Speculative Meteorology: Weather Channeled Feb 3-7, [2-25] 10-4pm [ET]
opening reception : Feb 5, [2025] 5-7pm [ET] Special Projects Gallery, Goldfarb Centre for the Arts York University [Toronto, Ontario, Canada]
Curated by Aftab Mirzaei (Science and Technology Studies) with Mark-David Hosale (Digital Media) and showcases the work of artists and researchers including, Chris Beaulieu, Kwame Kyei-Boateng, Nava Waxman, Mark-David Hosale, Hiro Kubayashi, Grace Grothaus, Leo Liu, Winnie Luo, Aftab Mirzaei, and Colin Tucker.
DESCRIPTION Speculative Meteorology: Weather Channeled emerges from a series of interdisciplinary experiments conducted by members of the nd:studiolab between 2023 and 2024. This exhibit invites artists and researchers to explore imaginative and multidimensional accounts of atmospheres and climates across past, present, and future. Drawing on Donna Haraway’s concept of SF—speculative fabulation as a mode of attention, a theory of history, and a practice of worlding—the works collectively reimagine our relationship to the weather, engaging it as a site of both knowledge-making and creative practice.
Sponsored by the nD::StudioLab at York University
Environmental Monitoring for Art a workshop as part of the Speculative Meteorology: Weather Channeled interdisciplinary art exhibition, with Grace Grothaus
Feb 7, 2025, 12 -3 PM [ET] ACW 103, The Transmedia Lab York University [Toronto, Ontario, Canada]
In this three-hour workshop, we will fabricate sensors that can detect environmental data using some readily available materials and electronics. We will fabricate sensors that can detect animal footsteps, record raindrops, or measure wind and then learn to read their values using Arduino. The data from these sensors can be used as input for actuators in physical computing projects, or they can be triggers for screen-based animation or music – the options are wide and varied.
Here’s the second exhibition and its associated events, from the January 25, 2025 notice,
Afterglow Exhibition Feb 4-7, [2-25] 10-3pm [ET]
opening reception : Feb 5, [2025] 5-7pm [ET] Gales Gallery, York University [Toronto, Ontario, Canada]
Curated by : Nina Czegledy & Joel Ong, featuring international and local artists Raphael Arar, Nagy Molnar, Laszlo Zsolt Bordos, Jennifer Willet, Joel Ong (with Khaled Eilouti, Zhino Yousefi, Shelby Murchie and Oliver Debski-Tran)
AFTERGLOW [ af-ter-gloh, ahf- ] is an exhibition envisioned around the graphic quality of light, as well as its traces and incandescence both real and metaphorical. The participating artists explore cross-cultural practices via a variety of analog and digital media, relating light to unfolding contemporary considerations in the global Light Art panorama. At the same time, Afterglow references a deep resonance with the past, paying tribute to historical ideas that have illuminated our current understandings of interconnected systems of values and beliefs that underly the complementary artistic practices today.
In the words of pioneering Hungarian artist György Kepes (1906-2001) : “Our human nature is profoundly phototropic”. The exhibition is a reminder of the integral nature of light to human and more-than-human life, but also to the notion of light as a sensory environment within which we remain rooted, transfixed and nourished. The exhibiting artists take up these ideas in various formations, alluding to the physical, metaphorical and ecological implications of light. As an initial exhibition prototype, Afterglow is presented first at the Gales Gallery at York University in Toronto as it grows towards future touring exhibitions and symposia. The exhibition is integrated with a virtual Symposium that features exhibiting artists as well as International artists/theorists in conversation. Please proceed to our Eventbrite page for more details and registration [see below]. – Nina Czegledy, Joel Ong.
Afterglow Symposium Feb 6 [2025] 1-3pm [ET] Symposium Presenters: Andrea Polli, Jennifer Willet, Joel Ong, Karolina Halatek, Marton Orostz, Nina Czegledy and Raphael Arar.
If you’re in Toronto, you’re spoiled for choices. As for the rest of us, the Afterglow Symposium, as a hybrid event, offers an opportunity to hear from the artists.
I was hoping this would be the concluding part of this series but there was much more than I dreamed. (I know that’s repetitive but I’m truly gobsmacked.)
Citizen science
Astronomy and bird watching (ornithology) are probably the only two scientific endeavours that have consistently engaged nonexperts/amateurs/citizen scientists right from the earliest days through the 21st century. Medical research, physics, chemistry, and others have, until recently and despite their origins in ‘amateur’ (or citizen) science, become the exclusive domain of professional experts.
This situation seems to be changing both here in Canada and elsewhere. One of the earliest postings about citizen science on this blog was in 2010 and, one of the most amusing to me personally, was this March 21, 2013 posting titled: Comparing techniques, citizen science to expert science. It’s about a study by scientists at the University of East Anglia (UK) comparing data collection by citizen scientists with experts. In this particular project where undersea data was being collected and people with diving skills needed, the citizen scientists did a better job than the expert scientists of collecting data. (I’m not trying to suggest that experts can be replaced by amateurs but do suggest that there are advantages to working together.)
Take a look at your car. The bus you take to work. The smart phone you tap on during your commute. They all have one thing in common: science. Science is all around us. It shapes the way we live, the meals we grab on the go and the commute that takes us to school and work.
That is why the Government of Canada is encouraging young Canadians’ interest in science. Research and innovation lead to breakthroughs in agriculture, transit, medicine, green technology and service delivery, improving the quality of life for all Canadians. The outcomes of research also create jobs, strengthen the economy and support a growing middle class.
The Honourable Kirsty Duncan, Minister of Science and Minister of Sport and Persons with Disabilities, carried that message to an audience of young students during her first citizen science Google Hangout today. The Hangout, run by Exploring by the Seat of Your Pants, a not-for-profit organization, featured frog exhibits from the Toronto Zoo and a demonstration of the FrogWatch citizen science project by Dr. Nancy Kingsbury of Environment and Climate Change Canada. Toronto Zoo frog expert Katherine Wright joined Minister Duncan at the zoo to share information about frogs that are local to Ontario.
Minister Duncan, Dr. Kingsbury and Ms. Wright then engaged with elementary school children across Canada in a live Q&A session about the frogs in their own backyards. The Minister highlighted the importance of getting young Canadians interested in science fields and talked about ways they can take part in citizen science projects in their communities. Citizen scientists can share their observations on social media using the hashtag #ScienceAroundMe.
Quotes
“Science is for everyone, and it is important that we encourage today’s youth to be curious. Young Canadians who engage in citizen science today will become the highly skilled workers—engineers, scientists, mathematicians, technology experts and entrepreneurs—of tomorrow. Through citizen science, children can nurture an interest in the natural world. These young people will then go on to discover, to innovate and to find solutions that will help us build a better Canada.” – The Honourable Kirsty Duncan, Minister of Science and Minister of Sport and Persons with Disabilities
“The Toronto Zoo is proud to participate in and encourage citizen science programs, such as FrogWatch, within the community. The Toronto Zoo’s Adopt-A-Pond Wetland Conservation Programme works to engage citizen scientists and deliver impactful conservation-focused research, restoration and outreach that highlight the importance of saving Canada’s sensitive wetland species and their habitats.” – Robin Hale, Interim Chief Executive Officer, Toronto Zoo
Quick facts
NatureWatch, of which FrogWatch is a component, is a community program that engages all Canadians in collecting scientific information on nature to understand our changing environment.
Exploring by the Seat of Your Pants aims to inspire the next generation of scientists, explorers and conservationists by bringing science, exploration, adventure and conservation into classrooms through virtual field trips run by programs like Google Hangout.
The Government of Canada’s Citizen Science Portal is a one-stop shop for science in the community. It showcases science programs, including NatureWatch programs, across the country.
The portal is not nearly as Ontario-centric as the projects mentioned in the news release (in case you were wondering).
Aside: In part 2 of this series, Jesse Hildebrand, founder of Science Literacy Week was mentioned as also being the founder of Exploring by the Seat of Your Pants.
Going to the birds
While bird watching and ornithological studies are not new to the Canadian science culture scene, there were some interesting developments in the 2010-19 period.
Canadian Geographic (magazine) sponsored a contest in 2015, the National Bird Project, where almost 50,000 people submitted suggestions for a national bird. Voting online ensued and on August 31, 2016 popular voting was closed. Five birds attracted the top votes and in September 2016, the Royal Canadian Geographical Society put together an expert panel to debate and decide which would be Canada’s national bird. The choice was announced in November 2016 (Canadian Geographic National Bird Project).
The gray jay. Also known as the whiskey jack or Canada jay. Photo: Steve Phillips [downloaded from http://nationalbird.canadiangeographic.ca/]
The gray jay (Perisoreus canadensis in Latin, Mésangeai du Canada in French) lives in all 13 provinces and territories — the friendly spirit in Canada’s wild northern boreal and mountain forests. It remains in Canada year-round, is neither hunted nor endangered, and from the Atlantic provinces to the West is an indicator of the health of the boreal and mountain forests and climate change, inspiring a conservation philosophy for all kinds of northern land uses. The gray jay has long been important to Indigenous Peoples, and will draw all Canadians to their national and provincial/territorial parks, yet unlike the loon and snowy owl, it is not already a provincial or territorial bird.
Gray jay is a passerine bird belonging to the family Corvidae. It is mostly found in the boreal forest of North America. The bird is fairly large and has pale gray underparts and dark grey upperpart. Gray jay is a friendly bird and often approach human for food. It is also popularly known as the camp robber, whisky jack, and venison-hawk. Gray jay is listed as Least Concern by the IUCN [International Union for Conservation of Nature]. However, the anthropogenic climate change in the southern range may adversely affect its population. In some Fist Nation cultures, the bird is associated with mythological figures including Wisakedjak who was anglicized to Whiskyjack.
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For approximately 200 years, the gray jay was known as “Canadian Jay” to the English speakers. The bird was renamed the “gray jay” in 1957 by the American Ornithologists’ Union. However, scientifically the bird is referred to as Perisoreus Canadensis. The bird is found in almost all the provinces of territories of Canada. the preferred habitat for the species is Canada’s boreal and mountain forests. Gray jay is also one of the smartest birds in the world and has almost the same body-to-brain ratio as human beings.
Canadian Georgraphic offers more depth (and a map) in a November 16, 2016 article, by Nick Walker, titled, Canada, meet your national bird (Note: Links have been removed),
With 450 species in the country to choose from, Canadian Geographic’s decision was made neither lightly nor quickly.
This national debate has been running since January 2015, in fact. But after weighing the opinions and preferences of tens of thousands of Canadians, as well as the expertise of our National Conservation Partners at Bird Studies Canada and other ornithologists and conservationists, as well as cultural experts and Indigenous Peoples, that list was narrowed to five birds. And one finalist best met all reasonable criteria.
We give you the gray jay. …
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Not only has the gray jay never been recorded outside of North America, the vast majority of its range is in Canada, with only a small percentage crossing into Alaska and the western mountains of the United States. The species’ preferred habitat is Canada’s boreal and mountain forests — ecozones that stretch from coast to coast and into the North, blanketing nearly two-thirds of the country.
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Like the Canadian flag when it was selected in 1965, the gray jay is fresh and new and fitting. To quote David Bird, ornithologist and professor emeritus of wildlife biology at Montreal’s McGill University, we cannot think of a more Canadian bird.
Three sets of bird stamps were issued by Canada Post from 2016-2018 saluting “Canada’s avian citizens.” Here’s more from a July 12, 2016 Birds of Canada blog post on the Canada Post website announcing the first series of bird stamps,
Hatched by designer Kosta Tsetsekas and illustrator Keith Martin, these stamps are the first in a three-year series celebrating Canada’s avian citizens. Our first flock includes five official birds: the Atlantic puffin (Newfoundland and Labrador), the great horned owl (Alberta), the common raven (Yukon), the rock ptarmigan (Nunavut) and the sharp-tailed grouse (Saskatchewan).
On behalf of the International Ornithologists’ Union, Vancouver is delighted to welcome ornithologists from around the world to the 27th International Ornithological Congress (IOCongress2018)! Considered the oldest and most prestigious of meetings for bird scientists, the Congress occurs every four years since first being held in Vienna, Austria, in 1884.
Canada has hosted only once previously, Ottawa in 1986, and Vancouver will be the first time the Congress has been on the Pacific Coast of the Americas. The Congress has broad national endorsement, including from the City of Vancouver, the province of British Columbia, Environment Canada, Simon Fraser University, Artists for Conservation, Tourism Vancouver plus an array of scientific societies and conservation organizations.
The convention centre’s webpage features an impressive list of events which were open to the public,
Stars of the Bird World Presentation (August 19): Dr. Rob Butler, chair of the Vancouver International Bird Festival, presents Flyways to Culture: How birds give rise to a cultural awakening, at look at how the growing interest in birds in particular and nature in general, is a foundation for a new Nature Culture in which nature becomes embedded into a west coast culture. 8:30-10 a.m. at the Vancouver Convention Centre. Admission by donation ($10 suggested).
Festival Opening Ceremony – Parade of Birds and a fanfare by Vancouver Symphony Brass Quintet (August 20): The festival begins with a Parade of Birds and a fanfare by the Vancouver Symphony Brass Quintet. The fanfare “Gathering Flock” was composed by Frederick Schipizky. 3:20 p.m. to 5:15 p.m. at the Vancouver Convention Centre.
Artists for Conservation Show (August 22): Artists for Conservation is the official visual arts partner for the festival and congress, showcasing some of the world’s best nature art through its annual juried exhibit, a collaborative mural, artist demo and lecture series and an artist booth expo. Official opening 6-10 p.m. at the Vancouver Convention Centre.
Nature & Bird Expo (until August 25): The three-day Bird Expo is the showcase of birds and nature in Canada, including exhibitors, speakers, yoga, poetry, art and more. Runs until Aug. 25 at the Vancouver Convention Centre. Check out a full event listing at www.vanbirdfest.com/calendar/nature-bird-expo.
Migration Songs – Poetry and Ornithology (August 23): Migration Songs brings together 11 contemporary poets to consider an array of bird species. Each poet was put in conversation with a particular ornithologist or scientist to consider their chosen species collaboratively. The poets involved include well-known west-coast authors, amongst them Governor General’s Award and Griffin Poetry Prize winners. A short book of these collaborations, Migration Songs, with cover art by poet, painter, and weaver Annie Ross, will be available. 6 p.m. at the Vancouver Convention Centre.
Unveiling of the Silent Skies Mural (August 23): A signature event of the week-long Artists for Conservation show is the unveiling of the Silent Skies mural made up of illustrations of the endangered birds of the world — 678 pieces, each depicting a different endangered bird, will make up the 100-foot-long installation that will form the artistic centrepiece for the 8th annual Artists for Conservation Festival, the 27th International Ornithological Congress and Vancouver International Bird Festival. The unveiling takes place at 6:30 p.m. at the Vancouver Convention Centre.
Stewardship Roundtable 2018 (August 24): A forum and showcase of innovative practices championed in B.C. province and beyond, presented by the Stewardship Centre for BC and Bird Studies Canada, in collaboration with the 27th International Ornithological Congress and Vancouver International Bird Festival. 8:30 a.m. until 9 p.m. at the Vancouver Convention Centre. For more information or to register, visit stewardshipcentrebc.ca/programs/wildife-species-risk/stewardship-roundtable.
Closing Ceremony (August 26): The closing ceremony will include remarks from officials and First Nations representatives, and a Heron Dance by the New Dance Centre from Saskatchewan. 5-6:30 p.m. at Vancouver Convention Centre.
I attended the opening ceremony where they announced the final set of stamps in the Birds of Canada series by introducing people who’d dressed for the parade as the birds in question.
The Canadian birding community has continued to create interesting new projects for science outreach. A December 19, 2019 posting by Natasha Barlow for Birds Canada (also known as Bird Studies Canada) announces a new interactive story map,
The Boreal Region is a massive expanse of forests, wetlands, and waterways covering much of the Northern Hemisphere. In Canada, this vast region stretches for 5000 kilometres from Newfoundland and Labrador through the country’s central regions and northwest to the Yukon.
Over 300 bird species regularly breed here, from tiny songbirds like kinglets and warblers to comparatively giant swans and cranes. The Boreal is home to literally billions of birds, and serves as the continent’s bird “nursery” since it is such an important breeding ground.
While extensive tracts of Canada’s northern Boreal still remain largely undisturbed from major industrial development, the human footprint is expanding and much of the southern Boreal is already being exploited for its resources.
Birds Canada, in partnership with the Nature Conservancy of Canada, has created an interactive story map that details the importance of the Boreal region for birds.
Climate change, ecology, and Indigenous knowledge (science)
There is more focus on climate change everywhere in the world and much of the latest energy and focus internationally can be traced to Swedish teenager, Greta Thunberg who turned 17 in January 2020. Her influence has galvanized a number of youth climate strikes in Canada and around the world.
There is a category of science fiction or speculative fiction known as Climate Fiction (cli-fi or clifi). Margaret Atwood (of course) has produced a trilogy in that subgenre of speculative fiction, from the Climate Fiction Wikipedia entry, Note: Links have been removed,
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Margaret Atwood explored the subject in her dystopian trilogy Oryx and Crake (2003), The Year of the Flood (2009) and MaddAddam (2013).[13] In Oryx and Crake Atwood presents a world where “social inequality, genetic technology and catastrophic climate change, has finally culminated in some apocalyptic event”.[14] The novel’s protagonist, Jimmy, lives in a “world split between corporate compounds”, gated communities that have grown into city-states and pleeblands, which are “unsafe, populous and polluted” urban areas where the working classes live.[15]
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There is some other cli-fi literature by Canadians, notably an anthology of Canadian short stories edited by Bruce Meyer, from a March 9, 2018 review by Emilie Moorhouse published in Canada’s National Observer (review originally published in Prism magazine on March 8, 2018), Note: A link has been removed,
A woman waits in line to get her water ration. She hasn’t had a sip of water in nearly three days. Her mouth is parched; she stumbles as she waits her turn for over an hour in the hot sun. When she he finally gets to the iTap and inserts her card into the machine that controls the water flow, the light turns red and her card is rejected. Her water credits have run out.
This scenario from “The Way of Water” by Nina Munteanu is one of many contained in the recently published anthology of short stories, Cli-Fi: Canadian Tales of Climate Change. The seventeen stories in this book edited by Bruce Meyer examine how humankind might struggle with the potential devastation of climate change in the near or distant future. Soon after I finished reading the book, Cape Town—known in precolonial times as “the place where clouds gather”—announced that it was only a few months away from what it called “Day Zero,” the day the city would officially run out of water, making the similarities between fiction and reality more than unsettling. Munteanu’s story is set in a futuristic Canada that has been mined of all its water by thirsty corporations who have taken over control of the resource. Rain has not fallen on Canadian soil in years due to advances in geoengineering and weather manipulation preventing rain clouds from going anywhere north of the Canada-US border.
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Indigenous knowledge (science)
The majority of Canada’s coastline is in the Arctic and climate change in that region is progressing at a disturbing pace. Weather, Climate Change, and Inuit Communities in the Western Canadian Arctic, a September 30, 2017 blog posting, by Dr. Laura Eerkes-Medrano at the University of Victoria (British Columbia) for Historical Climatology describes it this way (Note: A link has been removed),
Global climate change brings with it local weather that communities and cultures have difficulty anticipating. Unpredictable and socially impactful weather is having negative effects on the subsistence, cultural activities, and safety of indigenous peoples in Arctic communities. Since 2013, Professor David Atkinson and his team at the University of Victoria have been working with Inuvialuit communities in Tuktoyaktuk, Ulukhaktok, and Sachs Harbour. The main goal is to understand how impactful weather is affecting residents’ subsistence activities, particularly when they are on the water. The project involves site visits, interviews, and regular phone calls with residents.
Inuvialuit residents regularly observe the waves, winds, snow, and ice conditions that interfere with their hunting, fishing, camping, and other subsistence and cultural activities. In this project, communities identify specific weather events that impact their activities. These events are then linked to the broader atmospheric patterns that cause them. Summaries of the events will be provided to Environment Canada to hopefully assist with the forecasting process.
By taking this approach, the project links Western scientific knowledge and traditional knowledge to generate insights [emphasis mine] into how climate change is affecting Inuvialuit activities in the Canadian Arctic. An oversight committee has been established in each community to give direction to the project. This oversight committee includes representatives from each of the main community organizations, which ensures that the respective organizations provide direction to the project and advise on how to engage residents and communities.
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Western science learning from and taking from traditional knowledge is not new. For example, many modern medicines are still derived from traditional remedies. Unfortunately, traditional practitioners have not benefited from sharing their knowledge.
It is to be hoped things are changing with projects like Atkinson’s and another one I mentioned in a December 2, 2019 posting featuring a discovery about ochre (a red dye used for rock art). The dye being examined was produced (in a manner that appears to be unique) in the Babine Lake region of British Columbia and the research may have applications for industrial use leading to economic benefits for the indigenous folks of that region. As important as the benefits, the science team worked closely with the indigenous communities in that area.
University in the Arctic
I was told several years ago that Canada is the only ‘arctic country’ that does not have a university in the high north. As of 2019 it seems the situation is changing, from a December 1, 2019 Global television news online item,
Canada will finally have its first Arctic university.
This past week [of December 1, 2019], the Yukon legislature passed a bill to make Yukon College a university. It will be an institution with an Indigenous flavour that will make it as unique as the region it is to serve.
“Everybody knows we’re moving toward something big and something special,” said Tom Ullyett, chairman of the board of governors.
The idea of a northern university has been kicked around since at least 2007 when a survey in all three territories found residents wanted more influence over Arctic research. Northern First Nations have been asking for one for 50 years.
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Research is to centre on issues around environmental conservation and sustainable resource development. It will be conducted in a new, $26-million science building funded by Ottawa and currently being designed.
Indigenous content will be baked in.
“It’s about teaching with northern examples,” said Tosh Southwick, in charge of Indigenous engagement. “Every program will have a northern component.”
Science programs will have traditional knowledge embedded in them and talk about ravens and moose instead of, say, flamingos and giraffes. Anthropology classes will teach creation stories alongside archeological evidence.
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The institution will report to Yukon’s 14 First Nations as well as to the territorial legislature. More than one-quarter of its current students are Indigenous.
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“Our vision is to be that first northern university that focuses on Indigenous governance, that focuses on sustainable natural resources, that focuses on northern climate, and everything that flows from that.”
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Climate adaptation and/or choices
While we have participated in a number of initiatives and projects concerned with climate change, I believe there is general agreement we should have done more. That said I would prefer to remain hopeful.
A newly launched institute for climate policy research will have a Yukon connection. Brian Horton, Manager of Northern Climate ExChange at the Yukon Research Centre, has been named to the Canadian Institute for Climate Choices expert advisory panel for Climate Adaptation.
The Institute, launched Tuesday morning, aims to bring clarity to Canada’s climate policy choices. The Institute’s initial report, Charting our Course, describes the current climate landscape in Canada and provides recommendations for policy makers and governments seeking to implement more effective policy.
In order to remain grounded in issues of importance to Canadians, the Institute has appointed three Expert Advisory Panels (Adaptation, Mitigation and Clean Growth) to provide evidence-based research, analysis and engagement advice to support integrative policy decisions.
“It is exciting to have a role to play in this dynamic new network,” said Horton. “The climate is rapidly changing in the North and affecting our landscapes and lives daily. I look forward to contributing a Northern voice to this impactful pan-Canadian expert collaboration.”
At Yukon College, Horton’s research team focusses on applied research of climate impacts and adaptation in Yukon and Northwest Territories. Northern Climate ExChange works with communities, governments, and the private sector to answer questions about permafrost, hydrology, and social factors to facilitate adaptation to climate change.
January 21, 2020 | OTTAWA — Dozens of academics and policy experts today launched the Canadian Institute for Climate Choices, a new independent national research body. The Institute aims to bring clarity to the transformative challenges, opportunities and choices ahead for Canada as governments at all levels work to address climate change.
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Experimental Lakes Area
This is a very special research effort originally funded and managed by the Canadian federal government. Rather controversially, Stephen Harper’s Conservative government defunded the research but that may not have been the tragedy many believed (from the Experimental Lakes Area Wikipedia entry),
IISD Experimental Lakes Area (IISD-ELA, known as ELA before 2014)[1] is an internationally unique research station encompassing 58 formerly pristine freshwater lakes in Kenora District Ontario, Canada.[2][3] Previously run by Fisheries and Oceans Canada, after being de-funded by the Canadian Federal Government, the facility is now managed and operated by the International Institute for Sustainable Development (IISD) and has a mandate to investigate the aquatic effects of a wide variety of stresses on lakes and their catchments. IISD-ELA uses the whole ecosystem approach and makes long-term, whole-lake investigations of freshwater focusing on eutrophication.[4][5]
In an article[2] published in AAAS’s well-known scientific journal Science, Eric Stokstad described ELA’s “extreme science”[2] as the manipulation of whole lake ecosystem with ELA researchers collecting long-term records for climatology, hydrology, and limnology that address key issues in water management.[4] The site has influenced public policy in water management in Canada, the USA, and around the world.[2]
Minister of State for Science and Technology, Gary Goodyear, argued that “our government has been working hard to ensure that the Experimental Lakes Area facility is transferred to a non-governmental operator better suited to conducting the type of world-class research that can be undertaken at this facility” and that “[t]he federal government has been leading negotiations in order to secure an operator with an international track record.” On April 1, 2014, the International Institute for Sustainable Development announced that it had signed three agreements to ensure that it will be the long-term operator of the research facility and that the facility would henceforth be called IISD Experimental Lakes Area.[6] Since taking over the facility, IISD has expanded the function of the site to include educational and outreach opportunities[7] and a broader research portfolio.[8]
Part 5 is to a large extent a grab bag for everything I didn’t fit into parts 1 -4. As for what you can expect to find in Part 5: some science podcasting, eco art, a Saskatchewan lab with an artist-in-residence, and more.
* ETA April 24, 2020 at 1515 PT Added the line and link *As for the Canadian science (from a June 15, 2018 Innovation, Science and Economic Development Canada news release),*
Part 1 covered some of the more formal aspects science culture in Canada, such as science communication education programmes, mainstream media, children’s science magazines, music, etc. Part 2 covered science festivals, art/sci or sciart (depending on who’s talking, informal science get togethers such ‘Cafe Sccientifque’, etc.
This became a much bigger enterprise than I anticipated and so part 3 is stuffed with the do-it-yourself (DIY) biology movement in Canada, individual art/sci or lit/sci projects, a look at what the mathematicians have done and are doing, etc. But first there’s the comedy.
Comedy, humour, and science
Weirdly, Canadians like to mix their science fiction (scifi) movies with humour. (I will touch on more scifi later in this post but it’s too big a topic to cover inadequately, let alone adequately, in this review.) I post as my evidence of the popularity of comedy science fiction films, this from the Category: Canadian science fiction films Wikipedia webpage,
As you see, comedy science fiction is the second most populated category. Also, the Wikipedia time frame is much broader than mine but I did check one Canadian science fiction comedy film, Bang Bang Baby, a 2014 film, which, as it turns out, is also a musical.
The 2019 iteration of the Vancouver Podcast Festival included the podcast duo, Daniel Chai and Jeff Porter, behind The Fear of Science (which seems to be a science podcast of a humourous bent). They participated in a live https://www.vanpodfest.ca/event/live-podcast-fear-science-vs-vancolour podcast titled, Live Podcast: Fear of Science vs. This is VANCOLOUR.
Daniel Chai is a Vancouver-based writer, comedian, actor and podcaster. He is co-host of The Fear of Science podcast, which combines his love of learning with his love of being on a microphone. Daniel is also co-founder of The Fictionals Comedy Co and the creator of Improv Against Humanity, and teaches improv at Kwantlen Polytechnic University. He is very excited to be part of Vancouver Podcast Festival, and thanks everyone for listening!
Jeff is the producer and co-host of The Fear of Science. By day, he is a graphic designer/digital developer [according to his LinkedIn profile, he works at Science World], and by night he is a cosplayer, board gamer and full-time geek. Jeff is passionate about all things science, and has been working in science communication for over 4 years. He brings a general science knowledge point of view to The Fear of Science.
Here’s more about The Fear of Science from its homepage (where you will also find links to their podcasts),
A podcast that brings together experts and comedians for an unfiltered discussion about complicated and sometimes controversial science fears in a fun and respectful way.
This podcast seems to have taken life in August 2018.(Well, that’s as far back as the Archived episodes stretch on the website.)
This is Vancolour is a podcast hosted by Mo Amir and you will find this description on the website,
THIS IS A PODCAST ABOUT VANCOUVER AND THE PEOPLE WHO MAKE THIS CITY COLOURFUL
Cartoonist, writer, and educator, Raymond Nakamura produces work for Telus Science World and the Science Borealis science aggregator. His website is known as Raymond’s Brain features this image,
Getting an EEG to test whether my brain works. It does! [downloaded from http://www.raymondsbrain.com/biocontact]
Much has been happening on this front. First for anyone unfamiliar with do-it-yourself biology, here’s more from its Wikipedia entry,
Do-it-yourself biology (DIY biology, DIY bio) is a growing biotechnological social movement in which individuals, communities, and small organizations study biology and life science using the same methods as traditional research institutions. DIY biology is primarily undertaken by individuals with extensive research training from academia or corporations, who then mentor and oversee other DIY biologists with little or no formal training. This may be done as a hobby, as a not-for-profit endeavour for community learning and open-science innovation, or for profit, to start a business.
A January 21, 2020 posting here listed the second Canadian DIY Biology Summit organized by the Public Health Agency of Canada (PHAC). It was possible to attend virtually from any part of Canada. The first meeting was in 2016 (you can see the agenda here). You’ll see in the agenda for the 2nd meeting in 2020 that there have been a few changes as groups rise into and fall out of existence.
From the 2020 agenda, here’s a list representing the players in Canada’s DIYbio scene,
Most of these organizations (e.g., Victoria Makerspace, Synbiota, Bricobio, etc.) seem to be relatively new (founded in 2009 or later) which is quite exciting to think about. This March 13, 2016 article in the Vancouver Observer gives you a pretty good overview of the DIY biology scene in Canada at the time while providing a preview of the then upcoming first DIY Biology summit.
*The Open Science Network in Vancouver was formerly known as DIYbio YVR. I’m not sure when the name change occurred but this July 17, 2018 article by Emily Ng for The Ubyssey (a University of British Columbia student newspaper) gives a little history,
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In 2009, a group of UBC students and staff recognized these barriers and teamed up to democratize science, increase its accessibility and create an interdisciplinary platform for idea exchange. They created the Open Science Network (OSN).
The Open Science Network is a non-profit society that serves the science and maker community through education, outreach and the provision of space. Currently, they run an open community lab out of the MakerLabs space on East Cordova and Main street, which is a compact space housing microscopes, a freezer, basic lab equipment and an impressive amount of activity.
The lab is home to a community of citizen scientists, professional scientists, artists, designers and makers of all ages who are pursuing their own science projects.
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Members who are interested in lab work can receive some training in “basic microbiology techniques like pipetting, growing bacteria, using the Polymerase Chain Reaction machine (PCR) [to amplify DNA] and running gels [through a gel ectrophoresis machine to separate DNA fragments by size] from Scott Pownall, a PhD graduate from UBC and the resident microbiologist,” said Wong [ Wes Wong, a staff member of UBC Botany and a founding member of OSN].
The group has also made further efforts to serve their members by offering more advanced synthetic biology classes and workshops at their lab.
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There is another organization called ‘Open Science Network’ (an ethnobiology group and not part of the Vancouver organization). Here is a link to the Vancouver-based Open Science Network (a community science lab) where they provide further links to all their activities including a regular ‘meetup’.
The word
I have poetry, a book, a television adaptation, three plays with mathematics and/or physics themes and more.
Poetry
In 2012 there was a night of poetry readings in Vancouver. What made it special was that five poets had collaborated with five scientists (later amended to four scientists and a landscape architect) according to my December 4, 2012 posting. The whole thing was conceptualized and organized by Aileen Penner who went on to produce a chapbook of the poetry. She doesn’t have any copies available currently but you can contact her on her website’s art/science page if you are interested in obtaining a copy. She doesn’t seem to have organized any art/science projects since. For more about Aileen Penner who is a writer and poet, go to her website here.
The Banff International Research Station (BIRS) it’s all about the mathematics) hosted a workshop for poets and mathematicians way back in 2011. I featured it (Mathematics: Muse, Maker, and Measure of the Arts) after the fact in my January 9, 2012 posting (scroll down about 30% of the way). If you have the time, do click on my link to Nassif Ghoussoub’s post on his blog (Piece of Mind) about mathematicians, poetry, and the arts. It’s especially interesting in retrospect as he is now the executive director for BIRS, which no longer seems to have workshops that meld any of the arts with mathematics, and science.
One of the guests at that 2011 meeting was Alice Major, former poet laureate for Edmonton and the author of a 2011 book titled, Intersecting Sets: A Poet Looks at Science.
That sadly seems to be it for poetry and the sciences, including mathematics. If you know of any other poetry/science projects or readings, etc. in Canada during the 2010-9 decade, please let me know in the comments.
Books
Karl Schroeder, a Canadian science fiction author, has written many books but of particular interest here are two futuristic novels for the Canadian military.The 2005 novel, Crisis in Zefra, doesn’t fit the time frame I’ve established for this review but the the 2014 novel, Crisis in Urla (scroll down) fits in nicely. His writing is considered ‘realistic’ science fiction in that it’s based on science research and his work is also associated with speculative realism (from his Wikipedia entry; Note: Links have been removed),
Karl Schroeder (born September 4, 1962) is a Canadianscience fiction author. His novels present far-future speculations on topics such as nanotechnology, terraforming, augmented reality, and interstellar travel, and are deeply philosophical.
The other author I’m mentioning here is Margaret Atwood. The television adaptation of her book, ‘The Handmaid’s Tale’ has turned a Canadian literary superstar into a supernova (an exploding star whose luminosity can be the equivalent of an entire galaxy). In 2019, she won the Booker Prize, for the second time for ‘The Testaments’ (a followup to ‘The Handmaid’s Tale’), sharing it with Bernardine Evaristo and her book ‘Girl, Woman, Other’. Atwood has described her work (The Handmaid’s Tale, and others) as speculative fiction rather than science fiction. For me, she bases her speculation on the social sciences and humanities, specifically history (read her Wikipedia entry for more).
In 2017 with the television adaptation of ‘The Handmaid’s Tale’, Atwood’s speculative fiction novel became a pop culture phenomenon. Originally published in 1985, the novel was also adapted for a film in 1990 and for an opera in 2000 before it came to television, according to its Wikipedia entry.
There’s a lot more out there, Schroeder and Atwood are just two I’ve stumbled across.
Theatre
I have drama, musical comedy and acting items.
Drama
Pi Theatre’s (Vancouver) mathematically-inclined show, ‘Long Division‘, ran in April 2017 and was mentioned in my April 20, 2017 posting (scroll down about 50% of the way).
This theatrical performance of concepts in mathematics runs from April 26 – 30, 2017 (check here for the times as they vary) at the Annex at 823 Seymour St. From the Georgia Straight’s April 12, 2017 Arts notice,
“Mathematics is an art form in itself, as proven by Pi Theatre’s number-charged Long Division. This is a “refreshed remount” of Peter Dickinson’s ambitious work, one that circles around seven seemingly unrelated characters (including a high-school math teacher, a soccer-loving imam, and a lesbian bar owner) bound together by a single traumatic incident. Directed by Richard Wolfe, with choreography by Lesley Telford and musical score by Owen Belton, it’s a multimedia, movement-driven piece that has a strong cast. … “
You can read more about the production here. As far as I’m aware, there are no upcoming show dates.
There seems to be some sort of affinity between theatre and mathematics, I recently featured (January 3, 2020 posting) a theatrical piece by Hannah Moscovitch titled, ‘Infinity‘, about time, physics, math and more. It had its first production in Toronto in 2015.
John Mighton, a playwright and mathematician, wrote ‘The Little Years’ which has been produced in both Vancouver and Toronto. From a May 9, 2005 article by Kathleen Oliver for the Georgia Straight,
The Little Years is a little jewel of a play: small but multifaceted, and beautifully crafted.
John Mighton’s script gives us glimpses into different stages in the life of Kate, a woman whose early promise as a mathematician is cut short. At age 13, she’s a gifted student whose natural abilities are overlooked by 1950s society, which has difficulty conceiving of women as scientists. Instead, she’s sent to vocational school while her older brother, William, grows up to become one of the most widely praised poets of his generation.
John Mighton is a successful playwright and mathematician, yet at times in his life, he’s struggled with doubt. However, he also learned there was hope, and that’s the genesis of The Little Years, which opens at the Tarragon Theatre on Nov. 16 and runs to Dec. 16 [2012].
In keeping (more or less) with this subsection’s theme ‘The Word’, Mighton has recently had a new book published, ‘All Things Being Equal: Why Math is the Key to a Better World’, according to a January 24, 2020 article (online version) by Jamie Portman for Postmedia,
It’s more than two decades since Canadian mathematician and playwright John Mighton found himself playing a small role in the film, Good Will Hunting. What he didn’t expect when he took on the job was that he would end up making a vital contribution to a screenplay that would go on to win an Oscar for its writers, Ben Affleck and Matt Damon.
What happened on that occasion tells you a great deal about Mighton’s commitment to the belief that society grossly underestimates the intellectual capacity of human beings — a belief reiterated with quiet eloquence in his latest book, All Things Being Equal.
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Mighton loved the experience but as shooting continued he became troubled over his involvement in a movie that played “heavily on the idea that geniuses like Will are born and not made.” This was anathema to his own beliefs as a mathematician and he finally summoned up the courage to ask Affleck and Damon if he could write a few extra lines for his character. This speech was the result: “Most people never get the chance to see how brilliant they can be. They don’t find teachers who believe in them. They get convinced they’re stupid.”
At a time of growing controversy across Canada over the teaching of mathematics in school and continuing evidence of diminishing student results, Mighton continues to feel gratitude to the makers of Good Will Hunting for heeding his concerns. [I will be writing a post about the latest PISA scores where Canadian students have again slipped in their mathematics scores.]
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Mighton is on the phone from from Toronto, his voice soft-spoken but still edged with fervour. He pursues two successful careers — as an award-winning Canadian playwright and as a renowned mathematician and philosopher who has devoted a lifetime to developing strategies that foster the intellectual potential of all children through learning math. But even as he talks about his 2001 founding of JUMP Math, a respected charity that offers a radical alternative to conventional teaching of the subject, he’s anxious to remind you that he’s a guy who almost failed calculus at university and who once struggled to overcome his “own massive math anxiety.”
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You can find out more about John Mighton in his Wikipedia entry (mostly about his academic accomplishments) and on the JUMP Math website (better overall biography).
Musical Comedy
It’s called ‘Math Out Loud’ and was first mentioned here in a January 9, 2012 posting (the same post also featured the BIRS poetry workshop),
“When Mackenzie Gray talks about the way Paul McCartney used a recursive sequence to make the song “I Want You (She’s So Heavy)” seem to last forever, you realize that part of the Beatles’ phenomenal success might have sprung from McCartney’s genius as a mathematician.
When Roger Kemp draws on a napkin to illustrate that you just have to change the way you think about numbers to come up with a binary code for pi (as in 3.14 ad infinitum), you get a sense that math can actually be a lot of fun.”
Produced by MITACS which in 2012 was known as ‘Mathematics of Information Technology and Complex Systems’, a not-for-profit research organization, the musical went on tour in the Fall of 2012 (according to my September 7, 2012 posting). Unusually, I did not embed the promotional trailer for this 2012 musical so, here it is now,
Since 2012, Mitacs has gone through some sort of rebranding process and it’s now described as a nonprofit national research organization. For more you can read its Wikipedia entry or go to its website.
Acting and storytelling
It turns out there was an acting class (five sessions) for scientists at the University of Calgary in 2017. Here’s more from the course’s information sheet,
Act Your Science: Improve Your Communication Skills with Training in Improvisation 2 hours a session, 5 sessions, every Wednesday starting November 14 [2017] …
Dr. Jeff Dunn, Faculty of Graduate Studies, Graduate Students Association, the Canadian Science Writers Association [also known as Science Writers and Communicators of Canada] and the Loose Moose Theatre have teamed together to provide training in a skill which will be useful where ever your career takes you.
The goal of this project is to improve the science communication skills of graduate students in science fields. We will improve your communication through the art of training in improvisation. Training will help with speech and body awareness. Improvisation will provide life‐long skills in communication, in a fun interactive environment.
For many years, Alan Alda, a well-known actor (originally of the “MASH” television series fame), has applied his acting skills and improvisation training to help scientists improve their communication. He developed the Alan Alda Centre for Communicating Science at Stony Brook University.
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The training will involve five 2hr improvisation workshop sessions led by one of Canada’s top professional improvisation trainers, Dennis Cahill, the Artistic Director from Loose Moose Theatre. Dennis has an international reputation for developing the theatrical style of improvisation. Training involves a lot of moving around (and possibly rolling on the floor!) so dress casually. Be prepared to release your inhibitions!
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The information sheet includes a link to this University of Chicago video (posted on Youtube February 24, 2014) of actor Alan Alda discussing science communication,
As for the storytelling, we’re back at the University of Calgary. A student video and storytelling workshop and contest (Innovation Untold) was held on Tuesday, February 4, 2020. Here’s more from the University of Calgary event page for Storytelling Workshop: Do photos and videos have voices?,
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About the speaker:
Victoria Bouvier, a Michif-Metis woman, is of the Red River Settlement and Boggy Creek, Manitoba, and born and raised in Calgary. She is an Assistant professor in Indigenous Studies at Mount Royal University and a doctoral candidate in Educational Research [emphasis mine] at the University of Calgary. Her research is exploring how Michif/Métis people, born and raised in urban environments, practice and express their self-understandings, both individually and collectively through using an Indigenous oral system and visual media as methodology.
In a technology-laden society, people are capturing millions of photographs and videos that document their lived experiences, followed by uploading them to social media sites. As mass amounts of media is being shared each day, the question becomes: are we utilizing photos and videos to derive meaning from our everyday lived experiences, while settling in to a deeper sense of our self-in-relation?
This session will explore how photos and videos, positioned within an Indigenous oral system, are viewed and interacted with as a third perspective in the role of storytelling.
Finally, h/t to Jennifer Bon Bernard’s April 19, 2017 article (reposted Dec. 11, 2019) about Act Your Science for the Science Writers and Communicators blog. The original date doesn’t look right to me but perhaps she participated in a pilot project.
Neuroscience, science policy, and science advice
The end of this part is almost in sight
Knitting in Toronto and drawings in Vancouver (neuroscience)
In 2017, Toronto hosted a neuroscience event which combined storytelling and knitting (from my October 12, 2017 posting (Note: the portion below is an excerpt from an ArtSci Salon announcement),
With NARRATING NEUROSCIENCE we plan to initiate a discussion on the role and the use of storytelling and art (both in verbal and visual forms) to communicate abstract and complex concepts in neuroscience to very different audiences, ranging from fellow scientists, clinicians and patients, to social scientists and the general public. We invited four guests to share their research through case studies and experiences stemming directly from their research or from other practices they have adopted and incorporated into their research, where storytelling and the arts have played a crucial role not only in communicating cutting edge research in neuroscience, but also in developing and advancing it.
The ArtSci Salon folks also announced this (from the Sept. 25, 2017 ArtSci Salon announcement; received via email),
ATTENTION ARTSCI SALONISTAS AND FANS OF ART AND SCIENCE!! CALL FOR KNITTING AND CROCHET LOVERS!
In addition to being a PhD student at the University of Toronto, Tahani Baakdhah is a prolific knitter and crocheter and has been the motor behind two successful Knit-a-Neuron Toronto initiatives. We invite all Knitters and Crocheters among our ArtSci Salonistas to pick a pattern (link below) and knit a neuron (or 2! Or as many as you want!!)
BRING THEM TO OUR OCTOBER 20 ARTSCI SALON! Come to the ArtSci Salon and knit there!
That link to the patterns is still working.
Called “The Beautiful Brain” and held in the same time frame as Toronto’s neuro event, Vancouver hosted an exhibition of Santiago Ramon y Cajal’s drawings from September 5 to December 3, 2017. In concert with the exhibition, the local ‘neuro’ community held a number of outreach events. Here’s what I had in my September 11, 2017 posting where I quoted from the promotional material for the exhibition,
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The Beautiful Brain is the first North American museum exhibition to present the extraordinary drawings of Santiago Ramón y Cajal (1852–1934), a Spanish pathologist, histologist and neuroscientist renowned for his discovery of neuron cells and their structure, for which he was awarded the Nobel Prize in Physiology and Medicine in 1906. Known as the father of modern neuroscience, Cajal was also an exceptional artist. He combined scientific and artistic skills to produce arresting drawings with extraordinary scientific and aesthetic qualities.
A century after their completion, Cajal’s drawings are still used in contemporary medical publications to illustrate important neuroscience principles, and continue to fascinate artists and visual art audiences. …
Pictured: Santiago Ramón y Cajal, injured Purkinje neurons, 1914, ink and pencil on paper. Courtesy of Instituto Cajal (CSIC).
From Vancouver, the exhibition traveled to a gallery in New York City and then onto the Massachusetts Institute of Technology (MIT).
Mehrdad Hariri has done a an extraordinary job as its founder and chief executive officer. The CSPC has developed from a single annual conference to an organization that hosts different events throughout the year and publishes articles and opinion pieces on Canadian science policy and has been instrumental in the development of a Canadian science policy community.
The magnitude of Hariri’s accomplishment becomes clear when reading J.w. Grove’s [sic] article, Science Policy, in The Canadian Encyclopedia and seeing that the most recent reports on a national science policy seem to be the Science Council’s (now defunct) 4th report in 1968, Towards a National Science Policy in Canada, the OECD’s (Organization for Economic Cooperation and Development) 1969 Review of [Canada’s] Science Policy, and 3 reports from the Senate’s Lamontagne Committee (Special Committee on Science Policy). Grove’s article takes us only to 1988 but I have been unable to find any more recent reports focused on a national science policy for Canada. (If you have any information about a more recent report, please do let me know in the comments.)
A November 5, 2019 piece (#VoteScience: lessons learned and building science advocacy beyond the election cycle) on the CSPC website further illustrates how the Canadian science policy community has gained ground (Note: Links have been removed),
… on August 8, 2019, a coalition of Canadian science organizations and student groups came together to launch the #VoteScience campaign: a national, non-partisan effort to advocate for science in the federal elections, and make science an election issue.
Specifically, we — aka Evidence for Democracy, Science & Policy Exchange (SPE), and the Toronto Science Policy Network (TSPN) [emphases mine] — built a collection of tools and resources to empower Canadian scientists and science supporters to engage with their local candidates on science issues and the importance of evidence-informed decision-making. Our goal was to make it easy for as many Canadians as possible to engage with their candidates — and they did.
Over the past three months, our #VoteScience portal received over 3,600 visitors, including 600 visitors who used our email form to reach out directly to their local candidates. Collectively, we took #VoteScience selfies, distributed postcards to supporters across Canada, and even wrote postcards to every sitting Member of Parliament (in addition to candidates from all parties in each of our own ridings). Also of note, we distributed a science policy questionnaire to the federal parties, to help better inform Canadians about where the federal parties stand on relevant science issues, and received responses from all but one party. We’ve also advocated for science through various media outlets, including commenting for articles appearing in The Narwhal and Nature News, and penning op-eds for outlets such as the National Observer, University Affairs, Le Devoir, and Découvrir.
Prior to SPIN, the Council of Canadian Academies (CCA; more about them in part 4), issued a 2017 report titled, Science Policy: Considerations for Subnational Governments. The report was the outcome of a 2016 CCA workshop originally titled, Towards a Science Policy in Alberta. I gather the scope broadened.
Interesting trajectory, yes?
Chief Science advisors/scientists
In September 2017, the Canadian federal government announced that a Chief Science Advisor, Dr. Mona Nemer, had been appointed. I have more about the position and Dr. Nemer in my September 26, 2017 posting. (Prior to Dr. Nemer’s appointment a previous government had discontinued a National Science Advisor position that existed from 2004 to 2008.)
The Office of the Chief Science Advisor released it first annual report in 2019 and was covered here in a March 19, 2019 posting.
Québec is the only province (as far as I know) to have a Chief Scientist, Rémi Quirion who was appointed in 2011.
Onto Part 4 where you’ll find we’ve gone to the birds and more.
*The Canadian Science Policy Centre (CSPC) section was written sometime in February 2020. I believe they are planning to publish an editorial piece I submitted to them on April 20, 202 (in other words, before this post was published) in response to their call for submissions (see my April 1, 2020 post for details about the call). In short, I did not praise the organization with any intention of having my work published by them. (sigh) Awkward timing.