I stumbled across this while checking out Toronto’s ArtSci Salon website, from their Augmented Self: Can Generative AI be more than just a tool? event page,
Augmented Self: Can Generative AI be more than just a tool? Sept. 20  6:00-8:00 @Fields
This event is a collaboration between ArtSci Salon and the Quantified Self Meet up Group led by Eric Boyd. Join us for a thought-provoking exploration into the world of “Augmented Self: Can Generative AI be more than just a tool?”.
While the era of the Quantified Self isn’t over, new tools have emerged which make the idea of JUST quantifying yourself (for personal growth or insight) seem outdated. The widespread assumptions is that ChatGPT and other Generative AI tools can do at least some of your thinking FOR YOU. Similarly, MidJourney can churn out passable images from just a prompt (that ChatGPT wrote for you), even if you aren’t an artist. This ability has raised many red flags and concerns regarding intellectual property and copyright infringement. And hundreds more such tools are arriving like a tsunami as venture capitalists pour billions into Generative AI startups. How do we navigate Generative AI for personal growth and creativity? What are its ethical uses? How do we use it for personal growth and creativity, for education or accessibility? What is it’s impact on our sense of self and on the conditions of our employment?
6:00-6:30pm. Reception and Networking
6:30-7:15pm. Panel Discussion (see below)
7:15-7:45pm. Q&A with the audience
8pm – option – retiring to a nearby pub for discussions
Engage with a diverse panel of experts, each offering a nuanced perspective on the integration of AI into personal development:
- Techie Viewpoint: Eric Boyd, will talk in general about the “Augmented Self” idea, and relate his experiences working with these tools on an unusual creative project – a solarpunk tarot deck. It’s a gigantic project, and “orchestrating artificial cognition” is the weird “augmented” experience at the heart of it.
- Artist Viewpoint: Ryan Kelln, a software artist, has been using text-to-image tools to explore remixing, appropriation, and representation in his latest concert (https://www.ryankelln.com/project/transmigrations/). His exploration didn’t answer all his questions but left him changed for the better.
- Other Viewpoints: Seeking project show & tell, brief opinions and constructive criticism!
This event will be recorded. If you wish to join us on Zoom, please, head to the Facebook event page here a few days before the event to get the link.
Audience Participation: We invite your participation! If you’d like to speak on the panel, we are still looking to flesh it out. Ideally we’re looking for an educator who is grappling seriously with the impact of e.g. ChatGPT on their students and the process and goals of education in general. And we’re open to other ideas and viewpoints! Please contact the organizer (Eric Boyd) via meetup message with a brief description of your background and what you might share/say in 5+ minutes. It doesn’t need to be formal, these are the frontiers!
And everyone, please bring your curiosity and your questions! We welcome all input, especially critical or out-of-frame input. We don’t even know what kind of language we should be using to discuss this!
If you are intrigued by the intersection of technology, self-improvement, and personal expression and seek a nuanced perspective on the augmented self, this event is designed for you.
Join us for an evening of generative AI collaboration stories (in the usual manner of QS “what did you do”), candid exploration, and thought-provoking dialogue. Chart your course through the potential and complexities of the Augmented Self with the guidance of insightful experts and a community of like-minded explorers.
This event description began from a series of prompts to ChatGPT. Can you spot the unedited sections? Does it matter if you can or can’t? It feels very new and different to make things this way. Let’s talk about it. see full description by organizer Eric Boyd.
If you have time, do take a look at Ryan Kelln’s Transmigrations June 2023 blog posting, https://www.ryankelln.com/project/transmigrations/, where you’ll see this and much more,
Migrations Without Borders
- Composer: Dhaivat Jani
- Visuals: Ryan Kelln & Stable Diffusion v1.5
Related: Atomised Migrations visuals remix
“Migrations Without Borders” is a modular piece of art that explores the potential of AI to mimic and remix cultural styles and elements [emphasis mine]. Incorporating eight distinct musical styles and corresponding visual elements, the piece allows for the dynamic composition of linked music themes and visuals.
But “Migrations” is more than just a showcase of AI’s abilities. It is a deliberate mixture of themes, including immigration, remix culture, AI bias, and the interplay of language and imagery. Drawing from Dhaivat’s personal experience and Toronto’s diverse cultural landscape, the piece creates a universe of cross-pollination that encourages reflection on the ways in which technology is changing our relationship to culture, identity, and acceptable thought.
The art invites us to consider the consequences of AI’s powers of mimicry and integration. What does it mean for likenesses and cultures to collide and mix so easily? How do we navigate the borrowing of styles and representations that may not be our own? What responsibilities and freedoms do we have in this rapidly evolving landscape?
I wouldn’t ordinarily post about an art exhibition closing or finale event but this it a good companion event in Toronto and gives people in the Vancouver area an opportunity for something that’s more avant garde than I realized when the exhibition was announced in May 2023,, from the Phase Shifting Index Closing Celebration event page on the Polygon Art Gallery website,
Phase Shifting Index
Sunday, September 24
[Location: The Polygon Gallery at 101 Carrie Cates Court in North Vancouver, BC, Canada]
Artist in attendance
Final day to see Phase Shifting Index—for the full experience of the seven-channel work please come at least 35 minutes before the exhibition closes at 5:00 pm.
Doors at 5:00pm
Screening of Jeremy Shaw’s short film Quickeners at 5:15pm
Conversation between Jeremy Shaw and The Polygon’s Audain Chief Curator Monika Szewczyk at 5:45pm
Reception at 6:15pm
Quickeners: They live about 500 years after us and belong to the entirely rational- thinking species of Quantum Human, who are immortal and connected to each other through an abstract entity called “The Hive”. However, Quickeners have a developed a rare disorder named “Human Atavism Syndrome” – or H.A.S.- that prompts them to unexplainably desire to engage in long-forgotten behavioural patterns of humans. Detached from Hive, the Quickeners fall into an ecstatic state in which they sing, clap, cry, scream, dance and handle poisonous snakes [emphasis mine].
About Phase Shifting Index
Through a seven-channel video, sound, and light installation—the most ambitious use to date of Jeremy Shaw’s signature, evolving ‘post-documentary’ approach—visitors experience seven distinct subcultures that believe they can fundamentally alter reality.
About Jeremy Shaw
Born in North Vancouver and now based in Berlin, Jeremy Shaw works in a variety of media to explore altered states and the cultural and scientific practices that aspire to map transcendental experience. His films, installations and sculptures have gained worldwide acclaim with solo exhibitions at Centre Pompidou, Paris, MoMA PS1, New York, and Schinkel Pavillon, Berlin as well international surveys including the 57th Venice Biennale, 16th Lyon Biennale and Manifesta 11, Zurich.
For anyone who does decide on the full experience, here’s more about Phase Shifting Index from the May 17, 2023 Polygon news release,
From June 23 to Sept. 24, 2023, The Polygon Gallery presents the North American premiere of Phase Shifting Index by North Vancouver-born, Berlin-based artist Jeremy Shaw. The immersive installation combines film, sound, and light to tell a story about an imagined future in which human beliefs and survival are at stake.
Phase Shifting Index is a seven-channel video, sound, and light installation that functions as a science-fiction pseudo-documentary about seven distinct subcultures that believe they can fundamentally alter reality. Each screen shows a group engaging in ritualistic movements while dressed in clothing that places them in periods ranging from the 1960s to the 1990s. Shaw uses outdated modes of 20th-century video technology (such as 16mm film and Hi-8 video tape), while interviews in indecipherable languages are subtitled in English. All seven channels are tied together by an overarching narrator who describes their belief systems and the significance of their movements: body-mind centering, robotic popping-and-locking, modern and postmodern dance, jump-style, hardcore punk skanking, and trust exercises, amongst others.
As the work progresses, the audiovisual elements of each screen draws the viewer into a dramatic narrative arc. At the climax, the seven autonomous subcultural groups align in a trans-temporal dance routine, with all subjects on all screens engaged in the same cathartic, synchronized movements, before disintegrating into abstraction and chaos. Sounds and sights collide on screen and then meld into a synaptic colour field. The result is a suspension of time and space, as the seven parallel realities fuse into one psychedelic art installation.
It was the ‘psychedelic’ in the last line along with references to the 1960s that dampened my enthusiasm for this ‘mind blowing’ experience. However, Ryan Kelln’s Transmigrations and proposed talk at Art Science Salon/Quantified Self Toronto’s event “Augmented Self: Can Generative AI be more than just a tool?” broadened my thinking on the matter.