Tag Archives: The Planetary Politics of AI: Past Present and Future (event)

March 6, 2024 Simon Fraser University (SFU) event “The Planetary Politics of AI: Past, Present, and Future” in Vancouver, Canada

*Unsurprisingly, this event has been cancelled. More details at the end of this posting.* This is not a free event; they’ve changed the information about fees/no fees and how the fees are being assessed enough times for me to lose track; check the eventbrite registration page for the latest. Also, there will not be a publicly available recording of the event. (For folks who can’t afford the fees, there’s a contact listed later in this posting.)

First, here’s the “The Planetary Politics of AI: Past, Present, and Future” event information (from a January 10, 2024 Simon Fraser University (SFU) Public Square notice received via email),

The Planetary Politics of AI: Past, Present, and Future

Wednesday, March 6 [2024] | 7:00pm | In-person | Free [Note: This was an error.]

Generative AI has dominated headlines in 2023, but these new technologies rely on a dramatic increase in the extraction of data, human labor, and natural resources. With increasing media manipulation, polarizing discourse, and deep fakes, regulators are struggling to manage new AI.

On March 6th [2024], join renowned author and digital scholar Kate Crawford, as she sits in conversation with SFU’s Wendy Hui Kyong Chun. Together, they will discuss the planetary politics of AI, how we got here, and where it might be going.

A January 11, 2024 SFU Public Square notice (received via email) updates the information about how this isn’t a free event and offers an option for folks who can’t afford the price of a ticket, Note Links have been removed,

The Planetary Politics of AI: Past, Present, and Future

Wednesday, March 6 | 7:00pm | In-person | Paid

Good morning,

We’ve been made aware that yesterday’s newsletter had a mistake, and we thank those who brought it to our attention. The March 6th [2024] event, The Planetary Politics of AI: Past, Present, and Future, is not a free event and has an admission fee for attendance. We apologize for the confusion.

Whenever possible, SFU Public Square’s events are free and open to all, to ensure that the event is as accessible as possible. For this event, there is a paid admission, with a General and Student/Senior Admission option. That being said, if the admission fees are a barrier to access, please email us at psqevent@sfu.ca. Exceptions can be made. [emphasis mine]

Thank you for your understanding!

“The Planetary Politics of AI: Past, Present, and Future” registration webpage on eventbrite offers more information about the speakers and logistics,

Date and time

Starts on Wed, Mar 6, 2024 7:00 PM PST

Location

Djavad Mowafaghian Cinema (SFU Vancouver — Woodward’s Building) 149 W Hastings Street Vancouver, BC V6B 1H7

[See registration page for link to map]

Refund Policy

Refunds up to 7 days before event

About the speakers

Kate Crawfordis a leading international scholar of the social implications of artificial intelligence. She is a Research Professor at USC Annenberg in Los Angeles, a Senior Principal Researcher at MSR in New York, an Honorary Professor at the University of Sydney, and the inaugural Visiting Chair for AI and Justice at the École Normale Supérieure in Paris. Her latest book, Atlas of AI (Yale, 2021), won the Sally Hacker Prize from the Society for the History of Technology, the ASSI&T Best Information Science Book Award, and was named one of the best books in 2021 by New Scientist and the Financial Times.

Over her twenty-year research career, she has also produced groundbreaking creative collaborations and visual investigations. Her project Anatomy of an AI System with Vladan Joler is in the permanent collection of the Museum of Modern Art in New York and the V&A in London, and was awarded with the Design of the Year Award in 2019 and included in the Design of the Decades by the Design Museum of London. Her collaboration with the artist Trevor Paglen, Excavating AI, won the Ayrton Prize from the British Society for the History of Science. She has advised policy makers in the United Nations, the White House, and the European Parliament, and she currently leads the Knowing Machines Project, an international research collaboration that investigates the foundations of machine learning. And in 2023, Kate Crawford was named on of the TIME100 list as one of the most influential people in AI.

Wendy Hui Kyong Chun is Simon Fraser University’s Canada 150 Research Chair in New Media, Professor in the School of Communication, and Director of the Digital Democracies Institute. At the Institute, she leads the Mellon-funded Data Fluencies Project, which combines the interpretative traditions of the arts and humanities with critical work in the data sciences to express, imagine, and create innovative engagements with (and resistances to) our data-filled world.

She has studied both Systems Design Engineering and English Literature, which she combines and mutates in her research on digital media. She is author many books, including: Control and Freedom: Power and Paranoia in the Age of Fiber Optics (MIT, 2006), Programmed Visions: Software and Memory (MIT 2011), Updating to Remain the Same: Habitual New Media (MIT 2016), and Discriminating Data: Correlation, Neighborhoods, and the New Politics of Recognition (2021, MIT Press). She has been Professor and Chair of the Department of Modern Culture and Media at Brown University, where she worked for almost two decades and is currently a Visiting Professor. She is a Fellow of the Royal Society of Canada, and has also held fellowships from: the Guggenheim, ACLS, American Academy of Berlin, Radcliffe Institute for Advanced Study at Harvard.

I’m wondering if the speakers will be discussing how visual and other arts impact their views on AI and vice versa. Both academics have an interest in the arts as you can see in Crawford’s event bio. As for Wendy Hui Kyong Chun, in my April 23, 2021 posting where if you scroll down to her name, (about 30% of the way down), you’ll see she was involved with “Multimedia & Electronic Music Experiments (MEME),” History of Art and Architecture,” and “Theatre Arts and Performance Studies” at Brown University.

A February 12, 2024 SFU Public Square announcement (received via email), which includes a link to this Speaker’s Spotlight webpage (scroll down), suggests my speculation is incorrect,

For over two decades, Kate Crawford’s work has focused on understanding large scale data systems, machine learning and AI in the wider contexts of history, politics, labor, and the environment.

Her latest book,  Atlas of AI (2021) explores artificial intelligence as the extractive industry of the 21st century, relying on vast amounts of data, human labour, and natural resources. …

One more biographical note about Crawford, she was mentioned here in an April 17, 2015 posting, scroll down to the National Film Board of Canada subhead, then down to Episode 5 ‘Big Data and its Algorithms’ of the Do Not Track documentary; she is one of the interviewees. I’m not sure if that documentary is still accessible online.

Back to the event, to get more details and/or buy a ticket, go to: “The Planetary Politics of AI: Past, Present, and Future” registration webpage.

Or, SFU is hosting its free 2023 Nobel Prize-themed lecture at Science World on March 6, 2024 (see my January 16, 2024 posting and scroll down about 30% of the way for more details).

*March 4, 2024: I found a cancellation notice on the SFU’s The Planetary Politics of AI: Past, Present, and Future event page,,

Unfortunately, this event has been cancelled due to extenuating circumstances. If you have questions or concerns, please email us at psqevent@sfu.ca. We apologize for any inconvenience this may cause and we thank you for your understanding.

My guess? They didn’t sell enough tickets. My assessment? Poor organization (e.g., the confusion over pricing), and poor marketing (e.g., no compelling reason to buy a ticket, (e.g.,, neither participant is currently a celebrity or a hot property, the presentation was nothing unique or special, it was just a talk; the title was mildly interesting but not exciting or provocative, etc.).