views.
To make his fungi sing, Nayar uses little jumper cables to connect the vegetation with his synthesizer and measure their biological energy, or bioelectricity, which has an effect on the notes.
“The mushroom is contributing the pitch changes and the rhythm, and the synthesizer, which I have the mushroom plugged into, is contributing the timbre or the quality of the sound,” Nayar said.
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I have a Modern Biology update, which takes the music to an unexpected place, from a June 23, 2025 article by Barb Sligl for MONTECRISTO magazine, (Vancouver, Canada-based)
In the cocoon-like interior of the restaurant Burdock & Co, [emphasis mine] headphone-clad diners focus intently on the plates before them. Forks pause midair between bites as people don’t just taste, they also listen to the food. I watch the gleam of neon-illuminated earcups—like blips on an amplifier—and tune in to the warbles emitting from a DJ setup, where a tangle of cables is plugged into a Buddha’s hand citron.
Behind the deck is Tarun Nayar, the Vancouver-based musician known as Modern Biology. He’s performing here for the first of a new series of Taste Sound dinners. Tonight, the theme is “Citrus-Scented Rain Under a Snow Moon,” a sensory meld of electronic and organic that’s a collaboration between Nayar and Andrea Carlson, the chef-owner of the Michelin-starred restaurant.
As I sample each dish, Nayar plays ambient music that is textural, moody, atmospheric—a trippy translation of the plant ingredients’ bioelectricity. The Buddha’s hand is murmuring. The Japanese sudachi fruit [a citrus found in Japan] is singing. Kind of. Nayar is channelling their fluctuations of energy—via electrodes and clips attached to the fruit—into a sonic composition at the intersection of music and biology.
The latent life force of the diminutive sudachi sphere is literally amplified in Nayar’s interpretation of its electrical currents. And its yuzu-like flavour intensifies in my mouth. This link between the senses goes back to the memory-inducing smell and taste famously wrought by Proust’s madeleine taken with tea, but recent research reveals that sound also affects taste. The work of Charles Spence, an experimental psychologist and author of Gastrophysics: The New Science of Eating, shows how different frequencies and volume influence taste—findings demonstrated tonight by Nayar and the sudachi’s twang and tang.
After the citrus soundscape at Burdock & Co, I meet Nayar in the Bloedel Conservatory, where he’s planning a live recording that includes the renowned Vancouver jazz multi-keyboardist Chris Gestrin. We sit on a bench amid the lush, teeming life and cacophony—including a pair of green-winged macaws perched behind us. Their squawks and trills punctuate our conversation as my glasses fog up in the humid environment of 500 plant varieties that include rare cycads and a corpse flower.
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The biosonification device used to do this is akin to a modified polygraph machine, Nayar says. “It’s like a Grade 6 science project. It’s not crazy science like splitting atoms,” but it’s also on the frontier of fascinating research in botany and mycology. He cites SPUN (Society for the Protection of Underground Networks) and Michael Levin (a leading researcher in the “cognitive glue” of bioelectricity), as well as John Cage and Brian Eno (pioneers of generative music) and Sam Cusumano (an engineer and the creator of the first commercial biosonification device in 2012). Even a century ago, Sir Jagadish Chandra Bose, who Nayar calls India’s Einstein, laid the groundwork for plant neurobiology and invented instruments to detect plant signals.
Educated as a biologist himself, Nayar moved to Vancouver about 25 years ago to pursue a master’s degree in oceanography. But his career morphed into professional music from performing as a DJ to co-founding the popular band Delhi 2 Dublin and playing high-profile venues including Glastonbury and Burning Man. Now biosonification has reconnected Nayar to his academic roots. “It’s kind of a dream come true,” he says. “I can approach it as an artist, but I understand the science.”
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… Through immersive events—from the botanically themed Taste Sound dinner at Burdock & Co to a Mushroom Church performance in the historic De Duif church in Amsterdam—he prods humans to commune with plants. He’s brought together people in parks on “field trips” and in concerts from Berlin to Bangalore and performed at Art Basel Miami and the Nobel Prize Museum in Stockholm.
Three UBC/Belkin Gallery art/science events are being highlighted here. Only the first one is ‘made-in-Vancouver’.
I covered the Quantum Studio artist-in-residency of Caroline Delétoille in some detail in my October 7, 2024 posting. I have news about her then upcoming artist talk, along with more information about the Quantum Studio artist-in-residence programme.
Drift
This show was originally developed bythe Arthur B. McDonald Canadian Astroparticle Physics Research Institute and SNOLAB (science facility located deep underground in the operational Vale Creighton nickel mine), both in Ontario. The exhibition along with the Ars Scientia initiative were highlighted in my September 6, 2021 posting.
The Beautiful Brain
This was not simply an exhibition, it was part of a series of events in Vancouver being hosted by the neuroscience community. Santiago Ramón y Cajal’s ‘beautiful brain’ show, developed by the Frederick R. Weisman Art Museum, University of Minnesota with the Instituto Cajal, remains on of my favourites; it’s mentioned here in my September 11, 2017 posting and, again, in my May 9, 2018 posting as it made its way from New York to Boston’s Harvard University.
Finally, I look forward to getting details about Lichtig’s presentation of her research (a score and live performance) in the final week of her residency sometime between November 1 – 7, 2025.
A scientific team from Universidad Carlos III de Madrid (UC3M), in collaboration with University College London (England) and the University of California, Davis (USA), has found that smart TVs send viewing data to their servers. This allows brands to generate detailed profiles of consumers’ habits and tailor advertisements based on their behaviour.
The research revealed that this technology captures screenshots or audio to identify the content displayed on the screen using Automatic Content Recognition (ACR) technology. This data is then periodically sent to specific servers, even when the TV is used as an external screen or connected to a laptop.
“Automatic Content Recognition works like a kind of visual Shazam, taking screenshots or audio to create a viewer profile based on their content consumption habits. This technology enables manufacturers’ platforms to profile users accurately, much like the internet does,” explains one of the study’s authors, Patricia Callejo, a professor in UC3M’s Department of Telematics Engineering and a fellow at the UC3M-Santander Big Data Institute. “In any case, this tracking—regardless of the usage mode—raises serious privacy concerns, especially when the TV is used solely as a monitor.”
The findings, presented in November [2024] at the Internet Measurement Conference (IMC) 2024, highlight the frequency with which these screenshots are transmitted to the servers of the brands analysed: Samsung and LG. Specifically, the research showed that Samsung TVs sent this information every minute, while LG devices did so every 15 seconds. “This gives us an idea of the intensity of the monitoring and shows that smart TV platforms collect large volumes of data on users, regardless of how they consume content—whether through traditional TV viewing or devices connected via HDMI, like laptops or gaming consoles,” Callejo emphasises.
To test the ability of TVs to block ACR tracking, the research team experimented with various privacy settings on smart TVs. The results demonstrated that, while users can voluntarily block the transmission of this data to servers, the default setting is for TVs to perform ACR. “The problem is that not all users are aware of this,” adds Callejo, who considers this lack of transparency in initial settings concerning. “Moreover, many users don’t know how to change the settings, meaning these devices function by default as tracking mechanisms for their activity.”
This research opens up new avenues for studying the tracking capabilities of cloud-connected devices that communicate with each other (commonly known as the Internet of Things, or IoT). It also suggests that manufacturers and regulators must urgently address the challenges that these new devices will present in the near future.
This was on the Canadian Broadcasting Corporation’s (CBC) Day Six radio programme and the segment is embedded in a January 19, 2025 article by Philip Drost, Note: A link has been removed,
When a Tesla Cybertruck exploded outside Trump International Hotel in Las Vegas on New Year’s Day [2025], authorities were quickly able to gather information, crediting Elon Musk and Tesla for sending them info about the car and its driver.
But for some, it’s alarming to discover that kind of information is so readily available.
“Most carmakers are selling drivers’ personal information. That’s something that we know based on their privacy policies,” Zoë MacDonald, a writer and researcher focussing on online privacy and digital rights, told Day 6 host Brent Bambury.
The Las Vegas Metropolitan Police Department said the Tesla CEO was able to provide key details about the truck’s driver, who authorities believe died by self-inflicted gun wound at the scene, and its movement leading up to the destination.
With that data, they were able to determine that the explosives came from a device in the truck, not the vehicle itself.
“We have now confirmed that the explosion was caused by very large fireworks and/or a bomb carried in the bed of the rented Cybertruck and is unrelated to the vehicle itself,” Musk wrote on X following the explosion.
To privacy experts, it’s another example of how your personal information can be used in ways you may not be aware of. And while this kind of data can useful in an investigation, it’s by no means the only way companies use the information.
“This is unfortunately not surprising that they have this data,” said David Choffnes, executive director of the Cybersecurity and Privacy Institute at Northeastern University in Boston.
“When you see it all together and know that a company has that information and continues at any point in time to hand it over to law enforcement, then you start to be a little uncomfortable, even if — in this case — it was a good thing for society.”
CBC News reached out to Tesla for comment but did not hear back before publication.
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I found this to be eye-opening, Note: A link has been removed,
MacDonald says the privacy concerns are a byproduct of all the technology new cars come with these days, including microphones, cameras, and sensors. The app that often accompanies a new car is collecting your information, too, she says.
The former writer for the Mozilla Foundation worked on a report in 2023 that examined vehicle privacy policies. For that study, MacDonald sifted through privacy policies from auto manufacturers. And she says the findings were staggering.
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Most shocking of all is the information the car can learn from you, MacDonald says. It’s not just when you gas up or start your engine. Your vehicle can learn your sexual activity, disability status, and even your religious beliefs [emphasis mine].
MacDonald says it’s unclear how they car companies do this, because the information in the policies are so vague.
It can also collect biometric data, such as facial geometric features, iris scans, and fingerprints [emphasis mine].
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This extends far past the driver. MacDonald says she read one privacy policy that required drivers to read out a statement every time someone entered the vehicle, to make them aware of the data the car collects, something that seems unlikely to go down before your Uber ride.
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If that doesn’t bother you, then this might, Note: A link has been removed,
And car companies aren’t just keeping that information to themselves.
Confronted with these types of privacy concerns, many people simply say they have nothing to hide, Choffnes says. But when money is involved, they change their tune.
According to an investigation from the New York Times in March of 2024, General Motors shared information on how people drive their cars with data brokers that create risk profiles for the insurance industry, which resulted in people’s insurance premiums going up [emphases mine]. General Motors has since said it has stopped sharing those details [emphasis mine].
“The issue with these kinds of services is that it’s not clear that it is being done in a correct or fair way, and that those costs are actually unfair to consumers,” said Choffnes.
For example, if you make a hard stop to avoid an accident because of something the car in front of you did, the vehicle could register it as poor driving.
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Drost’s January 19, 2025 article notes that the US Federal Trade Commission has proposed a five year moratorium to prevent General Motors from selling geolocation and driver behavior data to consumer report agencies. In the meantime,
“Cars are a privacy nightmare. And that is not a problem that Canadian consumers can solve or should solve or should have the burden to try to solve for themselves,” said MacDonald.
If you have the time, read Drost’s January 19, 2025 article and/or listen to the embedded radio segment.
Vinny Gu, left, and Anush Mutyala, right, hope to continue to work to improve their inventions. (Niza Lyapa Nondo/CBC)
This November 28, 2023 article by Philip Drost for the Canadian Broadcasting Corporation’s (CBC) The Current radio programme highl8ights two youthful inventors, Note: Links have been removed,
Anush Mutyala [emphasis mine] may only be in Grade 12, but he already has hopes that his innovations and inventions will rival that of Elon Musk.
“I always tell my friends something that would be funny is if I’m competing head-to-head with Elon Musk in the race to getting people [neural] implants,” Mutyala told Matt Galloway on The Current.
Mutyala, a student at Chinguacousy Secondary School in Brampton, Ont., created a brain imaging system that he says opens the future for permanent wireless neural implants.
For his work, he received an award from Youth Science Canada at the National Fair in 2023, which highlights young people pushing innovation.
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Mutyala wanted to create a way for neural implants to last longer. Implants can help people hear better, or move parts of the body they otherwise couldn’t, but neural implants in particular face issues with regard to power consumption, and traditionally must be replaced by surgery after their batteries die. That can be every five years.
But Mutyala thinks his system, Enerspike, can change that. The algorithm he designed lowers the energy consumption needed for implants to process and translate brain signals into making a limb move.
“You would essentially never need to replace wireless implants again for the purpose of battery replacement,” said Mutyala.
Mutyala was inspired by Stephen Hawking, who famously spoke with the use of a speech synthesizer.
“What if we used technology like this and we were able to restore his complete communication ability? He would have been able to communicate at a much faster rate and he would have had a much greater impact on society,” said Mutyala.
… Mutyala isn’t the only innovator. Vinny Gu [emphasis mine], a Grade 11 student at Markville Secondary School in Markham, Ont., also received an award for creating DermaScan, an online application that can look at a photo and predict whether the person photographed has skin cancer or not.
“There has [sic] been some attempts at this problem in the past. However, they usually result in very low accuracy. However, I incorporated a technology to help my model better detect the minor small details in the image in order for it to get a better prediction,” said Gu.
He says it doesn’t replace visiting a dermatologist — but it can give people an option to do pre-screenings with ease, which can help them decide if they need to go see a dermatologist. He says his model is 90-per-cent accurate.
He is currently testing Dermascan, and he hopes to one day make it available for free to anyone who needs it.
You can find out about Anoush Mutyala and his work on his LinkedIn profile (in a addition to being a high school student, since October 2023, he’s also a neuromorphics researcher at York University). If my link to his profile fails, search Mutyala’s name online and access his public page at the LinkedIn website. There’s something else, Mutyala has an eponymous website.
My online searches for more about Vinny (or Vincent) Gu were not successful.
You can find a bit more information about Mutyala’s Enerspike here and Gu’s DermaScan here. Youth Science Canada can be found here.
A May 13, 2022 article by Philip Drost for the Canadian Broadcasting Corporation’s (CBC) As It Happens radio programme highlights the “From funky fungi to melodious mangos, this artist makes music out of nature” segment of the show, Note: Links have been removed,
At the intersection of biology and electronic music, you can find Tarun Nayar plugging his synthesizer equipment into mushrooms and other forms of plant life, hoping to capture their invisible bioelectric rhythms and build them into tranquil soundscapes.
“What I’m really doing is trying to stimulate joy and wonder and create these little sketches or vignettes using the plants themselves, so I like to think of it as definitely a collaboration,” Nayar told As It Happens guest host Helen Mann.
Nayar is an electronic musician and former biologist in Vancouver who uses his TikTok account and Youtube page, Modern Biology, to show off his serenading spores. And his videos have millions of views.
To make his fungi sing, Nayar uses little jumper cables to connect the vegetation with his synthesizer and measure their biological energy, or bioelectricity, which has an effect on the notes.
“The mushroom is contributing the pitch changes and the rhythm, and the synthesizer, which I have the mushroom plugged into, is contributing the timbre or the quality of the sound,” Nayar said.
…
You may be familiar with Nayar’s work (from a Creative Mornings Vancouver About The Speaker webpage for a talk given on July 3, 2020), Note: Links have been removed,
Tarun Nayar has built his world at intersections. Of east and west. Of music and business. Of science and art. Born to a white Canadian mother and an immigrant Indian father in French Canada, he has always lived in multiple worlds. He is comfortable in discomfort and fascinated with helping people find common ground, opening doors, and equalling the playing field. He is passionate about changing perceptions and championing unheard stories and talent.
rained formally in Indian Classical Music from the age of seven, Tarun’s involvement in Vancouver’s underground electronic music scene in his early 20s led to the formation of well-known Canadian band Delhi 2 Dublin [emphasis mine] in 2006. He has since led the band to Glastonbury (UK), Hardly Strictly Bluegrass (US), Woodford (AUS) and hundreds of other club and festival gigs around the world. Tarun is passionate about creating opportunities in the arts for people of colour. He is Executive Director of 5X Festival [emphasis mine], one of North America’s largest South Asian festivals. He is on the board of Vancouver’s New Forms Festival, the Canadian Live Music Association, and a member of BC’s Ministry of Education Advisory Committee, Vancouver’s Music City Task Force, and Vancouver’s 2018 Juno Host City Committee. Tarun manages emerging Pakistani-Canadian electronic artist Khanvict, and is the co-founder and owner of digital label Snakes x Ladders [emphasis mine] which focuses on the new wave of hybrid South Asian artists.
As best I can determine after looking at the Modern Biology YouTube channel and Tik Tok account, Nayar seems to have started his project or made it public about 10 months ago (August 2021?). There’s lots of mushroom music along with fruit music, and flower music in either location although Tik Tok seems have a more complete collection.
There’s also a Modern Biology page on linktree.ee where you can sign up for an email list. It also features a link to PlantWave, (Note: This is not a product endorsement),
$299.00 USD
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Pre-orders will ship June of 2022. We sold out of our January run of devices before shipping. Thank you for your patience as we do our best to meet demand for this experience.
