Tag Archives: Tim Masters

A Victoria & Albert Museum installation integrates of biomimicry, robotic fabrication and new materials research in architecture

The Victoria & Albert Museum (V&A) in London, UK, opened its Engineering Season show on May 18, 2016 (it runs until Nov. 6, 2016) featuring a robot installation and an exhibition putting the spotlight on Ove Arup, “the most significant engineer of the 20th century” according to the V&A’s May ??, 2016 press release,

The first major retrospective of the most influential engineer of the 20th century and a site specific installation inspired by nature and fabricated by robots will be the highlights of the V&A’s first ever Engineering Season, complemented by displays, events and digital initiatives dedicated to global engineering design. The V&A Engineering Season will highlight the importance of engineering in our daily lives and consider engineers as the ‘unsung heroes’ of design, who play a vital and creative role in the creation of our built environment.

Before launching into the robot/biomimicry part of this story, here’s a very brief description of why Ove Arup is considered so significant and influential,

Engineering the World: Ove Arup and the Philosophy of Total Design will explore the work and legacy of Ove Arup (1895-1988), … . Ove pioneered a multidisciplinary approach to design that has defined the way engineering is understood and practiced today. Spanning 100 years of engineering and architectural design, the exhibition will be guided by Ove’s writings about design and include his early projects, such as the Penguin Pool at London Zoo, as well as renowned projects by the firm including Sydney Opera House [Australia] and the Centre Pompidou in Paris. Arup’s collaborations with major architects of the 20th century pioneered new approaches to design and construction that remain influential today, with the firm’s legacy visible in many buildings across London and around the world. It will also showcase recent work by Arup, from major infrastructure projects like Crossrail and novel technologies for acoustics and crowd flow analysis, to engineering solutions for open source housing design.

Robots, biomimicry and the Elytra Filament Pavilion

A May 18, 2016 article by Tim Master for BBC (British Broadcasting Corporation) news online describes the pavilion installation,

A robot has taken up residence at the Victoria & Albert Musuem to construct a new installation at its London gardens.

The robot – which resembles something from a car assembly line – will build new sections of the Elytra Filament Pavilion over the coming months.

The futuristic structure will grow and change shape using data based on how visitors interact with it.

Elytra’s canopy is made up of 40 hexagonal cells – made from strips of carbon and glass fibre – which have been tightly wound into shape by the computer-controlled Kuka robot.

Each cell takes about three hours to build. On certain days, visitors to the V&A will be able to watch the robot create new cells that will be added to the canopy.

Here are some images made available by V&A,

Elytra Filament Pavilion arriving at the V&A, 2016. © Victoria and Albert Museum, London

Elytra Filament Pavilion arriving at the V&A, 2016. © Victoria and Albert Museum, London

Kuka robot weaving Elytra Filament Pavilion cell fibres, 2016. © Victoria and Albert Museum, London

Kuka robot weaving Elytra Filament Pavilion cell fibres, 2016. © Victoria and Albert Museum, London

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Elytra Filament Pavilion at the V&A, 2016. © Victoria and Albert Museum, London

Elytra Filament Pavilion at the V&A, 2016. © Victoria and Albert Museum, London

Here’s more detail from the V&A’s Elytra Filament Pavilion installation description,

Elytra Filament Pavilion has been created by experimental German architect Achim Menges with Moritz Dörstelmann, structural engineer Jan Knippers and climate engineer Thomas Auer.

Menges and Knippers are leaders of research institutes at the University of Stuttgart that are pioneering the integration of biomimicry, robotic fabrication and new materials research in architecture. This installation emerges from their ongoing research projects and is their first-ever major commission in the UK.

The pavilion explores the impact of emerging robotic technologies on architectural design, engineering and making.

Its design is inspired by lightweight construction principles found in nature, the filament structures of the forewing shells of flying beetles known as elytra. Made of glass and carbon fibre, each component of the undulating canopy is produced using an innovative robotic winding technique developed by the designers. Like beetle elytra, the pavilion’s filament structure is both very strong and very light – spanning over 200m2 it weighs less than 2,5 tonnes.

Elytra is a responsive shelter that will grow over the course of the V&A Engineering Season. Sensors in the canopy fibres will collect data on how visitors inhabit the pavilion and monitor the structure’s behaviour, ultimately informing how and where the canopy grows. During a series of special events as part of the Engineering Season, visitors will have the opportunity to witness the pavilion’s construction live, as new components are fabricated on-site by a Kuka robot.

Unfortunately, I haven’t been able to find more technical detail, particularly about the materials being used in the construction of the pavilion, on the V&A website.

One observation, I’m a little uncomfortable with how they’re gathering data “Sensors in the canopy fibres will collect data on how visitors inhabit the pavilion … .” It sounds like surveillance to me.

Nonetheless, the Engineering Season offers the promise of a very intriguing approach to fulfilling the V&A’s mandate as a museum dedicated to decorative arts and design.

Bumper crop of nano news from NISE Net

The January issue of the NISE Net (Nanoscale Informal Science Education Network) newsletter features information about a new resource for scientists who need to talk or communicate about their work, Mastering Science and Public Presentations is a video. This talk was given by Tim Masters of Spoken Science at Duke University in the summer of 2010.

Larry Bell on his NISE Net blog discusses some of the meetings (National Science Foundation and National Nanotechnology Initiative) he attended in Washington, DC. I found the one about a Periodic Table of Nanoparticles particularly interesting as it includes an image which features the particles in 3 dimensions representing shape, size, and composition.

There’s a very good nanotechnology article by Corinna Wu in the American Association for Engineering Education (ASEE) magazine, PRISM, Peril in Small Places; What dangers lurk in our expanding use of nanotechnology? It does have an ominous title but the writer does a good job of covering the positive and exciting aspects as well as the risks. From the article,

The wonder of nanotechnology is the abundance of materials, devices, and systems made possible by controlling and manipulating matter at the atomic and molecular levels. But with that wonder comes concern that these now ubiquitous nanoparticles could spread new hazardous pollutants that threaten health and the environment. “We’re trying to say, ‘These are new materials. We don’t know if there’s a problem, so let’s ask now,’” says Sally Tinkle, senior science adviser at the National Institute for Environmental Health Sciences, part of the National Institutes of Health. With prodding from the National Research Council and other institutions, inquiry into the health and environmental effects of nanotechnology has gone hand in hand with research on potential applications. The work is interdisciplinary, and engineers play a critical role. By helping to figure out what makes a nanoparticle toxic, they can, for instance, design nanoparticles that kill cancer cells yet don’t harm healthy tissues, or that remove pollutants from soil without poisoning wildlife.

It’s focused on the US scene and, one quibble, I’m not sure about some of the numbers. (For example, Wu gives a value for the number of nanotechnology products on the market but offers no details as to how this number was derived or where it came from.)

There’s a four-part series, Making Stuff, that’s going to be broadcast as part of the NOVA program on PBS. It starts Jan. 19, 2010. From the website,

Invisibility cloaks. Spider silk that is stronger than steel. Plastics made of sugar that dissolve in landfills. Self-healing military vehicles. Smart pills and micro-robots that zap diseases. Clothes that monitor your mood. What will the future bring, and what will it be made of? In NOVA’s four-hour series, “Making Stuff,” popular New York Times technology reporter David Pogue takes viewers on a fun-filled tour of the material world we live in, and the one that may lie ahead. Get a behind-the-scenes look at scientific innovations ushering in a new generation of materials that are stronger, smaller, cleaner, and smarter than anything we’ve ever seen.

Beginning January 19, 2011, NOVA will premiere the new four-hour series on consecutive Wednesday nights at 9 pm ET/PT on PBS (check local listings): “Making Stuff: Stronger, Smaller, Cleaner, Smarter.”

I wonder if they’ve made any changes to the series. After previewing it a few months ago, Andrew Maynard at 2020 Science featured the program in his Nov. 2, 2010 posting and it provoked a bit of a discussion about how to present science. From the posting,

Last week while at the NISE Net network-wide meeting, I was fortunate enough to see a preview of part of NOVA’s forthcoming series Making Stuff. The series focuses on the wonders of modern materials science. But rather than coming away enthralled by the ingenuity of scientists, I found myself breaking out in a cold sweat as I watched something that set my science-engagement alarm-bells ringing: New York Times tech reporter and host David Pogue enthusing about splicing spider genes into a goat so it produces silk protein-containing milk, then glibly drinking the milk while joking about transforming into Spider Man.

I was sitting there thinking, “You start with a spider – not everyone’s favorite creature. And you genetically cross it with a goat – dangerous territory at the best of times. Then you show a middle aged dude drinking the modified milk from a transgenic animal and having a laugh about it. And all this without any hint of a question over the wisdom or ramifications of what’s going on? Man, this is going to go down well!”

Andrew goes on to ask if his reaction was justified. Comments ensued including one from the producer of the series, Chris Schmidt.

Now, the nano haiku. Again this month there are two:

Asian hornets are
powered by nano solar
at the sun’s zenith.

by Frank Kusiak of the Lawrence Hall of Science. This Haiku relates to the BBC article Oriental hornets powered by ‘solar energy’.

After reading about the use of cinnamon in the production of gold nanoparticles, Vrylena Olney got hungry – and creative:

Cinnamon: good for
pumpkin pie, Moroccan stew,
nanoparticles.