Tag Archives: University of Bristol

Viburnum and a new kind of structural colo(u)r

I love structural colo(u) and the first such story here was this February 7, 2013 posting, which is where you’ll find the image below,

AGELESS BRILLIANCE: Although the pigment-derived leaf color of this decades-old specimen of the African perennial Pollia condensata has faded, the fruit still maintains its intense metallic-blue iridescence.COURTESY OF P.J. RUDALL [downloaded from http://www.the-scientist.com/?articles.view/articleNo/34200/title/Color-from-Structure/]

Those berries are stunning especially when you realize they are part of a long-dead Pollia plant. Scientist, Rox Middleton of University of Bristol (UK) was studying the structures that render the Pollia plant’s berries (fruit) blue when she decided to study another, more conveniently accessible plant with blue fruit. That’s when she got a surprise (from an August 11, 2020 article by Véronique Greenwood for the New York Times),

Big, leafy viburnum bushes have lined yards in the United States and Europe for decades — their domes of blossoms have an understated attractiveness. But once the flowers of the Viburnum tinus plant fade, the shrub makes something unusual: shiny, brilliantly blue fruit.

Scientists had noticed that pigments related to those in blueberries exist in viburnum fruit, and assumed that this must be the source of their odd hue. Blue fruit, after all, is rare. But researchers reported last week in Current Biology that viburnum’s blue is actually created by layers of molecules arranged under the surface of the skin, a form of what scientists call structural color. By means still unknown, the plant’s cells create thin slabs of fat [emphasis mine] arranged in a stack, like the flakes of puff pastry, and their peculiar gleam is the result.

Rox Middleton, a researcher at University of Bristol in England and an author of the new paper, had been studying the African pollia plant, which produces its own exotic blue fruit. But viburnum fruit were everywhere, and she realized that their blue had not been well-studied. Along with Miranda Sinnott-Armstrong, a researcher at the University of Colorado, Boulder, and other colleagues, she set out to take a closer look at the fruit’s skin.

The pollia fruit’s blue is a form of structural color, in which light bounces off a regularly spaced arrangement of tiny structures such that certain wavelengths, usually those that look blue or green to us, are reflected back at the viewer. In pollia fruit, the color comes from light interacting with thin sheets of cellulose packed together. At first the team thought there would be something similar in viburnum. But they saw no cellulose stacks.

The research team has concluded that all it comes down the arrangement of fat molecules, which are also responsible for the cloudier, metallic blue in viburnum berries,

Caption Closeup of viburnum tinus. Credit: Rox Middleton Courtesy University of Cambridge

I encourage you to read Greenwood’s August 11, 2020 article in its entirety. For those who like more details, there are two press releases. The first is an August 6, 2020 University of Cambridge press release on EurekAlert. Middleton completed the ‘Virbunum’ research while completing her PhD at Cambridge. As mentioned earlier, Middleton is currently a researcher at the University of Bristol and they issued an August 11, 2020 press release touting her accomplishment.

Finally, for the insatiably curious, here’s a link to and a citation for the paper,

Viburnum tinus Fruits Use Lipids to Produce Metallic Blue Structural Color by Rox Middleton, Miranda Sinnott-Armstrong, Yu Ogawa, Gianni Jacucci, Edwige Moyroud, Paula J. Rudall, Chrissie Prychid, Maria Conejero, Beverley J. Glover, Michael J. Donoghue, Silvia Vignolini. Current Biology DOI:https://doi.org/10.1016/j.cub.2020.07.005 Published:August 06, 2020

This paper is behind a paywall.

Concerns about Zoom? Call for expressions of interest in “Zoom Obscura,” creative interventions for a data ethics of video conferencing

Have you wondered about Zoom video conferencing and all that data being made available? Perhaps questioned ethical issues in addition to those associated with data security? Is so and you’d like to come up with a creative intervention that delves beyond encryption issues, there’s Zoom Obscura (on the creativeinformatics.org website),

CI [Creative Informatics] researchers Pip Thornton, Chris Elsden and Chris Speed were recently awarded funding from the Human Data Interaction Network (HDI +) Ethics & Data competition. Collaborating with researchers from Durham [Durham University] and KCL [Kings College London], the Zoom Obscura project aims to investigate creative interventions for a data ethics of video conferencing beyond encryption.

The COVID-19 pandemic has gifted video conferencing companies, such as Zoom, with a vast amount of economically valuable and sensitive data such as our facial and voice biometrics, backgrounds and chat scripts. Before the pandemic, this ‘new normal’ would be subject to scrutiny, scepticism and critique. Yet, the urgent need for remote working and socialising left us with little choice but to engage with these potentially exploitative platforms.

While much of the narrative around data security revolves around technological ‘solutions’ such as encryption, we think there are other – more creative – ways to push back against the systems of digital capitalism that continue to encroach on our everyday lives.

As part of this HDI-funded project, we seek artists, hackers and creative technologists who are interested in experimenting with creative methods to join us in a series of online workshops that will explore how to restore some control and agency in how we can be seen and heard in these newly ubiquitous online spaces. Through three half-day workshops held remotely, we will bring artists and technicians together to ideate, prototype, and exhibit various interventions into the rapidly normalising culture of video-calling in ways that do not compromise our privacy and limit the sharing of our data. We invite interventions that begin at any stage of the video-calling process – from analogue obfuscation, to software manipulation or camera trickery.

Selected artists/collectives will receive a £1000 commission to take part and contribute in three workshops, in order to design and produce one or more, individual or collaborative, creative interventions developed from the workshops. These will include both technical support from a creative technologist as well as a curator for dissemination both online and in Edinburgh and London.

If you are an artist / technologist interested in disrupting/subverting the pandemic-inspired digital status quo, please send expressions of interest of no more than 500 words to pip.thornton@ed.ac.uk , andrew.dwyer@bristol.ac.uk, celsden@ed.ac.uk and michael.duggan@kcl.ac.uk by 8th October 2020. We don’t expect fully formed projects (these will come in the workshop sessions), but please indicate any broad ideas and thoughts you have, and highlight how your past and present practice might be a good fit for the project and its aims.

The Zoom Obscura project is in collaboration with Tinderbox Lab in Edinburgh and Hannah Redler-Hawes (independent curator and codirector of the Data as Culture art programme at the Open Data Institute in London). Outputs from the project will be hosted and exhibited via the Data as Culture archive site and at a Creative Informatics event at the University of Edinburgh.

Are folks outside the UK eligible?

I asked Dr. Pip Thornton about eligibility and she kindly noted this in her Sept. 25, 2020 tweet (reply copied from my Twitter feed),

Open to all, but workshop timings may be more amenable to UK working hours. Having said that, we won’t know what the critical mass is until we review all the applications, so please do apply if you’re interested!

Who are the members of the Zoom Obscura project team?

From the Zoom Obscura webpage (on the creativeinformatics.org website),

Dr. Pip Thornton is a post-doctoral research associate in Creative Informatics at the University of Edinburgh, having recently gained her PhD in Geopolitics and Cybersecurity from Royal Holloway, University of London. Her thesis, Language in the Age of Algorithmic Reproduction: A Critique of Linguistic Capitalism, included theoretical, political and artistic critiques of Google’s search and advertising platforms. She has presented in a variety of venues including the Science Museum, the Alan Turing Institute and transmediale. Her work has featured in WIRED UK and New Scientist, and a collection from her {poem}.py intervention has been displayed at Open Data Institute in London. Her Edinburgh Futures Institute (EFI) funded installation Newspeak 2019, shown at the Edinburgh Festival Fringe (2019), was recently awarded an honourable mention in the Surveillance Studies Network biennial art competition (2020) and is shortlisted for the 2020 Lumen Prize for art and technology in the AI category.

Dr. Andrew Dwyer is a research associate  in the University of Bristol’s Cyber Security Group. Andrew gained a DPhil in Cyber Security at the University of Oxford, where he studied and questioned the role of malware – commonly known as computational viruses and worms –  through its analysis, detection, and translation into international politics and its intersection with multiple ecologies. In his doctoral thesis – Malware Ecologies: A Politics of Cybersecurity – he argued for a re-evaluation of the role of computational actors in the production and negotiation of security, and what this means for human-centred notions of weapons and warfare. Previously, Andrew has been a visiting fellow at the German ‘Dynamics of Security’ collaborative research centre based between Philipps-Universität Marburg, Justus-Liebig-Universität Gießen and the Herder Institute, Marburg and is a Research Affiliate at the Centre for Technology and Global Affairs at the University of Oxford. He will soon be starting a 3-year Addison Wheeler research fellowship in the Department of Geography at the Durham University

Dr Chris Elsden is a research associate in Design Informatics at the University of Edinburgh. Chris is primarily working on the AHRC Creative Informatics project., with specific interests in FinTech and livestreaming within the Creative Industries. He is an HCI researcher, with a background in sociology, and expertise in the human experience of a data-driven life. Using and developing innovative design research methods, his work undertakes diverse, qualitative and often speculative engagements with participants to investigate emerging relationships with technology – particularly data-driven tools and financialn technologies. Chris gained his PhD in Computer Science at Open Lab, Newcastle University in 2018, and in 2019 was a recipient of a SIGCHI Outstanding Dissertation Award.

Dr Mike Duggan is a Teaching Fellow in Digital Cultures in the Department of Digital Humanities at Kings College London. He was awarded a PhD in Cultural Geography from Royal Holloway University of London in 2017, which examined everyday digital mapping practices. This project was co-funded by the Ordnance Survey and the EPSRC. He is a member of the Living Maps network, where he is an editor for the ‘navigations’ section and previously curated the seminar series. Mike’s research is broadly interested in the digital and cultural geographies that emerge from the intersections between everyday life and digital technology.

Professor Chris Speed is Chair of Design Informatics at the University of Edinburgh where his research focuses upon the Network Society, Digital Art and Technology, and The Internet of Things. Chris has sustained a critical enquiry into how network technology can engage with the fields of art, design and social experience through a variety of international digital art exhibitions, funded research projects, books journals and conferences. At present Chris is working on funded projects that engage with the social opportunities of crypto-currencies, an internet of toilet roll holders, and a persistent argument that chickens are actually robots.  Chris is co-editor of the journal Ubiquity and co-directs the Design Informatics Research Centre that is home to a combination of researchers working across the fields of interaction design, temporal design, anthropology, software engineering and digital architecture, as well as the PhD, MA/MFA and MSc and Advanced MSc programmes.

David Chatting is a designer and technologist who works in software and hardware to explore the impact of emerging technologies in everyday lives. He is currently a PhD student in the Department of Design at Goldsmiths – University of London, a Visiting Researcher at Newcastle University’s Open Lab and has his own design practice. Previously he was a Senior Researcher at BTs Broadband Applications Research Centre. David has a Masters degree in Design Interactions from the Royal College of Art (2012) and a Bachelors degree in Computer Science from the University of Birmingham (2000). He has published papers and filed patents in the fields of HCI, psychology, tangible interfaces, computer vision and computer graphics.

Hannah Redler Hawes (Data as Culture) is an independent curator and codirector of the Data as Culture art programme at the Open Data Institute in London. Hannah specialises in emerging artistic practice within the fields of art and science and technology, with an interest in participatory process. She has previously developed projects for museums, galleries, corporate contexts, digital space and the public realm including the  Institute of Physics, Tate Modern, The Lowry, Natural History Museum, FACT Liverpool, the Digital Catapult and Science Gallery London, and has provided specialist consultancy services to the Wellcome Collection, Discover South Kensington and the Horniman Museum. Hannah enjoys projects that redraw boundaries between different disciplines. Current research is around addiction, open data, networked culture and new forms of programming beyond the gallery.

Tinderbox Collective : From grass-roots youth work to award-winning music productions, Tinderbox is building a vibrant and eclectic community of young musicians and artists in Scotland. We have a number of programmes that cross over with each other and come together wherever possible.  They are open to children and young people aged 10 – 25, from complete beginners to young professionals and all levels in between. Tinderbox Lab is our digital arts programme and shared studio maker-space in Edinburgh that brings together artists across disciplines with an interest in digital media and interactive technologies. It is a new programme that started development in 2019, leading to projects and events such as Room to Play, a 10-week course for emerging artists led by Yann Seznec; various guest artist talks & workshops; digital arts exhibitions at the V&A Dundee & Edinburgh Festival of Sound; digital/electronics workshops design/development for children & young people; and research included as part of Electronic Visualisation and the Arts (EVA) London 2019 conference.

Jack Nissan (Tinderbox) is the founder and director of the Tinderbox Collective. In 2012/13, Jack took part in a fellowship programmed called International Creative Entrepreneurs and spent several months working with community activists and social enterprises in China, primarily with families and communities on the outskirts of Beijing with an organisation called Hua Dan. Following this, he set up a number of international exchanges and cross-cultural productions that formed the basis for Tinderbox’s Journey of a Thousand Wings programme, a project bringing together artists and community projects from different countries. He is also a co-director and founding member of Hidden Door, a volunteer-run multi-arts festival, and has won a number of awards for his work across creative and social enterprise sectors. He has been invited to take part in several steering committees and advisory roles, including for Creative Scotland’s new cross-cutting theme on Creative Learning and Artworks Scotland’s peer-networks for artists working in participatory settings. Previously, Jack worked as a researcher in psychology and ageing for the multidisciplinary MRC Centre for Cognitive Ageing and Cognitive Epidemiology, specialising in areas of neuropsychology and memory.

Luci Holland (Tinderbox) is a Scottish (Edinburgh-based) composer, sound artist and radio presenter who composes and produces music and audiovisual art for film, games and concert. As a games music composer Luci wrote the original dynamic/responsive music for Blazing Griffin‘s 2018 release Murderous Pursuits, and has composed and arranged for numerous video game music collaborations, such as orchestrating and producing an arrangement of Jessica Curry‘s Disappearing with label Materia Collective’s bespoke cover album Pattern: An Homage to Everybody’s Gone to the Rapture. Currently she has also been composing custom game music tracks for Skyrim mod Lordbound and a variety of other film and game music projects. Luci also builds and designs interactive sonic art installations for festivals and venues (Refraction (Cryptic), CITADEL (Hidden Door)); and in 2019 Luci joined new classical music station Scala Radio to present The Console, a weekly one-hour show dedicated to celebrating great music in games. Luci also works as a musical director and composer with the youth music charity Tinderbox Project on their Orchestra & Digital Arts programmes; classical music organisation Absolute Classics; and occasionally coordinates musical experiments and productions with her music-for-media band Mantra Sound.

Good luck to all who submit an expression of interest and good luck to Dr. Thornton (I see from her bio that she’s been shortlisted for the 2020 Lumen Prize).

Moths with sound absorption stealth technology

The cabbage tree emperor moth (Thomas Neil) [downloaded from https://www.cbc.ca/radio/quirks/nov-17-2018-greenland-asteroid-impact-short-people-in-the-rain-forest-reef-islands-and-sea-level-and-more-1.4906857/how-moths-evolved-a-kind-of-stealth-jet-technology-to-sneak-past-bats-1.4906866]

I don’t think I’ve ever seen a more gorgeous moth and it seems a perfect way to enter 2019, from a November 16, 2018 news item on CBC (Canadian Broadcasting Corporation),

A species of silk moth has evolved special sound absorbing scales on its wings to absorb the sonar pulses from hunting bats. This is analogous to the special coatings on stealth aircraft that allow them to be nearly invisible to radar.

“It’s a battle out there every night, insects flying for their lives trying to avoid becoming a bat’s next dinner,” said Dr. Marc Holderied, the senior author on the paper and an associate professor in the School of Biological Sciences at the University of Bristol.

“If you manage to absorb some of these sound energies, it would make you look smaller and let you be detectable over a shorter distance because echoe isn’t strong enough outside the detection bubble.”

Many moths have ears that warn them when a bat is nearby. But not the big and juicy cabbage tree emperor moths which would ordinarily make the perfect meal for bats.

The researchers prepared a brief animated feature illustrating the research,

Prior to publication of the study, the scientists made a presentation at the Acoustical Society of America’s 176th Meeting, held in conjunction with the Canadian Acoustical Association’s 2018 Acoustics Week, Nov. 5-9 at the Victoria Conference Centre in Victoria, Canada according to a November 7, 2018 University of Bristol press release (also on EurekAlert but submitted by the Acoustical Society of America on November 6, 2018),

Moths are a mainstay food source for bats, which use echolocation (biological sonar) to hunt their prey. Scientists such as Thomas Neil, from the University of Bristol in the U.K., are studying how moths have evolved passive defenses over millions of years to resist their primary predators.

While some moths have evolved ears that detect the ultrasonic calls of bats, many types of moths remain deaf. In those moths, Neil has found that the insects developed types of “stealth coating” that serve as acoustic camouflage to evade hungry bats.

Neil will describe his work during the Acoustical Society of America’s 176th Meeting, held in conjunction with the Canadian Acoustical Association’s 2018 Acoustics Week, Nov. 5-9 at the Victoria Conference Centre in Victoria, Canada.

In his presentation, Neil will focus on how fur on a moth’s thorax and wing joints provide acoustic stealth by reducing the echoes of these body parts from bat calls.

“Thoracic fur provides substantial acoustic stealth at all ecologically relevant ultrasonic frequencies,” said Neil, a researcher at Bristol University. “The thorax fur of moths acts as a lightweight porous sound absorber, facilitating acoustic camouflage and offering a significant survival advantage against bats.” Removing the fur from the moth’s thorax increased its detection risk by as much as 38 percent.

Neil used acoustic tomography to quantify echo strength in the spatial and frequency domains of two deaf moth species that are subject to bat predation and two butterfly species that are not.

In comparing the effects of removing thorax fur from insects that serve as food for bats to those that don’t, Neil’s research team found that thoracic fur determines acoustic camouflage of moths but not butterflies.

“We found that the fur on moths was both thicker and denser than that of the butterflies, and these parameters seem to be linked with the absorptive performance of their respective furs,” Neil said. “The thorax fur of the moths was able to absorb up to 85 percent of the impinging sound energy. The maximum absorption we found in butterflies was just 20 percent.”

Neil’s research could contribute to the development of biomimetic materials for ultrathin sound absorbers and other noise-control devices.

“Moth fur is thin and lightweight,” said Neil, “and acts as a broadband and multidirectional ultrasound absorber that is on par with the performance of current porous sound-absorbing foams.”

Moth fur? This has changed my view of moths although I reserve the right to get cranky when local moths chew through my wool sweaters. Here’s a link to and a citation for the paper,

Biomechanics of a moth scale at ultrasonic frequencies by Zhiyuan Shen, Thomas R. Neil, Daniel Robert, Bruce W. Drinkwater, and Marc W. Holderied. PNAS [Proccedings of the National Academy of Sciences of the United States of America] November 27, 2018 115 (48) 12200-12205; published ahead of print November 12, 2018 https://doi.org/10.1073/pnas.1810025115

This paper is behind a paywall.

Unusually I’m going to include the paper’s abstract here,

The wings of moths and butterflies are densely covered in scales that exhibit intricate shapes and sculptured nanostructures. While certain butterfly scales create nanoscale photonic effects [emphasis mine], moth scales show different nanostructures suggesting different functionality. Here we investigate moth-scale vibrodynamics to understand their role in creating acoustic camouflage against bat echolocation, where scales on wings provide ultrasound absorber functionality. For this, individual scales can be considered as building blocks with adapted biomechanical properties at ultrasonic frequencies. The 3D nanostructure of a full Bunaea alcinoe moth forewing scale was characterized using confocal microscopy. Structurally, this scale is double layered and endowed with different perforation rates on the upper and lower laminae, which are interconnected by trabeculae pillars. From these observations a parameterized model of the scale’s nanostructure was formed and its effective elastic stiffness matrix extracted. Macroscale numerical modeling of scale vibrodynamics showed close qualitative and quantitative agreement with scanning laser Doppler vibrometry measurement of this scale’s oscillations, suggesting that the governing biomechanics have been captured accurately. Importantly, this scale of B. alcinoe exhibits its first three resonances in the typical echolocation frequency range of bats, suggesting it has evolved as a resonant absorber. Damping coefficients of the moth-scale resonator and ultrasonic absorption of a scaled wing were estimated using numerical modeling. The calculated absorption coefficient of 0.50 agrees with the published maximum acoustic effect of wing scaling. Understanding scale vibroacoustic behavior helps create macroscopic structures with the capacity for broadband acoustic camouflage.

Those nanoscale photonic effects caused by butterfly scales are something I’d usually describe as optical effects due to the nanoscale structures on some butterfly wings, notably those of the Blue Morpho butterfly. In fact there’s a whole field of study on what’s known as structural colo(u)r. Strictly speaking I’m not sure you could describe the nanostructures on Glasswing butterflies as an example of structure colour since those structures make that butterfly’s wings transparent but they are definitely an optical effect. For the curious, you can use ‘blue morpho butterfly’, ‘glasswing butterfly’ or ‘structural colo(u)r’ to search for more on this blog or pursue bigger fish with an internet search.

Tractor beams for humans?

I got excited for a moment before realizing that, if tractor beams for humans result from this work, it will be many years in the future. Still, one can dream, eh? Here’s more about the current state of tractor beams (the acoustic kind) from a January 21, 2018 news item on ScienceDaily,

Acoustic tractor beams use the power of sound to hold particles in mid-air, and unlike magnetic levitation, they can grab most solids or liquids. For the first time University of Bristol engineers have shown it is possible to stably trap objects larger than the wavelength of sound in an acoustic tractor beam. This discovery opens the door to the manipulation of drug capsules or micro-surgical implements within the body. Container-less transportation of delicate larger samples is now also a possibility and could lead to levitating humans.

A January 22, 2018 University of Bristol press release (also on EurekAlert but dated January 21, 2018), which originated the news item, expands on the theme,

Researchers previously thought that acoustic tractor beams were fundamentally limited to levitating small objects as all the previous attempts to trap particles larger than the wavelength had been unstable, with objects spinning uncontrollably. This is because rotating sound field transfers some of its spinning motion to the objects causing them to orbit faster and faster until they are ejected.

The new approach, published in Physical Review Letters today [Monday 22 January]{2018}], uses rapidly fluctuating acoustic vortices, which are similar to tornadoes of sound, made of a twister-like structure with loud sound surrounding a silent core.

The Bristol researchers discovered that the rate of rotation can be finely controlled by rapidly changing the twisting direction of the vortices, this stabilises the tractor beam. They were then able to increase the size of the silent core allowing it to hold larger objects. Working with ultrasonic waves at a pitch of 40kHz, a similar pitch to that which only bats can hear, the researchers held a two-centimetre polystyrene sphere in the tractor beam. This sphere measures over two acoustic wavelengths in size and is the largest yet trapped in a tractor beam. The research suggests that, in the future much larger objects could be levitated in this way.

Dr Asier Marzo, lead author on the paper from Bristol’s Department of Mechanical Engineering, said: “Acoustic researchers had been frustrated by the size limit for years, so its satisfying to find a way to overcome it. I think it opens the door to many new applications.”

Dr Mihai Caleap, Senior Research Associate, who developed the simulations, explained: “In the future, with more acoustic power it will be possible to hold even larger objects. This was only thought to be possible using lower pitches making the experiment audible and dangerous for humans.”

Bruce Drinkwater, Professor of Ultrasonics from the Department of Mechanical Engineering, who supervised the work, added: “Acoustic tractor beams have huge potential in many applications. I’m particularly excited by the idea of contactless production lines where delicate objects are assembled without touching them.”

The researchers have included a video representing their work,

I always liked the tractor beams on Star Trek as they seemed very useful. For those who can dream in more technical language, here’s a link to and a citation for the paper,

Acoustic Virtual Vortices with Tunable Orbital Angular Momentum for Trapping of Mie Particles by Asier Marzo, Mihai Caleap, and Bruce W. Drinkwater. Phys. Rev. Lett. Vol. 120, Iss. 4 — 26 January 2018 DOI:https://doi.org/10.1103/PhysRevLett.120.044301 Published 22 January 2018

This paper is open access.

Nanotechnology cracks Wall Street (Daily)

David Dittman’s Jan. 11, 2017 article for wallstreetdaily.com portrays a great deal of excitement about nanotechnology and the possibilities (I’m highlighting the article because it showcases Dexter Johnson’s Nanoclast blog),

When we talk about next-generation aircraft, next-generation wearable biomedical devices, and next-generation fiber-optic communication, the consistent theme is nano: nanotechnology, nanomaterials, nanophotonics.

For decades, manufacturers have used carbon fiber to make lighter sports equipment, stronger aircraft, and better textiles.

Now, as Dexter Johnson of IEEE [Institute of Electrical and Electronics Engineers] Spectrum reports [on his Nanoclast blog], carbon nanotubes will help make aerospace composites more efficient:

Now researchers at the University of Surrey’s Advanced Technology Institute (ATI), the University of Bristol’s Advanced Composite Centre for Innovation and Science (ACCIS), and aerospace company Bombardier [headquartered in Montréal, Canada] have collaborated on the development of a carbon nanotube-enabled material set to replace the polymer sizing. The reinforced polymers produced with this new material have enhanced electrical and thermal conductivity, opening up new functional possibilities. It will be possible, say the British researchers, to embed gadgets such as sensors and energy harvesters directly into the material.

When it comes to flight, lighter is better, so building sensors and energy harvesters into the body of aircraft marks a significant leap forward.

Johnson also reports for IEEE Spectrum on a “novel hybrid nanomaterial” based on oscillations of electrons — a major advance in nanophotonics:

Researchers at the University of Texas at Austin have developed a hybrid nanomaterial that enables the writing, erasing and rewriting of optical components. The researchers believe that this nanomaterial and the techniques used in exploiting it could create a new generation of optical chips and circuits.

Of course, the concept of rewritable optics is not altogether new; it forms the basis of optical storage mediums like CDs and DVDs. However, CDs and DVDs require bulky light sources, optical media and light detectors. The advantage of the rewritable integrated photonic circuits developed here is that it all happens on a 2-D material.

“To develop rewritable integrated nanophotonic circuits, one has to be able to confine light within a 2-D plane, where the light can travel in the plane over a long distance and be arbitrarily controlled in terms of its propagation direction, amplitude, frequency and phase,” explained Yuebing Zheng, a professor at the University of Texas who led the research… “Our material, which is a hybrid, makes it possible to develop rewritable integrated nanophotonic circuits.”

Who knew that mixing graphene with homemade Silly Putty would create a potentially groundbreaking new material that could make “wearables” actually useful?

Next-generation biomedical devices will undoubtedly include some of this stuff:

A dash of graphene can transform the stretchy goo known as Silly Putty into a pressure sensor able to monitor a human pulse or even track the dainty steps of a small spider.

The material, dubbed G-putty, could be developed into a device that continuously monitors blood pressure, its inventors hope.

The guys who made G-putty often rely on “household stuff” in their research.

It’s nice to see a blogger’s work be highlighted. Congratulations Dexter.

G-putty was mentioned here in a Dec. 30, 2016 posting which also includes a link to Dexter’s piece on the topic.

Soft contact lenses key to supercapacitor breaththrough

It seems like pretty exciting news for anyone following the supercapacitor story but they are being awfully cagey about it all in a Dec. 6, 2016 news item on Nanowerk,

Ground-breaking research from the University of Surrey and Augmented Optics Ltd., in collaboration with the University of Bristol, has developed potentially transformational technology which could revolutionise the capabilities of appliances that have previously relied on battery power to work.

This development by Augmented Optics Ltd., could translate into very high energy density super-capacitors making it possible to recharge your mobile phone, laptop or other mobile devices in just a few seconds.

The technology could have a seismic impact across a number of industries, including transport, aerospace, energy generation, and household applications such as mobile phones, flat screen electronic devices, and biosensors. It could also revolutionise electric cars, allowing the possibility for them to recharge as quickly as it takes for a regular non-electric car to refuel with petrol – a process that currently takes approximately 6-8 hours to recharge. Imagine, instead of an electric car being limited to a drive from London to Brighton, the new technology could allow the electric car to travel from London to Edinburgh without the need to recharge, but when it did recharge for this operation to take just a few minutes to perform.

I imagine the reason for the caginess has to do with the efforts to commercialize the technology. In any event, here’s a little more from a Dec. 5, 2016 University of Surrey press release by Ashley Lovell,

Supercapacitor buses are already being used in China, but they have a very limited range whereas this technology could allow them to travel a lot further between recharges. Instead of recharging every 2-3 stops this technology could mean they only need to recharge every 20-30 stops and that will only take a few seconds.

Elon Musk, of Tesla and SpaceX, has previously stated his belief that supercapacitors are likely to be the technology for future electric air transportation. We believe that the present scientific advance could make that vision a reality.

The technology was adapted from the principles used to make soft contact lenses, which Dr Donald Highgate (of Augmented Optics, and an alumnus of the University of Surrey) developed following his postgraduate studies at Surrey 40 years ago. Supercapacitors, an alternative power source to batteries, store energy using electrodes and electrolytes and both charge and deliver energy quickly, unlike conventional batteries which do so in a much slower, more sustained way. Supercapacitors have the ability to charge and discharge rapidly over very large numbers of cycles. However, because of their poor energy density per kilogramme (approximately just one twentieth of existing battery technology), they have, until now, been unable to compete with conventional battery energy storage in many applications.

Dr Brendan Howlin of the University of Surrey, explained: “There is a global search for new energy storage technology and this new ultra capacity supercapacitor has the potential to open the door to unimaginably exciting developments.”

The ground-breaking research programme was conducted by researchers at the University of Surrey’s Department of Chemistry where the project was initiated by Dr Donald Highgate of Augmented Optics Ltd. The research team was co-led by the Principal Investigators Dr Ian Hamerton and Dr Brendan Howlin. Dr Hamerton continues to collaborate on the project in his new post at the University of Bristol, where the electrochemical testing to trial the research findings was carried out by fellow University of Bristol academic – David Fermin, Professor of Electrochemistry in the School of Chemistry.

Dr Ian Hamerton, Reader in Polymers and Composite Materials from the Department of Aerospace Engineering, University of Bristol said: “While this research has potentially opened the route to very high density supercapacitors, these *polymers have many other possible uses in which tough, flexible conducting materials are desirable, including bioelectronics, sensors, wearable electronics, and advanced optics. We believe that this is an extremely exciting and potentially game changing development.”

*the materials are based on large organic molecules composed of many repeated sub-units and bonded together to form a 3-dimensional network.

Jim Heathcote, Chief Executive of both Augmented Optics Ltd and Supercapacitor Materials Ltd, said: “It is a privilege to work with the teams from the University of Surrey and the University of Bristol. The test results from the new polymers suggest that extremely high energy density supercapacitors could be constructed in the very new future. We are now actively seeking commercial partners [emphasis mine] in order to supply our polymers and offer assistance to build these ultra high energy density storage devices.”

I was not able to find a website for Augmented Optics but there is one for SuperCapacitor Materials here.

D-PLACE: an open access database of places, language, culture, and enviroment

In an attempt to be a bit more broad in my interpretation of the ‘society’ part of my commentary I’m including this July 8, 2016 news item on ScienceDaily (Note: A link has been removed),

An international team of researchers has developed a website at d-place.org to help answer long-standing questions about the forces that shaped human cultural diversity.

D-PLACE — the Database of Places, Language, Culture and Environment — is an expandable, open access database that brings together a dispersed body of information on the language, geography, culture and environment of more than 1,400 human societies. It comprises information mainly on pre-industrial societies that were described by ethnographers in the 19th and early 20th centuries.

A July 8, 2016 University of Toronto news release (also on EurekAlert), which originated the news item, expands on the theme,

“Human cultural diversity is expressed in numerous ways: from the foods we eat and the houses we build, to our religious practices and political organisation, to who we marry and the types of games we teach our children,” said Kathryn Kirby, a postdoctoral fellow in the Departments of Ecology & Evolutionary Biology and Geography at the University of Toronto and lead author of the study. “Cultural practices vary across space and time, but the factors and processes that drive cultural change and shape patterns of diversity remain largely unknown.

“D-PLACE will enable a whole new generation of scholars to answer these long-standing questions about the forces that have shaped human cultural diversity.”

Co-author Fiona Jordan, senior lecturer in anthropology at the University of Bristol and one of the project leads said, “Comparative research is critical for understanding the processes behind cultural diversity. Over a century of anthropological research around the globe has given us a rich resource for understanding the diversity of humanity – but bringing different resources and datasets together has been a huge challenge in the past.

“We’ve drawn on the emerging big data sets from ecology, and combined these with cultural and linguistic data so researchers can visualise diversity at a glance, and download data to analyse in their own projects.”

D-PLACE allows users to search by cultural practice (e.g., monogamy vs. polygamy), environmental variable (e.g. elevation, mean annual temperature), language family (e.g. Indo-European, Austronesian), or region (e.g. Siberia). The search results can be displayed on a map, a language tree or in a table, and can also be downloaded for further analysis.

It aims to enable researchers to investigate the extent to which patterns in cultural diversity are shaped by different forces, including shared history, demographics, migration/diffusion, cultural innovations, and environmental and ecological conditions.

D-PLACE was developed by an international team of scientists interested in cross-cultural research. It includes researchers from Max Planck Institute for the Science of Human history in Jena Germany, University of Auckland, Colorado State University, University of Toronto, University of Bristol, Yale, Human Relations Area Files, Washington University in Saint Louis, University of Michigan, American Museum of Natural History, and City University of New York.

The diverse team included: linguists; anthropologists; biogeographers; data scientists; ethnobiologists; and evolutionary ecologists, who employ a variety of research methods including field-based primary data collection; compilation of cross-cultural data sources; and analyses of existing cross-cultural datasets.

“The team’s diversity is reflected in D-PLACE, which is designed to appeal to a broad user base,” said Kirby. “Envisioned users range from members of the public world-wide interested in comparing their cultural practices with those of other groups, to cross-cultural researchers interested in pushing the boundaries of existing research into the drivers of cultural change.”

Here’s a link to and a citation for the paper,

D-PLACE: A Global Database of Cultural, Linguistic and Environmental Diversity by Kathryn R. Kirby, Russell D. Gray, Simon J. Greenhill, Fiona M. Jordan, Stephanie Gomes-Ng, Hans-Jörg Bibiko, Damián E. Blasi, Carlos A. Botero, Claire Bowern, Carol R. Ember, Dan Leehr, Bobbi S. Low, Joe McCarter, William Divale, Michael C. Gavin.  PLOS ONE, 2016; 11 (7): e0158391 DOI: 10.1371/journal.pone.0158391 Published July 8, 2016.

This paper is open access.

You can find D-PLACE here.

While it might not seem like that there would be a close link between anthropology and physics in the 19th and early 20th centuries, that information can be mined for more contemporary applications. For example, someone who wants to make a case for a more diverse scientific community may want to develop a social science approach to the discussion. The situation in my June 16, 2016 post titled: Science literacy, science advice, the US Supreme Court, and Britain’s House of Commons, could  be extended into a discussion and educational process using data from D-Place and other sources to make the point,

Science literacy may not be just for the public, it would seem that US Supreme Court judges may not have a basic understanding of how science works. David Bruggeman’s March 24, 2016 posting (on his Pasco Phronesis blog) describes a then current case before the Supreme Court (Justice Antonin Scalia has since died), Note: Links have been removed,

It’s a case concerning aspects of the University of Texas admissions process for undergraduates and the case is seen as a possible means of restricting race-based considerations for admission.  While I think the arguments in the case will likely revolve around factors far removed from science and or technology, there were comments raised by two Justices that struck a nerve with many scientists and engineers.

Both Justice Antonin Scalia and Chief Justice John Roberts raised questions about the validity of having diversity where science and scientists are concerned [emphasis mine].  Justice Scalia seemed to imply that diversity wasn’t esential for the University of Texas as most African-American scientists didn’t come from schools at the level of the University of Texas (considered the best university in Texas).  Chief Justice Roberts was a bit more plain about not understanding the benefits of diversity.  He stated, “What unique perspective does a black student bring to a class in physics?”

To that end, Dr. S. James Gates, theoretical physicist at the University of Maryland, and member of the President’s Council of Advisers on Science and Technology (and commercial actor) has an editorial in the March 25 [2016] issue of Science explaining that the value of having diversity in science does not accrue *just* to those who are underrepresented.

Dr. Gates relates his personal experience as a researcher and teacher of how people’s background inform their practice of science, and that two different people may use the same scientific method, but think about the problem differently.

I’m guessing that both Scalia and Roberts and possibly others believe that science is the discovery and accumulation of facts. In this worldview science facts such as gravity are waiting for discovery and formulation into a ‘law’. They do not recognize that most science is a collection of beliefs and may be influenced by personal beliefs. For example, we believe we’ve proved the existence of the Higgs boson but no one associated with the research has ever stated unequivocally that it exists.

More generally, with D-PLACE and the recently announced Trans-Atlantic Platform (see my July 15, 2016 post about it), it seems Canada’s humanities and social sciences communities are taking strides toward greater international collaboration and a more profound investment in digital scholarship.

Cardiac pacemakers: Korea’s in vivo demonstration of a self-powered one* and UK’s breath-based approach

As i best I can determine ,the last mention of a self-powered pacemaker and the like on this blog was in a Nov. 5, 2012 posting (Developing self-powered batteries for pacemakers). This latest news from The Korea Advanced Institute of Science and Technology (KAIST) is, I believe, the first time that such a device has been successfully tested in vivo. From a June 23, 2014 news item on ScienceDaily,

As the number of pacemakers implanted each year reaches into the millions worldwide, improving the lifespan of pacemaker batteries has been of great concern for developers and manufacturers. Currently, pacemaker batteries last seven years on average, requiring frequent replacements, which may pose patients to a potential risk involved in medical procedures.

A research team from the Korea Advanced Institute of Science and Technology (KAIST), headed by Professor Keon Jae Lee of the Department of Materials Science and Engineering at KAIST and Professor Boyoung Joung, M.D. of the Division of Cardiology at Severance Hospital of Yonsei University, has developed a self-powered artificial cardiac pacemaker that is operated semi-permanently by a flexible piezoelectric nanogenerator.

A June 23, 2014 KAIST news release on EurekAlert, which originated the news item, provides more details,

The artificial cardiac pacemaker is widely acknowledged as medical equipment that is integrated into the human body to regulate the heartbeats through electrical stimulation to contract the cardiac muscles of people who suffer from arrhythmia. However, repeated surgeries to replace pacemaker batteries have exposed elderly patients to health risks such as infections or severe bleeding during operations.

The team’s newly designed flexible piezoelectric nanogenerator directly stimulated a living rat’s heart using electrical energy converted from the small body movements of the rat. This technology could facilitate the use of self-powered flexible energy harvesters, not only prolonging the lifetime of cardiac pacemakers but also realizing real-time heart monitoring.

The research team fabricated high-performance flexible nanogenerators utilizing a bulk single-crystal PMN-PT thin film (iBULe Photonics). The harvested energy reached up to 8.2 V and 0.22 mA by bending and pushing motions, which were high enough values to directly stimulate the rat’s heart.

Professor Keon Jae Lee said:

“For clinical purposes, the current achievement will benefit the development of self-powered cardiac pacemakers as well as prevent heart attacks via the real-time diagnosis of heart arrhythmia. In addition, the flexible piezoelectric nanogenerator could also be utilized as an electrical source for various implantable medical devices.”

This image illustrating a self-powered nanogenerator for a cardiac pacemaker has been provided by KAIST,

This picture shows that a self-powered cardiac pacemaker is enabled by a flexible piezoelectric energy harvester. Credit: KAIST

This picture shows that a self-powered cardiac pacemaker is enabled by a flexible piezoelectric energy harvester.
Credit: KAIST

Here’s a link to and a citation for the paper,

Self-Powered Cardiac Pacemaker Enabled by Flexible Single Crystalline PMN-PT Piezoelectric Energy Harvester by Geon-Tae Hwang, Hyewon Park, Jeong-Ho Lee, SeKwon Oh, Kwi-Il Park, Myunghwan Byun, Hyelim Park, Gun Ahn, Chang Kyu Jeong, Kwangsoo No, HyukSang Kwon, Sang-Goo Lee, Boyoung Joung, and Keon Jae Lee. Advanced Materials DOI: 10.1002/adma.201400562
Article first published online: 17 APR 2014

© 2014 WILEY-VCH Verlag GmbH & Co. KGaA, Weinheim

This paper is behind a paywall.

There was a May 15, 2014 KAIST news release on EurekAlert announcing this same piece of research but from a technical perspective,

The energy efficiency of KAIST’s piezoelectric nanogenerator has increased by almost 40 times, one step closer toward the commercialization of flexible energy harvesters that can supply power infinitely to wearable, implantable electronic devices

NANOGENERATORS are innovative self-powered energy harvesters that convert kinetic energy created from vibrational and mechanical sources into electrical power, removing the need of external circuits or batteries for electronic devices. This innovation is vital in realizing sustainable energy generation in isolated, inaccessible, or indoor environments and even in the human body.

Nanogenerators, a flexible and lightweight energy harvester on a plastic substrate, can scavenge energy from the extremely tiny movements of natural resources and human body such as wind, water flow, heartbeats, and diaphragm and respiration activities to generate electrical signals. The generators are not only self-powered, flexible devices but also can provide permanent power sources to implantable biomedical devices, including cardiac pacemakers and deep brain stimulators.

However, poor energy efficiency and a complex fabrication process have posed challenges to the commercialization of nanogenerators. Keon Jae Lee, Associate Professor of Materials Science and Engineering at KAIST, and his colleagues have recently proposed a solution by developing a robust technique to transfer a high-quality piezoelectric thin film from bulk sapphire substrates to plastic substrates using laser lift-off (LLO).

Applying the inorganic-based laser lift-off (LLO) process, the research team produced a large-area PZT thin film nanogenerators on flexible substrates (2 cm x 2 cm).

“We were able to convert a high-output performance of ~250 V from the slight mechanical deformation of a single thin plastic substrate. Such output power is just enough to turn on 100 LED lights,” Keon Jae Lee explained.

The self-powered nanogenerators can also work with finger and foot motions. For example, under the irregular and slight bending motions of a human finger, the measured current signals had a high electric power of ~8.7 μA. In addition, the piezoelectric nanogenerator has world-record power conversion efficiency, almost 40 times higher than previously reported similar research results, solving the drawbacks related to the fabrication complexity and low energy efficiency.

Lee further commented,

“Building on this concept, it is highly expected that tiny mechanical motions, including human body movements of muscle contraction and relaxation, can be readily converted into electrical energy and, furthermore, acted as eternal power sources.”

The research team is currently studying a method to build three-dimensional stacking of flexible piezoelectric thin films to enhance output power, as well as conducting a clinical experiment with a flexible nanogenerator.

In addition to the 2012 posting I mentioned earlier, there was also this July 12, 2010 posting which described research on harvesting biomechanical movement ( heart beat, blood flow, muscle stretching, or even irregular vibration) at the Georgia (US) Institute of Technology where the lead researcher observed,

…  Wang [Professor Zhong Lin Wang at Georgia Tech] tells Nanowerk. “However, the applications of the nanogenerators under in vivo and in vitro environments are distinct. Some crucial problems need to be addressed before using these devices in the human body, such as biocompatibility and toxicity.”

Bravo to the KAIST researchers for getting this research to the in vivo testing stage.

Meanwhile at the University of Bristol and at the University of Bath, researchers have received funding for a new approach to cardiac pacemakers, designed them with the breath in mind. From a June 24, 2014 news item on Azonano,

Pacemaker research from the Universities of Bath and Bristol could revolutionise the lives of over 750,000 people who live with heart failure in the UK.

The British Heart Foundation (BHF) is awarding funding to researchers developing a new type of heart pacemaker that modulates its pulses to match breathing rates.

A June 23, 2014 University of Bristol press release, which originated the news item, provides some context,

During 2012-13 in England, more than 40,000 patients had a pacemaker fitted.

Currently, the pulses from pacemakers are set at a constant rate when fitted which doesn’t replicate the natural beating of the human heart.

The normal healthy variation in heart rate during breathing is lost in cardiovascular disease and is an indicator for sleep apnoea, cardiac arrhythmia, hypertension, heart failure and sudden cardiac death.

The device is then briefly described (from the press release),

The novel device being developed by scientists at the Universities of Bath and Bristol uses synthetic neural technology to restore this natural variation of heart rate with lung inflation, and is targeted towards patients with heart failure.

The device works by saving the heart energy, improving its pumping efficiency and enhancing blood flow to the heart muscle itself.  Pre-clinical trials suggest the device gives a 25 per cent increase in the pumping ability, which is expected to extend the life of patients with heart failure.

One aim of the project is to miniaturise the pacemaker device to the size of a postage stamp and to develop an implant that could be used in humans within five years.

Dr Alain Nogaret, Senior Lecturer in Physics at the University of Bath, explained“This is a multidisciplinary project with strong translational value.  By combining fundamental science and nanotechnology we will be able to deliver a unique treatment for heart failure which is not currently addressed by mainstream cardiac rhythm management devices.”

The research team has already patented the technology and is working with NHS consultants at the Bristol Heart Institute, the University of California at San Diego and the University of Auckland. [emphasis mine]

Professor Julian Paton, from the University of Bristol, added: “We’ve known for almost 80 years that the heart beat is modulated by breathing but we have never fully understood the benefits this brings. The generous new funding from the BHF will allow us to reinstate this natural occurring synchrony between heart rate and breathing and understand how it brings therapy to hearts that are failing.”

Professor Jeremy Pearson, Associate Medical Director at the BHF, said: “This study is a novel and exciting first step towards a new generation of smarter pacemakers. More and more people are living with heart failure so our funding in this area is crucial. The work from this innovative research team could have a real impact on heart failure patients’ lives in the future.”

Given some current events (‘Tesla opens up its patents’, Mike Masnick’s June 12, 2014 posting on Techdirt), I wonder what the situation will be vis à vis patents by the time this device gets to market.

* ‘one’ added to title on Aug. 13, 2014.