Tag Archives: science outreach

Think like a scientist; critical thinking course for the incarcerated and others

I stumbled across this September 19, 2025 article by Rosie Fernandez for Canadian Broadcasting Corporation’s (CBC) radio programme “Qurks and Quarks” highlights science education designed to encourage critical thinking skills in some unexpected populations, Note Links have been removed,

In a world filled with misinformation, geophysicist Philip Heron is on a mission to share the benefits of critical thinking.

He is founder of a program called Think Like a Scientist, which he pioneered in the U.K., and has now brought to Canada.

It’s a brief course — only seven weeks long — that he’s taught in schools, but more surprisingly in prisons. [emphasis mine]

And for some of those who’ve experienced the program, it’s been life-changing.

….

As a day job, Heron teaches in the department of physical and environmental Sciences at the University of Toronto’s Scarborough campus, and runs this program in the summer, including at a number of Canadian prisons. 

He says he designed the Think Like a Scientist to teach the scientific method to those who don’t necessarily see themselves as students of science, including people who have been incarcerated.

The importance of failure

Heron says one of his aims is to help people understand that failure — in life, as in science — can be a pathway to success.

Heron says that many people in prison have had negative experiences with traditional education methods for a variety of reasons, including learning differences, race, gender, class or neurodiversity. So he avoids structuring his program like a traditional classroom, and instead encourages conversation about the topic he is presenting.

Some of the topics explored are climate change, earthquakes, robotics, space mission and the science of sleep. One of the key points in this course is the idea of embracing failure. Heron says this is a fundamental part of the scientific process.

“Behind the scenes, scientists fail so often that it’s just commonplace,” Heron told Quirks & Quarks host Bob McDonald. “And really what I want to teach the students in prison, as well as to students at the University of Toronto, [is] that failure is part of the process and it’s something that should be accepted.”

“We don’t just fail and stop, we fail and move forward.”

In part of his curriculum about space exploration, Heron shares a quote from Canadian astronaut David Saint-Jacques about managing mental health in space, given that when conflict arises, there’s nowhere to go and you’re far away from the people you love.

“After I finish …the whole room is like, ‘that’s prison! Throw in terrible food and you’ve got prison. I could be an astronaut!'”

Some of Heron’s former students in the U.K., such as Phoenix Griffin, say they were so inspired by the course they have gone to pursue academic careers of their own. 

“The biggest thing I took away from it was the confidence to try new things,” said Griffin, who is now out of prison and in her third year of university.

“It just gave me a new way of thinking. You learn from your mistakes so if you get it wrong it’s fine. So that was really big for me.”

The September 19, 2025 article has the 18 mins. 5 secs. “Quirks and Quarks” segment embedded there.

Phil Heron’s eponymous website can be found here along with its Think Like A Scientist webpage,

‘Think Like A Scientist’ is a course designed to improve critical thinking and encourage independent thought for students in any educational environment. We use adaptive education practices to increase accessibility to science education.

Thanks for stopping by! We are a collection of educators trying to make science more accessible. We run science outreach programs but also train graduates to be more accessible in their science communication.

Science, technology, engineering, and math (STEM) subjects have historically struggled to be inclusive and accessible to students from diverse backgrounds. STEM subjects at school and university have often been rigid in their teaching structure, creating barriers to education for students with more specific (or unrecognised) learning needs.

Furthermore, exciting and important science topics (such as climate change and space exploration) are often communicated in a way that reinforces these barriers. To discuss these issues, and to combat such barriers to education in academia and in the public, I have been working on creating accessible science frameworks for researchers and educators – in the form of the course and workshop Think Like A Scientist.

Think Like A Scientist started in 2017 in the English prison system and has recently featured in prisons in Australia (2024-2025), Spain (2025), and Canada (2023-present). However, we have run the courses in other settings, including schools, adult learning facilities, and youth work (both online and in person). The success of the course is based around the creation of a classroom dynamic that is accessible, inclusive, and relatable to students from all backgrounds.

Fundamentally – science is for everyone.

Yes, science is for everyone.

School scientists at 2026 Greater Vancouver regional science fair (the University of British Columbia) and the 2026 Canada-Wide Science Fair in Edmonton, Alberta

I imagine the students are pretty excited about the 43rd Greater Vancouver Regional Science Fair running from April 9 – 12, 2026. The public doesn’t appear to be invited but some of the students from this fair will be invited to present at the 2026Canada-Wide Science Fair in Edmonton where the public will have some access.

First, here’s more about the Vancouver event from an April 8, 2026 media advisory (received via email),

More than 250 projects will be on display at the Greater Vancouver Science Fair on Friday [April 10, 2026 for media only], the most submitted in the competition’s 43-year history.

Media are invited to attend the event and discover projects involving artificial intelligence, robotics, human physiology, pollution solutions and more. Media are also welcome to join a tour of the marine ecology lab.

The fair runs from April 9-11, and more than 200 volunteer judges will award gold, silver and bronze medals to the best projects in the junior, intermediate and senior categories.

Senior prize winners set to enter the UBC [University of British Columbia] faculty of science in their first year will also have the chance to win UBC entrance awards of up to $2,000 towards admission. Seventeen students will be chosen to represent the greater Vancouver region at the Canada-Wide Science Fair in Edmonton in May [2026].

You can find out a little more about the t-shirt, the fair, and its history at the Greater Vancouver Regional Science Fair website.

As for why the public isn’t invited, I expect that there are money and safety issues at play. Let’s hope there’s some media coverage of the event so we can celebrate the students who worked so hare to get there.

Canada-Wide Science Fair/Expo-sciences pancanadienne

In about six weeks the 2026 Canada-Wide Science Fair (CWSF)/Expo-sciences pancanadienne (ESPC) will take place in Edmonton, from the CWSPC/ESPC website,

May 23 – May 30, 2026
Edmonton Expo Centre
Edmonton, AB

Canada-Wide Science Fair

May 23 – May 30, 2026
Edmonton Expo Centre
Edmonton, AB

Witness the future of STEM [science, technology, engineering, and mathematics] through the eyes of our youth. From groundbreaking research to inventive solutions, each project at the CWSF is a window into the incredible potential of our nation’s young scientists.

Public viewing: 3 PM – 5 PM, May 24 and 9 AM – 2:30 PM, May 28 – 29

Visit the fair

Explore virtually

One way or the other, there’s an opportunity to see some work from student scientists, whether from BC or elsewhere in the country, at the 2026 CWSF/ESPC.

Sense about Science at British Science Week March 7 – 16, 2025

A February 26, 2025 Sense about Science announcement highlights one of their online events being held during British Science Week March 7 – 16, 2025 (more about the week further on),

Join us for an exciting Science Council Lunch & Learn session on Thursday 13 March [2025] where Sense about Science will discuss how Responsible Handover can help scientists use AI and data science tools safely and effectively.

Emerging technologies such as AI are changing how we do research, whether that be conducting literature reviews, planning experiments, or automating routine tasks. Without better training for researchers, especially those without the technological expertise to understand how tools such as AI work, there is a real risk of these tools being introduced into the lab without researchers being ready. Our webinar will illustrate the questions to ask of these tools before introducing them into research and how the Responsible Handover framework can be turned into clear guidance that scientists can follow across all disciplines.

This webinar is part of British Science Week, a ten-day celebration of science, technology, engineering and maths. It provides a platform to stimulate and support teachers, STEM professionals, science communicators and the public to produce and participate in science and technology-based events and activities. We hope you can join us.

I found more details on the Responsible Handover of AI webinar by Sense about Science,

Thu 13 Mar 2025 12:00 PM – 1:00 PM GMT Online, Zoom

Responsible Handover makes sure we ask and answer the necessary questions to implement AI and data science tools safely and effectively

In this session, Sense about Science will explain how they are supporting AI developers, research funders, scientists, and others involved in AI tool development. Their aim is to ensure tools are funded and used safely and effectively by implementing the Responsible Handover framework.

AI and data science tools are emerging faster than quality assurance and implementation knowledge. As a result, we actually risk stifling their scientific capabilities. In some cases AI tools are being implemented inappropriately and inadvertently causing harm. In others, opportunities for positive impacts are missed when tools are omitted due to concerns about assurances and whether the right questions have been asked.

As a tool is developed, there are key knowledge transfer or handover points where vital information about its likely strengths and weaknesses in different contexts should be discussed. But these conversations are prone to slip through the cracks. This is likely to occur when the number of users of a tool grows or there is a big difference in technical expertise between tool adopter and tool proposer.

This results in a gap between high-level ethical principles and technical domain specific guidance. This can be overcome with a general, practical governance framework.

Chair: Prof Della Freeth, Chief Executive of the Science Council

Speaker: Dr Sameh ElBadry, Project Officer, Sense About Science

Here’s the page where you sign up for the Responsible Handover of AI webinar.

British Science Week March 7 – 16, 2025 can be found here.

Toronto’s ArtSci Salon and its Kaleidoscopic Imaginations on Oct 27, 2020 – 7:30 pm (EDT)

The ArtSci Salon is getting quite active these days. Here’s the latest from an Oct. 22, 2020 ArtSci Salon announcement (received via email), which can also be viewed on their Kaleidoscope event page,

Kaleidoscopic Imaginations

Performing togetherness in empty spaces

An experimental  collaboration between the ArtSci Salon, the Digital Dramaturgy Lab_squared/ DDL2 and Sensorium: Centre for Digital Arts and Technology, York University (Toronto, Ontario, Canada)

Tuesday, October 27, 2020

7:30 pm [EDT]

Join our evening of live-streamed, multi-media  performances, following a kaleidoscopic dramaturgy of complexity discourses as inspired by computational complexity theory gatherings.

We are presenting installations, site-specific artistic interventions and media experiments, featuring networked audio and video, dance and performances as we repopulate spaces – The Fields Institute and surroundings – forced to lie empty due to the pandemic. Respecting physical distance and new sanitation and safety rules can be challenging, but it can also open up new ideas and opportunities.

NOTE: DDL2  contributions to this event are sourced or inspired by their recent kaleidoscopic performance “Rattling the the Curve – Paradoxical ECODATA performances of A/I (artistic intelligence), and facial recognition of humans and trees

Virtual space/live streaming concept and design: DDL2  Antje Budde, Karyn McCallum and Don Sinclair

Virtual space and streaming pilot: Don Sinclair

Here are specific programme details (from the announcement),

  1. Signing the Virus – Video (2 min.)
    Collaborators: DDL2 Antje Budde, Felipe Cervera, Grace Whiskin
  2. Niimi II – – Performance and outdoor video projection (15 min.)
    (Nimii means in Anishinaabemowin: s/he dances) Collaborators: DDL2 Candy Blair, Antje Budde, Jill Carter, Lars Crosby, Nina Czegledy, Dave Kemp
  3. Oracle Jane (Scene 2) – A partial playreading on the politics of AI (30 min.)
    Playwright: DDL2 Oracle Collaborators: DDL2 Antje Budde, Frans Robinow, George Bwannika Seremba, Amy Wong and AI ethics consultant Vicki Zhang
  4. Vriksha/Tree – Dance video and outdoor projection (8 min.)
    Collaborators: DDL2 Antje Budde, Lars Crosby, Astad Deboo, Dave Kemp, Amit Kumar
  5. Facial Recognition – Performing a Plate Camera from a Distance (3 min.)
    Collaborators: DDL2 Antje Budde, Jill Carter, Felipe Cervera, Nina Czegledy, Karyn McCallum, Lars Crosby, Martin Kulinna, Montgomery C. Martin, George Bwanika Seremba, Don Sinclair, Heike Sommer
  6. Cutting Edge – Growing Data (6 min.)
    DDL2 A performance by Antje Budde
  7. “void * ambience” – Architectural and instrumental acoustics, projection mapping Concept: Sensorium: The Centre for Digital Art and Technology, York University Collaborators: Michael Palumbo, Ilze Briede [Kavi], Debashis Sinha, Joel Ong

This performance is part of a series (from the announcement),

These three performances are part of Boundary-Crossings: Multiscalar Entanglements in Art, Science and Society, a public Outreach program supported by the Fiends [sic] Institute for Research in Mathematical Science. Boundary Crossings is a series exploring how the notion of boundaries can be transcended and dissolved in the arts and the humanities, the biological and the mathematical sciences, as well as human geography and political economy. Boundaries are used to establish delimitations among disciplines; to discriminate between the human and the non-human (body and technologies, body and bacteria); and to indicate physical and/or artificial boundaries, separating geographical areas and nation states. Our goal is to cross these boundaries by proposing new narratives to show how the distinctions, and the barriers that science, technology, society and the state have created can in fact be re-interpreted as porous and woven together.

This event is curated and produced by ArtSci Salon; Digital Dramaturgy Lab_squared/ DDL2; Sensorium: Centre for Digital Arts and Technology, York University; and Ryerson University; it is supported by The Fields Institute for Research in Mathematical Sciences

Streaming Link 

Finally, the announcement includes biographical information about all of the ‘boundary-crossers’,

Candy Blair (Tkaron:to/Toronto)
Candy Blair/Otsίkh:èta (they/them) is a mixed First Nations/European,
2-spirit interdisciplinary visual and performing artist from Tio’tía:ke – where the group split (“Montreal”) in Québec.

While continuing their work as an artist they also finished their Creative Arts, Literature, and Languages program at Marianopolis College (cégep), their 1st year in the Theatre program at York University, and their 3rd year Acting Conservatory Program at the Centre For Indigenous Theatre in Tsí Tkaròn:to – Where the trees stand in water (Toronto”).

Some of Candy’s noteable performances are Jill Carter’s Encounters at the Edge of the Woods, exploring a range of issues with colonization; Ange Loft’s project Talking Treaties, discussing the treaties of the “Toronto” purchase; Cheri Maracle’s The Story of Six Nations, exploring Six Nation’s origin story through dance/combat choreography, and several other performances, exploring various topics around Indigenous language, land, and cultural restoration through various mediums such as dance,
modelling, painting, theatre, directing, song, etc. As an activist and soon to be entrepreneur, Candy also enjoys teaching workshops around promoting Indigenous resurgence such as Indigenous hand drumming, food sovereignty, beading, medicine knowledge, etc..

Working with their collectives like Weave and Mend, they were responsible for the design, land purification, and installation process of the four medicine plots and a community space with their 3 other members. Candy aspires to continue exploring ways of decolonization through healthy traditional practices from their mixed background and the arts in the hopes of eventually supporting Indigenous relations
worldwide.

Antje Budde
Antje Budde is a conceptual, queer-feminist, interdisciplinary experimental scholar-artist and an Associate Professor of Theatre Studies, Cultural Communication and Modern Chinese Studies at the Centre for Drama, Theatre and Performance Studies, University of Toronto. Antje has created multi-disciplinary artistic works in Germany, China and Canada and works tri-lingually in German, English and Mandarin. She is the founder of a number of queerly feminist performing art projects including most recently the (DDL)2 or (Digital Dramaturgy Lab)Squared – a platform for experimental explorations of digital culture, creative labor, integration of arts and science, and technology in performance. She is interested in the intersections of natural sciences, the arts, engineering and computer science.

Roberta Buiani
Roberta Buiani (MA; PhD York University) is the Artistic Director of the ArtSci Salon at the Fields Institute for Research in Mathematical Sciences (Toronto). Her artistic work has travelled to art festivals (Transmediale; Hemispheric Institute Encuentro; Brazil), community centres and galleries (the Free Gallery Toronto; Immigrant Movement
International, Queens, Myseum of Toronto), and science institutions (RPI; the Fields Institute). Her writing has appeared on Space and Culture, Cultural Studies and The Canadian Journal of Communication_among others. With the ArtSci Salon she has launched a series of experiments in “squatting academia”, by re-populating abandoned spaces and cabinets across university campuses with SciArt installations.

Currently, she is a research associate at the Centre for Feminist Research and a Scholar in Residence at Sensorium: Centre for Digital Arts and Technology at York University [Toronto, Ontario, Canada].

Jill Carter (Tkaron:to/ Toronto)
Jill (Anishinaabe/Ashkenazi) is a theatre practitioner and researcher, currently cross appointed to the Centre for Drama, Theatre and Performance Studies; the Transitional Year Programme; and Indigenous Studies at the University of Toronto. She works with many members of Tkaron:to’s Indigenous theatre community to support the development of new works and to disseminate artistic objectives, process, and outcomes through community- driven research projects. Her scholarly research,
creative projects, and activism are built upon ongoing relationships with Indigenous Elders, Artists and Activists, positioning her as witness to, participant in, and disseminator of oral histories that speak to the application of Indigenous aesthetic principles and traditional knowledge systems to contemporary performance.The research questions she pursues revolve around the mechanics of story creation,
the processes of delivery and the manufacture of affect.

More recently, she has concentrated upon Indigenous pedagogical models for the rehearsal studio and the lecture hall; the application of Indigenous [insurgent] research methods within performance studies; the politics of land acknowledgements; and land – based dramaturgies/activations/interventions.

Jill also works as a researcher and tour guide with First Story Toronto; facilitates Land Acknowledgement, Devising, and Land-based Dramaturgy Workshops for theatre makers in this city; and performs with the Talking Treaties Collective (Jumblies Theatre, Toronto).

In September 2019, Jill directed Encounters at the Edge of the Woods. This was a devised show, featuring Indigenous and Settler voices, and it opened Hart House Theatre’s 100th season; it is the first instance of Indigenous presence on Hart House Theatre’s stage in its 100 years of existence as the cradle for Canadian theatre.

Nina Czegledy
(Toronto) artist, curator, educator, works internationally on collaborative art, science & technology projects. The changing perception of the human body and its environment as well as paradigm shifts in the arts inform her projects. She has exhibited and published widely, won awards for her artwork and has initiated, lead and participated in workshops, forums and festivals worldwide at international events.

Astad Deboo (Mumbai, India)
Astad Deboo is a contemporary dancer and choreographer who employs his
training in Indian classical dance forms of Kathak as well as Kathakali to create a dance form that is unique to him. He has become a pioneer of modern dance in India. Astad describes his style as “contemporary in vocabulary and traditional in restraints.” Throughout his long and illustrious career, he has worked with various prominent performers such as Pina Bausch, Alis on Becker Chase and Pink Floyd and performed in many parts of the world. He has been awarded the Sangeet Natak Akademi Award (1996) and Padma Shri (2007), awarded by the Government of India. In January 2005 along with 12 young women with hearing impairment supported by the Astad Deboo Dance Foundation, he performed at the 20th Annual Deaf Olympics at Melbourne, Australia. Astad has a long record of working with disadvantaged youth.

Ilze Briede [Kavi]
Ilze Briede [artist name: Kavi] is a Latvian/Canadian artist and researcher with broad and diverse interests. Her artistic practice, a hybrid of video, image and object making, investigates the phenomenon of perception and the constraints and boundaries between the senses and knowing. Kavi is currently pursuing a PhD degree in Digital Media at York University with a research focus on computational creativity and generative art. She sees computer-generated systems and algorithms as a potentiality for co-creation and collaboration between human and machine. Kavi has previously worked and exhibited with Fashion Art Toronto, Kensington Market Art Fair, Toronto Burlesque Festival, Nuit Blanche, Sidewalk Toronto and the Toronto Symphony Orchestra.

Dave Kemp
Dave Kemp is a visual artist whose practice looks at the intersections and interactions between art, science and technology: particularly at how these fields shape our perception and understanding of the world. His artworks have been exhibited widely at venues such as at the McIntosh Gallery, The Agnes Etherington Art Centre, Art Gallery of Mississauga, The Ontario Science Centre, York Quay Gallery, Interaccess,
Modern Fuel Artist-Run Centre, and as part of the Switch video festival in Nenagh, Ireland. His works are also included in the permanent collections of the Agnes Etherington Art Centre and the Canada Council Art Bank.

Stephen Morris
Stephen Morris is Professor of experimental non-linear Physics in the faculty of Physics at the University of Toronto. He is the scientific Director of the ArtSci salon at the Fields Institute for Research in Mathematical Sciences. He often collaborates with artists and has himself performed and produced art involving his own scientific instruments and experiments in non-linear physics and pattern formation

Michael Palumbo
Michael Palumbo (MA, BFA) is an electroacoustic music improviser, coder, and researcher. His PhD research spans distributed creativity and version control systems, and is expressed through “git show”, a distributed electroacoustic music composition and design experiment, and “Mischmasch”, a collaborative modular synthesizer in virtual reality. He studies with Dr. Doug Van Nort as a researcher in the Distributed
Performance and Sensorial Immersion Lab, and Dr. Graham Wakefield at the Alice Lab for Computational Worldmaking. His works have been presented internationally, including at ISEA, AES, NIME, Expo ’74, TIES, and the Network Music Festival. He performs regularly with a modular synthesizer, runs the Exit Points electroacoustic improvisation series, and is an enthusiastic gardener and yoga practitioner.

Joel Ong (PhD. Digital Arts and Experimental Media (DXARTS, University
of Washington)

Joel Ong is a media artist whose works connect scientific and artistic approaches to the environment, particularly with respect to sound and physical space.  Professor Ong’s work explores the way objects and spaces can function as repositories of ‘frozen sound’, and in elucidating these, he is interested in creating what systems theorist Jack Burnham (1968) refers to as “art (that) does not reside in material entities, but in relations between people and between people and the components of their environment”.

A serial collaborator, Professor Ong is invested in the broader scope of Art-Science collaborations and is engaged constantly in the discourses and processes that facilitate viewing these two polemical disciplines on similar ground.  His graduate interdisciplinary work in nanotechnology and sound was conducted at SymbioticA, the Center of Excellence for Biological Arts at the University of Western Australia and supervised by BioArt pioneers and TCA (The Tissue Culture and Art Project) artists Dr Ionat Zurr and Oron Catts.

George Bwanika Seremba
George Bwanika Seremba,is an actor, playwright and scholar. He was born
in Uganda. George holds an M. Phil, and a Ph.D. in Theatre Studies, from Trinity
College Dublin. In 1980, having barely survived a botched execution by the Military Intelligence, he fled into exile, resettling in Canada (1983). He has performed in numerous plays including in his own, “Come Good Rain”, which was awarded a Dora award (1993). In addition, he published a number of edited play collections including “Beyond the pale: dramatic writing from First Nations writers & writers of colour” co-edited by Yvette Nolan, Betty Quan, George Bwanika Seremba. (1996).

George was nominated for the Irish Times’ Best Actor award in Dublin’s Calypso Theatre’s for his role in Athol Fugard’s “Master Harold and the boys”. In addition to theatre he performed in several movies and on television. His doctoral thesis (2008) entitled “Robert Serumaga and the Golden Age of Uganda’s Theatre (1968-1978): (Solipsism, Activism, Innovation)” will be published as a monograph by CSP (U.K) in 2021.

Don Sinclair (Toronto)
Don is Associate Professor in the Department of Computational Arts at York University. His creative research areas include interactive performance, projections for dance, sound art, web and data art, cycling art, sustainability, and choral singing most often using code and programming. Don is particularly interested in processes of artistic creation that integrate digital creative coding-based practices with performance in dance and theatre. As well, he is an enthusiastic cyclist.

Debashis Sinha
Driven by a deep commitment to the primacy of sound in creative expression, Debashis Sinha has realized projects in radiophonic art, music, sound art, audiovisual performance, theatre, dance, and music across Canada and internationally. Sound design and composition credits include numerous works for Peggy Baker Dance Projects and productions with Canada’s premiere theatre companies including The Stratford Festival, Soulpepper, Volcano Theatre, Young People’s Theatre, Project Humanity, The Theatre Centre, Nightwood Theatre, Why Not Theatre, MTC Warehouse and Necessary Angel. His live sound practice on the concert stage has led to appearances at MUTEK Montreal, MUTEK Japan, the Guelph Jazz Festival, the Banff Centre, The Music Gallery, and other venues. Sinha teaches sound design at York University and the National Theatre School, and is currently working on a multi-part audio/performance work incorporating machine learning and AI funded by the Canada Council for the Arts.

Vicki (Jingjing) Zhang (Toronto)
Vicki Zhang is a faculty member at University of Toronto’s statistics department. She is the author of Uncalculated Risks (Canadian Scholar’s Press, 2014). She is also a playwright, whose plays have been produced or stage read in various festivals and venues in Canada including Toronto’s New Ideas Festival, Winnipeg’s FemFest, Hamilton Fringe Festival, Ergo Pink Fest, InspiraTO festival, Toronto’s Festival of Original Theatre (FOOT), Asper Center for Theatre and Film, Canadian Museum for Human Rights, Cultural Pluralism in the Arts Movement Ontario (CPAMO), and the Canadian Play Thing. She has also written essays and short fiction for Rookie Magazine and Thread.

If you can’t attend this Oct. 27, 2020 event, there’s still the Oct. 29, 2020 Boundary-Crossings event: Beauty Kit (see my Oct. 12, 2020 posting for more).

As for Kaleidoscopic Imaginations, you can access the Streaming Link On Oct. 27, 2020 at 7:30 pm EDT (4 pm PDT).

Ingenium increases Canada’s Museum of Science and Technology’s virtual outreach?

Something hopeful was in my email box this morning (August 27, 2020), it’s a survey from Ingenium, the portmanteau for the Canada Aviation and Space Museum, the Canada Agriculture and Food Museum, and the Canada Science and Technology Museum.

Have you ever asked yourself how the Canada Science and Technology Museum might improve its outreach to those of us outside Ottawa and the southern regions of Ontario and Québec? (To be fair, they do have an online presence with some activities and information.)

Well, it seems that now COVID-19 has constrained their attendance numbers, the folks at the museum are looking at livestreaming some of their Curiosity on Stage presentations and making them available for viewing afterwards.

The survey I saw this morning (August 27, 2020) is designed to gauge interest. Here’s more from the August 26, 2020 Ingenium notice,

Calling all museum lovers!

Would you have 3 minutes to help the Canada Science and Technology Museum develop activities, events, and experiences for young and old? You just need to complete a short set of questions in our online survey conducted with Quorus Consulting.

To complete this short survey please click on the following link (if the link is inactive, please copy and paste the URL into your browser to access the survey): Take the Survey

Please complete your survey by August 30, 2020.  

If you have any technical difficulties with the survey, please contact the team at Quorus at discussions@quorusconsulting.com. If you would like to contact someone at Ingenium regarding this study, you can reach Lisa Leblanc by email at: lleblanc@ingeniumcanada.org.

We appreciate your assistance.  

Sincerely,

Christina Tessier
President and CEO of Ingenium

P.S. As a reminder, your participation is voluntary. All your answers will remain completely confidential and anonymous; no individual respondents will be identified as part of the analysis and, in accordance with the Privacy Act, no one will contact you as a result of your answers to this survey without your express consent

—–

Appel aux amateurs de musées!

Auriez-vous trois minutes pour aider le Musée des sciences et de la technologie du Canada à développer des activités, des événements et des expériences pour petits et grands? Vous n’aurez qu’à répondre aux quelques questions de notre sondage en ligne réalisé conjointement avec le groupe-conseil Quorus.

Pour remplir ce court sondage, veuillez cliquer sur le lien suivant (si le lien est inactif, veuillez copier et coller l’URL dans votre navigateur pour accéder au sondage): Participer à l’enquête

Veuillez remplir le sondage d’ici le 30 août 2020

Si vous éprouvez des difficultés techniques avec le sondage, veuillez communiquer avec l’équipe de Quorus à discussions@quorusconsulting.com. Si vous souhaitez parler à quelqu’un chez Ingenium concernant cette étude, vous pouvez communiquer avec Lisa Leblanc par courriel à lleblanc@ingeniumcanada.org.

Votre aide nous est précieuse

Cordialement,

Christina Tessier
Présidente et chef de la direction d’Ingenium

P.S. Nous souhaitons vous rappeler que, votre participation se fait sur une base volontaire. Vos réponses seront entièrement confidentielles et anonymes. Aucune personne interrogée ne sera identifiée dans le cadre de l’analyse et, conformément à la Loi sur la protection des renseignements personnels, personne ne communiquera avec vous à la suite de ce sondage, et ce, sans votre consentement explicite

For anyone not familiar with ‘Curiosity on Stage’, here’s a description of a couple of the presentations and what they’re hoping to do (from the survey, which really did take me about 3 minutes),

email survey

During the 2019-2020 season, the Canada Science and Technology Museum hosted Curiosity on Stage, live evenings of talks and discussions with scientific leaders from private industry, academia and government. Topics were aimed at the future of innovation in science and technology and its applications for building a better society. 

Titles of previous events include:

  • “Can Artificial Intelligence Tackle Climate Change: exploring the potential of AI to reduce greenhouse gas emissions and help Canada lead in the clean tech economy”, and
  • “When Your City is Smarter than You: exploring the future of cities in an increasingly algorithmic world”.

Given the challenges of hosting live events during COVID-19, Curiosity on Stage will have a different format this fall, as follows:

  • Digital instead of in-person discussions hosted through an online platform (i.e. YouTube, Zoom, or Crowdcast).
  • Available to anyone at no cost.
  • Recordings of the lectures available to those who cannot attend the virtual events live.
  • Fully bilingual through simultaneous translation.
  • Those who watch the event “live” will have the opportunity to ask questions to the experts through a live chat box and comments section.

Hopefully you can use this link,, Take the Survey or this one, Participer à l’enquête.

BTW, I wasn’t sure how to answer the question later in the survey about what time of day I would like to watch a livestream. Whoever designed the survey doesn’t seem to have taken timezones into account. I answered from the perspective of someone on the West Coast.