I was going to include event poster but I cannot figure out how to embed it here. For some reason the folks of the Vancouver Branch of Engineers and Geoscientists BC have made it difficult to do for someone as nontechnical as I am.
APGEBC stands for Association of Professional Engineers and Geoscientists of British Columbia and they are sometimes referred to as Engineers and Geoscientists BC (see Wikipedia entry). They (APGEBC) too have an event page listing the event and giving a little more information about why they’re hosting it and what you might find should you attend,
EG-Fest is a 1-day trade show style event organized by engineering and geoscience professionals and companies, and takes place during National Engineering and Geoscience Month. This is a great opportunity for people in our community to see first-hand how the many facets of engineering and geoscience affect our everyday lives.
The main goal of EG-Fest is to extend public knowledge and appreciation of engineering and geoscience. Each year, several thousand people pass through the Vancouver Public Library promenade to visit the many booths, demonstrations, and exhibits, as well as to speak with the representatives to learn about our profession.
This event is part of National Engineering and Geoscience Month (NEGM); an annual celebration of engineering and geoscience across Canada. The goal of this event is to promote the awareness of the engineering and geoscience professions, showcase career choices, and the many ways in which engineering and geoscience relate to our everyday life.
Everyone is welcome to attend and we encourage you to bring your friends and family. We hope to see you there.
From a February 22, 2020 Café Scientifque announcement (received via email),
Our next café will happen on Tuesday, February 25th, 2020 at 7:30pm in the back room at Yagger’s Downtown (433 W Pender). Our speaker for the evening will be marine biologist Dr. Nick Wong who is associated with the conservation of invasive species [sic].
TITLE OF PRESENTATION: Invasive Species of the Lower Mainland 101
BRIEF ABSTRACT OF WORK: The Invasive Species Council of BC (ISCBC) is a collaborative-based organization committed to reducing the spread and impacts of non-native species within BC.
My role focuses on educating and informing a diverse range of audiences on current and “watchlist” invasive species in British Columbia.
Nick will give details about the key invasives species in the lower mainland, describe some of the ISCBC programs and share things you can do to preserve BC’s amazing biodiversity.
BIO: Nick is the Research and Projects Coordinator with the Invasive Species Council of BC. He received his BSc from Western University [Ontario] and an MSc and PhD in Marine Ecology from the University of Auckland. Nick is passionate about teaching and creating engaging opportunities for people to learn and understand the role they can play in the prevention and mitigation of invasive species.
If the annual reports page is to be believed, the ISCBC has been around since 2006. Nope, I just looked at the 2006 report and the introduction states they were just starting their fourth year of existence at that time. Here’s the ISCBC website.
One final comment, it seems like there might have been a lost opportunity. The ISCBC would have been an interesting addition as a sponsor or partner to the Invasive Systems Festival organized by the Curiosity Collider folks. The festival was mentioned in my October 14, 2019 posting (scroll down about 60% of the way).
A February 12, 2020 announcement (received via email) from ARPICO (Society of Italian Researchers and Professionals in Western Canada) features an upcoming March 2020 meeting,
ARPICO’s activity in 2020 will begin on Wednesday March 4th at the Italian Cultural Centre, Room 5, near the Museum & Art Gallery.
We’re sure many of us have often heard the words “artificial intelligence” also known by its acronym “AI”, a concept that appears to be infiltrating many aspects of our lives. It is probably a good guess to say that many of us wonder what AI really is and about the pros and cons of AI technology’s ubiquitous presence.
While it would take far longer than the typical ARPICO speaking event duration to even define AI, we will be able to delve into some of its workings and their effect on our lives at our next event when we are very pleased to host Dr. Cristina Conati, who will be presenting “The Eyes Are the Windows to the Mind: Implications for Artificial Intelligence (AI)-driven Personalized Interaction“
Ahead of the speaking event, ARPICO will be holding its 2020 Annual General Meeting in the same location. We encourage everyone to participate in the AGM and have their say on all aspects of ARPICO’s matters. ARPICO is made by all of its members, not just the Board, and it is therefore paramount that you all make an effort to attend, let us know what your wishes are for the Society and tell us how we can do better together as we go forward.
If you are driving to the venue, there is plenty of free parking space.
We look forward to seeing everyone there.
The evening agenda is as follows:
5:45PM to 6:30PM – Annual General Meeting
[ Doors Open for Registration at 5:30PM ]
7:00pm – Start of the evening Event with introductions & lecture by Dr. Cristina Conati
[ Doors Open for Registration at 6:30PM ]
8:00 pm – Q & A Period
to follow – Mingling & Refreshments until about 9:30 pm
Here’s a description of the talk and Dr. Conati,
Eye-tracking has been extensively used both in psychology for understanding various aspects of human cognition, as well as in human computer interaction (HCI) for evaluation of interface design or as a form of direct input. In recent years, eye-tracking has also been investigated as a source of information for machine learning models that predict relevant user states and traits (e.g., attention, confusion, learning, perceptual abilities). These predictions can then be leveraged by AI agents to personalize the interaction with their users. In this talk, Dr. Conati will provide an overview of the research her lab has done in this area, including predicting user cognitive skills, and affective states, with applications to User-Adaptive Visualizations and Intelligent Tutoring Systems.
Dr. Conati is a Professor of Computer Science at the University of British Columbia, Vancouver, Canada. She received an M.Sc. in Computer Science at the University of Milan, as well as an M.Sc. and Ph.D. in Intelligent Systems at the University of Pittsburgh. Conati’s research is at the intersection of Artificial Intelligence (AI), Human Computer Interaction (HCI) and Cognitive Science, with the goal to create intelligent interactive systems that can capture relevant user’s properties (states, skills, needs) and personalize the interaction accordingly. Conati has over 100 peer-reviewed publications in this field and her research has received awards from a variety of venues, including UMUAI, the Journal of User Modeling and User Adapted Interaction (2002), the ACM International Conference on Intelligent User Interfaces (IUI 2007), the International Conference of User Modeling, Adaptation and Personalization (UMAP 2013, 2014), TiiS, ACM Transactions on Intelligent Interactive Systems (2014), and the International Conference on Intelligent Virtual Agents (IVA 2016).
I have more registration information from the announcement,
WHEN (AGM): Wednesday, March 4th, 2020 at 5:45PM (doors open at 5:30PM)
WHEN (EVENT): Wednesday, March 4th, 2020 at 7:00PM (doors open at 6:30PM)
WHERE: Italian Cultural Centre – Museum & Art Gallery – Room 5 – 3075 Slocan St, Vancouver, BC, V5M 3E4
are FREE, but all individuals are requested to obtain “free-admission”
tickets on EventBrite site due to limited seating at the venue.
Organizers need accurate registration numbers to manage wait lists and
prepare name tags.
ARPICO events are 100% staffed by volunteer organizers and helpers,
however, room rental, stationery, and guest refreshments are costs
incurred and underwritten by members of ARPICO. Therefore to be fair,
all audience participants are asked to donate to the best of their
ability at the door or via EventBrite to “help” defray costs of the
Dr. Spencer Wade and Veronica Li, RCC: Is Love an Emotion?
Dr. Rebecca Cobb is an Associate Professor of Psychology at Simon Fraser University. Dr. Cobb directs the Close Relationships Lab at SFU. Her research examines developmental trajectories of and transitions in close relationships; factors that predict sexual functioning and relationship success; and prevention of relationship distress. See more about Dr. Cobb’s research here: https://www.youtube.com/watch?v=kKJgHmTGZyQ
Dr. Spencer Wade is a Clinical Psychologist working primarily in the field of rehabilitation psychology. He routinely assists clients to navigate the challenges following a traumatic injury, including issues related to sexuality and barriers to engaging in a fulfilling, intimate relationship. Dr. Wade’s curiosity about human intimacy led him to study the nature of love, sex and relationships over the life span.
Veronica Li is a Registered Clinical Counselor and a PsyD Candidate at Adler University. Ms. Li’s research interests are focused on the influence of social norms on human sexuality. She is currently training in the area of traumatic brain injuries and is specifically interested in the intersection between brain injury and intimate relationships.
Panel discussion and catered networking to follow!
There is a lot happening in the next day or two. I have two Vancouver (Canada) science events and an online event, which can be attended from anywhere.
Space debris on January 23, 2020 in Vancouver
I was surprised to learn about space debris (it was described as a floating junkyard in space) in 1992. It seems things have not gotten better. Here’s more from the Cosmic Nights: Space Debris event page on the H.R. MacMillan Space Centre website,
Cosmic Nights: Space Debris
There are tens of thousands of pieces of man-made debris, or “space junk,” orbiting the Earth that threaten satellites and other spacecraft. With the increase of space exploration and no debris removal processes in place that number is sure to increase.
Learn more about the impact space debris will have on current and future missions, space law, and the impact human activity, both scientific, and commercial are having on space as we discuss what it will take to make space exploration more sustainable. Physics professors Dr. Aaron Rosengren, and Dr. Aaron Boley will be joining us to share their expertise on the subject.
Tickets available for 7:30pm or 9:00pm planetarium star theatre shows. ________________
7:30 ticket holder schedule: 6:30 – check-in 7:00 – “Pooping in Space” (GroundStation Canada Theatre) 7:30 – 8:30 “Go Boldly and Sustainably” show (Planetarium Star Theatre) 9:00 – 9:30 “Space Debris” lecture
9:00 ticket holder schedule: 6:30 – check-in 7:00 – 9:00 (runs every 30 mins) “Pooping in Space” show (GroundStation Canada Theatre) 8:00 – 8:30 “Space Debris” lecture 9:00 – 10:00 “Go Boldly and Sustainably” show (Planetarium Star Theatre) The bar will be open from 6:30 – 10:00pm in the Cosmic Courtyard.
Only planetarium shows are ticketed, all other activities are optional.
7:00pm, 7:30pm, 8:00pm, 8:30pm – “Pooping in Space” – GroundStation Canada Theatre The ultimate waste! What happens when you have to “GO” in space? In this live show you’ll see how astronauts handle this on the ISS, look at some new innovations space suit design for future missions, and we’ll have some fun astronaut trivia.
7:30pm and 9:00pm – “Go Boldly and Sustainably” – Planetarium Star Theatre As humans venture into a solar system, where no one can own anything, it is becoming increasingly important to create policies to control for waste and promote sustainability. But who will enact these policies? Will it be our governments or private companies? Our astronomer Rachel Wang, and special guest Dr. Aaron Boley will explore these concepts under the dome in the Planetarium Star Theatre. For the 7:30 show SFU’s Paul Meyer will be making an appearance to talk about the key aspects of space security diplomacy and how it relates to the space debris challenge.
Dr. Aaron Boley is an Assistant Professor in the Physics and Astronomy department at UBC whose research program uses theory and observations to explore a wide range of processes in the formation of planets, from the birth of planet-forming discs to the long-term evolution of planetary systems.
Paul Meyer is Fellow in International Security and Adjunct Professor of International Studies at Simon Fraser University and a founding member of the Outer Space Institute. Prior to his assuming his current positions in 2011, Mr. Meyer had a 35-year career with the Canadian Foreign Service, including serving as Canada’s Ambassador to the United Nations and to the Conference on Disarmament in Geneva (2003-2007). He teaches a course on diplomacy at SFU’s School for International Studies and writes on issues of nuclear non-proliferation and disarmament, outer space security and international cyber security.
8:00pm and 9:00pm – “Space Junk: Our Quest to Conquer the Space Environment Problem” lecture by Dr. Aaron Rosengren
At the end of 2019, after nearly two decades, the U.S. government issued updated orbital debris mitigation guidelines, but the revision fell short of the sweeping changes many in the space debris research community expected. The updated guidelines sets new quantitative limits on events that can create debris and updates the classes of orbits to be used for the retirement of satellites, even allowing for the new exotic idea of passive disposal through gravitational resonances (similar phenomena have left their mark on the asteroid belt between Mars and Jupiter). The revised guidelines, however, do not make major changes, and leave intact the 25-year time frame for end-of-life disposal of low-Earth orbit satellites, a period many now believe to be far too long with the ever increasing orbital traffic in near-Earth space. In this talk, I will discuss various approaches to cleaning up or containing space junk, such as a recent exciting activity in Australia to use laser photo pressure to nudge inactive debris to safe orbits.
Dr. Aaron J. Rosengren is an Assistant Professor in the College of Engineering at the University of Arizona and Member of the Interdisciplinary Graduate Program in Applied Mathematics. Prior to joining UA in 2017, he spent one year at the Aristotle University of Thessaloniki in Greece working in the Department of Physics, as part of the European Union H2020 Project ReDSHIFT. He has also served as a member of the EU Asteroid and Space Debris Network, Stardust, working for two years at the Institute of Applied Physics Nello Carrara of the Italian National Research Council. His research interests include space situational awareness, orbital debris, celestial mechanics, and planetary science. Aaron is currently part of the Space Situational Awareness (SSA)-Arizona initiative at the University of Arizona, a member of the Outer Space Institute (OSI) for the sustainable development of Space at the University of British Columbia, and a research affiliate of the Center for Orbital Debris Education and Research (CODER) at the University of Maryland.
*Choose between either the 7:30pm or 9:00pm planetarium show when purchasing your ticket.*
This is a 19+ event. All attendees will be required to provide photo ID upon entry.
Date and Time
Thu, 23 January 2020 6:30 PM – 10:00 PM PST
H.R. MacMillan Space Centre 1100 Chestnut Street Vancouver, BC V6J 3J9
Cosmic Nights is the name for a series of talks about space and astronomy and an opportunity to socialize with your choice of beer or wine for purchase.
Canada-wide 2nd Canadian DIY Biology Summit (live audio and webcast)
This is a January 22, 2020 event accessible Canada-wide. For anyone on Pacific Time, it does mean being ready to check-in at 5 am. The first DIY Biology (‘do-it-yourself’ biology) Summit was held in 2016.
Organizers of Community Biolabs across Canada are converging on Ottawa this Wednesday for the second Canadian DIY Biology Summit organized by the Public Health Agency of Canada (PHAC). OSN [Open Science Network] President & Co-Founder, Scott Pownall, has been invited to talk about the Future of DIY/Community Biology in Canada.
A few points of clarification: DIYbio YVR has been renamed Open Science Network on Meetup and, should you wish to attend the summit virtually, there is information about passwords and codes on the agenda, which presumably will help you to get access.
Nerd Nite v. 49: Waterslides, Oil Tankers, and Predator-Prey Relationships on January 22, 2020 in Vancouver
When you were young, did you spend your summers zooming down waterslides? We remember days where our calves ached from climbing stairs, and sore bums from well… you know. And, if you were like us, you also stared at those slides and thought “How are these things made? And, is it going to disassemble while I’m on it?”. Today, we spend more of our summer days staring out at the oil tankers lining the shore, or watching seagulls dive down to retrieve waste left behind by tourists on Granville Island, but we maintain that curiousity about the things around us! So, splash into a New Year with us to learn about all three: waterslides, oil tankers, and predator-prey relationships.
Zachary is completing an MSc at UBC investigating freshwater and estuarine predation on juvenile salmon during their out-migration from natal rivers and works as a part-time contract biologist in the lower mainland. Prior to coming out west, Zach completed an interdisciplinary BSc in Aquatic Resources and Biology at St. F.X. University in Antigonish, N.S. During his undergraduate degree, Zach ran field and lab experiments to explore predator-induced phenotypic plasticity in intertidal blue mussels exposed to the waterborne cues of a drilling predator snail. He also conducted biological surveys on lobster fishing boats and worked as a fisheries observer for the offshore commercial snow crab fleet.
Shane is a professional mechanical engineer whose career transitioned from submarine designer to waterslide tester. He is currently a product manager for waterslides at WhiteWater West.
3. Oil Tankers 101
Kayla is an ocean enthusiast. She earned her Masters in Marine Management at Dalhousie University, studying compensation for environmental damage caused by ship-source oil spills. Passionate about sharing her knowledge of the ocean with others, Kayla’s shifted her focus to the realm of science communication to help more people foster a deeper relationship with science and the ocean. Kayla now works as a producer at The Story Collider, a non-profit dedicated to sharing true, personal stories about science, where she hosts live storytelling events and leads workshops on behalf of the organization. Follow her at @kaylamayglynn and catch her live on the Story Collider stage on February 11th, 2020!
Time seems to be having a moment. (I couldn’t resist. 🙂 If Carlo Rovelli’s 2018 book, The Order of Time, is any indication the topic has attained a new level of interest. The only other evidence I have is that I stumble across essays about time in unlikely places.
Infinity, a play about time and more, has been produced and toured on and off since 2015 when it won the Dora Mavor Moore Award for best new play.
Here’s a clip from one of the productions,
Here’s what the publicists at the Cultch (Vancouver East Cultural Centre) have posted about the play on the Events webpage,
A surprising, funny, and revelatory new play about love, sex, and math.
The cynical, skeptical daughter of a theoretical physicist and a composer, Sarah Jean’s clinical approach to love meets with little success. In this absorbing drama infused with science and classical music, three exceptional minds collide like charged particles in an accelerator. Sarah Jean’s hugely talented, yet severely dysfunctional, family will learn that love and time itself are connected in unimaginable ways.
From award-winning playwright Hannah Moscovitch; featuring two of our country’s most esteemed actors, JonathonYoung and AmyRutherford, up-and-comer EmilyJaneKing, and violinist AndréaTyniec; with original music by visionary composer NjoKongKie.
“The play makes you feel as much as it makes you think.”—NOW Toronto
There is a December 23, 2019 preview article by Janet Smith for the Georgia Straight which gives you some insight into the playwright and her work (Note: There is some profanity in the second paragraph),
Albert Einstein once called time a “stubbornly persistent illusion”, but tell that to a busy playwright who’s juggling deadlines for TV scripts and stage openings with parenting a four-year-old-boy.
“I’m in an insane relationship with time as a mother—this agonized relationship with time,” writer Hannah Moscovitch laments with a laugh, speaking to the Straight from her Halifax home before her show Infinity opens here after the holidays. “This work-life balance: I was like, ‘What the fuck is everybody complaining about?’ Until I had to do it.
“I mean, if I don’t work less I will wreck his childhood. So it’s not like a theoretical ideal that I should have work-life balance,” she continues, sounding as self-effacing, funny, and candidly introspective as some of her best-known female stage characters. And then she reflects more seriously, “Writing Infinity gave me the chance to grapple with that. And now I’m in a constant existential relationship with time; I’m constantly thinking about it. Time is intricately linked to death, they’re inevitably linked. When you come back to time you come back to death.”
In 2008, Ross Manson, artistic director, of Toronto’s Volcano Theatre, approached Moscovitch with an article in Harper’s magazine about the history of timekeeping, with the idea of commissioning her to write on the theme. Moscovitch went on to read Time Reborn: From the Crisis in Physics to the Future of the Universe , in which American theoretical physicist Lee Smolin, of the Perimeter Institute for Theoretical Physics in Ontario, challenges Einstein’s idea of time as illusion.
With Manson’s help, she would go on to meet Smolin as she worked on her play, turning to him as an expert source on the science she was trying to convey in her story. Along the way, she formed a friendship with the man she was once intimidated to meet.
“Oddly enough, while all the specifics are different about what we do, some of the generals are the same,” she explains. “We have no language in common, but we really enjoy hanging out with each other. There’s a critical endeavour in both of our work that is thought-based, and we both very much live in our minds.”
For a more jaundiced view, there’s Conrad Sweatman’s April 5, 2019 review of the play’s script in book form for prairiefire,
The uses and abuses of science in playwriting: a review of Hannah Moscovitch’s play Infinity
Hannah Moscovitch is an indie darling of Canadian theatre, and her Dora-winning play Infinity reaffirms her reputation as one of Canada’s brightest, most ambitious playwrights. If this sounds like the sort of detached praise one reads on a student report card, it’s partially because throughout my readings of Infinity I wrestled between admiration and annoyance at its rather academic cleverness. While ultimately it earns my letter of recommendation, Infinity sometimes feels like the dramatic equivalent of a class valedictorian’s graduation speech.
Back to Infinity. In his lively introduction to the play’s script, the famous physicist Lee Smolin, who consulted on the play, describes scientists and artists as“explorers of our common future” and pleads for a more open, friendly exchange between these two camps. (Smolin, vi). It comes off as a conciliatory remark after decades of the ‘science wars’ in academia, and Smolin also lauds Moscovitch for bucking the humanities’ postmodernist trend of knocking science and its practitioners. All fine sentiments. But what does this emphasis on the commonality between art and science mean, if anything, about the relationship between the subjective, social stuff of art and the objective, natural stuff of science? Does it suggest that the scientific method should by employed by playwrights and novelists in the fictional study of human nature, as some of the naturalist novelists of the 19th century believed?
I have no reason to think that either Smolin or Moscovitch really wish for science to colonize the arts and humanities. …
Infinity is a fine addition to the aforementioned genre of smart, humanistic plays about physicists and mathematicians that had its heyday around the turn of the Millennium. It has some of their same flaws and cerebral charms and belongs more, in spirit, to the comparatively untroubled moment, before the Iraq and Afghanistan wars, the Global Recession, and Trump. If, like me, you spent your first years willingly reading serious literature and theatre at length in a humanities department where every text was filtered through the parallax perspectives of postmodern critical theory, you may find refreshing Infinity’s enthusiasm for science and its world of objectivism. You may feel the same way about its avoidance of the crude identity politics, inspired partially by such theory, that’s particularly in vogue in the arts right now: a kind of reactive agitprop in the age of Trump. But with the world staggering right now from one crisis to the next, a contemporary play about Ivy League intellectuals, their theories of time and struggles for authenticity, seems, well, a little untimely. …
Sweatman has identified one of the big problems with using concepts from mathematics and the sciences to inform fiction and art. The romantic poets ran into the same problem as Richard Holmes explores at length in his 2008 book, The Age of Wonder: How the Romantic Generation Discovered the Beauty and Terror of Science. Shelley eventually abandoned his attempts at including science in his poems.
Interestingly, most of us don’t seem to realize that the arts and sciences have been intimately linked for millenia. For example, De rerum natura a multi-volume poem by Roman poet, Lucretius ( (c. 99 BCE – c. 55 BCE), is a philosophical treatise exploring mind, soul, and the principles of atomism (i.e., atoms).
I hope you enjoy the play, if you choose to go. According to the Events webpage (scroll down), the playwright will be present at two post-show talkbacks.
I first featured science slams in a July 17, 2013 posting when they popped up in the UK although I think they originated in Germany. As for Science Slam Canada, I think they started in 2016, (t least, that’s when they started their twitter feed).
Science Slam YVR at Fox It’s beginning to look a lot like … it’s time to have another Science Slam at the Fox!
For those of you who have never experienced the wonder of Science Slam, welcome! We are Vancouver’s most epic science showdown. Sit back, relax, and watch as our competitors battle to achieve science communication fame and glory.
What exactly is a science slam? Based on the format of a poetry slam, a science slam is a competition where speakers gather to share their science with you – the audience. Competitors have five minutes to present on any science topic without the use of a slideshow and are judged based on communication skills, audience impact and scientific content. Props and creative presentation styles are encouraged!
Whether you’re a researcher, student, educator, artist, or communicator, our stage is open to you. If you’ve got a science topic you’re researching, or just a topic you’re excited about, send in an application! If you’re not sure about an idea, just ask!
*Early Bird Tickets are $10, Regular are $12. [emphasis mine] Purchase them here: https://www.eventbrite.com/e/science-slam-at-fox-tickets-80868462749
Doors open at 7pm, event begins at 7:30pm. We’ll see you there!
Science Slam acknowledges that this event takes place on the traditional, ancestral, and unceded territory of the Squamish, Sto:lo, Musqueam, and Tsleil Waututh Nation. Many of our attendees, Science Slam included, are are guests of these territories and must act accordingly.
Science Slam is an inclusive event, as a result hate speech and abuse will not be tolerated. This includes anti-blackness, anti-indigenous, transphobia, homophobia, biphobia, islamophobia, xenophobia, fatphobia, ableism, transmisogyny, misogyny, femmephobia, cissexism, and anti-immigrant attitudes.
I went to the eventbrite website where you can purchase tickets and the prices reflect the first set in the announcement. Early bird tickets are sold out, which leaves you with General Admission at $12.
Collider Cafe in Vancouver on December 4, 2019
I think they were tired when they (CuriosityCollider.org) came up with the title for the upcoming Collider Cafe December 2019 event. Unfortunately, the description isn’t too exciting either. On the plus side, their recent Invasive Systems Collisions Festival was pretty interesting and one of the exhibits from that festival is being featured (artist: Laara Cerman; scientist: Scott Pownell)..
Here’s more about the upcoming Collider Cafe from their November 27, 2019 announcement (received via email),
Art. Science. Analogies.
Let analogies guide us through exploring the art and science in chemistry, nature, genetics, and technology.
Our #ColliderCafe is a space for artists, scientists, makers, and anyone interested in art+science to meet, discover, and connect. Are you curious? Join us at “Collider Cafe: Art. Science. Analosiges.” to explore how art and science intersect in the exploration of curiosity.
When: 8:00pm on Wednesday, December 4, 2019. Doors open at 7:30pm. Where: Pizzeria Barbarella. 654 E Broadway, Vancouver, BC (Google Map). Cost: $5-10 (sliding scale) cover at the door. Proceeds will be used to cover the cost of running this event, and to fund future Curiosity Collider events.
//Special thanks to Pizzeria Barbarella for hosting the upcoming Collider Cafe!//
Back to me, I’m still struggling with this hugely changed Word Press, which they claim is an ‘improvement’. In any case, for this second event, I decided that choosing a larger font size was superior to putting everything into a single block as I did for the Science Slam event. Please let me know if you have any opinions on the matter in the comments section.
Moving on, don’t expect Chris Dunnett’s presentation ‘Poetry of Technology’ to necessarily feature any poetry, if his website is any indication of his work. Also, I notice that Vance Williams is associated with 4D Labs at Simon Fraser University. At one time, 4D Labs was a ‘nanotechnology’ lab but at this time (November 29, 2019), it seems they are a revenue-producing group selling their materials expertise and access to their lab equipment to industry and other academic institutions. Still, Williams may feature some nanoscale work as part of his presentation.
This time it’s the performing arts. I have one theatre and psychiatry production in Toronto and a music and medical science event in Vancouver.
Toronto’s Here are the Fragments opening on November 19, 2019
From a November 2, 2019 ArtSci Salon announcement (received via email),
An immersive theatre experience inspired by the psychiatric writing of Frantz Fanon
Here are the Fragments. Co-produced by The ECT Collective and The Theatre Centre November 19-December 1, 2019 Tickets: Preview $17 | Student/senior/arts worker $22 | Adult $30 Service charges may apply Book 416-538-0988 | PURCHASE ONLINE
An immigrant psychiatrist develops psychosis and then schizophrenia. He walks a long path towards reconnection with himself, his son, and humanity.
Walk with him.
Within our immersive design (a fabric of sound, video, and live actors) lean in close to the possibilities of perceptual experience.
Schizophrenics ‘hear voices’. Schizophrenics fear loss of control over their own thoughts and bodies. But how does any one of us actually separate internal and external voices? How do we trust what we see or feel? How do we know which voices are truly our own?
Within the installation find places of retreat from chaos. Find poetry. Find critical analysis.
Explore archival material, Fanon’s writings and contemporary interviews with psychiatrists, neuroscientists, artists, and people living with schizophrenia, to reflect on the relationships between identity, history, racism and mental health.
How do we trust what we see or feel? How do we know which voices are truly our own? THE THEATRE CENTRE and THE ECT COLLECTIVE are proud to Co-produce HERE ARE THE FRAGMENTS., an immersive work of theatre written by Suvendrini Lena, Theatre Centre Residency artist and CAMH [ Centre for Addiction and Mental Health] Neurologist. Based on the psychiatric writing of famed political theorist Frantz Fanon and combining narratives, sensory exploration, and scientific and historical analysis, HERE ARE THE FRAGMENTS. reflects on the relationships between identity, history, racism, and mental health. FRAGMENTS. will run November 19 to December 1 at The Theatre Centre (Opening Night November 21).
HERE ARE THE FRAGMENTS. consists of live performances within an interactive installation. The plot, told in fragments, follows a psychiatrist early in his training as he develops psychosis and ultimately, treatment resistant schizophrenia. Eduard, his son, struggles to connect with his father, while the young man must also make difficult treatment decisions.
The Theatre Centre’s Franco Boni Theatre and Gallery will be transformed into an immersive interactive installation. The design will offer many spaces for exploration, investigation, and discovery, bringing audiences into the perceptual experience of Schizophrenia. The scenes unfold around you, incorporating a fabric of sound, video, and live actors. Amidst the seeming chaos there will also be areas of retreat; whispering voices, Fanon’s own books, archival materials, interviews with psychiatrists, neuroscientists, and people living with schizophrenia all merge to provoke analysis and reflection on the intersection of racism and mental health.
Suvendrini Lena (Writer) is a playwright and neurologist. She works as the staff neurologist at the Centre for Addiction and Mental Health and at the Centre for Headache at Women’s College Hospital [Toronto]. She is an Assistant Professor of Psychiatry and Neurology at the University of Toronto where she teaches medical students, residents, and fellows. She also teaches a course called Staging Medicine, a collaboration between The Theatre Centre and University of Toronto Postgraduate Medical Education.
Frantz Fanon (1925-1961), was a French West Indian psychiatrist, political philosopher, revolutionary, and writer, whose works are influential in the fields of post-colonial studies, critical theory, and Marxism. Fanon published numerous books, including Black Skin, White Masks (1952) and The Wretched of the Earth (1961).
In addition to performances, The Theatre Centre will host a number of panels and events. Highlights include a post-show talkback with Ngozi Paul (Development Producer, Artist/Activist) and Psychiatrist Collaborator Araba Chintoh on November 22. Also of note is Our Patients and Our Selves: Experiences of Racism Among Health Care Workers with facilitator Dr. Fatimah Jackson-Best of Black Health Alliance on November 23rd and Fanon Today: A Creative Symposium on November 24th, a panel, reading, and creative discussion featuring David Austin, Frank Francis, Doris Rajan and George Elliot Clarke [formerly Toronto’s Poet Laureate and Canadian Parliamentary Poet Laureate; emphasis and link mine].
Sounds and Science: Vienna meets Vancouver on November 30, 2019
‘Sounds and Science’ originated at the Medical University of Vienna (Austria) as the November 6, 2019 event posting on the University of British Columbia’s (UBC) Faculty of Medicine website,
The University of British Columbia will host the first Canadian concert bringing leading musical talents of Vienna together with dramatic narratives from science and medicine.
“Sounds and Science: Vienna Meets Vancouver” is part of the President’s Concert Series, to be held Nov. 30, 2019 on UBC campus. The event is modeled on a successful concert series launched in Austria in 2014, in cooperation with the Medical University of Vienna.
“Basic research tends to always stay within its own box, yet research is telling the most beautiful stories,” says Dr. Josef Penninger, director of UBC’s Life Sciences Institute, a professor of medical genetics and a Canada 150 Chair. “With this concert, we are bringing science out of the ivory tower, using the music of great composers such as Mozart, Schubert or Strauss to transport stories of discovery and insight into the major diseases that affected the composers themselves, and continue to have a significant impact on our society.”
Famous composers of the past are often seen as icons of classical music, but in fact, they were human beings, living under enormous physical constraints – perhaps more than people today, according to Dr. Manfred Hecking, an associate professor of internal medicine at the Medical University of Vienna.
“But ‘Sounds and Science’ is not primarily about suffering and disease,” says Dr. Hecking, a former member of the Vienna Philharmonic Orchestra who will be playing double bass during the concert. “It is a fun way of bringing music and science together. Combining music and thought, we hope that we will reach the attendees of the ‘Sounds and Science’ concert in Vancouver on an emotional, perhaps even personal level.”
A showcase for Viennese music, played in the tradition of the Vienna Philharmonic by several of its members, as well as the world-class science being done here at UBC, “Sounds and Science” will feature talks by UBC clinical and research faculty, including Dr. Penninger. Their topics will range from healthy aging and cancer research to the historical impact of bacterial infections.
Combining music and thought, we hope that we will reach the attendees of the ‘Sounds and Science’ concert in Vancouver on an emotional, perhaps even personal level. Dr. Manfred Hecking
Faculty speaking at “Sounds and Science” will be: Dr. Allison Eddy, professor and head, department of pediatrics, and chief, pediatric medicine, BC Children’s Hospital and BC Women’s Hospital; Dr. Troy Grennan, clinical assistant professor, division of infectious diseases, UBC faculty of medicine; Dr. Poul Sorensen, professor, department of pathology and laboratory medicine, UBC faculty of medicine; and Dr. Roger Wong, executive associate dean, education and clinical professor of geriatric medicine, UBC faculty of medicine UBC President and Vice-Chancellor Santa J. Ono and Vice President Health and Dr. Dermot Kelleher, dean, faculty of medicine and vice-president, health at UBC will also speak during the evening.
The musicians include two outstanding members of the Vienna Philharmonic – violinist Prof. Günter Seifert and violist-conductor Hans Peter Ochsenhofer, who will be joined by violinist-conductor Rémy Ballot and double bassist Dr. Manfred Hecking, who serves as a regular substitute in the orchestra.
For those in whose lives intertwine music and science, the experience of cross-connection will be familiar. For Dr. Penninger, the concert represents an opportunity to bring the famous sound of the Vienna Philharmonic to UBC and British Columbia, to a new audience. “That these musicians are coming here is a fantastic recognition and acknowledgement of the amazing work being done at UBC,” he says.
“Like poetry, music is a universal language that all of us immediately understand and can relate to. Science tells the most amazing stories. Both of them bring meaning and beauty to our world.”
“Sounds and Science” – Vienna Meets Vancouver is part of the President’s Concert Series | November 30, 2019 on campus at the Old Auditorium from 6:30 to 9:30 p.m.
To learn more about the Sounds and Science concert series hosted in cooperation with the Medical University of Vienna, visit www.soundsandscience.com.
I found more information regarding logistics,
Saturday, November 30, 2019 6:30 pm The Old Auditorium, 6344 Memorial Road, UBC Box office and Lobby: Opens at 5:30 pm (one hour prior to start of performance) Old Auditorium Concert Hall: Opens at 6:00 pm
The idea of combining music and medicine into the “Sounds & Science” – scientific concert series started in 2008, when the Austrian violinist Rainer Honeck played Bach’s Chaconne in d-minor directly before a keynote lecture, held by Nobel laureate Peter Doherty, at the Austrian Society of Allergology and Immunology’s yearly meeting in Vienna. The experience at that lecture was remarkable, truly a special moment. “Sounds & Science” was then taken a step further by bringing several concepts together: Anton Neumayr’s medical histories of composers, John Brockman’s idea of a “Third Culture” (very broadly speaking: combining humanities and science), and finally, our perception that science deserves a “Red Carpet” to walk on, in front of an audience. Attendees of the “Sounds & Science” series have also described that music opens the mind, and enables a better understanding of concepts in life and thereby science in general. On a typical concert/lecture, we start with a chamber music piece, continue with the pathobiography of the composer, go back to the music, and then introduce our main speaker, whose talk should be genuinely understandable to a broad, not necessarily scientifically trained audience. In the second half, we usually try to present a musical climax. One prerequisite that “Sounds & Science” stands for, is the outstanding quality of the principal musicians, and of the main speakers. Our previous concerts/lectures have so far covered several aspects of medicine like “Music & Cancer” (Debussy, Brahms, Schumann), “Music and Heart” (Bruckner, Mahler, Wagner), and “Music and Diabetes” (Bach, Ysaÿe, Puccini). For many individuals who have combined music and medicine or music and science inside of their own lives and biographies, the experience of a cross-connection between sounds and science is quite familiar. But there is also this “fun” aspect of sharing and participating, and at the “Sounds & Science” events, we usually try to ensure that the event location can easily be turned into a meeting place.
At a guess, Science and Sounds started informally in 2008 and became a formal series in 2014.
There is a video but it’s in German. It’s enjoyable viewing with beautiful music but unless you have German language skills you won’t get the humour. Also it runs for over 9 minutes (a little longer than most of videos you’ll find here on FrogHeart),
No, this talk does not not involve CRISPR (clustered regularly interspaced short palindormic repeats). This is about ‘old fashioned’ genetic breeding techniques with some ‘fancy pants’ words being thrown around. Also, somebody or other wants to patent this work on bees.
From a September 30, 2019 Café Scientifque announcement (received via email),
Our next café will happen on TUESDAY, OCTOBER 29TH at 7:30PM in the back room at YAGGER”S DOWNTOWN (433 W Pender). Our speaker for the evening will be DR. LEONARD FOSTER from the Department of Biochemistry and Molecular Biology at UBC [University of British Columbia].
BREEDING STRONGER BEES BY SHORTCUTTING NATURE
Dr. Leonard Foster’s laboratory at UBC has been involved in a Canada-wide project aimed at bringing modern molecular technologies to bear on the selective breeding of honey bees that are better able to resist disease and stress. They use molecular fingerprinting and genomics to identify stronger bees, enabling their selective breeding. This brings up several controversial topics, including whether these bees are “natural”, whether selectively bred bees could/should be patented and how far away direct genetic modification of honey bees will be. Dr. Foster will describe the state-of-the-art in bee genetics and where the future may lie here.
Dr. Leonard Foster is a Professor in the Department of Biochemistry and Molecular Biology at the University of British Columbia. Dr. Foster comes from a family of beekeepers and got his introduction to academic bee research at Simon Fraser University while doing his Bachelor’s degree in biochemistry – at SFU [Simon Fraser University] he worked with Drs. Winston [Mark Winston] and Slessor [Keith Slessor] on honey bee pheromones, particularly the components of queen mandibular pheromone. He then did a Ph.D in Toronto a post-doctoral studies in Denmark before starting his current position in 2005. The first independent operating grant that Dr. Foster secured was to study how bee pathogens were able to manipulate the protein machinery within bee cells. Since that time he has led three very large-scale projects that have investigated some of the molecular mechanisms behind disease resistance in bees. This effort has recently moved into trying to apply this knowledge by using the information they have learned to guide selective breeding for hygienic behavior in honey bees. He is very active in extension and frequently engages the public on various aspects of honey bee biology. He currently lives in Richmond and keeps bees himself.
We hope to see you there!
– Your Café Sci Vancouver Organizers
You can find out more about Leonard Foster and his work on this profile page on the University of British Columbia website, where I found this video,
One final comment, how are they going to patent a bee? For long time readers, it should be evident that I’m not a big fan of patents. They tend to impede research.
Researchers at the University of British Columbia (UBC; Canada) have discovered a way to turn cotton waste into a potentially higher value product. An October 15, 2019 UBC news release makes the announcement (Note: Links have been removed),
In the materials engineering labs at UBC, surrounded by Bunsen burners, microscopes and spinning machines, professor Frank Ko and research scientist Addie Bahi have developed a simple process for converting waste cotton into much higher-value nanofibres.
These fibres are the building blocks of advanced products like surgical implants, antibacterial wound dressings and fuel cell batteries.
“More than 28 million tonnes of cotton are produced worldwide each year, but very little of that is actually recycled after its useful life,” explains Bahi, a materials engineer who previously worked on recycling waste in the United Kingdom. “We wanted to find a viable way to break down waste cotton and convert it into a value-added product. This is one of the first successful attempts to make nanofibres from fabric scraps – previous research has focused on using a ready cellulose base to make nanofibres.”
Compared to conventional fibres, nanofibres are extremely thin (a nanofibre can be 500 times smaller than the width of the human hair) and so have a high surface-to-volume ratio. This makes them ideal for use in applications ranging from sensors and filtration (think gas sensors and water filters) to protective clothing, tissue engineering and energy storage. Ko and Bahi developed their process in collaboration with ecologyst, a B.C.-based company that manufactures sustainable outdoor apparel, and with the participation of materials engineering student Kosuke Ayama.
They chopped down waste cotton fabric supplied by ecologyst into tiny strips and soaked it in a chemical bath to remove all additives and artificial dyes from the fabric. The resulting gossamer-thin material was then fed to an electrospinning machine to produce very fine, smooth nanofibres. These can be further processed into various finished products.
“The process itself is relatively simple, but what we’re thrilled about is that we’ve proved you can extract a high-value product from something that would normally go to landfill, where it will eventually be incinerated. It’s estimated that only a fraction of cotton clothing is recycled. The more product we can re-process, the better it will be for the environment,” said lead researcher Frank Ko, a Canada Research Chair in advanced fibrous materials in UBC’s faculty of applied science.
The process Bahi and Ko developed is lab-scale, supported by a grant from the Natural Sciences and Engineering Research Council of Canada. In the future, the pair hope to refine and scale up their process and eventually share their methods with industry partners.
“We started with cotton because it’s one of the most popular fabrics for clothing,” said Bahi. “Once we’re able to develop the process further, we can look at converting other textiles into value-added materials. Achieving zero waste [emphasis mine] for the fashion and textile industries is extremely challenging – this is simply one of the many first steps towards that goal.”
The researchers have a 30 sec. video illustrating the need to recycle cotton materials,
At the mention of ‘zero waste’, I was reminded of an upcoming conference, Oct. 30 -31, 2019 in Vancouver (Canada) where UBC is located. It’s called the 2019 Zero Waste Conference and, oddly,there’s no mention of Ko or Bahi or Ayama or ecologyst on the speakers’ list. Maybe I was looking at the wrong list or the organizers didn’t have enough lead time to add more speakers.
One final comment, I wish there was a little more science (i.e., more technical details) in the news release.