Category Archives: Technology

Interweave: A multi-sensory show (March 21, 2024 in Vancouver, Canada) where fashion, movement, & music come together though wearable instruments.

Interweave is a free show at The Kent in the gallery in downtown Vancouver, Canada. Here’s more from a Simon Fraser University (SFU) announcement (received via email),

SFU School for the Contemporary Arts (SCA) alumnus, Kimia Koochakzadeh-Yazdi, is hosting Interweave, a multi-sensory show where fashion, movement, and music come together though wearable instruments.

Embrace the fusion of creativity and expression alongside your fellow alumni in a setting that celebrates innovation and the uncharted synergy between fashion, music, and movement. This is a great opportunity to mingle and reconnect with your peers.

Event Details:

Date: March 21, 2024
Time: Doors 7:30pm, Show 8:00pm
Location: The Kent Vancouver, 534 Cambie Street
Free Entry, RSVP required

Interweave is the first event from Fashion x Electronics (FXE), a collective created by Kimia Koochakzadeh-Yazdi, SCA alumnus, composer, and performer, and designer Kayla Yazdi. FXE is an interdisciplinary collective that is building multi-sensory experiences for their community, bridging together a diverse range of disciplines.

This is a 19+ event. ID will be checked at the door.

RSVP Now!

I wasn’t able to discern much more about the event or the Yazdi sisters from their Fashion x Electronics (FXE) website but there is this about Kayla Yazdi on her FXE profile,

Kayla Yazdi

Designer / Co-Producer

Kayla Yazdi is an Iranian-Canadian designer based in Vancouver, Canada. Her upbringing in Iran immersed her in a world of culture, art, and color. Holding a diploma in painting and a bachelor’s degree in design with a specialization in fashion and technology, Kayla has cultivated the skill set that merges her artistic sensibilities with innovative design concepts.

Kayla is dedicated to the creation of “almost” zero-waste garments. With design, technology, and experimentation, Kayla seeks to minimize environmental impacts while delivering unique styles.

Kimia Koochakzadeh-Yazdi’s FXE profile has this,

Kimia Koochakzadeh-Yazdi

Sound Artist / Co-Producer

Kimia Koochakzadeh-Yazdi(b. 1997 Tehran, Iran) is a California/Vancouver-based composer and performer. She writes for hybrid instrumental/electronic ensembles, creates electroacoustic and audiovisual works, and performs electronic music. Kimia explores the unfamiliar familiar while constantly being driven by the concepts of motion, interaction, and growth in both human life and in the sonic world. Being a cross-disciplinary artist, she has actively collaborated on projects evolving around dance, film, and theatre. Kimia’s work has been showcased by organizations such as Iranian Female Composer Association, Music on Main, Western Front, Vancouver New Music, and Media Arts Committee. She has been featured in The New York Times, Georgia Straight, MusicWorks Magazine, Vancouver Sun, and Sequenza 21. Her work has been performed at festivals around the world including Ars Electronica Festival, Festival Ecos Urbanos, Tehran Contemporary Sounds, AudioVisual Frontiers Virtual Exhibition, The New York City Electroacoustic Music Festival, Yarn/Wire Institute, Ensemble Evolution, New Music on the Point, wasteLAnd Summer Academy, EQ: Evolution of the String Quartet, Modulus Festival, and SALT New Music Festival. She holds a BFA in Music Composition from Simon Fraser University’s Interdisciplinary School for the Contemporary Arts, having studied with Sabrina Schroeder and Mauricio Pauly. Kimia is currently pursuing her DMA in Music Composition at Stanford University.

For more details about the sisters and the performance, Marilyn R. Wilson has written up a February 21, 2024 interview with both sisters for her Olio blog,

Can you share a little bit about your background, the life, work, experiences that led you to who you are today?
Kayla: I’m a visual artist with a focus on fashion design, and textile development. I like to explore ways to create wearable art with minimal waste produced in the process. I studied painting at Azadehgan School of Art in Iran and fashion design & technology at Wilson School of Design in Vancouver. My interest in fashion is rooted in creating functional art. I enjoy the business aspect of fashion however, I want to push boundaries of how fashion can be seen as art rather than solely as production.

Kimia: I’m a composer of acoustic and electronic music, I perform and build instruments, and a lot of times I combine these components together. Working with various disciplines is also an important part of my practice. I studied piano performance at Tehran Music School before moving to Vancouver to study composition at Simon Fraser University. I am currently a doctorate candidate in music composition at Stanford University. I love electronic music, food, and sports! My family, partner, and friends are a huge part of my life!

You have your premier event called “Interweave” coming up on March 21st at The Kent Gallery in Vancouver. What can guests attending expect this evening?

Kayla & Kimia: Interweave is a multidisciplinary performance that bridges fashion, music, technology, and dance. Our dancers will be performing in garments designed by Kayla, that are embedded with microcontrollers and sensors developed by Kimia. The dancers control various musical parameters through their movements and their interaction with the sensors that are incorporated within the garments. Along with works for movement and dance, there will be a live electronic music performance made for costume-made instruments. So far we have received an amazing amount of support and RSVP’s from the art industry in Vancouver and look forward to welcoming many local creative individuals.

We’d love to know about the team of professionals who are working hard to create this unique experience. 

Kayla & Kimia: We are working with the amazing choreographers/dancers Anya Saugstad and Daria Mikhailiuk. We are thankful for Laleh Zandi’s help for creating a sculpture for one of our instruments which will be performed by Kimia. Celeste Betancur and Richard Lee have been our amazing audio tech assistants. We are very appreciative of everyone involved in FXE’s premiere and can’t wait to showcase our hard work.

I have a bit more about Kimia Koochakzadeh-Yazdi and her work in music from a February 27, 2024 profile on the SFU School for the Contemporary Arts website, Note: Links have been removed,

Please introduce yourself.

I’m a composer of acoustic and electronic music, I perform and build instruments, and a lot of times, I combine these components together. Working with various disciplines is also an important part of my practice. I studied piano performance at Tehran Music School before moving to Vancouver to study composition at Simon Fraser University, graduating from the SCA in 2020. I am currently a doctoral student in music composition at Stanford University, where I spend most of my time.

Tell us about your current studies.

I’m in the third year of the DMA (Doctor of Musical Arts) program at Stanford University. I do the majority of my work at the Center for Computer Research in Music and Acoustics (CCRMA). I’m currently trying to learn and to experiment as much as possible! The amount of resources and ideas that I have been exposed to during the last couple of years has been quite significant and wonderful. I have been taking courses in subjects that I never thought I would study, from classes in the computer science and the mechanical engineering departments, to ones in education and theatre. I’m grateful to have been given a supportive platform to truly experiment and to learn.

As for my compositions, they are more melodic than before, and that currently makes me happy. I have started to perform more again (piano and electronics), and it makes me question: why did I ever stop…?

Koochakzadeh-Yazdi’s mention of building instruments reminded me of Icelandic musician, Bjork and Biophilia, which was an album, various art projects, and a film (Biophilia Live), which featured a number of musical instruments she created.

Getting back to Interweave, it’ s on March 21, 2024 at The Kent, specifically the gallery, which has,

… 14 foot ceilings boasts 50 track lights with the ability to transform the vacuous hall from candlelight to daylight. The lights are fully dimmable in an array of playful hues, according to your whim.   A full array of DMX Lighting and control systems live alongside the track light system and our recently installed (Vancouvers only) immersive projection system [emphasis mine] is ready for your vision.  This is your show.

I wonder if ‘multi-sensory’ includes an immersive experience.

Don’t forget, you have to RSVP for Interweave, which is free.

Prioritizing ethical & social considerations in emerging technologies—$16M in US National Science Foundation funding

I haven’t seen this much interest in the ethics and social impacts of emerging technologies in years. It seems that the latest AI (artificial intelligence) panic has stimulated interest not only in regulation but ethics too.

The latest information I have on this topic comes from a January 9, 2024 US National Science Foundation (NSF) news release (also received via email),

NSF and philanthropic partners announce $16 million in funding to prioritize ethical and social considerations in emerging technologies

ReDDDoT is a collaboration with five philanthropic partners and crosses
all disciplines of science and engineering_

The U.S. National Science Foundation today launched a new $16 million
program in collaboration with five philanthropic partners that seeks to
ensure ethical, legal, community and societal considerations are
embedded in the lifecycle of technology’s creation and use. The
Responsible Design, Development and Deployment of Technologies (ReDDDoT)
program aims to help create technologies that promote the public’s
wellbeing and mitigate potential harms.

“The design, development and deployment of technologies have broad
impacts on society,” said NSF Director Sethuraman Panchanathan. “As
discoveries and innovations are translated to practice, it is essential
that we engage and enable diverse communities to participate in this
work. NSF and its philanthropic partners share a strong commitment to
creating a comprehensive approach for co-design through soliciting
community input, incorporating community values and engaging a broad
array of academic and professional voices across the lifecycle of
technology creation and use.”

The ReDDDoT program invites proposals from multidisciplinary,
multi-sector teams that examine and demonstrate the principles,
methodologies and impacts associated with responsible design,
development and deployment of technologies, especially those specified
in the “CHIPS and Science Act of 2022.” In addition to NSF, the
program is funded and supported by the Ford Foundation, the Patrick J.
McGovern Foundation, Pivotal Ventures, Siegel Family Endowment and the
Eric and Wendy Schmidt Fund for Strategic Innovation.

“In recognition of the role responsible technologists can play to
advance human progress, and the danger unaccountable technology poses to
social justice, the ReDDDoT program serves as both a collaboration and a
covenant between philanthropy and government to center public interest
technology into the future of progress,” said Darren Walker, president
of the Ford Foundation. “This $16 million initiative will cultivate
expertise from public interest technologists across sectors who are
rooted in community and grounded by the belief that innovation, equity
and ethics must equally be the catalysts for technological progress.”

The broad goals of ReDDDoT include:  

*Stimulating activity and filling gaps in research, innovation and capacity building in the responsible design, development, and deployment of technologies.
* Creating broad and inclusive communities of interest that bring
together key stakeholders to better inform practices for the design,
development, and deployment of technologies.
* Educating and training the science, technology, engineering, and
mathematics workforce on approaches to responsible design,
development, and deployment of technologies. 
* Accelerating pathways to societal and economic benefits while
developing strategies to avoid or mitigate societal and economic harms.
* Empowering communities, including economically disadvantaged and
marginalized populations, to participate in all stages of technology
development, including the earliest stages of ideation and design.

Phase 1 of the program solicits proposals for Workshops, Planning
Grants, or the creation of Translational Research Coordination Networks,
while Phase 2 solicits full project proposals. The initial areas of
focus for 2024 include artificial intelligence, biotechnology or natural
and anthropogenic disaster prevention or mitigation. Future iterations
of the program may consider other key technology focus areas enumerated
in the CHIPS and Science Act.

For more information about ReDDDoT, visit the program website or register for an informational webinar on Feb. 9, 2024, at 2 p.m. ET.

Statements from NSF’s Partners

“The core belief at the heart of ReDDDoT – that technology should be
shaped by ethical, legal, and societal considerations as well as
community values – also drives the work of the Patrick J. McGovern
Foundation to build a human-centered digital future for all. We’re
pleased to support this partnership, committed to advancing the
development of AI, biotechnology, and climate technologies that advance
equity, sustainability, and justice.” – Vilas Dhar, President, Patrick
J. McGovern Foundation

“From generative AI to quantum computing, the pace of technology
development is only accelerating. Too often, technological advances are
not accompanied by discussion and design that considers negative impacts
or unrealized potential. We’re excited to support ReDDDoT as an
opportunity to uplift new and often forgotten perspectives that
critically examine technology’s impact on civic life, and advance Siegel
Family Endowment’s vision of technological change that includes and
improves the lives of all people.” – Katy Knight, President and
Executive Director of Siegel Family Endowment

Only eight months ago, another big NSF funding project was announced but this time focused on AI and promoting trust, from a May 4, 2023 University of Maryland (UMD) news release (also on EurekAlert), Note: A link has been removed,

The University of Maryland has been chosen to lead a multi-institutional effort supported by the National Science Foundation (NSF) that will develop new artificial intelligence (AI) technologies designed to promote trust and mitigate risks, while simultaneously empowering and educating the public.

The NSF Institute for Trustworthy AI in Law & Society (TRAILS) announced on May 4, 2023, unites specialists in AI and machine learning with social scientists, legal scholars, educators and public policy experts. The multidisciplinary team will work with impacted communities, private industry and the federal government to determine what trust in AI looks like, how to develop technical solutions for AI that can be trusted, and which policy models best create and sustain trust.

Funded by a $20 million award from NSF, the new institute is expected to transform the practice of AI from one driven primarily by technological innovation to one that is driven by ethics, human rights, and input and feedback from communities whose voices have previously been marginalized.

“As artificial intelligence continues to grow exponentially, we must embrace its potential for helping to solve the grand challenges of our time, as well as ensure that it is used both ethically and responsibly,” said UMD President Darryll J. Pines. “With strong federal support, this new institute will lead in defining the science and innovation needed to harness the power of AI for the benefit of the public good and all humankind.”

In addition to UMD, TRAILS will include faculty members from George Washington University (GW) and Morgan State University, with more support coming from Cornell University, the National Institute of Standards and Technology (NIST), and private sector organizations like the DataedX Group, Arthur AI, Checkstep, FinRegLab and Techstars.

At the heart of establishing the new institute is the consensus that AI is currently at a crossroads. AI-infused systems have great potential to enhance human capacity, increase productivity, catalyze innovation, and mitigate complex problems, but today’s systems are developed and deployed in a process that is opaque and insular to the public, and therefore, often untrustworthy to those affected by the technology.

“We’ve structured our research goals to educate, learn from, recruit, retain and support communities whose voices are often not recognized in mainstream AI development,” said Hal Daumé III, a UMD professor of computer science who is lead principal investigator of the NSF award and will serve as the director of TRAILS.

Inappropriate trust in AI can result in many negative outcomes, Daumé said. People often “overtrust” AI systems to do things they’re fundamentally incapable of. This can lead to people or organizations giving up their own power to systems that are not acting in their best interest. At the same time, people can also “undertrust” AI systems, leading them to avoid using systems that could ultimately help them.

Given these conditions—and the fact that AI is increasingly being deployed to mediate society’s online communications, determine health care options, and offer guidelines in the criminal justice system—it has become urgent to ensure that people’s trust in AI systems matches those same systems’ level of trustworthiness.

TRAILS has identified four key research thrusts to promote the development of AI systems that can earn the public’s trust through broader participation in the AI ecosystem.

The first, known as participatory AI, advocates involving human stakeholders in the development, deployment and use of these systems. It aims to create technology in a way that aligns with the values and interests of diverse groups of people, rather than being controlled by a few experts or solely driven by profit.

Leading the efforts in participatory AI is Katie Shilton, an associate professor in UMD’s College of Information Studies who specializes in ethics and sociotechnical systems. Tom Goldstein, a UMD associate professor of computer science, will lead the institute’s second research thrust, developing advanced machine learning algorithms that reflect the values and interests of the relevant stakeholders.

Daumé, Shilton and Goldstein all have appointments in the University of Maryland Institute for Advanced Computer Studies, which is providing administrative and technical support for TRAILS.

David Broniatowski, an associate professor of engineering management and systems engineering at GW, will lead the institute’s third research thrust of evaluating how people make sense of the AI systems that are developed, and the degree to which their levels of reliability, fairness, transparency and accountability will lead to appropriate levels of trust. Susan Ariel Aaronson, a research professor of international affairs at GW, will use her expertise in data-driven change and international data governance to lead the institute’s fourth thrust of participatory governance and trust.

Virginia Byrne, an assistant professor of higher education and student affairs at Morgan State, will lead community-driven projects related to the interplay between AI and education. According to Daumé, the TRAILS team will rely heavily on Morgan State’s leadership—as Maryland’s preeminent public urban research university—in conducting rigorous, participatory community-based research with broad societal impacts.

Additional academic support will come from Valerie Reyna, a professor of human development at Cornell, who will use her expertise in human judgment and cognition to advance efforts focused on how people interpret their use of AI.

Federal officials at NIST will collaborate with TRAILS in the development of meaningful measures, benchmarks, test beds and certification methods—particularly as they apply to important topics essential to trust and trustworthiness such as safety, fairness, privacy, transparency, explainability, accountability, accuracy and reliability.

“The ability to measure AI system trustworthiness and its impacts on individuals, communities and society is limited. TRAILS can help advance our understanding of the foundations of trustworthy AI, ethical and societal considerations of AI, and how to build systems that are trusted by the people who use and are affected by them,” said Under Secretary of Commerce for Standards and Technology and NIST Director Laurie E. Locascio.

Today’s announcement [May 4, 2023] is the latest in a series of federal grants establishing a cohort of National Artificial Intelligence Research Institutes. This recent investment in seven new AI institutes, totaling $140 million, follows two previous rounds of awards.

“Maryland is at the forefront of our nation’s scientific innovation thanks to our talented workforce, top-tier universities, and federal partners,” said U.S. Sen. Chris Van Hollen (D-Md.). “This National Science Foundation award for the University of Maryland—in coordination with other Maryland-based research institutions including Morgan State University and NIST—will promote ethical and responsible AI development, with the goal of helping us harness the benefits of this powerful emerging technology while limiting the potential risks it poses. This investment entrusts Maryland with a critical priority for our shared future, recognizing the unparalleled ingenuity and world-class reputation of our institutions.” 

The NSF, in collaboration with government agencies and private sector leaders, has now invested close to half a billion dollars in the AI institutes ecosystem—an investment that expands a collaborative AI research network into almost every U.S. state.

“The National AI Research Institutes are a critical component of our nation’s AI innovation, infrastructure, technology, education and partnerships ecosystem,” said NSF Director Sethuraman Panchanathan. “[They] are driving discoveries that will ensure our country is at the forefront of the global AI revolution.”

As noted in the UMD news release, this funding is part of a ‘bundle’, here’s more from the May 4, 2023 US NSF news release announcing the full $ 140 million funding program, Note: Links have been removed,

The U.S. National Science Foundation, in collaboration with other federal agencies, higher education institutions and other stakeholders, today announced a $140 million investment to establish seven new National Artificial Intelligence Research Institutes. The announcement is part of a broader effort across the federal government to advance a cohesive approach to AI-related opportunities and risks.

The new AI Institutes will advance foundational AI research that promotes ethical and trustworthy AI systems and technologies, develop novel approaches to cybersecurity, contribute to innovative solutions to climate change, expand the understanding of the brain, and leverage AI capabilities to enhance education and public health. The institutes will support the development of a diverse AI workforce in the U.S. and help address the risks and potential harms posed by AI.  This investment means  NSF and its funding partners have now invested close to half a billion dollars in the AI Institutes research network, which reaches almost every U.S. state.

“The National AI Research Institutes are a critical component of our nation’s AI innovation, infrastructure, technology, education and partnerships ecosystem,” said NSF Director Sethuraman Panchanathan. “These institutes are driving discoveries that will ensure our country is at the forefront of the global AI revolution.”

“These strategic federal investments will advance American AI infrastructure and innovation, so that AI can help tackle some of the biggest challenges we face, from climate change to health. Importantly, the growing network of National AI Research Institutes will promote responsible innovation that safeguards people’s safety and rights,” said White House Office of Science and Technology Policy Director Arati Prabhakar.

The new AI Institutes are interdisciplinary collaborations among top AI researchers and are supported by co-funding from the U.S. Department of Commerce’s National Institutes of Standards and Technology (NIST); U.S. Department of Homeland Security’s Science and Technology Directorate (DHS S&T); U.S. Department of Agriculture’s National Institute of Food and Agriculture (USDA-NIFA); U.S. Department of Education’s Institute of Education Sciences (ED-IES); U.S. Department of Defense’s Office of the Undersecretary of Defense for Research and Engineering (DoD OUSD R&E); and IBM Corporation (IBM).

“Foundational research in AI and machine learning has never been more critical to the understanding, creation and deployment of AI-powered systems that deliver transformative and trustworthy solutions across our society,” said NSF Assistant Director for Computer and Information Science and Engineering Margaret Martonosi. “These recent awards, as well as our AI Institutes ecosystem as a whole, represent our active efforts in addressing national economic and societal priorities that hinge on our nation’s AI capability and leadership.”

The new AI Institutes focus on six research themes:

Trustworthy AI

NSF Institute for Trustworthy AI in Law & Society (TRAILS)

Led by the University of Maryland, TRAILS aims to transform the practice of AI from one driven primarily by technological innovation to one driven with attention to ethics, human rights and support for communities whose voices have been marginalized into mainstream AI. TRAILS will be the first institute of its kind to integrate participatory design, technology, and governance of AI systems and technologies and will focus on investigating what trust in AI looks like, whether current technical solutions for AI can be trusted, and which policy models can effectively sustain AI trustworthiness. TRAILS is funded by a partnership between NSF and NIST.

Intelligent Agents for Next-Generation Cybersecurity

AI Institute for Agent-based Cyber Threat Intelligence and Operation (ACTION)

Led by the University of California, Santa Barbara, this institute will develop novel approaches that leverage AI to anticipate and take corrective actions against cyberthreats that target the security and privacy of computer networks and their users. The team of researchers will work with experts in security operations to develop a revolutionary approach to cybersecurity, in which AI-enabled intelligent security agents cooperate with humans across the cyberdefense life cycle to jointly improve the resilience of security of computer systems over time. ACTION is funded by a partnership between NSF, DHS S&T, and IBM.

Climate Smart Agriculture and Forestry

AI Institute for Climate-Land Interactions, Mitigation, Adaptation, Tradeoffs and Economy (AI-CLIMATE)

Led by the University of Minnesota Twin Cities, this institute aims to advance foundational AI by incorporating knowledge from agriculture and forestry sciences and leveraging these unique, new AI methods to curb climate effects while lifting rural economies. By creating a new scientific discipline and innovation ecosystem intersecting AI and climate-smart agriculture and forestry, our researchers and practitioners will discover and invent compelling AI-powered knowledge and solutions. Examples include AI-enhanced estimation methods of greenhouse gases and specialized field-to-market decision support tools. A key goal is to lower the cost of and improve accounting for carbon in farms and forests to empower carbon markets and inform decision making. The institute will also expand and diversify rural and urban AI workforces. AI-CLIMATE is funded by USDA-NIFA.

Neural and Cognitive Foundations of Artificial Intelligence

AI Institute for Artificial and Natural Intelligence (ARNI)

Led by Columbia University, this institute will draw together top researchers across the country to focus on a national priority: connecting the major progress made in AI systems to the revolution in our understanding of the brain. ARNI will meet the urgent need for new paradigms of interdisciplinary research between neuroscience, cognitive science and AI. This will accelerate progress in all three fields and broaden the transformative impact on society in the next decade. ARNI is funded by a partnership between NSF and DoD OUSD R&E.

AI for Decision Making

AI Institute for Societal Decision Making (AI-SDM)

Led by Carnegie Mellon University, this institute seeks to create human-centric AI for decision making to bolster effective response in uncertain, dynamic and resource-constrained scenarios like disaster management and public health. By bringing together an interdisciplinary team of AI and social science researchers, AI-SDM will enable emergency managers, public health officials, first responders, community workers and the public to make decisions that are data driven, robust, agile, resource efficient and trustworthy. The vision of the institute will be realized via development of AI theory and methods, translational research, training and outreach, enabled by partnerships with diverse universities, government organizations, corporate partners, community colleges, public libraries and high schools.

AI-Augmented Learning to Expand Education Opportunities and Improve Outcomes

AI Institute for Inclusive Intelligent Technologies for Education (INVITE)

Led by the University of Illinois Urbana-Champaign, this institute seeks to fundamentally reframe how educational technologies interact with learners by developing AI tools and approaches to support three crucial noncognitive skills known to underlie effective learning: persistence, academic resilience and collaboration. The institute’s use-inspired research will focus on how children communicate STEM content, how they learn to persist through challenging work, and how teachers support and promote noncognitive skill development. The resultant AI-based tools will be integrated into classrooms to empower teachers to support learners in more developmentally appropriate ways.

AI Institute for Exceptional Education (AI4ExceptionalEd)

Led by the University at Buffalo, this institute will work toward universal speech and language screening for children. The framework, the AI screener, will analyze video and audio streams of children during classroom interactions and assess the need for evidence-based interventions tailored to individual needs of students. The institute will serve children in need of ability-based speech and language services, advance foundational AI technologies and enhance understanding of childhood speech and language development. The AI Institute for Exceptional Education was previously announced in January 2023. The INVITE and AI4ExceptionalEd institutes are funded by a partnership between NSF and ED-IES.

Statements from NSF’s Federal Government Funding Partners

“Increasing AI system trustworthiness while reducing its risks will be key to unleashing AI’s potential benefits and ensuring our shared societal values,” said Under Secretary of Commerce for Standards and Technology and NIST Director Laurie E. Locascio. “Today, the ability to measure AI system trustworthiness and its impacts on individuals, communities and society is limited. TRAILS can help advance our understanding of the foundations of trustworthy AI, ethical and societal considerations of AI, and how to build systems that are trusted by the people who use and are affected by them.”

“The ACTION Institute will help us better assess the opportunities and risks of rapidly evolving AI technology and its impact on DHS missions,” said Dimitri Kusnezov, DHS under secretary for science and technology. “This group of researchers and their ambition to push the limits of fundamental AI and apply new insights represents a significant investment in cybersecurity defense. These partnerships allow us to collectively remain on the forefront of leading-edge research for AI technologies.”

“In the tradition of USDA National Institute of Food and Agriculture investments, this new institute leverages the scientific power of U.S. land-grant universities informed by close partnership with farmers, producers, educators and innovators to address the grand challenge of rising greenhouse gas concentrations and associated climate change,” said Acting NIFA Director Dionne Toombs. “This innovative center will address the urgent need to counter climate-related threats, lower greenhouse gas emissions, grow the American workforce and increase new rural opportunities.”

“The leading-edge in AI research inevitably draws from our, so far, limited understanding of human cognition. This AI Institute seeks to unify the fields of AI and neuroscience to bring advanced designs and approaches to more capable and trustworthy AI, while also providing better understanding of the human brain,” said Bindu Nair, director, Basic Research Office, Office of the Undersecretary of Defense for Research and Engineering. “We are proud to partner with NSF in this critical field of research, as continued advancement in these areas holds the potential for further and significant benefits to national security, the economy and improvements in quality of life.”

“We are excited to partner with NSF on these two AI institutes,” said IES Director Mark Schneider. “We hope that they will provide valuable insights into how to tap modern technologies to improve the education sciences — but more importantly we hope that they will lead to better student outcomes and identify ways to free up the time of teachers to deliver more informed individualized instruction for the students they care so much about.” 

Learn more about the NSF AI Institutes by visiting nsf.gov.

Two things I noticed, (1) No mention of including ethics training or concepts in science and technology education and (2) No mention of integrating ethics and social issues into any of the AI Institutes. So, it seems that ‘Responsible Design, Development and Deployment of Technologies (ReDDDoT)’ occupies its own fiefdom.

Some sobering thoughts

Things can go terribly wrong with new technology as seen in the British television hit series, Mr. Bates vs. The Post Office (based on a true story) , from a January 9, 2024 posting by Ani Blundel for tellyvisions.org,

… what is this show that’s caused the entire country to rise up as one to defend the rights of the lowly sub-postal worker? Known as the “British Post Office scandal,” the incidents first began in 1999 when the U.K. postal system began to switch to digital systems, using the Horizon Accounting system to track the monies brought in. However, the IT system was faulty from the start, and rather than blame the technology, the British government accused, arrested, persecuted, and convicted over 700 postal workers of fraud and theft. This continued through 2015 when the glitch was finally recognized, and in 2019, the convictions were ruled to be a miscarriage of justice.

Here’s the series synopsis:

The drama tells the story of one of the greatest miscarriages of justice in British legal history. Hundreds of innocent sub-postmasters and postmistresses were wrongly accused of theft, fraud, and false accounting due to a defective IT system. Many of the wronged workers were prosecuted, some of whom were imprisoned for crimes they never committed, and their lives were irreparably ruined by the scandal. Following the landmark Court of Appeal decision to overturn their criminal convictions, dozens of former sub-postmasters and postmistresses have been exonerated on all counts as they battled to finally clear their names. They fought for over ten years, finally proving their innocence and sealing a resounding victory, but all involved believe the fight is not over yet, not by a long way.

Here’s a video trailer for ‘Mr. Bates vs. The Post Office,

More from Blundel’s January 9, 2024 posting, Note: A link has been removed,

The outcry from the general public against the government’s bureaucratic mismanagement and abuse of employees has been loud and sustained enough that Prime Minister Rishi Sunak had to come out with a statement condemning what happened back during the 2009 incident. Further, the current Justice Secretary, Alex Chalk, is now trying to figure out the fastest way to exonerate the hundreds of sub-post managers and sub-postmistresses who were wrongfully convicted back then and if there are steps to be taken to punish the post office a decade later.

It’s a horrifying story and the worst I’ve seen so far but, sadly, it’s not the only one of its kind.

Too often people’s concerns and worries about new technology are dismissed or trivialized. Somehow, all the work done to establish ethical standards and develop trust seems to be used as a kind of sop to the concerns rather than being integrated into the implementation of life-altering technologies.

March 6, 2024 Simon Fraser University (SFU) event “The Planetary Politics of AI: Past, Present, and Future” in Vancouver, Canada

*Unsurprisingly, this event has been cancelled. More details at the end of this posting.* This is not a free event; they’ve changed the information about fees/no fees and how the fees are being assessed enough times for me to lose track; check the eventbrite registration page for the latest. Also, there will not be a publicly available recording of the event. (For folks who can’t afford the fees, there’s a contact listed later in this posting.)

First, here’s the “The Planetary Politics of AI: Past, Present, and Future” event information (from a January 10, 2024 Simon Fraser University (SFU) Public Square notice received via email),

The Planetary Politics of AI: Past, Present, and Future

Wednesday, March 6 [2024] | 7:00pm | In-person | Free [Note: This was an error.]

Generative AI has dominated headlines in 2023, but these new technologies rely on a dramatic increase in the extraction of data, human labor, and natural resources. With increasing media manipulation, polarizing discourse, and deep fakes, regulators are struggling to manage new AI.

On March 6th [2024], join renowned author and digital scholar Kate Crawford, as she sits in conversation with SFU’s Wendy Hui Kyong Chun. Together, they will discuss the planetary politics of AI, how we got here, and where it might be going.

A January 11, 2024 SFU Public Square notice (received via email) updates the information about how this isn’t a free event and offers an option for folks who can’t afford the price of a ticket, Note Links have been removed,

The Planetary Politics of AI: Past, Present, and Future

Wednesday, March 6 | 7:00pm | In-person | Paid

Good morning,

We’ve been made aware that yesterday’s newsletter had a mistake, and we thank those who brought it to our attention. The March 6th [2024] event, The Planetary Politics of AI: Past, Present, and Future, is not a free event and has an admission fee for attendance. We apologize for the confusion.

Whenever possible, SFU Public Square’s events are free and open to all, to ensure that the event is as accessible as possible. For this event, there is a paid admission, with a General and Student/Senior Admission option. That being said, if the admission fees are a barrier to access, please email us at psqevent@sfu.ca. Exceptions can be made. [emphasis mine]

Thank you for your understanding!

“The Planetary Politics of AI: Past, Present, and Future” registration webpage on eventbrite offers more information about the speakers and logistics,

Date and time

Starts on Wed, Mar 6, 2024 7:00 PM PST

Location

Djavad Mowafaghian Cinema (SFU Vancouver — Woodward’s Building) 149 W Hastings Street Vancouver, BC V6B 1H7

[See registration page for link to map]

Refund Policy

Refunds up to 7 days before event

About the speakers

Kate Crawfordis a leading international scholar of the social implications of artificial intelligence. She is a Research Professor at USC Annenberg in Los Angeles, a Senior Principal Researcher at MSR in New York, an Honorary Professor at the University of Sydney, and the inaugural Visiting Chair for AI and Justice at the École Normale Supérieure in Paris. Her latest book, Atlas of AI (Yale, 2021), won the Sally Hacker Prize from the Society for the History of Technology, the ASSI&T Best Information Science Book Award, and was named one of the best books in 2021 by New Scientist and the Financial Times.

Over her twenty-year research career, she has also produced groundbreaking creative collaborations and visual investigations. Her project Anatomy of an AI System with Vladan Joler is in the permanent collection of the Museum of Modern Art in New York and the V&A in London, and was awarded with the Design of the Year Award in 2019 and included in the Design of the Decades by the Design Museum of London. Her collaboration with the artist Trevor Paglen, Excavating AI, won the Ayrton Prize from the British Society for the History of Science. She has advised policy makers in the United Nations, the White House, and the European Parliament, and she currently leads the Knowing Machines Project, an international research collaboration that investigates the foundations of machine learning. And in 2023, Kate Crawford was named on of the TIME100 list as one of the most influential people in AI.

Wendy Hui Kyong Chun is Simon Fraser University’s Canada 150 Research Chair in New Media, Professor in the School of Communication, and Director of the Digital Democracies Institute. At the Institute, she leads the Mellon-funded Data Fluencies Project, which combines the interpretative traditions of the arts and humanities with critical work in the data sciences to express, imagine, and create innovative engagements with (and resistances to) our data-filled world.

She has studied both Systems Design Engineering and English Literature, which she combines and mutates in her research on digital media. She is author many books, including: Control and Freedom: Power and Paranoia in the Age of Fiber Optics (MIT, 2006), Programmed Visions: Software and Memory (MIT 2011), Updating to Remain the Same: Habitual New Media (MIT 2016), and Discriminating Data: Correlation, Neighborhoods, and the New Politics of Recognition (2021, MIT Press). She has been Professor and Chair of the Department of Modern Culture and Media at Brown University, where she worked for almost two decades and is currently a Visiting Professor. She is a Fellow of the Royal Society of Canada, and has also held fellowships from: the Guggenheim, ACLS, American Academy of Berlin, Radcliffe Institute for Advanced Study at Harvard.

I’m wondering if the speakers will be discussing how visual and other arts impact their views on AI and vice versa. Both academics have an interest in the arts as you can see in Crawford’s event bio. As for Wendy Hui Kyong Chun, in my April 23, 2021 posting where if you scroll down to her name, (about 30% of the way down), you’ll see she was involved with “Multimedia & Electronic Music Experiments (MEME),” History of Art and Architecture,” and “Theatre Arts and Performance Studies” at Brown University.

A February 12, 2024 SFU Public Square announcement (received via email), which includes a link to this Speaker’s Spotlight webpage (scroll down), suggests my speculation is incorrect,

For over two decades, Kate Crawford’s work has focused on understanding large scale data systems, machine learning and AI in the wider contexts of history, politics, labor, and the environment.

Her latest book,  Atlas of AI (2021) explores artificial intelligence as the extractive industry of the 21st century, relying on vast amounts of data, human labour, and natural resources. …

One more biographical note about Crawford, she was mentioned here in an April 17, 2015 posting, scroll down to the National Film Board of Canada subhead, then down to Episode 5 ‘Big Data and its Algorithms’ of the Do Not Track documentary; she is one of the interviewees. I’m not sure if that documentary is still accessible online.

Back to the event, to get more details and/or buy a ticket, go to: “The Planetary Politics of AI: Past, Present, and Future” registration webpage.

Or, SFU is hosting its free 2023 Nobel Prize-themed lecture at Science World on March 6, 2024 (see my January 16, 2024 posting and scroll down about 30% of the way for more details).

*March 4, 2024: I found a cancellation notice on the SFU’s The Planetary Politics of AI: Past, Present, and Future event page,,

Unfortunately, this event has been cancelled due to extenuating circumstances. If you have questions or concerns, please email us at psqevent@sfu.ca. We apologize for any inconvenience this may cause and we thank you for your understanding.

My guess? They didn’t sell enough tickets. My assessment? Poor organization (e.g., the confusion over pricing), and poor marketing (e.g., no compelling reason to buy a ticket, (e.g.,, neither participant is currently a celebrity or a hot property, the presentation was nothing unique or special, it was just a talk; the title was mildly interesting but not exciting or provocative, etc.).

Canadian scientists still being muzzled and a call for action on values and ethics in the Canadian federal public service

I’m starting with the older news about a survey finding that Canadian scientists are being muzzled before moving on to news about a recent survey where workers in the Canadian public services (and where most Canadian scientists are employed) criticizes the government’s values and ethics.

Muzzles, anyone?

It’s not exactly surprising to hear that Canadian scientists are still being muzzled for another recent story, (see my November 7, 2023 posting, “Money and its influence on Canada’s fisheries and oceans” for some specifics’ two of the authors are associated with Dalhousie University, Nova Scotia, Canada) .

This December 13, 2023 essay is by Alana Westwood, Manjulika E. Robertson and Samantha M. Chu (all of Dalhousie University but none were listed as authors on the ‘money, fisheries, and oceans paper) on The Conversation (h/t December 14, 2023 news item on phys.org). These authors describe some recent research into the Canadian situation, specifically since the 2015 election and the Liberals formed the government and ‘removed’ the muzzles placed on scientists by the previous Conservative government,

We recently surveyed 741 environmental researchers across Canada in two separate studies into interference. We circulated our survey through scientific societies related to environmental fields, as well as directly emailing Canadian authors of peer-reviewed research in environmental disciplines.

Researchers were asked (1) if they believed they had experienced interference in their work, (2) the sources and types of this interference, and (3) the subsequent effects on their career satisfaction and well-being.

We also asked demographic information to understand whether researchers’ perceptions of interference differed by career stage, research area or identity.

Although overall ability to communicate is improving, interference is a pervasive issue in Canada, including from government, private industry and academia. We found 92 per cent of the environmental researchers reported having experienced interference with their ability to communicate or conduct their research in some form.

Interference also manifested in different ways and already-marginalized researchers experienced worse outcomes.

The writers go on to offer a history of the interference (there’s also a more detailed history in this May 20, 2015 Canadian Broadcasting Corporation [CBC] online news article by Althea Manasan) before offering more information about results from the two recent surveys, Note: Links have been removed,

In our survey, respondents indicated that, overall, their ability to communicate with the public has improved in the recent years. Of the respondents aware of the government’s scientific integrity policies, roughly half of them attribute positive changes to them.

Others argued that the 2015 change in government [from Conservative to Liberal] had the biggest influence. In the first few months of their tenure, the Liberal government created a new cabinet position, the Minister of Science (this position was absorbed into the role of Minister of Innovation, Science, and Industry in 2019), and appointed a chief science advisor among other changes.

Though the ability to communicate has generally improved, many of the researchers argued interference still goes on in subtler ways. These included undue restriction on what kind of environmental research they can do, and funding to pursue them. Many respondents attributed those restrictions to the influence of private industry [emphasis mine].

Respondents identified the major sources of external interference as management, workplace policies, and external research partners. The chief motivations for interference, as the scientists saw it, included downplaying environmental risks, justifying an organization’s current position on an issue and avoiding contention.

Our most surprising finding was almost half of respondents said they limited their communications with the public and policymakers due to fears of negative backlash and reduced career opportunities.

In addition, interference had not been experienced equally. Early career and marginalized scientists — including those who identify as women, racialized, living with a disability and 2SLGBTQI+ — reported facing significantly more interference than their counterparts.

Scientists studying climate change, pollution, environmental impacted assessments and threatened species were also more likely to experience interference with their work than scientists in other disciplines.

The researchers used a single survey as the basis for two studies concerning interference in science,

Interference in science: scientists’ perspectives on their ability to communicate and conduct environmental research in Canada by Manjulika E. Robertson, Samantha M. Chu, Anika Cloutier, Philippe Mongeon, Don A. Driscoll, Tej Heer, and Alana R. Westwood. FACETS 8 (1) 30 November 2023 DOI: https://doi.org/10.1139/facets-2023-0005

This paper is open access.

Do environmental researchers from marginalized groups experience greater interference? Understanding scientists’ perceptions by Samantha M. Chu, Manjulika E. Robertson, Anika Cloutier, Suchinta Arif, and Alana R. Westwood.
FACETS 30 November 2023 DOI: https://doi.org/10.1139/facets-2023-0006

This paper is open access.

This next bit is on a somewhat related topic.

The Canadian government’s public service: values and ethics

Before launching into the latest news, here’s a little background. In 2016 the newly elected Liberal government implemented a new payroll system for the Canadian civil/public service. it was a débacle, which continues to this day (for the latest news I could find, see this September 1, 2023 article by Sam Konnert for CBC online news).

It was preventable and both the Conservative and Liberal governments of the day are responsible. You can get more details from my December 27, 2019 posting; scroll down to “The Minister of Digital Government and a bureaucratic débacle” and read on from there. In short, elected officials of both the Liberal and Conservative governments refused to listen when employees (both from the government and from the contractor) expressed grave concerns about the proposed pay system.

Now for public service employee morale, from a February 7, 2024 article by Robyn Miller for CBC news online, Note: Links have been removed,

Unions representing federal public servants say the government needs to do more to address dissatisfaction among the workforce after a recent report found some employees are unable to feel pride in their work.

“It’s more difficult now to be proud to be a public servant because of people’s perceptions of the institution and because of Canada’s role on the global stage,” said one participant who testified as part of the Deputy Ministers’ Task Team on Values and Ethics Report.

The report was published in late December [2023] by members of a task force assembled by Privy Council Clerk John Hannaford.

It’s the first major values and ethics review since an earlier report titled A Strong Foundation was released nearly 30 years ago.

Alex Silas, a regional executive vice-president of the Public Service Alliance of Canada, said the union supports the recommendations in the report but wants to see action.

“What we’ve seen historically, unfortunately, is that the values and ethics proposed by the federal government are not implemented in the workplaces of the federal government,” Silas said.

According to the report, it drew its findings from more than 90 conversations with public servants and external stakeholders starting in September 2023.

The report notes “public servants must provide frank and professional advice, without partisan considerations or fear of criticism or political reprisals.” [emphasis mine]

“The higher up the food chain you go, the less accountability seems to exist,” said one participant.

So, either elected officials and/or higher ups don’t listen when you speak up or you’re afraid to speak up for fear of criticism and/or reprisals. Plus, there’s outright interference as noted in the survey of scientists.

For the curious, here’s a link to the Deputy Ministers’ Task Team on Values and Ethics Report to the Clerk of the Privy Council (Canada 2023).

Let’s hope this airing of dirty laundry leads to some changes.

Hype, hype, hype: Vancouver’s Frontier Collective represents local tech community at SxWS (South by Southwest®) 2024 + an aside

I wonder if Vancouver’s Mayor Ken Sim will be joining the folks at the giant culture/tech event known as South by Southwest® (SxSW) later in 2024. Our peripatetic mayor seems to enjoy traveling to sports events (FIFA 2023 in Qatar), to Los Angeles to convince producers of a hit television series, “The Last of Us,” that they film the second season in Vancouver, and, to Austin, Texas for SxSW 2023. Note: FIFA is Fédération internationale de football association or ‘International Association Football Federation’.

It’s not entirely clear why Mayor Sim’s presence was necessary at any of these events. In October 2023, he finished his first year in office; a business owner and accountant, Sim is best known for his home care business, “Nurse Next Door” and his bagel business, “Rosemary Rocksalt,” meaning he wouldn’t seem to have much relevant experience with sports and film events.

I gather Mayor Sim’s presence was part of the 2023 hype (for those who don’t know, it’s from ‘hyperbole’) where SxSW was concerned, from the Vancouver Day at SxSW 2023 event page,

Vancouver Day

Past(03/12/2023) 12:00PM – 6:00PM

FREE W/ RSVP | ALL AGES

Swan Dive

The momentum and vibrancy of Vancouver’s innovation industry can’t be stopped!

The full day event will see the Canadian city’s premier technology innovators, creative tech industries, and musical artists show why Vancouver is consistently voted one of the most desirable places to live in the world.

We will have talks/panels with the biggest names in VR/AR/Metaverse, AI, Web3, premier technology innovators, top startups, investors and global thought-leaders. We will keep Canada House buzzing throughout the day with activations/demos from top companies from Vancouver and based on our unique culture of wellness and adventure will keep guests entertained, and giveaways will take place across the afternoon.

The Canadian city is showing why Vancouver has become the second largest AR/VR/Metaverse ecosystem globally (with the highest concentration of 3D talent than anywhere in the world), a leader in Web3 with companies like Dapper Labs leading the way and becoming a hotbed in technology like artificial intelligence.

The Frontier Collective’s Vancouver’s Takeover of SXSW is a signature event that will enhance Vancouver as the Innovation and Creative Tech leader on the world stage.It is an opportunity for the global community to encounter cutting-edge ideas, network with other professionals who share a similar appetite for a forward focused experience and define their next steps.

Some of our special guests include City of Vancouver Mayor Ken Sim [emphasis mine], Innovation Commissioner of the Government of BC- Gerri Sinclair, Amy Peck of Endeavor XR, Tony Parisi of Lamina1 and many more.

In the evening, guests can expect a special VIP event with first-class musical acts, installations, wellness activations and drinks, and the chance to mingle with investors, top brands, and top business leaders from around the world.

To round out the event, a hand-picked roster of Vancouver musicians will keep guests dancing late into the night.

This is from Mayor Sim’s Twitter (now X) feed, Note: The photographs have not been included,

Mayor Ken Sim@KenSimCity Another successful day at #SXSW2023 showcasing Vancouver and British Columbia while connecting with creators, innovators, and entrepreneurs from around the world! #vanpoli#SXSW

Last edited from Austin, TX·13.3K Views

Did he really need to be there?

2024 hype at SxSW and Vancouver’s Frontier Collective

New year and same hype but no Mayor Sim? From a January 22, 2024 article by Daniel Chai for the Daily Hive, Note: A link has been removed,

Frontier Collective, a coalition of Vancouver business leaders, culture entrepreneurs, and community builders, is returning to the South by Southwest (SXSW) Conference next month to showcase the city’s tech innovation on the global stage.

The first organization to formally represent and promote the region’s fastest-growing tech industries, Frontier Collective is hosting the Vancouver Takeover: Frontiers of Innovation from March 8 to 12 [2024].

According to Dan Burgar, CEO and co-founder of Frontier Collective, the showcase is not just about presenting new advancements but is also an invitation to the world to be part of a boundary-transcending journey.

“This year’s Vancouver Takeover is more than an event; it’s a beacon for the brightest minds and a celebration of the limitless possibilities that emerge when we dare to innovate together.”

Speakers lined up for the SXSW Vancouver Takeover in Austin, Texas, include executives from Google, Warner Bros, Amazon, JP Morgan, Amazon, LG, NTT, Newlab, and the Wall Street Journal.

“The Frontier Collective is excited to showcase a new era of technological innovation at SXSW 2024, building on the success of last year’s Takeover,” added Natasha Jaswal, VP of operations and events of Frontier Collective, in a statement. “Beyond creating a captivating event; its intentional and curated programming provides a great opportunity for local companies to gain exposure on an international stage, positioning Vancouver as a global powerhouse in frontier tech innovation.

Here’s the registration page if you want to attend the Frontiers of Innovation Vancouver Takeover at SxSW 2024,

Join us for a curated experience of music, art, frontier technologies and provocative panel discussions. We are organizing three major events, designed to ignite conversation and turn ideas into action.

We’re excited to bring together leaders from Vancouver and around the world to generate creative thinking at the biggest tech festival.

Let’s create the future together!

You have a choice of two parties and a day long event. Enjoy!

Who is the Frontier Collective?

The group announced itself in 2022, from a February 17, 2022 article in techcouver, Note: Links have been removed,

The Frontier Collective is the first organization to formally represent and advance the interests of the region’s fastest-growing industries, including Web3, the metaverse, VR/AR [virtual reality/augmented reality], AI [artificial intelligence], climate tech, and creative industries such as eSports [electronic sports], NFTs [non-fungible tokens], VFX [visual effects], and animation.

Did you know the Vancouver area currently boasts the world’s second largest virtual and augmented reality sector and hosts the globe’s biggest cluster of top VFX, video games and animation studios, as well as the highest concentration of 3D talent?

Did you know NFT technology was created in Vancouver and the city remains a top destination for blockchain and Web3 development?

Frontier Collective’s coalition of young entrepreneurs and business leaders wants to raise awareness of Vancouver’s greatness by promoting the region’s innovative tech industry on the world stage, growing investment and infrastructure for early-stage companies, and attracting diverse talent to Vancouver.

“These technologies move at an exponential pace. With the right investment and support, Vancouver has an immense opportunity to lead the world in frontier tech, ushering in a new wave of transformation, economic prosperity and high-paying jobs. Without backing from governments and leaders, these companies may look elsewhere for more welcoming environments.” said Dan Burgar, Co-founder and Head of the Frontier Collective. Burgar heads the local chapter of the VR/AR Association.

Their plan includes the creation of a 100,000-square-foot innovation hub in Vancouver to help incubate startups in Web3, VR/AR, and AI, and to establish the region as a centre for metaverse technology.

Frontier Collective’s team includes industry leaders at the Vancouver Economic Commission [emphasis mine; Under Mayor Sim and his majority City Council, the commission has been dissolved; see September 21, 2023 Vancouver Sun article “Vancouver scraps economic commission” by Tiffany Crawford], Collision Conference, Canadian incubator Launch, Invest Vancouver, and the BDC Deep Tech Fund.  These leaders continue to develop and support frontier technology in their own organizations and as part of the Collective.

Interestingly, a February 7, 2023 article by the editors of BC Business magazine seems to presage the Vancouver Economic Commission’s demise. Note: Links have been removed,

Last year, tech coalition Frontier Collective announced plans to position Vancouver as Canada’s tech capital by 2030. Specializing in subjects like Web3, the metaverse, VR/AR, AI and animation, it seems to be following through on its ambition, as the group is about to place Vancouver in front of a global audience at SXSW 2023, a major conference and festival celebrating tech, innovation and entertainment.  

Taking place in Austin, Texas from March 10-14 [2023], Vancouver Takeover is going to feature speakers, stories and activations, as well as opportunities for companies to connect with industry leaders and investors. Supported by local businesses like YVR Airport, Destination Vancouver, Low Tide Properties and others, Frontier is also working with partners from Trade and Invest BC, Telefilm and the Canadian Consulate. Attendees will spot familiar faces onstage, including the likes of Minister of Jobs, Economic Development and Innovation Brenda Bailey, Vancouver mayor Ken Sim [emphasis mine] and B.C. Innovation Commissioner Gerri Sinclair. 

That’s right, no mention of the Vancouver Economic Commission.

As for the Frontier Collective Team (accessed January 29, 2024), the list of ‘industry leaders’ (18 people with a gender breakdown that appears to be 10 male and 8 female) and staff members (a Senior VP who appears to be male and the other seven staff members who appear to be female) can be found here. (Should there be a more correct way to do the gender breakdown, please let me know in the Comments.)

i find the group’s name a bit odd, ‘frontier’ is something I associate with the US. Americans talk about frontiers, Canadians not so much.

If you are interested in attending the daylong (11 am – 9 pm) Vancouver Takeover at SxSW 2024 event on March 10, 2024, just click here.

Aside: swagger at Vancouver City Hall, economic prosperity, & more?

What follows is not germane to the VR/AR community, SxSW of any year, or the Frontier Collective but it may help to understand why the City of Vancouver’s current mayor is going to events where he would seem to have no useful role to play.

Matt O’Grady’s October 4, 2023 article for Vancouver Magazine offers an eyeopening review of Mayor Ken Sim’s first year in office.

Ken Sim swept to power a year ago promising to reduce waste, make our streets safer and bring Vancouver’s “swagger” back. But can his open-book style win over the critics?

I’m sitting on a couch in the mayor’s third-floor offices, and Ken Sim is walking over to his turntable to put on another record. “How about the Police? I love this album.”

With the opening strains of  “Every Breath You Take” crackling to life, Sim is explaining his approach to conflict resolution, and how he takes inspiration from the classic management tome Getting to Yes: Negotiating Agreement Without Giving In.

Odd choice for a song to set the tone for an interview. Here’s more about the song and its origins according to the song’s Wikipedia entry,

To escape the public eye, Sting retreated to the Caribbean. He started writing the song at Ian Fleming’s writing desk on the Goldeneye estate in Oracabessa, Jamaica.[14] The lyrics are the words of a possessive lover who is watching “every breath you take; every move you make”. Sting recalled:

“I woke up in the middle of the night with that line in my head, sat down at the piano and had written it in half an hour. The tune itself is generic, an aggregate of hundreds of others, but the words are interesting. It sounds like a comforting love song. I didn’t realise at the time how sinister it is. I think I was thinking of Big Brother, surveillance and control.”[15][emphasis mine]

The interview gets odder, from O’Grady’s October 4, 2023 article,

Suddenly, the office door swings open and Sim’s chief of staff, Trevor Ford, pokes his head in (for the third time in the past 10 minutes). “We have to go. Now.”

“Okay, okay,” says Sim, turning back to address me. “Do you mind if I change while we’re talking?” And so the door closes again—and, without further ado, the Mayor of Vancouver drops trou [emphasis mine] and goes in search of a pair of shorts, continuing with a story about how some of his west-side friends are vocally against the massive Jericho Lands development promising to reshape their 4th and Alma neighbourhood.

“And I’m like, ‘Let me be very clear: I 100-percent support it, this is why—and we’ll have to agree to disagree,’” he says, trading his baby-blue polo for a fitted charcoal grey T-shirt. Meanwhile, as Sim does his wardrobe change, I’m doing everything I can to keep my eyes on my keyboard—and hoping the mayor finds his missing shorts.

It’s fair to assume that previous mayors weren’t in the habit of getting naked in front of journalists. At least, I can’t quite picture Kennedy Stewart doing so, or Larry or Gordon Campbell either. 

But it also fits a pattern that’s developing with Ken Sim as a leader entirely comfortable in his own skin. He’s in a hurry to accomplish big things—no matter who’s watching and what they might say (or write). And he eagerly embraces the idea of bringing Vancouver’s “swagger” back—outlined in his inaugural State of the City address, and underlined when he shotgunned a beer at July’s [2023] Khatsahlano Street Party.

O’Grady’s October 4, 2023 article goes on to mention some of the more practical initiatives undertaken by Mayor Sim and his supermajority of ABC (Sim’s party, A Better City) city councillors in their efforts to deal with some of the city’s longstanding and intractable problems,

For a reminder of Sim’s key priorities, you need only look at the whiteboard in the mayor’s office. At the top, there’s a row labelled “Daily Focus (Top 4)”—which are, in order, 3-3-3-1 (ABC’s housing program); Chinatown; Business Advocacy; and Mental Health/Safety.

On some files, like Chinatown, there have been clear advances: council unanimously approved the Uplifting Chinatown Action Plan in January, which devotes more resources to cleaning and sanitation services, graffiti removal, beautification and other community supports. The plan also includes a new flat rate of $2 per hour for parking meters throughout Chinatown (to encourage more people to visit and shop in the area) and a new satellite City Hall office, to improve representation. And on mental health and public safety, the ABC council moved quickly in November to take action on its promise to fund 100 new police officers and 100 new mental health professionals [emphasis mine]—though the actual hiring will take time.

O’Grady likely wrote his article a few months before its October 2023 publication date (a standard practice for magazine articles), which may explain why he didn’t mention this, from an October 10, 2023 article by Michelle Gamage and Jen St. Denis for The Tyee,

100 Cops, Not Even 10 Nurses

One year after Mayor Ken Sim and the ABC party swept into power on a promise to hire 100 cops and 100 mental health nurses to address fears about crime and safety in Vancouver, only part of that campaign pledge has been fulfilled.

At a police board meeting in September, Chief Adam Palmer announced that 100 new police officers have now joined the Vancouver Police Department.

But just 9.5 full-time equivalent positions have been filled to support the mental health [emphasis mine] side of the promise.

In fact, Vancouver Coastal Health says it’s no longer aiming [emphasis mine] to hire 100 nurses. Instead, it’s aiming for 58 staff and specialists [emphasis mine], including social workers, community liaison workers and peers, as well as other disciplines alongside nurses to deliver care.

At the police board meeting on Sept. 21 [2023], Palmer said the VPD has had no trouble recruiting new police officers and has now hired 70 new recruits who are first-time officers, as well as at least 24 experienced officers from other police services.

In contrast, it’s been a struggle for VCH to recruit nurses specializing in mental health.

BC Nurses’ Union president Adriane Gear said she remembers wondering where Sim was planning on finding 100 nurses [emphasis mine] when he first made the campaign pledge. In B.C. there are around 5,000 full-time nursing vacancies, she said. Specialized nurses are an even more “finite resource,” she added.

I haven’t seen any information as to why the number was reduced from 100 mental health positions to 58. I’m also curious as to how Mayor Ken Sim whose business is called ‘Nurse Next Door’ doesn’t seem to know there’s a shortage of nurses in the province and elsewhere.

Last year, the World Economic Forum in collaboration with Quartz published a January 28, 2022 article by Aurora Almendral about the worldwide nursing shortage and the effects of COVID pandemic,

The report’s [from the International Council of Nurses (ICN)] survey of nurse associations around the world painted a grim picture of strained workforce. In Spain, nurses reported a chronic lack of PPE, and 30% caught covid. In Canada, 52% of nurses reported inadequate staffing, and 47% met the diagnostic cut-off for potential PTSD [emphasis mine].

Burnout plagued nurses around the world: 40% in Uganda, 60% in Belgium, and 63% in the US. In Oman, 38% nurses said they were depressed, and 73% had trouble sleeping. Fifty-seven percent of UK nurses planned to leave their jobs in 2021, up from 36% in 2020. Thirty-eight percent of nurses in Lebanon did not want to be nurses anymore, but stayed in their jobs because their families needed the money.

In Australia, 17% of nurses had sought mental health support. In China, 6.5% of nurses reported suicidal thoughts.

Moving on from Mayor Sim’s odd display of ignorance (or was it cynical calculation from a candidate determined to win over a more centrist voting population?), O’Grady’s October 4, 2023 article ends on this note,

When Sim runs for reelection in 2026, as he promises to do, he’ll have a great backdrop for his campaign—the city having just hosted several games for the FIFA World Cup, which is expected to bring in $1 billion and 900,000 visitors over five years.

The renewed swagger of Sim’s city will be on full display for the world to see. So too—if left unresolved—will some of Vancouver’s most glaring and intractable social problems.

I was born in Vancouver and don’t recall the city as having swagger, at any time. As for the economic prosperity that’s always promised with big events like the FIFA world cup, I’d like to see how much the 2010 Olympic Games held in Vancouver cost taxpayers and whether or not there were long lasting economic benefits. From a July 9, 2022 posting on Bob Mackin’s thebreaker.news,

The all-in cost to build and operate the Vancouver 2010 Games was as much as $8 billion, but the B.C. Auditor General never conducted a final report. The organizing committee, VANOC, was not covered by the freedom of information law and its records were transferred to the Vancouver Archives after the Games with restrictions not to open the board minutes and financial ledgers before fall 2025.

Mayor Sim will have two more big opportunities to show off his swagger in 2025 . (1) The Invictus Games come to Vancouver and Whistler in February 2025 and will likely bring Prince Harry and the Duchess of Sussex, Meghan Markle to the area (see the April 22, 2022 Associated Press article by Gemma Karstens-Smith on the Canadian Broadcasting Corporation website) and (2) The 2025 Junos (the Canadian equivalent to the Grammys) from March 26 – 30, 2025 with the awards show being held on March 30, 2025 (see the January 25, 2024 article by Daniel Chai for the Daily Hive website).

While he waits, Sim may have a ‘swagger’ opportunity later this month (February 2024) when Prince Harry and the Duchess of Sussex (Meghan Markle) visit the Vancouver and Whistler for a “a three-day Invictus Games’ One Year to Go event in Vancouver and Whistler,” see Daniel Chai’s February 2, 2024 article for more details.

Don’t forget, should you be in Austin, Texas for the 2024 SxSW, the daylong (11 am – 9 pm) Vancouver Takeover at SxSW 2024 event is on March 10, 2024, just click here to register. Who knows? You might get to meet Vancouver’s, Mayor Ken Sim. Or, if you can’t make it to Austin, Texas, O’Grady’s October 4, 2023 article offer an unusual political profile.

AI incites hiring of poets

This is not the first time that I’ve come across information such as this. According to a September 28, 2023 posting by Karl Bode for the TechDirt website, companies in Silicon Valley (California, US) are hiring poets (and other writers) to help train AI (artificial intelligence), Note: Links have been removed,

… however much AI hype-men would like to pretend AI makes human beings irrelevant, they remain essential for the underlying illusion and reality to function. As such, a growing number of Silicon Valley companies are increasingly hiring poets, English PHDs, and other writers to write short stories for LLMs [language learning models] to train on in a bid to improve the quality of their electro-mimics:

“A string of job postings from high-profile training data companies, such as Scale AI and Appen, are recruiting poets, novelists, playwrights, or writers with a PhD or master’s degree. Dozens more seek general annotators with humanities degrees, or years of work experience in literary fields. The listings aren’t limited to English: Some are looking specifically for poets and fiction writers in Hindi and Japanese, as well as writers in languages less represented on the internet.”

So it’s clear we still have a long way to go before these technologies actually get anywhere close to matching both the hype and employment apocalypse many predicted. LLMs are effectively mimics that create from what already exists. Since it’s not real artificial intelligence, it’s still not actually capable of true creativity:

“They are trained to reproduce. They are not designed to be great, they try to be as close as possible to what exists,” Fabricio Goes, who teaches informatics at the University of Leicester, told Rest of World, explaining a popular stance among AI researchers. “So, by design, many people argue that those systems are not creative.”

The problem remains that while the underlying technology will continuously improve, the folks rushing to implement it without thinking likely won’t. Most seem dead set on using AI primarily as a bludgeon against labor in the hopes the public won’t notice the drop in quality, and professional writers, editors, and creatives won’t mind increasingly lower pay and tenuous position in the food chain.

In the last paragraph, Bode appears to be alluding to the Writers Guild of America strike (known popularly as the Hollywood writers strike), which ended on September 26, 2023 (for more details, see this September 26, 2023 article by Samantha Delouya for CNN).

Four years ago, I used this head “Ghosts, mechanical turks, and pseudo-AI (artificial intelligence)—Is it all a con game?” for a more in depth look at how AI is overhyped; see my September 24, 2019 posting.

6th annual Girls and STEAM (science, technology, engineering, arts, and mathematics) Summit at Science World in Vancouver (Canada)

Thanks to Rebecca Bollwitt and the October 24, 2023 posting on her Miss 604 blog for the news about the 2023 (or 6th annual) Girls and STEAM (science, technology, engineering, arts, and math) Summit. From Alexis Miles’s October 24, 2023 post,

The 6th annual Girls and STEAM (science, technology, engineering, arts and design, and math), presented by STEMCELL Technologies, is taking place at Science World November 4th [2023].

Girls and STEAM at Science World
Date: Saturday, November 4, 2023
Time: 7:45am to 4:00pm
Location: Science World (1455 Quebec Street, Vancouver)
Admission: Registration is open online for girls aged 12 to 14.

300 young girls, aged 12-14, will take over the Science World dome in a day of hands-on activities, enriching workshops, inspiring mentorship sessions and a keynote presentation.

This year’s keynote presentation features Andini Makosinski, Filipina-Polish Canadian inventor best known for her invention of the Hollow Flashlight that runs off the heat of the human hand, and theeDrink, a coffee mug that harvests the excess heat of a hot drink and converts it into electricity to charge a phone. The inspiration for Andini’s flashlight came from her friend in the Philippines, who had failed a grade in school because she had no light or electricity to study with at night.

A September 25, 2023 STEMCELL Technologies news release announces the company’s participation and support for the event,

STEMCELL Technologies, Canada’s largest biotechnology company, is pleased to announce it will be the presenting partner of the Girls and STEAM Summit at Science World in Vancouver.

The Summit, which takes place on November 4, 2023, is a full-day event with workshops, hands-on activities, a keynote presentation, and sessions with experienced mentors who work in STEAM (science, technology, engineering, art and design, and math).

“Science is about so much more than what happens in the laboratory. It provides a lens that can instill a deep-seated curiosity in young minds and enrich every aspect of our lives,” said Sharon Louis, Senior Vice President of Research and Development, STEMCELL. “Scientific education – in the classroom and out in the world – can lead to life-changing experiences and limitless opportunities for young women and girls. STEMCELL is proud to support the Girls and STEAM program to make science more accessible, and help ignite the passion of the next generation of scientists and leaders.”

About STEMCELL Technologies

STEMCELL Technologies supports life sciences research with more than 2,500 specialized reagents, tools, and services. STEMCELL offers high-quality cell culture media, cell separation technologies, instruments, accessory products, educational resources, and contract assay services that are used by scientists performing stem cell, immunology, cancer, regenerative medicine, and cellular therapy research globally.

[downloaded from https://miss604.com/2023/10/girls-and-steam-at-science-world.html]

You can register here.

Toronto’s ArtSci Salon hosts October 16, 2023 and October 27, 2023 events and the Fourth Annual Small File Media Festival in Vancouver (Canada) Oct. 20 – 21, 2023

An October 5, 2023 announcement (received via email) from Toronto’s ArtSci Salon lists two events coming up in October 2023,

These two Events are part of the international Leonardo LASER series
LASER Toronto is hosted by Nina Czegledy and Roberta Buiani

The Anthropocene Cookbook on October 16, 2023

[downloaded from: https://artscisalon.com/coms4208/]

From the Toronto ArtSci Salon October 5, 2023 announcement,

Oct 16 [2023], 3:30 PM [ET] 
The Anthropocene cookbook

with authors 
Zane Cerpina & Stahl Stenslie
Cerpina and Stenslie are the authors of
The Anthropocene Cookbook. How to survive in the age of catastrophes 

Join us to welcome Cerpina and Stenslie as they introduce us to their
book and discuss the future cuisine of humanity. To sustain the
soon-to-be 9 billion global population we cannot count on Mother
Earth’s resources anymore. The project explores innovative and
speculative ideas about new foods in the field of arts, design, science
& technology, rethinking eating traditions and food taboos, and
proposing new recipes for survival in times of ecological catastrophes.

To match the topic of their talk, attendees will be presented with
“anthropocene snacks” and will be encouraged to discuss food
alternatives and new networks of solidarity to fight food deserts,
waste, and unsustainable consumption.

This is a Hybrid event: our guests will join us virtually on zoom.
Join us in person at Glendon Campus, rm YH190 (the studio next to the
Glendon Theatre) for a more intimate community experience and some
anthropocene snacks. If you wish to join us on Zoom, please

register here

This event is part of a series on Emergent Practices in Communication,
featuring explorations on interspecies communication and digital
networks; land-based justice and collective care. The full program can be found here

This initiative is supported by York University’s Teaching Commons Academic Innovation Fund

Zane Cerpina is a multicultural and interdisciplinary female author,
curator, artist, and designer working with the complexity of
socio-political and environmental issues in contemporary society and in
the age of the Anthropocene. Cerpina earned her master’s degree in
design from AHO – The Oslo School of Architecture and Design and a
bachelor’s degree in Art and Technology from Aalborg University. She
resides in Oslo and is a project manager/curator at TEKS (Trondheim
Electronic Arts Centre). She is also a co-founder and editor of EE:
Experimental Emerging Art Journal. From 2015 to 2019, Cerpina was a
creative manager and editor at PNEK (Production Network for Electronic
Art, Norway).

Stahl Stenslie works as an artist, curator and researcher specializing
in experimental media art and interaction experiences. His aesthetic
focus is on art and artistic expressions that challenge ordinary ways of
perceiving the world. Through his practice he asks the questions we tend
to avoid – or where the answers lie in the shadows of existence.
Keywords of his practice are somaesthetics, unstable media,
transgression and numinousness. The technological focus in his works is
on the art of the recently possible – such as i) panhaptic
communication on Smartphones, ii) somatic and immersive soundspaces, and
iii) design of functional and lethal artguns, 3D printed in low-cost
plastic material.He has a PhD on Touch and Technologies from The School
of Architecture and Design, Oslo, Norway. Currently he heads the R&D
department at Arts for Young Audiences Norway.

If you’re interested in the book, there’s the anthropocenecookbook.com, which has more about the book and purchase information,

The Anthropocene Cookbook is by far the most comprehensive collection of ideas about future food from the perspective of art, design, and science. It is a thought-provoking book about art, food, and eating in the Anthropocene –The Age of Man– and the age of catastrophes.

Published by The MIT Press [MIT = Massachusetts Institute of Technology]
| mitpress.mit.edu

Supported by TEKS
Trondheim Electronic Arts Centre
| www.teks.no

*Date changed* Streaming Carbon Footprint on October 27, 2023

Keep scrolling down to Date & location changed for Streaming Carbon Footprint subhead.

From the Toronto ArtSci Salon October 5, 2023 announcement,

Oct 27, [2023] 5:00-7:00 PM  [ET]
Streaming Carbon Footprint

with 
Laura U. Marks
and
David Rokeby

Room 230
The Fields Institute for Research in Mathematical Sciences
222 College Street, Toronto

We are thrilled to announce this dialogue between media Theorist Laura U. Marks and Media Artist David Rokeby. Together, they will discuss a well known elephant in the room of media and digital technologies: their carbon footprint. As social media and streaming media usage increases exponentially, what can be done to mitigate their impact? are there alternatives?

This is a live event: our guests will join us in person.

if you wish to join us on Zoom instead, a link will be circulated on our website and on social media a few days before the event. The event will be recorded

Laura U. Marks works on media art and philosophy with an intercultural focus, and on small-footprint media. She programs experimental media for venues around the world. As Grant Strate University Professor, she teaches in the School for the Contemporary Arts at Simon Fraser University in Vancouver, Canada. Her upcoming book The Fold: From Your Body to the Cosmos will be published I March 2024 by Duke University Press. 

David Rokeby is an installation artist based in Toronto, Canada. He has been creating and exhibiting since 1982. For the first part of his career he focussed on interactive pieces that directly engage the human body, or that involve artificial perception systems. In the last decade, his practice has expanded to included video, kinetic and static sculpture. His work has been performed / exhibited in shows across Canada, the United States, Europe and Asia.

Awards include the first BAFTA (British Academy of Film and Television Arts) award for Interactive Art in 2000, a 2002 Governor General’s award in Visual and Media Arts and the Prix Ars Electronica Golden Nica for Interactive Art 2002. He was awarded the first Petro-Canada Award for Media Arts in 1988, the Prix Ars Electronica Award of Distinction for Interactive Art (Austria) in 1991 and 1997.

I haven’t been able to dig up any information about registration but it will be added here should I stumble across any in the next few weeks. I did, however, find more information about Marks’s work and a festival in Vancouver (Canada).

Fourth Annual Small File Media Festival (October 20 -21, 2023) and the Streaming Carbon Footprint

First, let’s flip back in time to a July 27, 2021 Simon Fraser University (SFU) news release (also published as a July 27, 2021 news item on phys.org) by Tessa Perkins Deneault,

When was the last time you watched a DVD? If you’re like most people, your DVD collection has been gathering dust as you stream movies and TV from a variety of on-demand services. But have you ever considered the impact of streaming video on the environment?

School for the Contemporary Arts professor Laura Marks and engineering professor Stephen Makonin, with engineering student Alejandro Rodriguez-Silva and media scholar Radek Przedpełski, worked together for over a year to investigate the carbon footprint of streaming media supported by a grant from the Social Sciences and Humanities Research Council of Canada.

“Stephen and Alejandro were there to give us a reality check and to increase our engineering literacy, and Radek and I brought the critical reading to it,” says Marks. “It was really a beautiful meeting of critical media studies and engineering.”

After combing through studies on Information and Communication Technologies (ICT) and making their own calculations, they confirmed that streaming media (including video on demand, YouTube, video embedded in social media and websites, video conferences, video calls and games) is responsible for more than one per cent of greenhouse gas emissions worldwide. And this number is only projected to rise as video conferencing and streaming proliferate.

“One per cent doesn’t sound like a lot, but it’s significant if you think that the airline industry is estimated to be 1.9 per cent,” says Marks. “ICT’s carbon footprint is growing fast, and I’m concerned that because we’re all turning our energy to other obvious carbon polluters, like fossil fuels, cars, the airline industry, people are not going to pay attention to this silent, invisible carbon polluter.”

One thing that Marks found surprising during their research is how politicized this topic is.

Their full report includes a section detailing the International Energy Association’s attack on French think tank The Shift Project after they published a report on streaming media’s carbon footprint in 2019. They found that some ICT engineers state that the carbon footprint of streaming is not a concern because data centres and networks are very efficient, while others say the fast-rising footprint is a serious problem that needs to be addressed. Their report includes comparisons of the divergent figures in engineering studies in order to get a better understanding of the scope of this problem.

The No. 1 thing Marks and Makonin recommend to reduce streaming’s carbon footprint is to ensure that our electricity comes from renewable sources. At an individual level, they offer a list of recommendations to reduce energy consumption and demand for new ICT infrastructure including: stream less, watch physical media including DVDs, decrease video resolution, use audio-only mode when possible, and keep your devices longer—since production of devices is very carbon-intensive.    

Promoting small files and low resolution, Marks founded the Small File Media Festival [link leads to 2023 programme], which will present its second annual program [2021] of 5-megabyte films Aug. 10 – 20. As the organizers say, movies don’t have to be big to be binge-worthy.

Learn more about Marks’ research and the Small File Media Festival: https://www.sfu.ca/sca/projects—activities/streaming-carbon-footprint.html

And now for 2023, here’s a video promoting the upcoming fourth annual festival,

The Streaming Carbon Footprint webpage on the SFU website includes information about the final report and the latest Small File Media Festival. Although I found the Small File Media Festival website also included a link for purchasing tickets,

The Small File Media Festival returns for its fourth iteration! We are delighted to partner with The Cinematheque to present over sixty jewel-like works from across the globe. These movies are small in file size, but huge in impact: by embracing the aesthetics of compression and low resolution (glitchiness, noise, pixelation), they lay the groundwork for a new experimental film movement in the digital age. This year, six lovingly curated programs traverse brooding pixelated landscapes, textural paradises, and crystalline infinities.

TICKETS AND FESTIVAL INFO

Join us Friday, October 20 [2023] for the opening-night program followed by a drinks reception in the lobby and a dance party in the cinema, featuring music by Vancouver electronic artist SAN. We’ll announce the winner of the coveted Small-File Golden Mini Bear during Saturday’s [October 21, 2023] award ceremony! As always, the festival will stream online at small​file​.ca after the live events.

We’re most grateful to our future-forward friends at the Social Sciences and Humanities Research Council of Canada, Canada Council for the Arts, and SFU Contemporary Arts. Thanks to VIVO Media Arts, Cairo Video Festival, and The Hmm for generous distribution and exhibition awards, and to UKRAïNATV, a partner in small-file activism.

Cosmically healthy, community-building, and punk AF, small-file ecomedia will heal the world, one pixel at a time.

TICKETS

There we have it. And then, we didn’t

*Date & location change* for Streaming Carbon Footprint event

From an October 27, 2023 ArtSci Salon notice,

Nov 7, [2023] 5:00-7:00 PM 
Streaming Carbon Footprint

with 
Laura U. Marks
and
David Rokeby
 

Tuesday, November 7 [2023]
5:00-7:00 pm
The BMO Lab
15 King’s College Circle, room H-12
Toronto, Ontario M5S 3H7

Good luck to the organizers. It must have been nervewracking to change the date so late in the game.

Simon Fraser University’s (SFU; Canada) Café Scientifique Fall 2023 events: first event is Sept. 26, 2023

From a September 7, 2023 SFU Café Scientifique announcement of their Fall 2023 event schedule (received via email),

We hope you had a great summer and are all excited for a brand new fall line-up:

SFU Café Scientifique lectures and discussions on Zoom 

Tuesdays from 5:00-6:30pm, Zoom invites are sent to those who register.

Email cafe_scientifique@sfu.ca for inquires.

Sept 26, 2023 Vance Williams, Chemistry

Title: (Un)Natural Beauty: Art, Science and Technology

Description: While art is often described in opposition to science and technology, in reality, these disciplines are mutually supporting and reinforcing explorations of the natural and constructed world. In this presentation, I will examine the intersection of art and science and the often blurry distinction between the scientist and the artist.

[Register here for September 26, 2023 event]

October 24, 2023 Ailene MacPherson, Mathematics

Title: Who, What, Where, When, and Why: the power of genomics in public health

Description: Within days of first being identified the full genome sequence of SARS Cov-2 was published online. Here we discuss the extraordinary power and limitations of genomics for understanding disease spread and for designing effective public health interventions.

[Register here for October 24, 2023 event]

November 28, 2023 Dustin King, Molecular Biology and Biochemistry

Title: Decoding how life senses and responds to carbon dioxide gas.

Description: Dustin King’s Indigenous background is central to his work and relationship with the biochemical research he conducts. He brings Indigenous ways of knowing and a two-eye seeing approach to critical questions about humanity’s impact upon the natural world. 

Join Dr. King on a microscopic journey into intricate cellular systems, which make use of CO2 in incredible ways. The presence of CO2 on Earth has given rise to a diverse evolutionary tree, with plants and animals developing ingenious methods for harnessing and using CO2 in their unique habitats. We travel from the depths of the ocean floor to the air we breathe, to understand the implications of increasing CO2 levels in nature and in daily human life.

[Register here for November 28, 2023 event]

I wouldn’t have thought art/science or, as it sometimes called, sciart was a particularly obscure concept these days but it’s a good reminder that much depends on the community from which you draw your audience.