Tag Archives: Raewyn Turner

FrogHeart and 2014: acknowledging active colleagues and saying good-bye to defunct blogs and hello to the new

It’s been quite the year. In Feb. 2014, TED offered me free livestreaming of the event in Vancouver. In March/April 2014, Google tweaked its search function and sometime in September 2014 I decided to publish two pieces per day rather than three with the consequence that the visit numbers for this blog are lower than they might otherwise have been. More about statistics and traffic to this blog will be in the post I usually publish just the new year has started.

On other fronts, I taught two courses (Bioelectronics and Nanotechnology, the next big idea) this year for Simon Fraser University (Vancouver, Canada) in its Continuing Studies (aka Lifelong Learning) programmes. I also attended a World Congress on Alternatives to Animal Testing in the Life Sciences in Prague. The trip, sponsored by SEURAT-1 (Safety Evaluation Ultimately Replacing Animal Testing), will result in a total of five stories, the first having been recently (Dec. 26, 2014) published. I’m currently preparing a submission for the International Symposium on Electronic Arts being held in Vancouver in August 2015 based on a project I have embarked upon, ‘Steep’. Focused on gold nanoparticles, the project is Raewyn Turner‘s (an artist from New Zealand) brainchild. She has kindly opened up the project in such a way that I too can contribute. There are two other members of the Steep project, Brian Harris, an electrical designer, who works closely with Raewyn on a number of arts projects and there’s Mark Wiesner as our science consultant. Wiesner is a professor of civil and environmental engineering,at Duke University in North Carolina.

There is one other thing which you may have noticed, I placed a ‘Donate’ button on the blog early in 2014.

Acknowledgements, good-byes, and hellos

Dexter Johnson on his Nanoclast blog (on the IEEE [Institute of Electrical and Electronics Engineers] website) remains a constant in the nano sector of the blogosphere where he provides his incisive opinions and context for the nano scene.

David Bruggeman on his Pasco Phronesis blog offers valuable insight into the US science policy scene along with a lively calendar of art/science events and an accounting of the science and technology guests on late night US television.

Andrew Maynard archived his 2020 Science blog in July 2014 but he does continue writing and communication science as director of the University of Michigan Risk Science Center. Notably, Andrew continues to write, along with other contributors, on the Risk Without Borders blog at the University of Michigan.

Sadly, Cientifica, a emerging technologies business consultancy, where Tim Harper published a number of valuable white papers, reports, and blog postings is no longer with us. Happily, Tim continues with an eponymous website where he blogs and communicates about various business interests, “I’m currently involved in graphene, nanotechnology, construction, heating, and biosensing, working for a UK public company, as well as organisations ranging from MIT [Massachusetts Institute of Technology] to the World Economic Forum.” Glad to you’re back to blogging Tim. I missed your business savvy approach and occasional cheekiness!

I was delighted to learn of a new nano blog, NanoScéal, this year and relieved to see they’re hanging in. Their approach is curatorial where they present a week of selected nano stories. I don’t think a lot of people realize how much work a curatorial approach requires. Bravo!

Sir Martyn Poliakoff and the Periodic Table of Videos

Just as I was wondering what happened to the Periodic Table of Videos (my April 25, 2011 post offers a description of the project) Grrl Scientist on the Guardian science blog network offers information about one of the moving forces behind the project, Martyn Poliakoff in a Dec. 31, 2014 post,

This morning [Dec. 31, 2014], I was most pleased to learn that Martyn Poliakoff, professor of chemistry at the University of Nottingham, was awarded a bachelor knighthood by the Queen. So pleased was I that I struggled out of bed (badly wrecked back), my teeth gritted, so I could share this news with you.

Now Professor Poliakoff — who now is more properly known as Professor SIR Martyn Poliakoff — was awarded one of the highest civilian honours in the land, and his continued online presence has played a significant role in this.

“I think it may be the first time that YouTube has been mentioned when somebody has got a knighthood, and so I feel really quite proud about that. And I also really want to thank you YouTube viewers who have made this possible through your enthusiasm for chemistry.”

As for the Periodic Table of Videos, the series continues past the 118 elements currently identified to a include discussions on molecules.

Science Borealis, the Canadian science blog aggregator, which I helped to organize (albeit desultorily), celebrated its first full year of operation. Congratulations to all those who worked to make this project such a success that it welcomed its 100th blog earlier this year. From a Sept. 24, 2014 news item on Yahoo (Note: Links have been removed),

This week the Science Borealis team celebrated the addition of the 100th blog to its roster of Canadian science blog sites! As was recently noted in the Council of Canadian Academies report on Science Culture, science blogging in Canada is a rapidly growing means of science communication. Our digital milestone is one of many initiatives that are bringing to fruition the vision of a rich Canadian online science communication community.

The honour of being syndicated as the 100th blog goes to Spider Bytes, by Catherine Scott, an MSc [Master of Science] student at Simon Fraser University in Burnaby, British Columbia. …

As always, it’s been a pleasure and privilege writing and publishing this blog. Thank you all for your support whether it comes in the form of reading it, commenting, tweeting,  subscribing, and/or deciding to publish your own blog. May you have a wonderful and rewarding 2015!

Disrupting the arts scene around the world and in Vancouver (Canada)

I have two news bits of news for this post. First, the theme for the 2015 International Symposium on Electronic Arts (ISEA) to be held in Vancouver, Canada from Aug. 14 – 18, 2015 is Disruption and the deadline for submitting proposals for research papers and art installations is Dec. 20, 2014 (ETA Dec. 22, 2014: The deadline for long art or research papers, short art or research papers, art or research extended abstracts with demonstration or poster presentation, panels, workshops, tutorials and institutional presentations has been extended to Jan. 12, 2014; the deadline for artwork submissions remains Dec. 20, 2014). Here’s more about the symposium from the About page,

ISEA is one of the world’s most prominent international arts and technology events, bringing  together scholarly, artistic, and scientific domains in an interdisciplinary discussion and showcase of creative productions applying new technologies in art, interactivity, and electronic and digital media. The event annually brings together artists, designers, academics, technologists, scientists, and general audience in the thousands. The symposium consists of a peer reviewed conference, a series of exhibitions, and various partner events—from large scale interactive artwork in public space to cutting edge electronic music performance.

In the last four years ISEA has been hosted in Istanbul (2011), Albuquerque, New Mexico (2012), and Sydney, Australia (2013), and Dubai (2014). ISEA2015 in Vancouver marks its return to Canada, 20 years since the groundbreaking first Canadian ISEA1995 in Montréal. The Symposium will be held at the Woodward’s campus of Simon Fraser University in downtown Vancouver with exhibitions and events taking place at Emily Carr University of Art + Design and many other sites and venues throughout the city.

The series of ISEA symposia is coordinated by ISEA International. Founded in the Netherlands in 1990, ISEA International (formerly Inter-Society for the Electronic Arts) is an international non-profit organization fostering interdisciplinary academic discourse and exchange among culturally diverse organizations and individuals working with art, science and technology. ISEA International Headquarters is supported by the University of Brighton (UK).

Here’s more from the Theme page,

ISEA2015’s theme of DISRUPTION invites a conversation about the aesthetics of change, renewal, and game-changing paradigms. We look to raw bursts of energy, reconciliation, error, and the destructive and creative forces of the new. Disruption contains both blue sky and black smoke. When we speak of radical emergence we must also address things left behind. Disruption is both incremental and monumental.

In practices ranging from hacking and detournement to inversions of place, time, and intention, creative work across disciplines constantly finds ways to rethink or reconsider form, function, context, body, network, and culture. Artists push, shape, break; designers reinvent and overturn; scientists challenge, disprove and re-state; technologists hack and subvert to rebuild.

Disruption and rupture are fundamental to digital aesthetics. Instantiations of the digital realm continue to proliferate in contemporary culture, allowing us to observe ever-broader consequences of these effects and the aesthetic, functional, social and political possibilities that arise from them.

Within this theme, we want to investigate trends in digital and internet aesthetics and revive exchange across disciplines. We hope to broaden the spheres in which disruptive aesthetics can be explored, crossing into the worlds of science, technology, design, visual art, contemporary and media art, innovation, performance, and sound.

I encourage you to read the whole Theme page if you’re interested in making a proposal as the organizers have outlined many approaches to the main theme. Good luck to everyone making a submission (and that includes me). I will be submitting a proposal  with my co-author, Raewyn Turner, an artist from New Zealand, for Steep (I): a digital poetry of gold nanoparticles. (I’ll be writing more about our Steep project soon (hopefully next week Dec. 22 – 25, 2014.)

For the second bit of news, Emily Carr University of Art + Design received grants for two Canada Research Chairs in Oct. 2014. Here’s more from the Recipients List (Note: I have made some changes to the formatting),

Frid-Jimenez, Amber     Emily Carr University of Art + Design     Canada Research Chair in Art and Design Technology     SSHRC [funding agency: Social Sciences and Humanities Research Council]     [Tier] 2     New [position]
Hertz, Garnet     Emily Carr University of Art + Design     Canada Research Chair in Design and Media Arts     SSHRC     2     New

A Nov. 22, 2014 blog post on Emily Carr University’s The Big Idea blog provides more detail about the appointments,

Emily Carr University of Art + Design is honoured to announce the appointment of Associate Professors Amber Frid-Jimenez and Dr. Garnet Hertz to Canada Research Chairs recently published by the Government of Canada. This historic milestone marks the first Canada Research Chair appointments for Emily Carr University of Art + Design recognizing the institution’s capacity, faculty and contributions-to-date in the fields of art, media and design research. …

… “We are honoured that our University and the work of Dr. Garnet Hertz and Amber Frid-Jimenez are being recognized by the Government of Canada,” said David Bogen, Vice President Academic + Provost, Emily Carr University of Art + Design. “The appointment of our first Canada Research Chairs is significant at every level – for our institution’s culture of research, for our academic programs, and for our students who will work directly with some of today’s greatest artists, designers, and scholars in their prospective fields.” … Associate Professor Amber Frid-Jimenez is an awarding-winning interaction and print designer who has taught design studios and seminars at the Rhode Island School of Design, the Massachusetts Institute of Technology Visual Arts Program, the National Arts Academy (KHiB) in Bergen, Norway, and most recently at Emily Carr University of Art + Design. She holds a Masters in Media Arts and Sciences from the MIT Media Lab where she studied with John Maeda. Associate Professor Dr. Garnet Hertz’s work explores themes of DIY culture and interdisciplinary art/design practices. His work has been shown at several notable international venues including SIGGRAPH, Arts Electronica, and DEAF, and he was awarded the 2008 Oscar Signorini Award in robotic art. He is the founder and director of Dorkbot SoCal, a monthly Los Angeles-based lecture series, has taught at the Art Center College of Design, the University of California, Irvine, and is now Associate Professor at Emily Carr University of Art + Design.

You can find out more about Amber Frid-Jiminez here and about Garnet Hertz here .