Dedicated to foundational theoretical physics, the Perimeter Institute (PI) has an active outreach programme. In their latest ‘newsletter’ (received via email on September 19, 2018) highlights poetry written by scientists, (from the ’12 poignant poems’ webpage),
It can be said that science and poetry share the common purpose of revealing profound truths about the universe and our place in it.
Physicist Paul Dirac, a known curmudgeon, would have dismissed that idea as hogwash.
“The aim of science is to make difficult things understandable in a simpler way; the aim of poetry is to state simple things in an incomprehensible way,” Dirac grouched to a colleague. “The two are incompatible.”
The colleague to whom Dirac was grumbling, J. Robert Oppenheimer, was a lover of poetry who dabbled in it himself — as did, it turns out, quite a few great physicists, past and present. Physicists have often turned to poetry to express ideas for which there are no equations.
Here’s a look at some of the loveliest stanzas from physicists past and present, plus a few selections of rhyming silliness that get an A+ for effort.
Considering his reported distaste for poetry, it seems Dirac may have committed a few lines to verse. A four-line poem credited to Dirac laments the belief that, once past the age of 30, physicists have already passed their peak intellectual years.
Perhaps the most prolific of all the poetic physicists was the Scottish genius [James Clerk Maxwell] whose equations for electromagnetism have been called “the second great unification in physics” (second to Isaac Newton’s marriage of physics and astronomy).
Maxwell’s best-known poetic composition is “Rigid Body Sings,” a ditty he used to sing while playing guitar, which is based on the classic Robbie Burns poem “Comin’ Through the Rye” (the inspiration for the title of J.D. Salinger’s TheCatcher in the Rye). In terms of melding poetry and physics, however, Maxwell’s geekiest composition might be “A Problem in Dynamics,” which shows both his brilliance and sense of humour.
If Maxwell’s “A Problem in Dynamics,” is a little too technical for your mathematical comfort level, his fellow Scottish physicist William J.M. Rankine penned poetry requiring only a rudimentary understanding of algebra (and a peculiar understanding of love).
Richard Feynman was known for both his brilliance and his eclectic lifestyle, which included playing the bongos, safe-cracking, and, occasionally, writing poetry.
Although theoretical physics is her specialty, Shohini Ghose is a true polymath. Born in India, educated in the US, and now a multi-award-winning professor at Wilfrid Laurier University, Ghose has delivered popular talks on subjects ranging from climate change to sexism in science. She recently joined Perimeter Institute as an affiliate researcher and an Equity, Inclusion & Diversity Specialist. On top of all that, she is a poet too.
English mathematician James Joseph Sylvester was a prolific scholar whose collected works on matrix theory, number theory, and combinatorics fill four (large) volumes. In his honour, the Royal Society of London bestows the Sylvester Medal every two years to an early-career mathematician who shows potential to make major breakthroughs, just as the medal’s namesake did. It is only fitting that Sylvester’s best known work of poetry is an ode to a missing part of an algebraic formula.
Sonali Mohapatra is a Chancellor’s PhD Student at the University of Sussex and an alumna of the Perimeter Scholars International master’s program (during which she sang on the nationally broadcast CBC Radio program Ideas). She’s also the author of the poetry compilation Leaking Ink and runs an international magazine on creative resistance called Carved Voices. In her spare time — which, remarkably, she occasionally has — she delivers motivational talks on physics, feminism, and the juxtaposition of the personal and the professional.
William Rowan Hamilton was an extraordinary mathematician whose research had long-lasting implications for modern physics. As a poet, he was a bit of a hack, at least in the eyes of his friend and renowned poet William Wordsworth. Hamilton often sent his poems to Wordsworth for feedback, and Wordsworth went to great pains to provide constructive criticism without hurting his friend’s feelings. Upon reading one of Hamilton’s poems, Wordsworth replied: “I do venture to submit to your consideration, whether the poetical parts of your nature would not find a field more favourable to their exercise in the regions of prose.” Translation: don’t quit your day job, Bill. Here’s one of Hamilton’s better works — a tribute to another giant of mathematics and physics, Joseph Fourier.
For some lyrical physicists, poetry is not always a hobby separate from scientific research. For some (at least one), poetry is a way to present scientific findings. In 1984, Australian physicist J.W.V. Storey published a research paper — The Detection of Shocked Co/ Emission from G333.6-0.2 — as a 38-stanza poem. To any present-day researchers reading this: we dare you to try it.
Caltech physicist John Preskill is one of the world’s leading researchers exploring quantum information and the application of quantum computing to big questions about spacetime. Those are extremely complex topics, but Preskill also has a knack for explaining complicated subjects in accessible (and, occasionally, rhyming) terms. Here’s a snippet from a poem he wrote called “Quantum Cryptography.”
Nitica Sakharwade is a PhD student who, when not tackling foundational puzzles in quantum mechanics and quantum information, writes poetry and performs spoken word. In fact, she’s performing at the Canadian Festival of Spoken Word in October 2018. Though her poems don’t always relate to physics, when they do, they examine profound ideas like the Chandrasekhar limit (the mass threshold that determines whether a white dwarf star will explode in a cataclysmic supernova).
David Morin is a physics professor at Harvard who has become somewhat legendary for sprucing up his lessons with physics-based limericks. Some are quite catchy and impressively whittle a complex subject down to a set of simple rhyming verses, like the one below about Emmy Noether’s landmark theorem.
Other poems by Morin — such as this one, explaining how a medium other than a vacuum would affect a classic experiment — border on the absurd.
Lastly, we can’t resist sharing a poem by the brilliant Katharine Burr Blodgett, a physicist and chemist who, among other achievements, invented non-reflective “invisible” glass. That glass became very useful in filmmaking and was first put to use by Hollywood in a little movie called Gone With the Wind. After she retired from a long and successful career at General Electric (where she also pioneered materials to de-ice airplane wings, among many other innovations), she amused herself by writing quirky poetry.
I’d usually edit a bit in an effort to drive readers over to the Perimeter website but I just can’t bear to cut this up. Thank you to Colin Hunter for compiling the poems and the write ups. For anyone who wants to investigate the Perimeter Institute further and doesn’t have a PhD in physics, there’s the Slices of PI webpage featuring “fun, monthly dispatches about science designed for social sharing.”
On the occasion of an American team’s recent publication of research where they edited the germline (embryos), I produced a three-part series about CRISPR (clustered regularly interspaced short palindromic repeats), sometimes referred to as CRISPR/Cas9, (links offered at end of this post).
Somewhere in my series, there’s a quote about how CRISPR could be used as a ‘weapon of mass destruction’ and it seems this has been a hot topic for the last year or so as James Revill, research fellow at the University of Sussex, references in his August 31, 2017 essay on theconversation.com (h/t phys.org August 31, 2017 news item), Note: Links have been removed,
The gene editing technique CRISPR has been in the limelight after scientists reported they had used it to safely remove disease in human embryos for the first time. This follows a “CRISPR craze” over the last couple of years, with the number of academic publications on the topic growing steadily.
There are good reasons for the widespread attention to CRISPR. The technique allows scientists to “cut and paste” DNA more easily than in the past. It is being applied to a number of different peaceful areas, ranging from cancer therapies to the control of disease carrying insects.
Some of these applications – such as the engineering of mosquitoes to resist the parasite that causes malaria – effectively involve tinkering with ecosystems. CRISPR has therefore generated a number of ethical and safety concerns. Some also worry that applications being explored by defence organisations that involve “responsible innovation in gene editing” may send worrying signals to other states.
Concerns are also mounting that gene editing could be used in the development of biological weapons. In 2016, Bill Gates remarked that “the next epidemic could originate on the computer screen of a terrorist intent on using genetic engineering to create a synthetic version of the smallpox virus”. More recently, in July 2017, John Sotos, of Intel Health & Life Sciences, stated that gene editing research could “open up the potential for bioweapons of unimaginable destructive potential”.
An annual worldwide threat assessment report of the US intelligence community in February 2016 argued that the broad availability and low cost of the basic ingredients of technologies like CRISPR makes it particularly concerning.
A Feb. 11, 2016 news item on sciencemagazine.org offers a précis of some of the reactions while a February 9, 2016 article by Antonio Regalado for the Massachusetts Institute of Technology’s MIT Technology Review delves into the matter more deeply,
Genome editing is a weapon of mass destruction.
That’s according to James Clapper, [former] U.S. director of national intelligence, who on Tuesday, in the annual worldwide threat assessment report of the U.S. intelligence community, added gene editing to a list of threats posed by “weapons of mass destruction and proliferation.”
Gene editing refers to several novel ways to alter the DNA inside living cells. The most popular method, CRISPR, has been revolutionizing scientific research, leading to novel animals and crops, and is likely to power a new generation of gene treatments for serious diseases (see “Everything You Need to Know About CRISPR’s Monster Year”).
It is gene editing’s relative ease of use that worries the U.S. intelligence community, according to the assessment. “Given the broad distribution, low cost, and accelerated pace of development of this dual-use technology, its deliberate or unintentional misuse might lead to far-reaching economic and national security implications,” the report said.
The choice by the U.S. spy chief to call out gene editing as a potential weapon of mass destruction, or WMD, surprised some experts. It was the only biotechnology appearing in a tally of six more conventional threats, like North Korea’s suspected nuclear detonation on January 6 , Syria’s undeclared chemical weapons, and new Russian cruise missiles that might violate an international treaty.
The report is an unclassified version of the “collective insights” of the Central Intelligence Agency, the National Security Agency, and half a dozen other U.S. spy and fact-gathering operations.
Although the report doesn’t mention CRISPR by name, Clapper clearly had the newest and the most versatile of the gene-editing systems in mind. The CRISPR technique’s low cost and relative ease of use—the basic ingredients can be bought online for $60—seems to have spooked intelligence agencies.
However, one has to be careful with the hype surrounding new technologies and, at present, the security implications of CRISPR are probably modest. There are easier, cruder methods of creating terror. CRISPR would only get aspiring biological terrorists so far. Other steps, such as growing and disseminating biological weapons agents, would typically be required for it to become an effective weapon. This would require additional skills and places CRISPR-based biological weapons beyond the reach of most terrorist groups. At least for the time being.
In Geneva next month [August 2016], officials will discuss updates to the global treaty that outlaws the use of biological weapons. The 1972 Biological Weapons Convention (BWC) was the first agreement to ban an entire class of weapons, and it remains a crucial instrument to stop scientific research on viruses, bacteria and toxins from being diverted into military programmes.
The BWC is the best route to ensure that nations take the biological-weapons threat seriously. Most countries have struggled to develop and introduce strong and effective national programmes — witness the difficulty the United States had in agreeing what oversight system should be applied to gain-of-function experiments that created more- dangerous lab-grown versions of common pathogens.
As scientific work advances — the CRISPR gene-editing system has been flagged as the latest example of possible dual-use technology — this treaty needs to be regularly updated. This is especially important because it has no formal verification system. Proposals for declarations, monitoring visits and inspections were vetoed by the United States in 2001, on the grounds that such verification threatened national security and confidential business information.
Even so, issues such as the possible dual-use threat from gene-editing systems will not be easily resolved. But we have to try. Without the involvement of the BWC, codes of conduct and oversight systems set up at national level are unlikely to be effective. The stakes are high, and after years of fumbling, we need strong international action to monitor and assess the threats from the new age of biological techniques.
Revill notes the latest BWC agreement and suggests future directions,
This convention is imperfect and lacks a way to ensure that states are compliant. Moreover, it has not been adequately “tended to” by its member states recently, with the last major meeting unable to agree a further programme of work. Yet it remains the cornerstone of an international regime against the hostile use of biology. All 178 state parties declared in December of 2016 their continued determination “to exclude completely the possibility of the use of (biological) weapons, and their conviction that such use would be repugnant to the conscience of humankind”.
These states therefore need to address the hostile potential of CRISPR. Moreover, they need to do so collectively. Unilateral national measures, such as reasonable biological security procedures, are important. However, preventing the hostile exploitation of CRISPR is not something that can be achieved by any single state acting alone.
As such, when states party to the convention meet later this year, it will be important to agree to a more systematic and regular review of science and technology. Such reviews can help with identifying and managing the security risks of technologies such as CRISPR, as well as allowing an international exchange of information on some of the potential benefits of such technologies.
Most states supported the principle of enhanced reviews of science and technology under the convention at the last major meeting. But they now need to seize the opportunity and agree on the practicalities of such reviews in order to prevent the convention being left behind by developments in science and technology.
Experts (military, intelligence, medical, etc.) are not the only ones concerned about CRISPR according to a February 11, 2016 article by Sharon Begley for statnews.com (Note: A link has been removed),
Most Americans oppose using powerful new technology to alter the genes of unborn babies, according to a new poll — even to prevent serious inherited diseases.
They expressed the strongest disapproval for editing genes to create “designer babies” with enhanced intelligence or looks.
But the poll, conducted by STAT and Harvard T.H. Chan School of Public Health, found that people have mixed, and apparently not firm, views on emerging genetic techniques. US adults are almost evenly split on whether the federal government should fund research on editing genes before birth to keep children from developing diseases such as cystic fibrosis or Huntington’s disease.
“They’re not against scientists trying to improve [genome-editing] technologies,” said Robert Blendon, professor of health policy and political analysis at Harvard’s Chan School, perhaps because they recognize that one day there might be a compelling reason to use such technologies. An unexpected event, such as scientists “eliminating a terrible disease” that a child would have otherwise inherited, “could change people’s views in the years ahead,” Blendon said.
But for now, he added, “people are concerned about editing the genes of those who are yet unborn.”
A majority, however, wants government regulators to approve gene therapy to treat diseases in children and adults.
The STAT-Harvard poll comes as scientists and policy makers confront the ethical, social, and legal implications of these revolutionary tools for changing DNA. Thanks toa technique called CRISPR-Cas9, scientists can easily, and with increasing precision, modify genes through the genetic analog of a computer’s “find and replace” function.
I find it surprising that there’s resistance to removing diseases found in the germline (embryos). When they were doing public consultations on nanotechnology, the one area where people tended to be quite open to research was health and medicine. Where food was concerned however, people had far more concerns.
If you’re interested in the STAT-Harvard poll, you can find it here. As for James Revill, he has written a more substantive version of this essay as a paper, which is available here.
On a semi-related note, I found STAT (statnews.com) to be a quite interesting and accessibly written online health science journal. Here’s more from the About Us page (Note: A link has been removed),
What’s STAT all about?
STAT is a national publication focused on finding and telling compelling stories about health, medicine, and scientific discovery. We produce daily news, investigative articles, and narrative projects in addition to multimedia features. We tell our stories from the places that matter to our readers — research labs, hospitals, executive suites, and political campaigns.
Why did you call it STAT?
In medical parlance, “stat” means important and urgent, and that’s what we’re all about — quickly and smartly delivering good stories. Read more about the origins of our name here.
Who’s behind the new publication? STAT is produced by Boston Globe Media. Our headquarters is located in Boston but we have bureaus in Washington, New York, Cleveland, Atlanta, San Francisco, and Los Angeles. It was started by John Henry, the owner of Boston Globe Media and the principal owner of the Boston Red Sox. Rick Berke is executive editor.
So is STAT part of The Boston Globe? They’re distinct properties but the two share content and complement one another.
Is it free?
Much of STAT is free. We also offer STAT Plus, a premium subscription plan that includes exclusive reporting about the pharmaceutical and biotech industries as well as other benefits. Learn more about it here.
Who’s working for STAT?
Some of the best-sourced science, health, and biotech journalists in the country, as well as motion graphics artists and data visualization specialists. Our team includes talented writers, editors, and producers capable of the kind of explanatory journalism that complicated science issues sometimes demand.
Who’s your audience? You. Even if you don’t work in science, have never stepped foot in a hospital, or hated high school biology, we’ve got something for you. And for the lab scientists, health professionals, business leaders, and policy makers, we think you’ll find coverage here that interests you, too. The world of health, science, and medicine is booming and yielding fascinating stories. We explore how they affect us all.
As promised, here are the links to my three-part series on CRISPR,
Finally, I hope to stumble across studies from other countries about how they are responding to the possibilities presented by CRISPR/Cas9 so that I can offer a more global perspective than this largely US perspective. At the very least, it would be interesting to find it if there differences.
Clearly a lawyer wrote this June 26, 2017 essay on theconversation.com (Note: A link has been removed),
When a group of museums and researchers in the Netherlands unveiled a portrait entitled The Next Rembrandt, it was something of a tease to the art world. It wasn’t a long lost painting but a new artwork generated by a computer that had analysed thousands of works by the 17th-century Dutch artist Rembrandt Harmenszoon van Rijn.
The computer used something called machine learning [emphasis mine] to analyse and reproduce technical and aesthetic elements in Rembrandt’s works, including lighting, colour, brush-strokes and geometric patterns. The result is a portrait produced based on the styles and motifs found in Rembrandt’s art but produced by algorithms.
But who owns creative works generated by artificial intelligence? This isn’t just an academic question. AI is already being used to generate works in music, journalism and gaming, and these works could in theory be deemed free of copyright because they are not created by a human author.
This would mean they could be freely used and reused by anyone and that would be bad news for the companies selling them. Imagine you invest millions in a system that generates music for video games, only to find that music isn’t protected by law and can be used without payment by anyone in the world.
Unlike with earlier computer-generated works of art, machine learning software generates truly creative works without human input or intervention. AI is not just a tool. While humans program the algorithms, the decision making – the creative spark – comes almost entirely from the machine.
It could have been someone involved in the technology but nobody with that background would write “… something called machine learning … .” Andres Guadamuz, lecturer in Intellectual Property Law at the University of Sussex, goes on to say (Note: Links have been removed),
Unlike with earlier computer-generated works of art, machine learning software generates truly creative works without human input or intervention. AI is not just a tool. While humans program the algorithms, the decision making – the creative spark – comes almost entirely from the machine.
That doesn’t mean that copyright should be awarded to the computer, however. Machines don’t (yet) have the rights and status of people under the law. But that doesn’t necessarily mean there shouldn’t be any copyright either. Not all copyright is owned by individuals, after all.
Companies are recognised as legal people and are often awarded copyright for works they don’t directly create. This occurs, for example, when a film studio hires a team to make a movie, or a website commissions a journalist to write an article. So it’s possible copyright could be awarded to the person (company or human) that has effectively commissioned the AI to produce work for it.
Things are likely to become yet more complex as AI tools are more commonly used by artists and as the machines get better at reproducing creativity, making it harder to discern if an artwork is made by a human or a computer. Monumental advances in computing and the sheer amount of computational power becoming available may well make the distinction moot. At that point, we will have to decide what type of protection, if any, we should give to emergent works created by intelligent algorithms with little or no human intervention.
The most sensible move seems to follow those countries that grant copyright to the person who made the AI’s operation possible, with the UK’s model looking like the most efficient. This will ensure companies keep investing in the technology, safe in the knowledge they will reap the benefits. What happens when we start seriously debating whether computers should be given the status and rights of people is a whole other story.
The team that developed a ‘new’ Rembrandt produced a video about the process,
Mark Brown’s April 5, 2016 article abut this project (which was unveiled on April 5, 2017 in Amsterdam, Netherlands) for the Guardian newspaper provides more detail such as this,
It [Next Rembrandt project] is the result of an 18-month project which asks whether new technology and data can bring back to life one of the greatest, most innovative painters of all time.
Advertising executive [Bas] Korsten, whose brainchild the project was, admitted that there were many doubters. “The idea was greeted with a lot of disbelief and scepticism,” he said. “Also coming up with the idea is one thing, bringing it to life is another.”
The project has involved data scientists, developers, engineers and art historians from organisations including Microsoft, Delft University of Technology, the Mauritshuis in The Hague and the Rembrandt House Museum in Amsterdam.
The final 3D printed painting consists of more than 148 million pixels and is based on 168,263 Rembrandt painting fragments.
Some of the challenges have been in designing a software system that could understand Rembrandt based on his use of geometry, composition and painting materials. A facial recognition algorithm was then used to identify and classify the most typical geometric patterns used to paint human features.
It sounds like it was a fascinating project but I don’t believe ‘The Next Rembrandt’ is an example of AI creativity or an example of the ‘creative spark’ Guadamuz discusses. This seems more like the kind of work that could be done by a talented forger or fraudster. As I understand it, even when a human creates this type of artwork (a newly discovered and unknown xxx masterpiece), the piece is not considered a creative work in its own right. Some pieces are outright fraudulent and others which are described as “in the manner of xxx.”
Taking a somewhat different approach to mine, Timothy Geigner at Techdirt has also commented on the question of copyright and AI in relation to Guadamuz’s essay in a July 7, 2017 posting,
Unlike with earlier computer-generated works of art, machine learning software generates truly creative works without human input or intervention. AI is not just a tool. While humans program the algorithms, the decision making – the creative spark – comes almost entirely from the machine.
Let’s get the easy part out of the way: the culminating sentence in the quote above is not true. The creative spark is not the artistic output. Rather, the creative spark has always been known as the need to create in the first place. This isn’t a trivial quibble, either, as it factors into the simple but important reasoning for why AI and machines should certainly not receive copyright rights on their output.
That reasoning is the purpose of copyright law itself. Far too many see copyright as a reward system for those that create art rather than what it actually was meant to be: a boon to an artist to compensate for that artist to create more art for the benefit of the public as a whole. Artificial intelligence, however far progressed, desires only what it is programmed to desire. In whatever hierarchy of needs an AI might have, profit via copyright would factor either laughably low or not at all into its future actions. Future actions of the artist, conversely, are the only item on the agenda for copyright’s purpose. If receiving a copyright wouldn’t spur AI to create more art beneficial to the public, then copyright ought not to be granted.
Geigner goes on (July 7, 2017 posting) to elucidate other issues with the ideas expressed in the general debates of AI and ‘rights’ and the EU’s solution.
This would usually be a simple event announcement but with the advent of a new, related (in my mind if no one else’s) development on Facebook, this has become a roundup of sorts.
Facebotlish (Facebook’s chatbots create their own language)
The language created by Facebook’s chatbots, Facebotlish, was an unintended consequence—that’s right Facebook’s developers did not design a language for the chatbots or anticipate its independent development, apparently. Adrienne LaFrance’s June 20, 2017 article for theatlantic.com explores the development and the question further,
Something unexpected happened recently at the Facebook Artificial Intelligence Research lab. Researchers who had been training bots to negotiate with one another realized that the bots, left to their own devices, started communicating in a non-human language.
In order to actually follow what the bots were saying, the researchers had to tweak their model, limiting the machines to a conversation humans could understand. (They want bots to stick to human languages because eventually they want those bots to be able to converse with human Facebook users.) …
Here’s what the language looks like (from LaFrance article),
Here’s an example of one of the bot negotiations that Facebook observed:Bob: i can i i everything else . . . . . . . . . . . . . . Alice: balls have zero to me to me to me to me to me to me to me to me to Bob: you i everything else . . . . . . . . . . . . . . Alice: balls have a ball to me to me to me to me to me to me to me Bob: i i can i i i everything else . . . . . . . . . . . . . . Alice: balls have a ball to me to me to me to me to me to me to me Bob: i . . . . . . . . . . . . . . . . . . . Alice: balls have zero to me to me to me to me to me to me to me to me to Bob: you i i i i i everything else . . . . . . . . . . . . . . Alice: balls have 0 to me to me to me to me to me to me to me to me to Bob: you i i i everything else . . . . . . . . . . . . . . Alice: balls have zero to me to me to me to me to me to me to me to me to
It is incomprehensible to humans even after being tweaked, even so, some successful negotiations can ensue.
Facebook’s researchers aren’t the only one to come across the phenomenon (from LaFrance’s article; Note: Links have been removed),
Other AI researchers, too, say they’ve observed machines that can develop their own languages, including languages with a coherent structure, and defined vocabulary and syntax—though not always actual meaningful, by human standards.
In one preprint paper added earlier this year  to the research repository arXiv, a pair of computer scientists from the non-profit AI research firm OpenAI wrote about how bots learned to communicate in an abstract language—and how those bots turned to non-verbal communication, the equivalent of human gesturing or pointing, when language communication was unavailable. (Bots don’t need to have corporeal form to engage in non-verbal communication; they just engage with what’s called a visual sensory modality.) Another recent preprint paper, from researchers at the Georgia Institute of Technology, Carnegie Mellon, and Virginia Tech, describes an experiment in which two bots invent their own communication protocol by discussing and assigning values to colors and shapes—in other words, the researchers write, they witnessed the “automatic emergence of grounded language and communication … no human supervision!”
The implications of this kind of work are dizzying. Not only are researchers beginning to see how bots could communicate with one another, they may be scratching the surface of how syntax and compositional structure emerged among humans in the first place.
LaFrance’s article is well worth reading in its entirety especially since the speculation is focused on whether or not the chatbots’ creation is in fact language. There is no mention of consciousness and perhaps this is just a crazy idea but is it possible that these chatbots have consciousness? The question is particularly intriguing in light of some of philosopher David Chalmers’ work (see his 2014 TED talk in Vancouver, Canada: https://www.ted.com/talks/david_chalmers_how_do_you_explain_consciousness/transcript?language=en runs roughly 18 mins.); a text transcript is also featured. There’s a condensed version of Chalmers’ TED talk offered in a roughly 9 minute NPR (US National Public Radio) interview by Gus Raz. Here are some highlights from the text transcript,
So we’ve been hearing from brain scientists who are asking how a bunch of neurons and synaptic connections in the brain add up to us, to who we are. But it’s consciousness, the subjective experience of the mind, that allows us to ask the question in the first place. And where consciousness comes from – that is an entirely separate question.
DAVID CHALMERS: Well, I like to distinguish between the easy problems of consciousness and the hard problem.
RAZ: This is David Chalmers. He’s a philosopher who coined this term, the hard problem of consciousness.
CHALMERS: Well, the easy problems are ultimately a matter of explaining behavior – things we do. And I think brain science is great at problems like that. It can isolate a neural circuit and show how it enables you to see a red object, to respondent and say, that’s red. But the hard problem of consciousness is subjective experience. Why, when all that happens in this circuit, does it feel like something? How does a bunch of – 86 billion neurons interacting inside the brain, coming together – how does that produce the subjective experience of a mind and of the world?
RAZ: Here’s how David Chalmers begins his TED Talk.
(SOUNDBITE OF TED TALK)
CHALMERS: Right now, you have a movie playing inside your head. It has 3-D vision and surround sound for what you’re seeing and hearing right now. Your movie has smell and taste and touch. It has a sense of your body, pain, hunger, orgasms. It has emotions, anger and happiness. It has memories, like scenes from your childhood, playing before you. This movie is your stream of consciousness. If we weren’t conscious, nothing in our lives would have meaning or value. But at the same time, it’s the most mysterious phenomenon in the universe. Why are we conscious?
RAZ: Why is consciousness more than just the sum of the brain’s parts?
CHALMERS: Well, the question is, you know, what is the brain? It’s this giant complex computer, a bunch of interacting parts with great complexity. What does all that explain? That explains objective mechanism. Consciousness is subjective by its nature. It’s a matter of subjective experience. And it seems that we can imagine all of that stuff going on in the brain without consciousness. And the question is, where is the consciousness from there? It’s like, if someone could do that, they’d get a Nobel Prize, you know?
CHALMERS: So here’s the mapping from this circuit to this state of consciousness. But underneath that is always going be the question, why and how does the brain give you consciousness in the first place?
(SOUNDBITE OF TED TALK)
CHALMERS: Right now, nobody knows the answers to those questions. So we may need one or two ideas that initially seem crazy before we can come to grips with consciousness, scientifically. The first crazy idea is that consciousness is fundamental. Physicists sometimes take some aspects of the universe as fundamental building blocks – space and time and mass – and you build up the world from there. Well, I think that’s the situation we’re in. If you can’t explain consciousness in terms of the existing fundamentals – space, time – the natural thing to do is to postulate consciousness itself as something fundamental – a fundamental building block of nature. The second crazy idea is that consciousness might be universal. This view is sometimes called panpsychism – pan, for all – psych, for mind. Every system is conscious. Not just humans, dogs, mice, flies, but even microbes. Even a photon has some degree of consciousness. The idea is not that photons are intelligent or thinking. You know, it’s not that a photon is wracked with angst because it’s thinking, oh, I’m always buzzing around near the speed of light. I never get to slow down and smell the roses. No, not like that. But the thought is, maybe photons might have some element of raw subjective feeling, some primitive precursor to consciousness.
RAZ: So this is a pretty big idea – right? – like, that not just flies, but microbes or photons all have consciousness. And I mean we, like, as humans, we want to believe that our consciousness is what makes us special, right – like, different from anything else.
CHALMERS: Well, I would say yes and no. I’d say the fact of consciousness does not make us special. But maybe we’ve a special type of consciousness ’cause you know, consciousness is not on and off. It comes in all these rich and amazing varieties. There’s vision. There’s hearing. There’s thinking. There’s emotion and so on. So our consciousness is far richer, I think, than the consciousness, say, of a mouse or a fly. But if you want to look for what makes us distinct, don’t look for just our being conscious, look for the kind of consciousness we have. …
Vancouver premiere of Baba Brinkman’s Rap Guide to Consciousness
Baba Brinkman’s new hip-hop theatre show “Rap Guide to Consciousness” is all about the neuroscience of consciousness. See it in Vancouver at the Rio Theatre before it goes to the Edinburgh Fringe Festival in August .
This event also features a performance of “Off the Top” with Dr. Heather Berlin (cognitive neuroscientist, TV host, and Baba’s wife), which is also going to Edinburgh.
Wednesday, July 5
Doors 6:00 pm | Show 6:30 pm
Advance tickets $12 | $15 at the door
*All ages welcome!
*Sorry, Groupons and passes not accepted for this event.
“Utterly unique… both brilliantly entertaining and hugely informative” ★ ★ ★ ★ ★ – Broadway Baby
“An education, inspiring, and wonderfully entertaining show from beginning to end” ★ ★ ★ ★ ★ – Mumble Comedy
There’s quite the poster for this rap guide performance,
In addition to the Vancouver and Edinburgh performance (the show was premiered at the Brighton Fringe Festival in May 2017; see Simon Topping’s very brief review in this May 10, 2017 posting on the reviewshub.com), Brinkman is raising money (goal is $12,000US; he has raised a little over $3,000 with approximately one month before the deadline) to produce a CD. Here’s more from the Rap Guide to Consciousness campaign page on Indiegogo,
Brinkman has been working with neuroscientists, Dr. Anil Seth (professor and co-director of Sackler Centre for Consciousness Science) and Dr. Heather Berlin (Brinkman’s wife as noted earlier; see her Wikipedia entry or her website).
There’s a bit more information about the rap project and Anil Seth in a May 3, 2017 news item by James Hakner for the University of Sussex,
The research frontiers of consciousness science find an unusual outlet in an exciting new Rap Guide to Consciousness, premiering at this year’s Brighton Fringe Festival.
Professor Anil Seth, Co-Director of the Sackler Centre for Consciousness Science at the University of Sussex, has teamed up with New York-based ‘peer-reviewed rapper’ Baba Brinkman, to explore the latest findings from the neuroscience and cognitive psychology of subjective experience.
What is it like to be a baby? We might have to take LSD to find out. What is it like to be an octopus? Imagine most of your brain was actually built into your fingertips. What is it like to be a rapper kicking some of the world’s most complex lyrics for amused fringe audiences? Surreal.
In this new production, Baba brings his signature mix of rap comedy storytelling to the how and why behind your thoughts and perceptions. Mixing cutting-edge research with lyrical performance and projected visuals, Baba takes you through the twists and turns of the only organ it’s better to donate than receive: the human brain. Discover how the various subsystems of your brain come together to create your own rich experience of the world, including the sights and sounds of a scientifically peer-reviewed rapper dropping knowledge.
The result is a truly mind-blowing multimedia hip-hop theatre performance – the perfect meta-medium through which to communicate the dazzling science of consciousness.
Baba comments: “This topic is endlessly fascinating because it underlies everything we do pretty much all the time, which is probably why it remains one of the toughest ideas to get your head around. The first challenge with this show is just to get people to accept the (scientifically uncontroversial) idea that their brains and minds are actually the same thing viewed from different angles. But that’s just the starting point, after that the details get truly amazing.”
Baba Brinkman is a Canadian rap artist and award-winning playwright, best known for his “Rap Guide” series of plays and albums. Baba has toured the world and enjoyed successful runs at the Edinburgh Fringe Festival and off-Broadway in New York. The Rap Guide to Religion was nominated for a 2015 Drama Desk Award for “Unique Theatrical Experience” and The Rap Guide to Evolution (“Astonishing and brilliant” NY Times), won a Scotsman Fringe First Award and a Drama Desk Award nomination for “Outstanding Solo Performance”. The Rap Guide to Climate Chaos premiered in Edinburgh in 2015, followed by a six-month off-Broadway run in 2016.
Baba is also a pioneer in the genre of “lit-hop” or literary hip-hop, known for his adaptations of The Canterbury Tales, Beowulf, and Gilgamesh. He is a recent recipient of the National Center for Science Education’s “Friend of Darwin Award” for his efforts to improve the public understanding of evolutionary biology.
Anil Seth is an internationally renowned researcher into the biological basis of consciousness, with more than 100 (peer-reviewed!) academic journal papers on the subject. Alongside science he is equally committed to innovative public communication. A Wellcome Trust Engagement Fellow (from 2016) and the 2017 British Science Association President (Psychology), Professor Seth has co-conceived and consulted on many science-art projects including drama (Donmar Warehouse), dance (Siobhan Davies dance company), and the visual arts (with artist Lindsay Seers). He has also given popular public talks on consciousness at the Royal Institution (Friday Discourse) and at the main TED conference in Vancouver. He is a regular presence in print and on the radio and is the recipient of awards including the BBC Audio Award for Best Single Drama (for ‘The Sky is Wider’) and the Royal Society Young People’s Book Prize (for EyeBenders). This is his first venture into rap.
Professor Seth said: “There is nothing more familiar, and at the same time more mysterious than consciousness, but research is finally starting to shed light on this most central aspect of human existence. Modern neuroscience can be incredibly arcane and complex, posing challenges to us as public communicators.
“It’s been a real pleasure and privilege to work with Baba on this project over the last year. I never thought I’d get involved with a rap artist – but hearing Baba perform his ‘peer reviewed’ breakdowns of other scientific topics I realized here was an opportunity not to be missed.”
Brinkman isn’t the only performance-based artist to be querying the concept of consciousness, Tom Stoppard has written a play about consciousness titled ‘The Hard Problem’, which debuted at the National Theatre (UK) in January 2015 (see BBC [British Broadcasting Corporation] news online’s Jan. 29, 2015 roundup of reviews). A May 25, 2017 commentary by Andrew Brown for the Guardian offers some insight into the play and the issues (Note: Links have been removed),
There is a lovely exchange in Tom Stoppard’s play about consciousness, The Hard Problem, when an atheist has been sneering at his girlfriend for praying. It is, he says, an utterly meaningless activity. Right, she says, then do one thing for me: pray! I can’t do that, he replies. It would betray all I believe in.
So prayer can have meanings, and enormously important ones, even for people who are certain that it doesn’t have the meaning it is meant to have. In that sense, your really convinced atheist is much more religious than someone who goes along with all the prayers just because that’s what everyone does, without for a moment supposing the action means anything more than asking about the weather.
The Hard Problem of the play’s title is a phrase coined by the Australian philosopher David Chalmers to describe the way in which consciousness arises from a physical world. What makes it hard is that we don’t understand it. What makes it a problem is slightly different. It isn’t the fact of consciousness, but our representations of consciousness, that give rise to most of the difficulties. We don’t know how to fit the first-person perspective into the third-person world that science describes and explores. But this isn’t because they don’t fit: it’s because we don’t understand how they fit. For some people, this becomes a question of consuming interest.
There are also a couple of video of Tom Stoppard, the playwright, discussing his play with various interested parties, the first being the director at the National Theatre who tackled the debut run, Nicolas Hytner: https://www.youtube.com/watch?v=s7J8rWu6HJg (it runs approximately 40 mins.). Then, there’s the chat Stoppard has with previously mentioned philosopher, David Chalmers: https://www.youtube.com/watch?v=4BPY2c_CiwA (this runs approximately 1 hr. 32 mins.).
I gather ‘consciousness’ is a hot topic these days and, in the venacular of the 1960s, I guess you could describe all of this as ‘expanding our consciousness’. Have a nice weekend!
Physicists have developed silver nanowires that could be used to replace the indium tin oxide electrodes found in touchscreens for smartphones, tablets, and more. From a Sept. 14, 2016 news item on Nanowerk,
Physicists at the University of Sussex are at an advanced stage of developing alternative touchscreen technology to overcome the shortfall in the traditional display, phone and tablet material that relies on electrodes made from indium tin oxide (ITO).
They have now shown that not only is the material suitable for touchscreens, but that it is possible to produce extremely small patterns (pixels), small enough for high definition LCD displays, such as smartphones and the next generation of television and computer screens.
The study, led by Sussex Professor of Experimental Physics Alan Dalton, investigates some of the intricacies of patterning silver nanowire films to produce detailed electrode structures. …
Previous research by Professor Dalton’s group has shown that silver nanowires not only match the transmittances and conductivities of ITO films but exceed them. This makes the material very attractive for touch screens. However, the group have now shown, for the first time, that this type of nanomaterial is compatible with more demanding applications such as LCD and OLED displays.
Professor Dalton said: “Display technologies such as LCD and OLED form images using pixels. Each pixel of these displays is further broken down into subpixels; typically, one each for red, green and blue colours. In the display in a smartphone, for example, these subpixels are less than a sixth of the width of a human hair – which is also similar in length to the silver nanowires used in our research.”
Dr Matthew Large, the lead author of the paper, expanded: “In this research we have applied a mathematical technique to work out the smallest subpixel size we can make without affecting the properties of our nanowire electrodes. This method was originally developed to describe how phase changes like freezing happen in very small spaces, The results tell us how to tune our nanowires to meet the requirements of any given application.”
In collaboration with their industrial partners, M-SOLV based in Oxford, the team – which is now looking to apply these research results to commercial projects – has also demonstrated that the incorporation of silver nanowires into a multi-touch sensor actually reduces the production cost and energy usage.
Professor Dalton said: “Silver nanowire and silver nanowire/graphene hybrids are probably the most viable alternatives to existing technologies. Others scientists have studied several alternative materials, but the main issue is that the majority of other materials do not effectively compete with ITO or they are too costly to produce, at least at the moment.”
Dexter Johnson’s Sept. 16, 2016 posting (on his Nanoclast blog on the IEEE [Institute of Electrical and Electronics Engineers] website) adds some new detail (Note: Links have been removed),
The field of nanomaterials vying to replace indium tin oxide (ITO) as the transparent conductor that controls display pixels in touch screen displays is getting crowded. We’ve seen materials including carbon nanotubes, silver nanowires, and graphene promoted as the heir apparent for this application.
Now, researchers at the University of Sussex in England have introduced a strong contender into the battle to replace indium tin oxide: a hybrid material consisting of silver nanowires that are linked together with graphene.
“The hybrid material is a lot cheaper due to the fact that we only need to use a fraction of the nanowires normally required to attain the properties of ITO,” …
SPRU [Science Policy Research Unit at the University of Sussex] is marking its 50th anniversary by announcing a new global consortium of scientists, experts and policy officials to address global challenges, such as access to food and energy, rising inequality, and climate change.
SPRU is celebrating 50 years at the forefront of thinking on science, technology and innovation with a major conference from 7-9 September 2016. The conference is based on the overarching theme of ‘Transforming Innovation’.
SPRU believes that innovation policy has the potential to help tackle some of the world’s most central challenges, such as sustainable development and inequality and it has developed a research strategy that is focused on long-term transformative change and innovation across different sectors, societies and structures.
The conference provides an opportunity for academics, policy makers and civil society actors to come together to will explore the nature, determinants and direction of innovation and its contribution to meeting current and future global challenges such as climate change, economic growth, sustainability and security.
Rooted now in the School of Business Management and Economics, SPRU is focused on responding effectively to these interconnected challenges by fundamentally rethinking how we organise, govern, direct and accelerate innovation so that it contributes to long-term sustainable development, economic progress and social justice.
With this objective, at the opening session on Wednesday (7 September ), a new initiative – the Transformative Innovation Policy Consortium (TIPC) – will be launched. The Consortium will bring together global actors to examine and research innovation systems as well as explore the future of innovation policy.
Alongside SPRU, the founding organisations are; Colciencias, the Government of Colombia’s Department of Science, Technology and Innovation; the National Research Foundation in South Africa; and Forskningsradet: The Research Council in Norway, with a further cohort anticipated before the end of the pilot phase in 2016/17.
Professor Johan Schot, Director of SPRU said: “At the same time that we celebrate this significant milestone for our organisation, we see that the world is facing an increasing number of crises and persistent problems.
“The modern way of provisioning our basic needs is not sustainable in the long run, and is already causing climate change, profound societal turmoil, tensions and conflict on an unprecedented scale.
“It is clear that we cannot globalise our current ways of providing food, energy, mobility, healthcare and water.
“TIPC aims to analyse our current world – which is in deep transition – and develop a new, shared rationale and vision for innovation policy.”
The Consortium’s key objective is to examine and expand on current innovation frames and approaches to assist in solving urgent social and economic issues of our time. TIPC also seeks to engage in policy design and experimentation, training and skill formation. The project involves building new platforms for a mutual learning process between the Global North and South and between research and policy.
“Science, technology and innovation fundamentally contribute to promoting progress in Colombia. They provide solutions to the great challenges we face in building a long-lasting and stable peace. Our country has initiated a transformation phase which requires rethinking the ST&I policies of today – in order to rise to the occasion of this historic challenge,” remarked Alejandro Olaya Davila, Deputy Director of Colciencias.
Yet, how do we ensure that the ‘right’ innovations occur? The TIPC is based on a new framing of innovation (Innovation 3.0 ) that recognises that negative impacts or externalities of innovation can overtake positive contributions. This frame focuses on mobilising the power of innovation for addressing a wide range of societal challenges including inequality, unemployment and climate change. It emphasises policies for directing socio-technical systems into socially desirable directions and embeds processes of change in society.
Anne Kjersti Fahlvik, Execute Director Division for Innovation, the Research Council of Norway, commented: “The directionality that the grand societal challenges provide is increasingly accepted by our research and innovation systems. Advanced and better science, technology and innovation are pointed to as the way forward. Yet, we also experience how the grand challenges entail challenges to ourselves as a research funding organization.
“The challenge of addressing Grand Challenges – to cite a well-known title – has come to stay and is inviting us out of our comfort zone. At The Research Council of Norway many of us have been inspired by SPRU to venture out and experiment these last years. We are excited by the prospect of future “crossover” collaborations for continued learning and development – as envisioned by the Transformative Innovation Policy Consortium.”
Dr Aldo Stroebel, Executive Director, International Relations and Cooperation, National Research Foundation, said: “As a leading science granting council, the National Research Foundation of South Africa values this strategic partnership.
“Different types of innovation play a role at various stages, and it is an opportune time to explore successful innovation experiments for a potentially different framework for development. A key challenge for innovation policy in emerging countries like South Africa is to encourage inclusive growth and support research addressing major social challenges – an important focus of the consortium.
“Managing for success through a focus on the factors that enhance impact is a joint objective of the programme, for a robust framework of engagement. SPRU’s leadership in this endeavour is clear and respected.”
In addition, VINNOVA – the Swedish Governmental Agency for Innovation Systems, TEKES, the Finnish Funding Agency for Innovation and The Chinese Academy of Science and Technology for Development – CASTED, also signed an expression of interest to join the Consortium.
Across his entire career, SPRU’s founder Chris Freeman embraced an ‘economics of hope’- a principle which embodies a positive view of our potential to direct innovation, creativity and new technologies towards more sustainable and inclusive futures. It is with this ethos that the new Consortium will look to shape innovation over the next 50 years and beyond.
An April 11, 2016 news item on phys.org highlights some research presented at the IEEE (Institute of Electrical and Electronics Engineers) Haptics (touch) Symposium 2016,
Using your skin as a touchscreen has been brought a step closer after UK scientists successfully created tactile sensations on the palm using ultrasound sent through the hand.
The University of Sussex-led study – funded by the Nokia Research Centre and the European Research Council – is the first to find a way for users to feel what they are doing when interacting with displays projected on their hand.
This solves one of the biggest challenges for technology companies who see the human body, particularly the hand, as the ideal display extension for the next generation of smartwatches and other smart devices.
Current ideas rely on vibrations or pins, which both need contact with the palm to work, interrupting the display.
However, this new innovation, called SkinHaptics, sends sensations to the palm from the other side of the hand, leaving the palm free to display the screen.
The device uses ‘time-reversal’ processing to send ultrasound waves through the hand. This technique is effectively like ripples in water but in reverse – the waves become more targeted as they travel through the hand, ending at a precise point on the palm.
It draws on a rapidly growing field of technology called haptics, which is the science of applying touch sensation and control to interaction with computers and technology.
Professor Sriram Subramanian, who leads the research team at the University of Sussex, says that technologies will inevitably need to engage other senses, such as touch, as we enter what designers are calling an ‘eye-free’ age of technology.
He says: “Wearables are already big business and will only get bigger. But as we wear technology more, it gets smaller and we look at it less, and therefore multisensory capabilities become much more important.
“If you imagine you are on your bike and want to change the volume control on your smartwatch, the interaction space on the watch is very small. So companies are looking at how to extend this space to the hand of the user.
“What we offer people is the ability to feel their actions when they are interacting with the hand.”
The findings were presented at the IEEE Haptics Symposium [April 8 – 11] 2016 in Philadelphia, USA, by the study’s co-author Dr Daniel Spelmezan, a research assistant in the Interact Lab.
There is a video of the work (I was not able to activate sound, if there is any accompanying this video),
The consequence of watching this silent video was that I found the whole thing somewhat mysterious.
On June 23, 2014, the Euroscience Open Forum (in Copenhagen) saw the launch of a new pan-European science advice network. From a June 23, 2014 account by James Wilsdon (more about him in a moment) for the Guardian,
This afternoon, at the Euroscience Open Forum in Copenhagen, a new pan-EU network of government science advisers will hold its first meeting. Senior scientific representatives from twelve member states, including the UK’s Sir Mark Walport, will discuss how to strengthen the use of evidence in EU policymaking and improve coordination between national systems, particularly during emergencies, such as when clouds of volcanic ash from Iceland grounded flights across Europe in 2011.
Today’s [June 24, 2014] meeting is indeed the product of dedication: a painstaking 18-month effort by Glover [Anne Glover, chief scientific adviser to the outgoing President of the European commission, José Manuel Barroso] to persuade member states of the benefits of such a network. One of the challenges she has faced is the sheer diversity of models for scientific advice across Europe: while the UK, Ireland and (until recently) Czech Republic have a government chief scientist, several countries – including Portugal, Denmark, Finland and Greece – prefer to use an advisory committee. In another handful of member states, including Italy, Spain and Sweden, science advice is provided by civil servants. Others, such as Austria, Hungary and the Netherlands, look to the president of the national academy of science to perform the role. The rest, including France and Germany, use a hybrid of these models, or none at all.
The new network intends to respect this diversity, and not advance one approach as preferable to the others. (Indeed, it could be particularly counter-productive to promote the UK model in the current EU climate.)
Interestingly, Wilsdon goes on to note that a Chief Science Adviser for the European Union is a relatively new position having been in existence for two years (as of 2014) and there is no certainty that the new president (not yet confirmed) of the European Union will continue with the practice.
The US National Science Foundation (NSF) has a funding program called Science Across Virtual Institutes (SAVI) which facilitates global communication for scientists, engineers, and educators. From the SAVI home page,
Science Across Virtual Institutes (SAVI) is a mechanism to foster and strengthen interaction among scientists, engineers and educators around the globe. It is based on the knowledge that excellence in STEM (science, technology, engineering and mathematics) research and education exists in many parts of the world, and that scientific advances can be accelerated by scientists and engineers working together across international borders.
According to a Sept. 24, 2013 news item on Nanowerk, the NSF’s SAVI program has funded a new virtual institute at Arizona State University’s (ASU) Center for Nanotechnology in Societ6y (CNS), Note: Links have been removed,
The National Science Foundation recently announced a grant of nearly $500,000 to establish a new Virtual Institute for Responsible Innovation (VIRI) at the Center for Nanotechnology in Society at ASU (CNS-ASU). In a global marketplace that thrives on technological innovation, incorporating ethics, responsibility and sustainability into research and development is a critical priority.
VIRI’s goal is to enable an international community of students and scholars who can help establish a common understanding of responsible innovation in research, training and outreach. By doing so, VIRI aims to contribute to the governance of emerging technologies that are dominated by market uncertainty and difficult questions of how well they reflect societal values.
VIRI founding institutional partners are University of Exeter (UK), Durham University (UK), University of Sussex (UK), Maastricht University (Netherlands), University of Copenhagen (Denmark), Karlsruhe Institute of Technology (Germany), University of Waterloo (Canada), Oslo and Akershus University College of Applied Sciences (Norway), and State University of Campinas (Brazil).
VIRI founding institutional affiliates are the US National Academy of Engineering’s Center for Engineering, Ethics and Society, IEEE Spectrum Online and Fondazione Giannino Bassetti.
Led by ASU faculty members David Guston and Erik Fisher, VIRI will bring a social and ethical lens to research and development practices that do not always focus on the broader implications of their research and products. Guston, director of CNS-ASU, co-director of the Consortium of Science, Policy and Outcomes, and professor in the School of Politics and Global Studies, has been pushing for the establishment of academic units that focus on responsible innovation for years.
“We are thrilled that NSF has chosen to advance responsible innovation through this unique, international collaboration,” Guston said. “It will give ASU the opportunity to help focus the field and ensure that people start thinking about the broader implications of knowledge-based innovation.”
Fisher, assistant professor in the School for Politics and Global Studies, has long been involved in integrating social considerations into science research laboratories through his NSF-funded Socio-Technical Integration Research (STIR) project, an affiliated project of CNS-ASU.
“Using the insights we’ve gained in the labs that have participated in the STIR project, we expect to be able to get VIRI off the ground and make progress very quickly,” Fisher said.
The VIRI appears to be an invite-only affair and it’s early days yet so there’s not much information on the website but the VIRI home page looks promising,
“Responsible innovation” (RI) is an emerging term in science and innovation policy fields across the globe. Its precise definition has been at the center of numerous meetings, research council decisions, and other activities in recent years. But today there is neither a clear, unified vision of what responsible innovation is, what it requires in order to be effective, nor what it can accomplish.
The Virtual Institute for Responsible Innovation (VIRI)
The Virtual Institute for Responsible Innovation (VIRI) was created to accelerate the formation of a community of scholars and practitioners who, despite divides in geography and political culture, will create a common concept of responsible innovation for research, training and outreach – and in doing so contribute to the governance of emerging technologies under conditions dominated by high uncertainty, high stakes, and challenging questions of novelty.
VIRI’s mission in pursuit of this vision is to develop and disseminate a sophisticated conceptual and operational understanding of RI by facilitating collaborative research, training and outreach activities among a broad partnership of academic and non-academic institutions.
perform interlinked empirical, reflexive and normative research in a collaborative and comparative mode to explore and develop key concepts in RI;
develop curricular material and support educational exchanges of graduate students, post-doctoral fellows, and faculty;
create a dynamic online community to represent the breadth of the institute and its multi-lateral activities;
disseminate outputs from across the institute through its own and partner channels and will encourage broad sharing of its research and educational findings.
VIRI will pursue these activities with founding academic partners in the US, the UK, the Netherlands, Germany, Denmark, Norway, Brazil and Canada.